#I have no muse for anything

[tofixtheshadows]

This is one of my favorite minor details in Dungeon Meshi, firstly because what in the femme fatale, but also because it's one of those little things that raises so many questions about worldbuilding.

The Occam's Razor defense attorney in me says that Ryoko Kui gave Kabru a boot knife because she wanted him to escape from his bonds here. And Kabru is a very competent swordsman, why wouldn't he have a boot knife, sure. He's already got a dagger, he can have this too.

And yet: the implications. Kabru, why do you have that? That is not remotely something that could be easily accessed or used in combat. Nobody is pulling out a pen knife from the heel of their boot during a fight with a monster. It's useless in the dungeon ... unless you're the type of person who isn't just worried about monsters.

I've mentioned this before, but I consider one of Kabru's functions in the narrative as being the character who fully brings the idea of human ecosystems into the story. There's a reason why he's always connected to large groups of people (Toshiro's party, the Canaries). He (along with Mr. Tansu, briefly) introduces the reader to the social and political forces working on the dungeon, showing us that none of this is happening in a monster-filled vacuum. His confrontation with the corpse retrievers, who very nearly kill Kabru's party permanently with their reckless murder-for-money scheme, reminds us that monsters are not the only things that prey on humans. Kabru understands the ways the dungeon causes people to put profit over human lives.

We only get hints of it in the story, but like any gold-rush-style economic boom, it's implied that there is a lot of crime and corruption surrounding the dungeon.

So yeah, it really makes me wonder why Kabru keeps a tiny knife in his boot, meant to be carried on him even in situations where he would otherwise be unarmed. Stored exactly in the place where it's easy to reach, even if, for some reason, your hands are tied behind your back.

[nothatsmi]

Guys. I've done it.

The animatic is finally here!!!! YAhooo!!

I really hope you like it. Took me something like two/three weeks on top of an insane amount of work, I don't know how I managed both-

If you want you can (re)watch it on Youtube! https://www.youtube.com/watch?v=mki1Vl3ylMM (yes this is self promotion)

[fearandhatred]

to rome: a play by fearandhatred

(5k words, 1/1 chapters)

While trying to tempt Caligula, Crowley makes a discovery that renders all his efforts for naught. But then it turns out that Aziraphale is here too, so maybe his trip to Rome isn't wasted after all.

***highly recommended to read on a phone because of the Multiplicity Of Line Breaks that just look very weird on a laptop unless your font size is huge

-----

i've always loved the idea of crowley falling in love with aziraphale in rome. in some ways it really is my roman empire so i figured i might as well make it happen! featuring many shenanigans and an annoying emperor :)

any and all support is greatly appreciated <3

anyway it all started with a dream:

so this is for @eybefioro @captainblou @crowleys-bentley-and-plants who challenged me to write a fic with no angst and also, coincidentally, for that one commenter who asked me on the same day if i would consider writing something happy for once. against all odds and with much difficulty, i have done it. love u guys sm <333

[spaltedrat]

what the polygun!!!

[cripplepunkbarbarian]

I am so glad that the kid spectrals have such normal and caring spirits who will definitely not physically endanger and/or cruelly betray them in the midst of their lives already being destroyed by cults, monsters, and interpersonal drama. It’s so cool and nice 👍

[pyrosomatic-metamorphosis]

tbh i think that even unwinnable fights should be winnable. some of the BEST fights i've ever run as a dm were ones i built kill the players (in a fun way. I had some cutscenes prepped so even the loss would be a different flavour of win)- but then they were clever bastards and managed to either win the fights or pull themselves out of trouble. I think it's perfectly fine to plan for a fight that players aren't supposed to win, but you need to let them. if they can't win, they can't lose, and the meaning of that encounter is diminished. do that too many times, and they stop trusting you to give them roleplay prompts and start expecting to sit there waiting while you drive the story for them.

but if they can win... if there is always the chance to win, no matter how impossible the odds, then they ALWAYS have hope. they always get invested. they feel the big emotions of success or the big emotions of failure, and you fucking Win as a dm/roleplay prompter/lead bastard.

[fountainpenguin]

Barely two minutes into Grian's Ep 8 and I'm losing it... what a fantastic task, oh my gosh. Jimmy on Discord haunting him from beyond the grave...

Every bit of that so far, from "No way!" to "Prove that you can see me!" and "This- This is mad-" is gonna make awesome 'fic material...

Jimmy: "And you're looking at Etho and ZombieCleo"

Grian, panicked, cutting him off: "Okay okay okay okay okay!"

[expectiations]

When talking about Amy and Rory as a unit, I call them "the elder Ponds". Because they are. It doesn't matter that River and the Doctor are older than them. They have had to mitigate rows between their own daughter and son-in-law. That immediately makes them the elder Ponds.

When talking about the Ponds, River is always included in it. Because River is a Pond first and foremost. Unfortunately we don't even have a proper Pond Fam pic because of what series 7–[gunshot]

[iamnmbr3]

Harry in the final duel: I know lots of things you don't know Tom Riddle.

Ginny: Tom Riddle?! From my diary?!

[lady-quen]

Hello Guild Wars 2 community! A new poll has dropped! 🐦‍⬛

(At least, hopefully new, lol.) I'm curious, which blessing did your Commander get on their first/canon go through the Raven Sanctum in the story mission "The Invitation?" Choose and tell me in the tags why they made their specific decisions :)

Compiled explanations from the wiki below for ease of access:

The trial choices in order:

Save the wounded man or save the healers

Save the spell tome or save the historical record

Save the queen or save the prince

Blessings:

Blessing of Daybreak

"When the fear of beastly claws and a child's pain is made sharp by the knowledge of elders, we make no mistakes. But do we grow?"

Healers -> historical record -> prince

Grace of Dawn

"When wisdom is favored in all things—a healing hand, a text of old, a beloved queen—we lose the sharpened sword of the truly bold."

Healers -> historical record -> queen

Consecration of Morning

"We seek to destroy monsters with sharp claws and icy breath, but do we protect ourselves from the beasts shaped like us, who prey on the young and vulnerable, who seek to rule us?"

Healers -> spell tome -> prince

Invocation of Midday

"When we flee from the things we fear most - the teeth of beasts, the storm of a dragon, a change of power-we risk running backward."

Healers -> spell tome -> queen

Supplication of Midday

"We favor the skill of healers and the wisdom of elders over the uncertainty of the future. But the young take chances, and the young push us forward."

Wounded man -> spell tome -> prince

Consecration of Evening

"We long for the comfort of a healing touch, an ancestral word of wisdom, a leader we know and trust. But comfort is fleeting, and with it comes inertia."

Wounded man -> historical record -> queen

Grace of Dusk

"We sacrifice so much—safety from the claws of death, knowledge of the ages, a steadfast reign—to propel ourselves forward. But if we move too fast, do we risk the inability to stop?"

Wounded man -> spell tome -> prince

Blessing of Twilight

"We try so hard to do the right thing. We heal, we protect our people, we preserve stability. But we cannot control how the winds of fate may shift, and a tight grip can sometimes hurt more than it helps."

Wounded man -> spell tome -> queen

[tofixtheshadows]

I should've made this in the first place to go as a reference to my post about Kabru rarely being shown eating (and when he does it, it isn't pleasurable) and linked it somewhere. I didn't feel like I needed to go through every example and based on people's tags I do think everyone gets it ... but I'm compiling this anyway because I find it really interesting from an artistic/writerly standpoint.

Like, Kabru obviously is eating meals in the abstract sense. But as I said, Kui almost never actually draws him putting food in his mouth. At first I assumed that she was avoiding it to save on space because he needs to be shown talking instead, but as I've looked back, I've noted that she doesn't usually shy away from giving characters speech bubbles even when they're chewing or they have utensils in their mouths. Unless they're Kabru.

This would realistically be the best time to actually show him eating, since it's a normal meal at a normal restaurant, but no. He doesn't actually put food in his mouth in this entire scene. They show him taking a bite in the anime, so I almost forgot, but honestly the manga just makes it look like he's picking at his food. Again: I'm sure he does eat this meal. My point is that I think it's a deliberate choice to keep that off-page, to contrast all the other characters who get to both visibly eat food and enjoy it.

As mentioned, Kabru is only shown drinking wine while his party eats the snacks in chapter 32. I think it's possible to infer that he doesn't actually eat any food here at all.

The harpy egg omelette bit barely counts as eating lmao we all saw him struggling to even swallow a bite down. Let's move on.

Quick sidebar:

Are we all going insane over this panel or is it just me? Okay continue.

Like with the omelette, it gets a checkmark for actually going into his mouth but no checkmark for enjoyment. He hates this. He's being spoon fed bad cake and patronized.

Next:

Literally the worst meal in Dungeon Meshi lmao.

Barometz:

He does actually eat this. Rare Kabru mastication panel, not clickbait. But it's kind of a sad moment when you remember that he was looking forward to a cultural dish of his mother's- literal comfort food from his childhood- and instead got the weird godless crab-meat-plant that is the barometz. This may be the only time Kabru goes looking for comfort, and he's pointedly denied it.

Next:

Yeah he isn't drawn eating during this entire scene either. Only drawn holding the food and his utensil.

As stated: still never shown eating. Deliberately shown getting Mithrun to eat instead. Kabru, the call is coming from inside the goddamn house.

Bavarois is next, and once again it gets a checkmark for actual on-page chewing but as we see, he still hates it and has to concentrate very hard and block out all thoughts of what he's doing in order to swallow it down without making a scene.

Okay. Faligon feast. Kabru does canonically spend days eating for the sake of Laios and Falin! Yay! Caloric fucking intake! Clean plate club!

And yet.

Literally shown stopping himself before he can put the food in his mouth.

Mickbell is so real for this. No one needed to hear a lecture from Senshi more than Kabru.

Anyway. Given how surgically precise Kui is with everything else in this story, I just feel the choice to constantly show Kabru focusing on his worries during mealtimes, instead of drawing him just enjoying food, was purposeful.

[blood-starved-beast]

If my theories about Jinx taking Vi's role of the protector over a failing and derailing drunk Vi then Arcane s2 has the potential to be my favorite season of Arcane.

[carnivalcarriondiscarded]

nervously holding out & rattling a Little Tip Jar

[canisalbus]

Okay I just realised this but Vasco's two moles under his eyes reminded me of this old saying that two moles directly under the eyes mean you get bad luck in relationships. Intentional or not, this detail is a nice little easter egg to his relationship with Machete and any he had beforehand!

.

[forlix]

i don’t know what the fuck to think or feel. heart feeling so heavy

[bobokitty]

I fucking love unreliable narrators in stories. It's gotta be one of my favorite things.

I once had an idea for a story long ago that about a crumbling nation and the king's assassination, but told through the perspective of like, 13 or 14 different characters who were there that day. Each character would have a different view on the events and would even completely contradict other tellings, and through all their accounts, the reader would piece together what actually happened. Oh, and each pov would be in a different art style that fit each character's personality. Obviously this was WAY too big of an undertaking for me, and I ended up repurposing characters for other stories ahaha.

In my foggy recollection, I FEEL like there are already stories out there that have done this. I wouldn't call it unique (no idea is; everything has been done and will be done and it's all about your own personal flare). Still, would be so cool to see done in animation or comic form. Hell, even live action if they really push the bar on styles and genres. Which, again, has to have been done already. I feel like I've seen it before. And if so, I want more.