#I have every intention of making more too

[twinkletfout]

Baby making with 𝐊𝐞𝐧𝐭𝐨 𝐍𝐚𝐧𝐚𝐦𝐢

You both decided to take it easy after marriage before trying for a baby, and kento was perfectly fine with it. But when you finally approached him, telling him that you wanted a baby, with him. He didn't know that it had such an effect on him when it fell from your lips. Of course he did not expect that, you were tying his tie like usual before he leaves for work, a simple routine that he grew to love. "About having a baby.." you started, your eyes anywhere other than his.

Oh but kento couldn't be more happier, a slight smile tugging on the corners of his lips before he hums, "yes..?" He urges you to go on. Your eyes peeked up to face him, to see him already looking at you, intently. Watching every expression flashing across your face, your body language making it clear that you were shy. "Don't you think we should start trying..?" You said, the red tint spreading across your cheeks didn't go unnoticed by him. "Well, yes of course." He leaned in, his hands coming to wrap around your waist to pull you in before he whispered before kissing, The little goodbye kiss you both shared right before he goes to work. "Cant wait, for tonight"

The last dialogue of his was still replaying in your mind all day, your mind seems to wander to what he said, even when you were trying to focus on your work, even when you went up to open the door to him, even when he pushed you on to the wall as he kissed you impatiently like he was waiting for this moment all day, just like you.

He didn't know he was waiting this much for this moment with you, until now. Your nails gently clawed on his back as he entered you, shushing and murmuring sweet nothings and praises in your ear. And when he finally reaches all the way in, you could feel him whole, twitching uncontrollably against your deepest parts, you knew he was just as excited as you were. You whimpers and moans only fueling his desire before he starts moving, he holds you so close, so gently, his big hands wrapping you whole before he increases his pace, "shh, its okay, love, fuck— princess its too much, relax f' me?" He groans, because of the way you are squeezing down on him, cause god, you were feeling too good that you coudnt even control yourself.

Your mind was so full of pleasure, as you were laid on top of him, one of his hands wrapped around your waist and the other one holding your head gently as he rammed inside you. His face cuddled to the crook of your neck, inhaling your scent. "Gon fill you up soo good, hmkay?" And he holds you close to him, when he finally cums, pushing into you deeper as his hips thrust for one last time as he dumps his final load inside. Gosh it feels warm, the way you could feel him pumping you so full. "Fuck- you look so beautiful like this, sweetheart" he whispered as he pulled out, to see your pussy dripping with him. GAHHHH I WANT HIM SO BADD

[blueberrisdove-sideblog]

𝒦𝓃𝒾𝑔𝒽𝓉 𝓅𝒽𝒶𝒾𝓃ℴ𝓃 － 𝓅𝓇𝒾𝓃𝒸ℯ𝓈𝓈 𝒻ℯ𝓂！𝓇ℯ𝒶𝒹ℯ𝓇 ；（n)sfw hcs (?) ， love triangle ，possessive Mydei ，jealous phainon ， huge dub-con alert ，physical closeness ， implied longing ，dark content?

𝒮𝓎𝓃ℴ𝓅𝒾𝓈 － Promised to Prince Mydei, you are his—by law, by blood, by fate itself. Yet in the shadow of his claim stands ； Knight Phainon, steadfast and silent, his love a war he dares not wage. Mydei's hands command; Phainon’s linger. Mydei demands；Phainon yearns. One owns you, the other worships. (royal au)

𝒮𝓂𝒶𝓁𝓁 𝓆𝓊ℴ𝓉ℯ ：If the gods were kind, you would wake in my arms every morning, not in the arms of a man who does not cherish you. If fate were just, I would not have to love you in stolen moments, in whispered prayers and trembling hands. But the world is neither kind nor just—so I will love you in the only way I am allowed: in secret, in sin, and in silence. — Knight Phainon

ℰ𝓍𝓉𝓇𝒶 － This was so awkward to write...I suck at love triangles btw. NSFW is under the cut. [MDNI]

Knight!Phainon is your sworn knight, loyal to your protection above all else. But his devotion runs deeper than mere duty—he loves you, even though he knows you’re meant to be with Prince Mydei.

Knight!Phainon does not see you as something to be owned like Mydei does. Instead, he treats you like something to be cherished, not possessed. He would rather suffer in silence than force his feelings upon you.

Knight!Phainon lingers by your side, always ready to step between you and danger—even if that "danger" is Mydei himself.

Knight!Phainon clenches his jaw whenever Mydei touches you possessively, keeping you close. His hands curl into fists at his sides. He wants so badly to rip you away from the prince, to hold you in a way Mydei never could—gently, reverently, as if you were made of starlight.

Knight!Phainon knows that Mydei taunts him on purpose. Mydei’s fingers brush over your bare skin in ways that make the knight seethe. "You can look all you want, Phainon. But she’s mine to touch."

Knight!Phainon ever rises to the bait—not openly. But when Mydei leaves, he steps close, his voice low: "You deserve more than to be claimed like a trophy." His gaze is smoldering, filled with a restrained hunger he refuses to act upon—unless you give him permission.

Knight!Phainon finds you beneath the moonlight after a grand ball, exhausted from Mydei’s constant presence. He offers you a soft smile. "You look beautiful tonight, Princess."

Knight!Phainon makes something undeniable stir in you when he says it. Something dangerous. You’re not supposed to want to hear those words from him—but you do.

Knight!Phainon steps closer, his armor cold against your bare skin as he lifts your hand to his lips, pressing a kiss just above your knuckles. His lips linger too long. He knows he should pull away, but he doesn’t. Not yet.

Knight!Phainon murmurs, his voice husky, "Say the word, and I’ll forget my vows." His forehead presses to yours, his breath warm against your lips. His restraint is cracking—but he’ll never take what isn’t offered.

Knight!Phainon is caught too close one day—his fingers around your wrist, whispering something that makes your breath hitch. Mydei shoves him away with a snarl.

Knight!Phainon does not kneel when Mydei glares down at him. His glare is as sharp as his blade. "I know my place. Do you?"

Knight!Phainon watches as Mydei drags you away, but you still feel the heat of his gaze on your back—the silent promise that if you ever reached for him, he would be yours. Completely.

Knight!Phainon is a man of discipline, bound by duty and honor, but when it comes to you, that restraint is constantly tested. Every time you brush against him—whether intentional or not—his body tenses, his breath catching in his throat.

Knight!Phainon feels guilt for the way he watches you, the way his thoughts stray to forbidden places when he sees you dressed in the silks and jewels meant for Mydei. But at night, when he's alone, his body betrays him. He grits his teeth, his hands fisting the sheets, whispering your name in the darkness as he pleasures himself to the memory of your laughter, the way your lips part when you're deep in thought.

Knight!Phainon never intended for things to go this far. He had only meant to comfort you after an argument with Mydei. But when you bury your face against his chest, trembling, he can't stop himself from tilting your chin up, his thumb tracing the softness of your lips.

Knight!Phainon whispers, "Tell me to stop." His voice is hoarse, his breath warm against your skin. But you don't. You don't want him to stop.

Knight!Phainon groans when you pull him down into a desperate kiss, all the years of longing breaking free at once. His hands are firm as they press against your waist, his body shielding yours as if he could keep you from the world—even just for this moment.

Knight!Phainon treats you with a reverence Mydei never does. He doesn't rush, doesn't demand. His hands move slowly, as if memorizing the softness of your body, the warmth of your skin beneath his fingertips.

Knight!Phainon whispers prayers against your neck, as though he is atoning for his sins even as he commits them. "Forgive me," he murmurs between kisses, though he knows he would do this again and again if you let him.

Knight!Phainon holds you as if he's afraid you'll disappear, his lips pressing tender kisses against your temple, your shoulder, anywhere he can reach. But there's a shadow in his eyes-he knows this moment cannot last.

Knight!Phainon is still your knight. You are still Mydei's betrothed. And yet, as you lay in his arms, he dares to dream of a future where you belong to him instead.

Knight!Phainon knows this is wrong, knows he should be pushing you away instead of pulling you closer. But when you sigh his name, when your nails dig into his back, all sense of duty shatters. You're here. You're his. Even if only for tonight.

Knight!Phainon moves with a slow, aching intensity, as if savoring every second before reality crashes down around you both. He's not like Mydei there's no possessive claim, no demand. Only worship, only reverence, only the quiet, breathless way he whispers, "would give up everything for you."

Knight!Phainon groans when you tighten around him, his hands gripping your hips as if grounding himself. "Princess," he murmurs, voice hoarse with restraint, "you feel... too good. Too perfect."

Knight!Phainon lets out a low, shaky groan as he sinks into you, his forehead pressing against yours. "You feel... divine," he breathes, overwhelmed by the sensation of finally having you of finally being inside the woman he has loved in secret for so long.

Knight!Phainon can't stop touching you—his lips ghost over your collarbone, your throat, lower still, as if he is trying to etch the taste of you into his memory. Every shiver, every gasp you give him is his to keep, a secret treasure no one else will ever know.

Knight!Phainon trembles when you guide his hands, when you beg him for more. His control frays, his disciplined nature unraveling beneath your soft pleas. "Tell me what you want" he breathes, needing to hear you say it, needing this to be your choice.

Knight!Phainon swears he will not rush, but when you arch against him, when your body welcomes him so eagerly, his patience shatters. He thrusts deeper, his forehead pressing against yours, his voice a rough whisper against your lips: "You undo me." He speaks while groaning softly, you velvety walls clenching arm round him so sweetly. As tears streams down your cheeks from the pleasure and small pain.

Knight!Phainon brushes his lips over your forehead, his heart aching. "If the world were different," he murmurs, his voice barely above a whisper, "you would be mine." As he spoke his final words he reached his climax and came inside of you. Filling your womb with his seed.

Knight!Phainon stays inside you for as long as he can, savoring the way you fit around him, the way your body clings to him even in the aftermath. He doesn't want to let go-not yet. Not ever.

Knight!Phainon watches as you dress, the marks of his love still faint on your skin. He should feel shame. He should regret this. But as you turn to leave, as you cast him one last lingering glance, he knows—He would break his vows again if it meant having you one more time.

© 2024-2025 blueberrisdove-sideblog all rights reserved. pretty please, do not steal my dividers, translate and plagiarize any of my works, or either repost my works in any other platform without asking, thank you!

Edit : Guys forgive me for writing “prince” on Phainon’s poll. It was an accident 😔

[dreamersparacosm]

jeon jungkook - bad intentions

warnings ; nsfw (18+!!!!!!), unprotected sex

prompt ; in which a TikTok edit sparks a desire to get absolutely destroyed by your boyfriend.

note ; hey… heyyyy *opens door* um idk what this is but I’m back with a new fandom and this random piece of writing. this is my formal request to join the bts fandom pls xoxo i promise im fun and can write hellish smut

It’s cruel that you live with someone as attractive as your boyfriend.

It’s even more evil that the world posts TikTok edits of your boyfriend to seductive songs that make your underwear soak through with arousal.

All that to say, you’re not really making your life any easier by watching every single one that stumbles across your For You Page.

You have been better. It was a slow Sunday: one where your boyfriend sits perched on your shared living room couch, mindlessly playing with his lip ring as he watches some Netflix show. It’s nice having him like this, all for you, in a space you two built for yourselves. But you, you’re in the bedroom, aimlessly scrolling through an app that has taken up more than enough of your time and perfectly curated content about your boyfriend and this silly little band he’s in.

But it’s when, and only when, you stumble across an edit of your boyfriend to a The Weeknd song, that you shoot up in your bed, blink rapidly, inhale a sharp breath. Your heart catches in your throat, does that stupid little flutter thing. And then.. the clench that follows down below. You replay it once, twice… a third time.

Don’t be weird. Do not be thirsty.

But, he is yours. That much, you do know.

You close the app, delete the page off your phone. It’s not like you two have a boring sex life, he takes care of you and you never feel dissatisfied. In fact it’s rather the opposite. This one time being two nights ago when he had your legs up on… never mind. You look at your black phone screen in disgust. Do not be a horny little freak.

Well, one last look at the edit won’t hurt.

You go back to the fan edit. Glance at it, slap your hand over your face, peek through your middle and ring finger. Fuck.

The arousal that had pooled before in your underwear was now a full-on ocean. Really, you should have more decorum than this. You don’t really want to bother Jungkook, he’s had a busy week with the boys… but it also has been two days since you two have had sex.

Fuck it.

You swing your legs off the bed, shuffle down the hallway of your apartment. You spot your boyfriend lounging on the couch, his back to you. Even from where you stand, you can see his build, his biceps.. Gosh. You sound like a hormonal teenage girl.

You creep up behind him, wrap your arms around his neck and press a few sloppy kisses down it. His hand flies up to caress your arm that’s hung around his neck, a little laugh leaving his mouth, “Well, hello to you too.”

You decide then and there in that moment: You’re going to die if you don’t have him. Maybe that’s a little dramatic, but you’ve lost all strength.

“Hi,” your voice is frail, weak even, as you kiss along his jaw. He sucks in a deep breaths, fingers drawing circles on your arm. His eyes are glued to the television screen like if he looks anywhere else, he might combust.

You detach your arms from around him, moving to the front, blocking his perfect view of the screen. He looks up at you with those doe eyes you love so damn much. One look at you and he gathers quickly there will be no more watching of television.

With little words, you straddle him, knees on either side of his thighs. Jungkook feels up your thighs, smirks a little, “What did I do to earn this right now?”

You are well aware of how needy and desperate you look right now, but that doesn’t matter. You let out a little sigh, pushing your lips onto his. For some reason, you feel like some little fangirl who is hooking up with her celebrity crush. The cold metal from his lip ring is a welcomed feeling, and you place your hands on his neck, feeling the structure and heat of his skin. God, you are going to cum just from this kiss if you keep it up.

Pulling away a little, you look into his eyes, “Nothing specifically… I just…”

You sigh, go back in to kissing him again. Those plump pink lips of his work against yours, shivers running down your spine as he runs his hands up and down your bare thighs. “Just what, baby?” He speaks in a low tone in between the incessant kissing.

“I’m so fucking horny,” You admit.

Upon the minute those words leave his mouth, you feel his cock begin to press against your inner thigh. You’ve got him right where you want him. And it’s not that this isn’t normal; it is. But you’ve essentially offered yourself up to him on a silver platter and the act of desperation you got going on right now is really doing it for him.

“Hmm?” He hums against your lips, his hands roaming underneath your shirt to trace your spine. And you could marry him right now for being so quick to go along with it. For not pushing you, for letting you set the pace.

You start to grind yourself down on him, the wetness soaking through your pajama shorts you have on. It is criminal how much you need this man inside of you, now. “What do you need from me, baby?” He starts to kiss down your neck as light whimpers exit your throat from the friction of your shorts on his grey sweatpants.

“N-nothing,” You exhale out. “Let me ride you.”

“Fuck.” He groans out.

“You need me that bad?” He brushes a strand of hair off your shoulder, kisses down your supple skin.

“Yes, please,” Your voice cracks. You can’t take it anymore; you think you might combust into a million little pieces.

“Well, go on, my love,” He removes his lips from your skin, smirks, sits back against the couch. “Have me.”

He does not need to tell you twice. There’s no time for pleasantries. You move your legs off his, lower down his sweatpants enough for you to be able to access his boxers. You kick off your shorts, leaving the underwear on; there’s not a single shred of a fuck left in you.

Jungkook is sat there, an amused look plastered on his face, mixed with a level of adoration you are not sure you have seen before. His arms have moved, now splayed out across the top of the couch, his biceps flexing. You straddle him again, remove his throbbing cock from the confines of his boxers. Fuck, if you weren’t so ready for him, you would’ve taken him into your mouth.. but alas, no time to waste.

You push your panties to the side, rub your juices over his length. He lets out a little moan at that, watches you eagerly get ready to take him whole.

With a gasp, you align him to your entrance in search of relief. You engulf him, take him in inch by inch until you bottom out. Honestly, you could unravel just from that. “Holy fuck, baby,” His head falls back, eyes still glued to the sight of you fully taking him to the brim.

You never really do get used to how big he is; when you two first started dating, he stretched you out so wide you were certain you would never recover. Your bottom lip is sucked in between your top teeth, rushed exhales leaving your body as you slowly begin to move, begin to gyrate your hips and lift yourself up and down on his pulsing cock. “Oh my god,” You breathe out, hands moving to his broad chest, gripping onto him to steady yourself

He’s not doing much, besides just watching you in complete and utter awe, and yet that still takes your breath away. “You look so unbelievably sexy right now,” He says, barely even realizing the words leave his mouth, since they were mostly meant for his inner thoughts. His hands come around to land on your hips, the pads of his fingers pressing into the bone. There will definitely be a bruise there tomorrow.

You lull your head back, close your eyes tight. It’s all you can do to try and keep yourself together. You’re an absolute mess right now; pussy squelching with each stroke, his cock a mix of yours and his arousal. The only sounds that can be heard in the apartment are the slapping of skin and the moans that continually leave both of your mouths. “[Y/N]…” He moans out. You look at him, deep in those eyes that you love so much.

And there’s such… desire on his face, his pupils blown wide, his jaw slack. He is so undeniably hungry for you, and it’s going to kill you. You speed up your bounces, losing a little more control with each and every passing moment. Your arms snake around his neck, pull him even closer to you. “Fuck, I am so close,” You whisper out, mostly to calm yourself down.

“Yeah?” Is the only word he can muster right now. “Need you to cum for me. Want to make sure you’re taken care of.”

It is all so filthy; the sounds, the look he’s giving you, the way your nails are digging into the flesh of his neck and leaving marks. Your half-lidded eyes meet his, gaze dropping down to his lips. You press a few sloppy kisses on them.

“You like this, hmm?” he asks, fingers digging even deeper into your hip bones that you’re certain he is leaving an imprint on your skull. “Having me like this ready for you? Does that get you off?”

His words elicit a clench around his cock, your walls tightening around him. He is absolutely correct. He knows he’s hit the mark. “Talk to me.” His tone is soft but threatening.

“Y-yes, it does. Oh my god, Kook..” You can barely think, any singular thought beside how incredible his cock feels inside you, how you can feel him penetrate your stomach with his entire length. “I’m gonna cum.”

It’s so close, it’s teetering on the edge. Every nerve ending in your body craves him to a point where you wonder if you need to be institutionalized. All you can see is that stupid edit made by that fan flash across your head, your brain unable to comprehend that that is the man you currently have inside of you. “Cum for me, darling..” He coos.

It nearly wrecks you, this orgasm. It washes over your entire being and you’re so loud you’re certain your neighbors will come knocking down your door. Your bounces go from focused to frantic, hips gyrating wildly, and he wraps an arm around your entire waist, picking you up lightly. He begins thrusting into you at a shallow, quick pace, chasing after his own release. Jungkook lets out a few grunts, eyes trained on the sight in front of him; and then he shudders, his cock throbs inside of you, head falling onto your shoulder as he feels himself empty out inside of you. You’re struggling to catch your breath, gripping onto the hair at the nape of his neck.

“My god..” You breathe out. You’re still sitting on him, cock warm inside you as he lifts his head from your shoulder, meets your fucked-out face.

“Baby, that was so incredibly hot, you have no idea,” His face is flushed, hand reaching up to caress your cheek. You entwine your arms and legs around him, holding him close, drawing him deeper into you. You stay there, hearts pounding in unison, as if they're each trying to break free from your chests, desperate to draw nearer. And still, even in this perfect closeness, you long to feel him even closer.

“Mhmm,” You hum out, quite content with yourself. You press a soft kiss to his lips.

“So… care to share what made you jump my bones?” He teases, pressing another kiss to your lips.

“Oh, nothing…” You act coy, but the heat creeps onto your face regardless. He pokes your side, eliciting a giggle from you that has you folding like origami.

“Maybe… just saw a little something on TikTok..” You trace circles on his collarbone, avoiding his gaze.

“Continue.” He presses a kiss to your forehead.

“Some girl made an edit of you..” It’s low when it leaves your mouth, he can barely hear it. “Just wanted to remind myself I can have you.. whenever I like.”

You bury your face into his neck in sheer embarrassment, feeling his warmth and the vibration as he chuckles. “You can have me whenever. I’m yours, baby.”

｡･:*:･ﾟ★,｡･:*:･ﾟ☆

masterlist + request

[lesbianherald]

Based Jayce take tbh….also I’m gonna confess this on anon but one of my most pretentious takes when it comes to fandom is that everything would be way easier to enjoy if ppl understood story structure a little more. Like Jayce’s arc is a negative arc. He sucked on purpose! If you had bad feelings about him that was intentional and okay (I do think Jayce hate was overblown but I also get why it existed. Like the audience was just picking up on the feelings the show was putting down). But he was definitely Like That for a reason! Usually in good writing, characters are tools for the narrative first you know…you don’t need to justify his actions to like Jayce because he’s fictional and he’s not a real person youre stanning. But also fandom is for fun so I know this take is pretentious but also it’s my truth. My story structure….my characters who are intentionally challenging my theme….my character arc….

NO NO BUT YOU ARE COOKING ON EVERY LEVEL !!!!

(Note: This randomly turned into a very hasty analysis of the shots used in the bridge scene? Because I got on a tangent about how we interpret visual storytelling as well and oops!)

Story structure is so overlooked. The role characters are supposed to play in an overarching narrative is overlooked. So much gets ignored in the way information is presented both in the story structure and visually that sometimes it frightens me and it makes me really bummed! And it's nobody's fault! Most of us live in a society that devalues art and literacy on purpose!

I don't think it's pretentious to wish people better understood the building blocks of the story or at least understood how to take in general arcs. And I think if they did as a whole most fandom spaces would be a lot more interesting and have a lot less bizarre takes/infighting.

I also think that - where arcane's writing can get weird and murky - the visual language will cover it. (Almost to an extreme.)

It makes me think of one of my favorite scenes in the whole show and how misinterpreted it gets and how quick people are to defend jayce here despite how much it is playing on the themes of the show and how clearly he is painted as in the wrong both by the writing and the shots ok fuck -

I think all the time about the imbalance of power represented by that insane low angle on Jayce. You know what fuck it. I'm going to go get it. Fuck. This is about to become a whole thing. Okay.

If I brought an angle like this into a classroom setting, I would be laughed at for it being too obvious. But its one of my favorites because its so visceral. In fact, I've shown this to a lot of friends - the reaction to this shot is usually an audible "Woah!" or even nervous laughter! Because clearly! He's supposed to be intimidating here. This is supposed to be like. Oh. He is not who he used to be. Oh. Oh no. Its so co clearly a representation of power and corruption you may as well stamp it on his forehead.

He's not only Jayce here, he's a representation of piltover as a whole - in its physical and political positions over Zaun. In a position of power over someone he's close with, who just verbally told someone he would "understand." Now we are seeing that he very likely wont. (He will! But right now, we are supposed to be with Viktor in this scene. We are supposed to become convinced he won't right with him!)

Note that the angle we get for Viktor is way less extreme. Way more eye level. And less centered. I could go on about this too. But oooh boy. Like! Clearly we are supposed to be more with him in terms of who we find rational. Clearly he's the voice of reason here. We are level with him. He is at a safe distance. We are seeing how he is looking up at jayce without looking down at him.

In this shot, he is someone we as an audience are level with, who is gathering information, making a decision. He is remaining more measured than I think the audience is supposed to be given the angle we're getting on jayce.

The only time we do get the "reverse" of that Jayce shot on Viktor is when he is quite literally standing out of the frame almost immediately. Whose furious with the position Jayce is putting him in. This is Right after Jayce says, "They're dangerous." He's gathered the information he needs. He sees Jayce for what he is. Somebody he cannot trust. And he refuses to be put in this lower position.

Jayce is not supposed to be the one we are rooting for here. He is the person we are supposed to be disappointed in. We are supposed to question him here. This isn't only dramatically spelled out in the narrative but also in the shot choicesss!

And then we have the apology -

That's why i always question why people are like. Okay but he apologized. When the apology is framed like this! We don't even get to see viktor's face because the damage is done!! JAYCE ISNT EVEN LOOKING AT HIM !!!! It doesn't matter. We don't even get full access to Jayce here! What's at the center of this shot is the barricade that Jayce has ordered!!! This makes the apology, and "I've had a lot on my plate" purposefully look ridiculous in the context of the Narrative here! It's not enough!

Viktor is DYING. And jayce is standing here all prim and proper, with the Talis symbol very visible in that fuckass suit, saying he's had a lot on his plate. We're very clearly not supposed to look at this and go awww! baby boy <3. If this apology was a meaningful moment for either of them that changed either of their minds - it would not be framed like thisssss. These words are empty in the context of it all. Jayce may be genuinely sorry, but he's accidentally revealed way too much about how he views Viktor's people. Even if he didn't mean to. Even if he didn't realize how deeply his biases ran.

And then we have Viktor lying. Viktor knowing he has to go about this alone. And this is the shot. This is the moment of fracture. Viktor looking back at him in disgust with Jayce's barricade in the background. HES ALONE!! JAYCE HAS FAILED HIM !!! This is so critical in understanding Viktor's entire everything moving forward, and it's so so critical for Jayce as well.

People talk a lot about that moment where jayce has his hand on Viktor's lower back because yaoi but that screencap is so hard to get because that moment is almost immediately interrupted by a protestor from zaun throwing a Molotov cocktail in their direction! And the touch, that reluctant familiarity, despite the conflict, gets broken.

Something that I think gets overlooked is Jayce's face after the (Molotov?) gets thrown by a protestor. ITS ANOTHER LOW ANGLE LIKE!!! Once again. Highlighting the power he has here.

We see Jayce in season 1 act 1 really highlighted with a lot of high angles. A lot of doe-eyed wonder. He looks young. Sweet. This is not the same jayce and it is very very clear in the way he is shot. This is the point !!!!!.

There are a lot of scenes i see misinterpreted but this is the big one. And its one of my favorite scenes. Because he's so wrong here! And he doesn't really fully grasp how much so yet.

I love jayce. I love my complex man. Because here's the thing. He needed this low to reach the character highs he does later. Jayce being as loving and determined to make things right as he is in season 2 wouldn't be nearly as compelling or tragic or exciting were he not like this in season 1. It's brutal to watch him get punished by the narrative! But it's also narratively satisfying!

Anyways anon i agree wholeheartedly sorry i made it into a whole thing.

[cowgirlvi]

ask from 🎃 anon that tumblr wouldn’t let me publish:

Not sure if you like longer asks like this bc I fr just be writing blurbs in your inbox because I refuse to make my own blog for this stuff, but um. Having thoughts about Vi and I need to put them somewhere.

Vi x virgin!reader, except more specifically Vi x virgin!reader who's probably a bit autistic and problem solving is their specialty and they have no idea what they're doing but they have every intention of *figuring it out.* So the first time they touch her, they go slow, real slow; taking mental notes of her reactions. And for a while Vi just assumes they're...bad. Or maybe teasing her? Fingertips catching her clit, and she gasps, maybe even makes a show to try and communicate to stay there, pay attention to that, damn it, and reader who just doesn't. They move on. And this happens over and over, and Vi's getting frustrated, but never seems to get turned off (because she's being very carefully kept aroused), and virgin! reader who is just trying out different paces, techniques, spots, and takes note of every little reaction, but never fucking does anything about it. It has to be on purpose, no way it's not on purpose.

And Vi’ just about to call it quits and put her pants back on. And then reader who decides, they've done enough research now, time to put it into practise. And when they *finally do* commit, it's careful, but confident, and, frankly, much too perfect. Vi wasn't expecting to feel it in her tummy, for her head to spin. But she *does,* because now they're touching her properly, and they're curling their fingers just right (got her to clench the hardest, out of all the techniques they tried), and they're touching her clit exactly how she likes it (made her head roll back and eyes go all fuzzy), and the pace is perfect, and the pressure is perfect, this woman was a virgin, she said? Are we sure?

Vi x virgin!reader who treats her body like a research project and royally pisses her off and then turns around and makes her nut in about two minutes.

IS THIS ANYTHING CHAT IS THIS ANYTHING. Sincerest apologies for writing fanfic in your inbox I just wanna hear your thoughts okay…..it will almost definitely happen again, sorry. Unless you'd prefer I didn't in which case that's cool I won't obviously.

i love this so much!! thank you for the food 🍱 i might add this to my writing list if you don’t mind :D and i’ll link this post of course

[loulou-land]

His Love is the Reason I’m Here

Day 9 of @bucktommyfluffebruary | Moving in Together | 434 words | on ao3

Buck stood in the middle of Tommy’s house—their house now—with his hands on his hips, surveying the stack of boxes scattered throughout the room. 

Eddie and Chimney had carried in the last few, and now they were out on the back porch, already digging into the pizzas they had ordered. 

Buck had every intention of joining them—his stomach grumbled in protest, making its hunger well known—but first, he needed a second. A moment to breathe, to take this in. 

He exhaled, slow and shaky, and made his way to the kitchen, where most of his appliances had already found a place next to Tommy’s. His fingers brushed over the cool surface of the counters, tracing familiar edges that now belonged to him just as much as they did to Tommy. 

This was real. The thought settled deep in his chest, warm and pulsating. He lived here now. They were doing this. Taking the next step in the rest of their lives. Because Buck knew—this was it. Tommy was the man he wanted to marry, to have a family and grow old with. 

A smile tugged at his lips. Sending a silent thought out to wherever Thomas may be. Look, we’re making it too. 

“Hey.” Tommy’s voice was soft as he stepped into the house. “Everything okay? I brought you some slices.” 

Buck looked up to find him standing there, plate in hand, bringing him food without being asked. Just taking care of him. The way he always did. The way Buck never had to ask. 

Every day, Buck thought, I can’t possibly love this man more. 

And every day, he was proven wrong. 

It wasn’t just the big things—Tommy showing up, standing by him, loving him without hesitation. It was also the small, steady, everyday things. 

Like this right now. Making sure he ate after a long tiring day. 

Like how Tommy never hesitated to give Buck free rein in his space—so he could make it theirs. 

Like how he never questioned Buck's need for lists, for color-coded notes and neatly labeled boxes, just followed along with quiet patience, a grounding presence at his back. 

Buck stepped forward, taking the plate from Tommy’s hands and set it aside on the dining table. 

Tommy’s hands came up automatically, pulling him close, and Buck melted into him, letting himself be held. They both sighed, the sound soft, content. 

“Thank you,” Buck murmured, his voice thick with emotion. “For letting me in.” 

And they both knew it meant so much more than just this house, this space. 

It meant everything.

[elucubrare]

@idionkisson said, re: my very last tag, if you wanted to share any more mean thoughts about this tendency vs. the way people talk about AI art, yk, just sayin, i'd love to read em 👀

DISCLAIMER: I don't think the current usage of AI art is good. I think it further contributes to the devaluation of the artist's intent. that said, the thesis of this post is that there was a strong anti-intellectual and anti-academy vein of thought that prepared the way for the view that AI art is a full replacement for human-made art.

so, there was an age of the internet where every other tumblr post, it seemed, was about how this artistic-looking thing had happened "accidentally" or was done by an amateur, or described an artist with a decent amount of recognition and respect in the art world as "this guy," as in "this guy spent a year making a map that is the territory" - the one i'm immediately able to find is this crystalized book, by the artist Catherine McEver.

it went viral on tumblr as "a book that fell into the ocean" (and on facebook as "an ancient bible that's still readable", which is v. funny because that book is clearly less than a hundred years old, and i would warrant less than 10). there was also a really cool artwork with less easily googable keywords - someone made a beehive with internal structuring so that it would look like a heart when opened, which people posted as "a beehive that went back to nature" or something. this supposedly accidental production of works that evoke emotion in the viewer was contrasted to "modern art", which was viewed as sterile, emotionless, overly intellectual, and inaccessible. Only that which Nature creates, or which people create accidentally or without study is "true art".

to some extent, this is a reaction to the way art, especially making money in art, has become genuinely inaccessible - much studio art is taking part in a really long conversation that you could probably trace back to the walls of Lascaux if you wanted, and it is really hard to make your way as a working artist.

(NOTE i am not going to say "due to capitalism" here - the way you could make your way as a working artist without being born rich in the Renaissance was "being adopted as a pet artist by a nobleman" or "getting commissions from the Church" and in the 18th and 19th centuries it was "selling portraits to rich people" or "making a whole bunch of sentimental prints that sold well". we are not well-served by inventing past utopias.)

but that, combined with a shallow reading of the death of the author (not "the author's point of view on their own work is a single reading & not necessarily the most valid one" but "the only thing in a work is what any individual reader sees there"), ends up valorizing things the author "didn't see" in a work ("did they know how funny this is????" about a deliberate contrast in tone in a scene is part of this too), because it allows the reader to feel smarter than the author - they just put down the proceedings of their soul, the reader decodes it and finds the truth!

So, to return to AI. AI art does not have the same intentional choices behind it as human-made art. i won't argue that. but there are AI pieces that get reblogged without people knowing, with tags that indicate that it made the reblogger feel something, and then as soon as they find out that it's AI they decry it as soulless. but didn't it make you feel something, before you knew it was AI? is there a difference, in the initial experience, all arguments about copyright aside, between a computer randomly collecting billions of bits and outputting an image and "this guy put ink on ants' feet, what they created will amaze you"? both of them are art without intent.

again, I am arguing purely on an experiential level. there are ethical concerns about AI art, and functionally, there IS still a human actor who thought of putting ink on those ants; ant-foot art is not going to take over the internet. still, it's extremely jarring, after years of reading people downplay artists' skill, intent, and years of study, often phrased as an attack on the "fake" art world, to read them now talk about how the artist's intent and experience is paramount.

there's this horrible school of attempted literary criticism on here that holds that 1. everything in any given author's work is autobiographical, especially if it seems "real" and 2. those themes seeped into the work subconsciously, revealing something about the author that they're either trying to hide or unaware of themself. it drives me up a wall, since it seems to deny the fundamental skills that make people good writers: the empathy to imagine and portray experiences that one hasn't had oneself and the ability to take one's personal emotional experiences or worldview and fold them, consciously, into the unworked clay of a narrative.

[allpiesforourown]

Okay

OKAY

But LISTEN

Imagine Asshole Roommate (HUMAN) Bingge and Shen Yuan just chilling in their home, Binghe happily lazying in Yuan's lap while getting his hair stroked and braided and just soaking in his beloved Gege's presence.

And then, in the middle of the room, a crack is slowly being cut in the air.

And a head full of fluffy hair, and then a pair of wide (but not as wide as Binghe's) shoulders, then a strong torso, then a well shaped pair of legs appear.

They both know that face. One of them sees it every day in the mirror.

PIDW!Bingge just fought and lost against SVSSS!Binghe, and he's now looking for his own nice empress shizun. And given the description the nice shizun oh-so-very kindly (and privately, away from his Binghe) gave him about what to search for (because he loves Bingge in his own way and wants to see him happy too), would you look at that, it looks like he found him.

And that is how I imagine AR!Bingge finally getting his head out of his ass about how he feels about Shen Yuan; when a stronger, more powerful version of himself kidnapps his roommate, rips him away from his arms, with the intention of making him his empress for all eternity.

And how does he fix this huge problem? Well, that's up to you bc I definitely have no idea lol

Oh you'll love my over the garden wall au which is basically this but with them going to pidw instead of bingge coming to them

[hitlikehammers]

unforeseen complications 🩸 steve/kas!eddie

“What’s wrong?” Steve doesn’t try to sit up again, knowing Eddie wants, more like needs to press against Steve like this because…they’d pushed the boundaries. Eddie had needed more blood than normal, because they’d skipped out on more than one quick snack-time. And Steve does feel the hit harder for it. It’s not a foreign feeling, though: the aftermath, beyond what his own body needs to recover— “We can’t keep doing this, Steve.”

rating: t ♥️ tags: post-s4, kas!eddie, established relationship, angst with a happy ending, as in: eddie angsts about his new vampiric tendencies while steve has none of it, true love, blood drinking (just a little), terrified eddie (that he did steve any possible damage), long-suffering steve (who knows it’s all completely fucking FINE and also they’re dumb in love forever)♥️

for @steddielovemonth day eight: "I'll take care of you." "It's rotten work." "Not to me. Not if it's you." —Euripides

Steve is groggy, his head’s a little fuzzy and unevenly weighted in that way he can already tell will make him dizzy when he opens his eyes and tries to lift it—so he doesn’t, not just yet—but normally he sleeps this part off. Normally the side effects aren’t as sharp as this is already shaping up to be, because his body keeps him blissful conked out long enough where it’s all a little more of a dull roar that he can ignore while he gets through the day and slides slow back to normal.

And it’s not like it gets this intense that often; it’s in extenuating circumstances. Sometimes one’s they create for themselves, sure, but usually it’s some world-threatening shitfuckery that pushes the limits this bad. Like…at least eight times out of ten.

At least.

So it’s weird that he’s waking up before he’s due to shake off the worst of it, when said worst-of-it is still clinging to his skin, his eyeballs, the linings of his veins.

He tries to make sense of what he can feel through the fog: weight, mostly. Something heavy that’s not just his own body rebelling against regaining consciousness too soon. There’s…something on top of him.

Heavy.

Shaking.

There’s a sound, maybe, like…breathing but that’s shaky too and—

Oh.

Oh no, it’s not just shaky.

The weight on top of him’s fucking crying, and trying real hard not to be found out for it.

Steve would goddamn know what that sounds like, specifically. From a whole-ass lifetime of experience in his godforsaken family.

And Steve knows what his own fucking boyfriendsounds like in distress, so—

“Eds,” Steve doesn’t even have to push to open his eyes and sit up too fast because there no dizziness, no nausea he can’t work through when Eddie in need is on the other side of it; “what’s wrong, what happened, I—”

The hand on his chest is firm but awkward, because Eddie is still splayed over his chest, doesn’t seem to have any intention of moving at all.

“Lay back down,” Eddie’s voice is muffled in Steve’s skin; “save your strength, you’re still,” and yeah…muffled, but too rough, cracked down the middle; “you’re…”

More than cracked, fuck. Shattering.

“What’s wrong?” Steve doesn’t try to sit up again, knowing Eddie wants, more like needs to press against Steve like this because…they’d pushed the boundaries. Eddie had needed more blood than normal, because they’d skipped out on more than one quick snack-time. And Steve does feel the hit harder for it. It’s not a foreign feeling.

And the aftermath, beyond what his own body needs to recover—

“We can’t keep doing this, Steve.”

—is also not unexpected. Pretty fucking routine now. Steve’s even practiced enough to swallow down the urge to sigh.

Because, considering that Eddie is skin-to-skin, blanketed on top of Steve under about seven blankets, more than Steve even knew they owned as he shudders through something suspiciously close to sobbing while the tone of the words screamheartbreak: Steve would have every right to be concerned when it sounded a whole hell of a lot like his boyfriend was trying to break up with him.

The first time was a fucking doozy, sure. Second time even, that sucked too.

Now though, with it being fairly fucking routine for…close to a year, now, especially after rough runs like last night?

Steve’s kinda learned to take it as the sign of affection he’s come to understand it stems from, deep in Eddie’s too-soft, too-tender chest, always having been ready to feel so fucking much—Steve wishes he’d known it sooner. Maybe they could have felt less alone, together.

Whatever. They’re here now.

Though it’d been a pretty free-and-clear couple of months—Eddie had only crumbled so far as to have shaken in a corner in Steve’s arms for close to probably five hours one of the three or so times they’d had to stretch too much time between regular feedings—because when Eddie came back, when he appeared in Steve’s living room dripping the black sludge the Upside Down seemed to specialize in best—trembling and stammering and…be-fanged.

And Steve had just looked at him, gaped a couple minutes—which he stands by being wholly fair and justified—and then did the only genuinely sane thing he could have done, given the givens.

He’d pushed Eddie toward the nearest fucking bathroom, under some hot water, and cleaned him the fuck up.

And didn’t think—yet—about how warm it made Steve: the sight of Eddie’s naked frame under the spray as it slowly siphoned off the goo.

Nope. Not the time.

He was sick, though, that was clear, but Steve…he can’t explain even now how he knew to be cautious in letting anyone in the Party know that they’re friend, this singular lost member of their family had somehow crawled back to the land of the living. Because yeah, it could have been the fact that Eddie was cool to the touch. Paler than he’d been before. Barely had a heartbeat but was definitely alive enough to insist he was pressed into Steve’s heat every night, in Steve’s bed; to keep shaking, to wretch more of the black slime up until it was just dry heaving, and…

There were plenty of reason to have caused the hesitance. But it wasn’t any of that.

It wasn’t even how, after Steve slit himself on an envelope, Eddie had scurried to his side, made to lunge then cowered back, cried like he was in pain before saying the first words Steve had gotten out of him yet:

Please. I’m sorry, I’m sorry Stevie, please—

And Steve wasn’t immune to what spending every fucking night wrapped up in another body. A definitely not unattractive body. A body belonging to a personality that Steve was getting pretty interested in getting to know better—literally and…intimately, y’know, Steve crossed the bridge of being totally shocked by that after he’d less-than-half-mourned Billy fucking Hargrove for the sake of his and and literally no other reason—but. Yeah.

He’d have given Eddie anything, at that points while he was hoarding and harboring him, safe as much as selfish in this house. He’d have—

What Eddie wanted was the blood from his papercut. And…well.

The fangs make…wel, they made a lot more sense all of a sudden.

Eddie fought it when Steve dragged him to the couch and offered his wrist because the guy was sucking kinda pitifully, like, way too desperate on Steve’s fingertip and not in a sexy way—and Steve would actually really like to reach the point of it being a sexy way someday, specifically with Eddie, he’d already stopped trying to deny that to himself—so he pulled his hand away, cupped Eddie’s cheek (warmer, more color in it), brushed by accident against his jugular (a real pulse, and racing, but overtaxed, like it needed…more to work with and yeah, if Steve hadn’t made up his mind already that would’ve done the job, flat out)—and when Eddie whimpered, Steve pushed his advantage of having a full blood supply, dragged Eddie into his lap, tore his own bloody strips from above the veins he could see under the heel of his palm straight down and Eddie gasped, cried out, tried to scramble away—

But Steve shoved his wrist to Eddie’s lips—knew it was maybe dirty pool but…he wasn’t stupid. If Eddie needed blood, he…he needed blood.

And Eddie was reluctant, at first, didn’t try to pull away once he realized that Steve had got him in a pretty solid hold from the waist down, and he just was not strong enough right now, not yet but he could be, if he’d just—

Steve hadn’t been worried, but if there’d been reservations, like, if Robin had had any idea he was doing this and voiced her innumerable concerns: if Steve have been worried, Eddie’s presence of mind to even think to resist, to look at Steve like he was in pain to avoid the blood waiting on offer, specifically for him, it’s all he would need.

But seeing that Steve hadn’t even thought to be worried, he ultimately caught Eddie’s frantic eyes, leaned in and brushed his lips to Eddie’s, tasted his own blood as he whispered:

It’s for you, I want you to have it so that you’re okay, and his hand had braced on Eddie’s chest where that heartbeat was struggling, but wild, and he didn’t even dare to blink until Eddie’s tongue lapped accidental at the blood steaming down.

And the rest is…history.

Eddie had tried to set his own limits, but Steve’s old hat at being the victim of the Upside Down’s bullshit, or Russian spy craft at that; he knows when the blood loss is actually a concern. He keeps his hand to eddie chest, makes his own call when that pulse is strong enough to ease his wrist away.

Steve hadn’t been a fucking lifeguard, after all. He does know some things.

And so that had been…that.

They’d told the others, eventually, but just that Eddie was back. It was enough to prove Steve’s fears in and of itself—they already suspected Vecna, Eddie as a sleeper agent or some shit, two guns trained on him in an instant: and that’s without the blood…thing.

So they keep that to themselves. It’s definitely a contributing factor to how they end up in dire enough straits that Steve’s laid up a little after just some casual bloodsucking until eddies heartbeat finds its strength of rhythm again.

It’s not a big deal. Steve’s had so many migraines worse than this ever is.

Except for when it gets to how Eddie reacts. How he falls apart for fear, for Steve.

That’s the worst pain Steve’s ever known, every goddamn time.

“You were cold,” Eddie’s voice shivers as he raps into Steve’s chest hair; “to me, you were cold to me.”

“You’d just fed, and you were hurting for it,” Steve reasons; it takes Eddie time to warm back up when they spread the feeding out too long. “You’re still not evened-out,” he reasons; Dustin would have a good science-y name for it, but they…they can’t risk it.

Steve won’t fucking risk it. Risk Eddie.

He cranes his neck, keeps his eyes closed to make sure he doesn’t aggravate the feeling of being off-balance, but he needs to press his lips to Eddie’s temple, test the heat.

“Close though,” Steve smiles into the skin, then kisses with intent. He…he loves that he can give this to Eddie. He doesn’t think Eddie gets that part, thinks Eddie only sees it as taking, rather than a gift for Steve in return just as strong.

“Steve,” Eddie moans, shakes his head as more a messy swirl of matted curls; “we can’t.”

Again: it stopped being convincing months ago; but Eddie does sound particularly distressed.

Steve brings a hand to run through that unruly hair, careful. Gentle.

“You weren’t moving,” Eddie finally whispers; “I couldn’t see, I couldn’t hear,” and Steve knows his limits, knows that Eddie didn’t hear or see even with his enhanced senses now because he’d been frantic, and his own heartbeat and shot quick to pounding after being so weak—it always sets him off kilter for a second or two.

Steve cradles Eddie to his chest rig he re, so he can hear clear the heartbeat Steve knows is steady now, strong.

They’ve both evened out. They’re both okay.

“I can’t risk you,” Eddie breathes into the space where the beat hits hardest; “I can’t lose you.”

“So,” Steve nods, tucks Eddie under his chin a little tighter; “losing me by design instead is your solution,” he sucks his teeth, hums as if he’s actually consider such fucking nonsense:

“Yeah, cool, makes sense.”

He thinks the sarcasm drips just the right amount.

“Stevie,” Eddie whines, like it hurts, and Steve never wants that. But he might…need for it to, a little at least, to get the point across.

“We’ve been through this, Eds,” Steve breathes low; “I’m not actually looking to kick the fucking bucket here,” he knows Eddie won’t appreciate the levity but he can’t help it, pressed the curve of his lips to eddies scalp. “I’m much more interested in making sure you’re not ell enough and strong enough and safe enough,” and he reaches, then, to lift Eddie chin, to turn him, to look, to see:

“To stay with me.”

And like clockwork, Eddie’s eyes widen, darken, narrow and Eddie scrambles up, takes Steve’s face in both his open palms:

“Always,” he hisses; “nothing could make me want to be anywhere else, not ever.”

And Steve knows it. Knows he means it

“But Steve—”

And because Steve knows? He’s happy to cut this the fuck off at the stem, nip it in the bud, press a the same fingertip eddies sucked the blood from so many nights ago, that first time that started the rest of Steve’s whole goddamn life—

Steve’s more than happy to press that fingertip to Eddie’s lips, to shut him the fuck yo when he needs it.

“I grew up not knowing what love was,” Steve says simply, and eddies eyes flash red—only when he’s incensed do they do that, and Steve not-so-secretly finds it hot as fuck. “Except for knowing that what I got wasn’t it,” he shrugs; “or else, not the kind it was supposed to be. Benign neglect,” he flinches a little as other, harsher memories buck their heads and he knows he has to say something because Eddie sees him, Eddie will draw it out himself otherwise and…

“Until the times it wasn’t,” Steve murmurs and, well.

At least he gets another sexy-as-fuck flash of crimson in those eyes he adores.

“But I knew what I did have wasn’t right,” Steve’s quick to press on; “so even though I kinda started from zero on the learning curve, it wasn’t,” he bites his lip and it’s not even weird anymore, to revisit the journey even if it started less-than-happily.

Because Steve knows the ending. And how it’s not even an ending at all.

“I knew I was looking for something that sat at the opposite end of the spectrum from what I did know. What I had been taught,” and he grabs for eddies hands and gathers them under his chin to rest on, to just…look his fill of this impossible man he’s fallen for, that he’s more than happily given his life to all the ways he knows how.

“And once I unlearned the bad shit, and started finding the real deal?”

He waits for Eddie’s eyes to glitter just so, waits for his head to tilts just the tiniest bit before he leans up:

“Love is this,” Steve breathes against Eddie’s lips with real fucking meaning:

“Love is exactly this.”

“Nearly fucking dying because your freak-ass boyfriend has to drink your goddamn blood and—” Eddie tries to deflect but is pretty fucking shirt with it. Not least because there are tears running down his cheek. Not least because Steve knows now. What love is.

He’d just spoken on the truth.

“Not even close to fucking dying at all,” Steve reminds him with a playful eye roll and a squeeze of his hand; “save maybe how much it killed me when I thought I’d lost you before we had a chance,” and honestly: Steve hates thinking about how all of this was almost never know, never had, never felt.

Yeah: that fucking kills him, just to think.

“So add that into the love-column,” Steve grins a little, imagining the upgraded version of a ‘YOU RULE’ board; “this is love because you’re breathing,” and Steve kisses the little divot above Eddie’s top lip; “you’re safe,” and then he kisses, nibble Eddie’s neck;“your heart beats when there’s enough blood for it to move around,” and Steve’s not strong enough to resist nipping at the heady pulse between Eddie’s collarbones.

“You’re as alive as anything or anyone in every way that could ever count,” Steve breathes; “you’re here. With me.”

Then he leans back again, looks Eddie in the eyes:

“You care enough—”

“Love.”

Eddie’s tone is this sharp, unquestionable thing. It’s thrilling every time it comes out.

All the more, said around that one word.

“I love,” Eddie’s hands hold closer, more dear at the sides of Steve’s face again; “whether it’s enough or not, whether it ever could be, I fucking love you—”

“Then you love,” Steve picks back up, pecks Eddie’s lips because he can; “enough to check that I’m okay, when we do this, and it’s just a little more of a challenge than normal.”

Eddie looks like he’s about to choke on something.

“Challenge?”

Ah. About to choke on that word specifically; that tracks.

“I like a good challenge,” Steve reminds him, reaches to pinch his cheek, delights in how blood—Steve’s blood—rushes to the surface; “fills the gap from all the sports-playing.”

Eddie’s mouth moves around silent words for a few seconds and then:

“Normal?”

Steve doesn’t even try not to laugh. With glee, even. With wonder.

“Wild, ain’t it,” he asks, kinda fucking joyful; “who’d have ever thought Steve Harrington would find a love this big,” and he runs his hand over Eddie’s arm, shoulder to wrist; “this perfect, for everything he is, not what he’s gotta twist himself in knots to try and become,” and Steve’s voice gets lower, more earnest, more genuinely fucking grateful for…all of it.

For his Eddie.

“Who would have thought Steve Harrington would fall into a love that held his whole fucking heart in its hands,” he brings those hands to his chest, where they clutch automatic; “to do with what you would, to take as far as you liked,” and his voice goes low—they don’t know what’s been done to Eddie beyond the obvious, what life and death mean for him;

“To keep as long as you decided to want.”

Basically, Steve isn’t too concerned about the whats. He’s more concerned about Eddie having no shred of doubt, that Steve wants whatever it means, to be something they share. He wants whatever it means to mean the same for both of them, if it can. However it can.

Whatever it takes.

“Steve,” Eddie shakes his head, face ruddy, tear-strewn and mouth agape.

“I don’t deserve you,” he exhales, then breathes in, sharp and shaking; “and you deserve so much more than this.”

“Let me make the decision,” Steve says, sure in it. Maybe for the first time in his life, he has no doubts for anything involving what he feels for Eddie, and the truth of what Eddie feels for him.

“And since I made that decision fucking months ago already, I’ll save you the suspense,” he turns Eddie’s chin on the tip of a finger, one more time.

“There is no more than this.”

And Eddie blinks; blinks.

And then his strings are cut, and he collapses full into Steve again, this time gathering him in by every limb he can tangle, gasping and grasping and needing and desperate and kissing every inch of Steve he can reach.

“Fuck, I love you baby,” Eddie moans deep from the center in his chest: “forever.”

It’s a true thing. It’s a promise.

It’s an acknowledgement of what they don’t yet know, but can agree with all they are to share, together, equal.

For always.

“I know,” Steve tells him simply, pulse pumping only joy; “and I am always gonna know. I’m always gonna be here, to make sure you never forget.”

And Eddie’s face falls for half-a-second, before it steels with resolve, before his hands lace with Steve’s and smack them flat to Eddie’s heaving chest.

To Eddie’s pounding heart.

“Never forget here,” he vow sir; “it’s never a matter of not loving.”

And Eddie’s scared, still, in his eyes; Steve knows.

It almost means more, that he’s promising it all, nonetheless. With his whole goddamn heart.

“I know,” Steve reminds him the best way he knows; pressing closer, tighter to that beat.

“And I’m always gonna be right here.”

Eddie nods, closes his eyes and holds Steve one breath closer to that pumping blood:

“Right here.”

And that?

And that suits Steve more than fucking fine.

✨permanent tag list: OPEN (lmk if you want to be added/removed): @ajeff855 @askitwithflours @awkwardgravity1 @bookworm0690 @bumblebeecuttlefishes @captain--low @depressed-freak13 @dragoon-ze-great @dreamercec @dreamwatch @dreamy-jeans137 @estrellami-1 @goodolefashionedloverboi @grtwdsmwhr @gunsknivesandplaid @hiei-harringtonmunson @hbyrde36 @imhereforthelolzdontyellatme @kimsnooks @live-laugh-love-dietrich @mensch-anthropos-human @nerdyglassescheeseychick @notaqueenakhaleesi @ollyxar @pearynice @perseus-notjackson @pretend-theres-a-name-here

divider credit here

[skhv67]

rivals to lovers – dae-ho x fem!reader

a/n: its high key one-sided because dae-ho is a sweetheart. fluff, tiniest bit of angst, smut. (PLEASE ONLY +18)

tw: written at 6am 😔🤙 probably ooc

wc: 2.364

SUMMARY: you and dae-ho are academic rivals… of at least that’s what you thought.

• You two have known each other since the first year of university. You couldn’t forget because the very first day of college he corrected you when you were answering your teacher’s question.

• You glared at him with a sour expression, but he was just looking at you with a soft smile and he even nodded at you as if he had done you a favor.

• Despite literally nobody else caring about this interaction, it didn’t leave your mind. In fact, from that moment you’d hyperfocus every time he’d speak up in class.

• Poor thing will probably think you’re looking at him with good intentions, that when you avoided eye contact or went quiet around him was because he made you nervous.

• You actually thought his interventions were pretentious and the little smiles he flashed at you when he ‘helped you out’ were just a subtle way to mock you without looking like a twat.

• When you two were paired during the third year to do the most important project of your sociology class you wanted to end it all there and then.

• The first few times you had to hang out outside college were awkward. You were defensive when he brought up -seemingly- better points than you and you didn’t reply to any of his attempts at being friendly and funny.

• All he got from you were sighs, frowns and a cold shoulder, which confused him because until then he just thought you were just shy.

• He had to ask his older sisters for advice.

• BONK! This woman hates you, you really thought she was into you?

• What a bummer.

• The next times you had to hang out were a bit more awkward, because he was trying even HARDER to make you stop disliking him. Spoiler: it was doing the opposite.

• You weren’t blind to the way every girl in your year swooned over him. He was charming and attractive, he got good grades, he was also helpful and kind… But you couldn’t help but think it was all disingenuous. His help felt like a knife, like he was poking at your insecurities just to feel superior when he lent you a hand.

• The day he was trying to schedule a day for you two to meet up to finish up the project you were especially sensitive and unfortunately one of his jokes to ease the nerves he felt around you didn’t land as he was hoping to.

• ‘’Can you leave me the fuck alone? I’m not interested in being your friend, I can’t wait for this to be over to not have to talk to you anymore!’’

• Ouch.

• After that he only sent you a message with the time and the café you were going to meet to finish the project. No stickers, no emojis nor smiley faces. You wanted to celebrate your triumph but the way your heart started racing nervously confused you.

• The days until the meet up were weird, he wouldn’t attempt to talk to you in class, if he had to interact with you it was brief and distant, and he looked away if your eyes ever connected.

• Your mind was screaming with pride that you were right all along, and all his kindness was just a cover up. This newfound coldness was how he truly was once you called on his bullshit.

• Your heart, however, felt quite the opposite. You were fighting for your life to not text him a polite apology for the embarrassing outburst you had.

• The day came and when you arrive at the café you notice him barely sparing you a glance before looking back down at his laptop.

• The meet up was shorter than usual. And awkward.

• The silence he usually filled with corny jokes felt heavy and you were too embarrassed to admit to yourself that you kind of missed seeing his smile.

• As you finished the conclusion, he thanked you politely for your work and didn’t waste any time getting ready to leave.

• Despite your deepest need to say something, you took all your things and left the café after him.

• Or attempted.

• You let the heaviest sigh seeing the rain pouring in front of your umbrella-less self. You contemplate texting any of your siblings to come get you instead of doing the ten-minute long walk to the bus stop without even a hood to protect yourself.

• Not too long passes until you notice a figure stopping in front of you.

• Now you truly wanted to end it all.

• Dae-ho looks at you with hesitance, not too confident in offering you his umbrella to shield you from the rain.

• ‘’Where’s your car?’’ he subtly looked at your trembling hands, knuckles red from the cold.

• ‘’I’m taking the bus’’ you whispered.

• Yeah, you’re crazy if you think this man is gonna let you walk to the bus stop, let alone wait in the cold until the bus arrives.

• He nodded towards the parking lot silently indicating you to come with him.

• Well, you also don’t want to die from hypothermia, so what other choice do you have.

• Squishing yourself next to him to fit under his umbrella, you felt the warmth of his body and his perfume overwhelm your senses. Was he ever this annoyingly attractive or were you losing your mind?

• If the walk under his umbrella was bad the car ride was even WORSE.

• The silence was so heavy and uncomfortable, he looked at you from the corner of his eye to check if you were in the mood to hear him talk. Much to his surprise he saw your tense form clenching your fists and looking in front of you in an almost robotic way.

• You noticed him looking at you, because naturally he wasn't as subtle has he thought he was.

• "Should I check your pulse? You're scaring me"

• You blinked at him and then let out a little giggle.

• Okay now HE was tripping because why did his heart skip a beat at the sound. He even dared to stare at you (for more than three seconds, a record that week) and he felt his face heat up at the sight of your little smile. Dae-ho never realized that he had never seen your smile before. You had never laughed at anything he's said no matter how hard he had tried and you hadn't granted him the pleasure to see what he confirmed just then to be the most beautiful smile he had ever laid his eyes on.

• The tension he had been keeping in all week finally left his body and he kept making light jokes testing the waters. Once he saw you were at ease he let his personality shine again.

• The ride to your house was painfully short, and it pained you to admit that you could see why all your classmates would die to get a chance with him.

• It was hard to admit that maybe you were wrong and he had always been as sweet as he seemed.

• The following week he's literally glued to you.

• You made the decision of laughing at something he said once and now this man is in love with you, congratulations.

• He doesn't even try to hide his excitement everytime he sees you and as time passes he even teases the idea of going on a date. You're also lucky enough to hear some of his corny pick up lines.

• You two go to a café date (well it wasn't officially a date, but it was in his mind).

• There he tells you about his family. Him growing up with four older sisters made everything make sense to you and your heart broke when he said was disappointed that he decided being a nurse instead of studying law or medicine.

• You also tell him about you aspirations and your passion for the field and he's looking at you enthralled hanging on every word that came out of your lips.

• Talking about that, at some point while you're complaining about thing #130 today he finds himself lost in you lips. He traces the shape with his eyes and imagines parting them with his tongue He wonders about the taste of your lip balm and if they're as soft as they look right now.

• You'd think he'd be a bit more confident being caught doing this considering he was being quite obvious about it but the second he sees you looking at him he panics like crazy.

• You laugh it off and as the gentleman he is he gets you home safe and sound.

• That summer he decides he's going to officially make a move.

• (he doesn't)

• Summer made you inseparable and you couldn't understand how many years you've wasted hating him undeservingly.

• This time you were both hanging out in your room. You two had made a habit out of watching a movie once a week and would play rock, papers, scissor to see who would host and pay for the take out.

• Tonight you had lost and unfortunately for you he got to choose the film as well.

• The only good part of this was seeing him being an absolute nerd about it when you tried to argue about the plot holes of the movie.

• He was passionately exposing his points for you and you couldn't hear a single thing he was saying, too busy getting slowly closer to him.

• He had been so busy trying to prove his point that he doesn't notice your pretty eyes right in front of him and your noses practically brushing.

• It wasn't until he felt your hot breath against your lips that he came back down to reality. He froze in his seat and looked at you wide eyed.

• For a moment you think you might've even misunderstood every single interaction you two have had until now so you were about to turn away until he finally decided to react and grabbed your arm.

• The grip was firm but gentle, letting you know that you weren't getting away from him anytime soon. He looked at you doe eyed and used his free hand to bring you closer to him making you straddle him.

• "Can you fucking kiss me already?"

• He wastes no time connecting your lips and he lets out a breath he had been holding for what felt like ages.

• He finally got to slide his tongue against your bottom lip, savoring a slight taste of cherry. He smiled into the kiss, finally confirming his suspicions.

• A whine left his lips when you yanked his hair back roughly to get better access to his neck, to which he did not add any resistance.

• It only takes a few wet kisses down the column of his throat and a breathy "pretty boy" for him to get hard underneath you.

• Your jaw clenches when he starts rocking your hips back and forth over his hard on to relieve himself while he looked at you almost sorry to be manhandling you like that.

• As much as you enjoy him taking the initiative, you quickly take over and start grinding the bulge on his pants, feeling yourself pulsing against your panties at the friction.

• His needy eyes look at the scene before him taking in all the noises that came out of your mouth.

• A shaky breath leaves his soft lips when you sink your hand into his pants to palm him over his boxers.

• "Please"

• A smug smile creeps into your face when he finally gave you the sign you've been waiting for.

• Hurriedly you both take off each other's clothes while still placing messy kisses wherever you could.

• He looked down at your pussy with a nasty look of hunger you didn't expect of him and you knew then that if you hadn't stopped him there he would've placed you in your desk and devoured you whole in a second.

• "Another time, please, I need you" you beg in his ear before gently biting his earlobe.

• He nods profusely as he started stroking his flushed length in his hand to spread the slick of his tip along his dick.

• He holds you over him and drops you slowly on his length, chest heaving and long locks sticking to his face, framing it so perfectly.

• You clench around him as you reach the base and he mumbles a soft "fuck" under his breath. You press a needy kiss against his lips and nibble at his bottom lip.

• He starts sinking you down his dick with an indescribable urge, and you quickly start riding him as fast as your stamina let you.

• Even if you get tired don't worry because this man is already holding your hips and meeting you halfway.

• Your moans start turning into cries and his pace speeds up as soon as he realizes you're close.

• "C'mon, come for me baby" he grunted against your lips.

• With that you start trembling against his thighs and let go. You keep riding him through your climax and he soon enough comes too holding you impossibly closer to him.

• He held you in his hands while you came down from your high and placed you gently in your bed to proceed cleaning you up.

• Your face when you see both of you through the mirror (and the disgusted little "sticky" you mumbled at the sight of your glistening skin) convinced him to take you both to take a bath instead.

• "Hope this doesn't make you think I like you or something though" you looked at him through your lashes with a smirk on your reddened lips.

• "Sure" he laughed it off.

[drdemonprince]

(i'm not great at wrapping words around my thoughts, so i hope this makes sense!) i like the phrase 'sex exceptionalism,' it really makes me think. this morning i also had the thought: 'youth exceptionalism' -- i have a feeling you've already thought about this, about how we sort of treat children/youth as both sacred and subhuman.

i get this hard-to-describe unease whenever i see signs saying 'protect trans youth.' like changing words doesn't actually change actions, but i wish it said something more like 'defend trans folks.' without trans elders, trans youth don't have a future modeled for them. and we lose the wisdom and insight of people who transitioned in politically tumultuous times, when doing so was at least as stigmatized and difficult and dangerous as it is now. people with the benefit of seeing changes come and go, who have the lived experience of survival-pending-liberation and trans folks helping trans folks through direct immediate action and support.

youth exceptionalism -- it gets in the way of thinking clearly and critically whenever it pops up. it seems more emotional and ingrained than conscious. i feel it around programs aimed at giving youth opportunities, with cutoff ages. which to some extent makes sense, but not to the degree of fetishization of youth & kids our culture hangs on to. one too eager to discard humans as soon as they age (or rage) out of this impressionable, doll-like imposed role.

i think it also puts unconscious stress on youth, a sense of adults/power-havers heaping dreams & expectations on the next generation. and claiming all the sacrifices they chose to make were for the children/next generation. but at the same time expecting a specific outcome, a specific return on that transactional investment.

anyway, that's my jumble o' thoughts.

I think you're getting at something real. I have never liked the "Protect Trans Youth" shirts and banners, the way that certain supportive and well-intentioned parents cling to an identity for themselves as parent to a trans kid (often putting their kid's trans status out into the open and denying them the chance at ever being stealth, should they want to be), the advocacy that gets too perversely focused on the threat of a trans kid killing themselves (as if that were the only reason to give young people rights), the fixation on protection and innocence rather than on liberation... the heart is genuine that is driving a lot of this stuff, but it still sees children as the helpless precious object of their parents, a proto-human that has to be shielded from the world rather than a human of their own, with their own right to make decisions. it still treats transness as a rare fringe case; we might as well be talking about child cancer patients, for how focused the language is on protection and death. everybody's debating about what is best for the kid, and how to best prevent harm, and nobody is letting the kids speak for themselves. there's something so cloying and inert about it. even if the Protect Trans Kids group wins every political battle they get involved in, all they've done is provide children with one exception from the usual denial of body autonomy they live with. and they only get that exception because supposedly death is the alternative and they're that rare and sick. it's not good when you really drill into it.

[hyuniemyunie]

Hi!!! OMG such a big fan of your instincts/nuzzling one shot you did for shadow. Idk if you’ve done this before but if you haven’t, could you do Shadow x trader, circling the reader? Honestly you can do whatever else you want for the rest of it, I just want more media about hedgehogs circling their mates hehe 😊🥰

Orbit ⋆˚࿔

Shadow the hedgehog x gn reader

sfw

━━━━━━━━━━━━━━━━━━━━━━━

(ФωФ): gn reader, established relationship, nuzzling nudging circling..allat

HIIII IM SO GLAD YOU LIKE MY STUFF( ´∀`) i also maaaay go a little overboard w them cuz why is this so long

⠄･ ⋆ ･ ⠄⠂⋆ ･ ⠄⠂⋆ ･ ⠄⠄･ ⋆ ･ ⠄⠂⋆ ･ ⠄⠂⋆ ･ ⠄⠄･ ⋆ ･

It started with a feeling.

A strange, creeping sensation at the edge of your awareness—like being watched, but not in an uncomfortable way. More like a presence. A quiet, unwavering force lingering just outside your immediate space. You had been sitting in the living room, curled up on the couch, minding your own business. The air was comfortably cool, the low hum of the television serving as background noise while you scrolled absentmindedly on your phone. Everything was perfectly normal. Or at least, it should have been.

But something felt… off. Not in a bad way. Just… weird.

The feeling intensified. A quiet awareness, like someone pacing just beyond your peripheral vision. You looked up. Shadow was there.

That wasn’t unusual—he was always somewhere nearby, lurking in that quiet, ever-watchful way of his after everything he went through, still not fully believing that he could just..be. But tonight? Tonight, he was acting… different.

He wasn’t sitting on the armrest of the couch like he normally would. He wasn’t standing near the window, keeping an eye on the outside world. He wasn’t even hovering in the doorway with his arms crossed, looking stoic as ever.

No.

He was circling you.

Slow. Measured. Purposeful.

His movements were silent, barely making a sound against the floor. His crimson eyes flickered in the dim light, unwavering, focused. Every few seconds, he would glance at you—quick, assessing—before continuing his path.

Around.

And around.

And around.

You blinked. “Uh… Shadow?”

He didn’t answer.

His gaze flickered to yours for a brief moment, and instead of stopping, he did something that made your breath hitch. As he passed by the couch, he nudged you. It was subtle—just the briefest brush of his muzzle against your shoulder before he pulled back and resumed his quiet, deliberate pacing. You blinked again, okay. That was weird.

“…Are you okay?” you asked hesitantly, twisting slightly to follow his movement with your eyes.

No response. He passed behind the couch again, circling like a silent predator. But he wasn’t predatory. His posture was too… relaxed. Not tense, not aggressive. Just persistent.

And then, as he passed by once more— Nudge.

This time against your upper arm. Your face scrunched in confusion. What the hell was he doing?

“You’re being weird,” you finally blurted.

Shadow exhaled sharply—something between a sigh and a huff—but he still didn’t answer. Instead, he nuzzled the top of your head as he passed, just briefly, just enough for you to feel the warmth of his fur before he pulled away again. Your brain short-circuited.

What.

WHAT.

You sat there, frozen, feeling your heartbeat pick up in a way that was not normal. Shadow was not the type to just—just nuzzle you out of nowhere. Sure, he had his rare moments of affection, but they were always brief, casual, barely there. He tolerated your hugs, occasionally let you cling to him, but this? This was deliberate, intentional, and he wasn’t stopping.

Around.

And around.

And around.

Nudge. Nuzzle. Circle.

You felt your breath hitch again. “Okay, seriously, what's happening right now?”

Still, he said nothing. Just a low hum in his throat, almost content, like he was fully aware of what he was doing and had no intention of explaining it. Your fingers twitched in your lap, this was going to bother you. You weren’t an idiot—Shadow wasn’t exactly the type to do something without reason. He was calculated. Everything he did had purpose.

So why was he—

Another nuzzle.

You practically jumped. “SHADOW.”

He finally stopped, just for a second. Standing at the edge of the couch, he tilted his head slightly, looking at you with a gaze that was unreadable but strangely… expectant, making your stomach flip.

You stared at him. He stared back.

“…What,” you said flatly.

No answer.

He held your gaze for another moment before he resumed circling.

You let out a strangled noise. Okay. Okay. You were going insane. That was the only explanation. Unless—

You hesitated, unless this actually means something..?

Your eyes narrowed slightly as you thought. You had been with Shadow long enough to pick up on some of his behaviors—his silent protectiveness, the way he always positioned himself between you and potential threats, the subtle ways he would linger close when he thought you needed comfort. But this? This was different.

Slowly, your gaze flickered toward your phone, still resting on the couch beside you, you hesitated again. Then, carefully, you reached for it. Shadow immediately nudged your hand.

Your breath hitched again. “Oh my god.”

His gaze didn’t waver, he was for sure doing this on purpose. Hand trembling slightly, you unlocked your phone and opened your browser.

Okay. Okay. Think.

What was he doing? Circling. Nudging. Nuzzling. He had never done this before, at least not this blatantly, your fingers hovered over the search bar before you swallowed hard and typed,

"Why do hedgehogs circle people?"

A beat of silence.

Then—

You clicked the first result.

Your eyes skimmed the page.

And then—

You froze. Your face went hot. Your pulse skyrocketed. Your stomach dropped.

Oh.

Oh.

OH.

Your hands shot up to your face, pressing against your burning cheeks. Shadow. The Ultimate Lifeform. The strongest, most terrifying, most powerful being in existence who saved earth.

Was.

Flirting with you.

You made a choked noise, glancing at him. He was still circling, completely unfazed. This wasn’t just some weird behavior. This wasn’t just him being strange.

THIS WAS A MATING DISPLAY.

You were going to pass out. Shadow, completely unaware of your impending mental breakdown, nuzzled your arm again. You sat there, frozen, your phone screen dimming as your brain tried—tried—to process the absolute insanity of what you had just read, shadow was flirting with you, not just flirting—he was displaying hedgehog courtship behaviors.

Hedgehogs—actual, real-life, non-ultimate-lifeform-almost-destroyed-earth-but-then-saved-it hedgehogs—circulated their potential mates, nudging, nuzzling, lingering in their space as a way of bonding.

And Shadow was doing it to you. Your fingers curled around your phone as your entire body flared with heat, an uncontrollable mix of emotions flooding you at once. Shadow, meanwhile, was still completely unaware of your crisis. He continued his slow, deliberate orbit, eyes flickering toward you every so often, reading your reactions, gauging your movements. He nudged your shoulder again—light, brief, warm—before making his way behind the couch once more.

He exhaled softly.

Good.

It was working.

This wasn’t something he had ever done before, nor was it something he had ever thought he’d feel the urge to do. And yet, as the evening dragged on, as he watched you curled up on the couch—content, relaxed, safe—a quiet restlessness had stirred inside him. At first, he had ignored it. But the longer he sat there, the worse it got.

It was a pull. Something instinctive, something old, buried in the genetic makeup of what he was—what he was made from. It had no name, no clear purpose, but the second he found himself moving, it all clicked into place. His body knew before he did, he had begun circling you without realizing.

And the moment he had leaned in—just slightly—just enough to brush against your shoulder, to nuzzle the top of your head, to breathe in the faint warmth of your scent— Something inside him settled, as if it had been waiting for him to act on it, as if this was something he had been meant to do.

He didn’t fight it, didn’t want to fight it.

For once in his life, Shadow allowed himself to be guided by something other than logic, than battle instinct, than the need for control. He allowed himself to follow the motion.

To move around you, to orbit you and to..feel at home in your presence. And it wasn’t until your breath suddenly hitched—sharp, strangled—that something in his chest tensed.

Shadow slowed, his ear flicked, you were reacting differently now. Your entire body had stiffened. Your hands had curled into tight fists, your phone gripped so hard that he swore he could hear the faint creak of plastic under pressure.

His eyes narrowed slightly.

“…What?” he murmured, pausing in his steps.

You visibly jumped, and that was the first red flag. Shadow straightened slightly, his gaze scrutinizing. You were still hunched forward, your phone pressed against your face, hiding your expression, something was off.

You had been giggling, teasing, smiling just minutes ago. But now?

Now your entire demeanor had changed.

Shadow inhaled carefully, catching the sharp shift in your scent. Your heartrate had spiked, your breath had gone uneven, and—

…Wait.

Why were your ears so red?

His gaze flickered downward. Your fingers twitched slightly, trembling, and— And then it hit him, aslow realization, something was wrong. Not wrong in a dangerous way—no, no, this was something else. This was something human, something he didn’t fully understand.

“…What’s the matter?” he asked carefully.

You physically shrank into yourself, making shadow frown. His arms crossed over his chest, posture rigid. His instincts flared again, this time in confusion rather than intent. His mind raced through possibilities—had he done something wrong? Had he triggered some unknown reaction he wasn’t aware of?

Had he… misunderstood this?

Had he misread the way you touched him? The way you held him at night? The way you laughed when he let you pull him into hugs, or when you played with his hands, or when you buried your face against his fur just to feel his warmth?

Was this—

Had he—

Did he just ruin something?

His jaw tightened slightly, an old, bitter habit.

“…Did I—” He hesitated, something uncharacteristically unsure in his tone. “…Did I do something to make you uncomfortable?”

Your head snapped up as your eyes widened.

“No! No—oh my god, no,” you sputtered, looking absolutely horrified. “That’s not it!”

Shadow’s frown deepened. “…Then explain.”

You made a choked noise, hands flying to your face again. Your body curled inward, shaking slightly, and he could tell you were fighting the urge to scream. His instincts bristled again.

“…My love.”

Your fingers curled into your sleeves, as if physically trying to contain yourself. Your breathing was all over the place now.

Shadow took a single step forward. “Tell me what’s wrong.”

And then, you lost it. You made a sound—somewhere between a laugh and a whimper, something overwhelmed, something embarrassed, something unbelievably flustered.

And then, finally—finally—you blurted it out.

“YOU’RE FLIRTING WITH ME.”

Silence.

The words hung in the air, frozen, suspended between you both like a loaded gun, shadow’s expression did not change. His body, however, went completely, utterly still.

“…Excuse me?”

You let out another strangled noise, looking like you wanted to sink into the couch and disappear forever.

“I—” You inhaled sharply, gripping your phone. “I just—I didn’t realize at first, but you’re—you’re doing, like, actual hedgehog mating behaviors—”

Shadow froze, making you clamp your mouth shut. The room went dead silent. A heartbeat passed. Then another. Then, slowly, Shadow’s eyes narrowed.

“…What?”

He took a single step forward, making you shrink back, shadow’s pupils contracted slightly, crimson irises sharp.

“What do you mean,” he said carefully, tone low, calculated, dangerous in a way that made your stomach flip— “by ‘mating behaviors’?”

You shoved your phone screen at him, he snatched it immediately. His gaze flickered downward, scanning the words at a speed far too fast for you to process. His expression remained unreadable, but you could tell—oh, you could tell—

His mind had just been completely, utterly shattered.

Another silence.

Then, very, very softly—

“…Oh.”

His arms lowered. His body tensed, his eyes widened just slightly. And finally—finally—Shadow realized.

He had no fucking idea what he was doing.

Oh.

That was all his mind could supply. Just oh.

Shadow stared at your phone screen, golden eyes flicking over the words again and again, as if trying to disprove them through sheer force of will. But no. No, the information was there. Plain as day.

Hedgehogs—actual hedgehogs—engaged in specific behaviors when courting a mate.

Circling. Nuzzling. Nudging. Purring.

Shadow had done all of that without knowing why—without questioning the instinct, without stopping himself. He had just moved, had just done it.

Because it felt right. Because it felt natural. Because his body knew before he did.

And now… now he knew why.

His fingers curled slightly around your phone, he was going to implode.

“…Shadow?”

Your voice was softer now. Not the flustered mess you had been moments ago, not the horrified realization that had made you shove your phone at him in a panic, this was different, it was gentle.

Shadow swallowed thickly, suddenly hyper-aware of the way the room had shifted.

The frantic energy was gone. The teasing, the stunned disbelief—all of it had melted away into something quieter. Something warmer.

Slowly, carefully, he lifted his gaze to you, you were looking at him softly, too softly.

His chest tightened.

“…You didn’t know, did you?” you asked, voice barely above a whisper.

Shadow exhaled slowly through his nose, jaw tight.

“…No.”

You smiled. Not mocking. Not teasing. Just… soft. His stomach flipped. And then, before he could process it, before he could tell his body to move, to pull away, to do anything but what he was about to do—

You reached out, and touched him. A slow, delicate motion—fingers brushing over his cheek, barely there, barely a whisper of contact.

Shadow froze.

A sharp, involuntary breath left him, but he didn’t move, didn’t pull away, couldn’t. His entire body shut down.

It was a gentle touch. So unlike battle. So unlike pain. So unlike everything he had been created for, he felt warm beneath your fingers, he felt real.

“…It’s okay,” you murmured.

Shadow exhaled shakily, and then—without thinking, without meaning to—A sound left him, a low, deep rumble from his throat. Something instinctual, uncontrollable, something like a purr.

Your eyes widened slightly, shadow’s entire body went rigid, again.

…Did he just—

Did he just—

No. No, that didn’t happen, that didn’t happen. Except it did. And you heard it, and he knew you heard it.

And now he was going to have to live with the fact that you knew the Ultimate Lifeform just fucking purred because you touched him.

He was going to self-destruct.

“…Oh my god,” you whispered, eyes shining.

Shadow immediately turned away, he was never recovering from this.

“…Forget that happened,” he muttered stiffly.

You didn’t, you never would, it's not like you could just forget your own fucking boyfriend purring for you. With how much he went through, with how the doctor had used him to reach his goals, and with how he saved earth? goddammit, he could have this, let the man purr.

Your fingers brushed over his cheek again, gentle, barely there, and Shadow felt it again—the quiet, low hum in his throat, the instinctual sound of comfort, of contentment, but he clenched his fists, forcing it back down.

You giggled—soft this time. Sweet.

“Shadow,” you whispered.

He refused to look at you.

“…Shadow,” you tried again, tilting your head.

No.

No, he was not doing this, he had already embarrassed himself beyond repair, he was done, he was going to leave the planet immediately, the moon again, maybe?

And then, quietly, gently, lovingly—

You whispered,

“I love you.”

Shadow stopped breathing, the words hit something deep, something raw, omething he wasn’t ready for—but always wanted to hear.

His fists unclenched..before his entire body relaxed, and before he could think, before he could stop himself—

He turned back, and nuzzled you, slow, deliberate.

His muzzle pressed against the crook of your neck, warm, real, here.

“…I love you, too,” he murmured.

And then—without a single ounce of shame—

He purred.

Loudly.

For you.

For you only.

And for the first time, Shadow the Hedgehog let himself be loved.

[earlgreylatte]

Overture

A moment you only recall when it’s too late.

Nolan wonders how he got here, married to Debbie, a father to a toddler, and another one due soon. He tried to rationalize it. That he’s doing this so people like Cecil will trust his intentions, so that it seems like he’s integrating himself like Martian Man, that he’s one of them.

That it’s all for the mission.

But he knows that he’s slowly screwing himself over when you toddle to him, chanting ‘daddy’ over and over. When his wife calls him over to feel his second child kicking, strong and firm. When Art, who is becoming someone he genuinely likes, with his wit and comforting presence, convinces him to ditch the white Viltrumite outfit, for something more ‘iconic’, something heroic. Something that isn’t him.

He enters through the back like he always does, leaving the dark night behind, to enter the well lit and painfully warm home he’s called his own for a couple years now. You, who should be fast asleep, call out to him excitedly, waving around a stuffed dog. He picks you up, his hold delicate in a way he never had to be until he came to this planet.

“A new costume? Looks like Art finally changed your mind,” Debbie, his Debbie, comments from the couch, resting a hand on her stomach. “But, didn’t we agree that a toddler knowing her dad is a superhero isn’t a good idea?”

“I thought she’d be asleep, by now. Especially since you talk about how much a bedtime is needed whenever I let her stay up,” He responds, focused on your babbling; you’re telling him about your day. What can a toddler even do that’s remotely interesting? Yet, he’s enraptured.

“She refused to go to bed until you read her another part of your novels,” his wife smiles warmly, “She’s your number one and only fan, it seems.”

“She’s got taste,” he notes, a fluttering feeling in his chest. “I’ll get her tucked in. Looks like she wants to see how Space Rider’s story ends.”

“Make it kid friendly,” she calls as he ascends up the stairs, “And then come back so I can get a closer look at that new suit of yours.”

“What have you done?” You ask, fifteen years old and trying to wash the grime out of your suit in the bathtub.

Mark grins at you while posing in the mirror, wrapped in duct tape, “I’m going to be a hero like you guys, even if my powers don’t come in!”

“You’re still young, and not every Viltrumite is the same,” you reply, draining the bathtub and wringing out the excess water from your suit. “Don’t be in such a rush. You aren’t even thirteen yet.”

“Easy for you to say,” he retorts, “Besides, duct tape can literally do anything! You guys can beat up the bad guys and I’ll tape them up for the police!”

Inwardly you wince at the idea of him going against the maniacs you face every day. But instead you tilt your head in an act of show.

“You could only be a hero to leaky pipes dressed like that. And, it looks like dad just got home, so if—“

He doesn’t let you finish, instead sprinting downstairs.

You finish cleaning and disinfecting the tub, leaving your suit in your room to dry, heading downstairs only for Mark to rush by you, heading up to the washroom. Hopefully he’s patient enough to let the tape soak enough before ripping it off.

“That boy is never getting his powers, is he?” Is what you’re greeted with when you enter the living room, you quirk a brow at your father while your mom only smiles and hooks her arms around his neck.

“Don’t ask me, you’re the superhero, space alien. But even if he doesn’t, we’ll love just as much.”

“And don’t girls normally mature faster than boys or something? He could just be a late bloomer. I got my powers at thirteen so it could be any day for him now,” you piped up.

“Very true, now you two finish up dinner while I untape the boy,” your mom announces passing by you to join your brother upstairs.

You step to join your father at the counter, but falter when his face contorts with frustration, eyes focused on the stairs. He steps forward with his teeth bared like a dog about to attack, ignoring your presence for a moment.

“Dad?” You cautioned, approaching him slowly.

He steps back, the tension leaving him, looking almost distraught. You place a hand on his arm, and he almost crumples, shame filling his face before he hides it with his hand as you embrace him. Neither of you say anything, as he leans onto you before pulling away, a weight in his eyes and his brow still furrowed.

You two silently finish cooking and setting the table.

And when a tape free Mark runs down the stairs with an exclamation of hunger, your mom following behind him, the interaction goes forgotten.

Yes, the moments here are the ones from Eve’s special episode! Wanted to explore Nolan a bit more and his perspective!

Season 3 was so good that I had to make this a series…

Masterlist, Series Masterlist

[foreveia]

director’s cut ⤨ tsukishima kei

⨭ genre; college!au, childhood best friends to lovers, fluff, minor angst like its there if u squint

⨭ pairing; tsukishima kei x fem!reader

⨭ word count; 17.3k

⨭ description; when you convince your best friend into being the male lead of your film project, you don't expect for it to make you question your whole relationship.

⨭ warnings; profanity, alcohol, smoking

⨭ a/n; this has been in the works for quite a while now and it is defff the longest fic ive ever written (not saying will ever write yet bc who knows), but i think i like it. i am a sucker for best friends to lovers, ESPECIALLY childhood best friends to lovers, so i hope u guys like it :)

one. 

The universe has a top-tier sadism kink, and its living proof is Tsukishima Kei. 

You know this to be a fact because 1) aside from his bachelor of science in anthropology, he’s pursuing a PhD in sarcasm and uses his learnings primarily to eviscerate your self-esteem, 2) The Umbrella Academy doesn’t come out with another season for another few months so your life choices have become the pinnacle of his entertainment, and 3) despite being your Bestie™ of twelve years, he still makes you beg for his benevolence, even if he does have the annoying habit of showing up when you need him most.

It’s deeply unfortunate that he’s all you’ve got, universe be damned. 

“Name your price. Cake? Head? Money? C’mon, just tell me what you want!”

Tsukishima peers at you over his laptop with disdain, the blue glow of his pirated PDF of The Communist Manifesto reflected in his glasses as he squints at you. His lips are pursed in annoyance, face scrunched up as he seemingly contemplates whether to put himself out of his misery or squash you to little smithereens. “What I want is for you to go away.”

True love, honestly. The golden standard for kindness and affection. A picturesque image of camaraderie. Lo and behold, everyone, your best friend.

“Oh my god, Kei, please,” you whine, hands clasped together as you look up at him through batted lashes. He doesn’t even flinch, looking completely unimpressed—how pretentious of him. “I’ll literally pay you whatever you want.”

The blond rolls his eyes, looking back down at his laptop screen as he briskly retorts, “I’m not a prostitute, idiot. You can’t pay me to star in your stupid movie.”

He ignores the several judgmental stares that turn in your direction at his response. You, on the other hand, are praying the library’s studious occupants don’t assume you’re a pimp preying on broke college students. 

In all honesty, you probably should’ve chosen a less populated spot than the library’s first floor seats in front of Crow’s Coffee, especially if you actually had any intentions to get work done. But with just a few months left until the end of second semester, you have way too many dining dollars left and not enough places to spend them; in this capitalist world, you refuse to let more money simply be pocketed by the greedy hands of the school. It’s how you managed to tempt Tsukishima out of the comfort of his apartment in the first place—with promises of free coffee and shortcake, courtesy of your four-star meal plan. 

“Technically, that’s a pornstar,” Yamaguchi supplies unhelpfully from his spot buried amongst stacks of math and science textbooks. He’s the only one of you who’s effectively completing his assignments because he won’t pass his classes unless he’s in constant fight-or-flight mode (you thank every deity you can think of that you weren’t born to be a STEM girlie). “You know you’ve got the time to, Tsukki.”

“Yeah, but I don’t want to,” he shrugs. You promptly deliver a swift kick to his shins. “Ow—well, now I really don’t want to.”

“Be honest, do you hate me?” you sniff dramatically, letting your head hit the table with a soft thud; Yamaguchi pats your head tantalizingly, as if you’re a fuckin’ child, and you want to scream at them both.

“Yes,” Tsukishima snorts, not even bothering to glance up. “It’s your own fault for being a film major.”

You shoot him a glare, but no threats come to mind because he’s sadly right.

Being a film major is basically being in a perpetual state of begging: begging your friends to star in your work, begging your professors for an extension because your lead decided to quit the night before shooting, and begging your parents for forgiveness because they didn’t send you to college to become a “professional movie watcher.” 

Sure, you get to watch artsy film-bro movies for homework, but you also spend half your time pulling all-nighters to finish scripts and survive solely off a diet of Shin Ramyun and its complimentary mushroom flakes. Tsukishima likes to tell you how you reek of constant desperation; you concur because no one has a real penchant for the arts these days. In a world where everyone dreams of being the next Spielberg, nothing is truly original, and you’re just barely holding on with the kind of boundless optimism that can only be fueled by sheer willpower. 

So here you are, offering bribes of cake, coffee, and cold hard cash, trying to convince your best friend—who has the emotional range of a teaspoon and the patience of a sleep-deprived toddler—to star in your magnum opus so you can pass the semester. You’d ask Yamaguchi, but he’s got civil engineering exams and an actual promising future to worry about. Meanwhile, your future, desperation and all, hinges on whether Tsukishima will stop being a pain in the ass for ten minutes and agree to be your leading man.

Luckily, because you’ve been #pairbonded for twelve years, you know exactly what buttons to push. You let out a sorrowful sigh, before loudly declaring, “Fine. I’ll just ask Shoyo then.”

That does it. Tsukishima’s jaw twitches, his fingers pausing over the keyboard; you know him too well because the mere thought of the red-head starring in your movie is enough to make Tsukishima reconsider his stance. You never did understand their beef, but Yamaguchi tells you that they’re just inverse idiots, which seems pretty likely considering they’re actually both easily provoked and highly competitive. He looks up from his laptop, irritation flashing in his eyes. “Absolutely not,” he says flatly, closing the lid of his computer with a decisive click.

Yamaguchi snickers, clearly sensing victory in the air. You, on the other hand, suppress your triumphant smile and put on your best wounded-puppy look. “But he’s so eager to help,” you say, your voice dripping with faux innocence. “He’ll do anything for me.”

There’s a moment of silence as Tsukishima contemplates this. His fingers drum lightly on the table, a sign that he’s weighing his options. And then finally, he lets out a long, suffering exhale, head rolled back in exasperation. “Fine. I’ll do it. But I swear to God, if this film ruins my life, I’m holding you personally responsible.”

“You already hold me personally responsible for most things,” you chirp, practically beaming with delight. “But thank you, Kei! You’re the best.”

Yamaguchi looks up from his mountain of textbooks with a bemused smile. “That was a quick turnaround. You’re like a married couple.”

“Only in spirit, ‘Dashi,” you purr, blowing him a playful kiss. The freckled boy pretends to catch your kiss and presses it to his cheek in a dramatic gesture; no wonder he’s your favorite. He really is such a sweetie.

“Stop encouraging her,” Tsukishima groans, pushing himself up from the table. “And stop saying things like that. People might believe you.”

“Wow, not you denying our love,” you scoff, sticking your tongue out at him. “I want a divorce.”

The blond ignores your threat. “I need air. Bye, Tadashi.”

He gives you an unimpressed but telling look, so you roll your eyes and promptly start packing up your things, shoving notebooks and pens into your bag haphazardly. The last things you do are run over to give your beloved ‘Dashi a light squeeze goodbye, swipe your laptop and Owala into your arms (because you are a broke college student who cannot afford to get a new laptop and your New Years’ Resolution is to be more hydrated), and skip to catch up with your friend, already halfway out the door. The evening air is a refreshing change from the stuffy library you’ve been in for hours; you’re sure if you had any free hands right now you’d bend over and grab a handful of grass, just for the sake of it. 

‘Tis is the life of a film major, you guess. You’re bitchless with a capital ‘B’ and spend the other half of your time with your equally bitchless friends. And all they do is abuse your dining dollars and mock your miseries in life, so honestly, it’s a good thing you’re in school to write and produce rom coms. You can live vicariously through them, at least.

But whatever. Pathetic love life aside, right now, Kei has agreed, and you’re already one step closer to a successful final project. 

two. 

The walk home with Tsukishima is as comfortable as ever, the silence between you two punctuated by the soft crunch of gravel under your shoes and the distant hum of campus life winding down for the night. He doesn’t pull his headphones on, but he also doesn’t start up a conversation; being alone with him is simply being able to exist. 

He’s walked you home everyday since the beginning of middle school, when his mom found out he hadn’t waited that day and you had walked home alone in the dark. From your bedroom window in the house next door, directly mirroring his, you had overhead her lecturing both him and Akiteru about the importance of manners—and to Kei’s credit, he’s dutifully picked you up after your classes and chores ever since, even if he grumbles the whole way home. For some reason, this habit carried over when you, him, and Tadashi committed to the same university, even if it meant standing outside a frat house at two in the morning because you got too fucked up to walk home on your own. You puked out half your stomach on his sweatpants, and he’d made you do his laundry for a month as punishment, but he still waits patiently at the café by frat row every time you get coerced to go out by your roommates. 

As you reach your dorm building, Tsukishima steps aside, holding the door open for you; you roll your eyes, but a smile tugs at your lips. “Such a gentleman, Kei. What would I do without you?”

He smirks, letting the door swing closed behind him as you head towards the elevator. “Probably get kidnapped or something. You’re too trusting.”

“The only person I’d let kidnap me,” you say dreamily, pressing the button for your floor with a dramatic swoop. “is Oikawa.”

You’re only half joking because Oikawa Tooru, the president of Sigma Epsilon Iota (SEI), is in fact extremely pretty and volunteered to be in your film last semester. You later found out that it was because he’s an astronomy major and thus felt compelled to star in your movie (which, yes, was titled Stars); he convinced you to spend many extra weeks in After Effects making sure the sky imagery looked ‘as perfect as him.’ He’d actually been a really good sport about learning his lines and cues, but you’re pretty sure neither you nor your 2014 Macbook Air would survive that experience again. 

“Right, fall for the guy who does keg stands at every party,” he drawls, his tone laced with sarcasm. “Smart.”

You huff and stick your tongue out at him, earning yourself a half-shrug and an amused snort. The elevator ride is brief, and soon you’re at your door, fumbling with your keys; as always, Tsukishima stops and stands to the side, waiting for you to invite him in, because again, manners. You turn to him with a playful grin. “You know, you don’t have to stand there like a sentinel every time. You can come in.”

He raises an eyebrow. “Is that an invitation?”

You laugh, pushing the door open and gesturing dramatically. “Oh, please, come in. Make yourself at home.”

Not that you had to tell him that. He slouched past you and kicked off his shoes as soon as you gave him the cue. He’s honestly just as relaxed here as in his own studio, already stretching and making himself comfortable on the couch with your favorite decorative pillow tucked under his head. 

You two have settled into a pretty comfortable routine. It’s a Friday night, so chances are that he’ll yank out his phone, scroll through his email. You’ll put something on the TV and he’ll critique it through mouthfuls of popcorn, only to have it ruin his appetite for whatever you end up ordering for dinner; later, if he’s tired enough, he’ll give up on the thirty minute drive home and collapse next to you in your Twin XL. It’s a mess of limbs and limited space, but you two manage—you always have. Your suitemates, Yukie and Kaori, have already texted that they’re bringing home Chinese takeout for four, so you decide against your usual snacks because your twig of a best friend needs actual sustenance.

Swinging by your room to drop off your bag and laptop, you take a pit stop in the kitchen on the way back to pluck two bottles of soju from the fridge. You toss him one; he catches it neatly and observes the flavor with scrutiny. 

“You hate strawberry,” he points out. “Why are you drinking this?”

You shrug, walking over to plop down on the couch by him. “Because it’s your favorite.”

His head is right up against your thigh because he’s too tall to fit on your shitty university furniture, even with his legs half-dangling off the armrest. You click through Netflix, nursing your drink with a slight pout until you make the executive decision to put on The Bachelor.

“Trying to prove you can love both me and Oikawa at the same time?” Tsukishima comments, watching the screen as he pops open the cap of his bottle. He’s referring to Ben telling both Lauren and JoJo he loved them in season 20; you lowkey love the series and he highkey loves the drama. There’s just something about people finding their supposed soulmates after knowing each other for like a month that really makes life entertaining.

“Don’t ever compare me to Ben,” you frown, because you think he was a massive asshole for doing that to JoJo and then not even picking her in the end. These bitches really be throwing each other under the bus. “You’re so mean to me.”

“You just bribed me with strawberry soju.”

“It’s not bribery if it’s out of love. Plus, I can tolerate it for one night,” you roll your eyes, taking a sip of the drink. “So, you wanna know what the film’s about or not?”

He looks at you over the rim of his bottle, eyebrow raised. “Do I have a choice?”

“Not really,” you grin, patting his head affectionately. “Okay, so, the film. It’s a romantic short about the progression of a college relationship. Like, from the first meeting to the final stages of being together. It’s dreamy, very aesthetic—y’know, all those soft hues and hazy shots. A smoking scene thrown in there somewhere.”

“Sounds like every other indie film ever made.”

“Shut up. This one’s different,” you insist, lightly tugging on a strand of his hair. “It’s got a great cast—Yachi’s playing the female lead.”

He nods, seemingly interested. “Yachi, huh? What’s my role, then?”

“The male lead, obviously,” you say, not even bothering to look away from the screen. The opening credits have just finished and you’re instantly sucked into the magical world of Malta; God, what you would do to be there right now instead of in your overpriced residence complex.

“Oh, great. Falling in love. My specialty,” he deadpans, taking another swig of his drink. “What do I have to do?”

You hum absentmindedly. “Learn the lines, cues, whatever. Yachi said she’s free tomorrow, so maybe we can get coffee with her in the afternoon and run through the working script?”

Tsukishima groans. “We already have to get started?”

“Yeah, there’s a lot to do,” you retort, giving him a gentle punch on the shoulder. He frowns up at you disapprovingly, and you mockingly frown back. “Get over it. You’re my main star.”

He shakes his head as you both watch the girls line up in knight costumes to compete in the episode’s extra-time competition. Modern television is truly unreal. “Why did I agree to this?”

“Because you love me.”

You flick your eyes from the TV to him, gauging his reaction. He’s rolling his eyes, of course, but the small smile and faint blush creeping up his cheeks tells you everything you need to know.

three. 

The prior night, your suitemates eventually came home with the promised takeout; Kaori even brought home boba orders courtesy of her friend Bokuto closing shift at the campus Broba Tea, so it’s safe to say you have the best roommates ever. 

Turnabout is fair play, so you and Tsukishima agreed to clean up—therefore, even after your suitemates retreated to their rooms, you two lingered behind in the living room, sorting away recyclables and compost into their respective places and watching your favorites get eliminated. Friday nights like this are nice: just you and your best friend, making three-pointers with empty soju bottles into the blue plastic bin. Even after you finished the season’s finale, you put on some nature documentary (courtesy of his Disney+ subscription, which he exclusively uses for National Geographic like a fuckin’ weirdo) and argued about which ugly fish looked more like each other the whole hour and forty minutes. You must’ve crashed no earlier than one A.M., but the specifics are hazy: you don’t actually remember falling asleep.

So the miserable blaring from your phone right now is truly, in short, cruel. Apparently, you forgot to turn off your alarm for your usual Friday 11 A.M. lecture last night, because you’re currently being rudely awoken at a completely unnecessary time on a Saturday morning. Groaning, you slap around the bed until your fingers find your phone, silencing the alarm. As you roll over, you find yourself face-to-face with Tsukishima, who’s occupying the other half of your twin XL bed, looking every bit as disgruntled as you feel. His hair is a mess, and there’s a faint crease on his cheek from your pillowcase; his arm is slung loosely over your waist as he grumbles and tries to hide his face from the light. He must’ve carried you to your bed after you dozed off on the couch.

“You’ve got to be kidding me,” he mutters. His voice is hoarse with sleep. “Why do you set alarms on days you don’t have class?”

“I forgot to turn it off,” you mumble back, burying your face in your pillow. “Sorry for waking you up.”

He sighs, rolling over onto his side and squinting at you as he makes out the hazy figure of your silhouette through his shitty impaired vision. “Move over. Your greedy ass is hogging all the space.”

Ah yes. Truly, a dreamboat. You roll your eyes, but scooch closer to the wall nonetheless; his grip tightens slightly around the curve of your back as you make space, and you can’t help but smile into your pillowcase. Despite his grumpy demeanor, there’s a warmth to his presence that you’ve grown to appreciate over time. 

“Better?” you ask, your voice muffled by your cotton pillow.

“A little,” he grumbles. He shifts closer, his body warmth seeping through the thin fabric of your pajamas.

You lay there in comfortable silence for a few moments, listening to the quiet sounds of the morning outside and the soft rhythm of his breathing. Your head kinda hurts; you haven’t woken up this early on a Saturday in forever. Maybe in another life, you’re born as one of those matcha latte girls who get up at 6A.M. for a run and have their lives sorted out by noon, but in this one, you love procrastinating and Netflix far too much to have yourself in order like that. Truly, you run off caffeine and spite and Google Calendar reminders—and as if on cue, your phone buzzes with a reminder about the meeting with Yachi. 

Tsukishima, recognizing the sound of the notification, leans over and hands you the device to read, giving you a minute before he asks, his voice soft to match the stillness of the room, “So, what’s on the agenda for today?”

“Crow’s with Yachi at one,” you murmur back. Normally, you’d be giddy to meet with your beloved angel of a friend (you would literally give Yachi your whole life), but truthfully, you don’t really want to get out of bed. Kei’s fingers, lightly tracing patterns on your back as he processes the information, feel so comforting and warm. You’re tempted to cancel and spend the day here, in bed, with him, but you know just as well as he does that you can’t.

“Right,” Tsukishima sighs. “Guess we should get up soon, then.”

“Mmm, in a bit,” you reply, savoring the warmth of the moment. “Just a few more minutes.”

He doesn’t argue, instead allowing the silence to stretch on comfortably. But eventually, it does slow. “We should get going, or we’ll end up being late,” he says, though he makes no move to get up.

You groan in response, but you know he’s right. 

“Fine,” you mumble, reluctantly sitting up. The room is still dim, the curtains drawn, and you glance over at Tsukishima, who’s also making an effort to get up; he grabs his glasses, neatly folded on your nightstand, and puts them on, blinking back into consciousness. He looks far too composed for someone who’s just gotten up, but of course he would be.

What a lovely, familiar sight. You hope this, these Saturday mornings with him, never end.

***

The campus is slowly waking up, students milling about, heading to the library or the better of the two dining halls, the one that serves freshly-made waffles on Saturdays. The other one only serves the world’s runniest scrambled eggs that’s held together with the most plasticky cheese, so even if it’s a ten minute walk further, it’s worth it.

You secure a table near the window; the dining hall overlooks the square and you like watching the way people narrowly dodge the campus seal. It’s a superstition that you won’t graduate if you step on it—and especially now, in the second semester when everyone gets pretty desperate, you gotta respect the grind. Tsukishima has already gone to order at the counter with your dining card, so you’re left alone to ponder about your impending project; you go over the working script in your head, running the lines and dialogue over and over. 

Your thoughts are interrupted when he returns with a tray loaded with waffles, two matching cups of coffee, and an extra serving of fruit for you—because he claims you need to eat healthier. You think he should eat more, period, but whatever.

“Wow, I’m impressed. Fruit? Did you find it hard to carry all this food without your arms falling off?” you tease, as he takes his seat across from you.

He rolls his eyes, picking up his fork. “Someone has to make sure you get at least one vitamin today.”

You stick your tongue out at him and dig into your waffles because you never wake up early enough on a Saturday to actually have them often. 

“When we finish eating, I need to go back and get my laptop,” you announce over a mouthful of waffle, ignoring the disgusted look Tsukishima gives you. “And then we’ll head to the library.”

“I am begging you to chew with your mouth shut,” he groans, throwing a well-aimed napkin at your face. You catch it with a dramatic flourish and quickly dab at your mouth, before you ball it and toss the napkin back at him; he ducks violently, almost knocking over his cup of coffee. You fight the urge to laugh at him and instead stab your fork into a piece of cantaloupe. 

“You need to eat,” you declare, promptly sticking the fruit in his direction. 

His eyebrows arch slightly as he glares at the fork held out toward him, but after a beat of silence, he leans forward and bites off the melon with a grumble. “Happy now?”

“Ecstatic,” you beam, popping a grape into your own mouth. “So, Crow’s at one. We can read for like, an hour? And then you’re free to go home and do whatever you do.”

“Study.”

“So boring,” you sigh. “Don’t you have any friends, Kei?”

He scoffs, sawing off another meticulous square of waffle. “I have you. That’s enough socializing for a lifetime.”

“Lucky me, I guess,” you roll your eyes. 

He smirks in response, taking a sip of his coffee. “Yeah, lucky you.”

four. 

After breakfast, you head back to your dorm to grab your things. Tsukishima scrolls through his phone, making an occasional snide comment about whatever nonsense he comes across on Twitter. You pack your bag with your notebook, laptop, and a few pens—desperation fuels organization, and you can’t afford to leave anything behind.

The walk to the library is filled with light-hearted banter, and soon enough, you spot Yachi waving at you from a corner table. She’s already got her laptop out, a notebook filled with neat handwriting open next to her, and you skip up to the table. 

“Hi baby girl,” you coo lovingly as you give your friend a hug. Tsukishima gives Yachi a polite nod before sliding into the seat across from her, leaving you to fill the middle one. “Thanks for meeting us before your shift.”

“Of course! I’m really excited about this project,” Yachi beams, her cheeks slightly pink from your affectionate greeting. “I’ve been reading over the script and it’s just so lovely. I can’t wait to get started.”

And this, everyone, is why you adore Yachi Hitoka with your whole heart. You would actually dropkick your best friend off the face of the earth for her, and that is not an exaggeration.

Tsukishima sighs, reaching into your bag to pull out your laptop; he settles it on the desk and pries it open for you. “Let’s get started.”

His impatience makes you roll your eyes, but nonetheless, you click to the latest draft of the script and slide it over for your Blondes™ to see. “Here’s what I’ve got so far,” you say, pointing at the section still titled SCENE 1 DARFGT :P from when you wrote the first six pages over the course of an all-nighter. “The first scene sets the tone for our whole film, and I’m thinking of having it outside the library, so get used to this café.”

“As if we don’t already spend half our time here,” Tsukishima deadpans, but he leans closer to the screen anyway. You watch the way both of them take in the script, their gazes fixed on the document as they read through the lines. 

He looks visibly relieved as he scrolls through the very short document; it’s a mess of director and action notes because you have a very specific vision in your head that you want to execute. “It doesn’t have much dialogue because I want it to be focused on the little details that show your initial connection,” you say as they near the end of the script. “Y’know, body language. The way you look at each other. Your expressions.”

Momentarily, you pause to read their reactions; you’re minorly concerned because acting is actually the hardest part of the job, even if memorizing dialogue does suck. Thankfully, Yachi’s eyes visibly light up, and she chirps cheerily, “I love that! It feels very natural and genuine; I think that’s beautiful.”

Her reassurance makes you kick your feet like Sofia the First because she says it in a way that feels completely real. 

Tsukishima, on the other hand, does not acknowledge this statement: he’s too busy raising his stupid eyebrow and smirking as he reads scene four. He drags his finger over the screen, where the line reads Interior - Dorm Room - Night. “Okay, first of all, very original,” he snorts. “But second, you volunteered my place without asking me? How very presumptuous of you.”

“Well, I have roommates,” you say, really emphasizing that last word because you want him to feel as stupid as he looks smirking like that (he looks very annoyingly pretty with his cat-like simper). You know he doesn’t actually care about the usage of his studio: he just loves seizing the opportunity to mock you.

Your internal irritation clearly goes ignored by him, because he just grins as he continues to blissfully dissect your script. “And ‘they kiss passionately’? Really going for the heartstrings, aren’t you?”

“It’s called intimacy, Kei. It’s a crucial part of developing the relationship on screen.”

Yachi, ever the peacekeeper, nods eagerly. “I think it’s really sweet. It’s important to show the depth of their connection. The close-ups will make it feel very personal.”

“Sure, whatever you say,” Tsukishima says, raising an eyebrow, his expression still amused. He gestures to the next few pages—blank sans the text DJEJSJSJDJ PAIN, because again, you spend a lot of time writing during deranged all-nighters. “But what’s with the cut to black right after? Did you run out of ideas?”

You bite your lip. “I haven’t finished the ending yet. I want to see how you two portray the characters and their chemistry before I decide how it concludes. It’s not just about the script; it’s about the emotions you both bring to the roles.”

“You mean you’re winging it.”

“Creatively winging it, yes,” you roll your eyes. “It’s a work in progress, and I trust you two to help bring it to life.” 

Tsukishima rolls his eyes, but there’s a hint of a smile tugging at the corners of his mouth. “Alright, I’ll give you that. But if I have to make out with Yachi and you cut it short, I’m going to hold it against you.”

Yachi blushes, but she’s smiling too. “I’m sure it’ll be great. We can practice and make sure it looks natural.”

“Thanks, guys,” you beam at them both, grateful for their willingness to dive into your project. 

As antsy as you were, the film’s got a lot going for it—Yachi is a sweet, earnest cutie pie and Tsukishima is… well, him, so their contrast will hopefully make for compelling cinema. And the word compelling is honestly enough—those three syllables are truly music to a film major’s ears.

***

By the time you finish at Crow’s, the sun has already dipped below the horizon, casting a dusky glow over the campus. Tsukishima predictably gets ready to walk you home; he shoves his hand in his jacket’s pocket and tries to look nonchalant, so obviously you tell him he looks stupid, to which he promptly flips you off. Rude. Some people just don’t know how to appreciate honesty.

Yachi’s already headed off to her shift at the café, so you two are left alone, navigating past other tables to the library doors. The evening air is cool, a welcome contrast to the warmth of the crowded café; you walk in companionable silence for a while, the only sounds being the rustling leaves and the distant chatter of other students.

He walks you to your gate, and you’re honestly about to just head inside, but you pause in your tracks because he deserves to hear it twice. 

“Kei,” you say softly, breaking the silence. “Thanks again. It really means a lot to me.”

He looks at you, his expression unreadable. “I know. That’s why I’m doing it.”

You blink up at him, momentarily thrown off by his directness. Tsukishima isn’t the type to say things he doesn’t mean—he’s never been one for flattery or unnecessary kindness. And yet, there’s something about the way he says it, the quiet certainty in his voice, that makes your heart do something stupid in your chest.

Tsukishima Kei cares about you. No matter how much he pretends otherwise, you know he’ll be there for you when you need it most. If twelve years have taught you anything, it’s that he’ll do it reluctantly, begrudgingly, but he’ll be there for you. 

He always has.

five. 

The first day of filming is, somehow, going smoothly.

You’re not sure if you should be suspicious of this. Typically, film shoots involve at least three things going horribly wrong within the first twenty minutes. A mic cutting out. A location suddenly getting overrun with people. A key actor arriving late because they forgot their costume at home.

But today? Today, things are working. The morning light is perfect, the sound equipment is cooperating, and most importantly, Tsukishima and Yachi are actually… really good together.

Which is a huge relief, because you were honestly half-convinced you’d have to wrangle the emotional chemistry out of Tsukishima with sheer force. But watching them run through the first scene on the bench outside the library, you realize you don’t have to do much at all.

He’s relaxed, leaning back with an elbow draped over the back of the bench, his eyes sharp and calculating as Yachi speaks; she’s perfect for the blushing, hesitant-but-artistic old soul character you want to portray and he takes to his role just as quickly. There’s something natural about the way they interact—the slight hesitations, the way he looks at her before speaking, the subtle smirk that plays at his lips when she nervously tucks her hair behind her ear.

It’s not forced. It’s not awkward. It’s just real.

You bite your lip, watching through the camera screen as Yachi delivers her next line, her voice soft, a little unsure. Tsukishima’s response is barely above a murmur, but it carries, even in the open air. The way he’s looking at her—that’s what makes it work. It’s the kind of gaze that makes people believe in love stories. 

Holy shit. This might actually be good.

“Cut!” you call, your voice a little breathless as you lower the camera. Yachi blinks up at you, a little startled, before breaking into a smile.

“Was that okay?” she asks, a hint of uncertainty in her tone.

“More than okay,” you say, grinning as you step over to them. “You guys are killing it.”

Yachi lets out a relieved laugh, cheeks pink. “Oh, thank god. I was worried I looked weird.”

“Nope. You look like the perfect indie film love interest.” You pat her on the shoulder before glancing at Tsukishima, who raises an eyebrow at you.

“What?” he drawls.

“You’re actually trying.”

He scoffs. “Yeah, because I’m not going to embarrass myself on camera.”

“Right,” you deadpan, smirking. “Nothing to do with the fact that you two have, like, the easiest natural chemistry I’ve ever seen.”

Tsukishima rolls his eyes, but you catch the way his jaw ticks slightly before he stands up, stretching. “Are we done here? Or are you going to keep talking?”

Impatient idiot. You snort and go to collect your camera and sound system, and together, you all head off to film scene two.

***

The second scene of the day takes place in the small, naturally-lit art studio on campus. It’s not often used, especially not on the weekends, now that the university’s built the big fancy modern art building in the north campus, but it’s perfect for this scene. You wanted something intimate, somewhere that made the world feel smaller, quieter, to parallel the deep intimacy of a relationship (wow, look at you talking like a true film bro). A space where the characters could be alone, even if they weren’t saying much.

Tsukishima sits at the table, his hands idly flipping through a sketchbook that’s just a prop, though you think it suits him weirdly well. Yachi’s holding a paintbrush, standing near the window, looking at a half-finished canvas, the soft glow from outside catching the strands of her blonde hair just right.

“Alright,” you say, stepping back behind the camera. “Tsukishima, this scene is mostly you watching her. Yachi, I want you to look like you’re lost in thought. You’re thinking about something big, but you’re not sure if you want to say it.”

Yachi nods, exhaling as she settles into place. Tsukishima just leans on his elbow, glancing at her through his glasses, waiting.

You call action. And for a moment, the room changes. It’s not just a studio anymore. It’s a quiet, suspended moment in time.

Tsukishima watches Yachi, and you can’t look away. The way his gaze lingers, not quite analyzing, not quite soft, but something in between. The way Yachi’s fingers trace the edge of the painting, distracted, unaware of the way he’s looking at her. The way they look so perfectly together, like halves of a whole, like something that’s meant to be.

It’s... breathtaking.

You swallow, suddenly feeling warm.

They’re good. Too good.

“Cut,” you say softly, your own voice sounding a little distant.

Tsukishima looks up at you immediately, brows slightly furrowed, like he’s searching for something in your expression. Yachi, however, simply exhales a breath of relief, breaking into a small laugh. “That felt really real,” she says, beaming.

“It was really real,” you admit, trying to shake the weird feeling creeping up your spine.

Wow, honestly. They must be some of the best actors you’ve ever met. If you didn’t know better, you would think they were actually in love.

six. 

The blinking cursor on your laptop is mocking you. 

It’s a tiny, relentless metronome ticking away the seconds, reminding you of your failure to move forward. You glare at the half-finished sentence on the screen, fingers hovering over the keyboard, willing your brain to conjure anything—literally anything—that makes sense.

You had an ending in mind—of course you did. The perfect, soft, cinematic conclusion to your film. A final shot drenched in golden light, delicate and lingering, like a whisper against a bruise. The kind of scene that settles into the chest like an old song or a half-remembered dream, stirring something deep and unshakable. The culmination of all those quiet, electric moments between your leads, woven together into something fragile and honest.

Except every single draft you’ve attempted so far? Complete garbage.

You groan and throw yourself back against your chair, rubbing your hands over your face in frustration. Why does this feel impossible? You should’ve known writing the ending would be the hardest part. You’re always better at beginnings—openings are easy. Openings are full of possibilities. But endings?

Endings mean making a choice.

And right now, you have no fucking idea what choice to make.

As if on cue, summoned by your misery, your door swings open without warning, and Yukie strides in like she owns the place. Which, to be fair, she practically does—she and Kaori have an open invitation to barge in at any time, and they use that privilege liberally.

“Please tell me you’re taking a break from that thing,” she says, nodding toward your laptop as she flops onto your bed. “You’ve been staring at it like it’s personally offended you.”

“It has personally offended me,” you mutter back, head caught between your hands, visibly in distress. “I’ve rewritten it like five times, and it still feels wrong.”

Yukie hums, but her attention drifts toward your open script document, skimming the words with the sharp, practiced gaze of someone who enjoys knowing things before you tell her. A beat later, her eyebrows shoot up.

“I still can’t believe you’re letting Yachi and Tsukishima film together,” she says, lips curving in a smirk.

You glance at her, confused. “Uh, yeah? They’re the leads? Kind of an important part of the whole thing?”

She rolls onto her side, propping herself up on one elbow, expression downright mischievous. “No, I mean… you don’t think it’s a little risky?”

You blink. “Risky how? Like existentially?”

Yukie snorts. “No, dumbass. I mean, don’t you think it’s easy for co-stars to catch feelings for each other? Like hello? Zendaya and Tom Holland broke the Spiderman-MJ curse cause of it.”

“Oh c’mon,” you scoff immediately. “Kei and Yachi? Please. He’s the human equivalent of a hazard sign, and she’s literally an angel.”

“And opposites attract,” Yukie sing-songs, wiggling her eyebrows like she’s just cracked some grand conspiracy.

“Not like that. It’s literally just acting.”

Yukie tilts her head, looking entirely too entertained by your dismissiveness. “You say that, but it’s not uncommon. You spend enough time pretending to love someone, and eventually, it stops feeling like pretending.”

You open your mouth to retort—but for some reason, your brain short-circuits. The words are there. They’re on the tip of your tongue. But they won’t come out. Because now you’re thinking about it.

Tsukishima and Yachi. Together.

It’s ridiculous, obviously. Tsukishima is sarcastic and emotionally constipated, and Yachi is sweet and nervous and actually respects people’s feelings. They make sense on screen, sure—chemistry is chemistry, and that’s what acting is for. But in real life? You can’t even picture it. Matter-of-fact, you shouldn’t even be picturing it.

And yet, something uneasy churns in your stomach, and you shift in your seat, suddenly feeling uncomfortable in your own skin. No, this is stupid. You’re overthinking. Yukie’s just stirring up unnecessary drama because that’s what she does when she’s bored.

“It’s fine,” you say, voice forcibly even. “They’re just acting. Besides, you really think Tsukishima of all people would catch feelings for someone just because of a film?”

“Mmm.” Yukie hums, neither agreeing nor disagreeing. “You say that, but you’re weirdly defensive about it.”

“I’m not defensive,” you snap, too fast, too sharp. A mistake.

Yukie’s smirk deepens, and you hate her for it. She swings her legs off the bed, stretching like a cat. “When you’re done pretending you’re not in denial, dinner’s ready,” she chirps, sauntering toward the door.

You roll your eyes. Classic Yukie. Your roommates are simultaneously your greatest strength and your worst influence; they know you inside and out, and unfortunately, that means they never let you run from your own feelings. They’ve been convinced for years that you’re in love with your best friend, which is laughable. Delusional, even.

And yet.

The thought lingers longer than it should, trailing after you like a shadow as you trudge to set for the first day of filming.

You tell yourself it’s just curiosity when you glance Tsukishima’s way. Just morbid fascination when you catch the way his gaze lingers on Yachi between takes. Just professional interest when you watch how his sharp, unimpressed scowl softens—barely, just a fraction—when she nervously stumbles over a line, and he mutters a quiet correction, his voice steadier than you expect.

It’s just good acting, you reason. Nothing more.

Because Tsukishima is your best friend. And that’s all he’s ever been, all he’s ever going to be. You tell yourself that, over and over and over again, trying to make it feel like the truth. But for some reason, despite all your effort, it doesn’t, and it bothers you in a way that it wouldn’t bother friends that are purely just platonic.

seven.

“You look like shit.”

You rub your eyes, very conscious of the fact that you’re sporting dark eye bags and a goofy-ass fit. Your hoodie is three sizes too big, your sweatpants have a suspicious stain on them from an unknown source, and your hair looks… actually, you don’t even want to talk about it because it really is that bad. You blink up at Tsukishima, who has somehow managed to find you after your afternoon lecture, looking disgustingly well-rested and put-together as always.

“Thanks,” you deadpan, shouldering your bag. “Great to see you too, Kei.”

Tsukishima rolls his eyes but doesn’t move out of your way. Instead, he tilts his head slightly, studying you with that keen, observational gaze of his. “Seriously. Are you okay?”

You pause, thrown off by his genuine concern—normally, he’d just mock you and move on, but there’s a sharpness to his tone today, like he actually cares. Maybe it’s because you’ve barely been outside in the last few days, much less seen him and Yamaguchi. Now that you’ve made it through over half of the film’s scenes, you’ve already started editing it together (arguably the worst part of being a self-produced film student: the excessive time spent with Adobe Creative Cloud). You hesitate, then sigh. “Just tired. I’ve been working nonstop, and I still haven’t figured out the ending.”

He lets out a long-suffering sigh, crossing his arms. “Why do you always do this to yourself?”

“I thrive under pressure.”

“You thrive off caffeine and bad decisions.”

“Same thing,” you mutter, rubbing your temples. “Look, I’ll figure it out. Eventually.”

Tsukishima doesn’t look convinced, but instead of pressing further, he reaches into his pocket and pulls out his car keys, holding them up with a lazy shake. “C’mon.”

You blink. “Huh?”

“You clearly need a break. Let’s go.”

You frown at him, confused. “Go where?”

“Does it matter?” he counters, raising an eyebrow. “I swear to god, if you go back to your dorm and stare at your screen for another five hours, you’re gonna lose whatever brain cells you have left.”

You open your mouth to argue, but you know he’s right. Your brain is fried, your eyes are starting to blur from staring at a screen all night, and you could really use some air. So, with a dramatic groan, you give in. “Fine. But if you take me somewhere boring, I’m jumping out of the car.”

“Noted,” he says dryly, shoving his keys back in his pocket before turning on his heel. “Now move it.”

***

The drive is familiar, comfortable. You don’t even ask where he’s taking you because, honestly, he’s right: it doesn’t matter. Being in his car like this feels natural, like muscle memory.

You remember when he first got his license, the first of you three to do so. Akiteru had gifted him a car to use once he did, an old but functional, clean and simple one, much like him. At the time, it had felt like the biggest deal—suddenly, Tsukishima had a ticket to freedom, and by extension, so did you and Yamaguchi.

You can still picture those early drives vividly: the three of you packed into the car, Yamaguchi in the passenger seat nervously checking the map while you sprawled in the back, shouting ridiculous directions just to mess with Tsukishima. He always acted like he hated it, threatening to pull over and leave you on the curb, but he never actually did. 

There were the late-night drives to nowhere, just because none of you wanted to go home yet. The ice cream runs in the middle of winter, sitting in the parking lot with the heater cranked up as you argued over movie rankings. The way Tsukishima always kept one hand on the wheel, the other fidgeting with the volume knob, adjusting it up or down depending on whether he was feeling indulgent or annoyed by whatever you were blasting through the speakers.

You remember one time, when a storm had rolled in suddenly and you got caught out in the rain on the way back from a late study session; he’d picked you up after you spam-called him seven times. Tsukishima pulled up to the curb in front of your house, the wipers barely keeping up with the downpour, but for some reason, instead of rushing out of the storm into your apartment, you’d just sat there for a while, listening to the steady rhythm of the rain against the car roof. He hadn’t told you to get out, hadn’t asked why you were lingering. He just turned up the music, leaned back, and let you stay.

The cityscape blurs past the windows as the car hums beneath you, the low rumble of the engine mixing with the sound of the playlist Tsukishima has quietly playing in the background. You recognize the song instantly—it’s from one of your old shared playlists, one you made together back in your first year of high school.

You glance at him, but he keeps his eyes on the road, one hand on the wheel, the other resting lazily against the gearshift. His sweater is vintage, made of a gorgeous dark green wool that you had been ecstatic to find when you first took him to your favorite thrift store back home; it looks good contrasted with his blond hair and fair skin. His usual stoic expression is softer in the evening glow, illuminated by the street lamps lining the road. 

God. Have his eyes always been able to capture the city lights like that? 

***

Tsukishima drives for what feels like forever, but when he finally pulls over, it’s basically where you started: an empty parking lot, outside of your favorite convenience store because they’re open late and always stock freshly-made to-go onigiri. It’s owned by a sweet old woman, so double points; you two have been coming here since the start of your freshman year. 

He throws the car in park and gives you a look. “You coming?”

You sigh dramatically but unbuckle your seatbelt, stepping out into the cool night air. The store’s neon sign hums quietly, casting a soft glow over the pavement.

As soon as you step inside, the familiar scent of warm rice and miso greets you, and you immediately relax. Tsukishima heads straight for the onigiri section, while you linger near the drinks, debating between a matcha latte and a cappuccino.

“You’re getting the matcha,” Tsukishima calls over his shoulder, barely even looking up.

You roll your eyes but grab it anyway, because yeah, he’s right. You join him at the counter, where he’s already placed two onigiri on the register—one salmon, one tuna mayo.

“You know my order,” you say, amused.

He shrugs, handing over his card to pay before you can argue. “You never change it.”

The words are casual, offhanded, but something about them settles deep in your chest. You look at him, at the way he’s effortlessly familiar with your habits, your preferences, your life.

And for some reason, that makes your stomach twist.

eight. 

You tear into your onigiri, letting the familiar taste of salmon and warm rice settle on your tongue. The quiet hum of the city surrounds you both as you sit on the hood of Tsukishima’s car, drinks resting beside you. The neon glow of the convenience store sign flickers in the periphery, casting long, gentle shadows over the pavement; the night is cool but not biting, the breeze rustling the stray napkins you’d forgotten beside you.

The conversation flows lazily, touching on everything and nothing at once—complaints about professors, Yamaguchi’s latest doomed tutoring attempts with Hinata, Tsukishima’s upcoming project on primate evolution that he absolutely does not care about. It’s easy, the way it always is, but there’s a weight pressing against your ribs, something you can’t quite name.

Then it slows. After a beat, you sigh, staring out at the dim glow of the streetlights. “I think I might change the ending.”

Tsukishima shifts beside you, glancing at you briefly before turning back toward the night sky. You don’t even have to specify: he knows what you’re talking about. “Yeah?”

“I wanted a happy one,” you admit, your fingers picking at a loose thread on your hoodie. “But I don’t know if it fits. Every version I write feels fake. Too neat. Too… easy.”

He’s quiet for a moment, taking a slow sip of his drink before shrugging. “Then don’t force it. If it’s not working, make it ambiguous.”

You scoff, shaking your head. “It’s not that simple.”

“It is,” he argues, stretching his long legs out in front of him. “People like things that feel real. If you’re struggling this much, maybe that’s your answer.”

You chew on his words, considering. Maybe he’s right. Maybe an open-ended conclusion is the answer—letting things linger, unresolved but full of possibility. But something about that unsettles you, like leaving something unfinished, like waiting for something that never comes.

And then, it clicks: how to leave it ambiguous without being unfinished. 

You exhale, pressing your phone’s power button and watching the screen light up, a blank notes app staring back at you. Your fingers hover over the keyboard before you start typing, the inspiration finally clicking into place. You can already see the scene in your mind—the way the light will filter in, the subtle expressions, the carefully chosen silence between words.

Tsukishima watches you with mild amusement, his lips quirking up just slightly. “Are you seriously writing right now?”

“Shut up,” you mumble, furiously typing. “You said something smart for once, and now I have to take advantage of it.”

He snorts. “You wouldn’t survive without me.”

You roll your eyes, but deep down, you know he’s right. The thought lingers, unspoken. How many times has he done this? Pulled you out of your own head before you spiraled, pushed you to do better, reminded you—without ever really saying it—that you aren’t alone?

The words on your screen blur slightly. Maybe it’s just the neon lights. Maybe it’s something else.

Then, softer, almost offhand, he says, “You know, if it’s really bothering you this much, maybe it’s because you want it to mean something.”

Your fingers still over your screen. The words sit heavy in the air, pressing down on you with a weight you can’t quite place. You look up at him, but he’s already turned back toward the city, his expression unreadable.

nine.

You think that you need a distraction. A long walk, or a snack, maybe. Or better yet, what you actually really want: a frontal lobotomy. 

Instead, you have filming.

Which is, honestly, the opposite of helpful when your current goal is to shove all of your weird, unwelcome, inexplicable feelings into the deepest recesses of your mind. It’s awful, but now that you’ve started to see your best friend in a whole new light, it’s really all you can think about. Therefore, you cope as you always have: running from your problems. You’ve been distant the last few days. You’re responding less, cancelling on your weekly study sessions, sprinting out of your lectures before he can catch up to you. You’ve even been ghosting Yamaguchi out of proximity. 

But you can’t do that today. Because today, you’re shooting one of the final sequences—the rooftop scene. The one drenched in soft intimacy, lingering glances, and unsaid words thickening the air between them. The one where Tsukishima and Yachi have to act like they exist in their own world, where nothing and no one else matters.

You try not to think about it too hard.

The rooftop set is perfect. The city sprawls beneath them, lights flickering like stars, a mirror to the actual night sky above. Yachi’s already in position, sitting at the edge, her posture relaxed but poised. Tsukishima is beside her, long legs stretched out, hands lazily resting on his lap. The camera is set up, framing them beautifully against the endless stretch of buildings and sky.

You call action, and for a while, it’s fine.

Yachi takes a slow drag of the cigarette (a prop one—she refuses to even come close to tainting her lungs), the smoke curling up between them. Her voice is soft, contemplative, as she delivers her lines. Tsukishima exhales smoke into the night, his face not particularly expressive but not detached. He’s… engaged. Focused. Too focused. There’s something in the way he looks at her that makes your chest tight, even though you know, know, it’s just acting.

Still, the words he says don’t feel like lines. Not when his voice dips just slightly, not when his eyes linger on her face.

“Maybe,” he says, his tone quieter than rehearsals, “but some moments leave imprints on our souls. They’ll last forever in our hearts.”

The air shifts.

Yachi leans her head on his shoulder. The city hums below them. The scene is exactly as you envisioned it, the kind of moment that pulls people in, that makes an audience believe.

And yet, it feels like you can’t breathe.

The worst part is that it isn’t even that bad—no, you get through the scene just fine. No one else notices the way your stomach churns, or the way your hands tighten around the back of the director’s chair. No one notices that the words aren’t just dialogue in your head anymore, that they feel… wrong, out of place, too much.

It isn’t until Tsukishima reaches out, without prompting, without direction, and brushes a loose strand of hair out of Yachi’s face that you realize you actually feel sick.

It’s not scripted.

The camera catches it perfectly, a soft, natural movement. The kind of instinctive touch that makes a scene feel real. Your breath stutters in your chest. And then, as if that wasn’t enough, he leans in slightly, pressing the briefest kiss to her forehead before pulling back, the ghost of a smile on his lips.

Not in the script.

Not in the goddamn script.

“Cut,” you say, too quickly, your voice tighter than you mean it to be. You clear your throat, forcing a neutral expression onto your face when both of them glance toward you. “That was—good. Really natural.”

Yachi beams, a little shy but pleased. “It felt nice, actually. He made it really easy to stay in the moment.”

You swallow down whatever the hell it is that rises up in you at that.

Tsukishima doesn’t say anything. He just watches you, sharp and unreadable.

Your fingers curl into your palm. “I think we’re done for tonight,” you announce, forcing a yawn into your voice like exhaustion is the reason you need to leave so badly. “I’ve got a migraine coming on, and we still have to film the passion scene this weekend.”

Yachi nods easily, already stretching out her legs, but Tsukishima’s expression darkens slightly.

“You sure?” he asks, low enough that only you hear it.

You nod quickly, avoiding his gaze. “Yeah. Just need sleep.”

He stands, brushing invisible dust from his jeans, and you know what’s coming before he even says it. “I’ll walk you back.”

“No!” you panic, waving your hands wildly. “Kaori’s picking me up.”

It’s a lie, an obvious one, but you don’t care. You grab your bag and sling it over your shoulder before he can question it. “I’ll see you guys later.”

Then you leave, practically sprinting out, before he can say anything else. Before you have to deal with whatever the hell this is, whatever it means.

Because if you stop to think about it, even for a second, you’re pretty sure you’ll break.

ten. 

Midway through your most recent homework assignment (dissecting the art behind the glorious film Cars—the best Disney movie out there, fight with the wall), your phone vibrates against your nightstand. The screen flashes the text message that’s popped up, but you don’t even need to check to know who it is: it’s a notification that you already know you don’t want to see.

(11:12 PM) kei :P: are you avoiding me?

You stare at the text, thumb hovering over the keyboard, your mind spinning with an answer that won’t sound like a complete lie. The problem is, you are avoiding him. You’ve been practically stonewalling him, dashing away inconspicuously whenever you know he’ll be nearby, and it’s getting obvious. He knows it. There’s no use pretending otherwise, but the idea of confronting it—confronting him—makes something anxious curl in your gut.

You sigh, flopping onto your bed, one arm draped over your eyes as you try to gather your thoughts. Your fingers type out a response before you can overthink it.

(11:15 PM) y/n: no? y/n: i’m j busy lately u know that

The three dots appear, then disappear. Reappear, then disappear again. He’s debating his response, and for some reason, that is terrifying. Then it buzzes.

(11:21 PM) kei :P: right.

It’s short. Barely anything at all. But you know him, and you know exactly what that one-word response means. He doesn’t believe you. He’s letting it go for now, but he isn’t letting it go entirely. The thought unsettles you more than you want to admit.

Your room feels suffocating suddenly, like it’s pressing in on you. You glance around, searching for something—anything—to keep your mind occupied, but all you find are pieces of him.

Tsukishima had helped you move in, so he has a fundamental part in the whole place already, but when you look even closer, he’s really in the details. There’s the framed picture on your desk from your high school graduation, his hand resting lazily on your shoulder as Yamaguchi beams from besides you. There’s a hoodie draped over your desk chair, long since stolen from his closet during a late night out that never got returned. There’s a battered copy of Normal People by Sally Rooney tucked into your bookshelf, its pages creased and worn from the way he always mindlessly flipped through it when he came over. 

It never seemed evident until now, when you’re trying so hard not to think about him, to not let him occupy a space that he’s so clearly always kept filled, but now that you see it, it’s simple: Kei has been a part of your life for as long as you can possibly remember. He’s always been there, from the very moment your family moved into the house next door to him when you were seven. He’s in your daily routine. If you turned on your phone right now, it’d open to a picture of you three; if you were to open Spotify, you’ll find your blend at the very top of your pinned playlists. 

He’s everywhere. He’s everything. Tsukishima Kei is worn into your very bones, into every single cell, written into every little part of your being. 

Your fingers tighten around your phone, and for a moment, you consider texting him back. Saying something real. Something honest.

Your gaze flickers to your desk, to the script sitting on top of a stack of notebooks. The ending you rewrote stares back at you, the words bold and final.

Scene 6 Exterior - Rooftop - Sunset Yachi returns to the rooftop, now alone. She sits on the edge, looking out at the city. The sun sets, casting a warm glow over everything. She takes out a cigarette and lights it, inhaling deeply. Cut to: Tsukishima, walking through the city streets, the sunset reflecting in his eyes. He pauses, looking up at the rooftop where Yachi is sitting. The screen fades to black. Text on screen: “We’ll be there at the end of the world, together as the stars go out.”

The moment your professor read it, she called it striking. Said it felt honest. That the ache in the words felt real, like someone had lived it.

But you didn’t just write it. You felt it.

Because if the world were ending, if the stars were truly burning out—there’s no question where you’d be. Who you’d be with.

And yet, here you are, running.

You inhale sharply, pressing the heels of your hands against your eyes.

With the weight of twelve years of friendship comes the obligation to not let it go to waste: you are terrified of what a confession could do. You can’t even imagine what a world without Kei looks like; you would honestly rather die than lose him. And well… admitting your feelings could very well mean losing him. 

Then again, you could very well lose him too if you keep ignoring him and running away. You just need to come up with some way to either 1) get over your feelings, or 2) explain to your best friend that you’ve suddenly started having inexplicable dreams about him and feeling the urge to kiss him. 

You mean, how hard could it really be?

eleven. 

Evidently, very difficult. 

You’re standing outside the door of Tsukishima’s flat for the first time in days, feeling like you might actually throw up. You have the horrible urge to cancel. Maybe you should turn around. Maybe you should fake food poisoning. Maybe you should suddenly develop an urgent need to flee the country.

But no. You can’t do that. This is your film, your project, your fucking grade on the line. You can’t just run away forever.

So you’re here. And you take a deep breath before you knock, because your heart is hammering like you just ran across campus, and it only picks up when the door swings open.

And then he’s there too—Tsukishima, standing in the doorway of his apartment, hair still damp from a shower, hoodie hanging loose on his frame. His glasses slide down his nose just slightly, and for a second, he just looks at you, eyes scanning your face, your posture, like he’s already found something off about you.

“You’re early,” he says, stepping aside to let you in.

You nod, stepping over the threshold, hyperaware of the way the air inside feels different—warm, his, thick with something you don’t have the words for.

“Wanted to set up before Yachi gets here.” Your voice is steady, detached, the way it should be.

It’s not a lie, not entirely, but it’s not the truth either. The truth is sitting in the space between you, glaring and heavy, pressing in like the weight of an oncoming storm.

He hums in response but doesn’t say anything else. Tsukishima doesn’t move, doesn’t drop his gaze. His arms are crossed, his posture lazy, but there’s something pointed about the way he’s looking at you—sharp, analyzing, like he’s cataloging every tell, every avoidance, every reason why you’re standing here instead of texting some excuse from the safety of your dorm.

You drop your bag near the couch and move to set up your camera, your hands moving automatically as you avoid his gaze. The apartment smells like him—coffee and citrus, faintly like that stupid expensive detergent he swears isn’t a luxury purchase but definitely is. The scent is so him, so familiar, that it makes your stomach flip.

And then he speaks.

“What’s going on with you?”

You freeze.

It’s not accusatory, not sharp, just… careful. Measured. Like he’s trying to get an answer without pushing too hard. Which, honestly, is worse than if he had just called you out directly.

You force yourself to keep your hands steady, adjusting the camera’s angle. “Nothing. Just busy.”

His eyes narrow slightly. “Bullshit.”

Your stomach twists. The air in the room shifts, thickens.

He’s always been quick. Always been able to pick apart your bullshit before you even finish spinning it, before you can even convince yourself it’s real. And now, with those gold-flecked eyes trained on you, burning through every excuse you try to build between you… well, you’re drowning.

His voice is steady, but edged with something dangerous. “I don’t know what your problem is, but if you think I haven’t noticed, you’re dumber than I thought.”

Your breath hitches in your chest.

For a second, you want to tell him. Everything. The thoughts, the jealousy, the confusion that’s been clawing at your throat for weeks. You hate that he knows you this well, that he can see through you so easily. You hate that he’s giving you that look, the one that says I’m waiting for the truth, waiting for you to finally be honest, and you hate, hate, that you don’t know what to say. 

But then, the door swings open. Yachi steps in, breathless and smiling. “Sorry I’m late!”

The moment shatters.

You exhale, stepping back, forcing a smile as you greet her, ignoring the way Tsukishima is still watching you. He goes still, expression unreadable. And then—just like that—his face smooths out, his posture relaxes, his hands sink into his hoodie pocket like nothing happened at all.

“Let’s get this over with,” he mutters.

You nod too quickly. “Yeah. Let’s start.”

If you want to make it through a whole scene of them making out for three minutes, you have to stop looking at your best friend. His amber eyes, under his layer of concern, confusion, and annoyance, are filled with hurt, and your stomach feels like it’s being ripped out, torn to fucking shreds, to see him like that. 

So you avert your gaze, stubbornly keeping your eyes on Yachi and your camera, and set up to film the scene.

***

The camera is steady. Your breathing, however, is not.

The apartment is dimly lit, the soft hum of music playing through the speaker, some indie song with melancholic chords that you once added to the shared playlist, long before this—before all of this—became something unbearable. It filters into the space like a ghost of a memory, like something familiar that you can’t quite place.

Yachi sits on the edge of Tsukishima’s bed, her hands folded neatly in her lap, waiting for direction, waiting for him. Tsukishima stands in front of her, tall and composed, his fingers flexing at his sides like he’s testing the weight of the scene before stepping into it. His shoulders are loose, his stance easy, his face unreadable. Too unreadable.

Too casual.

Like he’s trying to make it look effortless.

Like he’s making it look effortless for you.

Your grip tightens around the camera. The frame is perfect—low lighting casting long shadows, the soft golden glow from the bedside lamp catching on strands of Yachi’s hair, the curve of Tsukishima’s jaw. It’s intimate. Close. Exactly what you wanted.

It should be fine. This should be fine.

The scene is simple.

Close-ups of hands, of fingers grazing over fabric. Of a breath caught in the space between them. Of a moment stretched too thin, heavy with something unsaid.

And then, they kiss.

Your stomach lurches.

It’s instinct—the way your body reacts, the way something tightens in your chest like a vice, the way your nails press into your palm where you grip the camera. You tell yourself to look at the screen, at the framing, at the way their silhouettes fit together like pieces of a puzzle.

But you’re not looking at the shot.

You’re looking at him.

The way his head tilts slightly, the angle just right. The way his hand ghosts over the small of Yachi’s back before settling, fingers barely pressing into fabric. The way he moves slow, deliberate, like every part of him has been designed for this moment, like he’s meant to be here, kissing her, making it look real.

Making it feel real.

Your fingers tighten around the camera, but you don’t move.

The shot is perfect.

Tsukishima is slow, careful. One hand cups Yachi’s jaw, his thumb brushing lightly across her cheekbone, his other resting against her waist, anchoring her in place. He leans in, the motion seamless, practiced, lips pressing against hers with just enough pressure to make it believable.

Your chest feels like it’s caving in.

It’s nothing. It’s just a film. It doesn’t matter. He doesn’t care.

But you do.

The words sit at the back of your throat like acid, thick and burning, because this is what you wanted—this is what you asked for—and yet you can’t seem to convince yourself that you’re okay with it.

You should be focusing on the technicalities. On the way the lighting frames them, on the way the movement aligns with your vision, on the way Yachi’s fingers twitch against his hoodie like she’s nervous, like she’s fully immersed in the moment.

But all you can focus on is him.

The way his eyelashes flutter for half a second before he closes his eyes.

The slow exhale against Yachi’s lips.

The way his grip shifts against her waist—just slightly, just barely, like he’s grounding himself. Like he’s steadying his breath, like he’s trying to remember it’s acting.

Something inside you twists, sharp and visceral, something so wrong it makes your stomach ache.

Your fingers are shaking.

And then, the worst part: Tsukishima tilts his head further, deepening the kiss.

Your breath catches.

It’s instinctive, automatic, the way your entire body tenses. You barely realize what you’re doing until the words leave your lips, unbidden, a little too fast, a little too urgent.

“Cut.”

The word slices through the air like a blade.

Tsukishima pulls back immediately, blinking, like something had momentarily snapped.

Yachi exhales, touching her lips, a little dazed, but then she laughs, easy and light. “That felt really natural.”

Natural.

The word rings in your ears, cold and foreign, something heavy and nauseating settling in your stomach.

Natural.

You feel like you’re going to throw up.

Tsukishima is still looking at you. Not at Yachi, but at you.

His expression isn’t unreadable anymore. It’s something else—something unread, something searching, something sharp enough to make your skin burn under the weight of it.

You swallow, forcing your voice into something neutral. “Yeah. That was good. Really… natural.”

Yachi grins, stretching her arms. “I have to run—I promised Hinata I’d help him study tonight.”

You nod too quickly. “Yeah, yeah, of course. Go ahead.”

She gathers her things, slings her bag over her shoulder, completely unaware that the air in the room is thick with something else, something unspoken, something unraveling.

The door clicks shut.

You inhale.

You should leave too, right now. You should grab your bag, make up some excuse, and go.

But before you can even think about moving, a hand wraps around your wrist, and drags you back in.

twelve. 

The door clicks shut behind Yachi, but the weight in your chest doesn’t lift. If anything, it gets heavier, pressing against your ribs like an iron hand squeezing the air out of your lungs. You force yourself to breathe, force yourself to move, force yourself to not think about the way Tsukishima had looked at her, had touched her, had—

A hand wraps around your wrist.

You freeze.

Tsukishima tugs, firm but not rough, pulling you back before you can escape.

Your heart stutters.

“What the hell is going on with you?” His voice is low, controlled, but there’s something underneath it—frustration, confusion, anger.

You try to twist your arm away, but he doesn’t let go. His fingers tighten slightly, not enough to hurt, just enough to anchor you, to keep you here. You force yourself to look at him, to meet the sharp, burning gaze that’s demanding answers.

You swallow. “Nothing.”

His jaw clenches. “Try again.”

“Tsukishima—”

“No.” His voice cuts through the air, low and unyielding. “You’ve been acting weird for weeks. Avoiding me. Lying to me. Looking at me like I fucking killed your dog or something. Not even calling me Kei anymore. And then tonight—” He breaks off, exhaling sharply through his nose. His grip on your wrist doesn’t loosen. “What is your problem?”

The words sting, sharp and cutting, but the worst part is that he’s right. He’s right.

And you’re tired.

Tired of pretending it doesn’t bother you. Tired of biting your tongue. Tired of shoving down every ugly, twisting, unbearable feeling that claws at your throat.

So, suddenly, recklessly, you snap. “You! You’re my fucking problem!”

The words burst out of you like they’ve been waiting, desperate to escape, and suddenly, there’s no going back.

Tsukishima’s eyes widen—just slightly, just enough for you to see the flicker of shock before his expression hardens again.

“What?” His voice is sharp, almost mocking, like he’s daring you to say it again, to spell it out for him.

You rip your wrist from his grip, shoving him back a step. Your hands are shaking. Your heart is pounding.

“You don’t get it, do you?” The words come fast, breathless. “Do you even see what you look like? How easy this is for you?” Your voice wavers, thick with something too sharp to be just frustration. “How you can just— just kiss her like it’s nothing?”

His brow furrows. “It was a scene.”

“That’s not the fucking point!”

You shove him again, hands pressing against his chest, but he barely moves.

“I had to watch you,” you spit, voice cracking at the edges. “Watch you hold her like that. Watch you look at her like that. And I hated it, Tsukishima. I hated it.”

Something shifts in the air between you.

The anger is still there, but beneath it—something else. Something fragile and aching and real.

Tsukishima doesn’t speak. His lips part slightly, but no words come.

He’s staring at you, his expression unreadable, but his eyes—God, his eyes.

You inhale, shaking, your hands balled into fists. “I don’t know when it happened, or how, or if I’m just an idiot who took too long to figure it out, but I—” Your breath stutters. Your throat feels tight. Fuck, you shouldn’t be saying this. You shouldn’t be saying this.

But you do.

Because it’s too late.

Because there’s no running now.

“I love you.”

The words drop between you like stones in water, sinking deep, sending ripples through everything.

Silence.

You can hear your heartbeat in your ears, erratic and deafening.

Tsukishima stares at you. Gaping. Frozen.

Like the world just tilted on its very axis. Like the entire sky is tumbling down, like gravity is the sole thing keeping him on the ground. 

And then you panic.

“I—I didn’t mean—” Your voice shakes, your fingers twitch, you need to fix this, you need to take it back before you lose him, before you ruin everything—

But then he moves.

Fast.

His hands are on your face before you can breathe, fingers threading into your hair, tilting your head back.

And then he kisses you.

It’s not careful. Not controlled. Not measured, the way he was with Yachi.

This is something else entirely.

This is desperate. This is frantic. This is a storm breaking after years of tension, of longing, of something building between you that neither of you had the courage to name.

His lips crash against yours, stealing the air from your lungs, pulling a sound from the back of your throat that’s more relief than surprise. He kisses you like he’s been holding himself back for too long, like the second he let himself move, he couldn’t stop.

Like he’s been waiting.

Like he’s always wanted this.

The heat of his body devours you, swallowing you whole, pulling you under like a riptide you don’t want to escape. His hands slide down, fingers spreading against your waist, gripping tight like he’s afraid you’ll slip through his grasp. He tugs you forward, flush against him, so close there’s no space left, no room for doubt, no hesitation—only him, only this, only the way he’s holding you like he never intends to let go.

His mouth moves against yours with intent, deliberate and thorough, a silent demand, a confession with no words, just the press of his lips and the desperate, aching pull of his hands. He’s tasting, memorizing, mapping out every gasp, every shiver, every fragile part of you that has ever been his without either of you realizing it.

You make a sound against his lips, something caught between a sigh and a plea, and that’s all it takes—his grip tightens, his fingers pressing into your skin like he’s learning you by touch, like he needs you closer, closer, closer.

You melt into him. You break into him.

There is no hesitation when your hands reach for him, twisting in the fabric of his hoodie, clutching it like a lifeline, because you are terrified he’ll stop, that this will disappear, that he’ll come to his senses and—

But he doesn’t.

Because when you part, just barely, just enough to let air slip between you, Tsukishima chases after you.

His lips find yours again, softer this time, reverent, like he needs to remind himself that you’re real. That this is real.

That you’re not running anymore.

His forehead rests against yours, his breath uneven, warm, fanning over your lips in slow exhales. He doesn’t speak for a long moment, just lets the silence stretch, heavy and fragile and trembling with meaning.

Then, his voice—low, hoarse, something wrecked and beautiful.

“Say it again.”

Your heart stutters, something sharp and sweet twisting in your chest.

He pulls back just enough to look at you, amber eyes burning, raw with something you’ve never seen before, something almost pleading.

Your fingers loosen against his hoodie, but you don’t let go. “What?”

His thumb brushes over your cheek, his jaw tight, his gaze steady, searching yours for something unspoken.

“Say it again,” he murmurs, quieter this time.

Your throat is dry. Your world has shrunk to the space between you, to the way his hands still hold you, to the weight of his gaze pressing into you like an answer he already knows but needs to hear anyway.

You swallow once, then again. Then, soft but steady, you let it slip. “I love you.”

The way he exhales, sharp and shaky, is enough to undo you completely.

And then he kisses you again.

Slower this time. Deep. Intentional. Like he’s taking his time, like he wants to make sure you understand.

This isn’t a mistake. This isn’t something he can write off as an impulse, something fleeting or meaningless or careless. This is him. This is him choosing you.

He kisses you like he’s learning you, like he’s memorizing the way your breath hitches when he moves a certain way, the way your hands tremble when they slide up to cup his jaw, the way you—God, the way you kiss him back like he’s the only thing that’s ever mattered.

Like you love him, and you’ve always loved him.

Like he loves you, and he’s always loved you.

And maybe it’s too much, too late, too terrifying, but when you pull apart, he still doesn’t let go.

His fingers linger against your jaw, his thumb brushing over your lower lip, swollen from his kiss.

His voice is rough when he finally speaks.

“You’re a fucking idiot,” he snorts.

You laugh, breathless, and it comes out half-shaky, half-dazed. “Excuse me?”

He shakes his head, his lips curving slightly—soft, unbearably fond, annoyingly smug—but his eyes stay serious, stay warm.

“I love you too,” he says, just like that, like it’s simple. Like it’s easy.

And for once, it is.

thirteen. 

You wake up in a panic.

Your heart is a drum in your chest, erratic, wild, out of sync with the soft pre-dawn quiet of your dorm room. The weight of last night presses down on you all at once—the argument, the confession, the way Tsukishima kissed you like he’d been waiting, like he meant it, like he wasn’t going to let you take it back.

You squeeze your eyes shut, inhale sharply through your nose. It doesn’t help. The air is too thick, your limbs too restless, your thoughts too loud.

What the fuck did you do?

You sit up, shoving the blankets off you like they’re suffocating you. Your hair is a mess, the hoodie you slept in (not yours—his, fuck) twisted around you uncomfortably, but you don’t bother fixing it. The digital clock on your nightstand blinks 6:04 AM, and outside, the world is just beginning to wake.

You should be asleep.

You should be anything but this.

Blindly, you reach for your phone, thumb swiping over the screen to unlock it. The notifications hit you like a brick.

— 17 missed calls — 3 new voicemails — kei :P: pick up your phone — kei :P: are you serious right now — kei :P: we’re not doing this — kei :P: text me back

Your stomach lurches.

Your fingers twitch over the screen, hovering, hesitating, and then—fuck—you lock the phone and throw it onto your desk like it burned you.

You can’t deal with this right now.

Not now, not when you’re still caught in the aftermath of what happened, not when the ghost of his lips still lingers on your skin.

You need a distraction.

You push yourself up from the bed, dragging your feet to your desk, where your laptop sits untouched from the night before. The screen glows as it wakes, casting a pale blue light over your desk. You click open Premiere Pro, fingers moving on autopilot, pulling up the final cut of your film.

Something to ground you. Something to keep you from spiraling.

The editing timeline stretches before you, a mess of layered clips and audio tracks. The cursor blinks, waiting. You set it to the last scene you worked on—the rooftop scene, Yachi and Tsukishima against the night sky, the cigarette smoke curling between them like something ephemeral, fleeting.

You press play.

The footage unfolds in perfect clarity.

Yachi sits on the ledge, her fingers wrapped loosely around the cigarette, her expression thoughtful. Tsukishima is beside her, arms draped over his knees, his profile sharp against the neon haze of the city below.

She turns to him, voice soft, hesitant. “Do you think it’ll last?”

There’s a pause.

Then—his response. 

“As long as we exist, it will.”

You exhale sharply, the words hitting you harder than they should.

The scene plays through, Yachi taking a slow drag of the cigarette before exhaling toward the sky, the glow of the embers casting flickering light over her features. Tsukishima doesn’t look at her. His eyes stay forward, locked on something distant, something unseen.

Your fingers twitch over the keyboard, and without thinking, you hit the spacebar.

The scene rewinds.

You play it again.

“Do you think it’ll last?”

“As long as we exist, it will.”

A lump forms in your throat.

You rewind it again.

Again.

Again.

You don’t know why you keep watching it, why the words keep lodging themselves deeper and deeper into your chest.

Maybe because it doesn’t sound like acting. Maybe because you remember the way he said it, the way he delivered the line so effortlessly, so quietly, like it wasn’t a scripted moment but something real.

Maybe because it reminds you of last night.

The way he kissed you, the way his hands held you firm, like he was afraid you’d vanish if he let go. The way he told you, Say it again, like he couldn’t believe it, like he needed to hear it over and over to make it real. The way he looked at you when you did. The way you let yourself believe, just for a second, that everything you wanted wasn’t impossible.

Your breath hitches, sudden and sharp, and then— you’re crying.

It’s not dramatic. There’s no sobbing, no wretched gasps for air.

Just silent tears, slipping down your cheeks, slow and unrelenting, as the weight of it all crashes into you.

Because you love him. Because you’ve always loved him. Because you can’t remember a time of your life where you didn’t, and because you can’t imagine a time where you don’t.

And you’re terrified.

You don’t know how long you sit there, shoulders curled in, fingers gripping the edge of your desk like you need to physically hold yourself together.

The sun creeps through the window, light spilling over your room in soft golds and oranges. Outside, the campus hums to life—doors opening, footsteps in the hallway, distant laughter.

You should move. You should do something.

Instead, you hit play one more time.

“Do you think it’ll last?”

“As long as we exist, it will.”

The tears keep falling, and you don’t know why you’re crying anymore: whether it’s because you believe it, or because you don’t.

fourteen.

Your hands are shaking as you pull up your contacts list.

It’s barely past 6:30 AM, the sky still tinged with the last remnants of dawn, but you can’t stay here. The weight of your realization—your love for Tsukishima—is suffocating, curling around your ribs like something clawed and desperate, something that refuses to let go.

You need to talk to someone, and there’s only one person who will actually pick up at this hour. So you press the call button and wait.

The phone rings once. Twice. Three times.

Then, a groggy voice, scratchy with sleep but undeniably familiar.

“This better be good, or I swear—”

“I need you.”

A beat of silence.

Then, rustling sheets. A sigh. And finally.

“Where?”

***

The tiny café is quiet, still waking up alongside the rest of campus. The smell of freshly brewed coffee lingers in the air, mingling with the scent of vanilla and warm pastries. Sunlight filters through the floor-to-ceiling windows, casting golden rectangles onto the worn wooden floors.

You sit in your usual booth, hands wrapped around a steaming cup of tea, though you haven’t taken a single sip.

You barely register the sound of the door swinging open before a familiar figure drops into the seat across from you, yawning into his hoodie sleeve.

“You look horrible.”

You huff out a weak laugh, your throat still tight from earlier. “Good morning to you too, ‘Dashi.”

Yamaguchi stretches his arms overhead before slumping against the seat, blinking at you with the exhaustion of a man who has spent way too many nights buried under physics equations. He eyes you carefully, then his gaze flicks to the untouched tea in your hands.

“You called me before seven in the morning,” he says, running a hand through his messy hair. “Which means either the apocalypse is happening, or you did something monumentally stupid.”

You drag a hand down your face. “Both.”

His lips quirk up slightly. “Alright. Start talking.”

You open your mouth, but—where do you even start?

The confession? The kiss? The fact that you spent half the night crying over your laptop, replaying Tsukishima’s voice like some deranged, lovesick film major cliché?

Your hands tighten around your cup. “It’s about Kei.”

Yamaguchi doesn’t even blink. “Figured.”

You exhale, shaky and uneven. “I—I don’t know what to do.”

He leans forward slightly, forearms resting against the table, his expression turning serious. “Okay. Take it from the top.”

So you do. You tell him everything.

About the jealousy—the awful, gut-wrenching feeling that took root in your chest the second you saw Tsukishima kiss Yachi, the way it spiraled into something uncontrollable, something you couldn’t suppress.

About the fight—the way Tsukishima saw right through you, called you out, made you snap. The way you finally admitted the truth you’d been running from for so long.

And then, the kiss. The way he grabbed you, the way he pulled you in, the way he kissed you like he was starving, like he’d been waiting for this just as long as you had. 

And the way, afterwards, you panicked.

The silence stretches when you finally stop talking. You can’t bring yourself to meet Yamaguchi’s eyes.

“I left,” you whisper, shame curling in your chest. “I—I freaked out and left. And now I don’t know what to do.”

Yamaguchi doesn’t respond immediately. Instead, he reaches for his coffee, takes a slow sip, and then sets it down with a soft thunk. Then—finally—he speaks.

“You’re a fucking idiot.”

Your head jerks up. “Excuse me?”

He sighs, pinching the bridge of his nose like you’ve personally caused him actual, physical pain. “This is literally the worst case of mutual pining I’ve ever seen.”

“Mutual—?”

“Yes,” Yamaguchi says, exasperated. “Are you seriously telling me you didn’t realize he’s been in love with you since we were, like, fifteen?”

You choke on air. “What?”

He gives you a flat look. “Oh, come on. You think he just puts up with people like that? Have you met Kei? He barely tolerates most human interaction, but you? You’re different.”

Your stomach sinks.

Yamaguchi leans back against the booth, studying you carefully. His voice is quieter when he says, “Now he’s waiting for you.”

And suddenly, it all comes rushing back.

Like that summer when you were fourteen, sprawled on the grass in his backyard, swatting mosquitoes away while he read some ridiculous philosophy book he’d scoffed at but couldn’t put down. You had called him pretentious, poked fun at his stupid little annotations, and then—just when he was about to snap back—he had looked at you. Really looked at you. And for a moment, you couldn’t breathe.

Or the time in high school when he stayed up with you, sitting outside your house at two in the fucking morning, just because you had a nightmare and didn’t want to be alone. He didn’t say anything about it, didn’t mock you for it, didn’t act like it was a big deal. He just let you talk about stupid shit until you weren’t shaking anymore.

Then there was college. The night he drove across town just because you were too drunk to make it back to your dorm. The way he let you ramble about some stupid movie you had watched for class while he carried you—actually carried you—up the stairs because your legs had stopped working.

And then, of course, last night.

The way he kissed you like he had been holding himself back for years.

The way he whispered, Say it again, like he needed to hear it more than anything.

The way you had run.

Because maybe, deep down, you always knew.

Yamaguchi watches you, then exhales through his nose, shaking his head. “You love him.”

It’s not a question.

It's a fact.

And you know that, of course. You’ve always known that. But hearing it out loud—having someone else say it, no doubt, no hesitation—it does something to you.

Your fingers tighten around your cup.

“I love him,” you admit, voice barely above a whisper. “I love him, and I’m scared.”

Yamaguchi hums, tapping his fingers against the rim of his coffee cup. “Why?”

“Because if this goes wrong, I lose him,” you say, staring down at the caramel liquid in your cup.

He tilts his head. “And if it goes right?”

You swallow.

That’s the terrifying part.

If it goes right—if you actually let yourself believe in this, in him… then everything changes. You can never get it back. 

But then again, if you don’t, you’ll never move forward.

Yamaguchi leans forward, voice softer now. “Look, I get it. Kei is… a lot. He’s a pain in the ass. But you don’t have to be afraid of this. Not with him.”

You swallow hard. Your thumb hovers over his name on your phone. But you don’t call him.

Not yet.

Instead, you look at Yamaguchi, heart hammering, voice barely steady.

“What do I do?”

He smiles, small and knowing.

“Go to him.”

fifteen.

Your heart is pounding.

Your pulse is an erratic drumbeat in your ears, your breath uneven as you stand outside Tsukishima’s apartment at 7 AM like an absolute psychopath. The hallway is empty, most of the residents still asleep, because normal people do not show up at their best friend’s door at the crack of dawn after confessing their feelings, running away, and then ghosting them for a whole night.

But here you are.

You raise a fist to knock. Pause. Lower it.

Your mind runs through every possible thing that could go wrong. What if he’s still asleep? What if he’s awake, but he’s pissed? What if you just turn around and pretend this never happened and never speak to him again and maybe flee the country?

But no. No more running. You’re done with that.

You exhale sharply, grit your teeth, and knock.

There’s no response at first.

Then, a very loud, very irritated groan.

Footsteps. A thud as something (probably his knee) collides with something else (probably his desk), followed by a mumbled string of very colorful expletives.

And then, the door swings open.

Tsukishima is standing there, half-asleep and thoroughly unamused.

He’s not wearing his glasses, which is so much worse, because without them, he looks—soft. His blond hair is a complete mess, sticking up in every direction, and he’s wearing that stupid old hoodie that’s two sizes too big, the one you’ve definitely stolen at some point but returned because it stopped smelling like him. His sweatpants are loose around his hips, and his expression is pure murder as he squints at you.

“…The fuck?” His voice is rough from sleep. “It’s seven in the morning.”

You should probably say something. You should probably apologize. You should probably explain why you’ve lost your goddamn mind and decided to show up here like some dramatic main character in an early 2000s rom-com.

But instead, you go on your tiptoes, yank down him by his hoodie, and kiss him. 

It happens fast, and at first, he completely freezes.

Like full-body shutdown. His entire frame locks up, his hands hovering uncertainly, breath caught in his throat.

For one horrifying moment, you think you’ve made a mistake.

But then… then his hands find your waist. And suddenly, he’s kissing you back.

It’s slow at first, tentative, like he’s still processing this, still trying to believe it’s real. But then his fingers tighten against your skin, pulling you closer, and you can feel the exact moment he gives in.

The exact moment he stops thinking.

And God, you feel it everywhere.

The heat of him, the slow, deliberate press of his lips, the quiet, shaky exhale against your mouth before he tilts his head and deepens the kiss. He’s warm, solid, real, and for the first time in weeks, your head isn’t a tangled mess of doubt and fear.

For the first time, everything makes sense.

You pull away first, breathless, heart hammering.

His hands linger on your waist. He keeps his face close to yours, just centimeters away, and when he finally opens his eyes, they’re dark with something you’ve never seen before. Something raw. Something completely, utterly unguarded.

You swallow hard. “I—”

His thumb brushes over your hip, the smallest, barest movement.

You inhale sharply. “I’m sorry.”

Tsukishima doesn’t move. He just watches you, eyes sharp, unreadable. “For what?”

“For—” You hesitate. Your fingers tighten against the fabric of his hoodie. “For running. For taking so long to figure this out. For—”

He sighs, but there’s no real annoyance in it. His gaze softens—just slightly, just enough.

“You’re a dumbass,” he mutters.

You let out a breathless laugh. “I know.”

A pause. Then, he asks, “Do you wanna go for a walk?”

You blink up at him, caught off guard. “A walk?”

“Yeah.” Tsukishima shrugs, stepping back, rubbing a hand over the back of his neck. 

You raise an eyebrow. “Are you gonna walk me back to my dorm? Because I literally just dragged myself here for nothing if that’s the case.”

He rolls his eyes. “No, dumbass. I just—” He exhales, shoving his hands into his hoodie pocket. “Just wanna walk somewhere.”

Your lips twitch. “…How romantic of you.”

He scoffs. “Shut up.”

But he doesn’t deny it.

The air is crisp, the early morning quiet—the kind of stillness that only exists before the rest of the world wakes up.

You walk side by side, the distance between you not much, but enough. For a while, neither of you speak.

“I meant it.”

You glance at him. “Huh?”

Tsukishima doesn’t look at you. His gaze is fixed ahead, his hands still tucked into his hoodie, his jaw set. But his voice—low, certain—doesn’t waver.

“I meant it,” he repeats. “When I told you to say it again.”

Your breath catches. He keeps walking, staring straight ahead like this isn’t some life-altering confession, like he’s just casually commenting on the weather. But his hands are tensed inside his hoodie pocket. His shoulders are tight.

You swallow. “Kei…”

“I don’t like a lot of people,” he says bluntly. “I barely tolerate most people. But you—”

He stops walking. You stop too.

Finally, he turns to you, and God—his eyes. They burn, golden in the morning light, open and completely unguarded.

“You make me feel like I belong in a movie.”

Your breath stutters.

He exhales, shaking his head, voice quieter now. “And I fucking hate movies.”

A laugh bubbles up your throat, sudden and unexpected, and you can’t stop smiling.

He rolls his eyes. “Don’t make it a thing.”

“Oh, I’m absolutely making it a thing,” you tease, nudging him with your shoulder. “My grumpy, six-foot-four, emotionally constipated best friend just confessed he’s been hopelessly in love with me for years.”

His ears go pink. “I didn’t say that.”

“You did.”

“Shut up.”

You grin. “Make me.”

A pause. Then, he does.

This time, the kiss is gentler. No urgency, no desperation—just warmth. Just him. And as his hands settle against your waist, as your fingers curl into the fabric of his hoodie, as his lips move against yours with something quieter, steadier, you realize something very, very important.

For the first time in a long, long time—you’re exactly where you’re supposed to be.

With him.

But then, the moment stretches, and a thought occurs to you. An extremely essential thought.

You pull back slightly, blinking up at him. Tsukishima frowns. “What.”

You open your mouth. Close it. Then, after a beat, you blurt out, “So… does this mean we’re dating?”

His eyes flicker with something unreadable—half amusement, half exasperation. He doesn’t answer right away. Instead, his thumb brushes absently along your waist, his grip shifting slightly, like he’s still getting used to the fact that he’s touching you.

Then, flatly, he says, “I don’t know. Do you plan on kissing other people?”

“No?” You reply, your nose scrunching. 

“Then yeah.”

You stare. “That’s it?”

“That’s it.”

You gape at him. “Kei, you are the most unromantic—”

But then something flickers across your mind, something bigger, heavier. A thought that makes your stomach tighten, your fingers twitch against his hoodie.

You inhale. “Hey,” you say, softer this time. “How long?”

He watches you. “How long what?”

You swallow hard. “How long have you loved me?”

A pause. A long pause.

Tsukishima doesn’t flinch, doesn’t look away. But there’s something in his expression that shifts—something softer, quieter. His fingers tighten just slightly at your waist. And then, voice low, steady, like it’s the simplest thing in the world, he sighs.

“I can’t remember when I didn’t.”

Your heart stops. Your breath catches, your fingers clench around his hoodie, and God—what are you supposed to say to that? Because there’s no hesitation, no uncertainty. Just him. Just this. Just the reality of a love so deeply ingrained in the both of you that it has no beginning and no end.

You exhale—shaky, breathless. “You suck at romance, you know that?”

He rolls his eyes. “And yet, you’re still standing here.”

You laugh, bright and full, and before you can think about it, before you can overanalyze, you’re kissing him again.

It’s easier this time.

Because now, you’re sure. 

And maybe the universe really does have a thing for sadism, because somehow, against all logic, it made him your person. The same Tsukishima Kei who laughs at your mistakes and misfortunes, who calls you out for your delusions and idiocy, who makes fun of your collection of Smiskis and love of reality TV. But at the same time, this Tsukishima Kei would do anything for you, even if you have to beg and beg. This Tsukishima Kei has held you through the worst days of your life, has seen you at your lowest moments and stayed, has waited for you for years to see him the way he has always seen you.

And you think, feeling his hands tighten at your waist and his lips linger against yours like he’s memorising the feeling, that maybe, just maybe, the universe got this one right.

⨭ closing notes; i adore tsukishima kei so much. tbh i rly struggled w this work bc i had this concept fleshed out for so long and j cldnt execute it the way i wanted, but thank u to @kinaskorner for beta reading and for the reassurance <3 i hope u guys love this too!! if u made it to the end of this super long fic lol then thank u sm and i hope u have the loveliest day

[miwiheroes]

Dropping Byler Evidence Every (Other) Day Until Season 5

. ݁₊ ⊹ . ݁˖ . ݁ Day 26: Music Choices (Titles) . ݁₊ ⊹ . ݁˖ . ݁

Music is important for conveying a subtle message that the viewer barely realises they're getting. A lot of romantic Byler scenes would probably seem romantic with any music, but they're made more romantic with music that has been chosen specifically for this purpose.

For example, in my Lumax parallel post, I talked about how they used the same music in a pivotal Byler scene as a heart-to-heart scene in S2 with Lumax. This is "On The Bus" -

This is highly intentional and was done to make the viewer see both scenes as romantic, due to the music's calming and curious tones. Both scenes seem like the start of something new. Of course, with Lumax, it is the start of their uninterrupted romance. With Byler, to Will it feels like a chance for him to reconnect with Mike. To Mike it feels the same after feeling like he lost him and now that El is somewhere else, he feels comfortable being more affectionate with Will.

In both scenes, the couple gets interrupted, which happens a lot on Stranger Things, but really only when two characters with romantic potential have a romantic scene.

You do not use a song in the background of a romantic scene and then place that song in the background of a platonic scene. the song is in no other scenes other than these two. The creators are trying to clearly convey that Byler's scene is romantic.

Now, I also wanted to talk about the titles that some of these soundtrack pieces get.

So, everyone knows the Rink o Mania fight, right? If you're not well-versed in the Byler lore, you might not have any idea where this is going, but basically, a song begins to play during the climax of the fight.

This argument is already packed full of implications: the thought that Mike believes that Will had already ruined his day by ignoring him, the implication that Mike hadn't been ignoring him the whole time, Mike saying "we're friends!" a little too adamantly, the "what about us?" and dramatic head turn to make it romantic--

So when Will says "Well we used to be best friends!" The camera cuts to Mike looking like this ^^, aka regretting everything he's said because he'd misinterpreted things.

And some music plays:

Before anyone says anything, yes, El is also hiding in a closet right now. As in, a literal one. But the whole point of the BRACKETS is to show that there is a double meaning to this title. Will and Mike are hiding in the metaphorical, gay, closet. El is hiding in the closet at Rink o Mania.

What's funny is that there is literally no mention of being queer in this argument on Will's part. Despite being the one with confirmed feelings, all Will is talking about is his friendship with Mike and feeling like he's being pushed away. He may say things like "What about us?" and "And us?" but when he confirms that these were all only to do with their friendship, we get Mike's reaction, and that's when the song begins to play.

The editors chose the music to play at this point in order to drive the idea home that Mike is in the closet. During the fight, he constantly misinterpreted Will's words as romantic. So when Mike realised that Will hadn't meant it all that way, the music played, because it the moment why he's in the closet.

ALSO the music's motif is the same as the soundtrack piece used for the garage scene, called "Destroying The Castle", showing that the song is about Byler, not just El being in the literal closet.

creds for the video goes to @indefinitevoid

Another interesting title choice for a piece of music is the song in the background of the love monologue by Mike in S4.

What do you expect the song title to be? (im expecting that you don't already know but i think thats unlikely)

Should it be something like....Right there and then? In that moment? You're my superhero?

No. This is the title. Because it's the main takeaway from that scene.

Not that Mike loves El, not that El is finding strength in Mike's words, not that he loved her from the moment he saw her, no. The scene is about Mike keeping the party together, doing whatever he has to do to save El. The scene is about Will sacrificing his own feelings. It's supposed to be painful. And to many viewers, who weren't even Byler shippers, it was.

Coupled with the fact that the camera constantly makes you remember that Will is there and is taking pain to all of this, the music title shows the true message to be taken away from this scene. The memory that sticks in your head isn't "Oh so I guess Mike loves El, yay", it's "I can't believe Will did that :((". It places emphasis on Will's arc, rather than Mike's.

Will's speech to Mike is being remembered. Not Mike to El's.

A lot of Milkvan shippers try to ignore the depth of Will's feelings and his importance and involvement of his own feelings in this scene. But why would there be no deeper connection to the van scene if this is the name of the track? His words are significant enough to trigger the music and to be the name of the track.

The name of the music isn't just crazy because it's what Will said. The name of the music is literally the phrase that encapsulate's the reason for Will's love towards Mike. Yeah, we may joke about the line being corny (at least me and my gf do um sorry) but it literally means "I think you are the most important thing in this world, I think you give me the courage to fight onwards, you make me feel like I'm not a mistake." And they decided to make the song for Milkvan's supposed arc closer called that.

I think you get the point <3

Hope you enjoyed <3

[dia-oro]

Mama dia, all I ever wish for is a imagines or head cannon of the chain with like a super motherly almost mother hen reader that just love to spoil them with affection, gift and LOTS of food to the point of them just being little round balls you know? ᵒ̴̶̷̥́ ·̫ ᵒ̴̶̷̣̥̀ It just seem so so cute to me even tho she is probably younger that some of them which surprise them at first probably (*꒦ິ꒳꒦ີ)

well, I'm happy to serves! I am all for mothering reader because they deserve some affection and you know acts of appreciation to remind them they are worthy of love. :) But let's beginning! I hope you like it and sorry for answer late.

The chain with a mothering? A person that give them the acceptance and approval as well protect and encouraging them? What did you think there's going to happened? They will be all like that stray cat that everybody call feral but they are all hurt person that live traumatic after traumatic even and people at their surroundings are like 'but it's your duty' and look to the other side dismissing the links feelings well, they be really like stray- once upon abandoned animals, reader kindred burn them because they have already been hurt so much so this will be a process of patience and no losing hope...

Let start with one fine mess as legend with a mothering reader- snarkiness at 200% of power, he will try to discouraged you to be close, to care, he will be a bunny ready to beatbox you- seven adventure, losing his uncle, Marin... This man need affection with no second intentions but also fear it so bad, probably think he curse or something. So reader gentle hands curing his cuts and burn will burn more than any fireball, every gentle words make his eyes stink and just one day- slowly, silently his tone lost any fire in his remark, his bedroll got a little more close to reader, if they got to stay in a inn and they share bed to save rupees he unconscious will move his body in his sleep closer, he will be the first ready for a meal made by reader and when he hurt and needed someone to take him back to the camp he will just let his guard down the moment he feel reader arm over his back... The biggest treasure for him will be a sweater one of those ugly ones like Christmas that reader made for him- he didn't even dare to put some magic in it to protect it- because being made by reader is already magic for him.

Hyrule, another feral stray animal here- but more like that one of the videos that suffered from a severed wound or is handicap by accident and abandoned just to be save by someone yeah that type of feral animal- the distrustful one but in silence- reader is just too good and they have been hurt by smiling person so much- but a difference of legend he doesn't snark, growl or try to discourage you... He just got that heartbroken look in their eyes, so wounded and at the first sweet caress in their cheek and a goodnight kiss in their forehead? He crying till his sleep, every clap of hand and congratulations for his efforts will almost make him talk in bell like sounds like some fairy- almost transform so he can be close to you but don't be catch being so he can care for you as you care for him, sing to him to his sleep and he be purring, reader mothering is something he need because how little love he had ever feel even more- how little he is still care in his world, he may be Hyrule Hero but they don't deserve him for sure. A older reader may even be take as their parental figure that he never have and very much needed. A young one? The poor kid will wonder if this what LOVE is.

Warriors, in this house paranoid and distrust is his thing, even more with act of kindred- like you see the only person with self proclaimed 'acts of love' was Cia and you know how fucked up that was. But he will try to act as smooth he can, your dresser will be take with caution, hugs make him tense, he will try to analyze you and- he will be so confused, why you're so gentle? Why you sing lullaby to both legend and time at night?? Why you're making so much delicious food?? Somehow reader food is even better than wild, even a simple sandwich will be heaven for this man, a hug? He will adore then and got very whiny if there's no one or three per day- if reader is woman, well, congrats because reader is the first woman that make him feel safe, female affection that didn't give him a panic attack.

You know wind will start to call 'mom' or 'dad' reader right? All he have is his Grammy and sisters but reader just take him back to a time that he was safe and protected and didn't have to be the protector. Now reader is supply that role and just he notice it when he was attack and trapped and a instinct deep inside made him call for reader and the next he knew is that reader was fucking running over the head of Monsters, tearing them apart and just telling him he be okay. now he always taking you to see what he just think was cool from a bird to a insect that didn't exist in his era, reader will sing to him sometimes shanties with him, sometimes even sky join with his arp, mother hen reader is the reason the Grammy is no worry for him to go to multiverse adventures.

Sky, dear sky need all that mothering right now, he miss his fiance (I want to think sky and Zelda got to that far in their relationship, that hylia scheme for the demise endgame didn't break or weaker their relationship but make both stronger) so hugs from reader, singing duet even if they didn't sing very good will be all he needed, kisses on his forehead as goodnight or just indulge in love for wood carving and buy him a professional set to carving?? Have for sure his firstborn will have reader name for it all.

Twilight with a super mothering reader? Him?? The big brother material?! Yes, please light the weight of his shoulder that he put himself in the first place, he so use to be the role model in his village for the kids and honestly he a true role model to a good citizen in all ways- but wild give seven shite that and when know it, he trying, still trying to be like time the problem he forgot he young still too, give him love, hugs and pumpkin soup to twi, is all he needed from motherly reader, to be tell he did good that they are proud of them and even if one day they part ways is no his fault and they still be together in their hearts- this man need so much reassuring and reader is that he needed. Also reader sometimes act as if they can't do a labor so there's this Happy farmhand coming to help so happy to do some labor because is his comfort zone, let him do something that need his strength- the others links rarely need it.

Four, four don't need help- need help X4, motherly reader that know his story will constantly be over his shoulder seeing if he having a migraine, head and shoulder massages are a bless for this man, be platonic or no, he care for our reader dearly for this, even more when he realized that they never underestimate them for his height, giving him some copper and metal and this man is so hapoy- it's all about encouraging any interest he have, yummy food and I will tell you blue will never raise his voice in from reader, period.

Wild, sorry no sorry- reader will be his flora here, no matter the gender, they will be the only thing that make him be in control, mothering more firm but still loving. Want to ride a animal in the camp? Just harmless ones, encourage to do others things like painting his house, making clay thing and more to have his energy and focus on one thing that didn't put his life on danger- didn't always work but already seeing wild inviting the lord of the satori and not a fucking bear to the camp is better than the bear Alone and probably on fire.

Time, I miss my wife 2.0, he a adult, but also a traumatized one, he most time is the adult adult of the group even if he can be worse than legend and wind in his pranks, but when the moon got red in wild era sings and forcing him to look at reader all time while everybody is in safe zone, being reminded he important and love to- or just talking o what to give malón as present means a lot to him, help him with the cucos- sorry no sorry even if you're contemporary to him or minor didn't matter- motherly reader is in his mind a child of his, malon think to and what malon say is law to him so motherly reader will be mothered to.

Hope you like it <\3