#I just stare at your art of Phoenix and juniper | Explore Tumblr posts and blogs

wardencommanderrodimiss · 5 years ago

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Witches, Chapter 26: back in the courtroom, and everything’s coming up as a shitshow, which is honestly how it always goes. Welcome to hell, Athena.

The second trial day of Themis is one of my favorites because there’s both Blackquill being entirely done with everything, and him showing for the first time that he’s got a bit of a heart left. Good shit.

[Seelie of Kurain Chapter Masterlist] [ao3]

[Witches Chapter Masterlist] [ao3]

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Juniper sits on the lobby couch, her hands cradling a lone large sunflower that Athena brought her, watching Athena interrupt her pacing with jumping jacks. “Shouldn’t you take it easy, Thena?” she asks. She was rather green about ten minutes ago, but assured them that it was just the iron and stress of jail that left her that way, and that she would look properly human by the time she would stand before the judge and gallery. And in the elapsed time her skin has settled in its hue, if paler than she was yesterday, her fear still apparent.

Athena whirls around with a wild glint in her eyes. The tired bags beneath them accentuate her crazed appearance. “I’m taking it easy! I’m fine! I’ve gotta get - be - ready to go!” She jogs in place; she hasn’t had both feet on the floor since she arrived.

“Did you get enough sleep last night?” Apollo asks, knowing the answer is no.

“Sleep? Huh?” Athena finally stops moving. “Yeah, sleep! Yeah I totally sleep! I’m fine!”

She sounds like him on his worst days. “That’s not exactly what I asked,” he says. Juniper stares back down into the center of the sunflower. “Maybe let’s just drop it. We’re not inspiring much faith in our client.”

“No,” Juniper says. She looks up. “I have complete faith in you, Thena.”

“O-oh.” From Athena’s face, she’s wondering if that faith is warranted. Apollo will make sure that it is. For both the girls’ sakes.

“Guten Morgen.” All three of them jump. Klavier chuckles. “Ready to put on a show?”

“Do you have anything about the tape?” Apollo asks. Despite his best efforts, he had found himself wondering when this was all going to come crashing down - if somehow Prosecutor Blackquill would find out and put a stop to it, or if somehow it couldn’t even be proven that the tape was fabricated—

“And not even a ‘hello’ to start with!” Klavier says, still cheerily; he can’t really have expected anything else from Apollo, could he? There’s a trial starting in fifteen minutes and Apollo doesn’t know anymore who he thinks is the killer. “A bit rude, don’t you think? And nonetheless, I have a good-luck present to you both.”

“Guten Morgen, Prosecutor Gavin!” How did Apollo end up stuck with two people like this? Apollo’s probably more fluent in Khura’inese than they are in German (and for Athena, Spanish or Italian or French…), but he doesn’t go around flaunting it like he’s so worldly and cultured. (And he wouldn’t do that even if Khura’in wasn’t something he wishes he would forget.) “Do you have something for us?”

“Of course I do, Fräulein. I could hardly just leave one as lovely as yourself hanging, now could I?” Apollo rolls his eyes, hoping Klavier sees it. Klavier offers to Athena a small stack of papers. “There you are. A summary of the voiceprint analysis, proving that the voice in the tape is most assuredly, exactly the same clip as spoken in the mock trial.” Athena rifles through the pages. “You’ll also notice that there’s still analysis ongoing - hoping to discover what was originally on the tape before it was turned into fabricated evidence. It might give us some other clues, ja? But unfortunately we don’t know much more at this point than the length of the prior recording.”

“Well, maybe that could still help out, somehow,” Athena says. “Thank you! And—” She frowns. “Is this a second copy of the same thing? Wait, this one’s got more information about—”

“About the logistics of the analysis and who precisely down at the precinct was working it,” Klavier interrupts. “That packet is for Herr Samurai. I did not think you would appreciate me tipping your hand to him beforehand, but I imagined there might be more that Herr Prosecutor would like to know to be sure that you are not the ones inventing this wholecloth.”

Klavier made the same warning yesterday when they first discussed this. “Do you think he would?” Apollo asks. “Accuse us of that?”

“Hm.” Klavier considers the question for longer than Apollo would like, idly snapping his fingers. Athena retreats to the couch to discuss their new evidence with Juniper. “Truly, I do not imagine so. He plays a very threatening game, but when it comes to it he seems quite reasonable.”

Apollo thinks about Mayor Tenma’s trial, Blackquill’s dirty tricks that nearly forced the mayor into a false confession. “You and I have different standards of reasonable,” he says. Maybe he means relatively reasonable, that there’s so many other prosecutors who are even worse.

“Perhaps,” Klavier agrees, ��but Herr Samurai could be the most reasonable man and I would nonetheless leave you with this document trail.” His eyes, stormy blue and unwavering in their hue this entire conversation, but Apollo doesn’t remember whether or not this color is the Sight, harden. “I would hate to see your integrity as a lawyer called into question, especially over evidence that I offered you as assistance.” His jaw tightens, thinking, no doubt, of what Apollo has continued to think about since he arrived at Themis. With Phoenix.

This also seems like the most emotionally honest Klavier has been all week. “Thanks,” Apollo says. “I—”

—appreciate it, the sentence means to end, but movement behind Klavier catches Apollo’s eye, and the doors that lead out into the hall thump suddenly shut. “Hey!” Apollo calls. “Who’s—”

“What’s going on?” Athena asks. “Who’s there, did you see?”

“I don’t know,” Apollo says. “It might have been Hugh.” He thinks he saw a bit of the dark blue of the Themis uniform there. “Eavesdropping to figure out our strategy, no doubt.”

“I would expect him not to be the only one,” Klavier says, glancing back over his shoulder. “The cardboard paparazzi and the prosecutor Fräulein are rather nosy themselves, wouldn’t you agree? I’ll go chase them down and make sure they cause no further trouble for you.” He flashes a casual grin, as light and easygoing as he ever tries to be, but it is undercut for Apollo, and Apollo alone; Vongole materializes from the air next to him, red ears pricked and nose pointed at the door, her head held level with her shoulders. A creature ready to stalk, ready to hunt, to pounce, and Klavier barely turns for the doors and she springs, plunging through the door like it’s just a projection. But Klavier, when he gets to the door, without much haste, has to open it, reminding Apollo that it’s Vongole who doesn’t adhere to the physical world, not the door.

What’s she going to do, herd the wayward Themis students back around toward Klavier? Can she even do that if they can’t see her? Can she make them see her? God, Apollo hopes that corralling them is all she’ll do; Klavier’s got control over that hellhound, right? He does, Apollo’s seen that. No need to worry about that. Focus on the case.

(Apollo’s still going to worry about that.)

“Apollo, you ready?” Athena asks.

“Yes!” Focus on the moment, the evidence, the trial. Forget Klavier and his haunted dog. “I’m Apollo Justice and I’m fine!” He feels better already, and a shaky grin draws across Athena’s face. “Okay, your turn. Ready?”

“I’m Athena Cykes! And I’m fine!”

“Ms Newman and Mr O’Conner have recanted their confessions made before yesterday’s adjournment, but you may expect, Your Baldness, to see them again in this courtroom, as I intend later to determine if they should be charged with perjury.”

Apollo has come to think that most of Blackquill’s lauded so-called psychological manipulations are really just brute intimidation that he pretends has more finesse than he actually does. Despite that, the question he finds himself with now is whether or not Blackquill is in as cheery of a mood as he is acting, grinning as he catches the court up on all that has progressed on the prosecution’s side of things. “Ms Woods likewise attempted to recant her confession, claiming it was made in the heat of the moment to” - he rolls his eyes, as if the disdain dripping through his voice wasn’t already making his opinion on the matter clear, and Athena’s expression hardens - “protect her friends, but given that she is already and continues to be the one on trial, that changes little of our situation.”

She did confess, didn’t she? In the midst of Robin yelling and Hugh interrupting, Juniper confessed too, trying to stop her friends from ruining their lives for her. And if he presumes Juniper is innocent, which he has to, because she’s their client, then that means when she confessed to murder, she lied; plainly and wholeheartedly, she lied. Which means that even someone half-fae can lie.

“Very well,” the judge says. “And the photograph submitted yesterday of the victim and the defendant together minutes before the—”

“Unfortunately, we will find that evidence no longer relevant,” Blackquill interrupts. He is still smirking, even while forced to refute the hand he played yesterday. If this is an act, to unnerve Apollo, it’s working. Or if he’s genuinely amused, then it’s probably because he’s got something new up his sleeve that makes him not concerned with all the ways his case collapsed yesterday. “The art room clock runs fast and will not give us an accurate measure of the time. ‘Tis a pity for our time to have been wasted as such, but the bungling oaf of a detective responsible for overlooking this fact will assuredly be paying for his failure.”

Athena winces. “Poor Fulbright,” she whispers.

Is Blackquill angry that he thinks Fulbright should have seen it - or is it misplaced anger, Blackquill sure that he would have noticed had he been on the scene investigating and angry that he has to rely on Fulbright, instead. (Is that why they keep spotting traces of Taka around? Blackquill thinking he can’t trust the observation skills of the detective? Taka didn’t notice the clock, either, for whatever that’s worth. Probably not easy for the bird to get into a building. How does it get out of jail?)

“Now,” Blackquill says sharply, and the flashes of mirth he showed a minute ago have vanished. “Today, I intend to prove to you that the accused is the only person who could have moved the body. And to that end, the prosecution calls its first witness.”

Hugh O’Conner did assure Athena that he would be testifying today, and true to that word, he takes the witness stand first. His claim is that he saw Juniper moving the high-jump mat that would’ve been needed to move the body without bruising it; he claims to have seen this from a vantage point that would have been impossible, until Blackquill obliquely reminds them of the crane that was present the night of the murder, as involved in the stage setup. This makes sense - the weird thing about it isn’t the statement itself, but Hugh’s reaction to it. He looks pained, clutching the side of his neck in a way Apollo has come to notice him doing each time he is stressed and struggling to regain his footing in an argument.

“That’s - you’ve said enough, Prosecutor Blackquill!” Is Hugh trying to plead with him or threaten him? Neither, Apollo thinks, is liable to work. “You promised!”

Blackquill laughs, a harsh sound from the back of his throat. “Did I?” he asks. “I recall nothing of the sort. What I do recall is that you came to me blubbering about making a deal that I would keep quiet in exchange for information, but you should have taken care to extract that promise for me before you went ahead and offered me your every secret like a blithering fool.”

Blackquill has a way with words that leaves Apollo incredibly worried about the fates of everyone who is in any way involved with him. Like he’s just waiting for the opportunity to snatch away the souls of anyone who isn’t careful who dares speak with him. Is that part of who he is - what he is - or is it one of his actual psychological manipulations? And is it the witness he means to scare with his phrasing, or the defense?

“Ah, well, if Golden Boy will not take the chance to lift the weight of truth from his shoulders, then I will tell you,” Blackquill says. Hugh, with his hand still clapped tight to his neck like he’s trying to staunch the flow from a wound, makes a kind of undignified whimpering sound. “He was up in that crane, and not simply mucking about there for fun. He does, rather, work part-time as a crane operator.”

“A high school student!” the judge exclaims. “Operating a crane!”

“No!” Hugh snaps. “The prosecution - there’s no proof that I was operating the crane! The prosecution might be lying!”

Blackquill laughs, and makes no move to argue. “I don’t know where this is going,” Athena says in a low voice, “because this is the point that Prosecutor Blackquill wants to make, but…” Louder, she adds, her voice ringing across the courtroom, “I bet we can prove it was you.”

Which they do, for whatever good it may or may not be about to do them, and the judge is still hung up on a high schooler operating a crane, rather than what Hugh would or wouldn’t be able to see from the vantage point of the crane, but Hugh splutters and protests about how brilliant and talented he is and that’s why. Blackquill watches him, smirking, waiting for his failure of an argument to trail away into nothingness. Hugh goes silent halfway through saying something about practicing archery one-handed, and Blackquill’s smirk splits open into a grin. “Dispense with this inane charade, Golden Boy.” He doesn’t wait for Hugh’s response and continues speaking over the witness’ begging. “Now, we will establish, for the sake of argument, that the age range of high school seniors ends at the upper limit of nineteen - still, legally, too young to operate heavy machinery. That, however, does not apply to Mr O’Conner, does it, now?”

“But he is a high school senior,” Athena says. “Are you saying he’s not around that age?”

Blackquill slams his palm on the bench. “Indeed, he is not. Golden Boy here is twenty-five.” The serious expression that he held on his face for a fraction of a second breaks down into raucous laughter, punctured by his further slapping the bench in uncontained amusement. Apollo really doesn’t like seeing him in a good mood. He’s only ever entertained by someone else’s bad fortune. “He took a seven year break from his schooling!”

They all had secrets - Juniper, Robin, Hugh. The courtroom is quiet; is it ever this quiet after a revelation, without a breath of murmured shock. “Eh?” Athena utters faintly. “Come again?”

“Twenty-five,” Blackquill repeats gleefully. He nods to Taka and the hawk snatches up a paper in its talons, launching itself into the air and making straight for the judge. “All in the school’s official paperwork, as you will find.”

“Twenty-five?” Apollo echoes, sure they’re all going to ask this in turn, a round-table of disbelief. “He’s - he’s older than me?” He’s not good at eyeballing ages, he knows that, and he knows that everyone always thinks him baby-faced and younger than he is, and Hugh could be like that. People in their twenties all look all over the place. How’s anyone to know? But on the other hand, what twenty-year-old, after taking a gap year for seven successive years out of high school, would want to go back to high school all over again? Apollo sure wouldn’t. But maybe instead of going to college to be a lawyer, Hugh went back to a lawyer high school because those teenagers are at his same maturity level.

(Solid burn. If he didn’t get heckled every time he was the slightest bit snide to a witness, he would say it out loud.)

“Seven years?” Athena asks. Blackquill might as well just go over the entire situation again, if they’re all going to ask for clarification on each and every tiny point. “But since you’re such a genius” - she does a remarkable job of not sounding wholly derisive when she says it - “wouldn’t taking a seven year vacation make you boring real quick?” She pauses, frowns, playing her words back in her head. “Make you bored.”

Her first one was probably correct, too. Does Hugh know how to have a conversation that isn’t about his own greatness?

“Heh.” Hugh’s recovery from his shock tips him back into the smugness he always seems to carry. “There’s the dull mindless vacations you ordinary plebians take, and then…” He falters, for a moment. “Even geniuses make mistakes,” he says, resuming with an entirely different thread of argument. “The ones I make just, you know, lost me seven years.”

Rising in Apollo’s stomach is the same kind of fear that Blackquill’s particulars of phrasing invoke. “Er, Mr O’Conner,” he begins, ignoring the shock that Athena sends his way, and bracing himself for the way everyone in the courtroom is going to respond to the utterly insane question he is about to ask, “are you actually, like, actually twenty-five, or just - you know, legally, that it’s been twenty-five years since you were first - you were born.”

He knows that at least half of the gallery is going to think he’s an idiot, have some perception of theirs confirmed about how lawyers are all schooling and no sense in their heads; even Athena stares like he’s just lost his mind. Hugh, though, blanches, his whole body tensing and his shoulders drawing inward. Blackquill’s cuffs clank as he hits the bench and Hugh flinches and nearly falls over with fright. Apollo jumps, too. He’d forgotten that Blackquill as much as anyone would hear this question and would get to respond to it in his typical magic-denying ways.

“What a question, Justice-dono,” he drawls. Apollo raises his chin defiantly. It’s a good question, because all the world around them is crazy. “No doubt a matter first brought to your attention by the rather unique situation of some other golden boy of our acquaintance.” His eyebrows raise and his mouth twists in amusement. Apollo’s heart skips and then stops. How does Blackquill know? It seems unlikely - though technically possible - that Klavier would have told him; the alternative is that Blackquill knows enough to know, to realize, when it took even Phoenix several strokes of luck and coincidence to piece it together. Blackquill shouldn’t be saying this. He shouldn’t know. And why of all times choose this as the moment to drop his pretense of disbelief? To psych Apollo out some more? To give Klavier, up in the gallery, a slap in the face for helping Apollo and Athena?

“But suffice to say, we will find that an irrelevant question,” Blackquill continues. “What matters is the legal age of the witness, that has so allowed him to work the discussed job as a crane operator. He was, therefore, up in the crane with the vantage point to see the accused dragging the mat in preparation to move the body. You must agree how clear this is, and that there is no need to deliberate this much any further.”

Oh. Right. Juniper. This is, after all, her trial, and the reason they have gone down this strange road still has to do with her case, and what she did or didn’t do, and Hugh did or didn’t see, on the morning that the body was discovered.

Back to the fight.

Hugh lied about ever seeing the body on stage.

It’s an utterly incomprehensible lie, in Apollo’s most just and honest opinion; it’s also one of a host of shady moves Hugh has made. Though the blood Juniper saw on his hands was his own, from trying to sneak a look at the mock trial script and instead finding Myriam’s spring-loaded razor blade-protected script envelope, and her suspicion against him in that regard can be discounted - well, there’s still his grades, and this, about the body.

If the body was moved during the mock trial - moved in fact at the moment Phoenix and Athena heard the shattering of the statues on stage that drew them outside to discover the body - then Hugh and Robin have airtight alibis, on the floor in front of a crowd for the whole mock trial. Apollo had his eyes on them the whole time. But Juniper, ever-multitasking Juniper, the conductor of her show, the only person alive at that time with all the secrets of her script, was not always down on the floor playing the defendant. She was up at the back of the hall in the sound booth, moving back and forth even during Professor Means’ speech. At any of those times, she could have slipped out to the art room, to send Courte’s body to the stage down the banner wire.

All they’ve done is help Blackquill build a more convincing case against Juniper, so convincing that Apollo can’t find within him a single point to dispute. They missed something; he knows it, he has to know it, he has to believe it to the end. But where? Can he object on the grounds that they need to know why Hugh lied about seeing the body? Would Blackquill let that stand?

Hugh starts to laugh. Hugh starts to laugh in the broken, hysterical way of a killer cornered, except he’s about to get away free with Juniper’s verdict. “Behold my brilliance!” he cries, his words breathless and interrupted by his own frantic, frenzied laughter. “Listen well as the rare genius of Hugh O’Conner reveals to the world the secrets of his perfect crime!”

Apollo looks at Athena. Athena glances back at Apollo. “Er,” she says. “What? Why’s this - why again?”

Because this, the wild confessions, happened yesterday too. To hell with this trial. Hugh appears feverish, his hair matting to his forehead and neck with sweat, his eyes darting all around the courtroom, jumping from Apollo and Athena to Blackquill to Juniper and never settling on any of them. “The murder, moving the body, the cover-up, all my works of genius! My great and perfect crime, bow in awe and stand to arrest me! I am confessing, am I not? You have your killer here!”

“Is he serious?” Apollo asks. He’s afraid he is. He’s seen too many other people unravel in this same manner, but the game was up for all of them. Hugh’s game - what the hell is his game?

“I think he’s serious,” Athena says. “Serious, and seriously suddenly cracked.”

“Enough!” Blackquill snarls. Taka shrieks in an angry echo. “You have a perfect alibi, not a perfect crime! And you dare to stand here and further act the mad fool to delay this trial from its inevitable outcome!” He fixes Hugh with his dark eyes, but this time, Hugh doesn’t shrink away. That is definitely stupidity, not bravery, on his part. “I will have no mercy for you should you not this instant stand down.”

“I will never!” Hugh shouts back. “I have testimony that will prove to you, the utter perfection with which I always act! You’ll doubt me, but in truth I used a body double at the mock trial! It wasn’t me at all, not about to lose and not with the alibi! I, the real me, slipped out and had the run of the campus! I moved the body, I’m the killer, and Juniper’s innocent!”

“You have got to be kidding me,” Athena says.

“I must ask of both the defense and prosecution,” the judge says. “Does this testimony make any sense at all, in the slightest?”

“No,” Apollo answers.

“Oh, good,” the judge says. “I thought I had just become suddenly, extremely confused.”

“The witness is the one suddenly, extremely confused,” Blackquill says. “And it would be charitable, to call him confused, instead of saying, for instance, that he is a bloody lunatic.”

“You’re a witch, aren’t you?” Hugh demands. As though to make the point for him, Blackquill’s eyes flash silver. “Don’t you know anything about doppelgangers? You know, changelings getting switched for people? You think creatures like that are not okay with being an accessory to crime?” A sour taste gathers in Apollo’s mouth. He thinks of Vera, of Kristoph, of Klavier in the gallery, that life-shaping trauma turned into Hugh’s latest desperate lie in the service of - what? To what end? “I had a—”

“Enough!” Blackquill roars, and it is, indeed, so much more of a bellow than his usual low snarling interruptions. Athena lets out a small scream and stumbles back into the wall behind them. Even Hugh shrinks toward the witness stand, seeming to recognize that he’s taken this impossible declaration a step too far. “That you know such words to use them does not mean you have the damndest understanding of what they truly entail!” He slams both fists in tandem on the bench, and Athena clasps both of her hands over Widget to muffle its surprised swearing.

“You claim familiarity with the concepts as part of your mad gambit, make a mockery of the gravity of such matters, and call me to my face a witch as though that would convince me of the veracity of your statements - yet you never pause to think that perhaps whatever I am, I also bear the ability to see through your pernicious bullshit.” Hugh’s mouth flaps open, and he shuts it without a word. “Spare this court your lies,” Blackquill continues. He has stopped yelling now, his voice merely as low and deadly as it ever is. “There is only one of you, as there ever has been - as is most fortuitous for us, as you the sole dunce as you are have made more than your share of trouble, and another of you would be far more than unbearable.”

Hugh’s mouth opens again like a fish deprived of water, but it seems to Apollo that Blackquill’s outburst has drawn to its close. “Shit,” Athena whispers, her and not Widget this time. “I’ve never heard him that angry.”

Have they? He has been furious at Fulbright, over stupid witnesses, over cases. Professional anger. This is different; this seems a personal chord, and a very disharmonious one, struck, and painfully enough to drop the game he’d made of it prior, denying right to Apollo’s face that monsters, yokai, and magic could ever exist. And is it painful to him the way it infuriates Apollo, on behalf of someone else, or is this another clue in the puzzle, the question, of what is Prosecutor Simon Blackquill?

“Now,” Blackquill says, his calm and his smirk returned, “Your Baldness, where we left off. The verdict.”

“But it’s - hey! Defense!” Hugh, gripping the witness stand, turns on them next. “You have that weird device, don’t you? For crazy testimonies like mine?”

“Widget isn’t weird!” Athena protests. Apollo could object to that. “And I’m not going to waste him on something this plainly ridiculous—”

“We don’t have any objections otherwise,” Apollo reminds her. “The only thing left otherwise is the verdict. There’s nothing worse that can happen from giving this a shot.”

“Oh,” Athena says, blanching as she realizes that she was about to let the trial reach its verdict and damn Juniper to prison. She clears her throat. “Well,” she says loudly, “against some of my better judgment, I would like to conduct a short psychoanalytic session with the witness.”

“As a judge, I feel this to be beyond my better sense as well, yet I also do not feel as though I should deny you.” The judge glances around the courtroom, pondering what must be yet another in the Wright Anything Agency’s long, long line of unprecedented incidents. “Well, then. Prosecutor Blackquill, I will ask your opinion. I trust you have no object… ah.”

The courtroom doors slam, seeming to rattle the whole room, and rattling Apollo even more is the empty prosecution’s bench. “Ah, Your Honor,” says one of the bailiffs by the doors, eyes still blankly fixated on where they closed. “The prosecution said, and I quote, ‘Rubbish! We will be out on a stroll’ and left, Detective Fulbright with him.”

At least he isn’t loose unsupervised, but holy hell, is there nothing that Blackquill can’t get away with? (Nothing short of murder, anyway.)

“I must suppose he would have lodged an objection in his parting words if he took issue with Ms Cykes’ plan.” The judge nods once, and decisively. “Very well. Ms Cykes, you may proceed with your therapy session-slash-cross-examination.”

“You’re up, Widget.” Athena draws up the emotional analysis screen and over her shoulder, Apollo watches it load. He can’t help but find the whole process fascinating, no matter that he’s seen it before, and he wonders how many times he’ll have to see it until he gets used to it. Knowing that Athena has the little gadget taking pictures almost constantly doesn’t change his amazement with the way she can compile it all into new mock-ups of scenes discussed in the testimony, or how seamlessly she does it. A large part of him still isn’t sure that there’s not magic involved, somehow woven into the technology. “Now, Mr O’Conner, please repeat your testimony!”

Hugh inhales deeply, his eyes still darting about, like he’s suddenly trying to remember the spur-of-the-moment co-called “testimony” he blurted. “All right,” he says. “I’ll say this simple enough that even mouth-breathers like you can understand. I used a body double! That wasn’t really me at the mock trial! And it wasn’t really me who was about to lose, of course. I slipped out while my doppelganger handled the mock trial, and I had full run of the campus. So it’s me who’s the killer, not Juniper. She’s innocent!”

“Well, he sure wasn’t kidding when he said it was crazy testimony,” Athena mutters, swiping through the pages on which she lists each sentence of Hugh’s testimony and the associated emotions. All of Widget’s projected screens flash bright green, as it blares out the alarm that warns it is overloaded by the emotional input. How Athena, with her sensitive hearing, tolerates that sound, Apollo will never know. “Right now, we’re getting an overflow reading on happiness, which is weird, considering he’s confessing to murder.”

“Maybe he’s just delighted by how the rest of us can’t understand his brilliance,” Apollo says. “But I’m guessing you think there’s something more going on.”

“Mhm.” He can’t tell if Athena was listening or is just mumbling to herself. She flips back and forth between two parts of the testimony, too fast to actually be reading over the sentences again; her eyes follow the images that she has placed with the words. Then she finally looks up. “So, Mr O’Conner, yesterday you told us that you didn’t care at all about Ms Woods anymore.”

Apollo glances to the defendant’s chair, where poor Juniper looks distraught, red-faced from crying and now wide-eyed with shock, staring at Hugh. “That’s right,” Hugh says, about as smoothly as he’s managing to say anything now. A silent sob shudders across Juniper’s thin shoulders. “She told Professor Courte my secret, and I know she wants nothing to do with me now.”

Juniper shakes her head, her mouth moving, whispering something Apollo can’t make out across the courtroom, but Athena probably could, were her attentions not rightly fixed on the witness. If he had to guess, had to bet on it, from the rest of her body language, she’s probably saying, that’s not true.

“So now I don’t care about her either.” Hugh laughs dismissively, but his eyes still move uneasily, and his hand clutches his neck. He’s still lying. “What, you think my confession has something to do with her? It doesn’t! It’s about one thing, and that’s the truth, the truth that everyone in this courtroom was too inferior to figure out!”

“No, objection!” Athena slaps her hand to the bench, through Widget’s hologram screen. “This whole testimony, you’ve felt great joy - so much that I can barely hear anything else! You’re happy that you could play a part in setting Juniper free.” She draws her hand back and props her hands on her hips. “People usually don’t feel like you do when they’re broken down enough to confess to murder.”

“So then, this is another confession trying to protect Juniper?” Apollo asks. Meaning it’s a false confession, meaning Hugh isn’t the killer after all. Like Phoenix thought, against all the evidence, on a hunch.

“It is,” Athena says. “He does care about her, without question.”

But if not Hugh, they still don’t have any evidence of anyone else, and they’ve looped back around to—

The courtroom doors slam again. “Figured it out, have you?” Blackquill asks. He whistles sharply and Taka returns to his shoulder from wherever it was hiding. Taka was still in the courtroom, then? Apollo glances around, wondering where it went, wondering if Blackquill’s dramatic timing is perfect because he was following the whole conversation via the hawk left behind. He makes his way back to the bench, without any great haste, and scratches Taka beneath the chin as he continues, “That testimony was naught but a great tangle of lies. May we agree now that the killer is the one person permitted to move freely out of sight in the lecture hall - that is, the accused herself. We need not waste more time deliberating this nonsense.”

“But you haven’t figured it out!” Hugh protests. Blackquill’s face darkens. “The trick behind my body-double stunt!”

“Would one even presume it to be true,” Blackquill says dryly, but lacking even an ounce of amusement in the hard line of his mouth and his shadowed eyes, “you did tell us in the beginning how it was that you claimed to have a doppelganger.”

“I think I’m gonna agree with Prosecutor Blackquill on this one,” Apollo says. A small kernel of doubt has dug its way through his prior certainty, and he wishes that Phoenix had been the one to watch the mock trial, instead. He could have noticed - if he’d thought to look, and he would have, right? He’s that cautious or paranoid, right? - whether or not Hugh was the same person, and human, the whole way through. Apollo just knows that the Hugh in the mock trial didn’t stray from the bench, didn’t seem to disappear or slough eyes off of him for even a brief moment - and still, still he doesn’t trust himself to be sure. Not when the fae could be involved. “But if we quit here, then Juniper is found guilty.”

“So the best of the bad options is to play along,” Athena says. She quickly taps out a few commands with her gloved hand on the screen. “Okay, let’s see here. What else can we find out?”

Hugh’s continues testimony is just as rambling and confused as before, tripping over itself and tangling itself up in knots that will only snare Juniper deeper. It’s pathetic to watch him falling apart as he is: certain that Juniper is innocent but too afraid of the corruption in the legal system to believe that the plain truth can ever win out, and desperate for some affirmation that despite his grades being bought (without his knowledge, which Apollo notes is definitely interesting) his friends could still possibly love him. This is not Apollo’s field of expertise, but he has Athena, Athena with her ears and Widget, and she manages beautifully. He’d tell her that he’s impressed, but Blackquill has been waiting to pounce, and with Hugh recanting his confession, pounce he does.

“This roundabout trial has returned us once again to the point I have been making: that the only person who lacks an alibi is the accused.” Blackquill folds his arms and taps a finger against his head. The chains rattle. “Consider that, Cykes-dono, and finally realize that your friend’s guilt is the truth you have so valiantly sought.”

“Did we really spend all that time getting nowhere?” Apollo asks. He casts his mind back over Hugh’s testimony. Doppelganger nonsense and more doppelganger nonsense; such useful information, all around. “This is exhausting.”

Athena isn’t listening. She frowns down at Widget’s Mood Matrix screen, which has updated to show that all of the emotions in Hugh’s voice have been cataloged and cleared, and it winks out of existence, only for Athena to immediately bring back up some of her case notes. “Hold on a minute, Your Honor, Prosecutor Blackquill.” She swipes the screen to display a floor plan of the lecture call, with the balcony seats for Courte and Means clearly marked. (Does the head of the prosecutions’ course not have enough seniority to join either of them in the balcony seating? Didn’t Phoenix say they all got fired a few years back?) “If we have someone else who doesn’t have an alibi, then we need to continue the trial, correct?”

“Of course,” the judge says. “But after so much thorough investigation and debate, can such a person even exist?”

“Where are we going with this?” Apollo asks Athena. He feels like someone scrambled his brains.

She rests her finger above the marked defense’s bench in the lecture hall diagram. “Remember how Hugh has been insistent on seeing this balcony seat empty?” She moves her finger diagonally to point to the seat noted to be Means’. “He thought that was because it was Courte’s, and she was dead at the time. But it isn’t.”

“So if Professor Means wasn’t where he was supposed to be—”

“Your Honor!” Athena calls. “However roundabout this testimony has been, we have arrived at one statement of truth. That balcony seat was empty, meaning that Professor Means wasn’t where he was supposed to be during the mock trial!”

“Oh please,” Blackquill sneers. “The whole of the lecture hall heard him give his speech!”

“It bored me half to death,” Apollo adds. He doesn’t remember what was actually said, just that it became a buzzing in his ears within about forty seconds, as some leftover instincts from college assured him that there would be nothing worth remembering.

“It could have been pre-recorded, right?” Athena says. “Then the professor could have given his speech, while he was wherever else on campus!”

“Wait!” Hugh interrupts. “You don’t - are you seriously accusing Professor Means? He’s been trying to help this whole time!” Apollo doesn’t believe that, but he can’t tell if Hugh believes it, or if his nervous habits are now simple shock at where Athena has taken this case. “It’s crazy to say that he - I mean, he was the one who gave me the tape recorder to take to the police!”

“The tape?”

Apollo asks at the same time Athena does, and they stare at each other; understanding and alarm start to dawn behind Athena’s eyes. “Athena,” Apollo says. “We have to get Professor Means on the witness stand.”

She purses her lips and nods decisively. “Mr O’Conner, did you just say that Professor Means gave you that phony tape?”

“Phony?” Hugh echoes. “No, I - he gave it to me and told me to go to the police and say I found it in the art room, but it’s not - what do you mean, phony—”

“And it didn’t seem suspicious for him to tell you to lie?” Apollo demands. This goddamn school, he swears - Hugh probably wouldn’t even have an issue with the lying, would have been sure that it meant instead that Professor Means had some kind of shady-but-ultimately-justified plan for Juniper’s defense, and who was he to question?

“Apollo, this isn’t the time,” Athena warns, her eyebrows drawing together. He follows her narrow-eyed gaze to watch Blackquill, his hand on his chin, smirking to himself, pondering something. Maybe whether he can add that to Hugh’s perjury charges.

“Defense, please refrain from hurling unsubstantiated accusations as you are by calling the evidence ‘phony’,” the judge says. “Unless you can—”

“We can prove it!” Athena interrupts, smacking her palms on the bench like she’s about to try and vault it. “This tape we discussed yesterday, the voice of our client shouting ‘You’re a goner!’, was faked by reusing audio from the mock trial video! We have evidence about the, um, about the evidence!”

Taka lands on the bench, its head twitching back and forth, expectantly waiting. “Hang on, which one of these is which - here!” Athena offers one of Klavier’s evidence packets to the hawk, which blinks at her in almost acknowledgement before it returns across the courtroom to Blackquill. He intently studies each page in turn, the seconds passing in excruciating slowness as they wait for his response. On reaching the end, he tosses back his head, hair falling in front of his eyes, and lets out a loud, sharp laugh.

“Is there an issue, Prosecutor Blackquill?” the judge asks.

“There is not,” Blackquill says. Could’ve fooled me, Apollo thinks. The prosecutor makes a dismissive flick of his fingers and Taka, still with the papers clutched in its beak, heads off to the judge. “I concede that, as asserted and evidenced by the” - he forces out a cough and then loudly clears his throat - “defense, that the evidence on the tape was falsified.” Apollo has to stop himself from turning his head to glance up toward the gallery, wondering where Klavier sits. “However, are not the odds greatest that our lying dullard of a witness merely overlooked the professor in the balcony?”

“We can’t know for sure until we ask him!” Athena fires back. “We can’t overlook any possibilities!”

The judge strikes his gavel twice. “My opinion on the matter,” he says, when they have both fallen to silence, Athena glaring furiously at Blackquill, and Blackquill unbothered, watching Taka preen its wing feathers, “is that it would be premature to pass a verdict without having properly examined a possible witness oversight. And to answer that question, I believe it would be best to ask Professor Means himself, and therefore to call him as a witness.”

Apollo lets out his breath, but the tightness in his chest remains. This is the one guiding piece of advice that Phoenix gave: if you see the opportunity to get him on the stand, take it.

Now they’re on their own.

“Good afternoon. I would like to thank you all for being here today. This mock trial, the crown event of…”

Means’ speech was ten minutes long.

Apollo forgot about that, honestly.

They’re searching for some sort of hint that the speech was pre-recorded, some kind of discrepancy between his words and what they know to be true of the day. Athena assured Means that they weren’t accusing him of anything now, just wanted to be sure of the truth of the matter of the speech and the balcony seating - and she said it with her face drawn solemnly across, her shoulders held stiff and her hands squeezing into fists at her sides. She lied. She suspects him. They’ll be accusing him later. And Means at the witness stand loses his trademark smile to glower at Athena whenever she looks away.

Blackquill pays no attention to anyone, his back to the court, his elbows propped up on the bench behind him, his head slumped forward. He had said - not really directed at anyone in particular - to wake him up when this was concluded. Apollo no longer thinks he’s joking, watching his shoulders rise and fall with the slow, steady breathing pattern of someone asleep. Taka, in imitation of its master, ducks its head beneath its wing.

Are neither of them actually going to listen? Blackquill not even try to assess the details for himself?

Apollo tears his eyes away from the opposite bench. The speech, focus on the speech. Athena’s hand flits over a blank Widget screen that she intended to use for notes, doodling flowers and swirls all across the edges. There’s a shape that Apollo presumes to be a bowling pin until she adds the beak to the penguin. She isn’t keyed in to the speech, either. It’s testimony, the worst kind of testimony, where they have to make it through an untold number of minutes of Means reminiscing about his own long-ago days as a Themis student, and how what he learned there became critical in his days as a real lawyer, before he returned again to Themis to instruct a new generation.

Was it in school that he learned that forging evidence worked, or was he like Phoenix, in a real trial back to the wall, nothing but that or losing? Are monsters born or made, and how are they made? What does it take to break an honest lawyer, if ever he began that way?

The video was to record the mock trial, not the speech before it; the camera in the lecture hall is fixed on the floor, the benches where Robin and Hugh stand, and the witness stand that Juniper travels back and forth from. They obviously can’t see the balconies - otherwise there would be an easy answer to this matter - but the audience is visible, students restless whispering to each other or leaning their heads in their hands or on their desks. Apollo wonders where he was sitting, if he can see himself.

The judge’s head droops and snaps back up, guiltily glancing around to assess whether anyone else noticed.

Professor Means, on the recording of the speech that may have been pre-recorded, interrupts himself to snap at the audience to wake up. The judge’s eyes pop open, and something clatters like he knocked his gavel to the floor; Athena’s arm jerks across her notes page, scribbling across her penguin drawing. “I’m awake, I’m awake!” she yelps, turning panicked to Apollo.

Blackquill doesn’t twitch.

This still isn’t even evidence that the speech wasn’t pre-recorded. If this is how Means always sounds, he would have known at this point, about eight minutes in, students would be nodding off. He easily could have scripted that for authenticity.

Athena adds angry eyebrows to her drawn penguin and adds what looks like a ball of lint next to it. Is that supposed to be a fluffy baby penguin?

The audio ends with a click. Apollo registers that the words that ended the speech were words that heralded the end of a speech, and already he doesn’t remember what. He shakes his head to clear out the static. He was supposed to find something useful in there. Something that meant it was pre-recorded. He glances at Athena. Her eyes are huge. So she didn’t hear anything, either.

“Listen well, Cykes-dono - if you subject us to this torturous tedium without due reason, I shall have your head.” Blackquill still hasn’t moved. He slowly tips his head back and turns to cast a cold stare onto Athena.

“Didn’t he nap the whole time?” Apollo mutters, but Athena doesn’t seem to be in the mood for humor. And Apollo shouldn’t be, either. They’re this close to a turnabout, and this close to a loss. Trucy calls it his “tightrope defense act”, and he hates the descriptor even if it isn’t wrong.

“Hey! Apollo!” someone hisses. He expects it to be Trucy, just thinking of her, but when he turns, and Athena with him, there’s Phoenix, hanging over the edge of the gallery. “Catch!”

“Wh—” Apollo fumbles with the object Phoenix just tossed at him, finding the magatama in his hands. “Why—”

“Mr Wright!” the judge scolds, whackling his gavel several times in swift succession. “I’m sure you must want to be behind the bench, but please, this court does not want any liability should you fall and crack your head!”

Yeah, liability for the ankle injury he’d probably incur from that. “Sorry, Your Honor!” Phoenix calls back with a sharp grin, but he only leans further down. “Listen to the end again, Apollo. The last minute or so.”

“But why—” The magatama is for glamours, and glamours are on people, and they’re listening to a recording of Means’ speech, not him speaking directly to them.

“Exactly why you think - I’ll explain the details later, when—” Phoenix jerks backwards as Taka dives, talons outstretched, for his face. Several gasps and shrieks arise from the gallery around him. “When this bird isn’t around! Good luck!” He scrambles away, Taka in pursuit.

“So,” Athena says. “What—”

“Listen to the ending again,” Apollo says. He squeezes his fingers tightly around the magatama. Please, please, he thinks, without any idea who he is appealing to, give me something—

The words hit his ears with a sharper clarity than before. He can think now, his brain no longer buzzing. Even in this little bit, Apollo understands that most of Means’ speech was all fluff and no substance, all inane and nothing meaningful. And then the sign-off: “Once again, our pure white Lady Justice will watch over all of you today. Pay attention now and one day, with the wisdom of our grand academy and your own experience, you may make a difference. Now, let the mock trial begin!"

What’s this Lady Justice that he’s referring to? That was the statue Athena put back together on-stage, with Klavier, but there’s a very similar statue standing very apparent in the center of the lecture hall floor, right in front of the mock-up judge’s bench. A statue that is, however, very much not white.

“Athena,” he says, and her head snaps around in a startled way that says he just knocked her out of another boring speech-induced reverie. “I’ve got something.”

Not enough on its own, but together with Klavier’s evidence, and that only breaks Means down into a new set of lies, and worse ones than ever.

“Fine, yes. I had pre-recorded my speech, but I assure you, the reason was not that which you think.” Athena’s eyebrows disappear beneath her hairline and she casts a doubtful side-eye Apollo’s way. Means peers over his glasses at them and continues, “Ms Woods came to me asking that I should do so - record my speech - and come speak with her in the audio room during the opening of the mock trial. There, she told me that she had committed murder and wished that I would defend her. She told me as well that this would happen - the suspicion you cast upon me - as I lose my alibi with the pre-recorded speech, and thus become an accomplice or suspect.” His stony features relax. “But when I said that I would defend Juniper as her attorney, I meant it, because it was the humane thing to do.”

“He can’t be serious,” Apollo says. “There’s no way. This is all too contrived. But he’s good at coming up with bullshit on the fly.” Unless he thought ahead far enough, to this eventuality, and pre-planned the best lies to cover his ass.

“Juniper would never!” Athena shouts. “There’s no way! This is all a bunch of shit.”

“Allow me to be perfectly frank.” Means lightly taps the end of his staff on the floor. “Juniper has taken my teachings to heart. That I would prove her and her two friends innocent was the result she sought, and two that end, she threatened and coerced me, her professor, to do her bidding.”

“And I may only imagine that you found such ruthless tactics to be impressive and admirable,” Blackquill says dryly. Shouldn’t those underhanded strategies be right up his alley; shouldn’t he himself be impressed? As far as Apollo knows, he’s drawn the line at falsifying evidence, but there’s a litany of shady shit that he’s toed the line of. And the murder, of course. The murder that he did and was convicted of.

“Oh, yes,” Means agrees. “What she did was most clever of her, which is why I agreed to defend her. Her capacity for deviousness surprised me, at first, though the more I think on it the more I understand that I should have seen this coming.”

Athena folds her arms, glaring daggers at Means, but she’s gone strangely quiet taking in the lies rather than yelling back. What’s she thinking? What’s she waiting for? Apollo isn’t sure what he’s waiting for - Means to keep digging his own grave talking about his corrupt methodologies, maybe. Get him brought up on additional corruption charges after they prove him a murderer.

“It’s really the hallmark of her kind, is it not?” Means continues, and Athena’s mouth presses even tighter together. Blackquill tilts his head just ever-so-slightly to the side, barely more than a twitch, studying Means, and waiting. “This sort of cunning self-serving cruelty, so typical of the actions of - well. We shall say that anyone may be cruel, but there is a particular and exemplary manner of it displayed here that you will also find to be quite… fae. And rather more than in half as one could first assume of this defendant.”

“Pardon?” The judge blinks in shock. “I am not sure I understand the relevance that this remark holds.”

Does he not realize? Does he know, or somehow have these things passed him by every trial? Juniper shrinks into herself, her hands covering her face. “It has none, Your Baldness,” Blackquill says, his disparaging gaze turning from Means to Juniper. “And before your protest I had been about to lodge my own objection, that the witness had best stick to discussing what it is that the defendant has done, and leave aside that which she is.”

Juniper lowers her hands, her eyes wide, but Blackquill isn’t looking at her anymore. Was it her honor that he was defending, or that of the fae in general? His responses to fae-related remarks have seemed - like he’s taking them personally.

“Objection sustained, then,” the judge says. “Defense, I believe it is time for your cross-examination.”

“You’ve been rather quiet now, haven’t you, Cykes-dono.” Blackquill can’t resist one last taunt. “Something the matter?”

Athena inhales deeply. She places her hands back down on the bench, her shoulders squared and her eyes flinty. “I’m not going to argue on principles,” she says. “Some long-winded idealistic speech. I’m going to let my evidence, and my victory, do the talking.” She lifts her hands and this time slams them down. “You claim that you were lying to cover for Junie, but that’s a load of hot shit!”

“That language, in our fair court of law!” Means interrupts indignantly. “Your Honor, it is an outrage!” Apollo personally finds Means’ guiding philosophies about the uselessness of the truth, and his forged evidence, a lot more of an outrage, but what does he know.

“Ms Cykes. Having adjudicated your mentor’s first case back, I understand where this unfortunate habit of yours was picked up, but please, do try to not make this such a frequent occurrence that I must penalize you for it.”

“Of course, Your Honor.” She takes that better than Apollo expected, though Widget still glows red. “Now, if the court would please recall the audio recording, presented as evidence yesterday, that today we have established to have been faked. It was Professor Means who gave that to Hugh and whispered to go take it to the police. If you had Junie’s best interests at heart, Professor, why would you fabricate evidence that uses her voice? That is, it’s an incredibly damaging piece of evidence that shouldn’t exist if you had wanted to defend Juniper - as it is, it seems like you’re trying to pin the crime on her instead!”

Means lowers his eyes. Apollo isn’t naive enough to think that means he’s chastened, or is going to do anything but dig in further. “You’ve done nothing but lie, and you’ve taught nothing but lies!” Athena shouts. “Your road to hell has no good intentions!”

“How dare you!” There it goes. Means’ head snaps back up. He grits his teeth in a snarl. “Themis Academy is an honorable institution with a proud name and how dare you slander it!” He grinds his staff against the ground. The sound sets Apollo’s teeth on edge, and Athena claps her hands over her ears.

“I’m not slandering the whole academy!” she protests. “Just your terrible teachings! You—” Means reaches into his pocket, producing a piece of chalk, which he flings at Athena. “Ow! What the helllleck, heck, was that!”

“Pay attention, Athena!” Means speaks like this is a lecture hall, like he’s the professor in charge of a classroom and not a witness on the stand, and she some wayward student of his and not a defense attorney on a cross-examination. “You’re disappointing me! The murder occurred on the twenty-third sometime between six and eight pm. I was already home at that time! How could I have killed her?”

“Can you prove you had gone home by then?” Athena asks.

Apollo knows what the answer will be before Means says it - the shifting burden of proof, always to the defense. “Can you prove that I was still at the school then?” he asks, a furious pointer finger waved in her direction.

Apollo casts about for any option, and he watches Athena slowly lose hope, her confident posture falling away, her hands sliding off of her hips and her shoulders slumping forward until she lets her elbows hit the bench and prop her head back up. “No,” she admits.

“Very good! I appreciate your honesty, even as it fails your case.” Means is still in teacher-mode, and now Apollo wonders if it’s some sort of mocking of them that he’s attempting to do. “But given that—”

“Hey! Hold on a second, man!”

Robin’s shriek could be an impressive rival to the Chords of Steel. She stands up in the front row of the gallery, leaning forward and peering down the drop to the floor, weighing whether she should just vault down, and deciding against it. She raises one hand and then rushes aside, leaving silence for several moments until she properly reaches the floor of the courtroom, where she places herself beside the defendant’s chair. Throwing her arm out in an imperious, pointed objection, directed at Means, she shouts, “I can’t believe I’ve let you lie to me all this time!” The Professor sputters indignantly, and Robin drowns him out with a roar. “I’ve got a confession to make! I can prove it!”

Of the statues on the stage, Klavier and Phoenix, Robin only had time to actually make the Klavier statue, the one that they put back together yesterday. Then the late bell rang, and Robin, without permission to stay on campus, asked Means if he could make the other statue for her. This puts him still at the school at the time of the murder, though he claims with the intensive work it would have taken to finish the artwork in an hour and a half, there’s no way he could have taken an instant to go to the art room and commit the crime. (Couldn’t there have been time after? Couldn’t the autopsy report’s window be off, have that wiggle room?)

Or there’s Athena’s objection, offered up without a thought, and then a few seconds after, she has invented a possibility. “What if we were all wrong about where the crime was committed?”

That’s one of Phoenix’s classic turnabout tactics. Apollo sees where she’s going; Means scoffs that she’s lost her mind, but Blackquill, glowering around the court at everyone in equal measure, very slowly says, “Continue.” When Means sounds about to protest, Taka alights from Blackquill’s shoulder and brings its fly-by so close that its talons rake through Means’ hair.

The murder took place on the stage, the blood spilling onto the banners lying there. The Gavineers banner soaked up most of the blood, was wiped on the art room floor to create the other crime scene, and then burned to hide the evidence. The white Lady Justice statue they repaired during yesterday’s investigation came from the art room, sent down the banner wire to make some noise and lead someone to the body. The body, therefore, was hidden on the stage somewhere.

How? At least a hundred people passed the stage on their way to the mock trial. What did it look like? Was there a crawl space under it that could be counted on no one to notice? What about behind it? Did they see it from other angles? Athena only has partial photographs, from up on the stage, nothing with the right angle, the wide shot. All of the pieces, these strange inconsistencies and bits of evidence collected, fit perfectly together with this theory.

There’s just no place for the body.

And that’s going to sink them.

They’re sinking, and Means just laughs. “Don’t you understand yet? There’s no killer other than Juniper Woods! There never was any other possibility, and there never will be!”

“But…” Athena falters. Apollo needs to help her, if he can just come up with somewhere, anywhere, that the body could have been. There were bruises on the victim’s wrists from being tied. Was she tied in some contorted position to allow her body to fit somewhere strange? Every second that he doesn’t say something, he’s failing their client, and he’s failing his friend.

“Poor Juniper must seriously regret asking for your help now - choosing you over me! And not just for herself, but for the way you nearly had Hugh wrongly convicted for murder! Surely you haven’t forgotten that big mistake of yours, too?”

“Don’t listen to him,” Apollo says. Though really, he’s not sure if Athena is listening to anyone, her face gone slack and her eyes glazed over, lost somewhere that isn’t here. “Athena?”

“You’ve not only failed to defend your client, but you brought false charges against her friend!” Means is positively gleeful tearing into her, a shark that’s scented blood and gone into a frenzy, and Apollo remembers what Phoenix said last night, about Athena, about accusing Hugh, wonders what he’s thinking now watching his best-laid plans to shelter her fall apart. “You don’t deserve to call yourself a lawyer!”

“No.” Athena hugs herself tightly, clutching her arms across her stomach like she’s sick, or trying to staunch the flow of blood from a wound, and doubling over herself. Her hair falls across her face, but not enough that Apollo can’t see her eyes, wide and hollow, and Widget’s screen, gone straight black. “No, I - wouldn’t let an innocent person be - I wouldn’t let him be convicted for - something he didn’t—”

“Athena! Hey, Athena, look at me.” Her shoulders start to shake. She doesn’t lift her head. Apollo reaches for her shoulder and stops; she flipped a mann larger than Apollo over her head the last time someone unexpectedly touched her, and if she’s already breaking, the last thing she’ll need is to hate herself more if she lashes out and injures Apollo. Means grins in satisfaction; Apollo glares at him and wishes, horribly, cruelly, for an instant, that he was fae, that he could kill with a look, literally, and then the wish turns his stomach over. Even if this man is a monster, even if he’s getting a laugh out of hurting Athena—

It’s not - it’s probably not a curse, is it? Some kind of spell Means put on her? It’s probably just - a regular mundane breakdown, right? Phoenix is up in the gallery watching, and if something had happened, he’d already be on his way down to let Apollo know. For Athena’s sake, surely, he’d break his habit of staying frustratingly silent on these matters.

“Breathe, breathe,” Athena hisses to herself. “Breathe in, breathe out—”

Blackquill crosses his arms over his chest. After watching him for three trials, Apollo still wouldn’t say he’s got a read on him at all, wouldn’t say he understands if the man has any tics - but maybe Apollo just hasn’t seen them yet. Because Blackquill’s mouth twists, his nose twitches; it might be disgust, and it might be barely disguised fury, and maybe it doesn’t have to be exclusive, one or the other, because those are related emotions. He doesn’t turn his glare from Means but closes his eyes instead, face slackening, like he’s trying to calm himself.

“Hey, shut the hell up, man!” Robin yells. She starts forward for the witness stand, her hands in fists, and Hugh grabs her by the upper arm. “Athena’s a great lawyer! She saved the friendship between Hugh and Juniper and me! And she figured out the secret I couldn’t tell, so I can live my life as a girl again! She is G-R-E-A-T and I don’t wanna hear another word against her, you lying meanie!”

“But I did,” Athena says. Her voice rings out clear and steady despite the way that her body trembles. “I did raise false charges against Hugh. And that - I could have - I could’ve done something unforgivable - I would have—”

“Hey, don’t worry about it,” Hugh says with a shrug. He still hasn’t let go of Robin, and that’s probably the better choice. “It happens. There wouldn’t be defense attorneys if it didn’t. It’s not like I’m mad - it’s really more like you’ve given me a chance to reevaluate. You’re an honest lawyer and I didn’t think it was possible, for an honest lawyer to do all you’ve done.”

Athena blinks. Apollo hopes that’s a good sign, considering she hasn’t for the minute prior. “But I still haven’t done - what does it matter if I can’t save Juniper?”

“I believe in you, Thena!” Juniper stands from her chair, her hands clenched at her sides. “I haven’t given up! You can’t either! And I know you won’t! I know you can do this, Thena.”

A strangled sound emerges from Athena’s mouth, like a wheeze interrupting a hiccup or sob. “Athena, breathe,” Apollo says.

She tips forward and braces herself against the bench with one hand, the other arm still pressed tight against her stomach. “I c-can’t.” Her valiant attempt at inhaling breaks down into uneven, shuddering gasps. “I c-can’t. I—”

“Perhaps it would help you breathe if you were to cease this pathetic bleating of yours.”

Apollo is ready to yell at him, because someone has to and Robin has already laid into Means, but Athena finally slowly raises her head. “Prosecutor Blackquill?” she asks in a faint, broken whisper.

Blackquill shakes his head. “No more of such foolish words as you have just now spouted.” Is this - is this Blackquill’s attempt at reassurance? Has the world and the court finally gone mad? “You became a lawyer for a reason, did you not? What would come of it should you give up on all of the work that you have done thus far?” He slams his forearm on the bench and leans forward, his eyes sharp and his mouth pressed in a tight frown. “It would hardly do for you to quit now and disappoint a certain someone who has been waiting for you all this time!”

“I—” Athena stares at him, her mouth hanging open, but her breathing has begun to steady from moments ago, and she slowly straightens up, drawing her shoulders back from the way she curved in on herself.

“Ha!” Means’ laugh isn’t a very convincing one. “Isn’t this a precious little waste-of-time effort you’ve undertaken! But it is, I assure you, meaningless. You have nothing on me, and no plan to create anyone else’s guilt! Your case ends here.”

“Oh shut up,” Apollo says irritably, deciding that if Phoenix and Athena are going to be swearing in court on the regular now, he can definitely get away with that. Ignoring Means’ indignant sputtering, he turns back to Athena. “You okay?” She nods. “You’re doing fine, I promise. We’re still going to prove that the truth can win against people like him, all right?”

“But how?” Athena asks. “What am I supposed to do now, Apollo? He’s right, we don’t have any evidence against him!”

No evidence. That’s the problem that Phoenix kept running up against. What does it take to break an honest lawyer? For Phoenix, it was no evidence. But god damn it, Athena has only been a lawyer for six months and when Apollo had been a lawyer for six months, Phoenix gave him the Jurist System to solve that one particular issue. They don’t have the Jurist System now. They might never have it again. Evidence is everything now, and all Athena has is Apollo, and Apollo doesn’t even have a theory. If they can pull together a plausible theory, they can look for evidence in the places their theory maps out. But they need the theory.

“Take a deep breath,” he says - she’s started to look frantic again. Not on the cusp of breakdown, thankfully, but frantic, and that won’t help her think clearly. “And we’ll look back over the whole case. There’s still truth to be found, and I believe in you that you can find it.” The sickly expression remains on her face. Is there something he can do about that, too? “Hey, Athena. Remember what Mr Wright says?” That saying that she in particular so enthusiastically took to. “ ‘The worst of times—’”

“—‘force their biggest smiles’,” Athena finishes. Okay, so maybe they skipped a bit in the middle there. “Right. I’ve got it.” She shakes her head back, her ponytail swinging behind her shoulder, and props her hands on her hips. She doesn’t actually smile, which Apollo can’t blame her for, but even with Widget glowing bright fierce angry red, she appears more at ease than she has for a while. “Think it over.” She squeezes her eyes shut and her whole face scrunches in concentration.

The body was moved in the midst of the mock trial, but didn’t have to be moved far, because the murder took place on the stage and the body had to have been hidden on the stage. What was moved via the banner wire was the other statue, so that Means could draw attention to the body and have it discovered when he wanted it to be discovered. It had to have been on the stage, and it can’t have been suspicious. It’s possible that there could have been some other objects involved in stage-setup that would have been capable of storing a body, but if they weren’t on the stage when Phoenix and Athena got there, then Means had to move it away, and that would have increased the time he spent there and increased his chances of being caught. Seems unlikely that there was anything more. So then, what was on the stage when they got there? Apollo didn’t get much of a glimpse of the initial scene. The mockup benches on stage - what were those made of? Could they have hollowed-out insides, possible to be lifted and have a body dragged beneath? What did the rope bruises on Courte’s wrists mean?

Athena’s eyes snap open. “I’ve got it!” she says. “Apollo, you remember how when we were repairing the statues” - more like when she and Klavier were and Apollo was just kind of there, but sure - “and we couldn’t find any chunks of the boss’ statue large enough to put it back together?” He nods, with no idea where she’s going with this. “And the court will recall how remarkable a feat it seemed that Professor Means could finish the statue of Mr Wright so quickly, when it took Robin so much longer on the other statue. And I can tell you why that is!”

Yep, Apollo has no idea where this is going. “He never built the statue!” Athena continues triumphantly. “It was all an illusion - he hid the body by making it look like the statue of Mr Wright! And with the statues covered by cloth, no one would know what was actually beneath!”

“Wait, what?” Apollo asks.

“Now this will be interesting,” Blackquill says.

What Apollo has come to realize is that he could not be a prosecutor. Not for any reason of principles - arrests have to be made, people are guilty of crimes, and an honest prosecutor is as important to the pursuit of justice as an honest defense attorney, even if both seem in unfortunately short supply these days - but because the prosecution don’t seem to be able to operate with a co-counsel. The closest they get is working as a team with the same detective, and that wouldn’t suit Apollo. What he needs is someone at the bench with him who can come up with utterly batshit theories that escaped his brain because they were, as stated, utterly batshit.

This is going in his journal as the weirdest thing he’s done in a trial. Because certainly weirder things have happened in trials - Kristoph’s shimmering, flickering glamour as it broke, or Blackquill starting to transform to a nine-tailed fox - but Apollo did not hold an active part in those incidents. Apollo is taking a very active role in helping to turn Athena into a sheet-covered statue mockup of the corpse at the crime scene.

Apollo is actively facilitating Athena’s outlandish theory - and less outlandish every second judging from Means’ face, furious instead of laughing it off. The trial takes a ten minute recess to hunt down the props that Athena will need to display her theory: a large sheet, a chair, some rope, and just in case, some duct tape. It feels like preparation for one of Trucy's tricks but if she were here it would be easy, and the Magic Panties would provide, but instead Apollo breathlessly rushes back into the courtroom at the end of ten minutes with a large pink sheet that’s going to have to work one way or another.

What is a co-counsel for but to help you fill in the gaps of your mad ventures? Athena figures out why the professor’s hands were tied and how they were positioned behind her head; Apollo reminds her that Courte had an arrow sticking out of her body and duct-tapes it to her side; they test those two facts together and find that the arrow isn’t long enough to make a convincing statue arm, but Athena notices that Means’ staff certainly could have. Reluctantly, Means hands it over; Athena holds it in place and Apollo shakes out the sheet to toss over her head again. Somehow even that is an ordeal. She got stuck in it last time she removed it, to swap the arrow for the staff, and now Apollo can barely get it tossed up over her head. Fabric doesn’t throw very well. He shakes it out and tries again and this time a cold gust of wind catches beneath it, billowing it upward spread like a parachute to drape neatly over Athena’s head.

Apollo glances at Blackquill. He has stood silent watching - it seems promising that he hadn’t been heckling them - and his arms are crossed, but he slowly lowers the hand he had just slightly raised up off from where it rested on his upper arm, like he made a little wave to direct the wind. Seeing Apollo watching him, he raises an eyebrow.

The courthouse has time and again seen manic laughter within its walls. Athena’s at least is different, triumphant, from underneath the pink sheet where her hands behind her head make the form of a large spiky head of hair, and the staff an extended pointing objection arm. All they’ll need to do now is test the staff for traces of blood, and Means’ guilt will be ascertained.

The proud, proud professor falls apart the way criminals all do, begging and pleading and wheedling for a way out, any loophole or last desperate reason that it isn’t them; cursing the names of everyone involved in their downfalls, everyone but themselves. And Means falls apart, literally, his words becoming more incoherent in his desperation, until they don’t sound like any words of any language Apollo has ever heard. They’re just noises from a man who has finally lost at every game he has played for years, and his voice grows softer and the clack of his teeth together, a horrid sound that makes Apollo acutely aware of all of the nerves in his own teeth that would be giving him pain if he were the one doing that.

He should just steel himself for what Clay calls “Fair Folk fuckery” at the end of every trial. He should expect it by now. And maybe he does, but with the myriad possibilities of their curses and consequences playing out, how does he brace himself when he doesn’t know what’s coming?

He assumes this is fae. What else could it be? Maybe an accident, the first time that Means’ mouth snaps shut and then he opens it and there is blood on his teeth and a chipped white piece of one falling into his hand. Maybe he just spent most of his life putting too much stress on those bones and one of them was already breaking apart before today. But without catalyst a second tooth cracks apart and drops from his open mouth, and another, and Apollo glances away from the spectacle, can’t close out of his mind the blood streaming down Means’ teeth.

“Ugh,” Widget groans, and Athena presses a hand over her mouth. Juniper, sickly green, covers her eyes with her hands. Only Blackquill has the stomach to not turn away, his narrowed eyes fixed on the witness stand and gleaming silver, equally cold and piercing as the yellow glare of the hawk on his shoulder.

#roddy fanfics #fic: the witches of los angeles

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