#I had this thought and it won't go away

[myfriendsseemylikesonmain]

Yashiki was definitely underweight during the game, we can agree on that, no?

Mashita gets him to start eating regularly, and he gets to a healthy weight.

But all the weight he gained just goes into his ass and hips and that isn't what Mashita was aiming for, but he's more than happy with the outcome.

[screamsinsilver]

bomens vampire au where there is extensive commentary on folio's jesus neck tattoo

[sainz100]

Daniel Ricciardo and Max Verstappen in Tokyo ahead of the 2016 Japanese GP | x

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[invye]

So @kacievvbbbb asking about modern AU headcanons had me revisiting my 'modernised' MiShanks AU I thought up a couple months ago.

I call it 'modernised' because it is more of a medium modern AU, where I keep much of the base OP lore and history, but shrink the 'active' world down to just a few islands. The overall tech level and societal developments are much closer to what we have now and I do away with most of the political plot. I haven't yet decided if Devil Fruits still exist, but if they do, they are much more rare and are kind of a thing of legend most people don't believe in. Only very select few people would know about them and the curse associated with them.

So lets get into it, I've got plenty of thoughts on Mihawk, Shanks and how their relationship plays together in a more modern world. (And because Rosinante is also one of my favourites, and I can't seem to not smush them all together, there is a CoraMiShanks bit at the end too.)

- Mihawk -

Basic weaponry is a bit more in line with modern expectations in this AU, but that will never ever stop Mihawk from being a swords guy. Mihawk is the authority on fencing, especially in historical context. He's basically got a PHD in swords, identifying them, maintaining them, using them. He's filthy rich, not just because he won every fencing tournament there is, but also because he straight up inherited that half maintained castle outside of town along with stupid amounts of money from an uncle everyone thought already died decades before Mihawk received his testament.

These days Mihawk only competes in the highest level tournament once a year to defend the title (his 'rivalry' with Shanks makes the news every time) and otherwise spends his time at home, reading, drinking, occasionally taking small sailing trips with his beloved Hitsugibune, and of course training his swordsmanship. Everyone thinks he's just living it up big in Kuraigana castle, but the people in town know that he just wants to raise his kids in peace.

Where did the kids come from? No one knows. They're definitely not his though. Anyway, turns out that Mihawk is really good with kids, so it takes barely a couple years for the whole town to load off their kids with him during holidays and days off school. (Look, Zeff runs a busy kitchen, and as much as Sanji tries to help, he's still too young for the holiday rush. Garp has to leave on Marine assignments at the most random times, and his bum of a son has vanished to who knows where years ago, and the grandkids are friends with Zoro and Sanji anyway and can do with burning out their energy running around the woods behind the castle. Bellemère has to leave on those assignments with Garp most of the time, so Nami joins the fray while Nojiko mostly plays with Perona. Mihawk usually leaves the teen girls be on their own, especially since Robin showed up a while ago to join them [she seems to stay on her own, and Mihawk keeps an eye on her in case she needs additional help, but Crocodile seems to have that sorted already]. Usopp's mom is still sick, and she's grateful to know her son is out there having fun with his friends while she tries the next medicine with horrible side effects.)

The kids love Mihawk. Mihawk loves the kids too and to much of his dismay, the kids know it. He is a figure of authority to them, but also a person of trust, who they can approach with problems and worries when their usual parental figure is unavailable or out of reach. Given that Mihawk is pretty much always around, he begrudgingly accepts his new job as free childcare provider for the town (Garp tried to pay once. They all realised very quickly they get much farther by paying in favours, food, or doing little odd jobs because that old castle always needs something done).

Mihawk promised to teach Ace and Sabo to sail this summer, and with Luffy insisting to bounce around them, he already plans on doing more swimming and child fishing than actual sailing.

- Shanks -

Shanks is still a pirate, but it's all on a much smaller scale. He's still got the 'Red Emperor' epithet, but his reputation is much more Robin Hood of the seas. The Red Force gets into small tussles with other pirates more often than the Marines, and really, as long as they have food and alcohol on board they are all perfectly fine just sailing and enjoying their freedom. No one ever knows where the Red Force is at any given time, but they are known to show up when natural disasters strike, not to plunder the remains, but to help the people rebuild long before the Marines get around to offer their help (once the Marines show up on the horizon the Red Force clears out, a couple shots are exchanged, none of them ever hit). Garp tried to yell them into joining the Marines more than once, really Shanks could even stay captain and keep his ship and crew, he just needs to fly the Marine flag, but they all simply laugh and wave as they go off again to who knows where.

However, there is one week every year, where everyone knows exactly where the Red Force will be. Shanks won't ever miss his chance to duel Mihawk in the grand fencing tournament a couple islands over from Mihawk's home. As opposed to Mihawk, who has his fixed position as defending champion, Shanks fights his way through the other contenders every year. He leans into the pirate reputation, taunting opponents, refusing protective gear, tiptoe-ing the line to breaking the rules. The people love to hate him, it's a spectacle every time. The grand finale inevitably is a duel between Mihawk and Shanks, even after Shanks lost his arm (he sat out for a year and people thought that was the end. They were very relieved when Shanks made his over the top entrance again the year after).

They have long abandoned the actual fencing rules and equipment during the finale. People clap and scream when Mihawk steps on stage carrying Yoru, the black blade just as legendary as his own reputation. Shanks never fails to grin and deliver a witty one liner (the people's boo is part of the performance) and then they lunge. Watching that fight is exhilarating. No protective gear, real blades, and two absolute masters going at each other with a force that would leave less competent fighters with the gravest of wounds. It's every bit as real as it is a performance. Everyone knows Mihawk will win before they even start, and the people can recognise a small collection of moves that they build in every time, the more flashy and wide swipes that could easily be punished but never are. It's not simply about Mihawk winning and Shanks losing, it's about witnessing a piece of history being brought back to life right in front of their eyes.

The fencing tournament has always been held within the context of the summer solstice, and with Mihawk and Shanks putting on their show its become a part of a bigger festival that focusses on celebrating history and old rites, the origins of which aren't always known anymore. Every year after the finale they throw a huge feast, traditional food all over, as historically accurate to a long past pirate era as it can get (Mihawk makes sure of it, that history PHD has to be good for something), dressing up accordingly is very much encouraged. Shanks and Mihawk keep carrying their blades and play up their daring villain and chivalrous hero act and no one thinks twice about drinking with the Red Hair Pirates (they have amazing stories to tell). Usually Mihawk ends up in the middle of a group of kids and answers all kinds of history questions, all professor like, but in his full on historical get up. Shanks catches a glimpse of him and sighs dreamily and all the people he's jokingly been flirting with and threatening to kidnap as part of his role know that they're talking to a very much taken man. They enjoy his company anyway and talk to him about what it is like to raise a kid out at sea as they watch Perona and Uta tease Zoro in the distance.

What people don't know, is that the Red Force winters. Pretty much everyone aside from a volunteer skeleton crew leaves the ship for home during the winter months.

No one in town mentions to outsiders that the Red Emperor stays with the Strongest Swordsman up in Kuraigana castle. Why would they? They're great with the kids. And Uta singing with Brook during the Baratie winter solstice celebration sells out the house every time (the townsfolk get a cheeky 50% off that day, it's a community event after all [except for Mihawk. His filthy rich ass can pay double and wouldn't notice {he does pay double. He does notice. He does not care}]).

- Rosinante & Law -

Because I can't help myself and I love thinking about Rosinante together with MiShanks, this story's active events that would make up a proper fic make it a CoraMiShanks story, which starts with Cora-san and Law arriving in town. (Rosinante is genuinely a situational mute in this one, and Law's illness is a bit less horrifying, and potentially cured/managed with medicine.) They're on assignment from Doflamingo who heard that there's a spot that has gone unfilled in the island's underworld and wants to take full advantage of the opportunity to weasel into Crocodile's operations.

Little does Doffy know that: a) Corazón accepted the assignment so he could get away from him; b) Corazón insisted on taking Law because he's still working on getting Law's illness cured; [c) {depending on if Devil Fruits exist} Corazón may have secretly taken the Ope Ope no Mi on his way out;] d) Dracule Mihawk personally checks out every newcomer in town and seems to know much more than he reasonably should; e) Dracule Mihawk loves kids and bonds with Rosinante in a single meeting that included him pulling Law out of a lake; f) gods damned Dracule Mihawk directly protects Crocodile's operations in a infuriating 'someone will do it so I pick the smallest evil' mindset and Crocodile is so damn smug about it; g) fucking Dracule Mihawk decides to keep Rosinante and Law under his protection; h) and WHERE DID THE FUCKING RED EMPEROR COME FROM???

Doffy is seething at his plans foiled. Crocodile laughs at him, tells him to go pound sand and uses the opportunity to poach a couple of Doffy's operatives. Doffy has no choice but to retreat and plot his vengeance for later.

[mars-ipan]

some postgame doodles for pride month

[astarlightmonbebe]

it's easy to read the situation between li tongguang, ruyi, and yuanzhou as a love triangle on a superficial level, but looking even one step further, it's clear that there's no triangle about it. li tongguang is obsessed with ren xin; ning yuanzhou is devoted to ren ruyi. ltg's obsession is fervent and all consuming, but it's not devotion. like ruyi herself notes, his feelings to her are on the basis of her as a mother figure in his life, as a replacement for what he never received from his mother. is there an element of romantic/sexual love/desire to it? maybe. more likely he's deluded himself into thinking that, because the truth is, it's doubtful that ltg even understands what love is (platonic, filial, familial, romantic, all of the above, etc), because he has no basis for understanding. ruyi's teachings and actions towards him are the closest thing he has to hold up as an example. what he wants is ren xin, is a replica of the master he had. he doesn't want ruyi, because he doesn't actually care about ruyi. therefore, he doesn't care if she's sad, angry, mad; he just can't bear her 'abandoning' him. we saw this way back when she first meet and left him, both at thirteen and seventeen. although he distrusts her first, she saves his life and cares for him in the way no one else has, hence her first being raised on a platform in his mind. when she leaves for good, ending their master-disciple relationship/training, even though it's for official business and she's not abandoning him, in his mind that's exactly what it is. so now that she's in his life again, he won't let her leave again. he was powerless before, a child with no proper name, but now he's a recognized member of the imperial family, a man who can meet her as 'equals' (even when that's far from the truth). as a child, he could only cling to her legs and beg her, but now he has the power to keep her by his side. it's telling that when he finally gets confirmation of her identity, it's not ning yuanzhou he seeks to harm (even though he detests him and their relationship), but yang ying. yang ying is ruyi's new disciple, and as ltg doesn't know she's a woman, he only sees her as his direct replacement.

ning yuanzhou, on the other hand, is devoted to ruyi. he wants to build a new life and future with her, instead of slotting her into a spot in the life he already has. he's someone who accompanies her on walks and makes her midnight snacks, who holds her when she needs to be held and lets her go when she needs to do things on her own. when she speaks her mind, he listens, even when it makes him discontent/it's not what he wanted/wants to hear. he sees her unabashedly as his equal, and though he acknowledges her skills and abilities, or points out her naivety, he never does it to belittle her; to him, she is his peer, deserving of the highest honor and respect. he trusts her to have his back, and she has come to trust him to have her. he did what she might have thought no man would ever do: he proved himself reliable, so she came to rely on him. yuanzhou gives her freedom and autonomy as both ren ruyi and ren xin. of course they run into problems, but they both learn and grow from them, as individuals and as a couple. yuanzhou's belief in her is unwavering, but adaptable, whereas ltg's is unwavering, but frozen in time, disallowing for any new information to be presented. yuanzhou works with ruyi to accept the changes thrown her way; he seeks the core behind her actions in order to better understand her. li tongguang cannot accept the changes in ruyi's character, because they run contrary to the master he has on a pedestal in his mind.

what li tongguang wants is to return to the past, but yuanzhou offers ruyi the promise of a future, even one that might never come to fruition. there's no triangle about it.

[rhosinthorn]

I'm not 100% certain where this came from, where it's going, or if I'll ever return to it, but I want to present to the void:

Boromir and Faramir paralleling Elros and Elrond.

IDK, but Boromir gives off major "glory of Numenor of old" vibes, while Faramir is more "loremaster, kind as summer, etc."

[lyxchen]

Feel like I need to defend the people being upset about the non existent Agatha/Rio just a little bit and maybe that's because I'm also a lesbian who really likes them but I feel like the hate towards lesbians is a bit uncalled for or excessive like. Obviously homophobia or just full on blatantly hating on Billy as a character is shitty and I'm not defending that. But the way some people talk about this like "ugh can these annoying lesbians just shut up already?? How dare they be scared that this show might take a turn and take focus away from the sapphic couple?" Cause like that's what it is. Sapphic people are scared or upset about the possibility of the focus being taken off of Agatha and Rio and their relationship completely now that they have introduced a character that is important and will continue to appear in other Marvel media. Because good sapphic representation has been taken away too early or messed with a lot already. I think that if in the next episodes there are more Rio and Agatha scenes and important moments and just relationship stuff then most sapphic people who are complaining right now are gonna be totally okay with Billy's story. But right now we just can't know for certain.

Also I just have to say I see way more people hating on lesbians right now than I see lesbians being outright homophobic in the tag...

[cranberrymoons]

.

[beelzebby666]

WE’RE NO SAVIORS IF WE CAN’T SAVE OUR BROTHERS . .

[unma]

Cats

What's not to love about these lovely creatures? Honestly, growing up I was always a dog person (even despite the fact that I was attacked by one when I was young). But then I realized I wouldn't be able to take care of a dog for, well, a buncha reasons, thought about how it would be to have a cat, and thought, yeah, it would be nice to have one. For so many reasons. The eternally lethargic me could never take care of a dog properly. A cat, though? I probably could.

[denkies]

I know that thematically speaking, Miri is going to go back to Rei and Kazuki. The point of the entire show is found family. But episode 10 SHATTERED my heart into a million pieces and I started crying.

And this is more incentive for Rei to kill his dad. This man is the reason why Miri had to leave, he basically took their daughter from them. Neither Kazuki or Rei are going to just roll over and let that happen. Maybe Rei would have, before Miri, but she changed him. He's going to have the strength to stand up to his dad, because to be loved is to be changed.

[wat-zu]

Absolutely love your art. I want to nom it.

Also, Hollow Heads Siblings my beloveds,,,

Theyre the doomed siblings ever its not even funny

[james-stark-the-writer]

sometimes the way you people talk about Riverdale really makes me feel like you guys are anti-art lmao

[diarydiarydiaryblank]

i absolutely despise how common "intrusive thoughts" has become in people's vocabulary, when almost every time people use it incorrectly. i don't have extreme intrusive thoughts, but i definitely have them, and they are NOT fun or pleasant. they make me feel sick and horrible about myself, and it's worse because i can't FORCE them away.

i'm so tired of seeing mentally well people confusing impulsive thoughts with intrusive thoughts. and then when people talk about their REAL intrusive thoughts, suddenly you're a gross and evil person... please eat the curb.