#I know I know I'm late

[justaboot]

"I'm not the adventurer you thought I'd be..."

Quick little sketch of my all-time favorite episode in honor of our little 6th anniversary shindig! Rallied by @secret-tester @alexcanine @boingodigitalart @yeyeducks @cookieruby @the-richest-duck

[37nightwalker]

─── tarot-inspired drabbles 1/?

✩ pairing: dick grayson/jason todd.

✩ key tags: established relationship, cottagecore, reunions.

OCTOBER. thursday, 03. The Sun.

The sun shone across his garden in long strokes, warmth seeping into his skin with every step. But the subtle sounds of homemade jam spread on fresh bread pulled him further to the woods. Dick stood mesmerized as Jason prepared two servings of the same wonderful bread, clearly having waited for his arrival. They greeted each other with soft smiles and sunshine, small birds singing in the branches, and the comfort of being expected. Dick could not verbalize the helpless love he felt for this moment, vision scattered across the grass, but attention funneled entirely on Jason's travels before arriving.

✩ Dick Grayson.

[sexy-weapons]

The Snark from Half-Life

Pass

[leupagus]

It's really fucked up when you treat characters like people and people like characters.

[egophiliac]

can't believe that skeleman has turned on us, and Halloween Prom is tomorrow.

(what a top-tier UM...we are about to be just totally obliterated in the absolute silliest way. what possible use could this power have outside of bringing us to the brink of utter holiday disaster.)

[souperluminal]

Artober 3: Displacer Beast Miku

[hyolks]

al's the kinda guy to wear sweater vests and oxfords <3

[bloggingboutburgers]

Quick reminder since apparently it bears reminding in both directions: if bigoted people, closed-minded people overall, or your own internalized insecurities misinterpret a queer person’s message in a way that hurts/endangers you, yeah, it sucks, but it’s not the fault of the queer person in question, nor should it be a reason for them to silence themselves. They’re probably as hurt/pissed as you are that someone misinterpreted and misused their message to do harm.

Of course sadly there’ll still be queer people that actually DO mean harm and dismissal to other queer people – I ain’t speaking for those and it’s not the best way to ensure their and others’ wellbeing imo. I’m just saying – not all people will be like that. That’s what I want to believe. So hopefully let’s not put everyone in the same bag, keep supporting each other, WHILE allowing each other to advocate for our own visibility, without having to self-erase or self-censor to accomodate to what haters might say.

It’ll be tougher this way, maybe, because humans seem to like to draw extreme conclusions very quick, but I don’t believe there’s any better way for us all to be alright and stay alright on the long run.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[laragomu]

are you fcking kidding me Arthur actually took Merlin to his ANNIVERSARY DATE with his WIFE.

[dragondawdles]

the beastie <3

[forestofsprites]

tail end of season seven you will always be famous

[daddyplasmius]

[ravi-617]

I am struggling to maintain my composure in the wake of all of this new beetlebabes content

[enduracarrotchips]

warm & cool

[somewhatsentientspellbook]

There's just something so fascinating about the way the Exandrian pantheon has decided to handle the Aeor Situation™ - by electing a few of their kind to be born as mortals in order to infiltrate the city.

The first to bring herself low was Ioun, and I can only imagine how lonely that must have been for her. To feel infinite wisdom creeping into her adolescent mind? To rise through Aeor's ranks knowing what they'd do to her if the authorities discovered the truth of her existence? Waiting, hoping, perhaps even praying that the other gods would follow through with the plan.

Sarenrae has a husband and children as Trist. I can't help but consider the parallels to Liliana Temult, with a 'higher calling' pulling a mother away from her family. The conversations in the temple suggest that she would have been aware of what she was by the time she started her family. Yet she loves them, cherishes them, even knowing that she might not see them again. Will Amaris, Haylie, and Topher learn that Trist is a goddess? Or will that only be discovered when they find their way to her realm in Elysium?

The Matron was once mortal, and she willingly returned to that form in order to help her newfound siblings dismantle the Aeorian threat. Her steward since childhood was Purvan, helping raise and guide her despite his old age. Imagine being a little girl, guarded by the Champion of Ravens himself and his wolven companion, completely unaware of your own divinity until later in life. Imagine the night she woke up, remembering her ascendency, seeing Purvan and recognising him.

And what of the families that gave birth to and raised the four Betrayer Gods? What of the halfling family who watched their precocious daughter scale a fence with far too much ease than it should be? The day the tortle's parents found him crying in pain and tearing at his skin to distract himself from a memory so distant and yet so real? Or Milo, who became a priest, not to follow in the light of the Dawnfather (like his parents may have thought), but to mock his brother even as a mortal?

These gods spent entire childhoods with families and friends, taking refuge from the skirmishes caused by their other siblings. Who, despite those similarities, have very different opinions of humanity, of Aeor, and themselves.