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#I just don't want you to GET INTO AN ACCIDENT AND DIE
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Heart-Stopping
Pairing: Spencer Reid x Surgeon!Female!Reader
Word Count: ~900
Warnings: fluff
Summary: After a ten-hour surgery, all you want to do is go home and be with your husband. When he comes into the ER needing surgery, your entire world is turned upside down.
Square Filled: "Oh, don't worry, this blood isn't mine." (2022) for @spencerreidbingo
Author’s Note: any and all comments are appreciated <3
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You trudge out of the OR into the scrub room to clean your hands and arms. The surgery you were just in lasted an atrocious ten hours. You’ve gone for more, but this was so tough since the patient’s heart kept arresting and her blood vessels were so friable that it was hard to do any kind of stitches. Still, you managed to get her fixed and stable enough to be transferred to the ICU.
All you want to do is go home to your husband and cuddle until you fall asleep in his arms. He understands your job and how you can’t always be home with him. He’s in the FBI so he has the same demand even if he’s doing work that’s completely different. The reason your marriage works is that you two make it a point to call each other every day, plan an at-home date every week, a date anywhere that’s not your house every month, and have a small vacation every six months.
He’s your rock and you don’t know what you’d do without him in your life. He’s your biggest supporter and the love of your life.
You’re scrubbing away the sweat and grime from your hands when your pager goes off. You grab a microfiber towel and dry your hands before checking the pager. 911 ER. You toss the towel away and run out of the room hoping you can get to the ER in time. There is a patient who needs your attention and might die if you’re not there. It amazes you that you have so much energy after a surgery like that and maybe it’s because of the silent promise of saving as many people as you can.
You push the double doors open that lead into the ER and look around to see if you can spot the patient that needs you.
“Dr. Y/N! I need you to know that everything is okay…”
You can’t hear anything your resident says because all you’re focused on is your husband lying on a stretcher covered in blood. Your entire world comes crashing to a stop. You’re a very skilled heart doctor but it feels like your own heart is going to stop at the thought of your life without Spencer in it. His coworkers, Derek and Emily, are by his side without blood on their clothes.
“Y/N!” Derek grabs your shoulders and snaps you out of the silent panic you’re in. “He’s okay, I promise he’ll be fine.”
“What happened? Spencer!”
You rush over to him, and he grabs your hand gently.
“Oh, don’t worry, this blood isn’t mine,” he mumbles.
“What happened?” you ask Derek and Emily.
“There was an accident. He tried to save our victim and got caught in the crossfire. She’s right behind him.”
“Y/N, we’ll take care of him.”
You turn to see your chief of surgery and your best friend who has a determined yet empathetic look on his face. You can’t take care of your husband because he’s your husband so the only person you trust to take care of him is the chief.
“Okay,” you whisper. “Don’t let him die, please.”
“We go it. Go to Trauma One!”
Spencer is wheeled to the first trauma room just as the victim comes in right behind him. She, you can help. Spencer is wheeled into surgery to fix an injury on his leg while the general surgeon and neurosurgeon take the victim to surgery. If there is anything to be done on her heart, they’ll call you in. You’re stuck thinking about Spencer instead of being in surgery to take your mind off it. You leave Trauma Two and walk over to Emily and Derek who are talking to each other.
“What happened to him?”
“There was a car accident, the car the victim was in. They skidded on a patch of ice and the car slammed into a tree, ejecting the victim out of the windshield. Spencer was the first to her which is how he got all of her blood on him. Another car came around the corner and didn’t see the crashed vehicle, and they collided with it, sending shrapnel into Spencer’s leg. He lost a lot of blood on the way over here.”
“Shit,” you whisper with tears in your eyes.
“He’s going to be okay. You have a talented team of doctors here.”
“I know,” you nod.
There is no choice but to wait for Spencer to get out of surgery. When he is, they take him to a private room where you can sit with him. It takes twenty minutes for him to come out of the anesthesia, but he’s still pretty loopy from it.
“Hey, baby, how are you doing?”
You take out your stethoscope and check his heart and lungs, relief clouding your head when you don’t hear anything bad about it.
“Doctor… I need… I need some… some flowers.”
“Flowers? For what?”
“My wife. Her birthday is this weekend, and I want to get her flowers.”
Your heart swells happily at his little confession. He knows how much you love getting flowers. They brighten up even the darkest of places.
“It’s very important, please.” He rolls his head to the side and looks at you through hooded eyes. He doesn’t seem to recognize it’s his wife right in front of him. “I need you… Can you write her a card for me?”
“What do you want it to say?”
“I love her. Her eyes are pretty. She makes me so happy. Just say that.”
“Okay,” you grin with tears in your eyes.
Spencer’s eyes close and you sit next to his bed. You grab his hand and kiss the back of it, content with staying just like this until he wakes up.
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Because I think I might get around writing for most of the men at some point for the future au I wanted to see or already arrange how many kids they would have
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Jin would have two kids in complete accident, he was very happy by his father's discontent at his heir's lack of kids but things happened, the person who celebrated them the most was the grampa. Maybe two boys or a boy and a baby girl.
Thoma screams girl dad, doesn't he? Just imagine him braiding her hair for evening tea and being a menace to any boys she brings home with Alan if they break her heart, he is still a delinquent at heart.
For Luca I'm split between wanting him to have two boys to mirror him and his brother or a spoiled girl he plays knight for, sigh, such a hard decision...
Kaito, how did he reproduce?
Alan, two kids, one of each, no hesitation, he has a ‘little princess’ who he is nervous of hurting accidentally when he holds her but is as much of a wild beast as his brother. They like going hiking and getting chased by their dad when they get too close to a lake or too far away from the path.
In Leo’s scenario i see him with a daughter that managed to soften out his meanness (while she is around so she doesn't pick up on much of his sass, kids don't make miracles) and left him with another on the way that I also feel would be another girl. He is just a bit annoyed he doesn't have to redo the nursery for content but whatever.
Sho I KNOW that in his fic I said ‘nephew’ but imagine a baby girl that was playing with her family before she was even born and had you two scattering to find a girl's name at the hospital. It's just the beginning of her mischievous streak. Sho thinks it's his karma from being a thug as a teen.
I don't know why but I can see Romeo having three kids? Maybe because Gucci had like five kids or it's to a certain degree to assure himself the MC wants to stay with him and wouldn't leave out of the blue 💔 attachment issues bb.
Ritsu originally only wanted one child, he was an only child and was happy getting all the attention, but not everything went as he planned so he got twin boys.
Taiga, why would you do this to yourself??
Haru already has a son, peekaboo, but when he grows up he accidentally has a boy who he starts giving some minor tasks around, separating some leaves for the animals, brushing peekaboo’s hair, plucking weeds, etc etc. Don't look at him like that! He need all the help he can get.
Towa has girls! They like fairy tales with happy endings and always bother their dad to tell them your love story. When they become toddlers they go through a vegan phase to mimick him and will cry if they have meat or egg on their plate.
Ren was 99% sure he was going to die a virgin. He ends up with a girl he plays games with everyday after work. Borderline ipad kid.
Can grandpa Ed even have kids? Lol if he has I think I could see him with just one vampy baby that sits next to him and drinks tears off a sippy cup while his dad watches iceberg videos. Another ipad kid.
Rui (if somehow you broke his curse) is someone who I don't think would have kids, or at least not planned jajs but maybe one girl that he ends up overprotecting from playboy men like him in his youth.
Lyca I want to say they have a litter just for the joke of him being a werewolf but he doesn't seem to have any siblings so the joke doesn't get far :(
I see Subaru with only one child if any. He loves the little thing but feels he is intruding on their privacy, whenever he touches his preteen/teen kid he feels sorry enough to apologize.
I see Haku as someone who would be pretty chill with his life after Darkwick and go along with it as it happened. If you two had a child, great; if you didn't, great too. Very go with the flow parenting too.
Zenji he is dead wth jajajaj
Yuri NEEDS a little child that is always so impressed with their papa and he gets to brag about being the best or something. Please just don't let him be a strict teacher so your kid will follow his steps, he thinks it's for the best of their future but you can coerce him into just giving a very lengthy lecture about anomalous medicine without tests.
Jiro HAS to have a boy that is so similar to his uncle 🥹 always cooing since he is able to vocalize and chasing his dad around to get uppies while he tends to the backyard filled with herbs.
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petew21-blog · 1 day
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Great Shift stories, Henry and Joey
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Paparazzi:"Gentlemen, smile. Look to the right. Yeah. Good"
Henry and Joey were at the front of the hall, where the press conference was about to be held, before the release of the new Witcher season. They were all instructed to suit up and arrive. Henry felt like he was betraying Joey. They were about to announce soon, that he was leaving the Witcher TV series and passing the role to Liam Hemsworth. Henry didn't want to continue playing Geralt if the story wouldn't be more faithful to the books. Unfortunately, Joey already signed his contract and therefore had to play Jaskier for another year without Henry.
They stood next to each other. Joey couldn't pretend that he was happy. He was angry, because Henry didn't tell him soon enough how he felt and that he was leaving, trapping Joey in a job he started to hate. He felt betrayed
Back then nobody knew what happened in the following moments. Maybe it was an accident. Maybe it was intentional. But all they knew was that suddenly all around them was pure chaos. The whole city confused and screaming. Most of the planet swapped bodies with someone standing close to them. Some were very unlucky, in some cases the swap was lethal or caused many people to die. But some people got really lucky. Just like Joey and Henry here
They were obviously both shocked when they found themselves in each other's bodies. But they were interrupted by the people around them screaming and shouting at each other.
Joey in Henry's body:"Henry? Is that you? I'm you!"
Henry in Joey's body:"Is this real? Is it really happening?"
Joey:"I think it is. And I don't think we're the only ones. Maybe we should go somewhere more quiet."
Joey starts walking away, but as soon as Henry moves his body a sharp pain shoots from the back of his body.
Henry:"Ah fuck. Wait. There's something wrong. It feels like..."
Joey started smiling, realising.
Henry didn't find the pain that bad anymore and was slowly figuring out, what it was.
Henry:"Joey? Is that what I think it is?"
Joey:"I don't know what you're talking about"
Henry started laughing at his old face
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Henry:"Hahahaha. No you didn't. Holy shit you're naughty, Joey. You really went to a press con with a dildo up your ass? Wow. I never thought that you'd be able to do this."
Joey:"Maybe we should go?"
Henry:"Oh fuck, we are. I really need to take a proper look at that thing stuck inside of me now "
Joey went first and couldn't stop smiling, as he heard Henry struggling to walk properly
But Henry was getting more and more into it. He never had a dildo up his ass. And this one was BIG.
They got into an empty hotel room nearby.
Joey went to the bathroom first to piss and left Henry outside. Henry started throwing his clothes off to the ground. But stopped, once he felt the thing in him move. He got on his knees and felt his own ass trying to push it in and out. An overwhelming feeling caused him to moan out loud and hold ok tightly to the bed sheets.
He heard the bathroom door open
Joey:"You wanna use the bathroom?"
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Henry got up and without saying a word went to the bathroom while grabbing his old body's cheeks playfully on the way.
He wanted to look at himself in the mirror, but he needed the dildo to move. He needed to find a better position. But another unwanted movement caused him to collapse into the bath still in his clothes.
He just sat there leaning on the edges of the bath, moving his ass up and down in the air. Causing the dildo to move up and down. He was now covered in sweat. His body was begging to be fucked
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Joey:"You need some help with that?" He pointed at his ass
Henry needed to be fucked. And there was a thing much better than the dildo in his ass
He leaned to the front and grabbed his old semi-hard bulge looking seductively into his old eyes
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Henry:"Whip it out big boy. You got a hole to patch. And I need it"
Joey:"Are you sure you..."
Henry:"Fuck me right now!!!"
Joey threw off his pants and boxers. Leaving himself in Henry's Grey shirt only
Henry:"I want you to show me how you can be better than that dildo"
Joey:"I'm not really sure about this"
Henry:"Please just fuck me already. I can't take this anymore"
Joey helped Henry to take off his clothes. He turned him around to let him hold the edge of the bath. He then grabbed the base off the dildo and started moving it up and down rythmically. Henry was moaning in pleasure. No, he was screaming
As soon as Joey got hard, he pulled out the dildo and showed his new huge dick into his old ass. Henry couldn't even tell the difference. But now it was warmer, pulsating. And Joey was pounding him.
They were now one. Combined. Sweaty. Joey was deep inside of Henry moving his intestines.
Henry:"Ah ah ah ah. Fuck me... I need you"
Joey couldn't hold it anymore, he pulled out his new dick and shoot the load at his old back.
He was breathing rapidly from the fast tempo. Henry was still holding on. But Joey moved his head to the side and noticed his old dick leaking cum
Joey smiled. Yeah, fuck the betrayal. He's gonna be punishing him for that very often from now own.
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Anonymous inbox request:
What about the great shift strikes. And everyone is swapped with the closest person at the moment. A story where henry cavill gets swapped with joey batey before some press con. And henry finds that joey's body has a dildo up his ass and he's so turned up that he begs joey to fuck him.
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l0stfoster · 1 day
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I would literally kill for everything abt cursed au paul. Like when does his redemption start, when and how do him and darry reconnect, does he ever open up abt his home life to darry or anyone else, how do the socs react to him getting close to darry (or the greasers for that matter by association) . I NEED EVERYTHINGGGGGG 🙏🙏🙏
I’m so glad someone likes him as much as I do I've had him on my brain for weeks OKAY YAP TIME!!
When does his redemption start
- Paul's redemption arc starts out preeetty slow and begins after his powers come to the surface again post-rumble, about 4-5 months later. It was being around such a large number of the cursed that flicked a trigger in his brain. He HAD his powers long before then and used them as a kid, but his mother tried to force him to forget about them with her own because she wanted this curse to die. - Dude has a panic attack when he discovers them because he's suddenly a part of this group of people he's hated ALL his life.. and then there's a very temporary god complex because he might have this curse but he's still a soc, he's not really one of those things, is he? He's still got superiority to them, so who cares if he's cursed as well.. and then his parents find out. - It's the same exact situation he had when he was a kid. His parents were already distant and abusive/neglectful but the magic just makes it worse. His mother tells him to his face that she wished she hadn't had him, and it's the first taste of just what the other cursed go through. He's obviously forced to hide his power from the public for the sake of their reputation, but it's how his own parents respond to this that makes him reflect.
When and how do he and Darry reconnect?
- Around a month after Paul discovers his powers, and it's purely an accident. They bump into each other in soc territory (Darry's birthday was coming up soon, and he wanted to visit an old cafe there he'd visit for nostalgia's sake, Paul was just trying to get out of the house for a while) and they're immediately beefing. Miraculously, though, they both had their sights on the same place and ended up directing inside, still bitching (in reality, neither of them could bring themselves to walk away). The poor workers had these two absolutely at each other's throats for hours. "I hate you and I wish you'd die" as Paul buys Darry's exact coffee order he memorized from years ago. "You're such an asshole." While Darry gives Paul the pieces of his muffin that he doesn't like but Paul enjoys. They leave with bitter wishes of hoping they never see each other again. - Weirdly enough, it keeps happening. This goes on regularly until it turns into making out in back alleys as a goodbye. When I said friends to enemies to enemies with benefits I meant it. They're practically dating but both have convinced themselves that it is casual and that they're just homies. This happens over like six months. Steve and Two find out during those months and kinda don't care, Pony and Dally are THE most offended by it. Soda and Ace are there like "I'm insulted but you're an adult, and you're not stupid, so I can't really tell you to stop?" - There's a lot more forced proximity when Paul gets kicked out and crashes at the Curtis' when sleeping in his car isn't viable.
Does he ever open up abt his home life to Darry or anyone else?
- Not willingly. There's the doodle where he gets drunk and yaps about it to Two and Dally, but that's the most he'd speak of it honestly for a long while. Darry definitely knows that the Holdens aren't exactly great people-- met them once during highschool & Paul's father is the police chief so he's already on thin ice. (yes I nabbed that from Born a Grease <3) - They meet again bc Paul needs to attend something related to the police department for reputation's sake (pre-kicked out) and Paul will only go if Darry's allowed to come. Darry gets another taste of how shitty they are there because they make a scene and Paul's powers are bought up and outed. Paul, defending Darry: "The curse doesn't make people a bad person-" Mr. Holden: "You're right, it makes them not people." Paul: "..Then what the hell does that make me?" Mrs. Holden, shouting: "It makes you wrong." - Paul will never really tell them straight up, but they can make assumptions pretty easily. He gets nightmares occasionally and gets pretty uncomfortable whenever the cops are mentioned due to his dad's relation to them. If he's drunk he'll shit-talk them, The dude's an alcoholic as a coping mechanism. I could see him maybe telling Darry, but it wouldn't be something he wanted to do. He thinks it makes him look pathetic. ( I made a what-if doodle where Paul's hair grows longer each time he overuses his power, and he has a fucking MELTDOWN when he looks in the mirror and sees his mom bc of the length. It's non canon, but it's silly to think about )
How do the socs react to him getting close to Darry (and the Greasers)?
- Paul's pretty much thrown into association with the greasers (and by proxy, all of the cursed) as eventually, word gets out that he was kicked out, alongside that he's cursed. He loses most of the soc friends he has, save for Cherry & Marcia due to their own associations (Randy wouldn't turn his back on him either, but for his own safety has to keep a distance publically.) - And since it's related, Paul and Cherry (maybe Marcia, but hers is 50/50 since she has no power) become free reign for getting jumped by other socs due to their powers & associations with the greasers. The girls target Cherry and vice versa for Paul, but we still haven't figured out how they do it without powers getting in the way. (Our running idea for Cherry is that her hands are bound so she can't spark & they butcher her hair so it can't either </3)
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catsnuggler · 1 year
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Interrogator: You say you are an anarchist? Me: Yes. Yes, I am. I proudly, fervently, say, with conviction, that I am an anarchist. I oppose all centralized authority as tyrannical, be it fascist or liberal. Interrogator: And yet you would DIE - you would give YOUR life - for Aragorn, High King of Gondor? Me: *whimpers* You just don't UNDERSTAND. You just don't UNDERSTAND. Yes. YES! Yes, Gods... *cries*... "for all that you hold dear, I bid you: Stand, Men of the West!" *pulls sword out of my pant leg, which was somehow totally hidden, not forming any kind of outline in my pants*
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Daily yttd art day 10! They are NOT appropriately dressed for the beach.
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spohkh · 11 months
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GODDDDDD THIS EPISODE WAS SO FUCKING GOOD GIRL LOOK AT THIS FACEEEEEE.... hes absolutely living for this knowledge that dong soo can be so vengeful. like he was intrigued/amused by dong soo before but now hes like oh there is DEFINITELY something fucked up about that little dude and i am INTO IT... do young can see sooo clearly all of the twisted up gnarled rage inside of hds that he tries so hard to hide.. "his revengeful spirit" uggghhhhhhhh yes do young is going to hit at hds' fault lines until he bursts right open!!!! the fucking little smile on hds' face when sdy showed him the picture of moon in the car accident MA'AM? LET THAT REVENGEFUL SPIRIT RIPPPP!!!! ONLINE GAMBLING KINGPIN!!! FAST TRACK ON THE DOWNWARD SPIRAL!!!
do young is like dong soo. you freaky little attorney. take my unlovable hand in yours. lets go full no children in this bitch.
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lord-squiggletits · 1 year
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I must admit I'm getting this horrible image in my head of Tarn as that type of creepy guy who donates way too much money to a streamer and then absolutely loses it when he hears they're not single.
That's probably accurate lol. Although unlike (seemingly) most people in this fandom, I blame Megatron more for turning Tarn into that kind of obsessed freak than I do Tarn for being a freak. I mean, my view is basically "you reap what you sow/the monster you created turned around and bit you" so I don't really have sympathy for Megatron with regards to Tarn showing up and ruining his life lol. I actually really like the DJD coming in MTMTE as basically the living embodiment of karma and Megatron's comeuppance about not being able to run away from/ignore his past.
Like blah blah "no matter how sad your backstory is you're still responsible for your own actions" but also Megatron is literally 100% the reason Tarn is Like That, and Megatron also used parasocial manipulation, propaganda, and his grandiose personality to manipulate the Decepticons into worshipping/following him without question. So like. It's fiction, I don't have to be all "well they're all problematic" I can just be like "lol, lmao even" and point and laugh as Megatron gets fucked up by Tarn and the DJD because he can't talk his way out of this problem.
#squiggle answers#i'm not mad at you or thinking you're saying anything#i'm just very fond of dying of the light and i enjoy megatron suffering#i love how dying of the light is like megatron's personal torment nexus of getting trapped by his bad decisions#but also getting other people dragged down with him by accident#and then he's so fucking pathetic that he can't even compromise his 'pacifism' to save those people he dragged down#and then he lashes out in anger and becomes violent and hateful again and slaughters the whole DJD#i love that shit. love when megatron is fucked up and dysfunctional#i'm not saying i wanted him to become WORSE and like die a horrible fate per se#i'm just saying that i disagree with most of the fandom when they're like aww let this old man rest and tarn should fuck off he's a loser#i'm like nah. put megatron in the blender. don't let him just suddenly decide to be a pacifist and then that's it. make him fuck up#ough sorry it's just. i like megatron getting better but i also like him staying bad lol#like i want him to get redeemed but i also still want him to be fucked up and full of anger and hatred. if that makes sense#but yeah. not to be a tarn defender or anything but like#sometimes the fandom seems like it listened too much to the part where megatron was like#'i was happy i was at peace and you ruined everything'#meanwhile i'm sitting there like: yeah they ruined it. and so what. it's your fault. you don't get to be peaceful and happy#when you still have mistakes that you need to address and do something about instead of running away#muah. muah. muah. love dying of the light#i wanted to rip megatron apart from being so pathetic but i was also like. awww sad old man#mostly i wanted to rip him apart tho lol
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queenlua · 8 months
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man why is every single hawk we see in tellius a dude. it's like intsys didn't even realize lady!hawks are BIGGER and thus would CLEARLY be the warriors in any kind of arrangement where they're forming armies and such—
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millipedish · 7 months
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My toxic trait is I keep coming up with Toyfolk character concepts when I've already submitted two separate characters
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catgirlelric · 1 year
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key to surviving the overwhelming paranoia i have learned is to just repeat "fuck it we ball" over and over again in your brain until the scary things genuinely do not matter anymore
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inkskinned · 4 months
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it's because the bear wouldn't kill me just for being a woman. the bear doesn't kill me for fun. the bear can be shouted at, and will leave me alone. the bear won't make a tiktok complaining about how i crossed to the other side of the path when i saw him coming. if a bear kills me, it's just being a bear: it cannot understand logic. it is not acting out of malice - just fear or hunger.
bell hooks once wrote about how porches might be the only outside space left for women - it is still the domain of the house while it is also outside-but-safe. when i am in the woods, i am in the bear's home, and he has a right to defend his property. outside spaces - anywhere at night, certain parks in the day - those are often implicitly "owned" by men. i cannot explain the feeling of knowing when you have entered a man's "territory." you walk into a place and just know you are in their space. you get a sick sense - you're in danger.
the other day a group of about 8 men were fooling around in the woods while i walked my dog. i had to go around, take the extra 3 miles just to avoid them. it's okay, i like walking. this wasn't even a #feminism moment. it was just a tuesday.
what a plain and easy question. only one of the situations is seen as a tragic accident. i would rather die and have a park bench erected in my honor rather than have my family questioned about why they let me, an adult, walk in the woods in the first place when i should really be at home in the kitchen.
i worked in retail and food service. i have had women say and do absolutely heinous and abusive things to me - not because i was a woman, but because i was there, and they were angry. the way men treated me when angry was different - it was because i was a woman. you can always feel the difference, how there's an undertone of i'd hurt you worse if i could get away with it. i keep seeing people try to cite stupid statistics. why is there always a strange rage whenever women agree on things? like men can argue their way out of our lived experiences? it isn't a buzzfeed quiz - which of these traumas are you? 10 super cute ways not to fear strange men.
i have actually (thrice!) seen a bear in the wild, by the way. i died each time, obviously, and am a ghost writing to you. (it was scary but completely and utterly fine). the second encounter was a black bear with her cub. she looked at me like - do we have to do this or are we good? my dog was busy sniffing a bush, completely nonreactive. i felt like i was in a sitcom: feminist poet reacts - does she actually mean she'd choose the bear? my only thought was - she's so beautiful. her paws are massive.
and there's a part of me that feels the rage spinning out in a corner. why do we have to come up with quippy little comments in order to teach men empathy. would you rather die in a car accident or due to a mugging? and would you rather your house burn down due to an electrical fire or due to arson? gee willikers - it's almost like we're human people, and want to risk the accident versus the intention.
i would rather my last thought be oh shit, a bear rather than i'm a person too. why doesn't that matter? why don't you care?
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medicinemane · 11 months
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I don't know... there's two things in life that if I had I think it might feel worth living, and they're both things that based on my life experience I find impossible
One of them I can just kind of... badly substitute for and maybe claw my way to almost the same outcome after a miserable slog
The other I fully do not believe is possible and I'll just kind of have to bare life without it, which frankly I just plain don't want to do, so I'd prefer if I'd just hurry up and end things instead of lingering, especially when it also sorts out everything else
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jadevine · 9 months
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Preindustrial travel, and long explanations on why different distances are like that
Update March 1, 2024: Hey there folks, here's yet another update! I reposted Part 2a (the "medieval warhorses" tangent) to my writing blog, and I went down MORE of the horse-knowledge rabbit hole! https://www.tumblr.com/jadevine/741423906984951808/my-post-got-cut-off-so-i-added-the-rest-of-it Update Jan 30, 2024: Hey folks, I've posted the updated version of this post on my blog, so I don't have to keep frantically telling everyone "hey, that's the old version of this post!" https://thebalangay.wordpress.com/2024/01/29/preindustrial-travel-times-part-1/
I should get the posts about army travel times and camp followers reformatted and posted to my blog around the end of the week, so I'll filter through my extremely tangled thread for them.
Part 2 - Preindustrial ARMY travel times: https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask
Part 2a - How realistic warhorses look and act, because the myth of "all knights were mounted on huge clunky draft horses" just refuses to die: https://www.tumblr.com/jadevine/732043691180605440/helpful-things-for-action-writers-to-remember
Part 3 - Additional note about camp followers being regular workers AND sex-workers: https://www.tumblr.com/jadevine/740604203134828544/reblogging-the-time-looped-version-of-my
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I saw a post on my main blog about how hiking groups need to keep pace with their slowest member, but many hikers mistakenly think that the point of hiking is "get from Point A to Point B as fast as possible" instead of "spending time outdoors in nature with friends," and then they complain that a new/less-experienced/sick/disabled hiker is spoiling their time-frame by constantly needing breaks, or huffing and puffing to catch up.
I run into a related question of "how long does it take to travel from Point A to Point B on horseback?" a lot, as a fantasy writer who wants to be SEMI-realistic; in the Western world at least, our post-industrial minds have largely forgotten what it's like to travel, both on our own feet and in groups.
People ask the new writer, "well, who in your cast is traveling? Is getting to Point B an emergency or not? What time of year is it?", and the newbies often get confused as to why they need so much information for "travel times." Maybe new writers see lists of "preindustrial travel times" like a primitive version of Google Maps, where all you need to do is plug in Point A and Point B.
But see, Google Maps DOES account for traveling delays, like different routes, constructions, accidents, and weather; you as the person will also need to figure in whether you're driving a car versus taking a bus/train, and so you'll need to figure out parking time or waiting time for the bus/train to actually GET THERE.
The difference between us and preindustrial travelers is that 1) we can outsource the calculations now, 2) we often travel for FUN instead of necessity.
The general rule of thumb for preindustrial times is that a healthy and prime-aged adult on foot, or a rider/horse pair of fit and prime-aged adults, can usually make 20-30 miles per day, in fair weather and on good terrain.
Why is this so specific? Because not everyone in preindustrial times was fit, not everyone was healthy, not everyone was between the ages of 20-35ish, and not everyone had nice clear skies and good terrain to travel on.
If you are too far below 18 years old or too far past 40, at best you will need either a slower pace or more frequent breaks to cover the same distance, and at worst you'll cut the travel distance in half to 10 or so miles. Too much walking is VERY BAD on too-young/old knees, and teenagers or very short adults may just have short legs even if they're fine with 8-10 hours of actual walking. Young children may get sick of walking and pitch a fit because THEY'RE TIREDDDDDDDDDD, and then you might need to stay put while they cry it out, or an adult may sigh and haul them over their shoulder (and therefore be weighed down by about 50lbs of Angry Child).
Heavy forests, wetlands and rocky hills/mountains are also going to be a much shorter "distance" per day. For forests or wetlands, you have to account for a lot of villagers going "who's gonna cut down acres of trees for one road? NOT ME," or "who's gonna drain acres of swamp for one road? NOT ME." Mountainous regions have their traveling time eaten by going UP, or finding a safer path that goes AROUND, so by the time you're done slogging through drier patches of wetlands or squeezing through trees, a deceptively short 10-15 miles in rough terrain might take you a whole day to walk instead of the usual half-day.
If you are traveling in freezing winters or during a rainstorm (and this inherently means you HAVE NO CHOICE, because nobody in preindustrial times would travel in bad weather if they could help it), you run the high risk of losing your way and then dying of exposure or slipping and breaking your neck, just a few miles out of the town/village.
Traveling in TOO-HOT weather is just as bad, because pushing yourself too hard and getting dehydrated at noon in the tropics will literally kill you. It's called heat-STROKE, not "heat-PARTY."
And now for the upper range of "traveling on horseback!"
Fully mounted groups can usually make 30-40 miles per day between Point A and Point B, but I find there are two unspoken requirements: "Point B must have enough food for all those people and horses," and "the mounted party DOESN'T need to keep pace with foot soldiers, camp followers, or supply wagons."
This means your mounted party would be traveling to 1) a rendezvous point like an ally's camp or a noble's castle, or 2) a town/city with plenty of inns. Maybe they're not literally going 30-40 miles in one trip, but they're scouting the area for 15-20 miles and then returning to their main group. Perhaps they'd be going to an allied village, but even a relatively small group of 10-20 warhorses will need 10-20 pounds of grain EACH and 20-30 pounds of hay EACH. 100-400 pounds of grain and 200-600 pounds of hay for the horses alone means that you need to stash supplies at the village beforehand, or the village needs to be a very large/prosperous one to have a guaranteed large surplus of food.
A dead sprint of 50-60 miles per day is possible for a preindustrial mounted pair, IF YOU REALLY, REALLY HAVE TO. Moreover, that is for ONE day. Many articles agree that 40 miles per day is already a hard ride, so 50-60 miles is REALLY pushing the envelope on horse and rider limits.
NOTE: While modern-day endurance rides routinely go for 50-100 miles in one day, remember that a preindustrial rider will not have the medical/logistical support that a modern endurance rider and their horse does.
If you say "they went fifty miles in a day" in most preindustrial times, the horse and rider's bodies will get wrecked. Either the person, their horse, or both, risk dying of exhaustion or getting disabled from the strain.
Whether you and your horse are fit enough to handle it and "only" have several days of defenselessness from severe pain/fatigue (and thus rely on family/friends to help you out), or you die as a heroic sacrifice, or you aren't QUITE fit enough and become disabled, or you get flat-out saved by magic or another rider who volunteers to go the other half, going past 40 miles in a day is a "Gondor Calls For Aid" level of emergency.
As a writer, I feel this kind of feat should be placed VERY carefully in a story: Either at the beginning to kick the plot off, at the climax to turn the tide, or at the end.
Preindustrial people were people--some treated their horses as tools/vehicles, and didn't care if they were killed or disabled by pushing them to their limits, but others very much cared for their horses. They needed to keep them in working condition for about 15-20 years, and they would not dream of doing this without a VERY good reason.
UPDATE January 13: Several people have gotten curious and looked at maps, to find out how a lot of cities are indeed spread out at a nice distance of 20-30 miles apart! I love getting people interested in my hyperfixations, lol.
But remember that this is the space between CITIES AND TOWNS. There should never be a 20-mile stretch of empty wilderness between City A and Town B, unless your world explains why folks are able to build a city in the middle of nowhere, or if something has specifically gone wrong to wipe out its supporting villages!
Period pieces often portray a shining city rising from a sea of picturesque empty land, without a single grain field or cow pasture in sight, but that city would starve to death very quickly in preindustrial times.
Why? Because as Bret Devereaux mentions in his “Lonely Cities” article (https://acoup.blog/2019/07/12/collections-the-lonely-city-part-i-the-ideal-city/), preindustrial cities and towns must have nearby villages (and even smaller towns, if large and prosperous enough!) to grow their food for them.
The settlements around a city will usually be scattered a few miles apart from each other, usually clustered along the roads to the city gates. Those villages and towns at the halfway point between cities (say 10-15 miles) are going to be essential stops for older/sick folks, merchants with cargo, and large groups like noble’s retinues and army forces.
Preindustrial armies and large noble retinues usually can’t make it far past 10-12 miles per day, as denoted in my addition to this post. (https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask )
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existennialmemes · 1 month
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Ok Long Bill Cipher Rant please bear with me:
Bill is not a Good Person, and he is very clearly abusive to Ford, even before The Divorce™
But, there's an extremely poignant detail that everyone keeps leaving out. When Bill turned violent with Ford, it was not for no reason.
Bill wasn't just trying to get into earth for fun. The Nightmare Realm was disintegrating, and his Found Family would be literally eradicated if he couldn't find them a new home.
Using violence to save your family is an extremely different situation than just being violent to get his way.
He was literally running out of time to save them, and he was getting desperate.
That context is extremely important when analyzing Bill's character. He's not a good person, but he is not evil either. At all.
Additionally, Bill probably thinks it's somewhat normal for the people who love you to hurt you "for the greater good." Because his parents, who loved him dearly, were feeding him poison to make him blind.
The first Terrible Thing we know he ever did, destroying his home world, was done on accident, as a desperate attempt to get the people he loved to stop abusing him.
And he regrets it so much he literally cannot even think about it. He loved them. He just wanted them to love him without hurting him, and it ended up killing them all.
So yeah, he's got some incredibly fucked up notions of love and relationships. And that doesn't excuse what he did to Ford at all.
But there's still an overwhelming difference between "I'm going to hurt you because you didn't do what I say" and "I'm going to hurt you because if I don't everyone I love will die, and pain is a part of love, so this is normal and Fine."
Yes Ford deserved better, but Bill also deserves not to have the nuance of his character erased.
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arminsumi · 9 months
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★ Satoru's undercut
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★ Synopsis : He fears the hairdresser like it's the dentist. One day, he accidentally gets an undercut style. He would have thrown a tantrum if it weren't for your positive response — because all he really cares about is that you enjoy his haircut.
★ Content : soft fluff, romantic tension, some mutual pining??
★ Library ★ reblog for a cake slice! 🍰
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"This will ruin my life..."
"It will not ruin your life."
"I'm gonna die!"
"You're not gonna die."
"Yes, I'm gonna die! They're gonna cut my head off."
"They're not gonna cut your head off."
Satoru had a haircut appointment which you were accompanying him to as per his desperate demand request. Suguru was there also, helping Shoko with something technical on her phone. He laughed when Satoru was whining to you.
The four of you were on the train; Suguru and Shoko stood tightly packed with their backs facing other people as if they were the group shield. And Satoru sat next to you, clinging to your arm as if he were a kid on his way to the dentist.
"Don't laugh. You know I feel the same about hairdressers as people feel about dentists!" he pouted.
"Satoru, you're so weird." you said.
“I'm not!”
You shook your head at him. Satoru grumbled.
"No one understands me!" he said dramatically.
Suguru commented, "I do understand why you dislike hairdressers, Satoru; most of them don't cut your hair how you want."
Shoko nodded and chimed in, "— yup, and you usually leave with a fake smile and say "oh wowww... I love it!" but you actually hate it." then she went back to frowning at her phone with Suguru.
“My hair is important, I can't afford to have a bad haircut." Satoru said.
"Haha, you make it sound like if you have a bad haircut it could cost you millions." you laughed.
Satoru sat up straighter and spoke seriously, "It may as well cost me millions!"
You didn't understand why Satoru was being so dramatic.
****
The hairdresser looked at you, Shoko and Suguru and then wondered why so many people were accompanying this grown man to his haircut, as if he were about to get a root canal for the first time.
Suguru whispered into her ear, and she blushed at his alluring charm like anyone would.
"He's scared of bad haircuts... so please do your best, he has a girl to impress. See that one sitting there?” Suguru pointed to you, “Yeah, that's the one."
He accidentally flustered her, and he smirked about it when he returned to you and Shoko.
"Suguru, your head looks as big as a bubble about ready to pop." you joked, noticing his smug demeanor as he took a waiting seat with you.
"I think I just flustered the hairdresser on accident." he said.
Shoko chuckled, "Is it ever an accident? I think you do it on purpose — oh, Y/n, I think Satoru is trying to get your attention. Give him some comfort."
Satoru recoiled when the cold blade of the scissors touched his neck, and looked distressed when the hairdresser touched his hair.
You knew he was highly sensitive to touch, especially his hair — he hated people touching his hair (reason X for hating hairdressers). The only person who was allowed to touch his hair was you. Suguru and Shoko needed a "valid reason" for touching Satoru's hair.
But you could comb your fingers through his hair any time, any place for no reason and Satoru would go limp with a smile on his face, completely melting for the act of affection.
Sometimes when it was just you and him alone together in his apartment, especially during his sleepless nights, Satoru would lay his tired head on your lap and ask you to play with his hair. Each stroke of your hand mellowed him out. He especially loved the feeling of your fingers running through his hair when it was fluffy and long.
So really, he feared not the hairdresser or even the bad haircut, but the fact that it might be too short or not fluffy enough for you to enjoy. It had to be just right. He had to maintain his fluffy hair for you.
He wanted to make sure that when you saw him at every party and get-together, you'd think "Wow, Satoru's hair looks so good.". He wanted you to compliment his hair and make him feel good and blushy.
And most of all, he just wanted to please your eyes. He wanted you to be starstruck when you looked at him.
So, a good haircut was critical.
****
Satoru's panic calmed after you took the empty seat next to him. He watched in admiration as you struck up a friendly conversation with the hairdresser. She turned out to be kind. She was an apprentice (picture nervous Satoru stiffening his shoulders when he learned this) and her mother owned the establishment next door.
Satoru was mostly quiet and focused on his reflection in the mirror. He squinted in suspicion when the lady brought out a hair buzzer.
But then you distracted Satoru by asking about what the four of you were doing after this. He stuttered a bit, half-looking at the hair buzzer and jumping a little when it turned on.
You talked so much that Satoru was completely distracted, and the lady could work. Though, it was hard, because Satoru didn't really specify what he wanted... so she winged it.
She thought hey, this guy would look good with an undercut. So, she cut an undercut for Satoru, and looked at you and smirked. His girlfriend will appreciate it, she thought as she looked at you and Satoru talking with hearts in your eyes.
You weren't his girlfriend. But you may as well have been. The two of you were anyways soulmates since kindergarten. Sure, you went away for five years to work abroad, but the link between you and Satoru wasn't broken by the distance.
****
Satoru gasped and nearly fainted when he saw how short his hair had been buzzed at the bottom. His neck felt exposed and suddenly it felt more drafty.
"What the—"
"— oh, you look hot, Satoru." You said.
He immediately shut up and went red in the face.
"Thanks, yeah it looks... yeah." Satoru hesitantly complimented the hairdresser's work.
She beamed proudly and wrapped up the haircutting session. Satoru took off the black dressing gown and stood up and shimmied the white hair off his pants.
"The cat is shedding." you joked, making Satoru grin with sealed lips.
You picked a white strand of his hair off the back of his shirt when he stood in line to pay at the checkout. He didn't notice. Such a cute boy.
Satoru was just grumbling to himself about how he'd need a scarf or turtleneck to compensate for his "practically naked" hairstyle now.
You stared at his undercut and felt your heartbeat get a bit frantic.
Then you kept staring as you left the barber shop.
Satoru wrapped an arm around your shoulders out of habit, as if he were your boyfriend, so the hairdresser felt sure that you two were dating and said something as you two left that really made you and Satoru blush;
"Your girlfriend loves it." she winked.
"I'm not his—"
"She's not my—"
"She sure does! Thanks for everything, see ya." Shoko cut off you and Satoru from responding and shoved the two of you out the door.
****
That comment lingered in the back of yours and Satoru's minds for the rest of the day.
On the train home, you grazed your fingers over Satoru's undercut and it elicited the funniest reaction out of him; he shivered like a cat that had just been scratched in a sweet spot.
"Haha, does that feel good?" you asked.
"It does. But my neck feels naked." Satoru shrugged.
Oh my god, do that again, he thought. It felt so good.
"Aw, then Y/n should wrap her arms around your neck." Suguru said in a flirtatious murmur.
Shoko laughed and propped a cigarette between her lips.
The four of you got off the train, you parted ways. Suguru and Shoko lived in different places and had to wait for their respective trains to take them home. So, you said your goodbyes and went with Satoru.
When you and Satoru moved out of your university housing, you both decided to live on the same street. You can say it was for X reasons, like oh it's a good neighborhood or oh the prices are great or oh the apartment walls aren't thin... but let's be honest; you and Satoru just didn't want to live too far from each other. You were inseparable, even cry-babies whenever the two of you were separated.
Satoru was always clinging or touching you in some way – hanging off your shoulders, resting his chin on the top of your head, draping an arm around you, holding your hand, snuggling into your neck. The closeness brought him more comfort than his own bed. He even claimed once that he could fall asleep on you more readily than on his bed.
Sometimes he was just shy of kissing you when you two met up, or when he knocked on your apartment door some mornings. His lips would graze over yours by accident in some circumstances, and though the two of you would laugh it off, there was an unmistakable spark in the air between you and him.
****
“Do you like it?” Satoru asked.
“I love it. You look really good.” You replied.
Satoru smiled to himself, hiding his face in your lap.
The TV was playing the most recent episode of that trashy romance soap opera – the episode where the two love interests kissed in the rain. Satoru stared hard at their lips connecting, and thought of why he hasn’t attempted to kiss you again. He didn’t want to ruin anything, so he kept his confession to himself even if it was obvious that he liked you.
You noticed he went a bit silent as you ran your fingers through his hair. He made a soft, long groan when your fingertips tickled up the back of his neck and over his prickly undercut.
“You sound like a cat.” You laughed.
His eyes were closed, brows relaxed into a sleepy arch. Whenever he got drowsy in your lap, his lips would part and show his two front teeth.
****
After getting an undercut hairstyle, Satoru was living in heaven with how much attention you gave his hair. Every day you’d find an excuse to play with his hair.
It made his heart beat harder and his mind go blank whenever you touched his neck and hair. He’d get shivers and close his eyes each time you did it, and would even stop talking mid-sentence.
In time it grew out. He refused to go back to the hairdresser, and instead insisted that you cut his hair for him. At first, he attempted to do it himself, but then he wimped out as soon as he held the scissors to his hair.
So, after he practically begged you on his knees and voiced his fear for the hairdresser, you agreed.
Cutting Satoru’s hair was a whole event. You invited Suguru and Shoko over to your apartment, and the four of you were laughing in the cramped bathroom together.
You had no idea what you were doing, and the online tutorials didn’t help much.
Satoru was dramatic when he thought you were cutting it too short or jagged, and he was so very picky that it drove you nuts to the point of putting the scissors down and leaving. But then he hugged your legs and apologized cutely, so you came back. Suguru and Shoko had to get it on camera because it was pure comedy.
“Alright, fairy princess. How did I do?” you asked Satoru.
He checked himself out in the mirror. His jawline and shorter hair drove you a bit wild, it was hard to contain yourself.
“It’s okay.” He replied cheekily.
“Just “okay”?! I put my soul into this!”
He grinned. “I’m just teasing.” He said, “I like it. Now let’s test it out.”
You looked confused. “Test it out?”
“Play with my hair.” He explained, “And tell me you like how it feels or else I’ll cry.” He added dramatically.
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© arminsumi
I do not permit the copying/reposting/translation/plagiarism of my works. Do not steal what I've worked hard to create.
This is fictional work.
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