#I have another ask about katsu in my inbox from scout from ages ago

[masked-disciple]

*me not walking into a trap* Tell me about Hyacinthe and Iris! :) (genuinely though!)

So the actual chance tumblr would literally murder the quality of this is 50/50, but you should be able to view it in a new tab at proper resolution?? If that's not the case I'll rebagel with them broken-up so tumblr doesn't resize it.

Left to right we've got Iris, Hyacinthe, Katsuhito, and Yumiko! Iris obviously not an OC, the other three are. All of them are shown at roughly nine or ten years of age, although not at once: Iris is about twelve years older than Katsu, and about fourteen-fifteen older than Yumiko.

Under the cut, so I may ramble a bit!

Iris is Klint's daughter, born June 17, 1889. Hyacinthe is Barok's daughter, born February 6 1890. They're not twins, but they'll let you believe they are, because they act like it. They're sisters in every way that matters, and they refer to each other as such, and referring to them as anything else gets you shot.

They didn't meet until Iris was seven and Hyacinthe was six. Iris was living with Fionn, aware that he wasn't her father but not of anything about her blood family. Until one day, she went to look in her bedroom mirror, only to see a girl that wasn't her staring back at her, trees on the other side, as though the girl was looking through a pool of water to Iris.

Hyacinthe van Zieks died July 15 1891, a year and a few months' after her birth. She suffered from Magical Energy Waning Syndrome, the same condition that would have killed her Uncle Moriarty if the van Zieks forest hadn't killed him first. She died in her sleep, peacefully, resting against Barok's chest. Klint took her spirit away, and raised her in his brother's place, refusing to change into human form but doing what he could to be there for her anyway.

Two years and one day after Hyacinthe's death, Barok's life would be shattered again by the death of the woman who he called sister himself: Angharad Gingerson, Beatrice's eldest daughter. But theirs is another story. For now, Iris is seven years old, and the girl who is her dead sister is looking back at her through her mirror.

Hyacinthe knows how to talk: she learned from Beatrice and Osian and Ariadne, the latter of which who will tolerate her but makes no effort to conceal the fact she hates Hyacinthe's guts. She can talk well enough that the two can introduce themselves, and Hyacinthe can explain that they're sisters without disclosing who their family actually is.

The truth is, Hyacinthe doesn't know who her other parent is: she is the daughter of Barok van Zieks the Chainbreaker, for all they call him now the Reaper of the Bailey. She has been raised by a great white wolf of a ghost, who swears to her that she is family, that she will not be alone. She is the sister of Iris Wilson, and she wants to be friends.

They have tea together every day that they can. They talk about their days and brush their hair, they puzzle through inventions and magical theory together. Iris is not the resurrectionist her uncle is, not yet. She can't call the animals of the forest back to life by singing to them. She can't step through the mirror and hold her sister tight.

But she's an inventor, and she'll find a way. Hyacinthe likes reading theory, likes studying, wants to be a part of the hot, fast world her sister lives in. There's no mirrors in the van Zieks estate to watch Barok from, she doesn't know how he's coping with her death. She wants to take her sister's hand and meet him, hold onto the man who must be parent to them both.

They are determined, and they know better than to tell any adult of their relationship to each other, they know better than to admit what sort of magics they're willing to study if it means neither of them ever has to be lonely ever again.

By the time Barok is accused of murdering Inspector Gregson, they've managed it. Iris can pass through the mirror, sit in the ghostly forest of the twilight with her sister and have a tea party. It takes much more work, and much more power, to bring Hyacinthe into the daylight. They manage it anyway, just in time for Barok to be arrested, just in time for a homecoming a decade in the making to be sidelined by tragedy.

Hyacinthe runs in the daylight in the form of a wolf puppy, ribbons tied to the fur by her ears, Iris running beside her. They do not want to split up, but someone needs to tell the Queen, and someone needs to stay by Barok's side.

Iris goes. Hyacinthe stays. Barok recognizes his daughter, as he would in any form she took, and does not let go of her even as he watches the two men he loves more than he knows how to deal with argue over whether or not he will join his daughter in death. At this point, he might have said he no longer cared. At this point, he can see Klint's eyes in his daughter and in Iris and in the great white, ghostly wolf that flanks Kazuma even as Barok watches him fall apart. At this point, he is no longer thinking of what mercy the world could even still grant him, but what he can save before he goes.

After the trial, Susato and Gina are held up at the Old Bailey, being interrogated for their roles in the aftermath. The boys are holding fast to each other, Ryunosuke suggesting a nice pub to get blackout drunk at so that maybe come morning they'll remember how to hold to each other. Yuujin and Fionn are handling the fallout that they can, but they won't be home until late, either.

Klint van Zieks, the great white wolf that has raised Hyacinthe in his brother's stead, who allowed through no choice of his own for someone else to raise his eldest daughter, takes the two girls home, and explains to Iris who he is, and who, thus, she must also be.

It takes the two girls six months to build a life-sized balljoint doll for Hyacinthe to haunt, so she may be as close to alive as a dead girl may get. Mary Shelley's methods are, alas, some years' away from being viable.

Decades later, they can be found in Greece as tenured professors at Saint Shion's University, one as a pioneer of necromagy and artificing, and the other a magical theoretician who studies whatever catches her fancy. They'll argue with everyone and each other, send letters to their younger siblings and occasionally be cajoled into telling the story of Ryunosuke Naruhodo and the Time He Blew Up Iris' Invention Of An Electric Toaster.

They cannot, tragically, be cajoled into playing themselves when The Adventure of Ryunosuke Naruhodo, directed by Katsuhito Naruhodo, hits theatres in late 2000. But they do show up on set a few times for pictures and autographs, despite being over a hundred years old and looking like they're in their early seventies at best.

Hyacinthe, however, can still be cajoled into doing her best impression of Barok, and can pitch a chalice accurately at thirty yards behind her without looking. Because she's Hyacinthe van Zieks and she can do that.