#I just couldn't

[atlantis-area]

TAEMIN - Danger (Inkigayo, 140824)

[sunlikesdrawing]

TODAY IS TOBI'S BIRTHDAY EVERYONE!!!

He deserves all the birthday cake in the world😭

[nyxypoo]

you can dress up exactly like your boo thang now

OH hmmmm hmmmm hmmmmmmmm

maybe. maybeeeee

[mariana-oconnor]

The Cardboard Box pt 3

OK, so this was mostly solved last part, with a few hanging threads, mainly being the motive and who the second ear belongs to. Our working theory is a man that Mary's husband thought she was having an affair with. But how that all relates to Sarah Cushing and why he sent the ears to her specifically. My best guess is she was encouraging Mary to leave him and 'befriend' this other guy in some way?

“Lestrade has got him all right,” said Holmes, glancing up at me.

Welp, that was quick. I guess no one is dying in a mysterious shipwreck this week, even though there are actual sailors involved this time.

“In accordance with the scheme which we had formed in order to test our theories” [“the ‘we’ is rather fine, Watson, is it not?”]"

Are we going to get Holmes' commentary throughout? That would be fun. Throwing shade at Lestrade here for taking partial credit for everything. Fair.

@ameliahcrowley did the research about May Day and apparently it wasn't in use as a distress signal yet at this time, which surprised me. So this ship name is just retroactively ironic, which is one of the best flavours of irony.

"I found that there was a steward on board of the name of James Browner and that he had acted during the voyage in such an extraordinary manner that the captain had been compelled to relieve him of his duties."

This guy has zero chill, which we already knew because he was going around murdering his wife and sending ears to her relatives, but he fails so completely at getting away with it, it's kind of farcical.

I guess it makes sense that he'd be a bit weird after killing his wife. But at the same time, the kind of effort it takes to cut off ears, pack them in salt and send them off to women in Croydon indicates a level of thought and planning that is clearly not evident anywhere else in his crime. So weird.

"He jumped up when he heard my business, and I had my whistle to my lips to call a couple of river police, who were round the corner, but he seemed to have no heart in him, and he held out his hands quietly enough for the darbies."

This reads as though the guy is feeling guilty or remorseful, but please see prior notes about taking the time to pack ears in salt. The remorse was a really delayed reaction, huh?

Mr Browner's understanding of what he did dawning:

"...bar a big sharp knife such as most sailors have..."

If he has a big sharp knife, why did he use a blunt one to cut the ears off? Unless the blunt just meant 'not as sharp as a scalpel', which seems an unfair benchmark of sharpness to put on a knife. Not everyone can be a scalpel.

"The affair proves, as I always thought it would, to be an extremely simple one, but I am obliged to you for assisting me in my investigation."

This isn't exactly a lie. Except it kind of is. Lestrade at least claimed to think it was just the medical students the whole time, but at the same time he called Holmes in, which seems like a weird thing to do if he was convinced it was a prank?

"I tell you I've not shut an eye in sleep since I did it, and I don't believe I ever will again until I get past all waking."

Again, this is strange to me. Like did he get through the whole posting of the ears and did the guilt set in immediately after that, or did he do that while feeling guilty? which makes no sense. I do not understand this man.

"Ay, the white lamb, she might well be surprised when she read death on a face that had seldom looked anything but love upon her before."

And this does not read like the words of someone who feels remorse. I feel like Jim Browner is a very disturbed individual. This is very creepy. Anyone who compares another person to a 'white lamb' is instantly ten times creepier than they were before. I'm already getting 'my wife drove me to it' delusional self-justification from his language.

"For Sarah Cushing loved me—that's the root of the business—she loved me until all her love turned to poisonous hate when she knew that I thought more of my wife's footmark in the mud than I did of her whole body and soul."

Oh, I did not see that coming. Although thinking back, the way her interactions with him were referred to were a bit weird. I thought it was just a Victorian flare for language coming through, but no.

I said last time that Mary needed better sisters. She really needed better sisters.

"The old one was just a good woman, the second was a devil, and the third was an angel. Sarah was thirty-three, and Mary was twenty-nine when I married."

A devil and an angel? Right, this guy has unrealistic expectations of the women in his life, I can tell you that right away. The Madonna-Whore complex called, Jim, it thinks you might have a problem.

For someone who is so guilty he can't sleep, Jim Browner is trying very hard to seem like the victim here. Dude murdered two people and cut off their ears and he's determined that it's Sarah's fault. I'm not saying she had nothing to do with it, but seems like he's having a little trouble with accountability here.

Also, her seduction of him is very... like she took hold of his hand and looked at him? That's all she did? I was expecting something more overt. Although this is the Victorian era, I guess maybe that's pretty overt by their standards? Or he misread the entire situation.

"Things went on much as before, but after a time I began to find that there was a bit of a change in Mary herself. She had always been so trusting and so innocent, but now she became queer and suspicious, wanting to know where I had been and what I had been doing, and whom my letters were from, and what I had in my pockets, and a thousand such follies."

This whole thing reads very strangely. 'so trusting and so innocent', and the pedestal he seems determined to put his wife on. It's all a little icky. He seems like a remarkably unreliable narrator.

OK, maybe it happened like he says. We have no evidence in the text contradicting him as of yet. But at the same time we only have his word for any of this and it's possible that he hit on Sarah rather than the other way around, she told Mary. OR that neither of them was hitting on each other, but they both thought the other one was hitting on them and things... spiralled.

"I can see now how she was plotting and scheming and poisoning my wife's mind against me."

If this story hadn't ended with him murdering people and mutilating their corpses, I'd be more inclined to believe him at face value, but knowing the extremes he went to, I feel like this is just massive paranoia.

"And then this Alec Fairbairn chipped in, and things became a thousand times blacker."

Ah, we finally get to the owner of the second ear. Alas, poor Alec. You were doomed by the narrative.

“‘It was only a little thing, too. I had come into the parlour unexpected, and as I walked in at the door I saw a light of welcome on my wife's face. But as she saw who it was it faded again, and she turned away with a look of disappointment."

His entire motive is based on two moments when he saw a look in a woman's eyes? Are you kidding me, Mr Browner? Are you a telepath? Can you read their minds? You have no evidence of literally anything and you just murdered people?

Maybe we're getting to the evidence. Maybe you're going to walk in on them in a compromising position, or find a love letter, or overhear a incriminating conversation. But so far all we have is 'my sister-in-law was upset I didn't enjoy her company and held my hand and made eye contact with me' (which I agree was a bit weird, but not conspiracy worthy) and 'my wife looked like she was looking forward to talking to someone who wasn't me'.

“You can do what you like,” says I, “but if Fairbairn shows his face here again I'll send you one of his ears for a keepsake.”

OK, no. You're just going straight to threats of violence. No further proof needed.

“‘Well, I don't know now whether it was pure devilry on the part of this woman, or whether she thought that she could turn me against my wife by encouraging her to misbehave.'"

The paranoia and entitlement is so strong in this one. He's completely irrational. We're all agreed on that, right? Maybe he was right about everything, but he's based all of his conclusions on...

heh...

He's based all his conclusions on vibes.

I played myself.

At least I didn't kill anyone over it.

"'How often she went I don't know, but I followed her one day, and as I broke in at the door Fairbairn got away over the back garden wall, like the cowardly skunk that he was. I swore to my wife that I would kill her if I found her in his company again, and I led her back with me, sobbing and trembling, and as white as a piece of paper.'"

This is slightly more incriminating, but given that there was a threat made to cut off the man's ears, that seems enough reason for him to run away. And death threats are never cool.

"'The thought was in my head as I turned into my own street, and at that moment a cab passed me, and there she was, sitting by the side of Fairbairn, the two chatting and laughing, with never a thought for me as I stood watching them from the footpath.'"

Honestly, at this point if she was having an affair with him I'm kind of okay with that. Mr Browner is clearly paranoid, violent and unstable. Divorce wasn't really an option for her because Victorian divorce laws were sexist and terrible, and from Browner's earlier description Fairbairn seems like a pretty cool guy. I hope she at least had fun before her husband brutally murdered her.

OK, point of Victorian etiquette, was it considered scandalous to be alone in a cab together? To me that's far less intimate than being found alone in a house together. But chatting in a cab? I suppose there isn't a chaperone, so maybe.

“‘Well, I took to my heels, and I ran after the cab. I had a heavy oak stick in my hand, and I tell you I saw red from the first; but as I ran I got cunning, too, and hung back a little to see them without being seen.'"

Either you couldn't think straight OR you could think straight enough to be cunning. You can't have it both ways. That's not how it works. EITHER you're blinded by jealousy and commit a crime of passion, OR you're thinking through your plan. My dude, you're undermining your own argument (although, as mentioned, the ear thing already did that).

They do seem to be having a very nice date. Good for them. Pity about the murderer lurking in the shadows.

And he's spending an entire day stalking them. Yeah, no, Mr Browner, we're way outside of 'blind jealous rage' murder. You hired a boat specifically to hunt them down and kill them without witnesses. This is now officially premeditated.

"'I cleaned myself up, got back to land, and joined my ship without a soul having a suspicion of what had passed. That night I made up the packet for Sarah Cushing, and next day I sent it from Belfast'."

Yeeeaaah, those are not the actions of a remorseful person.

You're just a dick.

If only she'd had good sense and just run the fuck away with Mr Fairbairn and changed her name. Genuinely, usually I'm super against infidelity in all forms, but you seem like a real piece of work. Your story is so full of inconsistencies and irrational jealousy and paranoia that I can't believe half of it.

"'I cannot shut my eyes but I see those two faces staring at me—staring at me as they stared when my boat broke through the haze. I killed them quick, but they are killing me slow; and if I have another night of it I shall be either mad or dead before morning.'"

Can confirm: you are already 'mad'. Your actions were not those of a mentally stable person. Not that that's why you did it. You clearly have problems, but loads of people deal with problems without killing people. You just suck, my dude. And honestly, zero sympathy.

'I feel super guilty about the crime I threatened to commit, then deliberately set up so as not to get caught, then followed up with acts of bodily mutilation, cover-up, and terrorising of the victim's relatives. But now I feel super guilty.'

Yeah, this whole account is just one long rant about how he's not really responsible. It was the women who drove him to it. By... talking to men and... looking at him funny.

“What object is served by this circle of misery and violence and fear? It must tend to some end, or else our universe is ruled by chance, which is unthinkable. But what end? There is the great standing perennial problem to which human reason is as far from an answer as ever.”

Super philosophical at the end there Holmes. Seems like Holmes at least is taking Browner at his word about Sarah, or else the cycle doesn't really make any sense here. Even if Sarah did put events in motion, it's not really a cycle. It's just... a couple of rather horrible people being horrible to each other.

Or maybe he's referring to the death penalty?

Well, this one was weird. Given ACD's predilection for spiritualism and the afterlife, it's possible he intended the guilt plaguing Browner here to be the spirits of the people he murdered, which - given his lack of accountability throughout his own narrative - actually makes more sense. But there's no evidence of that in the text, so that's just me. But mark it down as another score on the 'supernatural Holmes universe' tally.

[kingofmons]

Late Night Tumblr Posting...

Anyway, you ever had that one character? Like, they aren't from a full-on Horror series or anything, but if you put more that two seconds of thought into their whole ""thing"", their whole deal, you realise every day must be hell on earth for them. They make you go "Glad i'm not that guy!"

Anyway, a couple minutes ago I was acquainted with a special character I hadn't interacted with since idk 2021 at the latest.

Here he is...

This is Spewart from Yo-kai Watch 3. You have to ride in a Helicopter with this guy lmao

I'm just saying, i'd cry if I had to spend the rest of my afterlife on the verge of puking my guts out.

[morgan-the-lonely-brick]

Im absolutely dead. 2 hours after the deadline. Do you think, she'll let me pass..?

[bloggingboutburgers]

Here's a BB question! What is each Belcher's + Teddy's episode where they are so annoying, so obtuse, so wack that it seriously makes you want to shake them + the writers?

Hmmmm... It's hard to think about specific ones but there are definitely ones... Quite a bit of S1/S2 comes to mind, but I think that's kinda fair, the show was finding its footing at the time and hadn't exactly stepped out of "trying to be exactly like other Fox animated shows for adults". So I won't quote any of them per se, except the very first episode where Bob says stuff about his marriage failing and his kids being failures which is like... So anti-Bob considering what he becomes as a character later down the line? Coming back to that one always feels kinda cursed to me.

Focusing on later seasons, I didn't care much for Linda's behavior on Gene It On and the beginning of Mother Daughter Laser Razor, but thankfully she gets much better as a character as the show goes on and those hiccups get more rare.

Tina... Has her moments where I'm like "girl, just, no", especially in mid-seasons where her character is established as super confident to a point where she gets a bit too much to me, but a- it's such a nice growth to see her so confident after the first seasons I can't be fully mad and b- they always find a way to have other episodes of Tina where she wins me back over completely, so, yeah, I can't be fully mad.

Gene and Louise were definitely not at their best in S1 and S2, respectively because one is barely allowed to be a character and the other is excessively edgy and cruel. But both have fantastic growth starting S3 (for Louise) and S5 mostly (for Gene), so I'm glad it grew that way. And props to Spaghetti Western & Meatballs for already having the premises of that potential for greatness right in S1! I don't have many episodes of S1 I care to go back to, but that one is definitely one of them.

As far as Teddy is concerned... I feel bad, but there's quiiiiite a lot where I feel he's out of line or just... Trying to be too present in the family's life, and considering the 5-people family unit is my favorite thing about the show, I don't care much for it, which is probably an unpopular opinion, and shouldn't discredit Larry Murphy being absolutely hilarious. So most Teddy-focused episodes to me range from annoying to mid, with a few exceptions like Thanks-Hoarding which go more in-depth into his character and have the family help him ultimately because they care for him and want to see him be good, and not so much because he kinda forces their hand (even if it does start out that way). And it's one of those few episodes where I saw Teddy as being the more justified one in that situation.

So yeah. I guess that was about it. It didn't give much detail and still I managed to make it so goddamn long I'm so sorry

[tuliptiger]

You ever try and watch a video on something you like or are interested but the person talking about it is so incredibly wrong or missing major parts of it you literally can't continue with it?

Yeah it drives me absolutely wild.

[frommybookbook]

“Della,” Perry pleaded, “I'm serious.”

“So am I,” she informed him in a tone of voice that brooked no argument. “Now, answer the question, counselor: why did you become a lawyer?”

“I became a lawyer to help people, to protect them; to defend the integrity of the law and ensure that it supports justice for everyone, not just those with money and influence.”

I couldn't get over The Case of the Maligned Mobster so I had to write a fic about it. Enjoy.

[erigold13261]

If you could fix ONE or more plot point(s) from NSR/Psyconauts, what would it be?

Oh absolutely the ending of NSR. I'm sorry, but I fucking HATE that stupid hand they did at the end. It makes me so mad. All that buildup just to have a giant hand make a rock symbol and blow up the satellite. Like I am okay with some stupid things to happen, but that is way too much for me.

Especially by the fact that Tatiana specifically states she is going to clear out the tower in case the plan doesn't work, only for all the surrounding buildings to run up the tower and make a hand. What about all the people in THOSE buildings? Huh Tatiana!?

Also like, they make it VERY clear that the naval force of Vinyl City is a big one, with flying submarines/battle ships and regular battleships in the water. They could have easily done something with those!

Or even like some kind of powerup or something that allowed a beam to shoot from the tower to the satellite would have been fine! (though the implications of either beam or hand of the tower becomes dangerous considering that would mean NSR could literally just kill people in the city if they wanted to).

Like I GET they needed some super big bad to give power back to the charters and fix Mayday and Zuke's mistakes/actions, but they could have thought of something else that wasn't so ridiculous. Like do something with the main qwasa in the center of the city or something.

Also, a small thing, I would have liked to see 1010 and Mama in the end. I know it would have been a bitch to somehow add 5 more bodies to the already busy scene, but it would have been nice to see them. (though I do like the implications that 1010 get repaired later. I just wish they could have represented their own district instead of just Neon since Sayu is representing mer own district. But the devs/game is being ambiguous on how sentient 1010 are so I understand that, but at least let Mama be with her kid).

As for Pyschonauts, I think this is more gameplay than story, but I wish the first game made it easier to get down from the tower. Or at least tell us earlier there is no going back because I couldn't 100% the game afterwards and didn't want to go down the tower a 4th time. Otherwise with that first game I have no real complaints about plot or story. (other than not having Augustus screaming RAZPUTIN over and over every second in the last fight which got annoying quick).

For the second game though, I wish the interns were more prevalent in the story. Give them some side missions or something that INVOLVE them, not just us doing their work. Or make them do more in the scenes we see them in. Maybe each intern could help up with one of the Psychic 7 when we are recruiting them (I like the idea of Lizzie helping Compton). Just SOMETHING.

I've seen a lot of people say that you could take the interns out of the game entirely and not have to change much to get the same story. And honestly I see that as pretty true. I just wish they were more involved because you could completely ignore them if you wanted to once you get out of the mother lobe (pretty sure you can).

But yeah, other than that I don't have any real problems with the plot of the game. I only played them each like once compared to me playing NSR about 5-6 times, so I might not be as experienced in the game to give my take on the story. But from what I remember the story was fine. Fine enough I have no outstanding complaints in my head to change something other than gameplay/mechanic wise.

[pissheartmybeloved]

aww pumpkin were you maybe too late? did you have an accident in your shorts?

mommy 😭🥺 I made it MOST of the way??? but I couldn't hold it in completely and I maybe had a little potty mishap in my shorts 🥺🥺 a. a small bit. I'm sorry!!!! I tried to hard not to have an accident 🥺

[dashofmonsters]

Guys if I ask my partner to read one of my stories while doing a voice impression of Hank Hill and he says yes, should I record it and post it???

[baronessblixen]

I'm gonna do an analysis on Tena soon because I was just watching Amor Fati and she's not at all what I had thought of her previously. For instance: in that episode, in Demons, but ESPECIALLY in Dreamland flashbacks, Tena is aggressive and hands on with her children (grabbing Mulder into frame for the family video camera, dynamic with her facial expressions, etc.) What's even more interesting is how she and CSM fought before her stroke: hands everywhere, angrily pointing at each other, aggressive in each others' faces with their confrontation (though not at first.) I think she's more gregarious once she gets to know someone, and we've just had few opportunities to see her like that. Could also explain why she committed suicide so fast-- not a deliberated choice so much as a quick reaction to her diagnosis. It would explain where Mulder gets his personality from.

Interesting! I never quite know what to think of her. I wish we'd gotten to see more of who she is. Mulder seems to love his mother so much. Both his parents come across as such cold individuals and then you have Mulder who is so full of love and empathy. I'm very much looking forward to your analysis!

[knifegremliin]

oh god I haven't drawn a human in almost 2 months. battle cat hell's really got a hold of me rn :/

[longsightmyth]

People are so stupid about snakes. If there's a little black racer chilling outside just leave it alone, you don't have to kill it, it's probably dealing with all your pests for you, jesus christ

[sheepydraws]

The secret Dungeon Meshi sauce that's getting people to eat better is that it's so non-judgmental. Senshi and the rest of the gang never talk about what not to eat besides things that taste bad and literal poison. They don't even talk about "health" that much besides the importance of a balanced diet. It's so much easier to eat well when you think of food simply as something your body needs, and that it's often worth the extra effort to make it taste good, especially when you understand how to connect "things your body needs" with "things that taste good"