#I have Tristamp theories on the brain

[revenantghost]

Well, this is gonna be super fun to life through again in Tristamp, isn't it

[khytal]

ok gamers I rewatched tristamp one more time in order to write a post about the soundtrack, and some of the stuff I found blew my socks off (even though I've seen every episode like 6 times) so buckle up because oh my god. oh my god

this will cover most of both volumes of the OST (which you can find on spotify), with a focus on wolfwood, and a little bit of vash, meryl, and the eye of michael

...and a very thorough breakdown of "drain arm" :)

notes before I get into it: -I won't be analyzing the plant song because I. already wrote an entire separate thing about that haha (a link to that doc will be in the replies section of the notes if you're interested)

-you won't need to know anything about music theory, because I'm just pointing out where certain themes come up (with the exception of "duet", but I'll explain terminology there). timestamps will be included so you can listen for them as you read

-if you're obsessed with the OST like I am, most of this probably won't be anything new x) but I hope it's enjoyable regardless

-my credentials: I was a pianist for 10 years and an oboist for 7.5 years and I only had 1 semester of intermediate music theory but I got to analyze the 1st mvt of tchaik 5 and I think that permanently altered my brain chemistry

-the tracks I recommend being familiar with to have a better grasp on this post are: -> "whistling/blues harp in the wasteland" (vash's leitmotif) -> "reality" -> "childhood memories" -> "duet" -> "human subject" (eye of michael, or EoM, leitmotif) -> "drain arm" (technically optional)

-please don't take any of my interpretations/speculation as fact! you are absolutely free to come to your own conclusions I just have a lot of thoughts about the soundtrack lol 👍

here we go :]

EP1: -you can hear a variation of the plant song in "immigrant space explorer" (0:36-1:00)

-vash's leitmotif is first heard in "no man's land" (0:41-0:48)

-only about half of "mystery man" plays, and his leitmotif (0:38-0:51) is actually cut from the scene so it's not heard at all

EP2: -"escape" has vash's leitmotif from 0:18-0:31. they also took out the lyrics in the episode's version of the track x)

-it's possible that we'll hear "might is right" or a new arrangement of it if we get to see the rest of the nebraska family in future episodes, since there were posters of marilyn. I think people largely associate the song with EG the Mine but due to the track title and the fact that it first played in this episode, I feel like it's more about the nebraskas

-I'll talk about "childhood memories" in ep12 because it's related to rem's themes

EP3: -the plant song can be heard in "compatriots" (1:01-1:11)

-"reality" is first heard here, right before the episode in which wolfwood is introduced. keep this in mind for later :')

EP4: -"undertaker" has a dissonant sax part (0:48-0:54) that's similar to the one found in "irritation" (1:05-1:11), but it's an ascending passage rather than descending. it doesn't show up anywhere else so it might become a motif we'll hear in the future, but there's no way to know until the next part is released

-"planet zaji", from 0:55-1:04, has that one part from "time left" (1:02-1:09). it's heard while wolfwood's spinning the punisher around but I think it's just something that sounds cool, and you can't really hear it anyway because of the sound effects/dialogue. if zazie gets any additional themes in the future I might have more to say on this

-vash's leitmotif kicks in in "hungry !" (0:21-0:43) when wolfwood introduces himself at the end of the episode. I really like this track I hope we'll get to hear it again x)

EP5: -I don't think there's any meaning behind "shadow" borrowing from "worms network". I'm pretty sure it was just for mood (and to be fair it is a cool track)

-you can hear vash's leitmotif at the beginning of "boy and vash". this is the part where vash is escorting rollo back to the village

-"cyborg" introduces a new 4-note pattern (0:07-0:14) that I'm calling the eye of michael leitmotif. if hearing this reminds you of episode 6 then you already understand what I mean

-"dud" has vash's leitmotif as well (2:20-2:59), which starts playing when vash is begging rollo to wake up after wolfwood kills him

-only a small part of "human subject" (0:25-0:35) is used for the final scene, right when the windmills start turning. using the EoM leitmotif as a sendoff to the empty village is. really haunting

EP6 (this is a long one I'm sorry): -the EoM leitmotif can be heard in "reborn" (0:09-0:14, but it's easier to hear in 0:26-0:30). this is the opening scene where wolfwood guns down the deserter

-they do reuse "worms network" when livio first opens fire on vash but that's more for mood in my opinion. you could say it hints at zazie monitoring the sand steamer though

-we're probably going to hear "the desert rogue" again when the bad lads gang shows up in a future episode, possibly with a new arrangement for brilliant dynamites neon (this is one of my personal favorite tracks actually. it's a shame they didn't get to use the whole thing because 0:45 to the end is really cool)

-"boyhood" contains the EoM leitmotif and it's very in-your-face in this song (1:15-2:19). in the episode itself the track gets cut at around 2:10, but in the OST the piano motif from "orphanage" can be heard one more time right at the end of the song at 2:18-2:20. which is an evil thing to do. anyway

-"nicholas the punisher" is an arrangement of "reality". let that sit for a second, maybe go listen to those two tracks or something.

okay so we can look at this in a few different ways:

-> the end of episode 3 is of course a reality check, supported by the corresponding track being titled "reality" (even though it's fabricated by nai: to suggest and then prove to the people of no man's land that vash is indeed deserving of the $$6mil bounty; and to tell vash that his presence will pose a threat to humans). you know who else is supposed to be* grounded in reality? the pragmatic nicholas d wolfwood, who's introduced at the start of episode 4 *tristamp wolfwood hasn't quite found his resolve yet, as shown by his hesitation when livio appears

-> in the scene where "nicholas the punisher" is heard, vash is insistent on rescuing livio while wolfwood pushes back and says it's too late for him. he's clearly wishing he wouldn't have to eliminate livio though, and with "reality" as the foundation of this song, it presents wolfwood's inner turmoil in a new way for the audience: vash, who is physically right there trying to persuade him that there's still hope for his brother, vs his role as "nicholas the punisher" in sound, in his mind, and the "reality" that developed along with it (death is/can be a mercy, and sometimes it's necessary to sacrifice one life to save many)

(I also want to add that while legato's dialogue shows he intended for the orphanage to be eliminated through livio's death, it seems wolfwood didn't even realize that killing livio would mean more kids would be taken by the EoM for experimentation. he thought he had to choose between livio or the children, but it was a "test" of loyalty; and legato was attempting to obtain said loyalty by force)

-> outside of the episode, if you were to just listen to this track within the OST it's very representative of his character. contrary to "undertaker", which is fairly laid-back and....honestly kind of playful (and equally reflective of wolfwood's personality, when he's relaxed), "nicholas the punisher" is a more somber and contemplative piece. the fact that it's built on "reality" already suggests that he's someone whose beliefs conflict with vash's; and even without knowing that, both of wolfwood's themes contrast with the energy of "vash the stampede" quite clearly (even if I personally don't consider that track to be vash's official theme, it's still associated with him). I think it's really interesting that vash, the quieter one, has more raucous songs while wolfwood, the one with a sharp tongue, has calmer tracks :)

you might be wondering if "orphanage" is in "nicholas the punisher" and the answer is......yes, but actually, no. but kinda if you're delusional like me. this little pattern from 0:29-0:42 in "orphanage" is found in the low brass from 0:57-1:11 in "nicholas the punisher" (although it's in a different key and has a slight variation in the 2nd half). it's not quite the same, but both phrases start by going down a half step, then down a P5 interval (D->C#->F# for "orphanage", F->E->A for "nicholas the punisher"). lastly the sand steamer's leitmotif (I guess) is also present but that's. obviously because this is happening on the sand steamer lol

-"whom to kill, whom to let live" is just a faster/more tense arrangement of "orphanage" with saxophone over it. starting at 1:07 you can hear the worms leitmotif (1:31-1:34 in "worms network")

I can't say whether or not legato is already represented in the OST because he's currently not associated with any unique tracks, but they might tie the dissonant saxophone passage from "irritation" to him. it's first heard when legato stops wolfwood from escaping the facility, and as far as I can remember it's not played anywhere else. if he plays a bigger role in the next season, which I'm sure he will, I'll be keeping an ear out for this x) (I only mention the sax thing because I don't think he's represented by the sax solo that plays in "whom to kill, whom to let live")

EP7: -a little more of "the desert rogue" is heard when the bad lads make their way onto the sand steamer but it's very hard to make out over the gang yelling in the background lmao

-we're treated to the entirety of "human subject", for the scene where livio briefly returns to himself. if you somehow weren't convinced that those repeated 4 notes had anything to do with the eye of michael, this is the last instance where it's heard: the moment livio's overcome by whatever brainwashing was used on him by the EoM

-I think most people associate "time left" with ep12 but it's first played in this episode and I believe that it was primarily composed with the ion cannon sequence in mind (though a majority of the tracks in the OST only play once for specific scenes, with some songs being cut short and getting different parts played across 2+ episodes. "irritation" and "human subject" are examples of this)

EP8: -this one's a little hard to hear because the 1st note is implied in the C drone but vash's leitmotif starts at around 0:09 in "complicity" and runs all the way to 1:06

-it's also in "home" (1:38-1:57), playing at the moment luida hands vash the red coat :)

EP9: -I've talked about this before but I really like that there's 4(?) measures of polyrhythm (2 or more differing rhythmic lines that are played within the same time signature) when vash joins in, before the brothers come together on the same even rhythm. you can see how vash's quarter-note pattern doesn't line up with nai's quarter-note triplets, and in fact, neither of them ever land or start together:

(for the sake of comprehension I wrote it out with a faster tempo to stretch the polyrhythm part over 8 bars instead of the slow tempo/4 bars. I'm not sure what the official tempo is. I think a sane person would write it at a faster tempo so that the part doesn't look stupidly cluttered but a good musician would be able to play it regardless. anyway-)

it sounds even more stilted because vash is playing on the offbeat. polyrhythm's such a great way to represent the brothers' relationship because it seems so chaotic but both lines are still in time together, following the same beats. they're so different but in the end they're still brothers who (are trying to) understand each other. and I love that vash is playing secondo, a more harmonic/supportive part, while knives has primo, where the melody/ornaments are. it says a lot about their personalities :')

since I don't know what the original sheet music looks like I can't say if this is true but you can hear that the plant song at 1:03 is played in octaves (2 notes that're the same pitch with one higher than the other). because of the nature of a duet, and the fact that this was played by the twins when they were little, the octaves were probably split between the parts. so vash was playing the lower octave of the plant song with his right hand, and nai played the upper octave with his left hand (we don't get to see this because it cuts to nai playing the song alone at that point). also: vash favors his right hand while nai favors his left

-now for something far less interesting: "last run" is a medley combining "ethics and morality", "compatriots", and "millions knives"

EP10: -"a cruel sight" seems to be unused. it was probably intended to lead into "bio-power reactor" in the scene where meryl and roberto meet elendira in the tank (given that it ends the same way "bio-power reactor" starts), but they cut it and just played a version of "bio-power reactor" without the melody

-elendira's themes ("elendira the crimsonnail" and "which is the monster?") seem to have some lyrics that're most audible in the beginning of the tracks but they're almost impossible to make out without some kind of editing software, which I don't have lol. they're already very quiet in the background and they echo, on top of sounding like they were put through autotune

also this is entering speculation territory but it makes me wonder if elendira's theme is going to evolve with her. we've seen some concept art with her having a more teenage appearance, so I think it'd be really cool if the vocals also changed accordingly

additionally she doesn't have the EoM leitmotif anywhere but she DOES have a proper 4-note chromatic pattern that descends from D in "which is the monster?" (1:32-1:35), which is the same note that the EoM leitmotif starts on. if we consider EoM's broken chromatic passage to represent the failed experiments, then elendira, with an actual chromatic passage in her theme, is a success

-"meryl's regrets" is ALSO an arrangement of "reality" :') this is the track that plays during roberto's final moment, which was. you know. the consequence of meryl running off in pursuit of the truth. the "reality" roberto had warned her about several times prior to episode 10. interestingly, while "nicholas the punisher" expands on the original track, "meryl's regrets" is a reduction--it's mostly just the baseline with some notes here and there. she doesn't have a theme yet, but 1:23-1:33 might be something we hear again if/when she gets a track associated with her

EP11: -"nicholas and meryl" is an arrangement of "boy and vash", with erhu echoing vash's leitmotif. I think it's a neat way to show through music that both of them are here because of vash :]

-the tracklist goes slightly out of order at this point for some reason. after "memory retrieval", "memory of geranium" is what plays in the final memory, when nai decapitates rem

EP12: -"memory of rem" is a combination of "childhood memories" and "memory of geranium". "childhood memories" is also found in "knives's piano", which is based on "duet". one fun way of interpreting this is that the "childhood memories" part of the duet is actually from rem, if she was the one who taught the twins how to play piano, which would make "duet" a musical representation of vash and nai's roots (pun intended. sorry). this also suggests nai misses rem, with how often he plays the piano, even if he thinks he hates her.

but "childhood memories" can also simply be seen as a theme that's associated with rem, nai, and vash's brief time together x)

-okay this is the part where I get to rant about "drain arm" because THIS SONG was literally the reason I decided I needed to rewatch stampede. I was listening to "drain arm" a couple weeks after the finale aired and I heard vash's leitmotif near the end and I was like "NO WAY!!!! HOW DID I MISS THAT"

as it turns out, it was cut from episode 12.

:)

not to worry though, I still have plenty to say about it. even if I'm a little disappointed. just. a little.

-> from 1:13-1:25, you can hear vash's leitmotif in the cello. this DID make it into the scene, and it plays when vash rises through the clouds

-> 2:44-3:10 is where some of the lyrics from vocal version of "millions knives" play: "remember how / we used to be / no turning back / sky's (skies??) falling down". although you can't actually hear the "remember how" in "drain arm" (at least not without blasting the song into your ears, which I don't recommend), it starts right when the image of vash and nai sitting in the geodome appears

-> we finally get the plant song at 3:36, when the condensed energy starts to leak out/charge. and then after it fires, but before nai dives into the beam, we hear "I still care for you" (3:44-3:52). and while it's originally from the vocal version of "millions knives", in the context of the scene I think it's a sentiment from both brothers: vash, who pleads for nai to let go and releases the energy away from him; and then knives, desperately reaching for the cube because he believes the success of his plan will ensure his family's (and especially his brother's) safety, the only ones he's ever cared about

in other words: plant song in cello = vash -> "I still care for you" -> continuation of plant song in low brass = knives. they're connected by this single sentence

-> knives's leitmotif (I didn't talk about it because it's only found in songs that signal his appearance, so it's really obvious, but yes he's got one of those) plays at 4:03 for the "nai is dead. you killed him" exchange

-> it goes back to a variation of the plant song at 4:29 (I LOVE the piano at 4:40-4:49 btw. it's so good. I could cry about it. probably)

if you've read my plant song analysis you might be wondering how to tell when it's being associated with the name millions knives instead of the plant race. since we know that a good chunk of the songs in the OST were written like a film score, the visual context (and/or the song titles themselves) can clue you in. "drain arm"'s use of the plant song is meant to highlight that vash and nai aren't human, so it's the latter

-> now here's the part that was removed, probably due to the runtime: vash's leitmotif in the cello again, from 5:03-5:09. if you revisit the part right before nai lets go of the cube, you'll hear that it skips these 6 seconds and goes straight to knives's theme ("but that's the plant song!" yes. we'll get to that in a sec). this missing bit right here?? fucks me up EVERY time. it's the most mournful his leitmotif has ever sounded, appropriately so, and it's absolutely criminal that it wasn't included. especially because knives's theme, the plant song melody, follows it up on violin as the cello continues to play a line in harmony.

and it's knives's theme because in this moment it's about him dying, not the plants. they spent a whole season tricking us into thinking that the plant song was knives's theme, and then they used it to send him off.

-> and then july city explodes o7

as much as I'd love to hear "drain arm" again for another chance to let the weight of vash's motif come through, I think it's too intertwined with this scene to be recycled. like. maaaaaaaybe they could use it for fifth moon if that's supposed to be the climax of the next part but they kinda?? already did the "fire a really big laser at the sky" thing? anyway yeah I'm totally normal about "drain arm". so normal

Extras: -the punisher and the double fangs have these cool sound effects when they transform and it kinda makes me think that their guns are built from lost tech, if the punisher's laser cannon wasn't evidence enough of this

-there's no equivalent of "sound life" in stampede, and I don't think there's going to be one. however, I do think that it would make a lot of sense if rem taught the boys how to play piano, because we could get something like:

-> rem asks vash about the plant song (the memory in ep12) -> she gives the boys piano lessons -> she helps them compose "duet"

-they didn't use "stampede out" for this season but I really hope we'll hear it in the next part. I know it's just a longer version of "escape" but it's a fun song :]

-this is. obvious but you can hear "gate" in "millions knives". no idea if they'll put "gate" into more songs, especially for vash now that he seems to have some control over it

-there's also something kinda fun with key signatures too: -> "millions knives" is in b minor -> vash's leitmotif is in d dorian (of course this changes depending on the key signature of whatever track it's used in) -> "undertaker" is also in d dorian -> I think songs associated with no man's land/humanity are usually in some dorian scale or specifically the key of a minor but this is solely based on jeneora rock since july city had its own unique theme so I'm not totally sure yet. "duet" is in a minor by the way -> "nicholas the punisher" is in d minor. if "undertaker" is tied to humanity (which is tied to vash) then "nicholas the punisher" is linked to the other side: knives, through the EoM. it adds another interesting layer to the contrast between wolfwood's two themes, but I don't consider this to hold any meaning lol -> I WILL say that b minor is the relative minor of D Major, so having knives and vash's songs be written in those keys was likely deliberate. and what makes it really interesting is that to get d dorian, you take a D Major scale and lower the 3rd and 7th notes by a half step

-I'm not 100% sure but I think plucked piano strings were used to create the low, scratchy string sound effect in some of the songs (one example is literally at the beginning of "irritation"). I think it's really cool that piano is everywhere in the soundtrack, but not necessarily by hitting the keys

-I am unbelievably excited for livio's/razlo's themes because they have the opportunity to do some REALLY COOL things with the music for them. we might not get them in part 2 (though I think we will) but whenever it happens I'll be so ready for it >:)

and that's all!! o(-< thank you for reading! if you actually took the time to go through all of this with the soundtrack pulled up, I'm. impressed. i think. anyway I'm a big fan of OSTs with strong storytelling and tristamp's OST is no exception :]

if you've got questions, feel free to ask ^^ I definitely didn't cover everything I just picked out whatever I thought was worth mentioning. which was uhhhh quite a bit x)

(also again if you're interested in reading the plant song analysis I did it's in the replies section of the notes 👍 I recommend reading it on a computer though)

[trigunsbbygirl]

I loved your writing! And I just loved the Vash isekai reverse, could you make a do knives too? How would he react to staying on earth and also some headcanons

lol I said I was gonna draw, you know, like a liar. I saw this and my brain said I must write- but!! thank you!! I'm glad you liked the Vash one!!

I mention trimax but there's no spoilers since I've never read it, just thoughts and analysis from twt. and so! this is stampede Knives I'm talking about!

also talk about the last episode of tristamp so spoilers for that!

•Knives is really confused when he first arrives on earth. and when you first met him he kinda??? just goes along with your flow because he really has no idea about what's going on.

•you're worried about this man, he looks dazed and confused and you don't know if he's been drugged or had a stroke or something cause he's also asking where he is. you ask if he needs to go to the hospital or has anyone you can call, but then he asks what planet this is when you really take a look at him.

•and it hits you that oh, this man looks a lot like Million Knives. you had been so caught up in worry that you just glossed over his appearance.

•Knives is waiting for you to answer and he notices that you've all of the sudden gone timid in body language, voice nervous when you answer 'Earth,' then ask for his name.

•your, what you hoped was just a delusional theory, is confirmed when he answers that his name is indeed Millions Knives.

•he's kinda amused seeing your eyes widen in fear, but he's also curious, is there a version of him here? or did life somehow prevail on earth and his name is known? why do you act like you know of him?

•you stumble over answering that, how's he gonna react that people read/watch a story that involves him for entertainment?

•and so you just vaguely say, "well, there's this story and you're in it, but like, you don't actually exist in the real world.."

•Knives just raises an eyebrow at that. that just gave him more questions. and so, he demands that you show him what you mean, and sure enough, that's himself he's looking at on your phone.

•ngl I'm a little torn on how Knives ends up living with you? I suppose it would be him being like, "human, show me how this world works" or something like that, and you're like "uh? okay? but where are you gonna stay?" and he just responds, "you'll be housing me."

a bit of a crack way to put it, but yeah, he just forces himself into your house because there's no way he's living out on the streets, and well, he has no fucking idea where to go so.. congratulations! you've got a roomie!🎉 (also, if you live in the city, the noises are lowkey overstimulating him)

anyways

•angry little man doesn't know what to do at first. there's no plants like him, there's no Vash, so, he can't exactly chase after that utopia for plants..

•but he is pretty upset seeing the state of the world and how a lot of people aren't really doing much or just don't care.

•kinda still wants to do that whole, killing humans thing, but there's almost 8 billion people here, and a bunch of militia and weaponry, and he doesn't really wanna deal that. plus if they bring out the nukes on him, Knives thinks that would just cause way more harm so, he decides to just try and enjoy the world Rem talked so much about.

•although, if he sees someone litter, he has to hold back on his murder rage. Knives has learned that his actions have consequences here, and again, he doesn't wanna deal with that. but! he does throw the litter back at them and chews their ass out.

•going into learning, Knives forces you to take him to a library, and later on, teach him how to use your laptop. but after that, he kinda refuses to ask for help with learning about Earth. Knives does catch on and thread how everything works and entertwines pretty quick though.

•he finds natural disasters very fascinating, however it makes him wonder why humans continue to live in places with reoccurring disasters. well, he doesn't actually care, neither the answer, it just makes him think of how humans continued to live on Gunsmoke despite the harsh environment. no matter what planet humans are annoyingly stubborn he supposes.

•it takes Knives a long time to actually warm up to you, and even longer to start exploring hobbies.

•you had gotten Knives a keyboard piano once. it's not that big and it doesn't sound as good as he wishes it could, but considering your small house and that money is an important thing, he'll make do with it. Knives never did say thanks or show you any appreciation, but he does play it often.

•Knives might even start getting into composing music with more instruments later on too. he found the composing side of YouTube after watching a lot of orchestra videos and he kinda got interested in composing with more than just a piano.

•he again, demands you take him to the library and he reads a lot about music theory and how to write his own music before trying it himself. Knives actually gets really good it and you joke saying he should upload his stuff to YouTube and Spotify. he just brushes it off(he won't admit he's happy that you like his work.)

•Knives is really fucking good at mobile and arcade rythym games. he saw you playing on your phone once and he kept watching until you asked if he wanted to try. it took a while, but he got the hang of it pretty quickly. (you're a bit jealous of just how quickly he got it lol)

•he doesn't play them often, especially early on, even though he starts to enjoy playing. some of the songs like faster paced ones kinda overwhelm him or bothers his ears.

•I didn't put this on the 'things that confuse him post' but, Knives doesn't understand objects like figurines, plushies, charms, stuff like that. what purpose do they serve? when you answer that you just like the character and wanted to show support for the show/game, Knives still doesn't understand. he thinks it's a waste of money</3

•he especially won't understand spending money on gacha games. Knives will make you budget yourself if you aren't already. he thinks it's a bigger waste of money, especially if it's a gacha where you just pull for cards, you can just save them onto your phone no?

congratulations! you're free of gacha addiction!/j (do not show him how people have spent thousands on gachas or how some have sent death threats over pulls)

•Knives keeps your house spotless. he refuses to live in a dirty house. but he won't do the dishes, your laundry or clean the toilet. those are your responsibilities and Knives makes you do them daily and weekly respectfully.

•I feel like, overtime once you two are together, Knives gets into cooking. now he doesn't really eat much, but he does enjoy the process (and he wants to make sure you're eating good)

•he forces you to hike with him or go to the park every week. he loves being out in nature and observing everything. sometimes when Knives comes across certain plants or animals, he'll make a little comment or bring up a fact he read about.

•loves when it rains, he finds it really soothing

•Knives tried to read trimax once, he got curious one day, but he couldn't finish it. it sent him into a panic attack. likewise, I don't think he could watch the last episode of tristamp, watching himself burn like that would freak him out a bit, whether he went through that or not yet.

•he gets into painting! it kinda started as him just sketching plants he finds in the wild to drawing landscapes. you gifted him paints one day he's been enjoying using them

•I think he'd like using gouache paint. he usually only draws close ups of plants and landscapes. Knives got a small kit and artbook, and he takes it with him when you two go out for your weekly walk.

•he has secretly drawn you once, but you didn't hear that from me-

[player-1]

So here's a fun and wacky headcanon for TriStamp Knives before ep. 12 rips our hearts out until season 2:

Besides a lot of eye symbolism generously sprinkled into Knives' characterization and motives, both for the Eye of Michael and Tessla's missing peeper, there's a interesting detail to notice on where he placed it on his hand:

The placement of the eye seems to work to not scrunch it up when he balls his fist (and knife hand), but to literally make him talk to the hand for either violence or as a hand puppet. I mean, ep 12 is possibly going to tackle Knives' connection to Tessla since he put in so much work to get her approval and fishing her brain/body out of the SEEDS wreck after who-knows-how long. So even if their sister suffered a long, painful, and silent "death", Knives at least gave her the liberty of having a mouthpiece when she never had the chance to speak her mind. Even if it's for murder and genocide, that's fine for both of them.

But also in the span of 5 years (and more to come), before creating the Eye of Michael and officially starting his warpath on humankind, he only had the shambled remains of his older sister as company. Which he turned this

into this

And to be fair, Knives was already off the deep-end at this point but I don't know if I should laugh or cry about it.

[Extra headcanon/theory: What if, despite everything, Knives doesn't have complete control over Tessla? Like Alien Hand syndrome (in the literal sense), she might have some autonomy and control at times in more subtle ways. There might be a few hints to that, mainly on the left side since that's where Vash usually is.]

[ciaran]

hello!! hope you’re having a wonderful day. your thoughts on tristamp are so good!!!! so big brain!! specifically, i love that—ficlet? thinkpiece?—you wrote about rem seeing vash and realizing just how much his desire to live up to her advice has destroyed him physically and mentally. it’s just… ahhhhhhh.

i don’t think you’ve posted about it yet (though ofc i could have missed something), but what do you think about the prosthetic legs theory/headcanon for vash? feel free to ignore if you don’t want to respond for whatever reason !

this may be a somewhat unpopular take but i dont...buy it as canon? i think its a great and perfectly valid headcanon, and i would love to see it in fic and art, but i wont be using it personally until we receive something explicit from the show. the whole reasoning for it feels pretty spurious to me, tbh, we know previous versions of vash have a lot of belts + we havent seen those creases before in full body shots of him which include his legs (i know being wet makes stuff stick to him, but the cloth could also be bunching up. i squinted at that screenshot for a long time and it didnt get me anywhere). i dont know if its canon to the manga or not, and i havent tried to find out yet, so theres that. if its canon i will incorporate it into all my fics and meta. but until then im going to treat it as a headcanon that i can take or leave on a case-by-case basis.

i'm so glad you liked the vash and rem ficlet! i started writing that wishing for him to lay his head in her lap and cry and then i was like okay would that actually happen and god. probably not. the recurrent theme of idolization of a beloved in tristamp is so dear to me

[cakechako]

Nai’s Theme is also the Plant’s Song

This has probably been said before and seem very obvious but I gotta brain dump this all. I’ve been listening to the Tristamp OST intently for a while and I think that the melody that we hear in “MILLIONS KNIVES” and throughout other songs in the OST like “Duet”, “Epilogue”, etc is actually more than just Nai’s or the twin’s song. I think it’s the song of the plants as well. Yes we can hear it when we first see him in his flashback playing the earliest forms of that melody when playing the piano with Vash then later again when the twins reunite when older/as teens.

It makes sense that we first hear the melody when both the twins are children and were closer to each other then as well as regarded themselves more like plants. Then when they’re older, Vash unlocks his plant powers and Nai proposes his plan of liberating their plant sisters and destroying humanity to him, which he subsequently rejects. The sad violin rendition of the plant theme can be heard after this rejection, symbolizing Vash rejecting his plant half in favor of humanity and in contrast highlighting Nai’s very plant leaning allegiances. (We can also hear the same violin rendition again when Nai dies possibly symbolizing Vash’s more plant like half dying as well 🥲).

What’s more is that you can hear the same melody in other songs that don’t just concern Nai and his longing to reconnect with Vash but you can hear it in songs like “Last Run”, “Drain Gate”, and “Drain Arm” where it also centers around Vash, particularly when he’s accessing his gate by reconnecting with his plant side.

In the last episode, we also see Vash at the piano playing the same tune. A melody that he would always hum as a child because it brought him comfort and the one he played at that moment in search of that familiar tune and feeling or just the memory of himself, the plants, and his brother.

The most convincing evidence to this is the song named “Plant Song on Erhu” solidifying the point that it’s the melody of all the plants.

Now as for the lyrics we hear in the vocal version of “MILLIONS KNIVES” when they say “Can we be the same way together” and “I still care for you”, I cannot tell if these are words that reflect how just Nai feels, both him and Vash or is it the wish of all the plants to return to harmony.

So in conclusion, we hear the same melody throughout a large portion of Tristamp’s OST when it concerns the plants. This includes Nai, Vash, and the rest of their plant sisters.

On a side note, a reasoning as to why the plant theme is more recognizable or associated as Nai’s song is probably due to a couple other theories that have been floating the fandom. The first being that Nai is possibly more plant-like in comparison to Vash. The second theory is that Nai can hear his sister’s when they’re in pain as seen in the episodes whereas Vash can feel their presence. It is not known if the twins share these abilities with each other or if it is one-side. It is also not known if Vash can only feel their presence and not their pain/emotions. There is not a lot of strong evidence to support this but it leads many people to believe that this is why Nai is largely more sympathetic to his plant sisters because he can hear their suffering while Vash does not.

Of course in the end, all these theories are fun to think about but I think Vash’s own plant abilities, his connection to and care for sisters, and his very existence is proof enough that he is just as plant as his brother.

[tri-punisher]

What’s the dumbest, most brain-dead take coming from TriStamp that you’ve read so far? Like what’s the dumbest most asinine take you’ve read that’s just left you staring into space like “what the actual frick dude”

One of mine (I have a lot) is Knives being okay with human/plant hybrid experimentation because it gives Tesla a second chance (stemming from a dumb fan theory that fake Elendira has both Knives and Tesla’s DNA in her), because why would Millions frickin Knives of all people want to bring his dead sister back to life by combining her DNA with the DNA of the very things that killed her?

oh yeah i’ve seen that, i fucking hate that one too. literally why in god’s name would KNIVES be okay with any kind of plant experimentation like that, after knowing what tesla suffered before she was consequently killed, especially if it was for the supposed benefit of humans? like. HUH ?????

but to answer your question though i’m honestly not the best person to ask cus i’m fond of the “block and move on” method of content curation after i’ve had my 5 seconds to complain about some bullshit that pissed me off. at this point any time i’ve spent thinking about stampede is time i’ve wasted so i’ve been trying to Not do that. it gets fucking hard when people never tag things correctly though

could be worth coming back to me when S2 drops and razlo makes an appearance cus i know for sure i’m gonna be pissed as hell every time i go into his tags, considering the trg fandom even as it is now can’t go 10 seconds without calling him “crazy” or demonising him and blaming him for ww’s death or saying anything that’s tantamount to “he and livio are the same person”

[shiftchi]

I think it’s very interesting bc I’m on tumblr and twt for Tristamp content and god all the interpretations of this last episode are insane :)) bc like I’m not good at making connections like people have been so far idk why my brain is just like “wow these sure are 2 dots” instead of connecting them lol but like the leg prosthetic theory being possible is so cool like I said on twt I want it to be explicitly shown/said before I’m like “omg prosthetics!” And we better get an explanation abt them too bc like god but like his legs d o look wacky they d o look like prosthetics! And like I want it to be canon bc it would be so cool!! But also like I want it to be said so so so bad before I jump to conclusions. Also all the discussions of how vashs bodily autonomy is constantly taken away from him is just wow it’s so interesting and like Jesus it’s tough to watch and read abt as an afab person in a country where my bodily autonomy is not respected but it’s just very very interesting to see all the connections people make with that messaging and imagery but also last and not least, the audience interpretation of knives is very wacky bc I’m seeing two groups of people so far. One who interprets the “I finally have you back” moment as knives finally has a version of his brother that is like when they were younger and wouldn’t really fight back against him which means he’s trying to get vash back to use him and then the other group that interprets that along with the imagery of vash with his arm back to say that knives wanted an unharmed version of vash because he didn’t want him to experience any pain so like he was trying to get vash back because he loves and cares for him and like d a m n if those aren’t two very different interpretations but also d a m n if I say I see them both!! I see where both sides are coming from and honestly I think that it very well may be a combination of both!! Like god I love this show so much so so so so much also??? Wolfwood just up and leaving this ep?? Like I’ve seen people be like “he’s gonna come back” but at this rate I have no idea what’s going to happen at the end of this so like Adhfksjdhs g o d i love this show so much I’m very sad that next Saturday is the last stampede Saturday (at least for a while bc everyone’s pretty confident abt there being a s2 and it wouldn’t make sense to not have one at this rate) but yeah that’s it thank you for seeing my rambling if you did I’m just going a little bit insane over here 😎😎😎😎😎

[revenantghost]

Heyo, let’s talk about my girl Meryl and why she’s so critical to the plot of Trigun Stampede and Vash in particular! (Well, that’s true for any Trigun, but Tristamp theories are rotting my brain atm.) Some spoilers for Tristamp and vague talk/references to the other series ahoy!

Meryl gets way too many accusations thrown at her for doing nothing/not enough in Tristamp. To the point that I started a rewatch to see if I was misremembering, but absolutely not! Those first three episodes alone, she’s critical to how things develop! She’s a foil to Vash, just like Wolfwood is!! She’s essential to his humanity!!!

But it took until I was watching ‘98 for the first time this weekend for it to crash into me like a freight train exactly what Meryl means, just like it took Trimax for the full weight of Wolfwood to click into place for me. Because she’s set up a lot like her older anime counterpart (though no one gets the same amount of character interaction—Tristamp, I adore you, but please slow down and let these poor folks breathe). She doesn’t understand Vash at first, she even goes so far as to call him a coward in a really low blow for what she easily recognizes as his bravery (and sometimes stupidity) later. And while they both (well, pretty much all the Trigun protags, let’s be honest) share their bullheadedness, I see a lot of people say she’s just like Vash... And I disagree, sorta.

She’s just like Rem. Just look at that last episode.

The two women don’t have the same belief systems, they have wildly different paths, and they come into Vash’s life in incredibly different ways. Meryl may keep Vash in check sometimes, but she’s not a mother figure imo. But they still play a similar role.

After over a century of traveling alone, we see (especially in other versions of Trigun) that Vash is often used and abandoned. Even when he makes genuine friends, they let him drift in and out of their life—and to their credit, he’s good at that! He can’t handle any more pain, so he slips away before the hurt catches up. But not Meryl! She ain’t gonna let that happen!!! At first, yeah, she follows him because of her job, but it never takes her long to go from frustrated and fed up to growing fond of Vash. And I especially love the career shift in Tristamp allowing her a complete out, to walk away and abandon Vash when things get rough, and no one would blame her for it.

But she stays. Because she sees that he’s good and worthy of the love that he denies himself. She sees this vile, hopeless world that they live in through his eyes, and sees the beauty in it too. She’s the first person to have faith in Vash not just as a savior, but as a person—unlike anyone has since Rem.

When all hope is gone, when Vash has lost his way, when he stumbles and falls, Meryl—who starts off doubting him!—is the one there to pick him up and remind him that he’s loved, that his love for humanity isn’t for nothing. Throughout the entire series, she has faith in him. She chooses Vash even when he won’t choose himself. She’s tired and done living in this selfish world of awful people, and she becomes the anchor that ties Vash down to what’s good in humanity. She’s just as critical as Wolfwood in taking a distant, disheartened, and broken Vash and reconnecting him to a world that cast him aside. And we’ve already gotten so much of that in Tristamp. It’s most obvious in the ending, but it’s built up so beautifully imo. She’s not as flashy as our fighters YET, but she’s absolutely essential to Vash, and I will die on this hill. I can’t wait to see her come crashing back into the picture with Milly next season.