#I have different reasons for reading it at different times

[guppyfish77]

So about the Battle Subway Trains

Hi, I love trains! And the Trains in Unova have a surprising amount of detail? And nobody talks about it? And if I don't talk about it I will explode!?!!!

So despite Unova being inspired by New York you'd think the Battle Subway Trains would be based on The New York Subway Trains? However they look like they are more based on Japanese Railway Trains!

I'd like to preface before going into this that despite talking a lot about the Japanese Railway, I am not Japanese, while I did my best to research as best I can, some stuff may fly over my head, I also used an online translator for some information so it might not be 100% accurate.

Alrighty lets get into this! This is mainly for fun and its going to be under the Read More because it is verrrrrrrrry long, I hope that you enjoy!

If you aren't aware, each train in the Battle Subway has lore! All the lore comes from this Worker NPC on the bridge in Anville Town. Depending on the day, a different train will show up on the turntable, and he'll give you a little dialogue for that train! This dialogue is what I'll be mainly analyzing :]

Single and Anville Town Trains:

"This is a Single Train! It's the oldest train in the Battle Subway. It's for a loop line to go around the Unova region! Do you know Tubeline Bridge? The train that runs on it is this Single Train."

"As you know, this is a local train to Anville Town! Isn't it just so cute? This one is a little slow and heavy. When it runs, the whole train sways. The train car is the same model as a Single Train. Because it is an old train car, I hear the maintenance is hard, but it's the one I always ride, because I loved it as a kid!"

So! The Single and Anville Town Trains are the same model of train, you can actually see this in their designs where they both share the same face but they differ in the livery. (Livery is a term referring to the train's decor/color, the color is often associated with a particular company or in this case a particular train line.) I'm going to use this fact to assume that if one train has one feature, then it's likely that the other train also has that same feature. Such as how the description of the Anville Town Train says it sways as it runs, if that is the case then the Single Train also probably sways. (which sounds kind of awful to battle on, unless you have good train legs I suppose X_X)

It is stated that the Single Train is the oldest in the Battle Subway. I believe though, that it means the oldest train that is currently running in the Battle Subway. As there is another train that seems much older and no longer running, but I'll get to that train much much later.

Older trains are indeed harder to maintain, and expensive too. This is because the older the equipment, the harder it is to get its parts as they become more obsolete. Though I will say this, trains can last a long time! The average service life of a train is about 30-50 years, it really varies from train to train. These trains would most likely be on the older side.

There is a slight possibility that it has been continued to be maintained past it service life. Given how fond the Worker NPC talks about the train, it might have high sentimental value. Therefore if it is past its service life, it has not been scrapped or recycled yet because of it. I doubt this is the case though, usually it is never worth the maintenance cost (especially for regular operation.)

Like the description says, you can see the Single Train running on the Tubeline Bridge, here's a video of it! Apologies for the way I am recording this, I don't exactly have a capture card, but I wanted to show you guys regardless

You can see how fast the train is going as it passes below you! At least the just Singles Train anyways, seems to me like it's going about 20-30mph? I tried doing math to find the exact speed but that's difficult for several reasons (no idea how large a "tile" in Pokemon really is and objects in the overworld are not very accurate in size so I can't exactly do any comparisons. The perspective of the camera also makes it tricky.) Given how the Anville Train is described as "slow and heavy", I would hazard a guess to say that the other trains of the Battle Subway may run faster than this.

You can also see that each train is made up of 7 cars as it passes below you if you slow down the footage. Which is not surprising, you have to win 7 battles in a row to complete a "set" where you are then dropped off at a rest stop. I believe the Battle Subway trains to be electrical multiple units (EMUs) so it would probably make them 7-car sets.

It also looks like the Singles Line is very busy with the trains only being seconds apart! Now I know this is more a visual thing so the environment would be interesting to look at, but I'd like to think it indicates that the Battle Subway/Singles Line is very popular! (and very well organized!)

As for Real life train inspirations I think perhaps the Tobu 10030 series?

The Tobu 10030 is a version of the Tobu 10000 series with some minor changes, such as the design of the face and using a bolsterless bogie. (Bogie is a part of the train that refers to a frame that holds sets of wheels as well as the suspension, breaks, etc. in which the body of the train car rests upon.)(A bolster is a part that connects the side frames of the bogie and the underside of the car's central pivot point.)(A bolsterless bogie is a bogie type that doesn't have a bolster). The front of the train is covered in fiber reinforced plastic and the outer panels are "bead molded" (which... I have no clue what that means...) This series has been going under renovations since 2010.

Double Train:

"This car is a Double Train! This is a mass-produced car from a decade ago! Compared to a Single Train, the number of parts was reduced so it could be built for a lower cost. The number of parts influences the budget and construction time. The streamlined and beautiful design of the Double Train is still valued today."

So the Double Train is at least 10 years old! (That's what decade means!) Honestly though, I think the Double Train might be older than 10, in Japanese the description just says that it is a "mass-produced train from a long time ago" and doesn't mention a number... Another reason is that in the Multi Train description, it mentions that it is a test model for future trains that will replace the Double Trains. Which means perhaps that the Double Trains may be reaching near the end of its service life, which again average 30-50 years. It could be a possibility that this train may have a shorter service life than usual, who knows. This all speculation really.

As for lowering the amount of parts, from what I found it makes the train lighter. It would also probably lower the cost as well like the description says (trains are really really expensive to build! EMUs can cost $2mil-$10mil per car!)

It also mentions that it is a mass-produced car! It's a train made with mass production for commercial purposes! I believe it's usually for train lines that are really busy, where they would need a lot of trains? It typically means that there are a lot of them. (All this makes me wonder about train production in the Pokemon World...)

As for Real life inspirations, I think that the Double Train is inspired by the Tokyu 1000 series train.

The Tokyu 1000's design and equipment is similar to another train, the Tokyu 9000 series, with improvements such as improved handling and making it easier to do inspection and repair work. As well as reducing the amount of spare parts from the Tokyu 9000.

Multi Train:

"This car is a Multi Train! Few cars of this model were produced. This is a test car to develop future mass-produced cars that will replace the old Double Trains. The technology born during the creation of this train car made the Super Single Train and Super Double Train possible!"

The multi train is a test/prototype train! A little surprised that an entire line is running off a few prototypes. Like the description says, not many are produced as the purpose of a prototype is to test features and improve upon them if needed before they are put into mass production. Given that it says the technology from this train was the reason the Super Single and Super Double Train was made possible. I'm thinking it was most likely testing some eco friendly features? As it is the Super Single and Super Double Train's main feature.

Perhaps them using a model with so few trains means that the Multi line isn't that busy/popular? (Surprising then the train platform is not swarming with more train photographers haha!)

As for real life inspirations, while the livery may not be the same I think it could be the Keisei 3000 (2nd Generation.)

The Keisei 3000's body is made of lightweight stainless steel and the passenger doors have a paper honeycomb structure. When they were designing this train, they wanted it to be both environmentally (energy saving) and customer friendly (being accessible to elderly and those with disabilities.)

Super Single and Super Double Trains:

"This Super Single Train is a new mass-produced car! It's an environmentally friendly train, because they revised all the parts to drastically reduce power consumption! Newer trains have to be built in a way that's both functional and environmentally friendly. Compared to the past, they've improved significantly."

"This Super Double Train is a new mass-produced car! Such a streamlined and refined design! Beauty and utility working together! That kind of beautility is unique to mass-produced train cars! It uses the same train car as a Super Single Train. The only difference is the appearance. It is a superb train car that will go down in the history of the Battle Subway!"

The Super Single and Super Double Trains are the same model. Honestly the description of these trains doesn't give me a lot of information besides the fact that these trains are eco friendly. So I'll talk about what trains do to make themselves (even more) eco friendly!

They are stated to be eco friendly by reducing power consumption. I think it could be referring to a "VVVF inverter control" (it stands for variable voltage variable frequency. In English its mainly called the VFD or variable frequency drive.) A VVVF is a type of system for an AC motor that can reduce energy consumption! (There are two types of electrical current, DC or Direct Current and AC or Alternate Current. An AC motor is a motor that is driven by AC electricity.) It is important on energy saving trains! I won't get too much into how it works, but essentially it controls the AC motor's rotational speed by controlling the frequency. By controlling these, it can control the speed and acceleration of a train. You'll find that a VVVF is often paired with a three phase motor (I will not go into that...) Let's just say that these systems are very efficient at using power and help save energy.

Really, reducing power consumption usually means being more efficient at using power. Like using LEDs, using better insulation to retain cooling or heating, and generally using parts that use less electricity. It could be that the train is lighter in weight too (lighter vehicles use less power.)

Both of these Super Trains are mass produced! Which tells me that there are a lot of Super Single and Super Double trains! Its lines are probably busy.

As for real life inspirations, it is very much inspired by the E233-2000 series train

The E233-2000 is a little bit of an oddball in the E233 family exterior design wise. Its design was inspired by the Tokyu 5000 series. Its basic running equipment is the same as the E233 trains before it though.

I think it is a bit of a stretch, but I'll mention it anyways. The E233 (which the E233-2000 is a subsection of) is a train that has won the Laurel Award in 2007. The Laurel Award is an award given to trains by the Japan Railway Friends Association for trains with an excellence in technology and design (specifically geared towards commuter trains.) It could be what all the "beautility" comments could be referencing to? They do look verrry different though, and the E233-2000 came after the award was given...

Super Multi Train:

"This train car is a Super Multi Train! This is the latest train car! Improved acceleration and deceleration! Automated train-car controls! It's full of cutting-edge technologies. Also, a regeneration brake system, a car-body tilting system, a whatchamacallit system, a thingamabob system... I don't remember all the details, but it's just a big festival of all the latest technology!"

Ohhoho! The Super Multi Train description is a goldmine of details! This train is the whole reason I wanted to make this post! Let's run through its features!

Improved acceleration and deceleration means that it can run between stops faster, allowing for quicker operation time.

Automated train-car controls or ATC is a safety system on trains that prevents trains from going over a certain speed! If the train goes over the maximum speed permitted then the ATC will pull the brakes automatically to reduce the speed and release the brakes when it is below maximum speed. It also displays the maximum speed to the driver. It is an incredibly important safety system!! From what I understand, the term ATC is very common in Japan, in other countries the ATC would simply be a part of cab signaling (it is a safety system mainly for the driver and train crew, it tells them track status and condition information) and train protection technologies. ATC is installed on all Shinkansen trains, it is also installed in some subways and heavily used railways.

Here's an example of what it looks like! The green triangle there is the (current) maximum speed. There are a lot of different types of ATC systems and this ones a D-ATC (stands for Digital Automatic Train Control) from within an E233! There are a whole lot of different types of ATC, and they can come in many looks! I would show more examples, however, I have hit the image limit on this post... :[

A regenerative brake system is a special type of breaking that allows a train to generate electricity via breaking! The electricity can either be used immediately, stored, or returned back into the line. You might've heard this feature on electric or hybrid cars. It is a common eco friendly feature!

A car-body tilting system is a feature in trains that allows the body of the train car to tilt into a curve! It allows the train to go faster on a track (not needing to slow down on a curve) but the feature is mainly for passenger comfort! When you ride, you don't feel the centrifugal force at all when going around a curve! And it makes the ride so smooth! Here's a short video demonstrating what it looks like:

There are essentially two major ways to do a car body tilting system. There is active tilting (forced body tilting) or passive tilting (pendulum system). A forced body tilting system uses computers to tilt the train using track data or sensors, telling the train when and how much to tilt. If the calculation is not done correctly, it can leave passengers with motion sickness (An infamous example is the Advanced Passenger Train in the UK). The tilting itself I believe is done via hydraulics. Forced Body Tilting is more popular in European and American trains.

As for passive tilting, the train in the video uses it! (A controlled pendulum train!) It means it uses natural forces to tilt the train car. I'll dive deeper into this type of tilting in the Wi-Fi train section because it actually mentions it's a pendulum train! As to which tilting type the Super Multi train has... it could honestly be either.

(Ah! I forgot to mention this, but tilting trains are especially useful in mountainous regions, where there are a lot of curves.)

In the Japanese version of the Super Multi description, it also mentions that it has a "earthquake warning system" and a "tornado monitoring system".

An earthquake warning system is not something fully installed into the train, rather it's mainly a set of sensors installed along the track, coast, and major inland areas. For passenger rail, if any signs of an earthquake are detected, it will alert any trains in the affected area and drivers are required to apply their emergency brakes. For shinkansen trains it will cut off power to the affected area which will automatically activate the emergency brakes.

Well, I found something close to a tornado warning system. There is a "gust warning system" where sensors measure wind speed and to predict where strong gusts of wind would go. Again, it's not a system that is installed within the train. From what I could tell, they would restrict travel speed during strong winds. If wind speeds are too high, then they would shut down the lines. (I suppose would be very useful, especially when there's some legendaries that cause powerful storms roaming around.)

In the Japanese version of the text, it also states that the Super Multi Train is also a test train. Which again means there's also not a lot of this train. It also states that some of it's features are unnecessary due to it being a test train lol

In the description all these features are stated as "cutting edge" and "a festival of all the latest technology" when these features are not all that new? And Regenerative breaking seems to be pretty common? (Every irl train I have shown thus far all have it.) Eh, I don't think it's that big of a deal. They are just fictional trains after all.

I originally thought the train looked like an Eizan Railway Deo 800 series, but thanks to the leaks, it looks like that the JR East 205-500 was used as a base to design the Super Multi Train? With probably heavy modification to the final design. (While I don't condone the method that these leaks were obtained, curiosity did get the better of me. This is the only train that I ID-ed this way.)

This Train was exclusive to the Sagami Line, though it ended operation in 2022 and every one of these trains have been scrapped. The blue color I believe is an homage to the Sagami River that runs along the line. The Train used a semi automatic door system for its passenger doors. Which means that rather than the conductor opening and closing the doors, the passengers would press a button to open the door when the train has stopped.

Wi-Fi Train:

"This train car is a Wi-Fi Train! It is the fastest long-distance high-speed train in the Battle Subway! This is called a pendulum car. Its body tilts while going around curves, so it can run without slowing down! Faster! Farther! Our engineers' spirits are infused in it!"

A pendulum car is a very specific term!!! Like I mentioned in the Super Mutli Train section it is a type of car body tilting. There are multiple types of Pendulum systems, There is Natural Pendulum, Controlled Pendulum, Air Spring (also called Simple Pendulum), and Hybrid.

Natural Pendulum is just using the centrifugal force of when it goes around a curve to tilt the train. This type was known to cause motion sickness in riders because when it straightened out, the car would "lag" or wobble. Sometimes the force was not enough to tilt the train and this would also cause passenger discomfort. These issues were fixed later with a controlled pendulum, where there would be a degree of control to the tilting. Using mechanisms similar to forced body tilting, it would prevent wobble and ease the tilt. The air spring method, as suggests in the name, uses air springs to help with tilting. It is similar to the controlled pendulum, though it tilts less than it (controlled pendulum can tilt 6 degrees and air springs can only tilt 2 degrees). Air springs are cheaper to build though and still are able to make the train go faster. Hybrid is the combination of controlled pendulum and air springs, allowing for an 8 degree tilt.

I hope the Wi-Fi train is not a natural pendulum? You're telling me you have to battle on that and you might get motion sickness?? Though it sounds like it might be more high tech so it is most likely the other types... Hopefully...

It also states that this train is the "fastest long-distance high-speed train in the Battle Subway!" Looking at Japan's tilting trains (that are not shinkansen), they go about 120kmh-130kmh (about 75 mph-81 mph.) So it could be a possibility that the Wi-Fi goes something along those speeds.

I've looked through Japan's tilting trains, and the closest one might be the JR Hokkaido Kiha 201 series? It's not at all close though... I can't really find a good match tbh. I think the 113 series seems to be a bit more closer visually.

The one on the left is a Kansai livery and the right is a JR Shikoku livery. They are both the same train, JR Shikoku bought the 113 series from JR East to replace some aging trains and then modified it. Which is why they look a bit different. The modifications include strengthening the front of the train and adding shock absorbing material inside.

So Those are all the trains that run in the Battle Subway! However there are 2 trains that don't, instead they only show up in Anville Town on certain days. I'll be calling them "Old Train Car" and "Futuristic Train Car"

"Old Train Car"

"This train car is the kind that ran a long time ago. Compared to contemporary train cars, it has more parts, so I heard it was difficult to build. The old train cars built with lots of small parts have their own unique beauty and attract a lot of fans. Those cars no longer run in the Battle Subway, but I hear they're still used in a faraway region. Ah... I'd love to be on that train!"

So this sort of car used to run on the Battle Subway. It's said to be still running in another region, though with how old the train looks I can only think that maybe it would be running by railway preservationists.

The design of this train reminds me a lot of old Japanese electric trains and trams. Especially trams with that double roof. I don't think it's really based on any particular vehicle? Here's a couple that I found;

The only one I feel like is worth mentioning is the Jomo Electric Railway Deha 101 (this specific car is the Deha 101, others of its kind are called Deha 100 type) and the Nagasaki Electric Railway 160 type. Both of these vehicles I believe are still running to some capacity.

The Jomo Deha 101 has been running for over 90 years. While car 101 still resides at Jomo Railway, other Deha 100s have been transferred to other private companies where they have been scrapped. I believe the only existing Deha 100s today are Car 101 and Car 104 (which has been painted bright yellow.)

The Nagasaki Electric Railway 160 type used to belong to the Kyushu Electric Tramway where it was called the Type 1 Electric Tram. When it was transferred to the Nagasaki Electric Railway it was renamed into the 160 type. Today, there is a single car in operation. I believe it is the oldest wooden car in Japan that is still in service.

I suppose I will also mention the Keifuku Electric Railway Mobo 21 Type Train, it does look the most similar. Though, it's purposefully designed to look like an old style tram.

"Futuristic Train Car"

"This train car is a new train to run in the future! Wooo! Cool! Super cool! The latest motor breathes fire! Uh-oh, if it really breathed fire, that would be bad! But it is full of the latest technologies! It's undergoing a lot of testing. It's called a gauge-convertible train. It's a sweet car that can adjust its wheels to run on any rail!"

So first off, I'd like to say that this train visually kind of looks like a "Sonic" 883 series (nothing to do with the blue hedgehog, it was just a coincidence lol)

However the description!!!! A "gauge convertible train" that is undergoing a lot of testing... That description matches exactly with the GCT! (literally standing for Gauge Change/Convertible Train, though in Japanese it's called FGT or Free Gauge Train!)

The GTC is the project name for this experimental shinkansen. The one in the picture is the GTC-01, the second generation of its kind (as this is the version they would be testing before and during the development of the game, there is now a 3rd generation.) So, the term gauge refers to the distance between the two rails. Different trains run on different gauges, they can come in either narrow gauge, standard gauge, or wide gauge. Japan's rail network is mostly narrow gauge (specifically Cape Gauge.) The main exception are the shinkansen trains, which run on standard gauge. This shinkansen like the description says would be able to run on any gauge. It used to be under a lot of testing by the Free Gauge Train Technology Research Association. Today though, the GTC-01 second generation sits on display in the Shikoku Railway Heritage Museum.

There are a lot of challenges that the GTC faces. It takes a bit of time for the wheels to adjust to the gauge and you need to go slower when it's doing so. It has increased maintenance costs. The heavier specialized bogie creates more wear on the rails as well as making the train harder to detect. (Ok! Basic explanation for Railway Signaling! Tracks are split up into sections called "blocks", and a small electrical current is run between the two tracks that makes up the block. When a train runs through, the wheel and axle of the train disrupts the current, which then the system detects that block as being occupied by a train. If it is occupied, the signal lights at the end of the block will be turned red, preventing other trains from entering the same block, thus preventing collisions. The problem arises in the GTC in that the wheel and the axle are separate, thus something about this is making it hard to detect on the rail.)

With this train being a "gauge change train" it really made me wonder what gauge the Battle Subway trains runs at? I thought maybe standard gauge or maybe even wide gauge because you can only make the train so wide depending on the gauge. And you'd probably want it wider so that there is more room, especially if you are fitting a battle arena in it! However in Japanese the description mentions that "The rails are a little wider on the tracks that run at higher speeds." Which is... exactly how Japanese rail works? So the Battle Subway lines are probably narrow gauge?

Another thing that's interesting about the "Futuristic Train" is the date that it actually shows up. In Anville Town the way that each train shows up is dependent on the last digit of the day of the month, like so:

0- (10th, 20th, and 30th) "Old Train Car"

1- (1st, 11th, 21st, and 31st) Single Train Car

2- (2nd, 12th, and 22nd) Double Train Car

3- (3rd, 13th, and 23rd) Multi Train Car

yada yada you get the point (4- Super Double Train, 5- Super Single Train, 6- Super Multi Train, 7- Anville Town Train, 8- Nothing, 9- Wi-Fi Train)

The only exception is the "Futuristic Train" who will show up ONLY on February 1st, June 12th, October 1st, October 14th, and December 30th, pretty random huh? haha of course not! These dates are dates significant to the History of Japanese Railway/Transportation!

February 1st: The opening of Japan's first electric street car in 1895!

June 12th: The temporary operation of Japan's first passenger railway in 1872!

October 1st: The release of Japan's first Shinkansen, the series 0 in 1964!

October 14th: The official opening of Japan's first passenger railway in 1872, with the first two stations between Shimbashi and Yokohama! This day is also Railway Day in Japan, celebrating this event, Tokyo holds a Railway Festival and train companies like to do events on this day as well! 

December 30th: The opening of Japan's first subway line in 1927, The Ginza Line!

Rails, Station Platform, and More Train:

So the Station, there are a few details I can pick up on here!

The type of track that the trains run on (at least in the station) are ballastless tracks! It means the rail is tied directly onto a slab of concrete rather than having ballast hold it up (ballast is that rocky gravel that you often see beneath the tracks.) This type of track is quite expensive to build and makes the place a lot nosier, but it has a lot of advantages! For one, because there is no ballast to maintain, it has lower maintenance cost (ballast must be packed every now and again using a ballast tamping machine. Which lifts the track and jostles the ballast beneath it. Ballast also needs to be replaced after a while because the rocks have to be irregularly shaped for it to work, and natural weathering can make them smooth out.) It is also easier to clean and has a longer lifespan. Because the rail is tied to slabs of concrete the rails are less prone to deformation, which is good! Though it is also that same inflexibility means that it is difficult to change anything about it and takes longer to repair.

Their buffer! (that little black thing at the end of the line, I think it is a buffer?) It doesn't look like that effective of a buffer... The purpose of a buffer is to stop a train if brakes fail. Though this thing seems to be more for the driver telling them where the end is, hence all the, what I presume are, lights. Let's hope they have some sort of other safety system in place (like some sort of Automatic Train Stop system.)

There doesn't seem to be a third rail. I have a feeling that might be because most Japanese railway trains are powered via overhead wire (literally every irl train I have shown is powered this way.) Maybe the Battle Subway trains might be powered via overhead wire? I might be over analyzing here, they might not have thought of modeling such a small detail haha

The train itself has some sort of device on top (that box thing.) I believe it to be some sort of air conditioning unit. Given how each train car has one large unit on top of it, I believe that it uses a centralized cooling system, which means there is one large air conditioning unit. (There are 2 other types, they are distributed cooling which consists of 6-8 small units and centralized distributed which consists of a couple of medium sized units.) Central cooling systems are easier to install and maintain because there is only one unit to worry about.

Signboards:

The Buildings in between routes have a electronic news bulletin board, and depending on which city is connected to it, the news bulletin will give a little flavor text about the city. There's some flavor text about the Battle Subway when it's about Nimbasa City, and it different depending on whether you are playing the first one or the second one, here they are:

BW

"Run and battle! Trains never stop!” Battle Subway in Nimbasa City"

"They say someone who loved battles also happened to be a railway maniac, and thats why we now have the battle subway"

So, this might be a coincidence, but there is an old name that Japanese Train Fans used to call themselves. The name was "Railway Mania" (鉄道マニア direct translation). It was used up until the 1950s. Today it's seen as a derogatory term but it was used very commonly back in its heyday (even more popular than "railfan" apparently.) I think it is kind of interesting that the term "Railway Maniac" was chosen for this flavor text and I wonder if it has anything to do with this old name. However, I say it might just be a coincidence because the term "Maniac" is not unheard of word in Pokemon (Item Maniac, Poke Maniac, Hex Maniac, etc.) But regardless, there's that little fun fact for you!

B2W2

“Get on a train and fight!” Battle Subway in Nimbasa City"

"The energy generated by heated Pokémon battles is the fuel that keeps the Battle Subway running"

I'm going to get a little headcanon-y here. We can interpret this figuratively, as in if there are no battles then its not really a Battle Subway is it? But I think it would be fun to interpret it literally! What if Pokemon Moves could get absorbed somehow to power the Train? And if the Train doesn't need it it could go into the line to power something else in the Subway! I think that would be cool :]

Extra Stuff:

●I think the Battle Subway Map could also be inspired by JR East's rail map, the main reason is the single lines (dark green) which goes in a loop around the Unova Region...

Reminds me of the Yamanote Line (light green) which also goes in a loop connecting a variety of major stations together in Tokyo and is a very very important line!

●While I do believe Gear Station is inspired by New York's Grand Central Station, I do think there's a lot of design elements taken from Tokyo Station as well

●The gray bodies of the Anville, Single, Doubles, and Multi cars are probably meant to represent an exposed steel/aluminum body rather than the ones painted white like the Super Trains.

●In the Anime, the trains are said to have an ATO system, this is also a real system, it stands for Automatic Train Operation. It's a system that allows a computer to control when the train stops and goes with no driver involved! I don't think that the trains in the games run on an ATO system though, as there are Depot Agents who talk about train driving (Depot Agent Cameron who says "I’m good at driving, but I’m not good at dealing with Pokemon." at the start of battle, and a way more obscure Depot Agent whom you can talk to on the platform after 14 wins on a Super Train who says "I’d rather have an exciting battle than slowly drive the train.")

●In the Anime, there's a stamp rally, which is a real thing! There are station stamps in Japan which tourists can collect. Though, occasionally Pokemon will collaborate with JR East to create a Pokemon Stamp Rally! The most recent is this Pokemon Horizons Stamp Rally promoting the show! Here's a map of what stamps you can collect at each station and the prizes you can get!

●In the Nacrane city library there is a book that mentions that Nacrane used to have steam locomotives running through it!

"This book is about the things you can ride in the Unova region, such as Castelia City’s cruise ship and Mistralton City’s planes. Before there were planes, locomotives carried people all over Unova. The railway in Nacrene City is a legacy of those lines." (B2W2)

What kinds of Steam Locomotives? I suppose we will never know, as we never see one in game.

●There's an Roughneck NPC you can talk to at Tubeline Bridge in B2W2 where he says

"Watch it! People use “railway fan” as a catchall term, but there are many types of railway fans! There are riding fans, detraining fans, station fans, train-car fans, schedule-table fans, picture-taking fans, recording fans, and more! Don’t go thinking they’re all the same!" (B2W2)

So in Japanese, Railway is Tesudo (鉄道, testu 鉄- Iron and do 道-Road) and a Railway Fan is Tesudofan, however fans will abbreviate to just Testu and stick what aspect of trains they enjoy with it, so like 乗り鉄 (Nori 乗り-Ride, 鉄-tetsu) as a Train Riding Fan, or 撮り鉄 (Tori 撮り-Taking a Picture, 鉄-tetsu) as a Railway Photography fan. There are a lot of these and the NPC does go over some! There's also Railway Modeling Fans (Fans who collect model trains and/or construct model railways), Collecting Fans (Fans who collect railway related items such as tickets or stamps), Operation Fans (Fans who like researching railway operation and equipment), Regulation Fans (Fans who like researching railway handbooks and laws and regulations that go into a railway), Simulation Fans (Fans who like playing train driving/railway management games), Artists/Writers, Urban Explorers, and Railway Preservationist (I gave up on the last ones lol). There are lots of ways to enjoy trains!

There's also the super specific terms of "Mama Tetsu" where a mother becomes a railway fan because of their children's interest or "Oyako Tetsu" where a child becomes interested in trains because of their parents.

●The badge on Ingo and Emmet's hats probably represents the logo for the railway company that they work for, while researching about Japanese Railway Companies, I noticed that they have a lot of circular logos, here's a handful:

From what I could gather, these types of black and white circular logos are called a mon, kind of like a crest? If you wish to scroll about the logos, here is the link for the Wikimedia commons list.

The company's logo is also what's usually depicted on irl conductor's hats anyways, in the exact same place too.

(I was looking for a screenshot to showcase the hat to put here, but instead I found this promotional video! It's actually pretty good at going over the basics of what a driver and conductor actually do! Please feel free to check it out)

●The name "Depot Agent" is a little bit of a strange name, in Japanese the name is simply "Railway Worker", a depot is often referred to a train yard, however depot can also refer to a station, given where we see this trainer class working (at Gear Station), it is most likely that the depot in this case is referring to station, so they are station workers!

Final:

After all this I have come to the conclusion that somebody at Gamefreak really liked trains! And I really think all the little details are so awesome! and it really cements the Battle Subway as my favorite battle facility!

Anyways I hope you learned a thing or two and I hope you gained a new appreciation for trains and the Battle Subway! Thanks for Reading! ✌

(If I got anything wrong, please feel free to correct me, there was a lot of information I had to sift through and I am NOT an engineer * _ * and if you have something to add please do! I would love to learn more! ^ ^

[foxy-eva]

Warm Embrace

Summary: Spencer and his wife explore ways to be intimate with each other after a traumatic event

Pairing: Spencer Reid x Fem!Reader 

Category: Hurt/Comfort, Smut

Please read the CW, this story contains potentially triggering topics! 

Content Warnings: (18+, minors DNI) referenced past SA of Reader (non-graphic), implied flashbacks, trauma related sexual problems, conversations about sex and intimacy, nudity, kissing, mutual masturbation, handjob, thigh riding

Word count: 5.4k

Masterlist

“Spencer?” Your voice echoed through the apartment when you stepped through the door and found no sign of your husband. 

A distant sound came from the bathroom. “In here!” 

After a quiet knock on the door and his confirmation that you could step in, you found Spencer sitting in the bathtub. The room was filled with the lavender scent of the bath soap and what you could see of his body was covered in bubbles. It almost looked comical how his knees stuck out of the water, making it obvious that the tub was not big enough to accommodate his long limbs. 

“I was too tired to take a shower,” he explained after discovering your curious expression. 

“I can see that,” you laughed. “I thought you hated taking baths.”

“Honestly, I think I’m starting to understand why you like them so much. This isn't too bad.”

You stood there for a few moments, smiling at the sight in front of you. Then, as if it was the most natural thing in the world, you slowly began shedding your clothes. 

“Mind if I join you?” you wondered. 

Nothing about this situation would be unusual for any other married couple. Just a few months ago neither of you would have questioned your actions. Back then initiating any form of intimacy with each other felt natural and familiar. 

Things were different now, though. 

Spencer cleared his throat and shifted his position. “Are you sure about this?”

There was a reason to ask. For the past months any attempt to get close to each other resulted in you crying for the rest of the night. Something as simple as him placing his hand on your thigh was enough to startle you. 

A sigh rolled over your lips as you dropped your shirt to the floor. “No,” you confessed. “But I miss you.”

“I’m right here,” he reminded you.

That was not what you meant and he knew that. Of course he understood the meaning of your words. Spencer was well aware of the fact that ever since that son of a bitch hurt you, you fought a constant battle between wanting his nearness and pushing him away. 

Your husband gave you the space you needed and was there to hold you whenever you’d let him. It couldn't have been easy for him either but he never once complained about this new reality you had a live. 

A reality where that person took something from you that you’d never get back. It was hard to shake this feeling of being tainted after having your physical integrity stripped away like that. You were distant and closed off when it came to intimacy, despite your best efforts to get back to what once was normal. It had been months since Spencer even saw you unclothed.

That was about to change. 

Slowly, you pulled down your pants before reaching back to undo your bra. Spencer's sight followed the piece of clothing as it dropped to the floor before settling on your face again. 

“Stop profiling me,” you warned him with a playful undertone in your voice. 

“Sorry, I just want to make sure you’re okay.”

By pulling down your panties, you shed your last piece of clothing, leaving you completely bare in front of your husband. It was a strange feeling to reveal yourself to him. It felt new yet familiar to allow him to see you. 

However, he didn't dare to look, even when you approached the tub. It wasn't clear whether he just tried to be respectful or if seeing you like this for the first time after months was too much for him to bear. His reaction reminded you that he never answered your question about you joining him. Maybe he was the one who wasn’t okay with this. 

Spencer’s eyes widened as he noticed the change of your mood before you did. Within a split second your heart started pounding and you stepped back to reach for your bathrobe. 

“Sorry, this was a stupid idea,” you muttered as you turned around to shield your body from his sight and your heart from the rejection. 

“My love,” he cooed from behind you.

The sound of splashing water gave away that he was exiting the tub. From the corner of your eyes you saw how he reached for his own robe. 

You felt his presence behind you. “Can I touch you?”

You nodded as you turned around, finding him wrapped in his robe with water still dripping from his jawline. Spencer reached out his hands to pull you into his arms. 

“What just happened?” He wondered, his voice laced with concern. 

Before you could think about it, you mumbled, “You didn't want to look at me.”

Your husband thought about your words for a moment, replaying the scene that had just unfolded in his mind. What you said wasn’t true. He wanted to look at you, to admire you fully like he had done countless times before. 

“I was afraid it would make you uncomfortable,” he confessed as he pulled back to be able to find your eyes. 

It was hard to read your expression which was not surprising considering you were mostly confused about your current state yourself.

“I miss the way you used to look at my body. I miss being close to you,” you whispered and paused for a moment. “I miss… sex.”

He closed his eyes before placing an innocent kiss on your forehead. “I know,” he breathed. Me too, he thought.

“Do you still think about it?” You wanted to know. 

“Sex?” 

Nodding, you watched his facial features intently. Ever since your attack, there were many occasions when the two of you had tiptoed around this subject. But never before had you been so blunt about it. 

It seemed like he was looking for the right words. “Yes, I do,” was what he settled on.

Raising your eyebrows, you asked, “With me?” 

The insecurity in your question wasn’t lost on Spencer but he still couldn't hold back a breathy laugh. “Of course, silly girl. You're my wife.”

“It’s just been so long that I would understand if you ever thought about doing it with someone else.”

“Stop that right now,” he said with a firm yet loving tone. “I would never cheat on you.” 

A shaky breath escaped your throat before you dared to say what had been bugging you for weeks now. “What if I’ll never be ready? What if things won’t ever be like before?” 

“That would be okay, too,” he reassured you. “There are many ways to create nearness and intimacy. Sex is just one way but it’s not necessary. At least for me it’s not.” 

“So you’d be okay to live without sex?” 

“Before I met you I thought that was my only option,” he quipped. 

You knew there had been a handful of women before you but you appreciated his joke nonetheless. It made you smile. 

Spencer let his fingertips brush over your cheeks. “But to answer your question, yes, I would be okay with that.”

His words were genuine. The way he looked at you with the most loving expression made your heart jump. The amber of his irises radiated a warmth you could get drunk on. You nestled your head against his chest and he held you even closer against his body. He was right. Sex wasn’t necessary to create nearness. However, you were still curious about what else you felt safe enough to try. 

“I want to get into the bathtub with you,” you whispered. “And I want you to look at me.” 

Loosening the embrace, you looked at your husband. With a nod he confirmed that he wanted that, too. 

With shaking fingers you brushed over his robe before gripping the material. “And I want to see you, too.”

Together you helped each other out of your robes until you stood bare in front of each other. You took a moment to admire the man in front of you. It had been a while since you had seen him like that. Unlike you he didn't deliberately hide his body from your sight but there hadn’t been many occasions in the past few months that allowed you to see him unclothed. 

His body looked familiar yet different at the same time. His tummy was a little bit softer than you remembered and you imagined what it would feel like underneath your palm. 

Spencer dared to let his eyes drop down to take in every inch of skin within sight. The way he looked at you made your skin tingle and you noticed how it broke out in goosebumps. 

“You're so beautiful,” he purred as he tentatively brushed over your arms. 

Tilting your head, you placed a soft kiss on his lips before breathing against them, “So are you.”

He took your hand in his to walk you over to the bathtub. Your husband got in first, bending his knees in an attempt to make himself smaller than he was. There was enough space to join him, a relieved sigh falling from your lips when you felt the warm water enveloping your body. 

First you sat a little awkwardly opposite one another for a few moments before you felt confident enough to get closer. Gently, you placed your hands on his knees to part them before moving closer to lean against his body sitting between his legs. Spencer’s heart pounded rapidly against his ribcage as you nestled against his chest. 

“Is that okay?” You wanted to make sure. 

“Yeah, I uh… I’m not sure where to put my hands,” he chuckled and you noticed how they hovered above the edge of the bathtub. 

Taking his hands in yours, you guided them towards the water, placing them underneath your chest. Even though you expected his touch, you still jerked when you felt his palms make contact with your body. 

Instinctively, your husband wanted to retract his hands again but you held them still with your own palms pressed against them. Once the initial shock faded, you were certain that you wanted to be held exactly like that. 

A part of you still wanted to fight this vulnerable situation but a much bigger, much more confident part longed to be close to the love of your life. 

It was as if Spencer sensed your ambiguity. “You okay?” 

“Yes,” you confirmed. Then you thought about the way your body flinched when he touched you. It had happened before each time Spencer had touched you in places that he had touched, too. “I just feel like my body has to relearn a couple of things.”

Spencer nodded before finally being able to relax a bit. He leaned back while holding you against him, relishing the sensation of having you close without any barriers between you. Just for a moment he forgot about what had happened to you and to your own surprise, so did you. 

For the following weeks you made it a new habit to take baths with each other. There was something so sweet about getting clean together, it became a sacred ritual you wanted to repeat over and over. 

Slowly but surely you got more comfortable around Spencer. There was a time when you didn't think it was possible that the two of you would cuddle every night and every morning without constantly having to fear that you’d freak out at any given moment. 

But just like that it happened. Spencer didn't have to think twice about hugging you from behind and leaving a feather-light kiss on your neck. He didn't hesitate to pull you into his arms when he woke up before you. 

He did however wake up in shock and almost jumped out of bed when one morning he realized he had sleepily pressed his erection against your thigh. Having woken up before him, you had noticed it, too. You could have easily moved away but found no reason to do so.

“I’m so sorry,” Spencer murmured as he moved away from you, his voice still sounding raspy from his slumber.

“You don’t have to apologize for that, Spencer. I know basic biology,” you snickered. “Now come back here.”

Hesitantly, he moved back towards your open arms. The warmth you radiated was too hard to resist so it took very little convincing for him to find his place inside your embrace again. 

Gentle fingertips danced along his arms, making him hum in contentment. It had always amazed you how his skin felt so particularly soft and tender in the morning. His curls hung unruly from his head and you couldn't resist intertwining your fingers with them. 

You thought back to the many times you had woken up like this. Back then when it still was normal for your hands to become curious enough to explore every curve and dip of each other’s bodies. 

It was odd to think about before. Sometimes it felt like a lifetime away, other times it felt like nothing had ever changed. It made you feel like the man who hurt you had the power to bring a new time reckoning upon you. You didn't want him to. 

It only spurred you further on to fully reclaim your body again. 

Your fingers found Spencer’s jaw to tilt his head just enough for you to be able to kiss him. His lips felt so soft as he slowly reciprocated your actions. It was sweet and innocent at first but your desire to feel more of him only grew the longer you kissed. Slightly shifting your leg you could feel his hardness again, making him whimper at the sudden pressure against it. 

As your hand found its way under his shirt, you brushed over the softness of his tummy. Shaking fingertips followed the trail of hair leading further down before changing their direction and moving upwards to feel his chest. The beating of his heart was faster than usual, almost erratic. 

With cautious motions he mirrored your eagerness and let his palm wander beneath your shirt as well. You deepened the kiss when you felt his fingers wander over your waist, leaving goosebumps on their path. Spencer became hungry, almost desperate as his tongue brushed over yours, melting into you in a way he hadn’t for too long. 

It was what you longed for too, what you had been hoping to finally be ready for. 

Then he touched your breast and it all came crashing down again. 

“Stop!” 

Healing really wasn’t linear. 

In an instant Spencer retracted his hand and leaned back to give you some space. Widened eyes looked back at him and it took both of you a second to realize what had just happened. Before he could apologize, you did. 

“I’m sorry… I really thought I was okay with that.”

For a moment Spencer closed his eyes and took in a deep breath. Then he looked at you again, a soft expression on his face. “Please don’t ever feel the need to apologize for that,” he cooed. 

Unlike other times, you were able to calm down quickly. Instead of pushing your husband further away, you still yearned for his proximity. He seemed surprised when you moved closer to him again to lay your head down on his chest. Content to still have the privilege to hold you close, he wrapped his arms around you before a relieved sigh fell from his lips. 

There was no need to leave the comfort of your shared bed just yet, so you just lay there together, basking in each other’s warmth. 

Spencer placed a gentle kiss into your hair before breathing, “I love you.” 

“I love you more.”

You tried your best to be kind to yourself in that moment. It was a learning opportunity for you. Just a few weeks ago lying close to your husband like that was unthinkable. Even if they felt like baby steps at the time, it was still progress. 

The images of recent intimate encounters flooded your mind and let a pleasant calmness spread through your body. Spencer’s kisses tasted sweet and made you feel insatiable, always longing for more. Feeling his skin pressed against yours as he held you close in the bathtub enveloped you in a safe feeling unlike anything else. 

You thought back to those rare moments when you considered taking things further lately, just like you had tried just now. There was something you had wondered about. 

“I have noticed that when we cuddle…,” you began your sentence, unsure of how to continue. “Even when we’re naked in the bathtub together, you uhm… never get aroused? That was very different before.” 

Spencer cleared his throat. “Yeah,” he let out an awkward laugh. “I try really hard not to. I think about baseball a lot.” 

His response confused you. Propping yourself up on one elbow, you raised your eyebrows at him. “You think about baseball when we’re taking baths together? You don’t even like sports.” 

Spencer just shrugged and added, “Sometimes I try to solve equations, too.”

“Please don’t do that anymore,” you pleaded as you laid back down beside him. “It makes me feel good to see you’re still interested in me.” 

“Of course I am still interested. I just really do not want to make you uncomfortable or feel pressured in any way.”

Your words were genuine when you said, “I don’t think that will happen. I actually really liked seeing you in all of your morning glory earlier.”

Your husband smiled at you. “Yeah?”

A smirk formed on your face. “It reminded me of the countless times we were both late for work because we couldn’t keep our hands to ourselves after waking up.” 

“That was fun,” Spencer chuckled. “What wasn’t fun though was the conversation I had to have with Hotch after being late four days in a row.” 

His words made you laugh, too. Then, after a few moments of comfortable silence, your husband hesitantly asked, “Can I ask you something?” 

Tilting your head to find his eyes, you responded, “Of course.”

“You don’t have to answer this but I’m wondering… Do you ever get aroused in those moments, too?” 

You were used to talking openly about intimacy with your husband, that had always been a normal part of your relationship. His question didn't feel odd and you wanted to respond to it. 

For a long time after what happened, your longing to feel his nearness wasn’t connected to any sexual desires. At times you even felt like your libido had gotten lost entirely. Recently that had changed. 

More and more you had become aware of the little spark inside you that was ignited when you were with him. It was very different from the burning flame that was there before but your desire grew each time you were together. 

“Lately, yes,” you sincerely answered. Thinking about it some more, you decided to share another detail with him. “I even started uhm… touching myself again.”

Spencer seemed a little surprised by your response. “You did? That's good to hear.” His palm brushed gently over your arm when he added, “I can imagine that's a good way to feel a connection to your body and your needs.” 

For a second you thought he might start one of his ramblings to share all his knowledge about the health benefits of masturbating. He didn't, though. 

“Yeah, it feels nice. Almost normal,” you said instead. “I obviously still have a long way to go when it comes to sex but… I finally feel like I’ll actually get there, eventually.”

“There's no rush,” he reminded you. “We have all the time in the world.” 

Your lips met his in a tender kiss. “Thank you for being so patient with me.” 

After a few more moments of enjoying each other's company, it was time to get up and get ready for the workday. That night you found yourself tangled up in bed with your husband again. 

As you breathed in his scent and felt the heat radiating off his skin, you noticed it again – the little spark inside your chest flared up and spread a tingling sensation through your body. 

Your mouth found Spencer's neck to leave a trail of kisses along it, before it moved over his jawline and found his lips at last. He hummed when you kissed him and you could feel his fingertips twitching against your waist. 

It didn't take long until you deepened the kiss, a quiet moan slipping through your lips when Spencer’s tongue found yours. 

With your body pressed against his you didn't allow any distance between the two of you. It still wasn’t enough for you, though. There was too much fabric in the way of really feeling close to him. 

Your hand moved to the hem of his shirt to grip it and impatiently push it upwards. Spencer moved with you as you pulled it over his head. When your fingers moved to the waistband of his pajama pants next, he interrupted the kiss to find your eyes. 

A smile was painted over your face when you nodded, reassuring him that you were okay. You weren’t sure yet where exactly this was going but you felt safe enough to explore your options.

“We can stop or slow down at any point,” he reminded you.

“I know.”

After kissing him again, you sat up so you could continue undressing him. Slowly you pulled down his pants, an audible breath falling from your lips when you saw he was already half-hard. 

Spencer scanned your face for any sign of discomfort but found none. What he saw instead was excitement and curiosity. It made him smile. 

He sat up and brushed his hands over the fabric of your shirt. By lifting your arms over your head you gave him the sign he needed to remove the piece of fabric. He gently motioned for you to lay back down before he made contact with your hips, carefully brushing over your pajama shorts. 

There was no hesitation to be found when you lifted your hips for him to pull them down, without ever breaking eye contact. You thought about how different this situation was from being naked with him in the bathtub. Some parts of you remained hidden from him even then. 

You wanted him to see you, even when being exposed to him like that still felt a little scary.

After he had dropped the last piece of clothing on the floor, you dared to open your thighs for him to see every part of you. A rosy shade spread over his cheeks as he dared to look at you. It reminded you of when you were with him for the very first time many years ago. 

Just like then, he breathed, “You're so beautiful.” 

You could feel how some arousal had already gathered at your center and wondered if Spencer could see the glistening. By the way his pupils dilated you had a hunch that he did. 

Then, after he had fully taken in your beauty, it was as if he was frozen in place. He used to be so confident in situations like that, knowing your body better than his own and never questioning his next move. Things were very different now and you both sensed it. 

His eyes met yours and it became obvious how unsure he was of how to proceed. 

Opening your arms, you cooed, “Come here, love.” 

He seemed relieved when he lay back down beside you again. You wanted to kiss him but he hesitated. 

After a moment, he suggested, “I think it would be helpful if you talked to me more. I need you to tell me exactly what you want to do.”

“I’m figuring this out as we go, too,” you explained. “Right now I don't know where this is going. I only know that I really want to kiss you.”

His nose brushed against yours. “I would really like that, too.”

Just a split second later you got lost in another kiss. The way your bodies were pressed against one another while your lips were connected let you briefly forget where your body ended and his began. After shifting your position, you became well aware of that again. 

Spencer was fully hard now and his erection was firmly pressed against your thigh. You moved your leg slightly, prompting him to whimper into your mouth. The hand on your waist moved down to your hip and his fingertips pressed into your skin. 

“Hey,” you mumbled against his lips. “Can we slow down for a moment?” 

His grip on your hip lightened immediately before he moved his hand back up to your waist. Spencer placed one last peck on your mouth and pulled back. “Do you want to stop?” 

You shook your head. “No, I just need a little break. To make sure it doesn't get too much.” 

The truth was that you felt really good in that moment. Excited, loved and so, so turned on. It just felt safer to take things slowly. Gently you pushed against his shoulder until he was lying on his back. You found your home inside his arms. 

Your lips grazed over his cheek as you breathed, “How are you feeling, Spencer?” 

He chuckled at your question. “You have no idea how good I’m feeling right now.” 

As you let your head rest on his shoulder, you dared to look down at his body. The extent of his desire laid on his stomach and you noticed how a bead of precum had formed at his tip. Your fingers itched to touch him, to remember how hot and heavy his cock always felt inside your palm. 

A curious hand made its way down his chest, over the side of his stomach, brushing along his thigh. For a second you hesitated but then you let your palm hover over his hardness. 

Then you felt a pit form in your stomach and decided to retract your hand again. It might have just been your nervousness but that didn't change the fact that you couldn't continue in this moment. 

Your husband had watched each of your motions intently. It was obvious that he was burning to find relief. 

Tilting your head to find his eyes, you purred, “I want you to feel good.”

“It’s okay, my love. You don’t have to,” he reminded you.

You knew that, of course. There was still something else you could do together. 

As you began kissing his neck, his throat vibrated under your lips and a moan escaped his mouth. Then, you whispered into his ear, “I want you to touch yourself.”

Spencer’s eyes widened at your request and the rosy color on his cheeks turned a shade darker. It seemed like he needed a little more encouragement, so you lay back down inside his arm and opened your legs to give yourself access. 

“Okay, I’ll start,” you teased as you let your hand wander down your own body. 

Mesmerized by the sight, his eyes followed the path of your fingers. When you parted your folds to access your most sensitive spot, Spencer hissed a curse. 

The honeyed wetness between your legs made it easy for your fingertips to move through your folds. It felt relieving to touch yourself like that. Just like Spencer you were yearning for release. 

When your husband heard your heavy sighs as you pleasured yourself, he couldn't hold back anymore. You watched as his hand found his cock, a view that let your heart pound inside your chest. 

First, he wrapped his fingers around his shaft and squeezed, prompting droplets of his arousal to run down his tip. Then, he swiped his thumb over the leaking head before he slowly began moving up and down. Your mouth hung open as you watched that sinful scene unfold in front of you. 

As Spencer accelerated the pace of his fist, sounds of pleasure filled the room. His eyebrows were scrunched up and desperation was written all over his face. 

He had never looked more beautiful.

Distracted by the mesmerizing view, the hand at your core stopped moving. Instead of continuing, you let it wander away from your body to touch Spencer’s thigh. Before you could overthink it, your hand kept moving to his center. 

A heavy breath fell from his lips as your fingertips cautiously brushed over the velvety skin of his balls, making his body jerk underneath you. Smiling to yourself, you remembered how sensitive he was. 

Spencer stopped moving his hand, waiting to see how you’d proceed. When you touched the soft curls at his base, he whimpered. It was then that you realized that you were not scared anymore and that your nervousness had turned into excitement. 

“Can I continue?”

Spencer audibly gulped before removing his hand. “Yes… please.” 

When you wrapped your fingers around his length, both of you moaned in unison. Holding him in your hand like that felt both familiar and novel at the same time. You started moving your palm and quickly remembered how exactly he liked to be touched. 

“Fuck,” he groaned. “Feels good!” 

With all the built-up tension and those months of abstinence, it only took a few moments until Spencer was getting close to reaching his point of no return. Familiar with all the telltale signs of his impending climax, you continued caressing him. Coming closer to his undoing, his cock twitched inside your palm and his entire body started quivering. 

His release began spilling over your hand and onto his stomach while he kept pulsing against your fingers. You kissed his jaw and his neck before you reached for the tissues on your nightstand to do some damage control of the mess you had created. 

Your husband’s chest was still heaving when you finished cleaning him up. Concern was written all over his face when he found your eyes.

He pulled you back into his embrace as he asked, “Are you okay?”

“Yeah I am. That was really fun,” you snickered. 

Spencer's hand brushed over your back as he placed a soft kiss on your mouth. “Do you want me to touch you?”

The truth was that your entire body was aching for his touch. You could feel the heat burning between your legs and were aware that your arousal had started coating the insides of your thighs. It had been a long time since you’d felt so turned on. 

And yet, the thought of him actually doing something about it made you nervous. 

“I’m not sure,” you admitted. “I would like to kiss you again, though.”

He let out a breathy laugh before finding your mouth once more. Feeling his lips on yours only blazed up the fire burning inside you. You shifted your position until you were hovering over your husband, one of his thighs pressed between yours. 

Tentatively you began rocking your hips against his leg, sighing as you realized how pleasant the friction was. 

“Is that okay?” You breathed against his lips as you kept moving. 

“More than okay,” he reassured you. “Use my body however you like.”

You sat up as you ground against his skin, feeling him tense his thigh underneath you. Taking his hands in yours, you placed them on your hips so he could help you move. Soon you had created a mess on his leg as you spread your wetness along his skin. 

With your entire entire body twitching, your motions became erratic. Looking down at Spencer, you found him staring at you with lust-filled eyes and a wicked grin painted over his face. 

As you danced along the edge of euphoria, you forgot your surroundings. It was only you and him right then. “I love you,” you whimpered and before your husband could respond, you collapsed into his arms as pleasure overcame you. You kept pressing your core against his leg as your whole body shook. 

Spencer held you firmly inside his arms as you came down from your high. He kissed your forehead and whispered, “I love you more.”

After your heart rate had come down to a normal frequency and you weren’t panting anymore, you kissed your husband. 

“How are you feeling?” He wanted to know. 

“Good. And also a little sticky,” you snickered, hinting at the mess you had created between your legs. 

“Yeah, me too,” Spencer chuckled. “How about I run us a bath so we can get cleaned up?” 

The prospect of that made your heart flutter. “That sounds wonderful.”

Author's Note: Writing this story took me two years and I am so relieved I was finally able to get it to paper. I hope reading it felt as cathartic for you as writing it was for me. Thank you for reading! I would really appreciate a reblog and a comment.

Taglist: @adoredfromafar @grumpyy-bearr @frickin-bats @pleasantwitchgarden @cynbx @xserenax-13 @alexxavicry @samuel-de-champagne-problems @evvy96 @reidsbookclub @lover-of-books-and-tea @sebs-oxygen @nomajdetective @kobaltdragon @matthew-gray-gubler-lover @castiels-majestic-wings

[dduane]

I just read the part where Kirk experiences the Enterprise's point of view in The Wounded Sky to someone else, where she sees the crew as children she is training up to the Great Desire of exploration for exploration's sake, especially Jim. His reaction, essentially: "That was really pretty. ....And then he blows her up."

I hadn't thought about that before! I checked the copyright date, and it looks like The Wounded Sky came out a year before The Search for Spock, so you were writing without knowing that sacrifice would eventually happen.

How did you feel about that? Do you wish that writing decision had been made differently? (If, as a Trek writer, you're allowed to comment on other Trek writers' choices!)

You know, I tend not to think a whole lot about such issues. First of all, because (in the long run) it gets you nowhere in particular that's useful. And secondly, because it's not a thing that, as a Trek writer in any medium except film, you have the slightest power to change.

Now, at this end of time I think we can safely say that no one's going to hire me on to write a Trek film. And also that no one at that end of the creative spectrum is going to pay the slightest attention to anything I say, either. Both of those situations are just What's So, and neither of them bothers me. (Since I have universes of my own to manage at the moment, and that's where my attention properly lies.) So as regards my opinions about other writers' work, I'm pretty much off the hook.

If I had been on screenwriting duty for that film, would there be things I'd have wanted to do differently? Hell yeah. From the premise up. But the important thing here is: would those things necessarily have worked better on the screen / with the audience? Impossible to tell. And speaking as someone repeatedly given permission to work in someone's universe, the main thing to be aware of is the expectation that your chief responsibility is to do what best serves the characters and the IP of which they're part. (There's a post over at Out of Ambit with a lot more of my thoughts on the subject:)

The other thing to remember is that, though I've worn the Canonical Hat in my time, novel work is by definition non-canonical. Doing it, you are at all times working with the understanding that the licensor rarely views your work as anything better than a corporate side hustle—a way for the IP to make some cash on the side—and will ignore you and the stuff you've created unless given pressing reasons to do otherwise. (Such as when they might make some unexpected money off it... at which point you remind yourself as forcibly as necessary that what you did is Work For Hire; they own it, lock, stock and barrel, and you should not realistically expect to be given any credit.)

And, if you understand the rules and enjoy the work enough, all of this is okay. The reward is not in making a lot of money doing it, or even in having aspects of your work openly assumed into canon. The reward lies in being allowed to contribute to a given universe in public (and, yeah, getting paid for it by the licensor). It's not payback: it's payforward. And you're left an astonishing amount of freedom to bring your vision to that universe. (Sometimes... as one colleague has McCoy say... you have to be "very, very careful" to get away with it. But it can be done.)

The truth is that even in the 1980s, I was sharing this level of playing-in-a-universe with a goodish cohort of editors and writers: a big roomful at least. Now I'm sharing it (retroactively speaking) with hundreds of them. With the best will in the world, even in the 80's the licensors (as regarded film) couldn't have realistically polled/listened to all of us regarding our creative opinions about the screenplay end of things. As for what that'd look like nowadays... I'll leave you to your own deductions. 😏

Anyway, thanks for the question. It's always nice to know that there are people who want to know what you think. 😊

[angelwithdemonictendencies]

know me the way you know your childhood scars, like breathing; i wasn’t running but if i was i’m glad it was to you.

tz11 x reader: a small town, a fresh start, a shared heart.

(warnings: blasphemous filth, unprotected penetrative sex (m on f), hair pulling, thigh-riding (this is newish), dirty talk (if you're new, welcome!), mentions of previous relationship being awful, i know i'm forgetting stuff but all my typical things. (please be warned, don’t read if you’re not 100% sure.)

(a/n: here we go again! i feel the way taylor must when she rereleases music. i love love love this one, i'm happy and grateful to share it with you, again. every now and then i think of the dibs/butterscotch part and i get all fuzzy inside. the matt boldy subplot is still my favorite. let's all pretend, when we read this, that the mullet is not a thing. also, if i posted little snippets of new stuff i've been working on (none of it is x reader, but all of it is hockey inspired), would anyone read it? let me know. i love you and your snakes. be good to yourself).

this was probably a terrible idea, you thought, with your suitcases beside you, your head in your hands at the foot of the bed that would be yours for the foreseeable future. one bed of several at a local inn - local to this town, at least, not local to you.

no, you thought, jittery with unknowing and chance and uncertainty, none of this was familiar to you. not this town in the middle of nowhere, hundreds and hundreds of miles from your hometown, your university. not any of the few people you had interacted with, not the uber driver, the inn keeper, the housekeeping staff.

not one part of this place, this experience, not one part was familiar. but that's what you'd wanted, wasn't it? that was the whole point?

you'd wanted to find yourself, wanted to prove that you could take care of yourself, exist on your own, thrive outside of the bubble that was university.

you wanted a fresh start, away from ex-boyfriend and ex-best friend, their betrayal still fresh, a wound scabbing over on your heart. you wanted to breathe deeply and not worry about who was watching you exhale - a place where nobody knew you, where nobody could whisper about the girl whose boyfriend was cheating on her with her best friend. for three years. she's so stupid, how could she not have noticed?

well, here, you decided, that's what you would get. a humble job as a diner waitress lined up to start tomorrow, a booked room with no check-out date, not a laugh you'd recognize for miles and miles.

this is what you'd wanted, you told yourself, now, loneliness settling in your mouth the way the powder on sour candy does. this is what you have.

completely exhausted from travel and emotional havoc, you passed out that night amidst dreams of fresh starts and trees too tall to see you behind them.

such a lovely image did not last nearly an hour into the next morning, the first day of your new job, just a block or so from the inn you were staying at.

this was part of the reason you had chosen this place for your self-discovery journey, after all - the urgent hiring, competitive wage, amazingly low price for room and board.

you had worked in your university's coffee shop for a year or two to help pay your tuition, so, honestly, how different could it be?

very different, you realized, almost immediately. they were hiring urgently for a reason, which meant there was practically nobody there to train you. one of the line cooks, of all people, just threw you an apron and a name tag to wear over your uniform-compliant black skirt and shirt, mumbled something about a welcome, enunciated something louder about table three needing service.

and so your self-proclaimed new life began completely unceremoniously, with a name-tag that misspelled your name, the smell of waffles and western omelets permeating the air like some grandmother's perfume in an old living room.

at the very least, the business made the time pass quickly, as you paced from table to table, only pausing briefly to introduce yourself to the line, the host, the several curious patrons who asked about you.

"new girl," some impossibly old man husked, "they not have hot coffee where you're from?" he grimaced as he took another sip. "cold as a winter's -"

"okay, that's enough," his companion said, a woman, probably in her mid-twenties, with blonde hair chopped short. she gave you a sympathetic look, like you two were sharing some inside joke. you liked her immediately. "he's had about twelve cups already. don't mind him."

you felt your mouth tick up in a smile for what might have been the first time this morning as you introduced yourself to her, and her father, who you learned everyone affectionately called "old man peters." you learned that the young woman's name was bridget, and she insisted on giving you her number, in case you had any questions, or wanted to get together, or needed anything at all.

your day was already looking up, you thought, as you lifted your sulking ponytail from you back, loose strands curling at the nape of your neck, around your ears. bridget and old man peters bid you goodbye, and then the young host, a boy who stuttered so much over his name that you still didn't quite know what it was, sheepishly alerted you that he had seated a group at the booth in your section.

your flipped to a new page in your notepad as you walked back to the booth, your gaze quickly being tugged up by a drawl-ish voice blurting out "dibs! i call dibs!"

such as exclamation was followed by several groans and one "not fair, you're the only one facing the door."

your brow was slightly scrunched in confusion when you stood at the head of the group's table, four pairs of eyes faced to you in a way that made you feel like a politician about to give a speech.

you cleared your throat, not quite looking anyone in the face. "good morning," you said, "can i get you guys started with some drinks?"

you looked up from your notepad, clicking your pen against the surface of it, taking in the table of - well, you weren't really sure. construction workers, maybe? craftsmen? the four of them had on heavy canvas-like jackets, worn and worked in, highlighter-bright shirts underneath, callused hands that your observant eyes took note of immediately. they were young, too, probably about your age, which made you blush, only a little. these were not the kind of guys you had met in college, the kind who you would have taken a class on freud with, the kind who thought everything with a woman's hand around it was a phallic symbol.

"just coffee," one of them said, short. he tacked on a please when one of his friends smacked him lightly on the back of the head.

you motioned with your pen around the whole table. "for everyone?" you asked, but the question stumbled out of your mouth when your eyes caught on the last of the four, the one on the bench on the right, closest to you.

that sharp face, high cheekbones and cut jaw, should have been so serious, you thought, like some kind of statue, the kind your art history friends would have fawned over in a museum you didn't really want to go to. he should have been so serious, angular like that, but he was anything but. mirth danced in his eyes, so bright they almost sparkled. his full mouth was fixed in a sort of perpetual smirk, so ready to laugh that he was already halfway there. he had the lines around his eyes that told you his full smile would tear you in two.

you were probably staring at him, you realized, flushing deeper as his smirk broke free into something wider, all over his face.

"see, guys," he spoke, that goofy drawl you had noticed on your way over, nothing like the pretentious academics who spoke in circles. he leaned back in the booth. "doesn't matter that i called dibs. she likes me best anyways."

your face scrunched up in some combination of disbelief and hidden delight. "wait," you began, "when i was walking over here, when you said something about dibs," you fixed him with what you hoped was a glare, "you were calling dibs on me?"

he shrugged off his jacket, drawing attention to his wide shoulders, arms thick even through his bright long sleeve. you snapped your gaze back to his eyes, which shimmered, telling you that you'd been caught. "what's the big deal?"

you scoffed, blew a stray curl from your eye line. "you don't call dibs on people," you said.

"yeah, trevor," one of his friends teased, "what's wrong with you?"

"where to begin?" one of the others said, almost lost in thought.

"c'mon, sugar," trevor said, tilting his head, "'s a compliment, yeah?" his gaze rolled down your frame, almost gelatinous, meeting your eyes again reluctantly. "only 'cause you're so pretty, hm?"

you rolled your eyes, fixed your gaze on the one across from him, the one who looked the least engaged. "but, trevor," you whined, stretching out his name like salt-water taffy, "what if i wanted-" you paused, looked down at the blonde just below you.

"matt," he said, practically bored. you nodded your thanks.

"what if i wanted matt?"

his posture grew even more relaxed as he shifted his knees wider under the table. "oh, what if, sugar?" he mused, his eyes so expressive, never off of you for a moment.

"she's gonna spit in your coffee," matt said.

"how about we cut out the middle man and she just spits in my mouth?" he chirped, smirk so telling it made you flush pink.

you mumbled something about decorum before walking away in a flurry of annoyance and excitement. you couldn't really tell the difference, you realized, as you gave the poor host a pot of coffee and asked him kindly to drop it off at the back booth.

you were not something to be called dibs on, that was for sure, and you were here to find yourself, not anyone else, certainly not some guy. even if some guy had soft-looking hair and a witty mouth. even then.

you took a stabilizing breath and got back to work, noting that the back booth only got coffee, only stayed for about twenty minutes before making to leave, heavy jackets loud as they shrugged them back on.

three of the guys called out their thanks and headed out, leaving only a standing trevor there when you approached to settle their bill. thumbing through his wallet, he grinned down at you when you finally stood in front of him again.

he was taller than you thought, you realized, as he now stood at full height. you had to crane your neck slightly to look him fully in the face.

"thought you'd be shorter," you said, honestly, hoping to knock him down a peg, however mean that might have been. but of course he only smirked.

"get that a lot," he drawled, selecting a bill, putting his wallet back in his pocket with hands you had to force yourself not to stare at. "been told 've got the personality of a short guy in the body of a tall one."

you shook your head. of course someone had told him that.

you couldn't really ruminate on that, though, as he stuck the twenty in the front pocket of your apron, as well as something with a slight weight to it, urging an angry pink to the tops of your ears, the feeling of his wide hand warm, so close to you.

you peered up at him, sucked on your teeth as he pulled out his hand slowly, that ever-present smirk almost faltering at your gaze.

"thanks for the service, sugar," he said, and you probably imagined the way the end of his words sounded strained. "see you around, yeah?"

you didn't break eye contact, only let yourself smile back at him before turning and getting back to work, letting the push and pull of waitressing lull you into a rhythm during which it was practically impossible to think too heavily about bright eyes and broad shoulders.

by the end of your shift, you had been officially tired out. you were sure your hair reeked of coffee, and your ankles ached from standing all day.

going to empty your apron, however, right before you left, your hand settled on the bill from earlier, but also several wrapped butterscotch candies. your face contorted as you stared at them, wondering why trevor had put them there.

exhaustion won over curiosity though, as you thanked everyone for your first day and walked the short block back to the inn.

this won't be that bad, you were thinking to yourself as you walked up the stairs. you already had the phone number of a maybe-friend, after all, and as far as jobs went, this one could be a lot worse. good money, good way to meet new people, maybe even something pretty to look at -

as if summoned by your thoughts, when you turned out of the staircase to your hallway, there trevor was, standing on a ladder, looking into the ceiling, some box of tools on the floor.

you narrowed your eyes, bag suddenly feeling heavy on your shoulder. the presence of a new figure drew his gaze to you, and you had to scold your heart, the way it beat like a teenager at the way he looked at you, then. you didn't know him, after all, and you weren't here for anything romantic.

"you followin' me, sugar?" he asked, stepped down from the ladder, making his way over to you. his voice was slow and tired, from whatever he had done that day. you were shocked at the fact that you wanted to know what that was. his gaze shone as he gently took your bag from your shoulder and slugged it onto his own, fell into step beside you. you let him. "tell me you're following me."

you rolled your eyes, but the small smile on your face wasn't going anywhere. "this is where i'm staying," you explained, "so, if anything, you're following me."

you stopped in front of your door, leaned back against it, suddenly in no rush to lock yourself behind it, alone. not when he was on this side of the door, looking like this.

almost weary with hard work, but not weary enough to sour him, just enough to make his movements and expressions slightly slower, lazier, more indulgent, like they were drenched in chocolate ganache. not when he was here, looking at you like this, like you were the most interesting thing he'd ever seen.

after years at some preppy, pretentious university, at which ingenuity was the most valuable currency, one you felt you lacked so disgustingly, was it really too surprising that you softened under his gaze? that you wanted to stay in it, just a little bit longer?

"sugar?" he asked, head tilted, and you realized he had been talking.

"sorry, what?" you asked, your voice soft like sponge cake, willing your eyes to focus, your mind to focus harder.

he didn't tease you too badly, though, only let his smile grow sharper with a smirk. "i said that 'm sorry if i hurt your feelings with the dibs stuff," he said, and you were almost confused at his apology. you weren't even upset, and when was the last time someone had apologized to you so quickly after doing something?

your memory cut hazily to your ex, somehow trying to convince you it had been your fault that he cheated on you, that it was something you were lacking that had inevitably led him to do that. you practically shivered, then internally scolded yourself for comparing trevor, whom you had met today, you reminded yourself, to your ex-boyfriend.

"'s fine," you said, waving him off, your back softening further into the door. "didn't really hurt my feelings."

his eyes flashed. "didn't really or didn't, sugar?" he asked, searching your face.

you swallowed, acutely aware of his attention, how it slid down your nose, your cheeks, your jaw, slow and thick as sludge. "didn't."

he gave a nod. "'m sorry anyway," he said, and it came out low. "if you really want to go for matt, i won't stop you."

and part of you wanted to blurt out i don't want matt!

but it was your first day in this place, and honestly, you were still kind of hung up on his apology, and the way it sounded from his chapped lips, and you knew to correct him would be exactly what he wanted.

so you just said "thank you," and were shocked at how gentle it sounded.

"jesus christ, distracted, are we, trev?" the voice of the young inn-keeper called from the end of the hallway. he seemed awfully chipper as he approached, hands in his pockets. "i came up to check on your progress," he said, "or lack thereof, i guess." he looked between the two of you. "now i see who's stolen your attention."

"i'm on my legally-required fifteen minute break," trevor said, half-smiling, turning back to you. "sugar, you know my brother, griff?"

you nodded, suddenly clocking the subtle ways their appearances drew from each other. trevor was taller, griff had a wider face, bigger features. but they had the same eyes, same strong nose, mirroring grins. "he owns my room," you said, dumbly, tiredly.

griff only smiled. "she's had a long day, trev, leave her be."

trevor searched your face again, seemed to find all the proof he needed - your heavy eyelids, drooping shoulders. he gently handed your bag back to you. "i'll see you tomorrow, sugar," he said, as soft as you'd heard him. so soft it startled you. "sweet dreams."

"goodnight," you said to both of them, shutting the door behind you. sleep came easily that night, again, with dreams less so of hiding behind trees and more so of rough hands and laughing eyes.

you were surprised, pleasantly so, at how quickly you fell into a routine in your new home. surprised at how quickly you let yourself call this place that.

maybe it was the way that bridget wasn't just being polite when she had given you her phone number, as she had quickly set up dates to show you all her favorite hiking spots around. your weekly hikes with her became a highlight as she told you more about the town, about her young daughter, about book club, about anything and everything. she was so kind with you that you found yourself so comfortable confiding in her. it felt so easy calling her a friend.

maybe it was the way the town seemed to accept you as one of their own so quickly and genuinely. the line cooks flirted with you in the way only line cooks do (in ways that would not be acceptable outside of a kitchen). they made you food to take home, kept you from starving. the host, harry, began to trust you enough that he asked for your help on homework. the regulars began to recognize you, know your name, ask how you were doing. griff checked in on you, asked if anything was wrong with the room, said you should feel free to use his kitchen anytime (as your room was the simplest kind, and didn't have any cooking appliances). you began to know the names of the streets, the stores, the store owners. your fresh start was starting to feel like just that - a start.

or maybe it was that same group of guys who came in every morning, at the same time, who ordered only coffee and then left in a flush of waves and heavy jackets and called-out salutations. you learned that the one with the curly hair, alex, was the quietest, probably the smartest. his closest friend, cole, was the shorter one, who had the loudest laugh. and matt was warming up to you, you thought. the more you made fun of trevor, the more he seemed to like you.

it was that same group, every day, who came in loudly and left louder, who had paint and dirt smudged on their shirts, their hands. who drank coffee like it was water. who laughed like it was easy as breathing, and maybe that was how it was supposed to be.

and, of course, there was trevor, who, the more you got to know him, the more trouble he became. every day, his "good morning, sugar," would reverberate through your chest, and you would drop a pot of coffee at their table, ask how they were doing, listen for their answers.

some comments about how old man peters' roof is caving in, and he should have told them about it probably a year ago, or about how the police chief's plumbing is fucked, or about how they were going over to fix bridget's sink that day. and, if it was the last one, matt would flush, which would make your eyes widen, would make you pepper him with questions about his crush.

and then, at some point during their morning break, trevor would ask something about you, about how you were, about the way you were wearing your hair, the shoes you were wearing, the book you had been reading the week before. and then, as he left, without fail, he would slip a bill and several butterscotch candies into your apron pocket, each time his hand growing heavier, more significant as it settled so close to you.

it didn't particularly help your small crush that you saw him everywhere. he was always fixing something - in the diner, at the inn, in the park downtown. you couldn't escape him and his deft hands, his working mind, his strong frame and easy laugh and addictive smile.

he was everywhere, so of course he would be here, at the grocery store, after your shift one day. you were roaming the isles, looking for a specific kind of vinegar, your basket hoisted up onto your hip, when a low whistle made you turn. you were met with that lazy smirk, your favorite one of his, the nighttime one, the tired one. he approached you, his work boots heavy on the ground.

"you followin' me, trevor?" you asked, repeating what become something of an inside joke between the two of you.

"maybe," he said, looking down at you, shimmering eyes framed by long lashes. "do you want me to be following you, sugar?"

you hummed, noncommittal, some harmony between the fluorescent lights above, the whir of the fridges the next isle over. you turned back to the shelving, resumed your survey of the contents. "your brother offered his kitchen for me to use while he's out tonight," you said, not looking at him.

"did he?" trevor mused, an almost undetectable bite in his tone.

you nodded, eyes alight with excitement. "been eating pancakes and chicken noodle soup for weeks now," you said, referring to what the line cooks sent you home with. "swear my mouth's watering just thinking about something different." you ran a thumb along your bottom lip, as if checking for spit.

if you had been looking at trevor, you would have see his shallow swallow, the way his eyes tracked your movement, how his gaze hung from your mouth like lacy ribbon. he cleared his throat.

you finally located the vinegar you wanted, on the very top shelf. pushing yourself up on your tiptoes, you reached the tips of your fingers for the bottle, only just out of reach.

trevor only chuckled as he grabbed the bottle easily, took the basket from your hip and into his own hand, dropping the vinegar into it.

"i can carry that, you know," you said, suddenly wishing you had something to do with your hands.

"i know," he said, smug.

you rolled your eyes, huffed a thank you, anyways.

"so, what're you making?" he asked as you led him from aisle to aisle, loading your basket with ingredients.

you explained to him how, in college, this one salad had been your absolute favorite to make when you needed something that made you feel good. something about the combination of arugula, kale, chickpeas, sweet potato, whatever other vegetables you had on hand, sometimes chicken, if you were feeling fancy, something about the simple dressing of oil and vinegar - it was perfect. no meal left you feeling as good as this one did.

and it was how you had made it entirely on your own, too - it wasn't some fancy steak dinner your ex had buttered you up with after a fight, it wasn't boxed brownies shared with your old best friend the night before you found out - no, this was all you.

when you looked back at trevor, there was something molten in his gaze. "sounds amazing," he said, low, like he didn't want anyone else to hear.

you tilted your head, let your smile slant across you face, scrunched up your nose, teasing. "would you want to join me for dinner, trevor?"

his face split into a grin. "i would," he said, "i would want to, please."

and so you found yourself fumbling around someone else's kitchen with an audience, washing kale and peeling sweet potatoes with fingers that twitched towards the figure across the counter, practically irritated that they weren't touching him.

you scolded your hands to behave, which became easier as the night went on, as conversation flowed like cranberry juice, the flavor of it lingering in your mouth just the same.

he might ask you about how the diner was going, to which you would look around as if to make sure no one was there. his eyes would flash. you would miss this.

"harry's been making some real progress in precalc," you would say from behind your hand, speaking of the host, whom you had come to view very fondly. "and you didn't hear it from me, but i think he's going to ask his friend jason to the school dance next weekend."

you would be flushed with excitement and pride, and trevor wouldn't be able to get much beyond that, honestly, the way it lit you up from the inside out.

but then he would clear his throat, and lean forward on his hands, and tell you that if harry needed help asking jason to the dance, he knew exactly the best crew for the job.

"don't tell me you're talking about your rag-tag group of misfits," you would say, cocking a brow as you dressed the kale and arugula.

and he would feign offense, place a broad hand over his heart. "i'll have you know that this group of misfits went 16/16 in high school dance invitations," he would say. "all four of us, all four years."

you might roll your eyes. "real band of heartbreakers, were you?" you would say.

and laughter would shine behind his eyes like christmas tree lights behind store windows, and he would stretch his arms above his head, lazily, comfortably. "'course not," he would say, his voice the sort of raspy that comes with stretching, "only alex."

and this would pull a real laugh from you, as you tossed everything together, the kind of laugh that rung in his ears, that made him pleasantly dizzy.

as the night passed on, time moving altogether too fast and the kind of slow that oozes, you would learn about how he grew up in this town, how he went to trade school, how he had had the same friends his entire life. you would ask questions about if he ever felt the desire to leave (not really), how he got into manual labor (he never really felt like he was that good at anything else), what his family was like (close, but not overbearingly so).

and, in turn, between bites and sips and laughs, you would tell him about how you grew up (humbly), what school was like (hard, but rewarding), how you ended up here (cheap housing, good job, close community). and maybe you would actually tell him about the ultimate betrayal you had faced before you left, why that made you want to be somewhere, anywhere else, somewhere where you had no choice but to make a life entirely for yourself.

at the mention of your ex his jaw might clench, his mouth twitching ever so slightly. he would mutter something about nonsense, and you would smile.

he would ask questions about your family (just your dad and you), your favorite parts of your life here (hikes with bridget, homework sessions with harry, bickering with old man peters).

and he would pout, at that, his bottom lip looking so positively delicious it stole your breath. "'m not your favorite, sugar?" he would plead, joking.

maybe you would really look in his eyes, then, find something hot, tilt your head. "you wanna be?" you would ask, breathier than you intended.

and he would smirk, somehow flipping the dynamic on its head entirely with only a single expression. "you know i do, sugar," he would tell you, low and so loaded you would blush.

it might scare you how easily you let him in, how quickly you were warming up to him. his pretty face might scare you, because pretty faces had hurt you before. there had been no one prettier than your old best friend, after all, and look how that turned out.

so, when the night grew viscous, and the meal was long over, the dishes done, a portion for griff packed up in tubberware on the counter, when he walked you upstairs to your room, both of your steps slow, reluctant, when his gaze lingered on your lips and the smell of him grew distracting, the height of him all-consuming, even then, even though you wanted to, you didn't kiss him. you only bid him a gentle goodnight.

"thank you for tonight," he would say, instead, looping his arms around your neck, hugging you close to his chest. this was so much worse, you thought, as you breathed him in, wrapped your own arms around him and squeezed. the way he held you like he was afraid what would happen if he let go. his hair so messy and his tone so genuine it almost hurt. "sweet dreams, sugar," he said into your hair before pulling away.

even though, that night, you might have dreamed about how his rough hands might feel as they held your soft cheek, how his chapped lips might slot against your glossed mouth. even if you woke up, that next morning, practically sweating. not the sweetest of dreams.

today was your day off. you had plans later with bridget, but you decided to book a haircut and blowout at the salon downtown, since you had the whole morning to yourself. the salon was one place you hadn't been in, yet, and you hadn't had a haircut in months, so you figured now was a good a time as any.

the bell above the door rang when you stepped inside, but no one seemed to notice over the shrill thrum of hair dryers, sinks, and the steady stream of gossip that you appeared to have walked in on.

"she told me her trevor went on a date, julia," one of the stylists said seriously, her eyes expressive as she sectioned her client's head of long curls. "won't stop rambling on and on about her, she says."

your heart jumped in your chest at trevor's name, sunk accordingly. he had been on a date? you weren't sure why you had assumed you were the only girl in his life at the moment, but it stung, nonetheless. you pulled at a thread on your long sleeve, eyes down.

you can't be upset, you told yourself, don't you dare be disappointed-

"oh, honey, how long you been waiting?" one of the stylists called out, making her way over to you and the front desk. "swear you have to throw somethin' at one of us when you come in or we'll never stop talking." she had such an easy way of speaking, a comfortable posture, a genuine face.

"sorry," you said, looking around, still recovering from what you'd overhead.

she just waved you off with a smile. "it's us motormouths who should be apologizing," she said before introducing herself as ginger. "now, what name is your appointment under?"

you told ginger your name, and as soon as you did, her eyes sailed up to meet yours again, wide and bright. she snapped her fingers, getting the room's attention. "you're the doll who stole our baby trevor's heart!"

you blushed furiously, felt the words in your mouth twist and tangle like a toddler's hair. "me? no, that can't be right," you said. there's no way last night counted as a date, you thought. there's no way he's talking about me.

the other stylist just squealed as you were led to a chair. "of course it's you! look at her, julia," she said to the woman in her chair, practically elated, "what a treasure!"

your blush wasn't going anywhere any time soon.

"that boy's been talkin' to 's mama 'bout you, honey," julia said from her chair, her expression knowing. "he's just about smitten, she says."

"and a mother always knows," ginger said, emphasizing her words with hairbrush gestures.

so you spent your appointment getting a couple inches off, hearing about the trouble trevor used to get in when he was younger (apparently alex used to be the biggest troublemaker, though), hearing about how trevor just went around fixing whatever anyone needed fixing.

"swear that sweet boy wouldn't charge a dime if this town'd let him," ginger said as she worked long layers into your hair, "we have to sneak payment into his pockets, and even then he tries to give it back!"

your cheeks burned, your heart heavy with affection as she blew out your hair, leaving it soft and smooth. you paid, said goodbye for about ten minutes, found out just how hard it was to escape salon conversation.

"now go show off for our baby, honey!" someone called out the door after you, making you laugh. you guessed that all the stereotypes about small town hair salons were true.

you went on your weekly hike with bridget, who gave you that understated grin when she saw you. "looking good," she said, bumping her shoulder into yours. "trev doesn't stand a chance."

you rolled your eyes. "didn't get my hair cut for him."

she laughed. "i know," she responded, "but all anyone can talk about this morning is your date last night."

you couldn't help but scoff good-naturedly. "i can't believe people already know about this," you said, "it was literally last night, and it wasn't even a date."

she waved you off. "nobody cares about the logistics. even my girl was moping to me about it. she's got a little crush on her skating instructor."

"trevor teaches your daughter how to skate?" you asked, having never heard of this.

she nodded. "he's the highlight of her week," she said, her eyes soft, picturing her daughter's unabashed smile.

"get in line," you mumbled, covering your face with your hands.

why was everyone so intent on revealing adorable information about trevor to you today? didn't they know he already took up enough of your daily headspace?

"can't somebody tell me he hates animals, or something? or that he's really pretentious about art? or that he has, like, some weird fetish?"

bridget laughed. "sorry, babe," she said, "he's the town's sweetheart."

you were still reeling with all of this information when you got back to the inn, your face rosy from the outside chill, your body pleasantly awake from your walk.

you began up the stairs, humming to yourself, ready to collapse onto your bed, maybe catch up on some reading.

"you followin' me, sugar?"

you looked up, immediately, feeling your pulse in your neck, in your teeth.

there he was, of course, there he was, painting the railing in the stairwell, the sharp smell of paint faint in the air.

all dirtied up from the day, that slouch that only appeared in the late afternoon, that crinkly smile, all of it made him almost too good to be real.

"maybe," you said, like second nature now, after all those times before, his face forcing a tiny smile from your mouth.

you stood just in front of him now, held your breath as he reached up, twirled a strand of your hair around a finger. he let out a low whistle you felt in your stomach.

"lookin' awful pretty tonight," he said, not much more than a whisper as he thumbed the soft ends of your freshly-cut hair.

his words settled like thick caramel on your tongue. "thank you," you mustered, your mind spinning with all of the wonderful things you had heard about him, today.

he bent down to one knee in front of you as you collected your thoughts. "um, what are you doing?" you said, strained, dumb.

he looked up at you through those girlish lashes, smirk heavy on his perfect face. he tugged your foot closer to him. "shoe's untied," he said, gesturing to your sneaker. "may i?"

you blinked at him before nodding, because what alternate universe was this? you tried to imagine any other man you'd known willingly getting on the floor for you, just to tie your shoe. you couldn't.

he tightened your laces with nimble hands.

you cleared your throat. "heard something funny today from the ladies at the salon," you told him, trying to focus on something other than his proximity.

he hummed. "nothin' good, i'll bet," he mused, "ginger loves a good story."

"it was a good story," you said, reveled in the way his expression softened, giving you the courage to press on. he began to tie a double knot. "'bout how you're tellin' your mom we went on a date."

he pulled the bow tight, looked up a you for a second, a guilty, childish grin on his face, caught red-handed. you extended a hand to him, helped him back to his feet.

"oh, yeah," he said smugly, folding his arms across his chest, leaning back against the wall, easy, comfortable. "like how you asked me to dinner, and then cooked for me, and how it 100% was a date-"

you laughed, shook your head. "it was not!" you said, "i never said it was a date!"

he ran his tongue along the inside of his cheek. "call it wishful thinking, then, sugar."

and you couldn't focus too much on what he meant by that, so you just shook your head again. "you're too much," you said, wanting it to come out teasing, but instead there was a breathy sort of desperation behind it.

"yeah?" he asked, that smirk present as ever. you had grown so close to him without realizing it, now just a step away. him leaning back against the wall, you right in front of him, looking up at him.

you nodded, swallowed, your blood hot, your skin prickly, alive.

his eyes fixed you in place, teasing. "too much for you, sugar? can't take it?"

you bit your lip to stop any sound from escaping you, because everything seemed entirely too loud, then. you could hear your heartbeat, you swore you could hear his, the radiator could have been screaming at you. you didn't dare think about just how much you wanted to take.

to stop yourself from doing something much more serious, you simply reached your hand forward, swiped at a spot of paint on his face with your thumb.

your touch against his brow bone felt like an exhale, like melting wax. you could feel his warm breath on your hand as you pulled it back, but then he was looking at you, like that, like you were so, so special, like he would have doused his face in paint just to have your hands wipe it all away, and were you imagining the way his gaze grew fiery?

"trev! old man peters says his sink's still leaking!"

griff's voice rattled down the stairwell, smothering the flames in your eyes, if only just. just enough to break the spell, to pull away, to tell him you'd see him tomorrow for his coffee break, for his hungry gaze to follow you up the stairs until you were out of sight.

and so the routine continued, more butterscotch candies slipped into aprons, more pestering his friends, more slyly asking bridget what she thought about matt (she was deflecting, you'd observed, delighted). more helping with homework and reading in bed and cooking and snapping at old man peters to stop leaving his watch behind.

more stolen touches and longing glances and sideways smiles, backwards hats and work gloves stuffed in pockets, damp hair sticking to your neck, the hem of your skirt brushing against your thigh. more flame and softness and sweetness drenching your frame as he said hello, and goodbye, and sweet dreams, and anything else. that coil inside of you twisted tighter and tighter as you wondered what exactly was holding you back, what exactly you were waiting for.

one day, after work, there was a knock at your door. you'd be lying if you said you weren't a little bit disappointed when you opened it.

"you coming?" griff said, "town hall meeting starts in 5."

you scrunched up your nose. "town hall? what, is it required?"

he smiled, kind. "no, but they're usually a good time," he said, "and trevor's going to be there."

you had your jacket in your hand already. "he's not the reason i'm coming," you said, following him out the door and down the street.

"i won't tell anyone," was all griff replied, his smile understanding and gentle.

you had never been to a town hall meeting before. you'd guessed that the closest thing you could imagine was a student government meeting, which you'd been a part of in college.

this seemed much more laid back, though, taking place in the middle school gymnasium. it looked like almost everyone from town was here. you noticed old man peters, sitting with bridget, her daughter buzzing around from person to person. the salon ladies were talking to pretty much everybody. there was harry, sitting next to his mom. you approached bridget as griff went up to talk to the fire chief, one of his close friends.

soon enough, the meeting began, the first issue on the docket being the prospect of a stoplight on the intersection of drysdale avenue and york street.

bridget yawned, "same issue every meeting," she whispered to you. "always divided down the middle." this time was no different, you observed, the parents in the crowd seemed completely for the stoplight, the older crowd significantly against.

"next issue, a write in from the community, quote," the representative began, reading from notecards, "should the implementation of the 'dibs' rule be observed seriously, unquote." he cleared his throat, looked up to the crowd. "thoughts?"

you stifled an embarrassed laugh, held your face in your hands as bridget rubbed soothing circles in your back. "is this actually a real-life discussion topic?" you asked, incredulous.

"just let them have their fun," she whispered in a way that made her smile evident.

"i think 'dibs' is outdated and juvenile," a woman said, "sets a bad example for the kids."

the man up front was taking notes.

"i think it's cute," bridget piped up from her chair.

"me, too!" her daughter giggled, jumping into her lap.

"alright, i've got two for cute, one for bad influence," the man said, "anyone else?"

"i think it's lame," a very matt-like voice said, gruff, short.

"one for lame," the scribe said aloud.

"well, i think you're lame," that goofy drawl called out, making you pull your head up, look around until you spotted him, near the front. he was swatting matt on the back of the head. "and i learned it from alex, so take it up with him."

his curly-haired friend hid a smirk. "it's a high school move," he explained to the crowd, before turning to face trevor. "we haven't done it in years."

"until now," trevor amended, "but you guys understand. you've seen her. you've talked to her."

ginger put her hand over her heart as if swooning.

someone coughed. your face was burning up. bridget nudged you gently.

"she's here, trev," griff said, to which the fire chief let out a hearty laugh.

"really?" he turned to face the crowd, his voice excited, hopeful, searching. "where are you, sugar?"

you raised your hand, of all things, immediately wanted to smack yourself. "hey," you said, mousy.

"hey," he parroted, mocking, but of course not maliciously. his smile broke you apart.

and then you were having a conversation with several rows of people in chairs between you, on a gymnasium floor.

"you're the only one with the dibs curse on you," he said, "so what's your take on it? should we abolish the practice for good? is it outdated?"

you swallowed, were looking only at him as the scribe sat at the front, pen at the ready. "well," you began, "it works, from what i can tell." his smile put you together again. "so it can't be that outdated."

his eyes shone, only for you. "you heard her," he said, "case closed."

"are we actually still talking about this?" old man peters asked, to bridget, but much too loudly.

the rest of the meeting passed, absolutely delivering on laughs and nonsense, as promised.

"last thing before we go," the man said, "does everyone have a ride to the away game tomorrow?"

you leaned over to bridget. "what's that?"

"the rec hockey team is away this weekend," she whispered.

"rec hockey?" you said, confused, "like kids?"

she shook her head. "like kids, yes, but not kids."

"sugar, do you have a ride?" trevor's voice rang clear against the mumbled chatter of the room.

you looked up, met his eyes again. "uh, i don't think i'm going?" you said.

there was a collective gasp, followed by silence. your eyes widened. "babe," bridget whisper-screamed at you. "everyone goes."

you cleared your throat, realizing your grave error. "well, then i don't have a ride."

"you can ride with me, honey," ginger said, sweetly, with a warning in her eye.

"trevor has to go super early since he's playing," bridget whispered from next to you. you nodded, signaling that you had heard her.

"thank you!" you called out.

rides were sorted, the meeting ended, everyone saying their goodbyes, folding chairs scraping against the waxy floor. trevor and his friends caught up with you and bridget on your way out.

trevor slung a heavy arm around your shoulders that you couldn't help but lean into. he smelled like sawdust and something citrusy. "i didn't know you played hockey," you said, looking up at him curiously, not letting yourself ruminate on how good he felt slotted against your side.

he shrugged.

bridget scoffed. "he's good, too," she said, "i hate to pump his tires, but only the best teacher for my baby girl." she pressed a kiss to the cheek of her smiley daughter, whom she had hoisted up onto her hip. "all of them play," she said, a vague gesture to the group. "lit it up in high school."

"not all of them are as good, though," trevor said, which caused some annoyed groans.

"what about heartbreaker alex, over here?" you teased.

"heartbreaker alex has grown up since junior year," alex said, soft spoken. "and it's not my fault my hair looks like this."

the shortest friend of the group, cole, the one with the loudest laugh, whom you had come to rely upon for book recommendations, put a hand in line with his brow bone, as if blocking out the sun to search for something.

"what are you doing?" alex asked.

"oh, me?" cole said, "just looking for all the girls you must be getting, since you've still got all that hair."

alex rolled his eyes, the group laughed.

"what about you, matt?" you asked as trevor held open the door, all of you stepping out into the night air. "i've heard the team's got a perfect record for dance invites. any high school stories?"

matt didn't say anything for a second, but bridget laughed. "you're really telling people that, trev, as if i didn't ask him freshman year?" she nodded towards matt, who was actually blushing, you thought, but the dark made it hard to tell. "was a tough sell, eh? he was so quiet when i asked i thought he pretending that i wasn't there."

"oh, we remember," cole said, tone alight with understanding. "funny how we grow up, but so much stays the sa-" he blew out a breath when matt elbowed him in the gut.

you smiled to yourself. "i'll see all of you tomorrow, for the game, then?" you said, the inn now steps away.

goodbyes rang out, and you made to remove yourself from trevor's embrace, but he only spun you back into his chest, pulling you close, his arms now wrapped around your back, your nose against his breastbone. you breathed in, melted into him, squeezed him back.

"did you mean it?" he said, soft, so only you would hear him.

you mumbled your confusion into his chest.

"when you said it was working? did you mean it?"

your heart jumped, his words so vulnerable you couldn't look at him. "i meant it," you whispered into his bright shirt. "you're working on me, trevor." you felt his lips brush against your hair, featherlight, before he let you go.

"sweet dreams, sugar," he said, and you walked back to your room with wobbly legs and an overactive heart.

the following day, ginger graciously gave you a ride to the next town over. she, of course, chatted you up the entire time, which you welcomed.

"i know i must be super late to the party here," you said, carefully, picking at your nails, "but what's the story behind bridget and matt?"

ginger tsked. "we're a bad influence on you, honey," she said, taking a right. "you're gonna be a big mouth like me in no time."

you laughed. "it's only 'cause matt's so obvious about it," you told her, "they've known each other forever, and i learned yesterday that she asked him to their freshman dance." you trailed off, hoping that ginger would take your cue.

she nodded, smiled fondly. "our bridget was always such a spitfire," she said, "always going for what she wanted. smart as a whip, too, but you know that."

you nodded. you did.

"and she could have had anyone, but she wanted our matthew, and he wasn't a sight for sore eyes then, like he is now."

is matt good-looking? you'd thought to yourself. you surely hadn't noticed. perhaps you were distracted. perhaps your gaze always wandered.

"but bridget marched right up, asked him to the dance, and the poor boy was so stunned it took him a full minute to say yes." she shook her head, lost in the memory.

"did they ever date, like for real?" you asked, enraptured.

she frowned. "no, i don't think so, at least. bridget was always bouncing around flings, trying out guys for a few weeks, then cuttin' 'em loose." her smile grew wistful. "then she had her darling girl, middle of senior year. dad booked it, never looked back. don't think she's been with anyone since."

you frowned, too, hating the thought of someone abandoning your friend, as lovely and wonderful as she was. what a privilege it would be to be a part of her family.

"and matt?" you asked, as the car pulled into the parking lot. you ran your palms up and down your jeans.

ginger whistled. "that boy's been starry-eyed over her since grade five," she said, "but me and the girls aren't surprised he thinks he doesn't have a shot. his self-esteem's never been the highest, not like the rest of 'em."

"not like cole, who swears he could land a plane, if it came around to it?" you said, grinning.

ginger laughed. "exactly. and not like alex, who was never without a girlfriend, and not like your trevor, who's never needed anyone to tell him how great he is."

you sucked on your teeth. "but we do, anyways," you reminded her.

"that we do, honey," she finished, putting the car in park. "let's go cheer on those knuckleheads, shall we?"

the rink was colder than you thought it would be. the walls were practically made of aluminum foil. you wrapped your arms around yourself, blew out a foggy breath, followed ginger to the away section, absolutely packed with everyone you recognized.

as you settled into the stands, your eyes immediately searched for trevor.

"he's number 11," bridget said, coming to stand next to you.

you rolled your eyes. "and what number is matt?"

she shoved you, playfully, but when spoke, it was bashful. "12," she said. "cole's 22 and alex is 39. police chief is 8, fireman spence is the goalie, and griff is the ref."

you furrowed your brow. "isn't that a conflict of interest?" you asked.

she huffed in a laugh. "if anything, it's a disadvantage for us."

the game started, and you realized very early on that maybe trevor hadn't been lying when he said not all of them are as good. he practically flew around the ice, graceful, mesmerizing. and it was obvious that he wasn't looking to show off, either, that he was just playing to have fun, and if he really wanted to, he could run the scoresheet up into oblivion.

you could feel bridget smile beside you. "yeah," she sighed. "it's pretty crazy."

"he could play professionally," you breathed.

she shrugged. "he's happy," she said simply.

cole scored twice, the other team clawed their way back in. griff threw alex in the box for boarding, which old man peters, even with his granddaughter in his lap, would not let go, keeping a one-man ref, you suck! chant going long after the power play was over.

"does he know it's griff?" you asked bridget.

"of course he does," she said. "he'll buy him a beer after this."

such was small town life, you supposed.

in the end, fireman spence made some crucial saves, keeping it tied late into the third. with about a minute left, trevor made an unreal, practically magical pass to matt, who finished it off in a one-timer that sunk into the back of the net.

the crowd erupted. you and bridget jumped up and down, holding each other as the goal horn sounded.

the team went through the line in celebration, then skating by the away section before the next face off.

trevor blew you a kiss. you shook your head at him, but couldn't wipe the smile off of your face.

the game ended in a win, and the town migrated over to the local bar. you busied yourself with harry's mom, telling her that no, she had nothing to worry about, yes, harry was quiet, but he was kind as anything, and that was most important.

everyone cheered when the team walked in. you clapped along with them, feeling a smile tug at your lips as soon as your eyes locked on trevor.

his eyes found yours immediately, that lazy grin following as he squeezed past people to get to you.

you met him halfway, a hazy neon light over your heads, making color dance in his eyes like starlight. his long hair was damp, curly at the ends in a way that made you want to reach up and tug at them.

"speechless, eh, sug?" he teased, shrugging one shoulder with exaggerated arrogance. "i know, my play tends to evoke that reaction from people. i-"

you scrunched your mouth to the side, smacked him lightly in the chest. "god forbid i try to think of something nice to say to you," you said, smiling. you made to pull you hand back, but his warm, wide palm came up to cover it, holding it against his chest.

you exhaled, looked up at him, unsure.

"what was your favorite part?" he asked, those shining eyes careful. "did you like cole's between-the-legs? or maybe my last assist?" he winked. "always a crowd favorite."

suddenly confidence welled up inside of you, a vault. but we tell him anyways, you had said. that we do.

tell him, the overhead lights whispered.

"when you blew me a kiss," you said, reaching your free hand up to cup his jaw, textured under your touch from his five-o'clock-shadow. "that was my favorite part."

flame crept into his gaze abruptly, suddenly, shockingly. he settled his other hand on your hip, pulled you closer to him, his grip making your breath catch. "was it?" there was a roughness to his voice that felt tangible.

you nodded slowly, speaking to his mouth. you weren't scared. you weren't running. you weren't stalling. your skin was humming, your blood felt hot. he was so perfect against you, his hand over yours somehow the most intimate touch you could remember.

he ducked his head to yours, just a breath away, so you could see the gold in his eyes. "let me do you one better," he rasped, waiting for your single nod before finally crushing his mouth to yours in a kiss that felt like early sunrises, slow and meaningful and only the beginning.

you pushed up onto your tiptoes, looped both of your arms around his neck, tugging him closer, closer, as he kept one hand on your hip, the other grasping the back of your neck, keeping you from collapsing into him.

kissing your ex had felt almost robotic, scientific, stiff in an endearing way at best, stiff in an awkward way in reality.

there was nothing stiff about this, nothing scientific about him. this was all feeling, all malleable, all calloused hands and chapped lips. he kissed like someone who had to work for it, like someone who didn't have to prove anything to you but wanted to, anyways.

just that was enough for you to sigh against him, the fact that there were other people around the only thing stifling your soft moan.

he smiled into your mouth, like a low-spoken secret between the two of you. "taste like butterscotch," he mumbled against your lips, pulling away only just enough to make sure his words didn't disappear unheard down your throat, almost drowsily. "you like those candies i give you, sugar?"

your chest rose and fell against his. the low music in the background roared in your ears, the neon light making him look like some stained glass thing worth kneeling for. "like 'em because you leave 'em for me," you said, your fingertips tracing the top of his spine.

his eyes shimmered. "can i tell you something?"

you nodded.

he hummed, gave a guilty sort of smile. "gave 'em to you because i didn't like the taste of 'em," he started, smirk growing wider. "and i wanted to convince myself to hold off on kissin' you. not to rush you, you know."

you understood, and your swollen lips quirked at the story, but your eyes flashed with something like hurt. "you don't like the way i taste, trevor?" even if it was his own doing, you suddenly wanted to brush your teeth.

"that's the thing." he ran a steady thumb along your hairline. "think my plan backfired, 'cause butterscotch's my new favorite flavor." his thumb reached your chin, tilting it up to his mouth again. "can't get enough of it," he murmured, a man possessed, barely audible as he kissed you again, this time with a softness that cut like a dagger.

you swore your head was still spinning the next day. what was supposed to be just another shift at the diner quickly turned into a flurry of questions, of neighbors looking for a side of gossip with their french toast, of line cooks swearing there was something different about you.

it was hard to answer anyone, to do anything, honestly, when it felt like you were floating, like your head was far, far away, up in the clouds.

harry gave you a fist bump when he saw you. old man peters told you in a stern tone that public bars were no place for fornication, to which an ecstatic bridget patted his shoulder and reminded him that it was only a (sort of) innocent kiss.

she pulled all the details out of you, lit up as you flushed and stumbled over your memories.

the police chief made some joke about that boy being a bad influence when you accidentally brought him whole milk instead of soy milk for his coffee.

ginger and the girls were like some insatiable beast that only let you be when you reminded them that if they kept you much longer, the diner would go hungry.

of course, your heart instinctively fluttered when that tell-tale gust of loud laughter burst through the door, along with the drag of heavy work boots, the shuffling of canvas outerwear, the shoving of gloves into back pockets.

you made your way to the table with their regular pot of coffee, met trevor's dancing gaze almost sheepishly.

"morning, guys," you said, smiling at all of them.

they chimed their chorus of good mornings, pouring their coffee into mugs themselves, as they always insisted on.

"so, what's new?" cole asked, his head resting on his fists. "probably nothing, right?"

alex and matt hid their laughs.

you rolled your eyes, smiled nonetheless. trevor had a hat on, today, making his hair curl out from the bottom of the brim. you tucked a curling lock behind his ear, ran your nails soothingly along the hair at the nape of his neck.

anyone watching would have seen the way his gaze melted like milk chocolate, how his shoulders softened, his posture relaxing completely into your small touch.

he looked up at you, eyes so soaked in affection it spilled down his face like mascara-stained tears. "i missed you," he said.

his friends groaned, as if they'd heard this a million times. suddenly, with a blush, you had a guess as to what his morning had been like. perhaps he had been just as distracted as you.

"i missed you, too," you said, because it was the truth.

"he almost dropped a crate on my foot this morning," matt said, bitterly.

you put a hand over your heart. "how tragic." you looked up, making eye contact with your friend across the diner. "hey, bridge! matt almost hurt his foot this morning. has science found a cure for that, yet?"

she huffed a laugh as she approached, shook her head at matt when she stood in front of the table. she held the back of her hand to his forehead, as if checking for a fever. "are you sure you're okay, sweet boy? this sounds serious," she joked.

matt had paled. trevor pulled you into his lap and you hid your laugh in his collarbone.

"'m fine," matt bit out, to which bridget smiled.

"thank god, that was close," she said. her gaze wandered, landed on something out the window. she squinted. "did somebody dig up some of the flowers outside?" she asked.

"dig?" alex mused, "maybe rip is a better word, eh, trev?"

"right. almost forgot." trevor held you in his lap with one hand, reached the other to the side. suddenly several flowers were being held in front of you, thin, spidery roots still intact. "sugar, will you go to the valentine's day skate with me?"

you smiled, wide and toothy, touched one hand to his face as the other grasped the humble, earthy bouquet. "of course i will, handsome," you said, "what's the valentine's day skate?"

"pta event, tomorrow," bridget said, looking on with interest. "whole town shows up."

"this town shows up for everything," you replied.

she smiled fondly. "heart-shaped balloons and fruit punch and ice skates. what's not to love?"

you turned your neck to look back up at trevor. "'m honored to have been on the receiving end of one of your famous invitations," you teased, "even if it's not for a dance." his delight rumbled into your shoulders, the back of your thighs, firm and warm.

cole yawned, stretched. "duty calls, fellas," he said, making to get up.

you reluctantly pushed up from trevor's lap, quickly pouring his untouched mug into a to-go cup. the team filed out with their typical string of thank yous and goodbyes, matt's extra glance at bridget met with a returning smile.

then it was you and trevor, as the morning break always ended, like clockwork, like a bedtime story that was comforting in its predictability. he tucked a bill in your apron, several candies, the weight of them alone making you smile.

"did i tell you how pretty you look today?" he told you.

"no," you mused, your hands clasped behind your back, shifting on your feet.

he hummed. "so pretty, sugar, never been so nervous to ask someone out," he admitted, that smug smile lazy across his face.

you tilted your head. "don't be nervous," you told him. "you're the easiest yes i've ever had."

at your words he ducked his wide shoulders down to you, flipped his hat backwards on his head so as not to impede you in any way, kissed you with a rough palm on your soft face, your hands still behind your back as you met him up on your toes.

a different kiss, one so lovely, still, soft and beautiful, drenched in daylight.

would your head ever stop spinning, when it came to him? would you ever come down from the clouds, again? even if you did, would there not be cumulus tufts in your hair, wisps of cirrus in your lashes?

he was proving it difficult, especially that next day, the fourteenth of february.

you had the morning to yourself, existing slowly and methodically, reading and running errands, finally starting to get ready for your date in the late afternoon.

before you knew it, there was a knock at your door, just as you had swung your jacket on. you swung it open to find him leaning against the doorframe, the picture of ease, shoulders drooping the way they always did after a working morning.

"ready to go?" you asked, making to close the door behind you before pressing up on your toes to kiss him on the cheek. he caught your face in a hand before you could, though, steering your lips towards his mouth instead. you laughed against his lips. "greedy," you taunted, pulling away, letting yourself lean into his warm side.

"got no idea, sugar," he admitted, voice twinged with a day of speaking. you walked together to the high school ice skating rink, only a few minutes away, the brisk february air biting at your nose, your ears. you caught up on the morning, what book you had finished, how annoying ginger's husband was being about the state of his rain gutters.

when you entered the rink, finally, pushing forward the old doors, you couldn't help but smile, and trevor couldn't help but watch you.

everyone was here, of course they were. balloons hung from the top of the glass, streamers decorating every archway and spare inch. a massive table of themed refreshments was just next to the bleachers.

it looked like something out a ninety's film, mixed with the unique small town charm and wintery love you had come to know so personally.

you and trevor quickly got your skates on, all lingering touches and knowing smiles, and headed for the ice.

you were shaky at first, but his hands were so tight on yours, you knew there wasn't a chance he would let you fall. he spun you around the rink easily, twirling you like a ballroom dance floor, ever the show-off, anything to make you laugh.

"hey, harry!" you called out, at one point, noticing your host-friend helping a taller, skinner kid his age onto the ice. he waved, his eyes glittery in a way you recognized. is that jason? you mouthed. harry nodded, smiled shyly. you gave him an impressed thumbs up, trevor whistled.

you asked trevor how he got into hockey, watched how his mind waltzed behind his eyes when he talked about outdoor rinks with his friends in elementary school, how even piled-on scarves and hats and puffer jackets didn't stop that flying feeling.

significance would gather in your stomach, butterflies morphing into something much more serious, the kind of flame you'd find in a living room fireplace, in the hearts of teenage lovers.

you skated by cole, scooping up the snow he had made with quick starts and stops, and alex, whose neck was becoming the new home of said snow.

alex grunted, immediately breaking into stride to catch a fleeing cole, whose bright and clear laugh echoed under the roof like church bells.

the fire and police departments had started a relay race, ginger and her girls had formed a circle close to the hot chocolate.

old man peters held his sleeping granddaughter in his lap, bouncing his knee gently, both of their smiles blissful.

trevor's hand found your far hip, pulling you into his warm side. you sighed, looked up at him as you let your fingers trace along his jaw.

"touchy today, sugar, hm?" he said into your hair, a rumble to his tone that told you he liked it.

you hummed, nodded. "you just look so..." you trailed off, in thought, thinking about what, exactly, you meant to say. he looked what? practically edible? like an ocean you wanted to drown in?

how could you tell him you'd been avoiding looking at his hands, for fear you'd blurt something out about wanting them around your neck?

you just swallowed, cleared your throat. his smirk was a flash of teeth.

"you feelin' okay?" he cooed. "should i take you home?"

you found yourself nodding, even though you hadn't been at the rink for long.

"yeah?" he mocked, taunting, his hand on your hip suddenly firm, burning.

bridget's laugh cut through the sizzling air like a stream of cold hose water. you both turned to look at where she now sat, having obviously fallen onto the ice. she peered up at matt through her blonde bangs. "some teacher you are," she laughed, "i knew trev was the right choice for my girl's lessons."

matt shook his head, a barely-there smile on his thin lips. he offered her a hand, steadily helped her to her feet, an almost undetectable shake in his breathing as bridget grabbed onto his forearm for extra stability. "alright, smart ass," he mused, "no help for you, then."

he made to drop her hands, to leave her on her own, but she latched onto him tighter. "yeah right," she said, "you're not going anywhere, sweet boy."

cole's laugh sparkled at matt's flush.

you and trevor were already on the way out, bidding your short goodbyes, half-assed excuses about not feeling well given and taken with knowing eye-rolls.

he walked you back to the inn, up the stairs, his hands on you ever-so-distracting, his voice a careless rasp, your heart beating heavy in your chest.

you finally made it to your closed door, your back against it as he looked down at you with that heated gaze, his frame boxing you in.

"well, get some rest, sugar," he said, slowly, smiling. "since you're not feeling well." he twirled a strand of your hair around a finger.

you sputtered. "what? trevor-"

his eyes widened in mock-surprise. "oh, is there something you want?" he asked.

you clutched at his shirt with your fist, pulled. "please."

"please, what, sugar?" he asked, so smug you wanted to punch him. "gotta tell me what you want, hm?"

"you," you whined, but that wasn't enough.

"oh, is that it?" he drawled, ducking his head down to you, so close, but not close enough, not even a little.

you worked your jaw, so frustrated. "just," you tried, "just please, touch me, trevor, i just wanna feel you."

he smiled, held the side of your face in his palm. "am touchin' you, sugar," he said, "tellin' me this isn't enough?"

you ran your tongue along the inside of your cheek, groaned at his feigned confusion. "shut up," you breathed, his mouth an inch from yours.

"make me," he bit back, and then you were kissing him. you swore your lips would be charred, later, as if in proof. you reached a hand behind you, twisted open your door, while the other rooted in his hair, tugged him inside your room as he moaned against your lips.

one of his hands grasped the back of your neck, the other a bruising grip in your side, walking you backwards until the backs of your knees felt the blunt edge of the bed.

you barely registered as he reached under you, flipped you onto his lap, your legs straddling his hips as he sat down on the comforter, far too caught up in this kiss, somehow still so different from ones you has shared before. so charged you felt the air might combust at any second, that, despite his relentless repairs, there was no way this inn could withstand the way he was kissing you, now. surely, the roof would cave in under the weight of your want, water would sear straight through the pressurized pipes.

he smiled against your mouth when you started to rock your hips back and forth across his lap, just so desperate for something, anything.

your exhales came out short, little pants as you reveled in the little friction you were getting against his firm thigh, covered in his heavy work pants, nothing close to what you really wanted, but something, at least.

mercifully, he moved your clothes aside, rocked you more forcefully, making the sensation practically blissful. you dropped your heavy head to his neck, moaned into it.

"oh, sugar," he cooed, and you squeezed your eyes shut. "so greedy for it, hm?"

you nodded into his neck, the tough texture combined with the heavy weight of his thigh catching you in just the right spot, urging a whimper from your throat.

"makin' a mess of me, yeah? could cum just from my thigh?" he said, almost like he felt sorry for you, but you could hear the smile in his voice. you bit down gently on the space between his neck and shoulder, your small retaliation, smiled at his groan.

you slowed your rhythm, picked your head up, let your chest rise and fall as you looked at him in the face, searched his eyes.

his face was slightly flushed, his eyes only just a bit glassy, but he looked at you like you were a wonder, like some divine power had made her way into his lap.

you pressed a feather-light kiss to the corner of his mouth, loved the way you could feel his smile crinkle and widen under your lips.

"please, trevor," you whispered, your touch so soft around his neck. "please just give me what i want."

you shifted on his lap until you felt him, hard and hot and heavy underneath you. his voice came out with a strain. "anything, sugar," he told you, "just tell me."

you lifted your hips up, could feel how wet you were, could tell you had probably left a trace of yourself on his pants. "wanna cum on your cock, trevor," you breathed, couldn't help your sly grin when he immediately began to tug his clothes aside. "please, please let me. i know i'm so greedy-"

he was nodding like he understood as he angled your hips up higher, shifted you so that you sat right above him as he pumped himself up and down, once, twice, so obviously ready for you. "you are, sugar," he said, so eager it almost sounded like a whine, "but i'll give you anything you want, swear it." his hands found your hips. "just promise you'll only be greedy for me, hm?"

you sank down onto him with a nodded promise, bit your lip at the slow, scorching pressure, the pleasant stretch that pulled at your middle, that you felt in your toes. you blinked, trying to get used to the sensation, trying to muffle the groan in your mouth.

"fuck," he moaned, his fingers clutching at the flesh of your hips like you might float away if he let go, "all the way, sugar, 'atta girl." you huffed a short breath when he was all the way in.

words felt far away, suspended in bubbles that whirled around your head.

"speechless, eh?" he teased, and you had a sense of deja vu. "don't worry, sugar. common re-"

and you could have growled at him for alluding to the fact that other girls had felt this, that there were other people in the world who knew what this felt like, so you fitted a delicate hand over his mouth and rolled your hips up and back on him until he was the speechless one, moans falling from his mouth, his brow pinched in pleasure.

"don't worry," you breathed, your mouth an inch from his ear. "common reaction."

you began to move your hips up and down faster as the stretch gave way to something dizzyingly good, as he began to thrust back up into you. so hard and fast, but he held you like something precious. his rhythm built until your mouth fell open, until sweat shone on the high points of his face, until time melted away, until you were reminded of what you'd mistaken him for when you'd first seen him, all that time ago - some ancient sculpture. a work of art.

he cursed as your clit caught on his pubic bone, the friction so overwhelming, and you clenched down on him. "give it to me, sugar," he said, but the strain in his voice made it sound like a plea. "fuck, let me hear you, yeah?" his tone grew gentle. "been wantin' to hear you for so long."

you tightened around him further at his small admission, let your nails rake down his neck, probably a little too hard. he grunted, thrusted harder, shifted you closer to him.

you moaned his name at the new angle, one you felt in the tips of your ears, your hairline, your tongue.

you were so close, so impossibly almost there. "please make me cum," you whined, "please, need you so bad." your exhale was practically pained as you ran your fingers over the red marks on his neck your nails had left. "don't i deserve it, baby?"

he grunted, and it was different. you felt his stomach and thighs clench, his hips sputter as his head spun with the fact that you'd gone right to begging him, skipped the asking part. he pressed his hand to your lower stomach, let his thumb catch against your clit, sending you over the edge in moments. "'course you deserve it, sugar," he rasped, gravelly, in your ear as you rode out your high, his thrusts growing wild. "been so good."

you clenched down on him, forcing his own orgasm, fast and all-consuming, the smell of him everywhere, mixed with your perfume. your exhales were warm and heavy, transparent clouds that settled on the floor of your room, making it every bit the dreamland it had become in your mind.

he held you so close to him as he pulled you to his chest, leaned you both back on your bed. you stared up at the ceiling.

about time, one of the tiles whispered, holding a crisp fiver.

couldn't have waited another week? the losing tile muttered bitterly.

you smiled as his rough hand found your face, tilted it towards him. he was smiling. your stomach fluttered as you felt your own mouth pull wider.

"what?" he asked, his voice rough, drowsy with use.

you shook your head. "nothing," you said, "just you." your eyes crinkled under the weight of your happiness. "i'm callin' dibs on you."

his eyes lit up as he pulled you in for another kiss, slow and overflowing with meaning. he hummed. "butterscotch," he whispered against your mouth. "my favorite."

fin.

[lafaiette]

Veilguard spoilers under the read more

So, years and years of fan theories confirmed through six cutscenes one can watch one after the other in one sitting, especially if they have explored the Crossroads extensively before the first meeting with the Inquisitor. No suspence, no crescendo, no hype at all. Okay.

I wasn't surprised by learning that Solas - and all ancient elven people - are spirits who got a body, this was heavily implied since DA:I

But I was surprised to see the key to this was lyrium. This seemed to be addressed differently in Trespasser, where it actually looked like the Evanuris stole lyrium to become stronger/gain more power. And Solas and Mythal being the cause of the Blight makes... very little sense. We knew that Mythal locked the Blight away ever since Trespasser, yes, but her and Solas literally being the cause of everything? Bruh.

The Blight always seemed like a biological response to intruders, like a high fever - not a countereffect of Tranquility. Does that mean that a Tranquil mage can become blighted? Why are only Titans affected by their dreams being severed this way?

Also, the way Solas and Mythal's relationship is addressed is a bit... heh, I don't know, almost malicious, as if Weekes were smirking all smugly while writing it. It's clear they went on a field trip while writing the scene where the companions discuss "love" and whether "they were doing it" or not. I can't believe they genuinely thought Solavellan fans would be okay with it - it's not just a cutscene, it's an entire game basically built on a previous relationship, one that the writers hint as still being strong. What is Lavellan, then? Because at this point she really feels like a dalliance, with Mythal being the reason Solas couldn't stay with her. A distraction from who is basically an abusive friend (or more?) who forced him to get a body and serve her.

I'm still in Act 1, but for now the game just isn't doing it for me. I adored the way DA:O, DA:I and even DA2 gave us lore, leading us little by little towards big revelations. DA:I was clearly made for the fans - in DA:TV they instead hurry to tell you everything, to confirm fans' theories, as if the devs were saying "Yes, you were right, happy? Time to wrap everything up and finish this, because we're fed up with it".

[lady-bess]

To bounce off this...

I once wrote some fanfiction so angsty and depressing that it had my regular readers of the series crying at the finale (sorry about that, chat). In the fic there were heavy discussions (and literal depictions of) death, and what the grieving process is like for those immediately affected by somebody passing away.

Why?

Because in writing it, I got over a grief I did not know I still carried for family that had long since left this world. In writing it, and describing my version of an afterlife, I helped heal a little bit of religious trauma that I had buried in me from growing up queer in the church.

My partner at the time had asked me, well, why did I write something like that? I had allowed him to read a small part, and he was genuinely shocked that the words on the page had come from my brain. That I even possessed the trauma and emotion needed for what I ended up writing. And, better still, why was it that I still deemed the fanfiction "worthy" of uploading. Even though it hit hard, and had me crying as I hit the upload button.

But in all that emotion was the exact reason I did it.

In my upset over what I had written, I was able to move on from something that had been weighing me down for longer than I realised. And once I got over it, I was able to tackle other things that were cropping up in my life at that moment, and beginning to spiral out of control. I was free, mentally, to process what was currently happening to me, rather than being preoccupied with past events I had not yet let go of.

Once or twice some people who read the fic have asked me what made me decide to make it so sad? Why did I put my characters through so much? Why did I let them die? It's only ever been asked out of curiosity, never out of malice, but my answer would be the same either way.

That fic had value to me, as it's author. And from writing it, and speaking to others who read it, it's also had value to them, my readers, for giving them the good cry they needed. The fact that is was so sad does not take away from its value - if anything, that is what adds to it.

All this to say that we are all different, and there is beauty in that. What is a comfort fic for one person might not be yours - but that's okay. Additionally, don't question why an author would write something dismissively. By all means be curious, and ask questions if you read something and think, "wow, I wonder what their creative process was like!". But never read a synopsis and think, "why would you write that?".

Because in truth, you never know what someone is going through. Nobody at the time knew what I was processing when I wrote my fic, and I was happy I got to work through that on my own without having people asking me why it existed.

Be kind to your authors, and be kind to other readers. There's been a lot of chatter recently about other people slating authors for deciding to write about certain topics/ genres, and it's having such a negative impact on the fandom spaces we occupy and should fill with love and support. The world is cruel enough without us being unkind to one another.

Read what you love.

Write what you need.

Angst fics can help people come to terms with their own grief, begin healing, or give people that good cry that they need.

Smut fics can help people affirm and accept their sexuality. It can help them explore their sexuality in a safe way. They can also just be fun, and having fun is a drastically undervalued way to improve your mental health.

Dark fics can help people face their fears or process their trauma. It can make them feel safer and more secure. It can help them find their courage.

Fluff fics can give people rest and respite and comfort. It can give them hope that soft places exist and that maybe there is one out there for them. It can bring up their mood, which, if they have depression, can be a life saver.

And every fic people write makes someone feel less alone.

Point being, just because a particular thing doesn’t serve you, doesn’t mean it lacks value.

This is not to say that we have to consume all fic uncritically. Of course not. It is just to say that entire “genres” aren’t trash or lacking value just because they don’t serve you.

[batmanisagatewaydrug]

Not a sex question, not a horoscope question! You always share really good recipes, made any good baked goods recently? (You don't even have to share the recipe, you just talk about food in a way that's very fun to read even if it's short and simple, very fantasy author, 😊)

WOW what a cool and kind thing to say, thank you :3

I have two baked goods on the brain right now, both of which I'm still grappling with a bit re: recipe

I made some savory scones the other day to use up the last of some goat cheese and spinach, because otherwise both would end up getting tossed and that seemed a terrible waste. the flavor is unfortunately pretty underwhelming, I suspect because the portions of both spinach and goat cheese were too negligible to make much impact. such is life when you're baking to use up leftovers, I fear. not everything can be an instant winner like my bacon broccoli cheddar scones.

I do think they're pretty saveable, with some minor tweaks. more of the spinach and cheese, obviously, and make a contrasting third flavor. for some reason I can't help thinking some ham would be a good addition? or, in a wildly different direction, cranberries. a light egg wash to improve the color would also be nice on an aesthetic level, because they came out pretty damn sickly. if I went the ham route and really doubled down on the savory I'd probably work some garlic into the egg for a little extra flavor.

the other is more of an ongoing project re: improving a cookie recipe. a well-known internet chef shared a sprinkle-coated cookie recipe that's fun but wildly too sweet for me, personally, so I've been paring that down and trying to add a little nuance to the recipe beyond just SUGAR. I cut the chocolate candy, subbed in almond extract for vanilla to change up the flavor, and added oats pretty much entirely for texture because I, personally, like oaty cookies. right now my final hurdle is locking down exactly how long these things need to bake for a satisfying chewiness; the answer unfortunately keeps turning out to be "less time than I thought."

rest assured, that recipe will be posted up here as soon as I lock it down, because I'm pretty proud of this thing.

[alliseaisfandom]

Some Coven of Chaos headcanons

(I haven't watched the finale yet and so I'm coping already just in case. For arguments sake we assume the road was real and at the end it gave Jen, Billy, Agatha and Rio the rest of the coven back, because I'm sappy and live in denial)

They're all alive and meet for holidays. Keep that in mind for the rest of the list.

Jen mixes the best drinks. Alcoholic or not, everyone is convinced there's magic involved. She's got a lifelong ownership of the liqueur cabinet at everyone's house.

Alice can play the cello. Billy is the only one who knows this fact. That is until he can get her tipsy enough to break it out someday play for the coven (he almost got it at Samhain)

Lilia has a "memorial pool" in her backyard.

She was also the one to veto Cats out of Billy's suggestion list for musicals they could go to

Said musical outing has yet to happen since almost everyone voted in a different thing

Agatha voted for wicked.

Rio voted for beetljuice (there was a fight over this, Billy remembers very little of it other than hearing Eddie yell "just because you say it three times doesn't mean your vote counts more". It was the first time he brought Eddie to meet the Coven, and sure at the time he didn't know he was arguing with Death Herself, but Billy was impressed regardless)

Lilia voted for Carmen. When told that Opera was not on the list, she argued that dying granted her an extra vote.

Alice agreed, and so West Side story lives on Billy's whiteboard with 2 votes

Jen voted first and picked Chicago, which Billy also voted for, unfortunately when he tried using Lilia's argument, he was reminded rather aggressively and extensively by Rio that being unmade and Dying are actually two very different things

It's the most anyone has ever heard her talk at once and Billy still regrets not taking out his notebook to remember more of it

Unfortunately he only remembered that he did in fact die as William after he and Eddie were on their way home

Rio hates easter with a passion. She has a great time during Good Friday and then sulks for the rest of the weekend

She also steers clear of most of South America and southern Europe in the ends of cotober-beginning of November, not that she doesn't like the Death related holidays, it's just that people keep spotting her even when she doesn't want them to! It's exclusive to that time of year and she's been trying - and failing- to stop it for centuries

The Titanic was a gift from Agatha to Rio. Yes the Iceberg was an accident, in the way that it rendered useless the very precarious fire she'd set to one of the engine rooms

Rio was very thankful.

Billy's school organised an end of year trip to Italy. That night he got a call from Lilia where she told him the best places to go to, what tourist traps to avoid, and asked if he could bring her back a package stashed away under the floorboards of what he eventually found out was a heavily guarded historical monument

The first time they all actually got together to celebrate anything was Alice's birthday dinner

Agatha found herself with 6 unwanted guests in her kitchen and zero explanation. She did not kick them out, a fact she loudly proclaims to regret as often as possible

There is a group chat

Billy, Alice e and Rio are the most active in it, with Jen following, a bit behind because she "actually has a real job that takes up time that you all seem to have free for some reason" (her herb garden died that afternoon and she refused to answer any of Rio's texts for a week after that.)

Lilia never interacts, and they're not entirely sure she receives the messages, as everyone's phones glitch when they try to check

Agatha leaves them on read

Jen was invited to a beauty event in New York. She brought Billy as her plus one, who proceeded to act as her agent all night, getting her two new brand deals, and a spot on a talk show. She brings him along every time now

To be continued

[thebookworm0001]

Spoilers for the end of veilguard and specifically how solas’s story is handled under the cut

And seriously I do mean the very end of the game and I’m gonna talk about stuff that happened before then too

You have been warned

I felt satisfied with the ending.

I was able to collect all the solas memories/regret murals and very much felt like the way the ending unlocked by that was handled well.

Solas has always been a man bound by his regrets. And this game spent a lot of time establishing is primary regret is Mythal. Yes, he cares deeply about helping people and wants that world restored, but it’s less to do with the elven people and more to do with him feeling like he’s made mistake after mistake.

He’s been living in a sunk-cost fallacy for millennia and cannot see a way out. He really, really doesn’t want to do this - he knows how many people he’ll hurt to do it, but can’t see another way because if he stops now he feels like it’ll be just another betrayal of mythal when he’s already betrayed and failed her so many times. She’s the reason any of this happened.

That’s why it has to be mythal telling him to stop. He wanted to stop for a romanced lavellan - his letter says that explicitly. But he regrets mythal’s death (and his resulting actions) so much he just. Can’t let it go. What does his life mean if he can’t fulfill the wishes of the goddess that called him to service, to a body? The friend he murdered, in the end, to make up for the first time she as killed.

He was a spirit of wisdom mythal corrupted - it’s another version of Cole and the Templar who killed the human Cole. That confrontation has to happen for him to move in any direction.

And the way he absolutely crumples when he sees her? Damn if that didn’t sell me on how deeply he cares for her, beyond the murals that show how ashamed he is of what he did with and for her.

He’s always needed someone to tell him there was another way, but nobody besides mythal could absolve him of the actions he took, because they aren’t her. It’s not a matter of the nature of their relationship, rather that he cannot untie himself from the way his spirit was warped by her and the actions he took in response to her.

Idk I know people will have very different feelings and opinions on how that went down, but it made sense to me.

And my solas-romanced lavellan acted exactly how I expected her to. Granted, Ellana is the kind of lavellan who would immediately forgive him and would, no questions asked, go with him on his journey to atone. I had a whole fic planned out where she did that exact thing - even if the details weren’t what happened here.

If you have a lavellan who isn’t as sad as mine and who wouldn’t join him, yeah this ending may not work for you. But I went from being pissed at him for trapping my rook and lying about killing varric to immediately being back on my ‘fuck you’re just a deeply sad and broken man please let yourself be happy’ lament when he talked about how he failed both the world and mythal in different moments.

It worked for me. I’m satisfied by how it was handled and think the ending makes sense for the read on Solas I’ve had for the last several years. He’s just a deeply sad man who thinks he has to make up for his failures - and the one person he’s failed more than anyone tells him it’s not on him. She’s the one person he could never get forgiveness from - and he got it. And that’s why it had to be her.

[smoky-impressions]

when people continually mistreat you for how you are unmasking, when you assert your needs and boundaries, stop doing things that harm you to please others, grow as a person, go to therapy or do the necessary work to unlearn maladaptive behaviours (not all people can afford / find appropriate and affordable therapy), it is not you who is wrong. of course, you will make mistakes--it's only a lifetime of living behind a mask to undo (/s). you may be too blunt in assertion of needs, or you may become very anxious over changes in the routines of one area of your functioning, resulting in rigidity in another; you may become very, very tired while doing all this work and have much less patience or energy to deal with what others perceive to be minor events / inconveniences, or you may even deal with them poorly as you extend past your limit. people will probably be understandably upset or put-off for a bit, but with those who care about and support you, some time and an apology* should be all that is needed for repair and reconciliation. but if the mistreatment is a pattern and nothing you are doing is changing it, then it is on them. you can make suggestions and offer feedback for how they can help you through this difficult time, but if those asks continually fall on unwilling ears, they are likely not going to change for you (barring their own willingness to go to therapy / do the work).

the expression "stop going to the hardware store for milk" comes to mind. if you are waiting for Rona to stock your favourite 2%, you will deprive yourself waiting for the impossible. maybe that location used to be a grocery store, but they have changed, as are you and your needs. maybe you did not know you needed milk, you grew up without it in the home. that does not change the fact that if you walk into that building and ask for milk, you will be turned around, no matter how much money you have, how many aisles you search, how many trips back to the same store you make, no matter how kindly or desperately you ask. repeating this pattern, you will only deny yourself real love, opportunities for growth and encountering more supportive people, and true understanding of yourself while waiting for the person who is the hardware store in your life to meet you even part way.

while unmasking, you can find out who you are, where your limits lie and where other people had been limiting you with their faulty assumptions and beliefs they hold about you. what do you ACTUALLY like? what makes you look forward to stepping out of the house? not the pre-approved list of things you masked discomfort while doing to please your family members, people you called friends, relationship partners, or work colleagues, but things you would do without them present and without fear or shame holding you back (it can be hard to imagine when you have lived with fear and shame for so long). what do you dislike? where are the 'shoulds' in your life? what activities might you stop to conserve spoons for the things you are truly enjoying?

unmasking is not easy, even with a therapist to help you. expect it to be a long-term project; it is no easy thing to "rewire" neural pathways that have been reinforced for many years out of fear and necessity, especially if the masked behaviours kept you or are keeping you safe. you might have to choose who it is safe to unmask around and you might find out the hard way who does not fit in that category. it is worth it to find those people, i still believe that despite everything. i hope everyone who reads this finds safe people and places from which to procure their emotional "milk".

* an apology should: demonstrate that you understand the harm that your action caused, perhaps a reason for your actions that does not blame the other person nor attempts to absolve you of the wrongdoing, that you regret it, and that you have a genuine willingness and plan to do something differently next time (and that you are open to suggestions of what you can do differently)

My doctor and therapist: now with this autism + ADHD diagnosis you need to learn to unmask because masking all the time will make you burn out again and feel like shit

Other people: well it's just interesting how after getting the diagnosis you suddenly start behaving like that I mean I'm not saying you're faking it's just funny how you suddenly cannot be normal like you were before

[brujamala-aka-gigi]

your ideal partner is like...

On this pick a pile reading, im focusing on positive traits to take into consideration when wondering if someone is worth putting your time and energy into a committed relationship. This is not meant to be strict guideline of arbitrarily imposed "must have's" to look for, but more of an opportunity to reflect on what could be beneficial to your ideas of a healthy relationship.

dividers by @chilumitos

pile one pile two pile three

‧͙˚ *༓ scroll down for the readings ⋆ִ ‧͙⁺˚

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˚˖𓍢ִ໋ ✧ pile number one ˚.⋆

I get the feeling that you value certain aspects of relationships that could be considered “traditional” or “old school”, but not necessarily the ones that are limiting to your sense of identity or your will. I think you find value in things that bring peace of mind and comfort due to being structured in a way that feels natural and balanced, or at least aim to provide those qualities into your life. In your case, I feel like commitment in any sort of union is something you value a lot, specially because you have a deep understanding of your own individuality which involves wanting to connect with someone who is just as conscious as you are, and just as willing to bring out the best in you as you are willing to do so for them. 

Your ideal partner is someone who wants a certain level of structure in their lives, but also wants to find opportunities to experience child-like wonder. This is a person who is patient, and knows that building strong foundations in the relationship is the best way possible to ensure that both of you get to be joyful together. A key aspect here is that you look for someone who shares your values, not because they aspire to them, but because they live by them even if their lives are completely different to yours. Maybe your life experiences of the past might not be similar, but what’s important is that your ideals and aspirations are the middleground where you are both capable of nurturing a genuine connection. Both of these cards show me that you are determined to achieve harmony in a way that you consider both practical and fulfilling, and yet you are not willing to sacrifice your individual aspirations. Therefore, whoever is meant for you, needs to embrace the way in which you decide to nurture a relationship.

˚˖𓍢ִ໋ ✧ pile number two ˚.⋆

This combination of cards is telling me that you are someone who has coherent reasons to be slightly afraid of vulnerability. You have been in places where your honesty and your vulnerability have been misunderstood as weaknesses and treated as such. Nobody deserves to be hurt because of such noble traits. What's relevant here is that you are cautious with who gets access to your truest self, which is not that bad, but from time to time your anxiety in regards to vulnerability might be something that makes it more difficult to find true connections with others. It is hard to know who will value your genuine ways of living and expressing your feelings if you never try to do so, if you never give people the opportunity to show if they are worthy of you being in tune with your sensitive essence.

Your ideal partner is someone who is not only empathetic, but also someone who is willing to put effort into building a sense of trust within the relationship. Whoever wants to love you, needs to understand your healing process and willfully put in the work so you feel secure with them. I'm talking about a person who values having the difficult conversations instead of running away from the issues or hiding anything that could turn into a problem. This is someone who shows their loyalty by either being helpful or being a good company. You can be very introspective and mindful of your issues, you are too used to solve problems on your own. These are amazing qualities that can be nourished when you engage with a person who is willing to learn when you need help,when you need company and when you need your own space. Finding out who has this characteristics is only possible if you find the peace of mind and the confidence to approach vulnerability in a way that gets you out of your comfort zone without getting hurt.

˚˖𓍢ִ໋ ✧ pile number three ˚.⋆

Well, I can’t lie here, these cards are giving me a subtle “opposites attract” type of scenario. Which doesn’t mean that you should go and look for someone who is nothing like you, but it does mean that maybe you should consider your own virtues and defects and how they can be complemented by a partner, while also thinking on how you compliment them. This is not only about superficial compatibility, but more so about both of you being able to rely on each other and able to ask for help. From what I see, it’s most likely your ideal partner is someone who shares a similar life path to yours, but they have an entirely different set of skills. Having shared objectives and aspirations is something quite valuable, especially if both of you are equally as committed to them.  

What I see from an ideal partner in your case, it's this passionate approach to almost everything. It is not a kind of passion that comes from a need to fill a void in their lives, it is the kind of passion that comes from a deep sense of responsibility and consciousness in regards to their own lives. This is a person who sees the value of their journeys and is able to be truthful and fair with their approach to new experiences because they want to remain aligned to their honest desires. They are fully aware of what they can and can’t do, but what’s interesting about them is that they also see value in creating dynamic ways to work around that. You need to find someone who respects you enough to allow themselves to ask you for help, but are also willing to help you too. A key thing to consider when thinking of an ideal partner is the sort of enhancements made possible by a connection where both genuinely respect and admire each other, without idealizations that could harm the relationship.

hey there! i hope this reading was useful or at least entertaining for someone <3 if you did enjoy it, don't hesitate to check out my other P.A.C readings i think they're also kinda fun??

anyways, big updates (maybe not too big)

i set up a ko-fi (finally, ik, im sorry, many people told me to do so but apparently i had to drop out uni to find the time to do it lmao actually not funny btw i dropped out to focus on my work because economic crisis, fuck you javier milei, i work on a tarot reading app btw but i cant disclose it or share my profile from the app idk why)

I FINALLY CAN TAKE PICTURES OF MY CARDS !!!!! (they are still samsung phone quality but they are expensive samsung phone quality ok) so yeah things are going to look prettier i guess??? maybe i'll do videos someday??

im also working on a posting schedule and taking this blog more seriously because i missed tumblr so much tbh and i need a way of sharing the beauty of tarot thats not literally too close to working a 9 to 5 call center job (i love my job tho, but working in tarot apps is... interesting) . i love this site so much, i was literally raised by it at this point (i feel like an elder user because i've been here since 13 and im 23, i saw gen z underage people calling 25 year olds "uncle" online and honestly i cant even be mad about it because if any gen z calls me an auntie i wont go against it, i've been on my single auntie patty and selma vibes since forever tbh and im technically gen z too?? )

last big update: i got a kinda fun and silly oracle deck which i will be using for an ask game eventually.

masterpost ✶ pac readings ✶ tarot menu

✶ ko-fi page (support & tarot services) ✶

⁺‧₊˚ ཐི⋆ bookings are open ⋆ཋྀ ˚₊‧⁺

[megwritesriddles]

Just Can't Hide it ༊*·˚

18+ MDNI !!!

Pairing: Mike Schmidt x Fem! Reader / You

Summary: Kinktober 2024 Day 20 - Premature Ejaculation. Mike is determined to ask Reader to be his girlfriend, Reader is determined to have sex. Mike can't quite keep up with his own desires, but is happy to compensate.

Tags: Premature ejaculation, Unprotected sex, Oral sex (f receiving), Cum-eating, Workplace sex, Over a desk, Coworkers, Getting together, New relationship, Fluff, Not canon complaint (no evil animatronics).

Word count: 2.8k

Read it on ao3! | Masterlist

Authors note: This is a part two to Call Me (Anytime!), I had one request for it and I kinda thought it fit this prompt so I did it!! This can be read alone though!! It's short and sweet because... well... you know... lol!! Hope you like it anyway mwah ( ◕◡◕)っ ♡

PART 1 HERE !!

︶⊹︶︶୨୧︶︶⊹︶

Mike was running late to work. He was furious with himself for letting it get to this, but it turns out he had severely underestimated how time-consuming it would be to buy flowers. The last time he’d bought flowers, for his mother’s funeral, he had just been trying to get it all over with as soon as possible. This was different. He stood in the surprisingly vast flower section of the supermarket, just staring at all of the various options. His eyes had immediately drifted to the more decadent assortments, but he had also quickly come to realise how expensive flowers were. As much as his bank account wanted him to, he couldn’t get you any of the cheapest bouquets, you were worth so much more to him than that, worth more than even the most expensive assortment of perfectly organised roses in the store. Yet, he had to stay realistic, he had himself and Abby to feed until the next payday. He browsed the mid-priced bouquets, even asking the store assistant for help. He’d been an entirely uninterested teenage boy who had offered no help whatsoever. Eventually, Mike realised the time, you would be sitting at work waiting for him to arrive and he was stuck umming and ahhing over some flowers. He settled on a bouquet in your favourite colour, praying you’d like them, and checked out at the self-checkout to save time. 

You were pissed. Mike always lets you know when he is going to be late and why. Even at times when you felt he would have been perfectly justified not to tell you, such as the time last year that Abby was rushed to hospital with a high fever, he had texted you. Yet, you heard nothing. Usually, you might give him the benefit of the doubt, but the telltale sting of rejection is creeping up on you. His lack of communication left you feeling rejected, especially after the nature of the last conversation the two of you had together. When he finally burst into the building, carrying his backpack oddly in his arms, you were feeling huffy. He reaches the security office and grins at you lopsidedly. It takes a lot of effort not to smile back, finding his expression incredibly endearing despite yourself. 

“You finally showed up then?” you frown, tilting your chin up haughtily. You didn’t know why you were acting like this, you knew Mike, he’d have a reason, but you couldn’t seem to stop yourself. You felt vulnerable. Mike's face falls a little.

“I’m sorry, I have a reason, I promise! I-“ he starts. You keep frowning. You’d had a vision of how this night would go, and it was no longer going that way. It wasn’t his fault, you had never shared your plans, but you still felt… bad. You would’ve arrived at work after him like usual, and you would have gone over to sit on his lap instead of your own chair, preventing him from starting his rounds. You would have teased and toyed with him until he gave in and bent you over the desk like you (and he) had been wanting for so long. But now, the whole thing was messed up. You watch with feigned disinterest as he unzips his backpack. “Here, f-for you,” he smiles nervously, gently extracting the bouquet from his bag and holding it out to you. Your expression melts instantly. A bouquet in your favourite colour, no man had ever been so thoughtful for you before. You take them from him, sniffing the sweet floral scent, your nose brushing the silky petals. 

“Oh Mike…” you sigh, all your previous tension and upset disappearing. He blushes, staring down at where you sit as you inhale the scent of the flowers. He takes a deep breath, summoning all the courage he has.

“I would… I would really like it if you would… uh… be my girlfriend?” he stammers out, immediately cursing himself for his phrasing. That hadn’t come out like he’d practised in the bathroom mirror earlier this evening. “I-I mean… only if you want to, of course, but I would be so happy if–”

“Yes,” you respond, smiling up at him, the lower half of your face still behind the bouquet. He stares at you, momentarily dumbstruck, mouth slightly ajar. Then his expression transforms, he grins wide and slightly crooked with excitement.

“You will?” he exhales.

“I will, come here,” you gently place down the bouquet on the security desk, still wrapped in its paper. You stand and open your arms for him, he’s immediately surging forward into your embrace. He needs this like he needs air. He can’t remember the last time he embraced someone who wasn’t family, and even then, if Abby wasn’t counted, it must have been at least years. It would have felt good if it was anyone, but it was you. The object of all his desires and adoration, the most beautiful woman in the world, his closest friend. He wraps his arms tight around your middle, lifting you ever-so-slightly into the air as he embraces you. This makes you giggle a little, your arms settling around his neck. He places you back down and looks at you, deep into your eyes. He’s never felt so overjoyed in his life. His girlfriend. He can barely process it, but you’re right there, smiling sweetly, the corners of your eyes crinkling in the way he adores. 

“You’re so beautiful,” he whispers in awe. You just blush a little and shrug him off. 

“Says you,” you huff, smiling more as he pulls you even closer. 

“You think I’m beautiful?” he chuckles. “You must just be seeing your reflection in my eyes,” you laugh softly, staring into his eyes, certainly not paying any attention to the impression of yourself in them. You lean forward and press your lips to his. His eyes slip shut immediately, as do yours. His hands settle on your waist, kissing you back a little tentatively. It’s been a long time, and he doesn’t dare to mess it up, but he needs it more than anything. You take the lead, feeling his nerves, wrapping your arms around his neck and pulling yourself closer. Softly, you toy with the hair at the nape of his neck, enjoying the way he keens into it. You’re like a dream to him, the best dream he’s ever had, completely blissful and unhaunted by the past. He gently drags his tongue along your bottom lip and you part them in response. He hums, carefully letting his tongue explore your mouth, all his movements soft and controlled. “You’re perfect, you taste perfect, sweet,” he mumbles between kisses, his hands sliding up and down your body, getting to know every outline.

“Imagine how I might taste elsewhere,” you whisper against his lips, instantly shifting the mood, grinning when he chokes out a moan. He’s certainly imagining it now, his hands tightening on you.

“Fuck,” he grunts, his cock hardening rapidly in his jeans. “Don’t say stuff like that, I’m a desperate guy,” he laughs lowly, trying to sound jokey, but meaning it completely. With you so close and beautiful and best of all willing, he’s having a hard time holding it together.

“Take me then,” you whisper, excited that things are finally going as you planned, even though becoming Mike’s girlfriend had turned out to be a rather nice diversion. He groans, leaning in to kiss your neck.

“Are you sure?” he questions shakily as you push his hoodie off of his shoulders. 

“So sure, this is what I want, and I know you want it too,” you murmur, leaning your head back so he can kiss under your jaw, sucking softly. You hope he’s leaving marks. The two of you pull away from one another briefly to shed your clothes. A coating of pink dusts the tips of Mike’s ears and you can tell he’s a little insecure, but you find him unbelievably sexy. He’s broad and muscular in the arms, with a bit of softness around his belly and, not to mention, incredibly well-endowed. He stands at full attention, twitching and leaking pre-cum as he watches your body be revealed to him. Every insecurity that might have existed in the back of your mind is gone as soon as his eyes are on you, drinking you in like you’re a piece of art. He exhales needily, moving toward you. 

“You look unbelievable, fuck, I need you bad,” he chuckles deeply, one hand coming to gently cup your breast, the other sliding behind you onto your ass. He closes his eyes, trembling slightly in excitement. He can’t believe that he’s being blessed with this, there were no words in all of language to explain how grateful he was. He nuzzles into your neck, inhaling your scent. “You are a dream,” he promises against your skin. You giggle softly. His hands massage you for a moment, drinking in your form and presence. You definitely shouldn’t be doing this at work, but the door is closed, and no one ever comes here. Neither of you was stopping in any case. You move out of his arms and he groans in protest but quickly recovers when he sees you bending yourself over the desk. You gently move the keyboard and bouquet out of the way, lying yourself on the cool surface, tipping your ass into the air. “Oh God, yes,” he whispers huskily, stepping behind you. His cock rests heavily on your ass and he shivers at the sight of it. He can’t wait to sink into you, he needs it bad and based on how wet you look, you do too. He smooths his hands up and down the curve of your back for a while, taking a deep breath to ground himself. “Can I? Please?” he sighs, squeezing your hips and tugging you a little closer. You wiggle your ass enticingly, making him bite his lip.

“Fuck me, Mike,” you purr, making him moan a little. He’s so weak for you, completely overwhelmed by your presence. He slowly eases himself into your welcoming heat, letting out a groan between his gritted teeth at the way you squeeze around him. He can barely think, his mind clouded and spinning from the sensation. He remains still, unable to move out of fear of immediately falling apart. You’re so warm and tight and God… he’s never felt so good in his life. His cock twitches inside you as you beg him to start moving, but he can’t do it, he knows what will happen the second he does. He doesn’t want to disappoint you, but he’s unsure what to do now. Even the action of pulling out would make him come, the feeling of your walls sliding over him- Fuck. He’s so unbelievably close, biting down on his lip so hard he draws a little blood. Peripherally, he can hear you pleading with him, clearly even getting a little confused. You move, only trying to turn your head to look at him, but the shifting of your body against him has him falling apart. He chokes out a moan, grabbing your hips and slamming fully into you, making you squeak in surprise. 

“Fuck! Fuck! Oh God,” he wails, his head dipping forward to rest between your shoulder blades as he empties his cum into you in several thick spurts. Your mouth forms a surprised ‘o’ shape, realising he’s already coming. You lie there, waiting it out as he comes down. You’re surprised by just how much he pumps into you, it becomes abundantly clear how little he’d been joking when he called himself desperate. “I’m so sorry, so sorry, you felt too good, I couldn’t help it,” he sobs, kissing over the back of your shoulders as he twitches a final few times. “I’m so sorry baby,” 

“It’s okay,” you sigh, leaning your cheek on the desk. While part of you is undeniably a little disappointed, you also feel a little flattered by how quickly you had him falling apart. You feel him slowly and carefully withdraw himself from you, hissing with sensitivity. He kisses down your spine, making his way down your body so that he has time to catch his breath properly. You try to stand yourself up, but feel a firm hand on your back, pushing you back down. You gasp in surprise and confusion, trying your best to look over your shoulder. Mike kneels between your legs, watching in awe as his seed is slowly beginning to dribble out of you. He groans at the sight. 

“You are breathtaking, I can’t believe you’re my girlfriend now,” he breathes. “Can I clean up the mess I made?” he asks quietly, smiling when he spots you clenching around nothing, making a little more of his cum trickle out of you.

“Yeah,” you breathe, relaxing against the table. “Please do,” He leans forward, taking a second to smell the pure sex radiating off of you. That smell was way more delightful to him than it should have been. He then licks a broad stripe up your folds, gathering your mixed essences on his tongue. He takes a deep satisfaction from the mixture of both of your flavours, moaning softly. Another lick, then another, then another. He forgot how much he loved to do this, not having had the chance for so, so long. And you taste better than anyone he’s ever had before, even when mixed with him. Your little moans and gasps drive him insane, pushing him to keep going. He begins to devour you with intent, lapping and suckling in patterned succession, drinking you up completely. His taste fades away, leaving only your own increasing arousal, which is impossibly even more addictive. You grip aimlessly at the surface of the desk as he pleasures you, your eyes rolling back each time he sucks your clit between his lips. He’s incredibly good at this, more so than you expected, which makes you excited for when he will finally have the patience to show off his other skills. He shakes his head, nuzzling closer and flicking his tongue back and forth over your clit with gusto. He grips your ass, spreading you open so he can press his face completely into you. He groans and hums against you, making desperate sounds that prove how much he’s enjoying this. Your moans grow more and more loud and frequent. Slightly, you rock back against his face, he moves perfectly in tandem with you, barely taking a breath, desperate to bring you there. He gives a particularly well-timed suck to your clit and you’re done for. With a loud cry of his name, you fall apart, your body tensing and trembling as you see stars. Your mouth falls open as you ride out the shocks going through your body, only heightened by his tongue still gently caressing your most sensitive spot. You twitch and your hips buck and he happily takes it all. 

“So sweet, you taste so good,” he mumbles against you, the vibrations making you whimper. He eagerly licks up your release and finally withdraws, smoothing his hands over your ass where he spots some finger indents before letting go. You slowly turn around, your movements still a little shaky. He stands, smiling sheepishly, the passion now subsiding into embarrassment once more at his earlier speedy performance. “I’m really sorry about that… it’s been so long and you’re… you and–”

“Hey, it’s alright, at least you didn’t leave me hanging,” you assure, reaching up to wipe his glistening chin. He blushes but relishes your tender touch. 

“I would never do that,” he promises seriously, and he means it. He loves the thought of getting you off almost more than he likes the idea of getting off himself. Though, ideally in future, like tonight, he could have his cake and eat it too. Literally. He pulls you into an embrace, which you immediately reciprocate, the action like a balm to his soul. “You’re perfect, everything about you,” he whispers, pressing a kiss to your neck. 

“You too,” you sigh happily.

“Even though I have no control over myself?” he laughs self-deprecatingly.

“Even so,” you agree with a soft giggle. “I was kinda flattered, honestly,”

“Thank God for that,” he hums, rubbing your back and holding you close. After a while, the two of you part long enough to redress. He helps you to zip up your jeans while you pull your shirt over his head. His hoodie ends up on you, but he says nothing about it, smiling fondly. The two of you cuddle up on the small ratty couch in the corner of the security room after filling a mug with water to rest your bouquet in. He spoons you from behind like he promised he would, his head tucked against your shoulder, arm lovingly around your waist. At that moment, everything feels alright in the world. Mike finally has you in his arms, as his girlfriend, and nothing has ever felt better. 

Neither of you do a single second of work that night, but really, who will ever know?

︶⊹︶︶୨୧︶︶⊹︶

xoxoxo

[lacesoflove]

hello! can you do a move-in day with hamzah? where he’s lifting and looking yummy moving stuff around and just getting settled into the new house?? Ok. Love u. thx. 🤗🤗🤗

NOW SHOWING: BREAKING THE BED! (request!)

Rating: fluffy + suggestive

Warning: AFAB!Reader, reader is described to have curls, but besides that no ethnic/racial has been provided!

A/N: I find it funny that as I was writing this I stumbled upon an OOC video where Hamzah said that he cannot afford to buy a house because he’s only 22 😭

W/C: 1.1k words

MOVING INTO A HOUSE WITH YOUR DREAM MAN WAS NOT IN YOUR CARDS. Falling in love with your dream person wasn’t on your cards either. Yet here you were, navigating the cluttered chaos of boxes, each one a Pandora's box revealing surprises that felt like the universe’s surreal joke on your life’s trajectory.

If you had told your ten-year-old self about something called a “credit check” just to secure a roof over your head, she would have frowned and asked, “What’s that?” Standing in the skeletal beginnings of your living room felt surreal, like a scene from a half-remembered dream. You and Hamzah had toiled like modern-day Sisyphuses, pushing the boulder uphill in an economy designed to turn homeowners into a relic of the past. And here you were, bearing the fruits of your labour, and it was dizzying to think you could finally eat them.

You took a laid-back approach to moving in, checking occasionally for the arrival of another truck or pacing through the house to affirm that this dream was indeed yours. Red and Blue were tucked away in the guest room, avoiding the chaos of change. Meanwhile, Hamzah was knee-deep in the intricate task of assembling your bed, his body hunched over the instruction manual like a treasure hunter deciphering hieroglyphs. This was the only piece of furniture spared from the convenience of Amazon’s next-day delivery—because sleeping on the floor wasn’t an option, and Hamzah had declared it “just not right.” You had no desire to argue that point; after all, you couldn’t imagine what hardwood floors would do to both your curls in the morning.

You leaned against the doorframe, watching him wrestle with the instruction sheet, his face a canvas of confusion painted with frustration. “Baby, how’s it going?” you called out, bouncing on your toes, feeling a pang of guilt for leaving him to fend for himself. “Not great,” he grumbled, forehead creased as his eyes darted across an endless loop of instructions that might as well have been written in ancient runes. “I think they shorted us on screws.”

“What? No way. Hand it over,” you insisted, stepping forward to snatch the manual from his hands. “No, there are enough screws; you just put them in the wrong part of the bed.” “But it says head of the bed,” he argued, his stubbornness as inflexible as the wood he was trying to piece together. You sighed, knowing that for all the reasons you adored Hamzah, his reading comprehension skills were not among them. “It says base of the bed. The head is a different section underneath. Your eyes must be skipping the important parts.”

“Probably,” he admitted, pulling himself up from the floor, stretching like a cat, muscles flexing under the strain. “Why don’t you just make the bed?”

“Because I’m the girl,” you shot back, a smug smile creeping onto your face as he stepped closer, wrapping his arms around your lower back.

“Really?”

“Mhm.”

“Shit like this brings the movement down; everyone’s a feminist until it’s bed-building time.”

You erupted into laughter, unable to contain yourself. “Did you seriously just quote Bo Burnham?”

“Sure did,” he replied, a grin lighting up his face, the corners of his eyes crinkling with mischief.

“You’re stupid,” you said, your heart swelling with affection.

“You’re hot,” he quipped, leaning in for a kiss that sent a spark through the air between you. It was only then that the creeping shadows caught your eye, the sun dipping behind the trees, casting elongated silhouettes that spread across your new room. “Shit, we’ll get to the kissing later—we should probably focus on making this bed.”

“Why? Got some plans for us on it?” he teased, tilting his head, curls falling in lazy cascades as he lowered his gaze to yours, his eyes glimmering with playful mischief.

“Yes, and those plans consist of my mandatory eight hours of sleep,” you replied, laughter bubbling up as you nudged him away playfully. “Let’s finish this bed.”

What was supposed to be a straightforward task devolved into a chaotic four-hour marathon of flipping through the instruction manual and squabbling over every little detail. You found yourself checking on Red and Blue and, perhaps most challengingly, fighting the urge to kiss your boyfriend senseless, especially when he adopted that commanding tone while explaining the simplest of instructions. The way his muscles flexed as he pieced everything together was a distraction you could hardly shake off, like trying to focus while standing in front of a volcano ready to erupt.

But eventually, you triumphed. “Well, we did it,” you declared, surveying the finished bed with a rush of accomplishment, the chaos of the day melting into a sense of belonging.

“I dunno?” he replied, the rhetorical lilt of his voice betraying the playful smirk that danced on his lips. He knew exactly what was simmering beneath the surface; your fidgety energy gave you away, your eyes glued to him as he had assembled the bed like a magician unveiling his greatest trick. “What’d you have in mind earlier?”

“Continuing our kiss, maybe? Something more… I dunno,” you said, a mischievous grin spreading across your face as you mimicked his nonchalance, your tone dripping with playful defiance.

His body inched closer, an electric tension crackling in the air, and in one fluid motion, he scooped you up and plopped you onto the bed, laughter bubbling up between you like effervescent champagne. He leaned in, kissing the crook of your neck, and you giggled softly, the warmth of the moment enveloping you. It was sweet, a bubble of intimacy growing as you both leaned into the heat of the moment, getting hot and bothered in that perfect little world of your own.

And then it happened—the moment was ruptured by a creak, followed by a crack. Suddenly, all at once the bed collapsed in on itself, its stilts surrendering to the weight of your laughter and unexpected enthusiasm.

“What the hell?!” Hamzah exclaimed before you both burst of laughter mingling with the chaos as you stared at the tumbled remains of what was supposed to be your bed was underneath you both. “I can’t believe we broke the bed.” He grumbled, his voice a mix of irritation as well as amusement. Any traces of horniness had long dissipated due to the absurdity of the situation. “Wouldn’t be the first time we’ve done it.” You smirked. “True. But damn this has got to be a bad omen or some shit. Cock-blocking ass bed.” You couldn’t help but let out another laugh at that. “Look baby, nothing is a bad omen with you.” You whispered as you pulled his head towards you as you gave him a deep kiss. “I know, but I should probably leave a review on it or something you know?” “Or maybe, Hamzah, you should actually try to read instructions properly.”

“Maybe.” “I’m right.”

“You’re right.”

[waffle-runian]

Not to diverge much, or to hijack the conversation, but I'm gonna write about "translating art" a bit. I hope that it makes sense.

So, this feels like when I first started reading fantasy. Writing is a form of art that I love very much, so I remember a lot about my first impressions and all. I specifically remember reading a book about magic, the first book I bought because I wanted to read and nothing else. It was in a world where magic would be a focal point, get described with care and detail. Then idk, a popular book series about a demigod teenager that could control water, and what do you know? The water was described in full, the friendship, different dialogues, puns, the color of the eyes.

Then I read another series, this one about a boy with a dream and with a reality that made it difficult for him to pursue it, of course, the description of his sadness was longer too, his physical attributes were important, and they got a lot of attention, but not all the time either, and not really that in depth. What got the most attention were the comparisons, where he came short, and where coming short of something was being ahead on other things.

I remember reading a book following the story of a bard. It was art about art itself, in my opinion. Everything was described vividly. Stunning visuals, I could almost hear a song that doesn't even have a melody, I could grasp the process of creation without creating. It was something I was very bad at, after all. The author could make anything look beautiful and magical, even when it was the most ordinary of things.

Then came the magic. Well, part of it. It was logic, almost physics-like, followed hard rules, and you guessed it, the process of creation through it was also interesting. But then came the magic. Again. The magic that was hinted at, the soft kind, the magical kind, the one you have been preparing for up until now. The one that would require you to appreciate the art in order to understand, to appreciate everything as an artist. To see beyond what it is, what it is made of, what it looks like. To see inside, to see what it can be, what it represents and what it wants. In a way, to see it for what it _is_ (a different "is").

From top to bottom

Mage - Raymond E. Feist.

Percy Jackson - Rick Riordan

Ranger's Apprentice - John Flanagan

The name of the Wind - Patrick Rothfuss.

Rothfuss' writing isn't for everyone in a different way than the others. I don't know if I could explain it if I tried, but honestly? I feel great that it's something fewer people appreciate. This is, obviously, my take on those books. The actual intent behind it may differ strongly, but I don't think it matters, since art is something normally made to provoke thought and feelings. We hope the audience can get close to what we meant to say, but when they don't, we are happy that they got to experience something positive from our words/drawings/songs, etc.

I see his as the most complex out of these, the one that resonated the most with me, I guess? Probably because of the main character being the most relatable. And if just the eyes that tell the story can change so much about it, shouldn't we put much more thought into what our art could look like for people that can't "see" it the same as us? Like I already said, most of the time, your meaning will be lost, so, if you're "translating" art, how can you get close to this new audience's heart?

I mean, translating is all about that too. You can't just use the best words you think of and be done. Brazilian dubbing is famous for making jokes almost never fall flat.

If you localize the joke, you get a better reaction than when you explain the joke that only works in the original language (even though I am the kind of person that learns a language to appreciate the original material instead, and that's the reason I speak english.)

Anyway, if I got something wrong, just correct me, and if I don't get it, I'll ask.

"In recent years, there has been a rush on the internet to supply image descriptions and to call out those who don’t. This may be an example of community accountability at work, but it’s striking to observe that those doing the most fierce calling out or correcting are sighted people. Such efforts are largely self-defeating. I cannot count the times I’ve stopped reading a video transcript because it started with a dense word picture. Even if a description is short and well done, I often wish there were no description at all. Get to the point, already! How ironic that striving after access can actually create a barrier. When I pointed this out during one of my seminars, a participant made us all laugh by doing a parody: “Mary is wearing a green, blue, and red striped shirt; every fourth stripe also has a purple dot the size of a pea in it, and there are forty-seven stripes—”

“You’re killing me,” I said. “I can’t take any more of that!”

Now serious, she said it was clear to her that none of that stuff about Mary’s clothes mattered, at least if her clothes weren’t the point. What mattered most about the image was that Mary was holding her diploma and smiling. “But,” she wondered, “do I say, Mary has a huge smile on her face as she shows her diploma or Mary has an exuberant smile or showing her teeth in a smile and her eyes are crinkled at the edges?”

It’s simple. Mary has a huge smile on her face is the best one. It’s the don’t-second-guess-yourself option."

--Against Access, by John Lee Clark, a DeafBlind educator

[sculien]

please help me save my dogs life.

my dog is suffering right now and i need to get him to the vet asap. his head has started wobbling, he has no balance and his eyes are...messed up. (he's also having a hard time opening his eyes) i know for a fact he has a severe flea allergy, and the house i'm staying at right now had no fleas until the neighbors moved in and we now have a literal infestation. (you can't walk thru this house or outside without having at least 10 fat fleas trying to body slam you) he was on meds for his allergies and was doing fine, but then i became homeless and was moving around too much to be able to work and keep him on it. so i'm pretty sure his immune system is overloaded with allergy attacks.

so i'm looking to raise at least $400, to cover the tests the vet would need to do + his medication. (the medication he absolutely needs is literally $100)

i'm also aware with him being 10 years old, the damage could be done and i might have to get him put down, which is about $200+ for his size.

i've attached a picture of him below under a read more with more info bc he looks a little scary and i don't wanna upset or freak anyone out.

i'm not doing a gofundme or anything similar bc i've heard horror stories of people not getting their money, and this is quite literally a life or death situation and with him being my soul dog, i can't take any chances.

any amount helps us out right now, and if you can't donate, please, please reblog. 💞 please feel free to send me a message if you have any questions about anything!

p.ypal: @/airikah v.nmo: itserij c.shapp: $itserij *my real name and online name are the same, just spelled differently. airi/eri and airikah/erica are all me!

he's had a similar issue with his eyes like this before bc i didn't know he was allergic to fish, and i gave him salmon flavored food and the vet gave me some stuff and he was okay. (i literally had to pry open his eyes for this picture, he's having a hard time opening them)

he also has ptsd (yes, for real) about getting his nails cut so he will NOT let me touch them and i cant risk him hurting himself trying to get away from me right now (or biting me), and its $33 to get it done at his vet and they absolutely need to be cut asap bc i'm also sure thats throwing off his balance.

like i said before the flea stuff i have isnt strong enough to help him, so he's losing more hair and scratching himself bloody even tho i'm giving him a bath every other day. (he also has a skin condition that makes this all 100x more painful for him - the meds that he needs help with that skin condition as well. it also clears his chronic ear infections which is another reason i think he's wobblily and off balance)

[saintsenara]

Do you think Sirius’s parents were ever physically abusive? I see a lot of different takes in the fandom, and sometimes it reads well, and sometimes it feels like tragedy-piling. In one hand, if they were not physically abusive, it makes Sirius’s break-off somewhat even more impressive - he had everything, but still couldn’t stomach his parent’s political views and life of pretences. In another hand, maybe his parents would do anything to keep their wayward son in line. Whaddya think?

thank you very much for the ask, anon!

unsurprisingly, i've popped the answer to this below the cut, since it comes with a trigger warning for discussion of the emotional and physical abuse of a child.

to start with, the answer to this requires us to be specific about what we understand the term "physically abusive" to mean.

because - yes - i certainly think orion and walburga would have smacked [spanked, for american readers] sirius as a form of punishment.

indeed, i think this inarguable, since sirius was born in 1959.

in britain and ireland, as in many places worldwide, the social acceptability of physically punishing your children by smacking them is something which has shifted massively in the past twenty-or-so years.

[and with good reason! i'm definitely not about to start defending it!]

but the extent of this shift means it's easy to overlook just how normal it used to be. until really quite recently, smacking was considered a "good" way to instil discipline in children, poorly behaved children were considered to be suffering from a lack of physical discipline, and a parent smacking a child in public was unlikely to raise any eyebrows.

indeed, canon - the original editions of the books, at least - reflect the fact that this was a social norm in the nineties. the weasley children - for example - are noted to have been smacked on multiple occasions, and the text isn't treating this as evidence that molly and arthur are cruel or abusive, it's treating it as evidence that they're normal parents.

and so if - as is increasingly the modern norm - one regards any sort of physical discipline as abuse, then yes, i think orion and walburga were physically abusive towards sirius.

but the real question is do i think orion and walburga were abusive by the standards of their own time?

because - of course - smacking being socially acceptable historically doesn't mean that all uses of physical force against a child were. indeed, the reason that smacking is still legal in england and northern ireland [wales, scotland, and the republic of ireland have all got their acts together and banned it] is based in this - smacking was and is considered "reasonable chastisement". that is, it was and is considered to fall below a threshold which would transform it from punishment into abuse.

this threshold is based in intensity - smacking your children is legal if they're not left with marks, a smack which leaves bruises or which breaks the skin meets the threshold for common assault, and is a legal offence - in frequency - sustained or repeated force is more likely to leave injuries which meet the threshold for assault or other offences - in type - punching a child in the face is always assault, if not a greater charge such as actual bodily harm - and in the context of the act and the parent's broader behaviour surrounding it - a parent who smacks a child once as a knee-jerk response to a dangerous situation [the child trying to dash out into oncoming traffic, for example] and then collects themselves and speaks calmly to the child is going to be understood very differently from a parent who smacks a child for an unclear reason, who is ranting and raving, and who exclusively shouts at the child.

the problem with this threshold - which makes some physical punishments acceptable and others unacceptable - is that it's imprecise. children's experiences of being smacked are subjective - some might tolerate the occasional smacking with no adverse mental effects, but this is irrelevant, given that many others will not. outlawing it entirely is good because it removes this imprecision.

when it comes to sirius, then, we have to think about whether orion and walburga would have used physical force against him in a way that crossed whatever threshold existed in the norms of wizarding society between legitimate and unacceptable punishment.

and i think the answer to this is both yes and no.

because i think it's inarguable that sirius was subjected to physical punishments in contexts which were inappropriate.

his dynamic with his family, as he himself tells us, is a classic golden child versus scapegoat one. and so his parents undoubtedly smacked him in response to things he didn't do intentionally - for example, accidentally knocking over a glass and breaking it - or didn't do at all - for example, regulus breaking the glass and claiming it happened because sirius "distracted" him.

if we imagine that wizarding norms - like muggle ones - justify physical punishment when it's "reasonable", then it follows that this idea of reasonableness presupposes that the child is being punished for an intentional and undeniable act of forbidden behaviour. and, therefore, it follows that punishing a child who has not behaved in such a way is unreasonable, and therefore abusive.

connected to this, it's also plausible that sirius was subjected to non-physical punishments - such as being grounded or having his possessions confiscated - in similarly inappropriate contexts. and this again changes the meaning of these punishments - temporarily grounding a child in response to them intentionally doing a specific thing which they know will result in them being grounded is acceptable; grounding them indefinitely and arbitrarily is not.

it's also inarguable that sirius was subjected to non-physical punishments which were excessive within the context of wizarding norms. the way walburga's portrait speaks to him - which he tells us in order of the phoenix reflects the way she spoke to him when she was alive - is something harry finds utterly shocking. and - since we know that harry isn't shocked by shouting alone [molly shouts at her sons, for example, and harry doesn't consider this unacceptable] we can suppose that walburga's language, tone, and level of vitriol is so extreme as to have crossed the threshold between reasonable and unreasonable behaviour, and is, therefore, abusive. while we don't know how orion spoke to him, we have no reason to believe it wasn't similar.

but i don't think that sirius was subjected to physical punishments which were excessive in terms of their violence - rather than inappropriate in terms of their context.

and this is because he's clear that what he hated the most about living with his family was that they didn't deviate from social norms. he hated the mainstream political views they held, he hated that they considered themselves "practically royal" despite not being impressive or special at all, and he hated that regulus became the golden child for adhering to convention and he became the scapegoat for rejecting it.

if he understood himself as someone who had been physically abused, the thing he would hate about his family would be their deviance. he would abhor the fact that they'd transgressed the social norms which governed what was or wasn't "reasonable" in terms of physical punishment and - in doing so - had transgressed the relationship parents are supposed to have with their children.

and i think he would be able to acknowledge this - it's not just something he doesn't bring up in canon because he's not psychologically ready - not only because he has the experience of how james' parents treated both him and their own son to contrast against his parents' behaviour, but because he's able to recognise - without feeling ashamed of or like he was at fault for it, which is very impressive - that he is someone who was emotionally abused.

and this emotional abuse is bad enough.

there is - as you say - something which can get a bit torture-porny about the way sirius' early life is often written as a cycle of unrelenting physical abuse. and the reason this feels so unnecessary is because the experience he describes on the canon page is sufficiently horrible without anything else being added to it. i don't think we need to debate whether him breaking with his family is more impressive if they weren't physically abusive than it would be if they were - or vice versa. there's no hierarchy. abuse is abuse.

it wouldn't matter if orion and walburga had never laid a hand on him. given what we know of their emotional treatment of him, sirius is an abused child. and leaving an abusive situation - regardless of the exact form the abuse takes - is impressive without qualification.