#I know I certainly don't

[sleepymoha]

The sillies

[poorly-drawn-mdzs]

Put that thing back or so help me.

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[hinamie]

bunch of portraits

[crowlion]

Quick sketches of some of the ATLA gals

[magicicephoenix]

Do you know of the fitness gram pacer test?

Sun thinks it sounds very fun! actually, maybe it'd be a good activity to do before Naptime so the kids can get their energy out...

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[egophiliac]

swipes everything else off of the table to yell about diasomnia flower bookmarks

(I gave Silver one too :D)

[bixels]

I'm not explaining why re-imagining characters as POC is not the same as white-washing, here of all places should fucking understand.

[sparrowlucero]

do you actually dislike the bird abode or just the creature designs? not saying the name directly so your ass doesn't get blasted by the tag

I like a lot of the creatures in it; the showrunner is a really fantastic horror artist and it really comes through in the aesthetics of the show. I especially like this hand dragon, though there's a lot of other great designs:

As for the show on the whole, it's not bad but not really for me? Early on it really feels like it's schtick will be that it's a subversion of harry potter-esque stories, where the protagonist wants to go on an adventure similar to her favorite fantasy book but instead ends up hanging out with the "villain" (who's actually just othered)/the magic school turns out to be secretly oppressive/the world is kind of gross and spooky instead of clean and approachable... but as it goes along I think it ends up being a pretty by the books YA fantasy thing played mostly straight, and it isn't super interesting or funny or scary or anything besides that. Which admittedly was probably to its benefit, I think a lot of its popularity comes from it being this very tropeish and not-uncomfortable magic school/found family story that's actually queer, like I genuinely think this is hugely appealing to the average cartoon fan on twitter, but I'm just not personally into it in comparison to a lot of it's contemporaries

[radiance1]

Nasty Burger explosion happens, leaving Danny homeless and friendless, he gets adopted by Vlad but Vlad, in all of his ambition to get Danny as his son and even telling said boy such thing multiple times.

Genuinely doesn't know what to do.

He never, well, thought this far, and certainly never in the circumstances that made this possible.

He tries a few parenting techniques (that he's read from multiple books to get the perfect child) and nothing sticks both because of Danny's stubbornness and pettiness.

So, Vlad tries from a... different angle.

He doesn't need a perfect son, he realized, he just wanted one, and now that he's gotten one, he realizes that Danny would be the one to succeed Vladco in the off-chance (which is low as hell already) that Vlad someone gets taken out of commission.

So what does he do?

He shows Danny how fun the business world can be when you're on top of it. One of the giants, an Emperor among kings.

Slowly sinking your fangs into an enemy, backing them into a corner bit by bit, until before they realized it, they can do nothing but be a defenseless little grub. Watching them crumble to bits in their own panic, and by their own hand making their situation worse and worse until, with one final blow, nothing is left of them.

Either by their own hand, or yours.

Danny took to it like a fish to water and, dare Vlad say, they even drew closer throughout it. Not quite father and son, yet not enemies either.

He thinks the term would be... frenemies?

Yes, on the best of days allies and on every other day frenemies.

===

Danny doesn't... hate, Vlad. Yet he doesn't love him either, he thinks he likes Vlad at the very least. When the man backed off from trying to get him to be his son and replace his father.

Which was still a dick move considering his father had just died, but he's since managed to get over it. (The replacing his dad move, not his dad's death.)

Then Vlad started treating his less as a son and more of a... roommate, that he teaches business too. He will admit, he liked the change, gave him more room to grieve the loss of his family, and then, a while after that, Vlad showed him what made the business world... 'fun.'

And he was right, it is fun.

It was a great distraction from the pain of losing his family, and the fear that he would become like his dark future that he managed to avoid. He's not destroying the world, he's just destroying rival companies.

Way better in his opinion.

Of course, there are other 'Emperor among kings' out there, would be weird if there weren't honestly. To name a few, being Lex Luthor and Bruce Wayne.

In other words, a guy who hates an overpowered alien superhero and a himbo playboy.

Honestly, he doesn't really care about Lex Luthor, he's more of Vlad's chess mate rather than his. Who he does care for, however, is on Timothy Drake-Wayne.

Two years older than him, that is true, yet a fun chess mate all the same. Does he care for the boy's father and siblings? No, not really, not at all actually.

He's tried to corner the boy before (Most of which he planned out with his own chess set that Vlad got him, Vlad has one as well in fact), mostly on a whim really. To test the waters, so to speak. But, Timothy Drake succeeded his expectations and, well, more.

He tries more than once, gaining an inch, Timothy finds a way to gain two more. Corner him, and Drake finds a way out and even reserving the tides.

He's never able to completely corner Timothy Drake-Wayne, and Timothy Drake-Wayne has never been able to completely corner him, which is honestly what makes this so fun.

Vlad was right, the business world can be fun.

[nyarlathotepoid]

"I can be a creator, the creator. It has happened before, and it will happen again, many times."

— Notes on poem 16, This House of Dreams

[dennisboobs]

:) i certainly have no issue dressing in drag :)

^guy who has no issue dressing in drag btw

glenn said that dennis' drag name is victoria von hemen btw

(Source)

[lvxiferianemblem]

Thinking about how Chuuya's father-son relationship with Adam plays into the metaphor of 'Child of Adam, which inadvertently proves his humanity and presents the Abel and Cain dynamic with Verlaine. Abel being the younger brother and a shepherd, (King of The Sheep) and them both giving offerings to God (Guivre and Arahabaki), but God only favoring one of them (Chuuya being able to in-part accept his humanity), and Cain killing him in response (Verlaine stripping Chuuya of his loved ones.) It also drives the point home when you think about the fact that Verlaine's kill signature is a white cross made of birch.

[andorerso]

rebelcaptain + the hunger games au

When Jyn Erso was eight years old, her mother died and her father left to become a gamemaker for the Hunger Games. Adopted by Saw Gerrera, her mother's friend, she became Jyn Gerrera and was forbidden from ever revealing her true identity to anyone. Ten years later, it's Jyn's last reaping. Saw, the forgotten victor of the 32nd Hunger Games, had rejected every reward the Empire offered him, preferring to live as a recluse at the edge of the forest in District 12, as opposed to the luxury in the Victors' Village. It's been decades since anyone in the district even recalled that Saw was once a victor himself, but he had made sure to teach Jyn all he knew of self-defense and combat training. It's the only thing she has of him left since his passing two years ago. Now, Jyn just wants to get through her last reaping and survive. But when she hears the name of the young girl she trades with sometimes, Jyn doesn't hesitate to volunteer in her place. She has nothing to lose, except her life, and every reason to believe that with Saw's training, she has a chance at winning the games. A chance that 12-year-old Kerri Andor wouldn't have. Things get a little more complicated when Kerri's brother is picked as the other tribute. Jyn is good at surviving, but Cassian, with his quiet cunning and surprising talent with a bow and arrow, could be a threat. Not to mention that Jyn knows he's the sole provider for his young sister and aging mother; a family who needs him. Who may die without him. Nobody is waiting for Jyn back home. When their mentor's plan to make them seem like star-crossed lovers triples the attention and sponsors they receive, Jyn is forced to play along with the scheme and pretend she has feelings for Cassian. Worst of all? She's not sure where pretending ends and where genuine feelings begin. The gamemakers say they can both go home if they're the last two tributes standing, but Jyn knows better than to believe the pretty promises of the Empire. Soon, she'll have to make a choice. Will she do anything to survive? Or will she let Cassian Andor go home to his family - even at the cost of her own life?

[bocchidaily2024]

Day 268: anxiety cap mushroom

[thebirdandhersong]

she's a 10 but she secretly wants repentance and redemption arcs for all the villains