#I hope they don't get into trouble....

[bixels]

this is coming from the position of a student, so don't take my word as gospel, but i want to strongly encourage people to prepare for the coming years and look outward to find communities in real life. this can be big like getting involved in fundraisers or organizations or small like going to poc/queer/art social spaces and talking to people. making friends and connections will help you and others build support networks, something you will need as we enter the new term. i know talking to strangers in real life can be scary, unfamiliar, or difficult (depending on where you live especially) and it may take a lot of compromising and work –– and i don't want to condescend –– but we have to try starting now. this is about your safety and welfare, as well as the most vulnerable people's.

if leftists/progressives/minorities want to survive and beat back what's coming, we need to do our work offline too and take up space. an example of getting involved would be (if you're an artist) reaching out to fundraising organizers and making prints of your artwork to donate for raising funds.

[xinyuehui]

So ONHCT season 8 coming when? 😂

Oh No! Here Comes Trouble press conference for Golden Bell Award nominations

[hephaestuscrew]

The role of Pryce and Carter's Deep Space Survival Procedure Protocol Manual in the characterisation, symbolism, and themes of Wolf 359

TL;DR: The DSSPPM is used as a tool to help establish and develop Minkowski and Eiffel as characters: Minkowski as a strict Commander who clings to the certainty provided by a rigid source of authority like the DSSPPM, and Eiffel as the anti-authority slacker who strongly objects to the idea that he ought to read the manual. The way their contrasting attitudes towards the DSSPPM manifest through the show reflect their character development and changing dynamic. The DSSPPM can be directly used against the protagonists by those with power over them, and the reveal of its authorship gives a particularly sinister edge to its regular presence in the show. But it can be also be repurposed and seen through an individual interpersonal lens.

Note: There’s plenty that you could say about the DSSPPM through the lens of what it says about Goddard Futuristics as an organisation, or about Pryce and Cutter as people. Or you could talk about Lambert quoting the DSSPPM an absurd number of times in Change of Mind, and Lovelace’s reactions to this. But in this essay, I’ll be analysing on mentions of the DSSPPM with a focus on Minkowski, Eiffel, and their dynamic.

“One of those mandatory mission training things”: the DSSPPM as a tool to establish characterisation

The first mention of Pryce and Carter's Deep Space Survival Procedure Protocol Manual (the DSSPPM) in Wolf 359 is also the very first interaction we hear Eiffel and Minkowski have. In fact, the first time we hear Minkowski's voice at all is her telling Eiffel off for not having read the manual:

[Ep1 Succulent Rat-Killing Tar] MINKOWSKI Eiffel, did you read your copy of Pryce and Carter?  EIFFEL My copy of what?  MINKOWSKI Pryce and Carter's Deep Space Survival Procedure Protocol Manual.  EIFFEL Was that one of those mandatory mission training things?  MINKOWSKI Yes.  EIFFEL In that case, yes, I definitely did.  MINKOWSKI Did you now? Because I happened to find your copy of the D.S.S.P.P.M. floating in the observation deck.  EIFFEL Oh?  MINKOWSKI Still in its plastic wrapping.

This is an effective way to establish their conflicting personalities right out of the gate. Minkowski's determination to "do things by the book - this book in fact" contrasts clearly with Eiffel's professed ignorance about and clear disregard for "this... Jimmy Carter thing”. Purely through their attitudes to this one book, they slot easily into clear archetypes which inevitably clash. Everything about Eiffel in that opening episode sets him up as a slacker who doesn't care about authority, but the image of his mandatory mission training manual floating in the observation deck "still in its plastic wrapping" provides a particularly striking illustration.

By contrast, we immediately encounter Minkowski as a strict leader who cares deeply about making sure everything is done according to protocol; the intense importance she places on the DSSPPM is one of the very first things we know about her. Her insistence on the importance of the survival manual might seem somewhat understandable at first, if perhaps unhelpfully aggressive, but it starts to feel less sensible as soon as we start to hear some of the tips from this manual:

Deep Space Survival Tip Number Five: Remain positive at all times. Maintain a cheerful attitude even in the face of adversity. Remember: when you are smiling the whole world smiles with you, but when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action.

The strange, controlling, vaguely sinister tone of some of the tips we hear in the first episode is largely played for laughs, emphasised by the exaggeratedly upbeat manner in which Hera reads them. But even these first few tips give us some initial suggestions that the powers behind this mission might not care all that much about the wellbeing of their crew members.

It says something about Minkowski that she places such faith and importance in a book which says things like "Failing to remain calm, could result in your grisly, gruesome death" and "when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action." (Foreshadowing the Hephaestus Station as the home of immense emotional repression and compartmentalising...) Having those kind of pressures and demands placed on her (and those around her) by people above her in the military hierarchy doesn’t unsettle Minkowski.

Eiffel groans and sighs as he listens to the tips, but Minkowski seems to see this manual as an essential source of wisdom. The main role the manual plays in this episode is to establish Minkowski and Eiffel as contrasting characters with very different approaches to authority and therefore a potential to clash.

When Minkowski demands that Eiffel reads the DSSPPM, he decides to get Hera to read it to him, asking her to keep this as “a 'just the two of us, totally secret, never tell Commander Minkowski' thing”. Eiffel seems convinced that Minkowski won't be happy with him listening to Hera read the DSSPPM rather than reading it himself. This suggests that (at least in Eiffel's interpretation) Minkowski’s orders are not just about her wanting him to know the contents of the manual, since this could theoretically be accomplished just as well by him listening to it. But she wants him to do things in what she’s deemed to be the correct way, to put in the right amount of effort, and not to take what she might see as a shortcut. It’s not just about the contents of the manual; it’s about the commitment to protocol that reading it represents.

“When in doubt: whip it out”: Hilbert’s use of the DSSPPM

In Season 1, the DSSPPM isn't purely associated with Minkowski. Hilbert actually quotes it more than she does in the first few episodes. In Ep2 Little Revolución, Hilbert's response to Eiffel's toothpaste protest is inspired by "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.”" This tip is absurd in a more direct obvious way than those we heard in Ep1. While this absurdity is partly for humour, it also casts further doubt on the usefulness of this supposedly authoritative survival manual, and therefore on the wisdom of trusting Command.

In Ep4 Cataracts and Hurricanoes, Hilbert starts to quote Tip #4 at Eiffel, who protests "I'm not gonna have one of the last things I hear be some crap from the survival manual". These moments again place Eiffel in clear opposition to the DSSPPM, but also suggest that Hilbert's attitude towards the DSSPPM - and therefore towards Command - is closer to Minkowski's than to Eiffel's.

When Hilbert turns on the Hephaestus crew in his Christmas mutiny, his allegiance to Command is revealed as dangerous. And here the DSSPPM comes up again. As Minkowski dissolves the door between her and Hilbert, she triumphantly echoes his own words back to him: "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.” Never. Fails." This provides a callback to a previous, more comedic conflict on the Hephaestus, and reminds the listener of a time when Minkowski and Hilbert were working together against Eiffel, in contrast to the current situation of Minkowski and Eiffel versus Hilbert. But it also shows that Minkowski, like Hilbert, is capable of using some of the more absurd DSSPPM tips to defeat an adversary. And it shows Minkowski leaning on those tips in a real moment of crisis.

Once Hilbert has betrayed the crew in order to follow orders from Command, we might look back on his quoting of the DSSPPM as casting the manual in a more sinister light, and again calling into question the wisdom of Minkowski placing such trust in it.

“It's not that I don't believe it, I'm just disgusted by it”: the DSSPPM as an indicator of a changing dynamic

The next mention of the DSSPPM is in Ep17 Bach to the Future:

MINKOWSKI Eiffel's been spot-testing me, Hera. He doesn't believe that I've memorized all of the survival tips in Pryce and Carter. EIFFEL It's not that I don't believe it, I'm just disgusted by it. I keep hoping to discover it's not true. MINKOWSKI Well, believe as little as you want, doesn't change the fact that I do know them. And so should you!

I think this provides an interesting illustration of the way in which Minkowski and Eiffel’s dynamic has developed since Ep1. They still have deeply contrasting attitudes to the DSSPPM, but this contrast is now a source of entertainment between them, rather than merely of conflict.

Given that Hera wasn’t aware of Eiffel testing Minkowski on the tips, we can guess that it’s a game they came up with while Hera was offline. In the midst of all the exhaustion and uncertainty and fear they were dealing with after Hilbert’s mutiny, this was a way they found to pass the time. It must have been Eiffel who suggested it; Minkowski cites his disbelief as the reason for the spot-testing. And yet she plays along, responding each time, even though this activity has no real productive value.

Minkowski is keen to demonstrate that she does know the tips and she emphasises that Eiffel ought to know them too, but their interactions about the DSSPPM in this episode have none of the genuine irritation and frustration that they displayed in Ep1. It feels almost playful and teasing. Eiffel still thinks Minkowski is "completely insane" for learning all the tips and is "disgusted" by her commitment to memorising them, but these comments feel much closer to joking about a friend's weird traits than to insulting a hated coworker's personality. It feels like something has shifted since Eiffel responded to Minkowski’s passion for the DSSPPM by saying “I'm so glad that your shrivelled husk of a dictator's heart is as warm as a decompression chamber”.

Another thing to note here is that Minkowski's respect for the DSSPPM has clearly survived Hilbert's Christmas mutiny and Minkowski's resulting distrust of Command. From Hilbert's behaviour at Christmas, it's clear that the crew's survival is not at the top of Command's priority list. But Minkowski still trusts the book that Command told her to read. She still thinks Eiffel should read it too. The main figures of authority above her are dangerous and untrustworthy, but she still clings to the source of guidance they provided her with.

It's also worth noting that Minkowski has not just learnt the advice in each of the 1001 tips, but she has memorised (nearly) all of them by number. If it was just about the information that the manual provides to inform responses to potentially life-or-death situations, then knowing the numbers wouldn't be necessary. Nor would it be particularly useful to know them all exactly word-for-word. Minkowski's reliance on the DSSPPM is again suggested to be about more than the potential practical use of its content. It's about showing that she is committed and disciplined and up to the task of leading. She does have some awareness of the strangeness of many of the tips, but this doesn't diminish the value of her adherence to the manual for her:

EIFFEL You're insane.  MINKOWSKI I'm disciplined. Although I will admit they do get more... esoteric as you go higher up the list.

There's only one tip Minkowski doesn't seem to remember, and that's revealing too:

EIFFEL 555? Minkowski DRAWS BREATH - and STOPS SHORT. [...] MINKOWSKI Hold on a second, I know this. (beat) Dammit. EIFFEL Hey, look at that! Looks like there may be hope for you yet. MINKOWSKI Quiet, Eiffel. Hera, what's D.S.S.P.P.M. 555? HERA "Good communication habits are key to continued subsistence. Be in touch with other crew members about shipboard activities. Interfacing about possible problems or dangers is the best way to anticipate and prevent them." This hangs in the air for a second. Then – EIFFEL So you forget the one tip in the entire manual that's actually helpful? MINKOWSKI Shut up.

Communication is a key theme of this show, so it’s interesting that this is the one tip Minkowski can’t remember, perhaps indicating an aspect of leadership and teamwork that she doesn’t always prioritise or find easy.

Eiffel saying “Looks like there may be hope for you yet” seems like just a throwaway teasing line, but it’s got a profound edge to it. A lot of Minkowski’s arc is about learning how to provide her own direction and support her crew outside of the systems of authority and hierarchy that she’s grown so attached to. So perhaps Eiffel is right to see a kind of hope in her failure to remember every single DSSPPM tip – she has the potential to break free of her reliance on external authority.

“Which one was 897, what was the exact phrasing of that Deep Space Survival Tip?”: the DSSPPM in interactions with Cutter

The Wolf 359 liveshow, Deep Space Survival Procedure and Protocol, is literally named after the manual. This suggests, before we’ve even heard/watched the episode, that the DSSPPM will be a key symbol here. Which is interesting because I'd say the liveshow has two main plot points: (a) Eiffel's failure to read the DSSPPM or follow orders in general, the resulting disruption to the mission, and his crewmates' frustration with this; and (b) the looming threat of Cutter, the necessity of keeping information from Command, and the risk of fatal mission termination.

Even without the knowledge that Cutter is one of the co-authors of the DSSPPM (which neither the Hephaestus crew nor a first-time listener knows at this point), there's a kind of irony in the contrast between these two plotlines. On the one hand, Minkowski repeatedly berates Eiffel for not having read Pryce and Carter's Deep Space Survival Procedure and Protocol Manual, which was made mandatory by Command. On the other hand, she is aware that Command in general - and Cutter specifically - represents the biggest threat to the safety and survival of her crew.

Cutter uses the DSSPPM against each of the Hephaestus crew in their one-on-one conversations with him. For Minkowski, he uses it as a way of emphasising the expectations and responsibility placed on her:

MINKOWSKI There are always gaps between expectation and reality, but-- CUTTER But it's our job as leaders to close that gap, isn't it? Pryce and Carter...? MINKOWSKI 414, yes. Yes, sir, I know.

Cutter knows that Minkowski will know those tips and he knows abiding by them is important to her. She's quick to demonstrate her knowledge of the DSSPPM and agree with the tip. There's something deeply sinister to me about Cutter's use of the word 'our' here. His phrasing includes them both as leaders who should be ensuring that things are exactly as expected. It’s almost a kind of flattery at her authority, but it comes with impossibly high expectations. This way of emphasising the importance and responsibilities of her role as Commander is a targeted strategy by Cutter at manipulating Minkowski, designed to appeal to her values.

In Hera's one-on-one, Cutter uses a DSSPPM tip to interpret her behaviour and claim that he can read her motives:

CUTTER This thing you're doing. Asking questions while you get your bearings. HERA Sir, I'm just curious about-- CUTTER Pryce and Carter 588: Shows of courtesy and polite queries are an efficient way to gain time necessary to strategize.

Unlike with Minkowski (or Eiffel), Cutter doesn't prompt Hera to demonstrate her knowledge of the manual. That wouldn't work as a power play against Hera, who would be able to recall the manual (or, rather, retrieve the file, however that distinction works within her memory) but who doesn't care about the DSSPPM like Minkowski does. Instead, Cutter implies that Hera’s behaviour can be predicted - or at the very least seen through - by the DSSPPM, which seems like a cruel attempt by Cutter at belittling her.

For Eiffel, Cutter uses the manual as a weapon in a different way again. He asks Eiffel, "which one was 897, what was the exact phrasing of that Deep Space Survival Tip?", something which Eiffel clearly doesn't know, but Cutter of course does. This puts Eiffel on the back foot, trying to defend and justify himself, allowing Cutter to emphasise his position of power yet again.

The DSSPPM plays a double role in the liveshow. On the one hand, as Minkowski reminds Eiffel, proper knowledge of the manual "would've saved [the crew] from these problems with the nav computer" – some of the tips can potentially save the crew a great deal of hassle, stress, and risk. On the other hand, the same manual is used by Cutter to manipulate, unsettle, and intimidate the crew. There are these two sides to the information given to the crew by Command - two sides to the manual which Minkowski still values.

In another duality for the DSSPM, the manual is sometimes used as a symbol of the relationship between the crew members and Command, and sometimes used to indicate the dynamics between the individual crew members, usually Minkowski and Eiffel. Before Cutter’s appearance in the liveshow, Minkowski and Eiffel’s discussions of the DSSPPM reflect interpersonal disagreements between two people with fundamentally different attitudes:

MINKOWSKI Oh come on, why do you think I keep trying to get you to go over these things? Do you think I enjoy going through them? EIFFEL Yes. MINKOWSKI Well, alright, I do. But this knowledge could save your life.

Minkowski enjoys rules, regulations, and certainty, for their own sake as much as for any practical usefulness. Eiffel very much does not. This is a simple clash of individuals, in which the link between the DSSPPM and Command is implicit. Minkowski doesn't seem to question the idea that the information in the DSSPPM is potentially life-saving, even though she knows Command don't care about their lives. But Cutter’s repeated references to the DSSPPM remind us who made that book a mandatory part of mission training – it certainly wasn’t Minkowski, even if she’s often the one attempting to enforce this rule.

At the end of the liveshow, in a desperate attempt to prevent mission termination, Eiffel promises Cutter that he will read the DSSPPM (the liveshow transcript notes that him saying this is "like pulling teeth"), an instance of the manual being used in negotiations between the Hephaestus crew and Command. All Minkowski’s orders weren’t enough to get Eiffel to read that book, but a genuine life-or-death threat might just about be enough. Perhaps it's ironic that Eiffel reads the survival manual out of a desire for survival, not because he thinks the contents of the book will help him survive, but because he’s grasping anything he can offer to buy the crew’s survival from those who created that same book.

In the final scene of the liveshow, Minkowski catches Eiffel reading the DSSPPM, and he fumbles to hide that he's been reading it, a humorous reversal of all the times that he's lied to her that he has read it. Perhaps admitting that he's reading it would be like letting Minkowski win. Minkowski seems to find both surprise and amusement in seeing Eiffel finally reading the manual, but she doesn't push him to admit it. There's some slightly smug but still friendly teasing in the way Minkowski says "were you now?" when Eiffel says that he was just reading something useful. In that final scene, the manual is viewed again through the lens of Minkowski and Eiffel’s dynamic – Command’s relation to the DSSPPM becomes secondary.

“The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one”: the DSSPPM as a tool of survival

In Ep30 Mayday, when Eiffel is stranded alone on Lovelace’s shuttle, he hallucinates Minkowski to bring him out of his helpless panic and force him into action. And this hallucination also brings with it one of Minkowski’s interests:

MINKOWSKI Eiffel... I worked on this shuttle. Reprogramming that console. EIFFEL So? How does that help – MINKOWSKI Think about it. BEAT. And then he gets it. EIFFEL Oh goddammit. MINKOWSKI What's the first thing that I would do when programming a flight computer? The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one? EIFFEL Pyrce and Carter's Deep Space Survival Procedure and Protocol Manual.

Again, a conversation about the DSSPPM gives us an indication of the development of Minkowski and Eiffel’s relationship. Not only does Eiffel imagine Minkowski as a figure of (fairly aggressive) support when he’s stranded and alone, he thinks about what advice she’d give him and he follows it. Rather than dismissing the manual entirely, he looks for tips that are relevant to his situation. He’s not pleased about his hallucinated-Minkowski trying to get him to read the DSSPPM, but that was what his mind gave him in an almost hopeless situation. Some part of him now empathises with Minkowski’s priorities in a way that he definitely wasn’t doing in Ep1. He thinks that the DSSPPM might be on the shuttle because he knows the manual is important to Minkowski. It’s by imagining Minkowski that he gets himself to read the manual in order to see if it can help him survive – he certainly doesn’t think about what Cutter or anyone else from Command would tell him to do.

In the end, the tips Eiffel picks out aren’t all that helpful or informative: “Confront reality head-on”; “In an emergency, take stock of the tools at your disposal. Then take stock again. Restock. Repurpose. Reuse. Recycle."; and “"In times of trouble, an idle mind is your worst enemy”. But Eiffel does use these tips to structure his initial thinking about how to survive on Lovelace’s shuttle. In an almost entirely hopeless situation, Eiffel finds some value in the DSSPPM. But since the tips he picks out are mostly platitudes, the actual wisdom that allows him to survive all comes from his own mind; the tips, like his hallucinations, are just a tool he uses to externalise his process of figuring out what to do.

“Wasn't there something about this in the survival manual?”: Minkowski potentially moving away from the DSSPPM

Given the significance of the DSSPPM in Season 1 and 2 to Minkowski in particular, it feels notable when the manual isn’t referenced. Unless I've missed something (and please let me know if I have), Minkowski – the real one, not Eiffel’s hallucination - doesn't bring up the manual of her own accord at all in Seasons 3 or 4. This might make us wonder if she’s moved away from her trust in and reliance on that book provided by Command.

Perhaps the arrival of the SI-5, which highlights to Minkowski that the chain of command is not a good indicator of trustworthy authority, was the final straw. Or perhaps the apparent loss of Eiffel - and any subsequent questioning of her leadership approach, or realisations about the valuable perspective Eiffel provided - were what finally broke down her faith in that book.

Alternatively, perhaps Minkowski still trusts the DSSPPM as much as ever, but trying to get Eiffel or any of the other crew members to listen to it is a losing battle that she no longer sees as a priority. Either way, Minkowski’s apparent reluctance to bring up the DSSPPM feels like a shift in her approach. 

The associations between Minkowski and the DSSPPM are still there in Season 3, but they are raised by other characters, not by Minkowski herself. The manual is used to emphasise Eiffel’s difficulties when he’s put in charge of trying to get Maxwell and Hera to fill out a survey in Ep32 Controlled Demolition. Trying to force other people to be productive pushes Eiffel into some very uncharacteristic behaviour:

EIFFEL Jesus Christ, what is wrong with you? It's like you've never even read Pryce and Carter! Tip #490 very clearly states that – He trails off. After a BEAT – HERA Officer Eiffel? MAXWELL You, uh, all right there? EIFFEL (the horror) What have I become? [...] Eiffel, now wrapped up in a blanket, is next to Lovelace. He is still very clearly shaken. EIFFEL ... and... it was like an episode of the Twilight Zone. I was slowly transforming into Commander Minkowski. [...] It was a nightmare! A terrifying, bureaucratic nightmare!

This is a funny role reversal, but it shows us the strength of Eiffel’s association between Minkowski and the DSSPPM, as well his extreme aversion to finding himself in a strict bureaucratic leadership position. It also suggests that becoming extremely frustrated when trying to get other people to do what you want might make anyone resort to relying on an external source of authority, such as the manual. I don’t know whether this experience helps Eiffel empathise with Minkowski, but perhaps it might give us some insight into how her need for authority and control in the leadership role she occupied might have reinforced her deference to the DSSPPM.

In Ep34, we get a suggestion of another character having a strong association between the DSSPPM and Minkowski. After the discovery of Funzo, Hera asks Minkowski what the manual says about it:

HERA Umm... I don't know if this is a good idea. Lieutenant, wasn't there something about this in the survival manual? MINKOWSKI Pryce and Carter 792: Of all the dangers that you will face in the void of space, nothing compares to the existential terror that is Funzo.

It’s interesting to me that Hera asks Minkowski here. We know from Ep1 that “Pryce and Carter's Deep Space Survival Procedure Protocol Manual is among the files [Hera has] access to”. Two possible reasons occur to me for why Hera might ask Minkowski about the DSSPPM tip here. One possibility is that Hera thinks that retrieving the manual from her databanks and finding the correct tip would take her more time than it would take for Minkowski to just remember the tip. Which suggests interesting things about the nature of Hera’s memory, but also implies that - at least in Hera's view -Minkowski’s knowledge of the DSSPPM is more reliable than that of a supercomputer.

The other possibility is that Hera could have recalled the relevant DSSPPM tip incredibly quickly but she doesn’t want to, maybe because she resents having that manual in her head in the first place, or maybe because she wants to show respect for Minkowski’s knowledge as a Commander. Either way, we can see that Hera – like Eiffel – strongly associates Minkowski with the DSSPPM.

And Minkowski, even if she wasn’t the one to bring up the manual here, recalls the relevant tip immediately. Perhaps she is moving away from her trust in that manual, but everything that she learned as part of her old deference to the authority of Command is still there in her head. She might want to forget it by the end of the mission, but that’s not easily achieved. The way Minkowski’s friends/crewmates associate the manual with her emphasises the difficulty she’ll face if she tries to move away from it.

“One thousand and one pains in my ass”: The authorship of the DSSPPM

In Ep55 A Place for Everything, Eiffel effectively expresses his long-held dislike of the DSSPPM when he comes face-to-face with both of its authors:

EIFFEL What? What the hell are - wait a minute - Pryce? As in one thousand and one pains in my ass, Pryce? (sudden realization) Which... makes you...? MR. CUTTER (holding out his hand) W.S. Carter, pleased to meet you. 

It’s significant that the two ‘big bads’ of the whole series are the authors of the manual which Minkowski and Eiffel were bickering about all the way back in Ep1. It’s not the only way in which the message of this show positions itself firmly against just accepting externally imposed authority and hierarchy without question or evidence, but it does reinforce this ethos.

By being the authors of the manual, Cutter and Pryce have had a sinister hidden presence throughout the show. Long before we know who Pryce is and even before we hear Cutter’s name, their manual is there, occupying a prominent place in Minkowski’s motivations and priorities, and in her arguments with Eiffel. It’s not at all comparable to what Pryce put in Hera’s mind, but it is another way in which these antagonists have wormed their way into the heads of our protagonists.

Minkowski will have to come to terms with the fact that the 1001 tips she spent hours memorising and reciting were written by two people who would have killed her, her crew, and even the whole human race without hesitation if it served their purposes. We never get to hear Minkowski’s reaction to learning the identities of Pryce and Carter, but I think processing the role of their manual in her life will be a long and difficult road that’ll tie into a lot of other emotional processing she needs to do. Her assertion to Cutter that, without him, she is “Renée Minkowski... and that is more than enough to kick your ass!” feels like part of that journey. She doesn’t mention the DSSPPM at all in Season 4. She’s growing beyond it.

"Doug Eiffel's Deep Space Survival Guide": The DSSPPM as a weapon against those who wrote it

Last but not least, I couldn’t write about Eiffel and the DSSPPM without mentioning this scene from  Ep58 Quiet, Please:

EIFFEL As someone once told me: "Pryce and Carter 754: In an emergency, take stock of the tools at your disposal, then take stock again. Repurpose, reuse, recycle." And right now? You know what I got? I got this lighter from when Cutter was using me as his personal cabana boy. [...] and I've got myself this big, fat copy of the Deep Space Survival Manual, and you know what I'm gonna do with it? [...] Eiffel STRIKES THE LIGHTER. And LIGHTS THE BOOK ON FIRE, revealing Pryce just a few feet away from him! EIFFEL I am going to repurpose it... and reuse it... and recycle it into a GIANT FIREBALL OF DEATH! And he swings the flaming book forward, HITTING PRYCE ON THE SIDE OF THE HEAD. [...] EIFFEL That's right! Doug Eiffel's Deep Space Survival Guide, B-

No one other than Doug Eiffel could pull off the chaotic energy of this moment. It doesn’t get much more anti-authority than lighting the mandatory mission manual on fire and using it as a weapon against one of its malevolent authors. It might not be the wisest move safety-wise, and it certainly doesn’t improve the situation when the node gets jettisoned into space. But there is still a powerful symbolism in taking a symbol of the hierarchical forces that have tried to constrain you for years and setting it alight to fight back against those forces. Eiffel takes his own approach to survival and puts his own name into the title, an assertion of his agency and rejection of Command's authority.

The DSSPPM tip that he uses here is one of those he considers when stranded on Lovelace’s shuttle. It’s understandable that after that experience it might have stuck in his memory.

I can’t help feeling that the line “as someone once told me” has a double meaning here. The immediate implication is to interpret “someone” as being Pryce and Cutter – it’s their manual after all – which makes this line a fairly effective ‘fuck you’ gesture, emphasising how Eiffel is using Pryce’s manual against her in both an abstract and a physical sense.

But I think “someone” could also mean Minkowski. Eiffel uses a singular rather than plural term, there’s already an association established between Minkowski and the DSSPPM, and, in Mayday, it’s his hallucination of Minkowski that gets him to read this tip. She's probably also recited this tip to him at other points as well. Under this interpretation, this line is as much a gesture of solidarity with Minkowski as it is a taunt to Pryce. I like the idea that these two interpretations can run alongside each other, reflecting the duality of the use of the DSSPPM that I talked about in relation to the liveshow.

Conclusion

The DSSPPM is a symbol of external rules imposed on people by those with power over them. These rules can be strange, arbitrary, and even sinister, but for those with a desire for certainty and control, like Minkowski, they can be tempting. And they can have their uses, as well as the potential to be repurposed. Attitudes towards these rules provide an effective shorthand as part of Minkowski and Eiffel’s characterisation. And the clash between these attitudes, and how that clash manifests, can tell us something about how the dynamic between those characters develops and changes.

[camellcat]

so, I just saw seeing red for the first time. I thought I was prepared for what I was getting into? I wasn't. definitely had to take a break after that episode... wow. I can see why it had the actors getting therapy cause it left me shaking just after simply watching it. I can also see how that episode could completely turn someone against spike/spuffy. I adore spike but uh for once in my life I did not enjoy seeing him on my screen at all after that

[jessicas-pi]

Sabezra in a fantasy au for the ask game?

I have no idea if this was what you were looking for but it's what my brain invented, so ta-da!

--

Mother had forbidden---Forbidden, actually with a capital F---Sabine from leaving the Seelie realm to look for trouble.

So the next time she got restless, she made sure she'd already found trouble before she left.

Today, trouble looked like a grungy teenage boy, in ratty jeans and a faded orange sweatshirt, stomping through the woods. He seemed like the type she could mess with. Bored with life, discontent, easily fooled. Maybe she could even trick him into following her home for a while and see how he fared there.

(She'd ask him for his name, first, of course. She always did. It was an old trick, and rather overdone, but that was why she did it. If a human was stupid enough to ignore all the old stories and warnings and just tell her that right off the bat, she didn't feel bad about causing them further trouble. They earned it.)

She waited, unseen, until he had passed her by. Then, with a last glance over her shoulder to make sure no one of her mother's Court had noticed her, Sabine slipped through the dark mists that parted one world from the other.

"Hey, there!" Sabine called out at his back. He stopped in his tracks and turned around, looking at her in curiosity, but with far too little suspicion.

Sabine smiled.

This boy may not know what she was---not yet---but if Sabine had her way, he would find out.

Oh, he would find out.

[somegrumpynerd]

New gooptales by @topazshadowwolf you know what that means!! (Time for me to black out and draw my favourite bits)

[septimusmoonlight]

You doing ok?

hi

[rosewheresheshouldntbe]

Rose shouldn't be in a little boat on a lake.

Rose absolutely shouldn't be in a little boat on a lake, I don't think she was even taught how to row a boat yet!

Hey, I think someone should go check on her.

Sprite is by @hsrips • 1rst background img https://www.locationscout.net/russian-federation/29071-parking-for-small-fishing-boats-on-the-lake-during-sunset • 2nd background img https://fineartamerica.com/featured/little-boat-upon-the-sea-judy-via-wolff.html

[nostalgia-tblr]

Huzzah, it is @sifkiweek once more! This year I have not missed the deadline! I am posting this for day one as it fits the “throne” prompt pretty well. I’ve posted it as two chapters just for neatness as the whole thing is almost 9000 words which seemed a wee bit unwieldy for a single chapter - both parts already are up so the fic is complete. 

This year’s fic is a sequel to the fic I wrote for last year’s Sikfi Week, and you should probably at least skim that one so that this one makes sense: Bitter/Sweet 

Anyway, the plot of this fic is that Queen Sif has a baby and this a) scares her and b) makes her reconsider her position on whether or not Thor needs to die. Oh no, a Corruption Arc! 

Title: Loyalty Binds Me (AO3) Fandom: Thor (Movies) Rating: Mature Pairing: Loki/Sif Wordcount: ~8800 Additional Tags: Alternate Universe - Canon Divergence, Sequel, King Loki, Queen Sif, A Large & Impossible-To-Ignore Thor-Shaped Hole, Angst, Corruption Arc, Pregnancy, Childbirth, Motherhood, Frigga Does What Frigga Thinks Is Best, Mild Sexual Content, Canon-Typical Violence, Fratricidal Ideation, Treason & Betrayal & All That Fun Stuff, Sifki Week 2024 (Marvel) Summary/Snippet: Sif knows that he has one more point to make, one more argument with which he can hope to win her over. She is already forming the words in her mind when he says them; “And there’s the child to think of too, now.”

PS: I made An Artwork to go with it

[disdaidal]

I was scrolling through the dingbat fonts section on dafont.com when I came across this charming little font.

It's called "Semi".

Do what you will with this information.

[softquietsteadylove]

Hey love! So, I know you already have the proposal au, but I was wondering if you could do an arranged marriage au. And basically, Gilgamesh is in the mafia and Thena's horrible abusive father (Arishem) steals money or drugs from him that Thena doesn't know anything about. And Gilgamesh and his men just show up to her home while Thena's not there and when she comes back she finds out that she's being forced to marry Gilgamesh (which she's not that mad about bc Gil is fine asf🤭). But Thena is basically just shocked and she has to get used to being treated how she should and with princess treatment (like opening her door, giving her gifts just because, etc) Maybe a little age gap like Thena's in her early 20s, Gil is in his Early 30s👀. Also maybe like Gil gives her princess treatment but disrespectful in bed vibes😜.

But anyways I love you and your whole existence and when I found your Tumblr acc it quite literally the happiest day of my life and I literally would kill for you. You're my whole world I live for all your posts and sit waiting everyday for you to post. You are the best thing that happened to me and I'm so grateful you're alive. I love you so much!😘❤️

"Thena?"

She startled, but a warm yet gentle hand touched her shoulder, "hey, it's okay. It's me--I'm sorry to startle you."

She looked around her. She wasn't at home--well, she was. She was no longer in her father's home, where falling asleep out in the open could lead to her getting her hair pulled if he was feeling particularly inebriated and particularly mean spirited.

She was home, in her home with Gilgamesh. It was a massive, modern and sprawling house. She had her own room, despite sharing the house with her husband. It had its own walk-in closet and full bathroom suite. He had installed a library having found out that she liked to read (that was all the incentive he needed, apparently). The only thing her room didn't have was a kitchen, and Gilgamesh did all the cooking anyway.

The first two weeks, when she wouldn't emerge from her room at all, he would leave trays out for her to take inside where she felt safe.

"I'm sorry," he repeated, speaking softly and moving so she could see him, showing her his hands. "I shouldn't have snuck up on you like that. I wanted to see if you were hungry, or if you wanted to move into your room."

A gangster for a husband, and he made sure her room was always open for her, that only she was allowed in it, unless there was any house keeping she wanted done. He had even hired a female cleaner, specifically in hopes of making her feel more comfortable.

"Thank you," she smiled at him, hoping to assuage his fears of scaring her. She let the book on her lap fall closed and curled her legs up under the blanket thrown over her. "Sorry, dozed off between chapters."

"You don't have to apologise," he assured her, moving slowly as he took a seat on the sofa. He wasn't at the far end of it, but it was more than enough space for her to feel separate from him. He leaned forward, his elbows on his knees. "Are you okay? You seemed to be having a bad dream."

She was. Even removed as she was from that place, sometimes she would think was waking in her room, her desperate attempts to start a real career crammed into the corner of her room where her father wouldn't know to go digging for money.

The crinkle of her clothes in plastic bags so that he couldn't get them all wreaking of alcohol before a job interview. The way she would walk on the balls of her feet so as not to wake him when he was passed out on the couch in the middle of the day. The fear that every knock on the door would be another debt collector.

"Hey," Gilgamesh said as softly as he could again, "what do you need?"

If she hadn't woken from such a terrible dream she might swoon. It was almost a shame their relationship was one of contract. Gilgamesh was very good at seeming romantic.

She inhaled, putting on a braver face. "Some food sounds good."

"Okay," he nodded. His hand hovered, as if he would pat her knee under her blanket. But he stood instead, pulling himself away from her. "I can do that."

Thena stood, nearly slipping on the stairs of the elevated seating area to follow him into the kitchen. "Do you need any help?"

He did let his surprise show on his face, and instances like these she was reminded of the menacing - as well as cocky - gangster who had first appeared in her home and informed her of their marriage. "Setting a fire?--no, sweetheart, thank you."

She huffed, and she even managed to get a chuckle out of him. Laughing suited him more. "You must have had a hard day."

He immediately looked at her, trying to tell how any clue of how his work had gone could have slipped through the cracks. He worked very hard to keep all aspects of his business out of their home life.

She leaned against the spotless granite island/sink. "You seem more tense than usual."

He didn't rise to her bait, focusing on putting together a meal for her--for them.

But she was in the mood to poke the bear, as it were--the big grizzly teddybear in the pinstripe suit. "I figured I would get a 'no need, princess', at least."

He shook his head at her, pulling out a clay pot and retrieving the ingredients necessary. For a man living outside the law, he really was a great cook. "No need for a house fire--that's true."

"I am not that bad," she insisted, rising to her own bait if need be.

Gil - not Gilgamesh but Gil - finally looked at her with a little more mirth. He even chuckled, "Need I remind you of the eggs?"

She rolled her eyes at him. He had this big, beautiful kitchen, and she was home alone all the time. And sometimes she didn't want to wait for delivery to make it all the way to the house (and past security) while Gil was at work. She had figured making herself some eggs couldn't possibly go wrong.

"The hob at our-" she paused and moved on like it was nothing- "at my old place would take ages to heat up. I could never have known that this monstrosity can boil water in under a minute."

Gil glanced towards his very fancy oven on the other counter and then back to her. "Who turns the heat up all the way to make eggs in a pan?"

She shrugged, "they cook faster."

Gil let out a real laugh now, finally relaxing some as he finally started preparing the veggies. She could tell he was enjoying it when he slid them onto an angle to slice them. If it were strictly business he would cut them into little cubes instead. He shook his head. "I told you not to lift a finger while you're here."

That was true. After the fire had been put out, her housekeeping companion had insisted she simply ask if she wanted a meal. It was part of her requirements for the job and everything! Which was a little insulting, no matter how aware of her own cooking habits Thena was.

"I thought men wanted a wife who would cook for them as soon as they got home."

But Gil didn't latch onto her joke. He put down his knife, slowly and gently. He dried his hands on the hand towel below. Then he moved towards her, holding his hands out and asking for hers.

She watched as he did, curious enough to give her hands over to him. He held them so gently, even as he brought them up to his lips to kiss the back of each. She shivered.

He opened his eyes, peering down at her as he stroked her hand with his thumb. "Those aren't men. And you are not just 'a wife', Thena."

Did he want her to fall in love with him or not? The times when he was at work, and then completely secretive about it at home really seemed that he didn't. It seemed that he was upholding his end of the agreement with her father, and his vow to respect her and not to allow any harm to come to her.

But then other times he would say things like this, and she wouldn't know what to think.

She blushed as he left one last kiss on the tip of her finger. Then he was back to chopping, as if he hadn't nearly swept her off her feet (metaphorically speaking).

"Why don't you go sit down, sweetie? I'll come up and join you once this is on the heat." Back to that respectful distance.

She pursed her lips, moving away from the kitchen island as he started rinsing the rice and mixing sauces. That was just like Gilgamesh, to say something so breathtaking and sweet one moment and be a husband in name only the next.

She glanced at her book, although she couldn't even remember what she was reading in it before she had dozed off. Throwing herself back on the couch did seem to catch his attention somewhat; she could tell by the tilt of his head only vaguely in her direction. She also pulled the blanket over her again, with a little more force than the light cashmere needed.

If he only wanted to be half a husband then fine, but he didn't have to be a full time flirt to do it.

She peeked up from her phone as Gilgamesh walked up the three small steps to join her. He had a bad knee but wouldn't admit to it, maybe that was adding to the pressure of his day today.

"Okay," he groaned as he too threw himself onto the couch. He looked over at her, at her safe and respectful distance. "So?"

"So?" she asked in return, bristling at the grin on his face. It suited him a little too much.

He nodded, as if he had been thinking something to himself and had the affirmation he needed. She didn't know what he thought he knew, but she almost didn't want to. He leaned back on the couch, relaxing his posture. This was how a gangster would sit, she imagined. "Well."

"Well?" she prompted him again. But all he did was lazily wave his hand at her. She raised her shoulders, "you want me to...?"

He shrugged, even turning his head away from her. "If you want, I mean. You seem like you want the company."

He was calling her out on her wanting his attention, he meant. And he was right, but she didn't appreciate it. She turned her nose up at it.

"If you wanna sit in my lap, you can say so."

She shivered again, turning and half expecting him to be nose to nose with her. But whens he did look, he was back to pretending like he was halfheartedly watching something on the obscenely large tv mounted on the wall.

To his credit, he didn't say anything as she quietly shifted her position. She didn't tuck herself into his embrace or anything. They weren't actually married.

Gil lowered his arm from the back of the couch to her shoulder, letting her lean partially on him but not so close that she would feel trapped. "Put on that show you like."

"The one that puts you to sleep?" she smirked, even as she picked up the remote.

"It does not put me to sleep."

"It does," she corrected him, and it was moments like these when the marriage did feel less like a business agreement and more like...well, like something. "What about the food?"

"It has a timer, just take it off the heat when it's done."

It was he who was on the verge of nodding off, now. He really had endured a truly terrible day to be so exhausted. And she wouldn't be the one waking him.

She did put on her show, a historical drama she liked. And he really did nod off, the clay pot dinner simmering in the background silently. And only because he was dead asleep did she take the liberty of tucking herself against his chest. Just this once.

[smallnico]

time to share one of my favourite screenshots from my first esper run

[the-nexus]

Inbox Call~!

Give this a like for an ask from one of my muses. Feel free to specify a muse you'd prefer!

[cutechan555]

Keeping some company

< Previous Next >

<< The start

[tee-shot]

I won't apologize for my disability, and I won't apologize for who I was when I didn't know how to take care of myself. If you think it was distressing for you, imagine how it felt to have my entire life shift in a direction I never expected.

Nobody anticipates being disabled. Or at least most people don't. And now I'm finally realizing I was never able bodied- And that's fucking hard to accept!

But hey, at least I'm finally starting to understand how to listen to my body, and how to handle myself in a way that works. That's what's most important to me.

Look out for yourself and your safety. Your ability to do things or not do things isn't your fault. People who blame you for them just shouldn't be in your life, full stop.

[silusvesuius]

g*lmar rly has to be the best skajrim character on the real like even if you don't like him he just is . literally The best one i think......... on dat note i also imagine that he and ulfr*c despite being fairydust BFFs for lyfe genuinely have the worst communication skills ever seen