#I have to play p4 before I start to replay any of the games though

[faeriedoodles]

This dude is weirdly difficult to draw

[mysteriouslyjovialcolor]

Mexico 2024

-I’m calm, I’m calm, I’m calm, I’m so calm

-I LIED, I AM NOT CALM

-Aaaaaaaah, okay let’s go (The race doesn’t even start until two minutes from now)

-Valterri holds the race record here as well? Asking once again why he’s in a Sauber

-Esteban from the pit lane? What happened there?

-Okay, okay, okay can’t think anymore, we’re starting

-Max!!!!!!!!!!!!!!!!!!!

-Yuki???? Whaaaat??

-Carlos where are you going???

-Ohmygod Safety Car

-Alex out too!!

-Aaah so much chaos!!!!

-Oh that replay makes the crash looks so much worse then it looked before

-Oh wow, well done Checo. That was unexpected.

-“Unfortunately for Yuki Tsunodo, I don’t think he did anything wrong there” WHYYY

-“Sergio Perez is being investigated for a false start” I- I take whatever I said before back

-Cars weaving behind the safety car>>>

-I’m surprised Oscar hasn’t gained positions yet

-Franco has though!

-Ah Carlos!!

-The top three are so close together now!! Top four I think actually!!

-Oh god, not again with these two!

-Charles???? Ever the opportunist!!

-“Both Verstappen and Norris have handed this on a silver platter to Ferrari”

-10s penalty for Max

-Red Bull just catching Ls this week

-“10! That’s impressive!” This guy

-George and Lewis!

-Ferrari teammate drama incoming?

-Fernando Alonso retiring??? Oh his 400th race weekend?? So unfortunate

-“Keep it clean. You have a good place. Keep it clean” Oh we’re racing babyyy

-“Quite an impressive job the Haas team are doing” yessss!!

-Liam and Checo!! Oh I’m loving how much drama is happening here right now

-Wow Checo is really driving hard

-20s penalty. I will cry

-Oscar and Franco?!! Yessss! Omg this is so exciting!!

-Back to crying

-Yay Oscar! Mans just moves in silence

-So much crying. Why am I still watching?

-“This is turning into a nightmare weekend for Red Bull. A lot of it, no, in fact all of it, self-inflicted” Big sigh

-Hate when any of the Haas drivers pit and then they lose position and then sometimes they don’t regain position and then I’m sad

-Can’t afford to be more sad than this, need at least my midfielders to do well

-At least Max is back in the points. We can be somewhat happier.

-If you had told me that the multi-championship drivers (Lewis and Max) might be about to race each other I would think they’d be racing for top positions and not for p5 or p6

-Oh Charles potential undercut on Carlos? Him winning would cause so much drama, I feel it. (I secretly want it)

-“One more lap guys, come on, one more lap”

-So much pit stop strategy afoot

-I was distracted, how is Lawson p4??

-Not him still fighting Oscar

-“Mate think about pulling me out of this” I feel you Oscar (I actually don’t but I can empathize)

-Liam “cork in the bottle” Lawson!

-Yess Oscar!! Lewis too!! Double overtake!!

-Kinda expected there to be more of a fight between Max and Franco

-How has Max done a better recovery drive than Checo? What’s wrong with Checo’s car fr

-“I had a big misfire out of Turn 3” ???

-Nico back in points 🎶

-Aww Franco having car problems :/

-I guess the people are about to get what they want and Oscar is about to play the team game

-“McLaren not trying to use him to hold off Max Verstappen in any way shape or form” I’m so confused???

-Go Kevin Magnussen!!!

Ohmygodd Nico back up too!!

-Why do these two always run together?? It’s hilarious how evenly matched they look

-“Miserable Mexican Grand Prix for Sergio Perez” I feel for that guy, I really do

-“Taking away fastest lap” The things Daniel Ricciardo does to the sport

-“20s gap back to Russel” Mercedes?? Fight back??

-Franco and Oscar pt2! He’s so impressive, Franco

-“George, we are free to race here. Let’s give each other room”

-“There’s young Kimi Antonelli” He’s so tiny!

-Franco fast lap. I hope he gets to keep it this time.

-How is Lewis stuck behind George for so long?

-Aah no!! Nico lost a place :(

-Oh god Charles vs Lando incoming. I can’t watch this

-“We need your best driving now, let’s go” Aaaaaaaah

-Seriously, how is Lewis still stuck behind George?

-“In the olden days, they would’ve done something about this at Mercedes” Righttt

-Poor Franco, lost the fast lap again

-“This is not going to be the easiest fight in the world, up against Charles Leclerc”

-Aaaaaaaaaaah

-I’m actually going to cry

-OHMYGOD NO!!!

-That could’ve been so much worse tho, at least he got back in

-Haas is having such a good race, I’m so happy

-Have to acknowledge George’ defense…

-Finally!!!! Let’s go Lewis!!!

-If Carlos wins this race, it would be his second race with Lando coming 2nd (…I would have two pennies, which wouldn’t be a lot but it’s strange that it happened twice…)

-“Chasing down the man he started a bromance with” Carlando alive and kicking

-Liam Lawson fast lap lol

-“Only man to have won from pole position”

-Lol fastest lap contest

-“He’s not playing second fiddle to anyone is Carlos Sainz”

-Let’s go!!! He manifested this!!!! He got his one last win in Ferrari!!!!!

[tumbling-odyssey]

Games I played in 2020

Just felt like getting my thoughts out on all the games I played this year. I’ve been wanting to do something like this for years but I always let it pass me by. Well not this year! Fuck you laziness! 

I played the first half in 2019 but finished it in 2020 so I guess I'll count it. DQ11 was my intro to Dragon Quest and what a good starting point. I'm not exaggerating when I say this is one of the best traditional JRPGs on the market. Characters, story, combat, it all clicks in just the right way to make a flawless game... until the end credits roll that is. 

I have no idea what happened with the post game but by god does it dive off a cliff. It undermines everything you worked to do in the main plot. The characters act brain dead and it shamelessly reuses events from the main game. Please pick up and play DQ11 but for the love of god just stop when the credits roll.

Doom is a game I knew I'd like. The heavy metal ascetic and soundtrack were right up my alley, but I just never found the time. With Eternal on the way though and having found it on the cheap at a pawn shop I figured there was no time like the present. Needless to say but I was right. I loved everything about this game. The thrill of combat, the screech of the guitars, and the silent take no shit attitude of Doomguy. Make no mistake though, I SUCK at this game. I played on easy but still got my ass handed to me on the regular. But I don't care, I was having way to much fun.

I flipped my shit when this game got leaked at the tail end of 2019. Zero 3 is my all time favourite game. To celebrate this getting announced I went and 100% Zero 3 as I hadn't done it on my current cart, and Zero 3 was still the first thing I played when I got this collection! I love that game to death and I’m glad to have it on modern consoles again. As I was under a bit of time crunch with other games releasing soon I only played 2 other games in the collection Zero 4 and ZX Advent. Until the DS collection those and 3 were the only Zero/ZX games I had so I have a lot of nostalgia for them. 

Zero 4 hold ups better then I remember. Not as good as 3 but a damn solid game with tweaks I honestly wish hit the series before its end. I remember having issues with the stage design and ya it’s not perfect, but it’s far from as bad as I thought. For ZXA this was the first time I beat the game on normal difficulty. For some reason the ZX games have always given me more trouble than the Zero games, so finally beating one on normal was very exciting. Maybe I can now finally go and beat ZX for the first time...

The Mystery Dungeon series rising from the depth to punch all those unexpecting in the face was a very welcome surprise. I had a lot of hype going into this one as I have very fond memories of my time with Red Rescue Team and even more with Explorers of Darkness. And the game lived up to it! The remastered music is great and crazy nostalgic, the 3D models are well used and don't feel as stiff as they do in the core series, and the QOL changes are near perfect... So why did I drop this game like a rock once I finished the main quest? 

Anyone familiar with Mystery Dungeon will know that the post game is the real meat of it. The story is short and all the really cool shit comes in after it's done. But I just couldn't bring myself to put more time in after I finished said story mode. I'm definitely chocking that up to me just not being in the mood then an issue with the game. Here's hoping we get an Explorers DX sometime soon. That will fucking hook me for all it's got.

Second verse same as the first. I loved this game and sucked at it horribly. Out of all the games I've played this year Doom Eternal is the one I want to go back to the most. I was not the hugest fan of some of the changes made and retained a stance that I liked 2016 better. First person platforming has never been a fun experience in my opinion and Eternal did little to change that. And I know this a lukewarm take at best but fuck Marauders!. They are so unfun to fight and ruin the pace. The Marauder in the last mook wave took me so long I was worried I wouldn’t be able to finish the game. But the more I've seen of Eternal after my playthrough makes me think I was being far to harsh. I haven't played the DLC yet either. Mostly cuss I haven't heard great things about it. Gonna wait for the rest of it to come out to see if it's worth getting. Might just replay to whole game at that point to see if it clicks with me better.

This was my second favourite game of the year, and was going to take the top slot until a certain other game came out. Addressing the elephant in room right away, I hated the ending. But I was expecting something like that, I think we all were. I won't let the ending ruin the rest of the game though. Not gonna let 1 segment colour everything that came before it. We have to see how the later parts play out to truly see if this ending was trash or not anyway. 

It took Square over a decade but they finally got an action RPG battle system that works and feels good to play. This may be my favourite battle system in an RPG period honestly. All four characters are a blast and it only gets better the more time you spend with it. Figuring out the nuances of each character’s skills and how to combine them not only with the skills of the others but how to enhance them with the right Materia set. This makes fights thrilling and satisfying when you finally best whatever was giving you trouble. Tis was the best way to bring 7′s mechanics into the modern landscape while also fixing the BIGGEST issue the OG had. The fact every character feels the same aside from Limit Breaks. 

All this on top of graphics that just look fucking stunning, a few glitched out doors aside. Fuck I still feel blown away looking at the characters models (mostly Tifa) and see how god damn pretty everyone is. Also Tifa’s Chinese dress is gift from the Gods and I still haven’t picked my jaw up from the floor after I first saw it.

In my circle of the internet there was a lot of hype for this game. So much so that I ended up buying it to see what all the hubbub was about. I had never played a Streets of Rage game before and my only experience with beat'em ups was playing a LOT of Scott Pilgrim and last year's River City Girls. Turns out Streets of Rage plays quite a bit different and it kicked my ass! So sadly I had to switch to easy to make it through but I still had a fun time with it. 

I started playing mostly as Blaze but once Adam hit the scene oooooh fucking boy. I didn’t play anyone else. There's a deceptive amount of content in this game. You can unlock almost every character from the previous games and all of them rocking their original sprites and moves. If I had more of a connection with this series I'm sure I would have gone nuts on unlocking everything. I stopped after my one playthrough and I was happy with that. Always glad to support a long overdue franchise revival.

To properly talk about P5R I think I need to air a lot of my feelings on the original game and the importance it has to me. You see, prior to 2017 I barely played games, only sticking to specific franchises. AKA Pokemon and Mega Man/Mega Man like games. Until 2016 though I still bought a lot of games. Eating up Steam sales and deals I found at pawn shops. This lead to a Steam library and shelf filled with games I've never touched outside of maybe an hour or 2. So in 2016 when I took interest in the newly released Kirby Planet Robobot I made a deal with myself. I could get the game but I HAD to beat it.  And I did just that, gaining not just a new fav Kirby game but a new rule for game purchases. If I knew I wouldn't beat a game I was not aloud to buy it. Now what does ANY of this have to do with P5 you may ask? Well... almost everything.

 I was immediately interested in P5 when it hit the west in 2017. I loved the 20 or so hours I but into P3 years ago and really liked the P4 anime I had watched around the same time. So of course with all the hype around it I wanted to dive into the series full force with P5. But I knew myself. Putting over 100 hours into a game was beyond me and I had a weird relationship with home console games as I was predominately a handheld gamer. Add in the fact I didn't even have a PS4 and I was convinced P5 would be something I always wanted to play, but never would. So when I went to the mall with a few friends and they showed me that P5 had a PS3 version, I had a dilemma on my hands. I knew I wanted to play it and I now had a way to do so. But doing that would require me to change 2 HUGE hang ups I had with games. Would I being willing to waste 60 bucks with so much working against me? Apparently I was. I immediately started going to town on this game. Making sure I spent no less then 2 hours a day playing NO MATTER WHAT. Which may not seem like a lot but it was to me... at the time.. I also had just moved to my current house, so coming home from my still relatively new job and going straight into P5 was the first real routine I formed during this heavily transitional part of my life. 

I of course ended up loving P5 and put 200 hours into it. As such my outlook on gaming was forever changed. Console games were no longer out of reach and I knew I could handle playing monster length game. I started playing way more games then I ever did before and trying out generas I never thought I would play. P5 is the main reason for this and why I'm able to make a post like this. To actually touch on Royal though? It's unarguably the better version of the game and Atlus learned all the right lessons from P4G. The new characters are great and the added section at the end is possibly the best shit Atlus has ever written. I only wish Yoshizawa joined the party sooner so I could play as her more. 

The release of this really came out of nowhere huh? Wayforward announced it was being made mid way through 2019, then there was its weird half release on the Apple store... and then suddenly it was out! Very little fanfare for this one. Is that indicative of the games quality? Luckily no. Seven Sirens is a solid addition to the series and follows up Half Genies Hero nicely. The game goes back to Shantae's Metroidvania roots and makes a TON of improvements. 

Transformations are now instant instead of having to dance for them (don't worry dancing is still in the game) making the game feel more like Pirates Curse in its fast flow. They also added the Monster Cards which take heavy inspiration from Aria of Sorrow's Soul system. A feature I'm happy to see in any Metroidvania since Aria is one of my all time favourite games. Sadly though the game does not take the best advantage of these improvements. 

Over all the game feels kinda empty. The dungeons aren't super exciting to explore nor are they challenging in any way. And the plot is very repetitive, with each dungeon repeating the same beats. Really this game feels more like set up for a better game down the line. The mechanics are all here and Wayforward has a solid art style with the sprites from Half Genie Hero. Hopefully they capitalizes on this for Shantae 6 and we get the best game in the series.

While it may not have been the most thrilling game, Seven Sirens really put me into a Shantae mood. So much so that I went back to play the 2 games in the series I had never touched. This being the first game and Risky's Revenge. Shantae 1 really is a hidden gem in my opinion. Don't get me wrong, it's the definition of jank, but there's a lot of heart to this game. The sprites are great, the soundtrack is good, and the characters are funny... but it's still on the OG Gameboy and that's a massive hindrance for any game. I'm hard pressed to recommend this with how poorly its aged but I think it's better then it looks. 

Risky's Revenge on the other hand was a game that shocked me by how little it had to offer. I know this game went through a hellish development and what we got was far from what Wayforward planned to make, but it's hard to imagine a world where this was the technical BEST Shantae game. It's not a bad game by any stretch... just a boring one.

For the record my ranking of the games goes Pirates Curse>Half Genie Hero>Seven Sirens>Original>Risky’s Revenge

Sword and Shield are mediocre games at best. I know, real steaming hot take there. I managed to make my Sword playthrough a lot more fun by not spoiling myself on the new Pokemon designs for the first time since Gen 3. Either way, I enjoyed myself enough that I didn't mind playing more of it with these DLC campaigns. Plus I love the idea of Game Freak switching over to this method as apposed to making a third version, so I wanted to support it. 

Klara is a fucking top tier Poke Girl both in design and personality and is probably the highlight of Isle of Armour. GF actually went out of their way to give her multiple expressions to sell her toxic bitch personality and I love every minute of it. She sadly drifts into the background for the second half of the DLC’s story which hurts an already rough section even more. Not more then having to grind Kubfuu all the way to fucking level 70 though! That put a serious hamper on my motivation to finish the story but I pushed through anyway. Having to solo the tower with Kubfuu was at least a fun challenge though, as was the final fight with Mustard. Fuck the Diglett hunt though. Ain’t no one got time for that.

Crown Tundra may be my fav of the 2 though even if there isn't a character as good as Klara in it. The hunt for the legendaries was just pure adventure and I had a fucking blast doing it. The joy I felt when I figured out Registeel’s puzzle put a smile on my face unlike any Pokemon game since I was a kid. The whole Regi stuff was honestly a nice Nostalgia trip to my times with Emerald. The story around Calyrex was enjoyable, even if I still hate its design. Not revealing the horses before release was a good call to as it gave an honest surprise. Having to chase down the Galar forme Birds in the overworld is a great way to evolve the roaming legendaries idea and I hope GF sticks to this. Plus the Galar forme birds are some of the best legendary designs since Gen 5 and I love Chocodos way to fucking much. 

Here we are folks, my GotY. I love Panzer Paladin so fucking much. A combination of mechanics from Mega Man, Castlevania, and Blaster Master? Sign me the fuck up! This game is tailored made for me and I knew I had to play it once it started making the rounds on social media. I'll admit though, I was a bit worried when the the first full trailer dropped and showed the weapon mechanics. Breakable weapons that you have to sacrifice for checkpoints and power ups? I'm not sure about that.... Luckily I was being a complete moron and those mechanics are near perfect. 

I love the set up of each boss being a mythological creature from different cultures. They didn’t just pull the easy ones either. A lot of these things I learned of for the first time here. I love how Grit controls. Using the upward stab as a double jump and being able to pogo off enemies Shovel Knight style just felt great and satisfying. Flame was limited but it made her sections feel tense. She does more damage then you think she could at first glance. Also the only way to heal Grit being to use pods that only Flame could access was a cool idea. 

I am begging you Tribute Games, you have to make more Panzer Paladin games. Slap some new upgrades on Grit and expand what Flame can do and you have an even better sequel  on your hands. Also maybe not have so many 'gotcha' moments with enemy placement. That's really my only complaint about the game. Great music, great sprites, giant robots, unique premise, and a reference to Canadian legends. The ultimate self indulgent game for me.

It felt super out of left field for Curse of the Moon to be getting a sequel. The games fucking amazing but it was really just a tie in for the main Bloodstained product. Not something I expect to get a continuation. Either way I was pumped. If this was even half as good as the original then I was in for a great time. Which held true... cuss this legitimately is only half as good as Curse of the Moon. I still like the game, quite a lot actually. I mean how could I not with a fucking Corgi piloting a Death Train Mech. 

Something was just missing here that never made this click like the first game. Maybe it was the stage design, maybe the bosses, maybe the fact that it's a bit to long. I'm not sure. All I know is I couldn't bring myself to play all the modes like I did in the original. . Stopping part way in to the one where you can get the first games characters. I want to go back some day... I just don’t know when someday is.

This was an announcement I never saw coming. A Gundam Verses game coming to the west? That hasn't happened in the entire time I've been a Gundam fan. I had played a bit of Full Boost on my old roommates PS3 thanks to him having a Japanese account and I played Force on the Vita a few years ago. But to have the latest version fully translated with open servers? Holy hell that's a dream come true. 

Having the open betas every weekend leading up to launch was some much needed fun during this shit hole year. I had a lot of fun just fucking around with different suits and seeing what I could do with 'em. Absolutely trashing two Bael players as the Kapool is a memory I'll keep with me for a long time. Fucking danced on their graves. This gave me some new appreciation for suits like the Baund Doc and Hambrabi, the later becoming a lowkey fav as it was my main.

I've fallen off with the game in the last few months but I definitely want to go back. I hope to start learning the game and take parts in tourneys when cons aren’t death sentences anymore.

It felt like everything in my life was SCREAMING at me to start the Yakuza series. From 2 of my friends playing 0 recently, a youtuber I following live tweeting as he played through the WHOLE series back-to-back, and Yakuza 2 having a run at AGDQ 2020. Plus the constant pleas to play this series you get from following Little Kuriboh on Twitter. I finally broke and picked up 0 in the middle of August. Boooooooooy howdy did I not know what I was getting in to. And no I don't mean the content. I knew Yakuza was a series of wildly conflicting tones between the main story and side quests. What I mean is the length. I legit thought this was gonna be a 20-30 hour game. When i reached hour 30 of my playthrough and realized I wasn't even close to a conclusion, I think I knew I had bitten off more then I was planning. That misstep aside I ended up loving this game and want to play the rest of the series.... I just need to rest up first before I dive into Kiwami 1.

 Let's actually talk about the game for a moment here. Kiryu and Majima quickly clicked as likeable characters to me and I cared about their stories. Combat is fun and the multiple styles are all great.... though both the default styles take a while to get there. The mad rush I felt at the end was fantastic and the last bosses are a joy to fight. Only real complaint is the pacing of the side stories. I loved being able to just stumble into various different events while on route to the next plot objective. But this became less common as the game went on and side stories started getting more tucked away. Also hot take here, the host club mingame is more tedious then fun and I like Kiryu’s business stuff as I could do that in the background. I’m excited to dive into Kiwami and probably Kiwami 2 this year... Though I’m not sure when just yet.

Just gonna say it flat out, I think this is better the the 2018 game. The smaller scale helps in this style of game and Miles just naturally has a better move set then Peter. I'm not sure if they actually tightened up the combat system or if they just threw less bullshit enemies at you but fighting feels so much better in this one. Traversal is better too,  simply because they changed the button for tricks. In the original you have to hold down 2 face buttons to enter trick mode??? In hindsight that was such a bad call. 

Having both the heal and venom powers run off the same meter was a good idea. Making the choice between keeping yourself alive guaranteed or potentially ending a fight quicker/disposing of a problem enemy is super fun. The player having to make small choices like this during combat is what helps it not be brainless. I love all the different venom skills you get. While they all achieve the same thing in stunning opponents, how you achieve that goal is up to you. Do you want to just slug the bastard, throw 'em up in the air, tackle the shit out of them? The choice is yours. 

Only real big complaint is certain upgrades being NG+ locked. I know you want to encourage replays, but this is a shitty way to do it I feel. Also can we retire Rhino for the next game. Man has had 2 shitty boss fights now and I need a break. Between this and Spider-Verse, I'm honestly starting to like Miles as Spider-Man more then Peter.

I got this game more on a whim then anything. I was definitely interested when it was first announced for the west. Vanillaware's beautiful art style in a story about giant robots beating the shit out of Kaijus? Sign me the fuck uuuuuu-oh wait it's an RTS? I had never played an RTS's before, mainly due to the sheer concept stressing me out. So I let it fall to the wayside. The game started coming up again though towards the end of the year with GotY on everyone's minds.  This revived my interest, especially as what I HAD planned to be playing around that time was... well. Cyberpunk. Don't think I need to say much more. Also I had worried for nothing as the Real Time Strategy was not that Real Time. 

This game really lays on the analysis paralysis once you're out of the tutorial. Do you want to fight, do you want to do story, who's story do you want to do, what branch should you follow, how much should you play with this one character? It's very overwhelming at first. I decided to not go ham on just one character and swap around all the time. The twists in this game are equal parts exciting and infuriating. Learning something new always came with the caveat of more questions, or something you knew 'for sure' being disproven. Like when I learned 1 characters was actually 4 separate ones! Anyone that's played knows exactly what I'm talking about. 

Natsuno ended up being my fav and not just because of.... obvious reasons. BJ was cute if unfortunately named and her relationship with Mirua was my favourite in the game. Not that there was much competition except for maybe Ogata and Tomi. I ended up really liking the combat but I can see why RTS fans say it's the weakest part. It's far from complex and I had a winning strat by the third or so real fight. Aka spam turrets and have the Gen 1′s gank all the bosses.

One quick thing I want to share was how I beat the boss at the end of Area 2. The one where Inaba is singing. I had Hijiyama use the limit break skill to bum rush the boss right off the hop. I took out half its health in one hit but Hijiyama’s Sentinel was on death’s door. Only thing that saved him was sending in Amaguchi to blow up a bunch of missiles. Hijiyama took it out on his next attack but lost his Sentinel at the same time. It was a real clutch victory and crazy fucking anime. 

The best way to really describe Carrion is that it's a fantastic proof of concept. Can you make a game where you play as The Thing? Why yes, yes you can. Carrion just needed a bit more tweaking to really bring this concept home and be the A+ game I know it can be. As it is now the game is a bit empty. The level design is super samey and the lack of a map is fucking brutal at points. I know it would make no sense for a blob monster to have a map but somethings you just have to gameify for convenience. The level design must have done something right as even though I was completely lost I still moved from area to area properly. Hell by the time I actually looked up a map I had 1 more item to get and I learned I was one door away from beating the game. 

I love the idea of losing mass as you take damage and gaining more by eating people, but having abilities tied to size was a terrible idea. It just leads to tedium as I have to go and shed myself to the right size, do the puzzle, then of course I'm going to go back and rebuild myself to see if I can do the next segment at full power. Just make it so you can swap between abilities using the d-pad or something. I hope this game gets a sequel just so this sick ass concept can be fully realized.

[personuhh]

So... would you rather recommend Persona 4 or Persona 4 Golden to someone who's never played it?

This is a difficult question to answer, because if you're starting with the original Persona 4, you might get scared off by its significantly harder combat; it can be very punishing sometimes, and my absolute #1 recommendation if you choose to play it over Golden is PLAY IT ON BEGINNER. You'll be given 10 Moon Tsukubame that allow you to restart a battle if Yu is knocked out (which you'll definitely need), even if you plan on grinding and are confident with your JRPG experience, there are plenty of occasions where I've been 1hko-ed by stupid instant death skills and had to replay hours of a dungeon. The only places to save in P4 dungeons are in the lobby before you enter a dungeon, and just before the boss, and this means that you can lose up to 10 floors if you die. On the other hand, Golden allows you to restart from the beginning of a floor.

There are also some other combat balancing changes like Naoto having other elemental skills aside from mudo/hama that makes them a more viable pick against bosses, some enemies are easier and have elemental weaknesses when they didn't before, shuffle time is (i think) worse and takes a little bit longer after battle to complete as well.

TLDR; the combat in Golden is obviously improved quite a bit, and that's the biggest thing going for it aside from added content.

But I played through the original Persona 4 just fine on beginner, you just have to be a little bit more careful.

Now for the pros to the original Persona 4; you DEFINITELY get a much more satisfyingly paced game, it's far shorter, and you don't have to worry about any extra fanservicey Golden scenes (that you can easily find on YouTube after you're finished OGP4 if you're interested).

I much prefer Chie and Teddie's original voices, and though I didn't mention it much in that Golden Yosuke analysis post, the voice acting and direction seems to be a LOT better in P4 than P4G (it's noticeable when you encounter a Golden-exclusive scene, characters sound... different, particularly Yosuke who's voice seems to raise each time Yuri reprises the role). When I played through P4 I didn't mind Teddie, but something about his new voice acting/direction grates on my nerves and makes him way less likeable – I believe it's because his original voice actor played him as the way he was supposed to originally come across (naïve) instead being more in line with what Golden made him into (a pervert). And maybe it's just me, but I think the initial decision to have him speak in a higher pitched voice was partially because it made him sound a bit like a squeaky toy – at least that's the impression I got, and it works perfectly in the original, something about Dave Wittenberg's voice really makes him sound like what you'd expect of a toy – but Sam Riegel's Golden Teddie sounds like he's trying to hard to imitate the original performance, and is straining his voice (human Teddie is SIGNIFICANTLY better, his voice gets lower when he's out of the suit and sounds more natural).

Similarly, Chie sounds a lot more aggressive, and it can be hard to take her seriously with how over the top Erin can be at times (again, this is likely the fault of voice direction, and not the voice actress) and especially in the earlier parts of the game, it feels like when she speaks to another character, the tones don't... quite match up (likely due to her new lines being recorded 4 years after the rest of the cast). It's most noticeable when she speaks to Yosuke, because Golden Chie seems to REALLY have it out for him, while in the original she had a little bit more of an "oh you" tone to it. I know plenty of people prefer Erin Fitzgerald's Golden Chie voice, and her performance isn't all bad (she's especially great in the anime and spinoffs), but Tracey Rooney's Chie just works better in the original game.

So... Original P4 has less overall content, but the quality of said content is more consistent. Golden has the benefit of being released in 2012 on a portable system (which is very nice if you have a Vita), so if you choose to play P4 over Golden you will inevitably feel that P4 is a little dated without combat improvements, but if you DO finish P4 and decide to go through Golden for the extra content, you get a lot of new things to experience (including 2 new Social Links with Marie and Adachi, the ability to explore the shopping district at night and speak to friends about current events, added cutscenes, several new months to play through near the end of the game, etc.) but you'll also have played through the original and gotten to experience the main story as it was originally written.

Some other small changes: resolution is now up to 720p or 1080i (P4G) from 480p (P4), the UI is slightly different (text boxes), P4G looks much more vibrant and clear than the original's more natural colours, including the sprites which now have a bright, yellowish hue to them to match Golden's colour palette (I prefer OGP4's palette), all voice lines are much less compressed (P4's sound tinny).

You can also take screenshots on Vita and PC versions of Golden; unless you're emulating OGP4 on PC or have a capture card, you obviously can't take screenshots of the original PS2 version of P4.

If you have the patience, I would suggest both (especially since it's easy to emulate the original Persona 4 by this point and I have a full guide to setting up the emulator at the top of my blog, with the rom also included, so you can try it out with relative ease) but don't take my thoughts as definitive, because it all really comes down to personal taste. Many people play through Golden and love it, having no problems with the things I've mentioned (I'm a picky bitch), and you might too. If you're that turned off of what I've said about combat in P4 you can always watch a playthrough and then go through Golden yourself too.

[mamthew]

My full review of Persona 5: Scramble. Some mostly minor spoilers scattered throughout, though I try to flag them in advance.

When Persona 5: Scramble was announced, my expectations were fairly low. As it was yet another Warriors spinoff of a better-known series, I expected Hyrule Warriors but with Persona characters. I thought we’d get the P5 crew, maybe even a few from P3 or P4, maybe a villain or two, mindlessly tearing through thousands of enemies in essentially interchangeable levels, justified by a threadbare, 6-hour story. The demo, then, blew me away. It was just…the beginning of a sequel to Persona 5, maintaining the locations, presentation, and characters of the original game, but with a beat ‘em up battle system. I began thinking of Scramble as a direct sequel to literally my favorite game of all time, including everything a sequel might entail. 

Having played through almost all of Persona 5: Strikers (I have started but not bothered seriously attempting New Game+ in Merciless difficulty), the game we ended up getting was halfway between those, I think. They managed to recreate the presentation of P5 impeccably, with gorgeous menus, beautiful battle effects, entertaining scene transitions, etc. However, the half of the game that isn’t dungeon-crawling is deceptively scant. The story centers around a road trip across Japan, but each city isn’t nearly as realized as P5’s Tokyo, with only about 3 rooms apiece, and some of the later ones not even getting a hub at all. The hubs really only exist to have shops, with none of the time management, minigames, or relationship building in a mainline Persona game. Still, it’s the only Persona spinoff I’ve played that has a real-life component at all, so I found it refreshing to get to wander Sendai, Okinawa, Osaka, and other towns in a game I’d initially not expected to have any towns at all.

The dungeons are where this game shines, though. They’re actual Persona 5-style dungeons, made occasionally even more dynamic with the addition of platforming and sidescrolling sections reminiscent of Nier Automata. The battle system uses the bones of the system in every warriors game, but slowly builds on it with more and more complexity until it’s not only a unique system, but is honestly one of the more engaging action battle systems I’ve played in a minute, in which you’re constantly trying to time dodges just right for extra hits, which can then open the option to either get in an extra hit with your character, which heals some SP, or switch to another character for an extra hit with them, which increases the rate at which the special gauge increases. As Joker, you have an array of Personas you can switch between on the fly, shifting your moveset, your stats, and your strategy as you go. Each of the other characters has their own gimmick that makes them unique and fun to play and sets them apart from Joker, who otherwise would have access to all their elemental attacks and stat spreads. Strategically placed objects around dungeons can be used to pull off special moves in battles, as well, letting you jump up to chandeliers and drop them on enemies or dive off of walls and tackle enemies. The battle system takes a little too long to actually become complex, but once it actually reaches that point it’s really rewarding. The bosses, too, are fun, with designs deserving of the Persona name and strategies that make full use of the environments. You can even replay them at different difficulty levels as the game goes on. I’ve never played a Koei Tecmo game with this much polish, and the battle system makes me hope the Warriors team goes to try an actual Platinum-style character action game. I think they’d knock it out of the park.

I’m a little split on the story of this game. The bones of the story are good. The characters are all written perfectly, and seeing them interact again was enough that I actually teared up a bit when I first booted up the game. I enjoy the new characters, and they work well with the party. The pacing is solid and it has a good emotional core. The villains are decent for the most part, and the ending is pretty satisfying. Several of the villains directly correlate to specific party members, too, which gives us further insight into those party members, and lets us watch as they see themselves in someone else and recognize where that other person broke off from their path. The game is in part about trauma and the ways it drives individuals to lash out at a world they’ve always believed to be cold and unforgiving, which could be a powerful message if done well. In this game, though, it’s not done very well at all. The ultimate message – if this game could be said to have one – is that individuals without support networks are driven by trauma to make bad decisions. That’s not…necessarily untrue, but it’s not…necessarily true, either. This message is probably at its worst when the game gets into inadvertently ableist territory with a character near the end, who -spoilers until the end of the paragraph- tries to essentially enslave mankind because her dissociation due to trauma convinces her that she has no emotions and therefore the species as a whole should have no emotions either. It’s…frankly a really gross bookend on a game that, until that point, had managed to avoid most of the issues with male gaze and homophobia that the original game had.

Every message in this game, though, is too individual-focused to function as a real message or social commentary. It even undercuts the sharp themes in the original by showing people in similar positions of power as the original villains just…choosing not to fall to corruption and consequently avoiding all of the problems that would arise from their power discrepancy. For a spoilery example until the end of the paragraph, the villain in Persona 5 who’s a CEO is a villain because his need to make profit drives him to exploit his workers, paying them less and working them more. The villain in Strikers who’s a CEO is a villain because his father was abusive and that led him to think people must be controlled. One is a real-world problem applicable to any CEO. The other is a story that exists only in the fictional realm.

This wouldn’t be such a glaring issue if Persona games – and especially Persona 5 – weren’t known for their social commentary. That’s not limited to the main games, either. Persona 4 Dancing was a rhythm game with a story about parasocial relationships and the pressures they place on public figures. Strikers ostensibly touches on parasocial relationships, but doesn’t…really have anything to say about them.

The game does try to make a statement sometimes, but everything it tries to say is disjointed, at odds with the previous game, or inapplicable to real life. The villains’ deeds don’t really have much similarity to each other, either, unlike in 5, and it’s stated outright that several of them would not hold any power at all without the supernatural world, which both prevents their stories from saying anything about the real world, and flies in the face of the purpose of Persona as a series. The supernatural worlds in Persona games are the collective unconscious, which means that the worlds are used to give the characters and the player visual representations of abstract concepts. The Palaces in Persona 5 are not the sources of the villains’ power; that comes from regular old societal hierarchies. The characters in Persona 4 were experiencing their inner turmoil before they were sucked into the TV world, and the midnight channel only made manifest what was already there and unseen. Conversely, the first two villains in Strikers are only in the public eye because they use supernatural means to make people like them. That the supernatural means involve smart phones doesn’t say anything about technology, because that’s not how technology actually works. In a follow-up to a game that was as furious at the world and desperate for change as Persona 5 was, it’s a glaring departure for the characters to just…befriend “the good cop,” or -spoilers again- push the mayor who’s based on Margaret Fucking Thatcher to run again but do things the “right way” this time.

That being said, I’m not actually that upset with this game. I have a lot to say about its missteps because I have a lot to say about Persona 5, but the gameplay is legitimately fun, and I do really love seeing the characters again. I’m more bemused than upset with the game’s fumbling of…the thing that made me fall in love with Persona 5 to begin with. Part of that is because the game is still so solid and fun, and the characters are written so well that I can overlook the issues. Even deeper, though, is that the last few years has radicalized so many people that the statements made in Persona 5 are simply…more visible in the mainstream than they were when it released. Late show hosts rage about the exploitation of waged workers. Video game streamers remark on the cruel arbitrariness of the current system. Shows about cops are being pushed to justify their existence to an increasingly disillusioned public. I think if Persona 5 released today, it wouldn’t have the same impact it did in 2017. To my mind, the game no longer carries the responsibility it once did. So this game is fun and doesn’t really matter, and that’s actually okay.

But if Persona 6 isn’t a return to form, I’ll take it back.

[sloblesbian]

been doing a new years resolution & reflection post every year since 2014 so im gonna continue that trend. 

personally this was a really great year for me. it’s very weird. things are objectively bad. if you think too much about the future things start to fall apart. there isn’t anything to rely on, outside of my own ability, and that’s limited in what i can do without support. but. it’s not hopeless. i dream a lot of finally graduating and getting a job that will keep me more than just barely afloat, and of what that could mean for me... i won’t graduate for at least 2 year (i need 56 more credits-- i think after 2 years i’ll have 2 more classes to get in, unless i manage either some summer courses or 2 semesters of 5 classes, both of which are unlikely) and even then i know finding a job is hard. theoretically i could start now but i find it difficult to work 30 hours a week and go to school. i’m also afraid that i might make less at an entry level job than at my current job... but maybe this summer i will apply at some bookstores & libraries. 

also... i really love my girlfriend. she’s coming to stay with me for 2 weeks in march and i am so excited. it’s been a good year for us. every day i talk to her and she really understands and like, gets me you know? i am amazed and i fall in love some more. 

also i accomplished a ton in 2017. maybe not the things i set out to (i finished 1 sock that i started last november, lol, and the only short stories i read were a few online and for school) but i transferred to RIC. i only took 2 classes because i couldnt register till june but i got As in both of them and my gpa is a 4.0 which has never happened in my LIFE. i’m excited about the classes i’m starting this month, and after i finish spanish & anthropology i should only have english classes from then on out. i wouldn’t say i love my current job but it’s miles better than working in retail. it’s less stressful and while i’m generally working less hours i am making a little bit more. it feels necessary & helpful as opposed to being in an endless capitalism machine that only exists to grind me down for unreasonable standards. 

but i did read 100 books which was real touch & go for a while.. the first couple months of 2017 i barely read & felt like i had lost my ability to plow thru a ton of books, then the middle of the year i caught up & jumped ahead... fell behind, etc. i finished my last book on the 28th though. i read a lot of comics; my page count for this year is way down, but it doesn’t matter. that’s still damn impressive. 

and for things i didn’t plan at all but still accomplished: i wrote 4 pieces of fiction this year. i mean. they’re all fanfiction, which isn’t really something i even read never mind write, which i think is maybe??? sort of even more impressive? i’m going to try and write some original stuff in the coming year but like. right after nanowrimo, my friends and i, who were previously in the fictional coalition of writers who don’t write, uh, all started writing. which is great. but i mean. i started writing in february? march? i wrote a 10k word fic, and then a short follow up, a short pjo thing, and i wrote another 6000 words this month but it’s not on ao3 cause it’s like... a complementary piece to something that isn’t finished yet, lol. overall about 20k words which isn’t too much in the long run but i like that i wrote 4 completed pieces. it’s nice because i had sort of let myself give up on writing because... i mostly don’t enjoy it. i don’t like scrounging for ideas. but i do like planning things out enough, outlining what i want to happen, and then writing the whole thing. it’s like writing a list and then accomplishing it which... as u know, i love. as far as i can tell uhh most people don’t need to do this. i really have to know like. the end trajectory of a piece before i start writing. i don’t have to know every detail but if i am confused to where it’s going i can’t write it. i’m not great at ideas but i am good at making things happen. it feels nice to accomplish something creative, when i basically haven’t since i uhhh dropped out of art school. 

also, i wrote 47 reviews, which, damn! i (read: my bff & roommate mags) put up a new website, even if it is going to come down this month (i think. i wanna transfer everything first) and i wrote a review nearly every week and a lot of them were good. like. that’s a lot of writing, between fiction & what have u, what category do my dumb reviews fall under. 

(FOOD/DIET warning i dont wanna put it in the tags of the post just skip this paragraph) oh also i cut dairy & eggs (& also gelatin & honey, i guess) out of my diet, & i feel very very good about it (also i think i lost something like 20 lbs-- i don’t weigh myself but uhhh thats good thats very good). when i stopped eating meat in 2010 i lived with my mom & my intention was to one day go vegan but like... i didn’t want to put the strain on her & also i sometimes struggle with food things. but it’s gone really well. it’s nice. feel good. love to cook. very good at it. 

so like...... a really good year for me. here’s what i want out of 2018

i’m cutting my reading goal down specifically because i don’t think it’s something that can grow exponentially and i think the main reason i was able to accomplish it was because i didn’t have too much school this year. when i started setting goals for myself in 2012 my original goal was 50 books; that’s what we’re going back to.

every year (except 2016 when i was realistic) i told myself i would read more short stories & knit more. i’m hoping that having less to read (which i prioritize over all other hobbies) will give me more time. also i have a desk & a chair set up which... idk... helps? i put some knitting stuff there & grafted the toe of a sock the other day, so i hope it does, at least. i read a short story yesterday so i hope that’s a portent for 2018. i want to finish the time travelers almanac at least. i have a lot of collections and i do enjoy them. it’s just easier to get through novels than anything else. 

if u follow my twitter you have probably heard me say this but: 2018 is the year of the video game for me. im, uh, terrible at games- im fairly certain i have dyspraxia, at least mildly (im wildly, wildly uncoordinated)- but for a while i was playing a few because i had done it enough that i had gotten better..... well, this year i played persona 5, which i really loved like. more than any video game in a long time. i know a lot of people were disappointed with aspects of it (rightly so) but i had never played another persona game so i think that probably shaped my opinion some, and also, i think p5 dealt with issues that i really love to see in fiction & generally don’t, even if it ultimately dropped the ball. anyway. it kind of revitalized my interest, and i want to play more. i have p4 that i want to get through. i never finished usum. i have a bunch of games on steam & mags let me sign into their steam library too & they have about 400 games (thats not an exaggeration). i wanna replay me2&3 for sid. i want to practice so i can play games that are more difficult than i usually do. (mass effect being the sole fps i can play, usually i can only play very linear rpgs (think pokemon & dragon age) and uhhh puzzle games, god i love puzzle games) 

so, more concretely:

read 50 books

try to read more short stories

knit more

play video games

do well in school

that sounds good. happy new year.

[futuresoon]

so, persona 5

regardless of story/character stuff, the design is fantastic--i’m no game reviewer and i’m more of a hopeless casual in general, but i can tell when gameplay is flowing smoothly, and the hide-hide-ambush tactic is always intensely satisfying. the climbing and jumping may be too contextual for some people, but hell, i liked it. it added a lot more interaction with the environment than persona games usually have. and like i said, it’s intensely satisfying when it goes well.

the visuals are great, the music is great--there’s one dungeon where i was kind of frustrated but my frustration was amplified by the music being so ridiculously my jam that i couldn’t be that mad for being stuck in it--and the level design is much more varied than P4 and P3′s randomly-generated rooms and hallways. like i said, there’s a sense of environment.

i like that the confidants actually give you bonuses besides fusion, even if “confidant” is kind of awkward to say instead of “social link”. it’s not hard to max them, either; by the end i was only missing yusuke (9), haru (4), yoshida (8), and sojiro (whatever rank it is where you have to go to mementos to move on). demon negotiation is much easier than it is in P1 and P2, for which i am profoundly thankful. the return of everyone also having guns for some reason is just as inexplicable as it used to be but the visual of everyone aiming them at the demons in a HOLD UP! is cool enough that i don’t really care.

i liked most of the characters, and the ones i didn’t really like (besides the villains) i didn’t hate. the overall plot was, well, about what you’d expect from a persona game, barring the first villain being surprisingly dark and a plot twist making me genuinely unsettled. all in all, i had a great time.

this is the point at which most game reviewers give it an A+ and move on.

i’m not a game reviewer, but i am a queer woman who always makes use of the fast-forward function whenever i replay P3 or P4 and get to the hot springs and beach sections. actually P3 doesn’t have a fast-forward function i think? but blessedly, P4 and P5 do. i will very much use it on my next playthrough, because atlus doesn’t seem to have gotten any better at beaches. at least there��s no hot spring this time. there is the rampant sexualization and agency-removal from a 16-year-old girl, though, which is not really better? and poor ryuji, who started out so well, kinda devolves into the usual perverted teenage boy type that is so horribly prevalent in anime and video games. also you can date your teacher. but not any dudes, because that would be wrong. it’s totally okay to show a pair of nails-on-chalkboard gay dudes for comic relief, though! that’s a hilarious joke that everyone loves, right?

when it comes to female and queer characters, P5 is a step down from its predecessors, and it’s not like those were fantastic to begin with. it’s just. it’s a problem, guys.

but barring ann’s chest window catsuit, it’s an ignorable problem, and the rest of the game is great enough that i, personally, managed to grit my teeth and focus elsewhere. as i said above, all in all, i had a great time.

basically, if you like persona games, you’ll almost definitely like this one. i don’t want to say the gameplay is objectively better than P3 and P4, but, well, it does stuff they don’t and it does it really well. if you’ve never played a persona game before but you generally like anime and video games, you’ll probably like it too. if you like persona games you are probably used to ignoring problems anyway. if you are not, parts of this game might drive you crazy.

but there’s a reason i played 104.5 hours in 15 days, and it’s not just because i have nothing better to do.

also, you can take your cat to the movies.