#I had the og version on my bands tumblr I think

[mediumrarebigmac]

Completely forgot to post the version with tabs,

In honour of his retirement lol

[manzaza]

perirep with airpods promoting mY WHOLE REVIEW OF THE NEW WISH SOUNDTRACK BECAUSE OHHHHH MY GOD IT GOES SO SO SO HARD (under cut feel free to listen here (also on apple music + yt do in fact give it a listen please yay) !!)

theme song (all the singing songs)

— although i can never truly let go of the og the new theme song will always be a bop

— so upbeat, so happy !!!

new yorkity york

— hazel’s va is such an amazing singer PLEASE if there’s a season 2 give them a musical episode there are not enough musicl numbers

party possum’s friendship song

— better than the chuck e cheese one i heard in the theater earlier lollllllll

— the live band version ate i liked the difference

— unhinged version was so fun the nickelodeon drummer ate up

lovely love song

— still haven’t watched this episode (i was shopping when it aired oops)

— hazel was so silly idk what happens i just remember cupid being there (idk if he was in this at the end that might’ve been hazel’s dad)

i love fries

— HAZEL’S VA SLAYING AGAIN !!!!!

— banger song so real live laugh love fries

— cosmo + wanda contributed yay let them sing

time loops

— addiction,,,,, brainrot even,,,,,,,,,

— cosmo and wanda singing yayyy !!!

— the actual little yay at the end was so silly got a good chuckle

proud of my son — dubstep remix

— this was actually the funniest thing to watch i had this episode pulled up in a panera’s and i was just staring at it like “bro just took over the world for THIS”

— dev is ten so it does make sense

— almost

a new wish (yay background music !!)

— i love all the jazz in the ost just soooo so good

— reminds me of a sam and max kinda intro

— listening to this + the rest just makes me want a video game for ANW so so bad it would genuinely be so much fun to play (will genuinely plot out a tumblr post for this idea)

fly hazel

— banger warmup vibes in the intro

— love how some of the insteuments give like a fly-feeling gimmick (cause she’s a fly)

— little intro chord at the very end eats up

teacher’s pal

— might be one of my fav tracks

— nickeloxeon pianist and saxophonist are eating uppp

— 1:15 was so good

— nickelodeon symphony when

fearless

— somewhat out of place but still fits in with the show vibes

— very lurking

— fnaf 3 am jumpscare (idk i see more poppy playtime in this despite never watching or knowing anything about poppy playtime

— very cheerful kinda scary at the end (yay jasmine!!!)

wellingston hotel

— i rlly like hotel music play this at a marriott hotel NOW

— still haven’t seen this episode (i’m dying to watch it i need to see winn’s introoooo)

— sudden rich person music change

— love you nickelodeon saxophonist !!!!

dev dimmadome

— classic dev intro

— 0:54 is so cruel just label this project h whyyyyyyyy

— just sheer pain in the middle but then they remebered at the end “oh yeah he’s ten”

— it gets so intense at 1:30 broooooo

fairy heist

— i love spy music

— little dev-ness in the middle with the certain gimmick in his track (i might be crazy for this one but idk the “waeahwow” reminded me of something from his track + i think this was in the breaking into school scene idk)

prime meridian love

— literal anime ost

— eats with the dramatic intro

— it faintly reminds me of an ok ko track but just slightly at the beginning of some of the melodies idk might be crazy for this one too

peri and irep

— no way.

— actually no way.

— ship interacts once and they get their own song.

— the twist at the beginning of the track was so hype like the beat is just constantly at odds during this song (and because i’m just like that i have the track times put down too when they swap)

— to not make this any longer the noticeable parts after their intros are like 0:50–1:02 is peri-sounding and then 1:03–1:18 is irep-sounding and from then on their themes are always at a clash with more differences spotted at the end

— will say i love irep’s part at 0:32 and 1:03 that’s so funnnn ahh

— the little villainous laugh at like 1:50 was silly

— the little theme at 3:00 ahhh !!!!!

— might be another fav……. yeah def another fav my airbuds says so

viozalea

— feels so medieval at first and i love it

— quick just like viozalea’s appearance (rip)

rattlleconda

— fire western theme

— still in character with the show the beat was firee

— the soft violin gahhh sheer joy

— intense pressure put on at the end ate

love and games

— rock paper scissors core

— me when rock paper scissors

— wait i actually never watched the valentines episode

— uhhhhhhh second half might be rock paper scissors

— BANGS

— love u Nickelodeon drummer

battle of wands (FINALE)

— shut up this is too glorious of a melody

— ok intense

— oh might’ve just hit one million wishes idk how this song is following the episode

— the chaos in the rhythm eats

— littlt theme at 2:30 aghhhh won

— peri lying dead right after again idk how the episode paces through songs i can spot little scenes here and there

— banged

— little clock beat ahh the happiness

— can’t even tell what happened but good finale

OVERALL i really enjoyed the soundtrack i love how it tries and takes you through the course of the episode and it’s so so fun!! almost feels like video game music sometimes which is so so good for them like YES drop a new wish video game it would be so good !!!!

[fruitybashir]

okay, gonna infodump about The Wiggles again for a second sorry this is so very long. (also sorry about the links not being clickable. I hope you can copy-paste them as tumblr didn't like linking them but I've also given you the title of each video if you want to look it up yourself. Also I hope they aren't region-locked.)

this is my fave song that I grew up with of theirs that I can so imagine Bojan singing to kids and also the music vid reminds me of Umazane Misli only cause they're like dancing in a studio and look like idiots which is great. This is one of their first songs/ music vids so they don't have their uniforms yet (they all get a specific colour that they wear and are identified with which really helps kids to go "I like the blue wiggle" or "I like the red wiggle").

(video title: Get Ready To Wiggle - Original Music Video, 1991 - The Wiggles)

https://www.youtube.com/watch?v=-JItfH1PZAs

For the audience participation idea you mentioned like UM karaoke, The Wiggles actually did do this!! one of the members (named Jeff) had it as a character thing he was always sleepy/tired so he would 'fall asleep' during their shows and they would have to get all the kids to scream "Wake up Jeff!" to wake him up. They did it cause Jeff was I think the shyest out of them and they wanted to give him a way to interact with the kids more. Here's this interview where he talks about it a bit and the band in general that's just really good/sweet and shows the band more and Jeff specifically.

(video title: Why purple Wiggle Jeff Fatt handed over the reins | Throwback)

https://www.youtube.com/watch?v=mJNWA_aBVHY

this is their most iconic song called Fruit Salad which like everyone knows at least some of and you have to watch to get the idea of their music.

https://www.youtube.com/watch?v=LYYGD56CxTw

and just as another thing of how iconic they are one of our big radio stations here is called Tripple J and they have a thing called Like a Version where people come and do live covers of songs. They have some really big and famous musicians do it and the covers are often really good.

Anyway The Wiggles have changed and added members a few times by now but they did have at least 3 og members (plus some new peeps) do a cover of a Tame Impala song and they incorporated Fruit Salad into the song which was just so iconic of them

(video title: The Wiggles cover Tame Impala 'Elephant' for Like A Version)

https://www.youtube.com/watch?v=a13WnqsRc5g

(that radio station also has a song contest thing called The Hottest 100 every year where everyone votes for their fave song. I believe that cover did really really well, like it either won or was in the top 10)

there's so much info about them if you're interested but something I think is really cute is they're called The Wiggles because "that's how children dance".

anyway their wikipedia page is good if you wanna read about their history and stuff in more detail. I think it's interesting.

https://en.wikipedia.org/wiki/The_Wiggles

anyway sorry for the super long post/rant/thing about something very random but they're a really important group here and they mean so much to me and many others and the idea of Bojan in your fic just fits so well with them. once again sorry for the wall of text/infodump but I hope you find it interesting maybe!

(also I love your fic a lot and daycare dad Bojan has wormed his way into my heart which is why I got so excited to talk about The Wiggles)

omg i loooove this little-not-so-little infodump <3333 i dont really have anything clever to add bc im with company so my thoughts keep getting interrupted by someone talking to me but OFC i know fruit salad and also that audience participation thing sounds so funny and cute fr 🥺🥺💖

i kinda fucked myself over with making bojan work in daycare in this fic bc now i cant stop thinking about himmmm goddd. maybe i DO have to write a short bonus scene of the band performing for the kids. or something. anything. i need more bojan with kids 😩💖💖💖💖

[madfoxx]

tv recommendation: “Uncle”

Guys, if youre bored and looking for a new show to watch while all our favorites are on hiatus, I recommend the british tv series “Uncle”. Its a surprinsingly good story about a selfish, immature musician in his 30s, who basically feels his life is not worth living because he´s a failure and his girlfriend has left him, but then he bonds with his 12 year old nephew and they become best friends and write music and do stupid shit together and generally make each others lives better. Eventually the protagonist learns to be responsible and (kinda) selfless and they have this sort of found family vibe with a lot of amazing side-characters. Its pretty typical (dark) british humour, but it has a lot of amazing actors in it and the storylines are sometimes stupid and funny and sometimes really touching and emotional. There are musical numbers and it sort of feels like a genderswapped, british version of “Crazy Ex Girlfriend” crossed with “About a Boy”. There are 3 seasons in total (about 6 episodes each), so its pretty manageable and you dont have to worry that they jump the shark.

I also think that the cameos and side characters are really gonna make a lot of people on tumblr happy.

exhibit a:

Con O´Neill (aka “Izzy Hands” from “Our Flag Means Death”) as Val, an amazing character that I have fallen deeply in love with. They are the single parent of the protagonists ex-girlfriend and own a gay stripclub. Val is wise, beautiful and absoluetly ready to kick ass and take names if anyone threatens their family or friends. They are a part of the regular ensemble and (reluctantly) join the protagonists found family.

Brett Goldstein (aka “Roy Kent” in “Ted Lasso”) as Casper. Casper is pretty much Roy Kent. He´s a cool base player who also happens to be the new boyfriend of the protagonists ex-girlfriend, which is why they hate each other in the beginning. He pretends to be an asshole, but is actually a sweetheart and a great boyfriend and is also involuntarily sucked into the found family trope.

Kayvan Novak (aka “Nandor the Relentless” from “What We Do In The Shadows”) He only appears in one episode, but I´m always so happy to see him that I had to include him on the list. He plays Mo Khan, an asshole producer in the Music Industry who wants to sign on the protagonists nephew, therefore heartlessly ripping apart the family band. He´s a horrible person and love him.

Nick Mohammed (aka “Nathan” from “Ted Lasso”) He´s not a regular but appears a couple of times as the owner of a carpet store. He´s like Nate before he turned to the dark side - really sweet and generous. Its a healing experience to see that innocent smile again, almost makes you forget that harrowing TL finale.

---

There are many more awesome cameos (May Martin, Gemma Whelan, Jamie Demetriou, Amanda Abbington, Dylan Moran etc) but since most of them only appear for one episode each, I´m not going to make this post any longer than necessary. The rest of the main cast is awesome and talented as well, I simply havent included them because they are not tumblr-famous (yet), but I pretty much love all characters in this show. No-one is 2-dimensional or boring, everyone has their problems and their own history to deal with.

Basically, I just wanted to inform you all that this show exists and I would recommend watching it - if the particular style is to your liking. There are funny moments and dark moments but overall the themes of growth and friendship are really nice and surprisingly earnest. Its not something for the history books and the og music is (in my opinion) not quite as good as in “Crazy Ex Girlfriend” but I would say its a hidden gem that more people should know about.

[bbodysnatchers]

Tbh if you actually like answering early fandom questions I have like a million (btw it’s me again from the last 2)

You mentioned before that you were kind of out of the fandom by Danger Days but do you remember what the reaction was when Gerard talked about drinking again?

Did many og fans stick around or did they really turn on the band? Like I know you said bullets ppl hated revenge but did it grow on them eventually?

What did ppl think when Gerard and Lynz married???? That one I really want to know bc when I was newer in the fandom everyone kissed her ass like crazy and it seems like ppl have only recently realized she and msi aren’t the greatest.

Ok! Hey!!!! I kind of love you for all of these btw. this is gonna be LONG. SO yes, I was totally out of fandom at that point. However, I do follow a few blogs and I remember when the article was posted where he talked about his struggle with an ED and starting to drink again during DD. Personally, I was kind of. In shock? I didn't realize how much he was struggling at the end of it tbh. I think it also took a lot of older fans out a little bit too. It kind of made him a tangible human being rather than this formative icon we idolized. Saying that sounds awful. But at the beginning, because there was no social media, we had NO idea what the guys were actually like irl. They were human, obviously, but they were people we had put on a pedestal and we could project onto them, y'know? We had interviews and such, but the first glimpse we got into ~the real them~ was LOTMS, which was a highly edited version of the truth that fell into the stereotypes we kind of built. It glossed over Gerards addiction pretty rapidly. Reading his struggle at the end of MCR and DD broke my heart. This band did SO much for me, and a lot of us, but we never took into account how much it was taking from them or Gerard. That's all I can really say about it? Like I said, I wasn't in the fandom. So this was mostly my perspective. No one turned on the band. I think we just kind of grew up and started experiencing new things. Our interests change and merge as we get older. Some things I got from being an MCR fan stuck with me forever - i.e, my love of horror films and graphic novels, as well as my forever love of the guys. But the music wasn't what I needed anymore, yknow? I have diagnosed avoidant personality disorder, and severe depression as a result. My Chem helped me feel seen when I felt totally fucking invisible. It helped me form lasting friendships. I'm still friends with people I met in line to their shows in 2005, and on myspace. As I turned 19-20, my sadness started feeling more melancholy rather than anger. I listened to a lot of The National around then, and started getting seriously invested in film as a way of escapism. In regards to people hating revenge - I think a lot of people either left or stuck around for good. You can go back on old lj entries on the chemicalromance comm and read peoples reaction to Revenge songs. They hated how manufactured it sounded, hated how clean Gerards vocals were, HATED I'm Not Ok - thought it was too commercial for what they were prior. As someone who got into the via Revenge, it actually took some time to get used to the sound of Bullets! ALRIGHT. Ok. GERARD MARRYING LINDSEY. I wish I could figure out how to add a cut to tumblr now but IDK OK.  SOOO. Some background that y’all know but is needed for context. Gerard was in a LONG TERM relationship for YEARS with someone named Kat. No one has ever EVER seen her. Gerard only talked about having a girlfriend, thanked her in notes, and she is mentioned by some reporters sometimes (as goth looking). They break up. Gerard is ~technically~ single for like. a fuckin MONTH. then Eliza shit starts up (even tho she was alluding to being with him for fukin EVER). She fakes a pregnancy, they get engaged (around I Don’t Love You), shit was WILD. like BALLS TO THE WALL INSANE. I can go way way way more into this if y’all are interested just lemme know. THEY BREAK UP around the beginning of Pro Rev. Ok. OK. Within like. another fukin MONTH Gerard is seen MAKING OUT WITH LYNZ FROM FUCKIN MSI. They go to each others shows, seen holding hands ETC ETC. LIKE. THIS DUDE. This dude who had a LONG TERM GIRLFRIEND WE NEVER EVER SAW suddenly has had TWO PUBLIC RELATIONSHIPS IN THE SPAN OF NOT EVEN A YEAR.  also btw. We ALL thought he was gay, no fukin joke. Like I was saying earlier about not having any social media. We had an idea of what the guys were like from their stage personas and LOTMS. And like. Gerards Stage Persona is Loud. We thought Eliza mightve been a beard? Idk it was a weird time tbh.  BUT THEN THEN T H E N G AND L GET MARRIED????>>????? THEY HAD BEEN DATING A M ON TH. a MONTH. and they got fuckin MARRIED. The conspiracy theories, y’all, I can’t. IT WAS INSANE.  SO DUDE GETS ENGAGED TO SOMEONE, BREAKS UP, MAKES OUT WITH BASS PLAYER FROM MSI AND GETS MARRIED TO HER. ALL WITHIN T H R E E MONTHS.  goddamn.  So, ok. Last bit. Unfortunately the attitude towards language and WAS different back then. I know a lot of younger fans shit on older fans for saying so, but it WAS. It was totally different. MSI were seen as ~too cool, and their fans were pissed they went on tour with My Chem, etc. I wasn’t a fan, but I had seen them live a few times with a friend who was (not on Pro Rev). They just weren’t my thing and I hated Urines face. My friend who was actually a huge fan of BOTH msi and my chem separately was SHOCKED that G and Lindsey got together because their band and their vibes were so different. People mostly thought Lindsey was hot at the time but didn’t know anything about her, cuz again, no social media. Like, I cannot stress enough how much about these people we did not know. No one cared about their social lives or what they were like irl so we DIDN’T know how gross Urine and crew were. Like. A Huge factor as to why people were pissed and mad at Eliza was because she was making something Gerard obviously wanted to keep private into a public thing for attention and clout. Also, when he was being SO public with Lindsey it was shocking. Anyway I h8 msi. 

[flowerslut]

BREAKING DAWN Part 1 & Part 2

an updated, more modern take on the original soundtrack.

(TWILIGHT) (NEW MOON) (ECLIPSE)

spotify link — BD pt1 spotify link — BD pt2

[track list and commentary under the cut]

Part One

 Endtapes — The Joy Formidable  ➼ ➼ ➼ I Will Be Waiting — Let’s Eat Grandma

This soundtrack starts off so strongly that I had no choice but to pick one that can kick it off just as well. Let’s Eat Grandma might be my favorite band I’ve found this year. Their genre-bending is exquisite.

Love Will Take You — Angus & Julia Stone  ➼ ➼ ➼ Need Ur Luv (Japanese Wallpaper Remix) — Charli XCX

Talk to me a year ago and tell me I was going to be putting Charli on a Twilight soundtrack recreation and I would’ve stared blankly and asked “fucking how?” Well, with this incredible Japanese Wallpaper remix, that’s how.

It Will Rain — Bruno Mars ➼ ➼ ➼ In My Blood — Shawn Mendes 

And how do you replace baby Bruno? Well, only with today’s romantic power-balad singing baby, Shawn Mendes. It’s a perfect replacement, if you ask me.

Turning Page — Sleeping at Last  ➼ ➼ ➼ For Now - Reimagined — Kina Grannis

Any other 2009-era Kina Grannis stans? Message From Your Heart? All those YouTube covers? No, just me? Whatever. Kina belonged on those soundtracks back then, and this is setting things right.

From Now On — The Features  ➼ ➼ ➼ Cliffs Edge — Hayley Kiyoko

One of Hayley’s older songs, so it’s not too new, but I felt that is matched From Now On’s mood fantastically.

A Thousand Years — Christina Perri  ➼ ➼ ➼  human — Christina Perri

No, this isn’t cheating. But only Christina Perri can truly replace Christina Perri. It’s also a perfect pre-change Bella song. I’m sure you heard this song everywhere at the end of the saga when everyone took to YouTube to make their cathartic recap videos. 2012-13 was a great (but weird) year to be a Twilight stan.

Neighbors — Theophilus London ➼ ➼ ➼ FACE — BROCKHAMPTON

Whether you like BROCKHAMPTON or not means little to me. They were absolutely ending up on one of these soundtracks. And as replacement to Neighbors, it’s like they belong. “Tell me what you’re waiting for? I just want to love you.” Ouch. Harsh Jacob vibes.

I Didn’t Mean It — The Belle Brigade ➼ ➼ ➼ All out of Tears — Z Berg

Z Berg created a song that sounded like it was made for one of these soundtracks. It’s insane. And one of my fucking favorites.

Sister Rosetta — Noisettes  ➼ ➼ ➼ Digital Witness — St. Vincent

The Twilight soundtracks (and also Sufjan Stevens himself) are responsible for introducing me to St. Vincent. Now, years later, she’s consistently been one of my favorite artists. She has the range, y’all.

Northern Lights — Cider Sky  ➼ ➼ ➼ Pool — Paramore

Of course I was putting Paramore back on one of these lists, you crazies. (And this isn’t the last you’ll see of them, either.) 

Flightless Bird, American Mouth (Wedding Version) — Iron & Wine ➼ ➼ ➼ New America Classic — Vitamin String Quartet

There isn’t a wedding version of New American classic, but there is a Vitamin String Quartet version! (And no offense Iron & Wine, but it sounds so much more like an actual wedding song.) Any OG Twilight stans know that in this house, we love and cherish the Vitamin String Quartet. They were like our musical savior back in the day. Couldn’t find a decent quality soundtrack upload? No worries. Odds are, they’d already recorded an insane strings cover already.

Requiem on — Imperial Mammoth  ➼ ➼ ➼ Waste — Oh Wonder

I unashamedly adore this song by Oh Wonder. Their dual vocals always put me in a damn trance. It’s so beautiful to describe. Just listen.

Cold — Aqualung & Lucy Schwartz ➼ ➼ ➼ Willow (feat. Robert Pattinson) — Tindersticks

Told you I’d stick him back on the soundtracks eventually. This song is so hauntingly perfect. When I first heard it it reminded me why I was so in love with Robert back in the day. That voice, man. Talent leapt!

Lloverá — Mía Maestro  ➼ ➼ ➼ Silence II — Son Lux

It’s not as beautiful as the Carmen actress’ ballad, but it’s just as haunting.

Love Death Birth — Carter Burwell  ➼ ➼ ➼ Sæglópur — Sigur Rós

When I went through my Sigur Rós phase way back when (pre-Twilight) Sæglópur was my favorite song for ages. It takes you through the whole spectrum of emotion, just as Carter Burwell’s music does. I thought it was an ideal way to end this first half.

You still get bonus tracks! Here’s two for the first movie:

Otherside — Perfume Genius

Simple. Powerful. Emotional. All you need at this point in the saga.

Everything In Its Right Place — Radiohead 

A song that feels like waking up from a dream. Perfect for Bella’s dramatic change. (And of course I had to actually add Radiohead to one of these.)

Part Two

Where I Come From — Passion Pit  ➼ ➼ ➼ Manchester — Kishi Bashi

Bella deserves to see the world for the first time with vampire eyes while Kishi Bashi magically transforms the scene in the background. It’s *chef’s kiss* literal perfection. 

Bittersweet — Ellie Goulding  ➼ ➼ ➼ Warrior — AURORA

Can I go off topic for half a second and tell you guys that I cried when I saw AURORA featured on the new Frozen song? No one deserves that wide recognition as much as she does. And no one does mystical pop better than AURORA (not even Ellie Goulding).

The Forgotten — Green Day ➼ ➼ ➼ Warm Winds (feat. Isaiah Rashad) — SZA

SZA deserves this spot and don’t even question why. SZA’s first album was so iconically emo. She’s another artist I’m convinced would’ve been reached out to for a track if she’d been making music just a little bit earlier.

Fire In The Water — Feist ➼ ➼ ➼ Carry Me Out — Mitski

Even though I’ve been a Feist fan since I got my first vocal comparison to her pre-Twilight (so I was ecstatic when she was featured here) I think Mitski really encapsulates everything a Twilight soundtrack needs.

Everything and Nothing — The Boom Circuits ➼ ➼ ➼ Highspeeds — Elliot Moss

I can’t not give Elliot Moss a spot. And that's it.

The Antidote — St. Vincent  ➼ ➼ ➼ Unholy Trinity — Von Grey

I needed a harder song for this replacement and Von Grey’s music does the trick. This is the band of an old Tumblr friend that goes fucking hard, y’all. She and her sisters know how to bang out the tunes.

Speak Up — POP ETC  ➼ ➼ ➼ Reasons Not To Die (Demo) — Ryn Weaver

This girl just knows how to fucking get me. Her second and final appearance on the soundtrack, here to just make you want to laugh and cry all at once. And as a replacement to another top favorite, it works well.

Heart of Stone — Iko  ➼ ➼ ➼ Smother — Daughter

Heart of Stone actually made my end of year top tracks playlist for 2018. I knew I needed a solid replacement. And you can never go wrong with a Daughter track.

Cover Your Tracks — A Boy and His Kite  ➼ ➼ ➼ In The Mourning — Paramore

We bid farewell to Paramore with their final appearance here. In The Mourning is another long-time favorite. It’s beautiful. And sad! We love it.

Ghosts — James Vincent McMorrow  ➼ ➼ ➼ Weight — Crywolf

You need that late Breaking Dawn depressing shit? I got you that late Breaking Dawn depressing shit. “Bless me with just one kiss before you leave me here with my heart.”

All I've Ever Needed — Paul McDonald & Nikki Reed ➼ ➼ ➼ Beetroot (What If I Was 1?) — Blue Americans

I can’t describe how double-sad I get when I remember that Paul McDonald & Nikki Reed divorced not long after the saga wrapped. (Not that I ever had an attachment to him, but this song is so nice!) So that’s why Beetroot is a little sadder than All I’ve Ever Needed. Still a great song though.

New for You — Reeve Carney ➼ ➼ ➼ Black Hole — HANA 

Black Hole is a little more pop than New For You. But it’s beautiful and nice and lovely and I am also In Love with HANA. So you get her here.

A Thousand Years (Part 2) — Christina Perri (feat. Steve Kazee) ➼ ➼ ➼ I Get To Love You — Ruelle 

Had had had to put this incredible, romantic, hopeful song at the end of this soundtrack specifically. Just listen and tell me you don’t get emotional over their future with this.

Plus Que Ma Propre Vie (More Than My Own Life) — Carter Burwell ➼ ➼ ➼ Half Life - Instrumental Version — Imogen Heap

How are you supposed to pick a song to end the soundtracks? Thankfully, Imogen Heap had the foresight to release instrumental versions of each song on her Ellipse album. Such a thoughtful queen. We thank her by giving her the final word. 

What’s this? No more? It’s okay. You do get bonus tracks, but not here.

I’ll be posting one more soundtrack, full of all the extras and little gems that I couldn’t quite place in any specific spot on the soundtracks. A whole other playlist full of Twilight-vibey songs for your listening enjoyment! Look out for that next week. Happy New Year!

[zeleniafic]

Tagged by @starsandstormyseas tysm!! <3

Tagging @lorettastwilight @a-song-of-quill-and-feather @margothedestroyerr if y’all wanna do it :)

Rules: Answer 30 questions and tag 20 blogs you are contractually obligated to know better that you would love to get to know better. (I definitely don’t know that many people) <--- lmfao same

Name/Nickname: never have i ever had a nickname but my Real Name (tm) is Callie

Gender: female

Star sign: taurus

Height: 5'0”

Time: 6:43 PM

Birthday: may 5th which is fun bc. as my boss pointed out. i can NEVER go out on my birthday (lol not a problem) w/o ppl thinking i’m one of those weird white ppl getting smashed on cinco de mayo

Favorite Bands: bastille, måneskin, florence + the machine, paramore, pvris, the crane wives, sleeping at last, the civil wars, uhhh a lot more tbh

Favorite Solo artists: hozier, matt maeson, au/ra, taylor swift, hayley williams, holly humberstone, maggie rogers, and i’m just gonna make myself stop here

Song stuck in my head: therefore i am by billie eilish which is a BOP

Last movie: profumo de venezhia aka the shortest but most depressing fucking war movie you could ever watch (despite showing no blood at all) EVEN IF you don’t know italian. it’s sO SAD

Last Show: the mandalorian but three weeks behind lmao rip

When did I create this blog: February 2020 but the sideblog version was around at least a year ish longer

What do I post: oc fics and oc content. in theory.

Last thing I googled: “euphonium”

Other blogs: ahhahahah oh god. @rexulusblack is my OG tumblr started as a young teen which hasn’t been posted on since the queue ran out years ago. @rxchelamber is my mostly defunct gaming sideblog. @crownedsiren is technically my main bc i used to have a fanfic blog just on the side until i got fed up with not being able to send asks lol. also @andromaqves was made earlier this year when i couldn’t stop spamming old guard posts on this blog bc i could NOTTT shut up about that movie. every now and then it possesses me again so those posts go there LMFAO i’m unhinged i know. i’ve been on this website for tooooooo many years by now

Do I get asks: occasionally???

Why I chose my url: my ffn username is SilverZelenia so... that. that’s why.

Following: 53 which is hilarious bc all other blogs have wayyyy higher like my og had thousands lmfao

Followers: 54

Average hours of sleep: like... 5 on avg probably. kill me.

Lucky number: don’t have one but odd numbers can choke. evens only thanks

Instruments: like 2% of violin. someday.... SOMEDAY

What am I wearing: fuzzy pajamas bc my house has no heating

Dream job: i simply do not dream of labor HOWEVER i do want to do science. study animals in the arctic. map the ocean floor. restore documents in a museum. fuckin idk man i want to EXPLORE this world rather than toil for minimum wage until i die

Dream trip: ICELAND as it has been for the better part of a decade

Favorite food: pasta. brownies. potatoes.

Nationality: unfortunately, american

Favorite song: just ONE?! fuck okay. the hand that feeds by the crane wives which is the ultimate fuck capitalism anthem and has one specific line which is my favorite thing ever written - ”he taught me that the hand that feeds, deserves to be bitten when it beats” especially THE WAY SHE GROWLS IT ugggh

Last book read: Sentieri aka. my italian textbook

Top three fictional universes I’d like to live in: harry potter first bc The Nostalgia, narnia second bc i would simply tell lion jesus to fuck off and let susan AND her lipstick into furry heaven, and then tolkien third... but like hopefully in the sweet spot btwn wars

[rogueninja]

Okay so we all know who your top ships are... who are your unpopular ships? Or obscure ships? What characters from what series do you think about often in either good or bad ways? Who is a character that you hate that others love? If you could rewrite a story or part of a book, what would it be and what would you do differently?

Ok I am digging through my brain right now bc if I’m not able to hyperfixate on something then I tend to forget I even liked it. Ok buckle in bc this is gonna be long af. YOU ASKED FOR THIS, REG.

I’m putting a readmore so as not to torture my followers lol

Thinking about Veronica Mars. About Veronica/Logan. Do they have a ship name?? But I love that show and i was THERE for them. They were kind of a surprise ship for me, in that when they got together I was like, wait, WHAT? Like I was totally caught off guard. But there first kiss is, like, sooo romantic to me haha. It’s my fave scene in the show. But Logan is suck a prick sometimes. And they break up like every five minutes. And every season Logan gets accused of murder which of course he ends up not being the murderer. And they get back together eventually and I’m like really? But deep down I am rooting for them lol. I really enjoyed the new season of Veronica Mars that came out last year, actually. The ending made me SO SAD THO.

I also used to watch Supergirl and I thought Kara and Mon-El were adorable. He was very Carswell Thorne-esque, RH, I *think* you would like him. I never watched past season 3(?) though, and he shoots off into space and I never caught up so a few months ago I actually googled what happens and [spoiler] he ends up marrying someone else in the future or something so I was like, ok I’m not investing any more time in this show lol. (Also I had to google Mon-El’s name just now bc i forgot which is a bad look BUT I WAS REALLY RIDE OR DIE FOR THEM FOR A WHILE lol). Also I loved Martian Manhunter in this show, he was my favorite character. But the CGI for him was awful, omg. He had practical makeup at first, they should have just stuck with that.

Speaking of Martian Manhunter, I also used to watch Young Justice and loved Miss Martian/Superboy. Am I basic??? lol oop. But I love basic love stories. Anyway, I thought they were super cute. In season 3 though they’re kind of on the rocks. I haven’t watched season 4. I also loved Artemis/Wally West, but of course that had to end tragically.

Also, let’s talk about Nightcrawler. Allow me to set the scene. Little Kat is 13 and just rediscovered the cartoon she saw a few times as a kid called X-Men: Evolution. And thus, a weird obsession with the German, blue demon boy began. I loved Kurt Wagner. In the cartoon he starts a relationship with Amanda Sefton and I thought they were a-dor-a-ble. She accepted him for who he was, and they had a really nice healthy relationship. A lot of ppl shipped him with Kitty too which i am honestly all for idec I JUST WANT THE BLUE BOI TO BE HAPPY.

Can we talk about A:TLA too??? Like, obviously Zutara, amiright? Power couple. Like, Kataang is.. fine, but its probably my least favorite part about the ending, haha. Also, consider: Tokka. Toph is bae and can get anyone she wants, and she clearly had kind of a crush on Sokka and I think they could have been awesome. It actually kills me that they never say who Lin and Suyin’s father is in LoK. I had a whole theory that it was that kid The Duke from Jet’s band based on like 2 scenes from the series. There’s a tumblr post I made about it somewhere in the ether lol.

I also just remembered Tahnorra (Tahno/Korra) from Legend of Korra. It’s hard for me to explain this one. It’s a weird combination of being hyperfixated on the first season of the show when it came out, and I think I stumbled upon some fic or something???? And I thought Tahno was hot or something??? And FUN FACT, he was voice by Rami Malek BEFORE HE WAS COOL. So like before Rami really got big I knew who he was. He also basically played the Avatar in Twilight: Breaking Dawn Part 2 and I thought that connection was hilarious. It was kind of a problematic crack pairing but there was one author in particular whom i follow to this day hoping she’ll update her Tahnorra fics…. *sigh*

Okay one last ship…. I used to be ride or die for Outlaw Queen in Once Upon a Time (aka Regina/Robin Hood). Like, before TLC, I had a personal tumblr renaissance for that ship alone. My only existing published fanfic is for that ship. Taylor Swift’s 1989 came out that year and I related every dang song to that ship. I loved Regina so much and I just wanted her to be happy. That show is a dumpster fire, though, and spat all over my hopes and dreams. *sigh*

Also, lightning round for obscure pairings I ship and/or never talk about:

Frank Castle/Karen Page (The Punisher) ok this one isnt that obscure but I never talk about it… but the pining, oh god the pining

Jaime Lannister/Brienne of Tarth (GoT) THEIR 5 SECONDS TOGETHER ARE THE ONLY WORTHY PART OF SEASON 8. everything after that never happened

I already listed Roy Mustang/Riza Hawkeye (FMAB) as a top pairing previously but I feel the need to mention it again bc it was for real my OG OTP… LIKE U WANNA TALK ABOUT PINING…. *sobs*

Percy/Annabeth (Percy Jackson and the Olympians) This used to be my fave book series and i loved how their relationship developed over the course of the books

Neville Longbottom/Luna Lovegood (Harry Potter) ok can we TALK ABOUT THIS??? They were both badass misfits and they were perfect for each other. But noooo JKR has to announce they marry some nobodies…. this is the only change the last movie did right

Midna/Link (Zelda: Twilight Princess) I honestly have no explanation for this lol

Qui-gon Jinn and Shmi (Star Wars) CAN U IMAGINE if anakin had a proper father figure and didnt have to abandon his mother to slavery

Obi-wan/Satine…. (Star Wars: The clone Wars) we know whats up

OK, to answer some of your other questions: character I hate that others love. HMMMM…….

This one seems too easy/obvious but Professor Snape? Like obviously there’s already a ton of discourse surrounding this but he was gross, mistreated his students for years, committed atrocities, couldn’t get over his high school crush, and we’re supposed to believe he’s a hero in the end and HARRY WOULD NAME HIS SON AFTER HIM….. uh no. “Always” is gross.

I’ve literally been wracking my brain for days and I can’t think of any more characters for this. OK I did some googling and I remembered some LOL.

Ross from friends…. I literally can’t stand him. He’s so entitled and just the worst. He tries to act like he’s the nice, sensitive guy, but really he is so full of himself. Joey on the other hand is portrayed as a womanizer but is actually super sweet and I love him

Archie from Riverdale… I have only seen the first 1.5 seasons ish but he is the worst…. we’re supposed to believe he’s some easygoing musically gifted football player but instead he manages to pull off being bland as heck and actually kind of a terrible garbage person

Nick from chilling adventures of Sabrina. I hate characters that are like hitting on the main character even though she has a bf and are like dark and broody and sexy blah blah blah…. I liked Harvey way better. I never finished season 2 tho

Emma Swan from Once Upon a Time? Idk she was fine she just got old after a while

If you could rewrite a story or part of a book, what would it be and what would you do differently?

HM. First, Harry would name his son Remus Rebeus Potter LOL. Ok but real talk there was a headcanon floating around forever ago that Harry should have become a professor at Hogwarts instead of an auror and I am 100% on board

Ok, ok….. what abouuuttt…… OK, is star wars when Han and Leia get together. I like them as a couple, but the entire first half of the movie Han is being such an ass. And when they kiss the first time, he’s being SOOO creepy. It’s like so quintessentially 80s romance. and HERE’S THE THING. They actually filmed (or maybe just wrote?) a version of that scene that WASNT CREEPY. And i’m like WHY DIDNT YOU USE THAT?!? So I like to pretend that’s the version that actually happened.

This part is way harder than the shipping portion. If I think of anything else i’l dm you. I HOPE YOU ENJOY READING THIS NOVEL LENGTH POST OF ME RAMBLING ABOUT MY FIXATIONS OVER THE LAST 10 YEARS. If anyone actually read this far, you deserve a cup of hot chocolate and a blanket

[yououghtaknow]

5, 29 and 30? Also, I read all four seasons of Skam Brighton over quarantine and it was fantastic! The changed storylines were so refreshing and I’m so excited for season 5 💛

hi!!!!! thank you so much for asking and thank you so much for reading <3.

29. which version (og + adapts) does yours most closely resemble?

hmm. well i would say skam austin, definitely, as a western english speaking remake. also with the dance team/theatre club vibes and the music aspect. also skam españa, definitely, with the centring of the girls' stories and just the beautiful friendship tone of it all, which is what i really wanted to get across. also some druck in there, with the realism and fixing the trans wrongs they did. and alistair fletcher has the drama of skam france, just as a character. what do these remakes all have in common? canon wlw. which was the main thing i wanted to write in this remake. skambr has 11 canon named wlw characters who have all played major-to-minor roles in the plot of each season, with 5 of them being members of the girl squad and three of them being mains and having wildly different experiences with their attraction to women because you can’t sum up the lgbt experience with just one person.

30. free choice! just give us some fun facts about it!

fun fact: i have never physically been in brighton. i would like to be one day, but i will most likely not get there before the series finishes.

second fun fact: i was originally planning to write a skam remake set in derry, northern ireland before i wrote skam brighton. that idea has morphed into something else that i plan to write, but it is a fun fact!!

and now. the big one.

5. what are some iconic soundtrack moments?

here we go lads, seasons 3 and 4, like promised.

season three

tw for discussion of mental illness and suicide, drug abuse and violence throughout.

trailer

WE START OFF!!!! WITH A BANGER!!! "tainted love" by soft cell. it’s an iconic 80s banger that we all know and love, about a toxic relationship, and we see a type of favourite character that is niche to me (the guy with perfectionism/parental issues who did some fucked up stuff in a piece of media who not a lot of people like). it’s jake baby. it’s about him living his life and being like “i feel like i have to run away from all of this” (a sentiment which shall be echoed later on). and jake with all of his different masks…….. i was ahead of my time.

episode one

we open with “say amen (saturday night)” by panic! at the disco which is. kind of yikes now, but the song does have the vibes i desired for the opening scene. a party-esque banger. lyrics like “i pray for the wicked on the weekend / mama, can i get another amen?” for the catholic imagery and mommy issues. also panic! is known throughout history to be an lgbt band. 

then we get “get out of my head” by redlight”, just for the mental illness of it all. also it has been said that i do love a good party song with deeply depressing lyrics about the main playing in the background <3. 

and then we get me ripping off druck with “idontwannabeyouanymore” by the theorist playing because i just wanted to use a piano cover of the song because silence with just instrumental is just very dynamic and mentally ill. 

and then we meet eleanor with “insane” by sonny fodera and biscits, which is basically just the lyrics “girl you make me go insane” because. well. you hate to see it folks, but we gotta foreshadow the internalised ableism and the hating one woman as a treat.

and to close off a very music filled first clip, we got “drive” by halsey, a staple of tumblr culture back in the day because it is just like “all we do is think about the feelings that we hide”. literally when you are gay and alone and are just so desperate for someone to see you but also so deeply afraid of it because that means change coming <3 

AND THEN!!!! we meet the love of my life ms christine love as she hums “express yourself” by madonna as she cleans the house. i wanted to give christine a lot of 80s music in her scenes, to show that she’s living in the past in regards to jake’s dad. also it’s just a good song, “you gotta make him express how he feels” is me writing any of the characters having dialogue.

AND THEN BABY!!!!!!!!!!! we get a moment i love so deeply. “mama who bore me/reprise” by the sweet signatures. an all female acapella cover of the iconic spring awakening song. this song has everything - heavy metaphor about sex, wanting your mum to tell you shit, catholic imagery, teen angst, amazing belting. we get the slow part as jake is alone and just trying to work out how to help his mum, and then get the ANGRY BANGER as jake goes out to play with his dogs to get his frustrations out, because at the end of the say, all of these characters are still kids <3

then we get “young (club mix) by jaded because i just wanted kind of boring straight party music for the bryan and rory scene. 

BECAUSE THEN LGBT COMMUNITY!!!!! we get jake’s dramatic walk down the hallway as “somebody to love” by queen plays. it’s about the catholicism, it’s about the being gay, it’s about the being so fucking lonely and just wanting somebody!!!!! also the parallel between jake’s lonely scene with “somebody” playing and liz’s crowded scene with “nobody” playing…. it’s about mentally ill people being different but also the same <3

AND. NOW. THE MOMENT I’VE BEEN WAITING FOR. we meet Him. the most valid theatre kid rep in the world. mr alistair thomas fletcher, who enters our lives singing “shallow” from a star is born under his breath as he washing his hands. once again, i’m ahead of my time. but also the first lines al sings are, metaphorically, him talking to jake. like “aren’t you tried trying to fill that void / or do you need more”. and then we begin a piece of foreshadowing most pleasing to me. alistair in season 3 and the recurring motif of falling, which will climax at the end of episode 10. also foreshadowing of his experiences with bipolar disorder with “in all the good times i find myself longing for change / and in the bad times i fear myself”. and we also begin the motif of jake interrupting al’s singing. 

(you may be thinking, isaac tumblr user nickhealy, you’re putting a lot of thought into this. that’s because out of all of the characters, al’s the one who never really expresses himself with his words or actions - he usually expresses himself primarily through music, which is a very fun and autistic thing of me to write.)

(also, the og episode 1 bench scene did make me feel very. not good as a gay trans guy, with all the talk of penises and such. it’s just very sexy of me to change it to al talking loudly about ballet and elton john. and then we get jake up on the balcony and al down yelling up at him. because i have literally never referenced anything subtly in my life)

and we end with “how does it feel” by m-22. like: “how does it feel when your walls fall down /  how does it feel when you're lost and found / how does it feel / it's the sweetest sound”. like it’s about jake meeting al, king of not being Good At Social, fletcher, and instantly being like “yes, husband material, thank you”.

episode two

(yes, this episode is titled after the gay hsm song. yes i’m a genius)

we open, as all good things do, with a fun homoerotic punk song with catholic imagery “east jesus nowhere” by green day. it’s just jake being like “i am Trying to find the instagram of a cute guy outside of church, love being a sinner”.

and now we see the beginnings of Sad Boy Jake, with “it’s ok, i wouldn’t remember me either” by crywank. we got “i am looking for an easy place / to mask my thoughts behind my face” and “i can hide from friends but i cannot hide from you” because he’s gay and he has depression. 

AND THEN!!!! we get “i like you” by dandelion hands playing as he comments supportive things on the youtube video of al….. literally jacob love will see a pretty boy one time and be like “last time i had you i should have kissed you”. also his alternate name being jack valentine…. valentine and love ugh my brain is so big

AND THEN!!!!!!! slow mo time, with “bite” by troye sivan…… a gay classic, if i do say so. like it’s about jake seeing al casually walk past, being all prententious and out, and jake’s just like “please set me free and let me walk beside you” because of the gay experience of simutaneously wanting to be a person and kiss them.

and then we get “the daisy chain” by the growlers. “feeling pressure on every side” and “tired of waiting to be explained / weakest link in the daisy chain”. it’s just the vibes babe.

AND THEN!!!!!!!!!!!!! a brilliant moment in my bare a pop opera stanning career - we get jake watching a bootleg of bare 2004 as “role of a lifetime” from the show plays. literally one of the most gorgeous songs ever written, sung by matt doyle. like everything is an act when you’re pleasing everyone - which could be the tagline of skam brighton as a whole. also jake watching “see me” and beginning to tear up because he’s afraid to come out to his mother and get the same negative reaction….. and him watching “cross” and sobbing because he relates to jason so much and feels like he would also be better off dead than gay….. 

BUT AFTER THAT!!! we smash cut to al as jeremy in be more chill, singing the beginning of “more than survive”. absolute king shit!!!!! also, i don’t remember if it’s mentioned in canon, but eleanor is the person who plays the squip in this production of bmc, because i am not!! subtle!! with!! my!! metaphors!! 

and we return to sad boy jacob with “swear to god the devil made me do it” by the front bottoms, chosen because references to the devil and mommy issues <3

AND THEN!!!! A MOMENT OF GREAT FORESHADOWING!!! we get mister alistair fletcher practising alone in a theatre because he is dramatic, and jake walking in as he sings “broadway here i come” from smash. we got references to saints, we got hints at al’s anxiety, we got the falling motif coming back in a song explicitly about jumping off of a building, that also doubles as a song about wanting to do theatre….. also, al plays the last note wrong as a metaphor for al’s plan of suicide going well until the very end, where he ends up alive and goes home.

(side note, we also got the football team’s jackets and signature colours being black and white (straight pride flag colours babey) and then we see al in bright yellow. it also represents jake’s depression and al’s mania, the everything and the nothing of it all.)

AND THEN!!!! we get manic (in the most literal sense of the word) pixie dream boy al asking jake to dance with him to “movement” by hozier because. it’s literally just such a beautiful song. and jake is just watching al dance like “hm. no thoughts head empty just pretty boy”. also the scene itself is a reference to wicked, with jake doing an awkward and stilted dance and al taking it and turning it into something graceful (the glinda and elphie scene in dancing through life)

and then we get the return of blue neighbourhood with “youth” by troye sivan playing over a smoking montage with the boys, because they’re young, they’re gay, they’re vibing

AND THEN!!!! we get “talk” by hozier playing as the episode ends - a song that of course references orpheus and eurydice, as al also did in this clip with hadestown. it also plays over ellie talking because jake is just Ignoring her to pay attention to al. also the inherent homoeroticism of making eye contact while hozier plays

episode three

we open with “highway to hell” by ac/dc over a fun football montage of jake both playing the game and getting bored and checking out guys. it’s about the thinking he’s gonna go to hell for doing it but he literally Cannot Stop

AND THEN!!!!!! a moment. we get a performance of some of “all you wanna do” from six by al and ellie and their theatre kid friends as they rehearse for something at lunch and jake, bryan and rory watch them. ellie’s doing the whole flirty k howard thing, and not actually getting into the real feeling of the song, and the guy she’s dancing with it awkward as all fuck because he’s her cousin. so we get al stepping in and fucking going the fuck off. and we see how good of an actor al really is in this scene, as he’s legit scary. we also see ellie clearly having feelings towards al and him just being like “yep good acting! moving on!!!” because no thoughts just dance. also bryan and rory not understanding that the song is about assault and jake being genuinely concerned….. and then al and ellie’s kiss at the end as ellie “dies”..... god the real reason this show isn’t made is because i would be too powerful if i could make everyone see my theatre kid mischief.

AND ANOTHER MOMENT!!!! we get “like a prayer” by madonna playing as jake is living his life and taking some “am i gay” quizzes - the questions of which are comprised of actual am i gay quizzes i took to make the scene as legit as possible, and as a gay trans person. Did Not Like. Would Not Recommend. also jake admitting he’s gay to the quiz because he’s pissed about the concept of misgendering al….. also jake forcing himself to pick the straight options even though it’s emotionally hurting him…. and then we hear christine singing in the hallway “everyone must stand alone” because it’s jake pov at the time…..

AND SMASH CUT TO!!! fall out boy’s cover of “i wanna dance with somebody”, because at the last very gay house party “i wanna dance with somebody” played and i love a good parallel

AND THEN!!!!!! literally the hottest of all hot boy summer things, we get al and esther doing some karaoke at the house party with “don’t you want me” by the human league. (which, yes, is a glee reference.) THE LITERAL COURAGE OF THIS MAN!!!! alistair fletcher looked a closeted guy, who he has had three (3) interactions with in person, dead in the eye and was like “i know you want me”. as opposed to esther “just be her friend first and then see about anything else” montner and james “I Will Never Speak To You Again If You So Wish” cohen.

and then, because of course i did, we get “bad romance” by lady gaga playing over the next scene with the beginnings of the boy squad because it’s a gay house party and it’s a fucking banger for the ages

(also just the shift from al hot boy summer fletcher to al gay disaster fletcher with him running literally out of the house because he kissed a guy.)

“left handed kisses” by andrew bird and fiona apple plays after jake and al’s deep conversation outside. like jake’s really out here like “i don't believe everything happens for a reason” and “i don't go in for your star-crossed lovers / in the heart of a skeptic / there's a question that still hovers near” because al info dumped about his love for adaptation of romeo and juliet…. (side note, al is definitely an & juliet stan, as everyone should be, stream & juliet <3)

episode four

we open with a song i discovered when i was in a community theatre rip off version of cats, “the show” by lenka. it’s about a song about indecision in the middle of a church before confession, because jake can’t actually confess to the sins he believes to be true. it’s about the “'cause it's too much, yeah it's a lot to be something i'm not”.

And then we fade to “pink + white” by frank ocean (because mlm rights), and just like “you showed me love / glory from above / good glory, dear / it's all downhill from here” is a very al/jake line. also it’s a bop for a little football montage.

AND THEN!!!! on halloween, we get a little montage of jake dancing to “paradise by the dashboard light” by meatloaf as he makes himself a sandwich - it’s literally about just being happy and having a nice time. and also jake dancing to more old timey music because he’s going up to his parents’ old room and he’s also living in the past a little, with his childish snack and playful dancing.

(also, the phone call where al just infodumps about bare and jake’s listening and asking questions <3 it’s about the autistic love and friendship yet again)

and then we get “i’m so tired…” by lauv and troye sivan as we arrive at the very awkward ellie/jake/al pre drink, because Is Jake Not So Tired Of This Heterosexual Bullshit He Must Do.

(also, it is my personal headcanon, and therefore canon, that al convinced ellie to go with the angel and devil costumes so that he could pull up in his leo-as-romeo get up and live out his baz luhrmann esque fantasy).

AND THEN LGBT NATION!!!! we get “run away with me” by ms crj as jake and al literally run away from the party after al got misgendered and Pissed. it’s about the using romance and whimsy as an escapism from your shitty life, it’s about the being the in darkness and occasionally getting hit by the street light, it’s about the “i’ll be your sinner in secret”, it’s about the bare connotation with the “run away with me” parallels. it’s also about the song being one of the best songs ever written.

(and then we get the wedding, which, before i get into the song, is a reference to So Many Things. we got west side story with the fake wedding and first kiss, we got hadestown with al making the wedding rings from nature (a la wedding song), we got bare with wedding bells and the dream wedding, and in the scene, we get some vineyard scene from spring awakening vibes, with the discussion of the future and religion and philosophy…… quite literally i love art so much)

and then. ladies. a piece of writing written in Peak tender tumblr. al and jake have the kiss of their wedding to “pink in the night” by mitski. it’s literally about the “i know i kissed you before but / i didn’t do it right / can i try again?” of it all. like jake love voice “i glow pink in the night in my room / i’ve been blossoming alone over you”. the repression, the pining…………. i am such a talented man.

and then we end with a doctor who reference, with al saying “run”, taking jake’s hand and the two of them running out of the church as “run away with me” comes back in. it’s literally about al taking jake out of his dull life and helping him find his own happiness. it’s also about the inherent autistic culture of relating to aliens.

episode five

WE! OPEN! WITH! a song about being gay and falling in love with someone immediately after meeting them - “share your address” by ben platt. a bop for the ages. it makes me so happy, it’s a great “early stages of a relationship honeymoon stage” montage song.

(also, i just really love the detail i put in about al’s binder, because the cuddle scene with david and matteo in druck did make me worried because david was wearing his binder. like i understand why he wore it for the actor’s comfort but just the thought of sleeping in a binder…… terrible. awful. pain beyond my wildest dreams.)

(also also, al saying he couldn’t get on hormones because of “problems with his heart” is a lie, because he means because of his mental health, which is based on personal experience babey)

and then we get an iconic skam song: “talk show host” by radiohead plays as jake sits in the back of a drama club meeting, isolating himself. it’s literally about the “i want to be someone else or i’ll explode” of it all. 

and then we get “rock and roll” by led zeppelin as jake walks his dogs - just because it seems like the kind of song jake would like and it just vibed with the whole scene.

(also, the clip where jake texts al at the beginning of it and then asks bree about her family….. literally i’m so good at foreshadowing)

AND THEN!!!!! WE GET THE ICONIC!!! “involuntary teenage rebel” by clout from grandma’s closet plays as we get a jake solo slow mo. literally they were right when they said “they say i'm a teenage rebel / but i'm really just afraid of how i come across to others / and it bothers me when i look weak”. like that’s just another skam statement line babey. also it’s genuinely such a good song and literally helped inspire me to do more songwriting…. stream it 

and then we get “heaven” by avicii, chosen purely for the title being “heaven” because christianity centric season.

AND THEN!!!!! we get jake asking al to come save him from the shitty party, and al says “wait for me, i’m coming”, an obvious hadestown reference, and when he arrives, he’s singing the “la la la la la la la”s from the show. it’s because the party - where bryan, rory and ellie are - is, in al’s mind, hell, and he’s going to save jake from it. 

and then, because, as mentioned, the way al express his true feelings is through Music, we get al trying to comfort jake by playing him a song - “you matter to me” from waitress (put a pin in waitress, i’ll get back to it later). the inherent homosexuality in “come out of hiding i’m right here beside you / and i’ll stay there as long as you’ll let me”. also it’s just about mattering to someone. like, for the first time in his life, jake has someone who’s saying “i love you, you matter, i will be here for you” and he just needed that So Much. 

episode six

AND WE SMASH CUT IMMEDIATELY TO!!! “london boy” by taylor swift, a campy and beautiful bop!!!! because al Is from london and he Is a boy!!! (also, fun fact, i was going to make al be from ireland originally, but then someone in the skambr discord said this song should be used in a scene, and i was like “okay, fuck it, london time”)

(also, you can subtly see al’s mania in the london boy scene, with him coming up with quick ideas, clearly having very low anxiety through the past few episodes, and just taking off his shoes and going for a walk in a park in november…..)

and then we get “landslide” by fleetwood mac as jake lies in his dead dad’s bed. it’s really about the “can the child within my heart rise above? / can i sail through the changing ocean tides?” and about the grieving as a child and your mental health getting worse while you’re still so young and you feel like the world’s on your shoulders and you’re both an adult and a child at once……

and then……. we get “class of 2013” by mitski after christine has her breakdown and jake packs his things to run away. it’s about both of them dealing with their grief by pretending it never happened and having all of that build up inside of them until they can’t take it anymore. And i see the lyrics of “mom i’m tired / can i sleep in your house tonight?” in this specific situation as jake being tired of his father’s constant presence and he just wants to be in a house with his mother the way he remembered her before his father died. 

(and, sidenote, this is one of the saddest scenes i’ve ever written, in my opinion…...with jake being like “she’s so crazy, but i’m nothing like her” because he’s in denial of his own mental health issues and al seeing him saying that as “oh, he’ll see that i’m crazy too and want to leave”...... and al says his final goodbye to jake, using his full name, because he assumes jake will never want to speak to him again, but jake has no idea……..)

(also, jake parroting bryan’s words of “gay marriage is legal, so everything is fine” in the pride clip……. God. and the way jake’s internalised homophobia and ableism manifests in the same harmful way….)

and then we get “don’t threaten me with a good time” by panic! At the disco as they boy squad rolls up to the party in the park. it’s just a party song. no deeper meaning lads.

and then we get jake in the bathroom having a little breakdown (as a treat) to “Give me novacaine” by green day. it’s just about the using alcohol and drugs to cope with your poor mental health because you have no other quick way to make it all better. It’s about about jake trying both to numb himself and to force himself to feel something, but neither one of those things give him the results he wants.

episode seven

we open with another iconic and beautiful song: “life in italics” by clout from grandma’s closet babey. like jake love voice “all these troubles on my mind i’ve been lonely / building walls running from the old me”. thank you clout for literally writing some of the best lgbt music. 

AND THEN!!!!!!! a scene that brings me much joy. “gotta go my own way” from high school musical 2 plays in the other room as jake has a religious breakdown in a literal (storage) closet. and then al leaves the group chat and blocks jake…. like jake voice “another colour turns to grey / and it's just too hard to watch it all / slowly fade away”

and then we get “hello!” by role model as jake goes for a depressed jog and he sees bree out drinking with some random people. like “i never really talk much, keep it inside / to find someone who cares is getting harder to find / we should be dancing in the sun / it's hard when everything is numb”.

(also, at the end of that clip, we briefly shift from jake’s pov to al’s, as we see al filming in the park and he films jake running away…… do i know what this means metaphorically? not really. do i vibe hard with it? oh hell yeah)

AND THEN!!!! after jake and sandy have their beautiful conversation, we get “under pressure” by queen and david bowie, another older song, this time expressing jake’s joy as he finds some small solace with his younger self. it’s also just about the inherent homosexuality of the song and of sitting on the beach, eating chips with your best friend.

episode eight

WE BEGIN!!!! with a youtube video of ellie and al singing “wallflower” from we are the tigers. i chose this basically because i wanted to get more of a vibe of what their relationship is/was across, and also because i love the song (stream we are the tigers original off broadway cast recording). it’s also about the dynamic of the song being “shy introvert vs outgoing extrovert being very toxic friends”, and also about the ellie supporting al stuff, because she has canonically been there for him for years, just not in a very good way. also i wanted to write representation for the “had a very intense friendship with a girl pre-transition and then had a dramatic friend break up and now i’m a guy and feel disconnected from the whole thing, although it was quite homoerotic at the time” people. this scene also marked the beginning of my purely self indulgent musical number scenes, and be warned, this may the the first, but it is by no means the last.

and then it’s very music lite for the rest of the episode, until al returns, and jake’s like “hey, maybe you should stop talking to your toxic friend” and al responds by beginning to make out with him as “fuck time” by green day starts to play. the COMEDY of jake being like “seriously, i think--” and then all you hear is “OOH BABY BABY IT’S FUCK TIME”. skam brighton is a comedy show.

and then we get al “communicates through music and theatre references” fletcher beginning to sign the ASL translation of the bridge of “word of your body (reprise)” from spring awakening with jake - which is another Very tragic show - and al also literally says the line “and so you should”. and al responding to jake jokingly calling him insane by shutting him up with another kiss….. oh ladies.

episode nine

WE! OPEN! WITH! “love shack” by the b-52s as jake wakes up and sees james and al just having some Fun making breakfast in the kitchen. it’s just some boys being boys and having bants.

and then we get jake using al’s love language of music and singing “those magic changes” from grease, singing along to the jordan fisher and aaron tveit version because that song did assist in my gay awakening.

(also, al stanning female doctor pomatter in waitress and james stanning waitress as someone from an abusive household….. my mind.)

and now. we begin The Big Bad Clip. “why didn’t you stop me” by mitski plays over the beginning of jake and al’s london adventure. it’s literally about looking back on the scene as it happens in a montage and al being like “why didn’t you stop me from doing that”..... god.

(also, jake and al go to see waitress, which Has been played before, and it’s foreshadowing for how their relationship ends. jenna and jim’s relationship - the main couple of waitress - begins with them cheating on their parents and falling in love quickly in secret, but they know it’s not healthy for them to keep the relationship going, so agree to end things and part ways as friends who wish nothing but the best for each other.)

and then we get “oops! I did it again” by britney spears glee cast version, because it’s just really Sexy and Fun. also just the mentally ill experience of “oops! i did a manic episode again!”.

and then we cut between a piano version of “last night on earth” by green day, as jake sits alone in the hotel room, and “true trans soul rebel” by against me! as al walks down the streets of london, in a split pov, and then we see al having a full meltdown/breakdown in the middle of victoria station. like al voice in this scene “another night you wish you could forge, / making yourself up as you go along / who’s gonna take you home tonight? / does god bless your transsexual heart?”.

and then we get legit “last night on earth” by green day as jake walks away after ellie yells at him. just because it vibes so much.

episode ten

we open with “mystery of love” by sufjan stevens as jake walks down to al’s house, because it’s just a vibey song, and while i hate cmb//yn with the fury of a thousand suns, it Is a song written for mlm.

and then we get “better alone” by lykke li as jake researches al’s various diagnoses. and it’s just like “nobody wants to be the one to walk away / nobody wants to see the truth, then let it in, run away / nobody wants to know the ways they don't love you right” and then “i’m better alone than lonely”..... mr love

and then we get “let it be” by the beatles, a Very nostalgic old fashioned song with catholic themes and just big comforting and recovery vibes…. jake confessing his real feelings to the priest and then reuniting with christine in the church and hugging her tightly and they both agree on working on getting better….. 

and then we get to the talent show, where we see the end of ellie singing “on my own” from les mis - as jake did at the beginning of season one. is this foreshadowing? is it a coincidence? i honestly don’t know. i just chose it because basic theatre girl song.

AND!!!!! THEN!!!!!! we get the song that acts as al’s suicide note: “the goodbye song” by joe iconis (writer of be more chill and “broadway here i come” from smash). we get the return of the falling motif with “i’m flying away” and the lines that really act as what al imagines to be his final goodbye to everyone he knows, as everyone he knows and loves is in that building: “i'd stay if i could / but the universe won't let me / so please be good / and don't you forget me”, and then al turns the “aahs” at the end of the song from a catchy crowd pleaser ending to a long, painful scream as the audience slowly stops clapping, until the room is silent, and then he bows a la the emcee at the end of cabaret (a bow which is often viewed as a metaphor for the character’s death). it’s literally just al having a breakdown on stage, but he rolls a nat 20 on his performance check, and the audience are like “this is very good performance art”

we then get a flashback to “broadway here i come” because. i am a king of foreshadowing.

and then we get “wait for me” from hadestown (obc version) as jake runs to find al, and it’s about the role reversal of jake running to save al from something worse than al saving him for bryan. it’s about the repetition of “wait for me, i’m coming” because of the fear of “what if i get there too late?”

episode eleven

“a better son/daughter” by rilo kiley plays as jake looks through al’s two tumblr blogs - and the song simultaneously a very al and jake song. with the descriptions of depression and dealing with a mother with mental illness at the start, which are very jake, but then the lines “and sometimes when you're on, you're really fucking on / and your friends they sing along and they love you. / but the lows are so extreme that the good seems fucking cheap” are just the base character description for al.

and then we get “the archer” by taylor swift as jake goes into the school again…. like he has been the archer and he has been the prey, in regards to being gay (with him helping in outing sandy and being outed himself).....

(also, fun fact about the episode, it was originally written to be from al’s point of view, but then i decided against it and had to rewrite it, which is why there’s only 4 clips instead of the usual 5 or 6)

and then, lgbts, we get “the predatory wasp of the palisades is out to get us!” by sufjan stevens as jake walks his dogs  out on the beach and al goes to the beach to write his emo poetry…… also, fun fact, al’s poetry is the first time i’ve ever written poetry/lyrics that weren’t about me, which is very fun. 

and then!!!! at the beginning of the final clip, we got “footloose” by kenny loggins, the iconic bop from the film of the same name. just because it slaps and it’s a fun time.

(we also get some Foreshadowing with al referencing rent in this scene)

and then. transgender nation. we get “midnight radio” from hedwig and the angry inch playing over al and jake’s having fun and being dumb kids montage. 

i know riverdale made this song a meme, but it HITS. it’s about the al referencing origin of love in the cuddle clip, al saying “i laugh because i will cry if i don’t”, it’s about the “for the misfits and losers” and the “hold onto each other”. it’s literally about jake finding community and also wholeness and happiness in himself.

(also, jake talking about all the little soulmates and the fact that he believes that the boy and girl squads are all his soulmates in different ways…… and bree actually paying attention and showing some vulnerability at that point because she loves her friends so much!!!!!!!!!!)

season four

tw for discussion of sexual assault/rape, alcohol abuse and abortion throughout

trailer

lgbt community. we begins with the regrettes' cover of "don't stop me now" by queen because a) i think it's fun when women and b) it's about bree's mania that we've already seen throughout the seasons, this time from her perspective, and it's simultaneously a Fun Time and a Foreboding time.

episode one

we open with "hail mary, gentle woman" by the cathedral singers, which is literally just the prayer "hail mary", but a song. i chose this because catholic, women, and church time babey. also because it was always one of my favourite hymns growing up (because, in case you couldn't tell from half of the mains being raised catholic and lowkey fucked up because of it, i was raised catholic)

and then we SMASH CUT to "r u mine?" by arctic monkeys, a sad british teen staple, as we see bree wake up in josh's bed for the first time and take the "walk of shame" to get to church. it's about the "i go crazy 'cause here isn't where i wanna be", introducing the Mental Illness, bree's want to get out of where she's from and go to a good uni, and her literally not wanting to be in some strange guy's bed in one line. am I reading too much into this? hell yeah. but it's my show, so i can read as much as i want!!!! (also "satisfaction feels like a distant memory" is both about her depressive states and josh not being able to make her orgasm <3)

AND THEN!!!!!!!!!! we get "all i really want" by alanis morissette, the beginning of my season 4/jlp parallel hyperfixation. it's about bree kinning frankie healy and "do i stress you out?" being her @ audrey. and just bree voice "it would knock me to the floor if i wasn't there already / if only i could hunt the hunter". it's just a perfect teen angst song and it's perfectly grungy and brianna-y.

AND THEN!!!!! we get "kiwi" by harry styles playing as bree slow mos by herself down the street. it's about the just hot girl energy of the song and also the romanticization of unhealthy behaviour because that's bree, baby!!!! also we get more of the word "crazy" because of bree's internalised ableism, and we also get the chorus of "i'm having your baby, it's none of your business", foreshadowing her unplanned pregnancy done by josh, who we saw in the last scene.

AND THEN!!!!! we get "chandelier" by sia as bree and the girls have a fun party moment, but bree is still Fucked Up mentally by seeing annabell and also men being creepy. it's about the using alcohol and drugs to push away your feelings because you have a lot of trauma and have internalised ableism and have no idea how to get the help you need without being vulnerable, which terrifies you so So much. also we see that bree forgot to take her meds in this scene, which i couldn't explicitly say in the scene because spoilers, but it's a fun thing.

then we get dodie's cover of "when the party's over" by billie eilish because i like the soft piano vibes of it as bree walks home after the party, because we always see bree as "the party girl", but the party's over now and we see her petting her cat, making sure her brother's home safe, taking off all her makeup and pretty clothes, completely non sexualised, and just getting into bed to sleep because she's just So Tired. also it's about bree pretending she's happy on her own, but she's Not, she has a lot of self loathing and deeply loves her friends more than anything. also a bree/rori moment with "call me friend but keep me closer".

episode two

we open with an audition sequence!!!!! because i'm a theatre kid and love a good audition sequence!!!!

we get rori singing "sexy" from mean girls, because it's a very rori show (pink aesthetic, fun female characters, a funny time), and because it's a very maureen from rent song. also rori is just a very funny person and also has a sick high belt in my mind. also it's about her learning to like the way she looks, slowly but surely. it's also a song about changing who you are, which is a very skam brighton theme.

and then we get al singing "vienna" by billy joel, but the shortened version they did in smash, but he also plays the piano like ben platt in the politician because he's a basic white theatre boy. it's also just a beautiful song about growing up and maturing, and also "if you're so smart, then tell me why are you still so afraid?" is a very bree line. 

(also, the part where josh calls milo his "kid cousin" and then bree's like "yeah, milo's the same age as me" but josh ignores it…… creepy!!!!! bad!!!!!! also, side note, milo is canonically genderfluid and uses different pronouns depending on the day, which is why they change throughout the season.)

and then!!!! we get annabell singing "hallelujah" by leonard cohen, which is just a stunning song, we all know this. it's a song about faith and doubt and it's also a parallel to rori's happy go lucky song, which annabell's being slow and sad instead. also they're jewish and gay and lovely. and then the jeff buckley cover plays over the next scene because it's Good.

and then we get "feel it still" by portugal. the man as the girl squad text. it's just a fun song and the line "i'm a rebel just for kicks" is great from brianna "rebel girl by bikini kill" holland.

and then, swiftie nation, we get “new romantics” by taylor swift as bree agrees to go out with josh because she’s being self destructive. like the fact that she says yes to him as the line “we’re all bored / we’re all so tired of everything” plays say it all. and just the whole song is very bree core, as a whole, also it’s a really fucking good song. i am a 1989 (deluxe) stan.

and then we fade away with “vienna” by billy joel because it is such a good song god bless <3

episode three

WE!! OPEN!! WITH!!! “tik tok” by ke$ha because it is genuinely one of the best songs of our generation, and also it’s just a very shopping centre song. i don’t know why but it Is.

AND THEN!!!!!!!!! we get genuinely one of my favourite songs that i’ve been waiting to find the right scene for ever since i first heard it. “dog bite” by stella bridie is just genuinely a stunning song that really Gets bree’s character as a whole, especially the first lines “putting on lipstick in the bathroom at the doctor’s  / i got a party after this blood test”..... the whole Need to be perform feminity whilst doing something as simple as going to the doctor’s as bree draws herself and tries to make herself look perfect because she believes her only self worth comes from her body and just….. the vibes. immaculate.

and then we get “ophelia” by marika hackman, another beautiful song, as we see bree self destructively look through all of the cyber bullying that’s happened to her in the past as a way of emotional self harm. it’s just a genuinely depressing scene with a good song underscoring it.

but then we cut to rori and brianna out for a jog together - because both have issues with their self image, but also because they’re friends and like to do things together - as “it’s nice to have a friend” by taylor swift plays. it is a very homoerotic song, with a lot of childhood friends to lovers vibes, which is kind of what we’re going for here. they are both very deeply sad but also it is nice to have a friend and have someone there for you when you find out the cast list of the musical you auditioned for and you can hug them…….

and then!!!!! we get “...ready for it?” by taylor swift as we get another party sequence because it’s a fucking banger and also brianna is Very reputation as a person, which will be shown with some other taylor songs throughout the season. also it’s kind of a “are you ready for it?” for the Deeply Sad scene that follows the fun party sequence, because this is skam brighton, and i will always write scenes of people being sad outside/after parties.

episode four

we begin with “harlem” by new politics as bree, annabell and dean hang out at the shopping centre and fuck around in clarie’s. it’s about a funky song and about the recurring line of “like you, like me, like everybody else” of the three of them all having their mental illnesses in common and bree simultaneously feeling happy that she can be open about it, and deeply uncomfortable that she has to be open about it.

and then we get “crush on you” by elijah who as bree scrolls through instagram and looks at two pictures - one of annabell and one of rori and nick, and when she likes the picture of rori and nick, she literally taps over nick’s face so that she can just look at rori <3 it’s about the bree being a bicon.

and then we get the theatre club watching rent as a fun time!!!! we get tune up #1 and voicemail #1, just iconic numbers. we get theatre kid supreme al knowing all of the words, cool guy james doing his air guitar, and when the line “let her be a lesbian” is sung, we get annabell cheering and rori awkwardly looking away because she has internalised homophobia.

(side note, one of my favourite aspects of this season is that it’s a subversion of the past three, where we’ve seen sandy, liz and jake deal with their internalised struggles with their sexualities, but with bree and rori, rori’s the one dealing with her sexuality, while bree is in love with her quietly)

AND THEN!!!!! we open clip 5 with the iconic skam verse song “call your girlfriend” by robyn as the girl squad show up at a house party and bree and rori have a homoerotic moment

and then!!!!!!!!!!!! a moment of skamverse wlw solidarity, “blush” by rhiza plays as rori and bree kiss in the bathroom. a) because it’s a good song and b) because the whole “she's just a friend, you know, but sometimes yeah i wanna kiss her, uhm but that's just 'cause she's cute right? that don't make me gay, it's not like i like other girls like i only like her, i mean no, i'm not gay, right?” part is really summing up what rori’s going through in this scene. also the song is just a bree song. 

episode five

WE OPEN WITH!!!!!! an iconic moment, if i may say so myself. an iconic wlw song, “boyfriend” by marika hackman, plays over bree and nick out partying. like it opens with the lyrics: “i've got your boyfriend on my mind / i think he knows you stayed with me last night” and then we get “it's fine 'cause i am just a girl / ‘it doesn't count’”. i mean. come on.

we then get a snippet of “rent” from rent in a rehearsal, with the lines: “how do you leave the past behind / when it keep finding ways to get to your heart” and “how can you connect in an age / where strangers, landlords, lovers / your own blood cells betray / what binds the fabric together / when the raging, shifting winds of change / keep ripping away”, which all really relate to brianna with her trying to bury her past traumas and and how she struggles to connect and also struggles with change - and the reference to fabric in the line when she’s the person who does the costumes for the show.

and then we get “pynk” by janelle monae as bree and annabell go charity shopping together and have a nice time. It’s just a fun wlw song and i like it. also it’s boppy and happy and kind of dreamy to show how their relationship is very on the surface and not as deep as it once was and they’re not really going to get that back so it’s just really awkward. 

AND THEN!!!! we get bree panicking because she’s getting creepy messages from josh so she runs to hang out with the girl squad and works on her drawing of them, focusing on rori as “head over feet” by alanis morissette plays. this is kind of a contrast to “pynk”, with it being a song that uses real instruments as opposed to the more electro feel of “pynk” to represent the two different relationships. also the lyrics “you treat me like i'm a princess / i'm not used to liking that” and “you've already won me over in spite of me / and don't be alarmed if i fall head over feet / and don't be surprised if i love you for all that you are / i couldn't help it / it's all your fault” are just Incredibly rori/brianna.

and then we get “hand solo (acoustic)” by marika hackman as we get a brief scene of bree masturbating to some not very healthy p*rn. i was hesitant to include this scene, out of fear of over-sexualising bree as a bisexual girl of colour, but then i thought i had to include the scene from a non-sexual stand point - to show how bree uses sex, even in her own mind when she’s alone, as a self destructive thing, and to show that masturbation is a normal thing to do, but also it’s a hint that bree’s state is getting a bit more manic than usual, so she’s getting more hypersexual. also for the catholic guilt of her stopping and looking up to see the cross above her bed.

when then get ortopilot’s cover of “basketcase” by green day, which is more of an acoustic version of the song. the song itself is just a Very mental illness song and just has a lot of vibes of guilt with it, and the beat of the song is very quick and manic in itself.

we then get “every breath you take” by the police playing over bree and josh’s Scary text conversation in the fish n chip shop, because it’s a creepy stalker song with Pleasant Music over it, which is kind of the Vibe i was going for with josh. also, the season came out around the same time as skames season 3, and seeing the parallels between josh and miquel, with josh being very emotionally distant and miquel being very emotionally close, but both of them having the same goal in mind and end result was very interesting to me. also both of them being very creepy old guys who should stay away from teenagers <3

but then. oh but then. we get a moment that is genuinely one of my favourites. we get the broadway cast version of “forgiven” by alanis morissette, another one of my favourite songs. i chose the broadway version because i prefer the quieter orchestration and the build up to the chorus instead of going all in on it so quickly. i chose this song because bree does parallel frankie from jlp, yes, but she also parallels mj in the fact that she’s repressing her trauma from being sexually harassed and assaulted by adult men ever since she was a child. and the song itself is very beautiful and bree core, with lyrics such as “my brothers, they never went blind for what they did / but i may as well have / in the name of the father, the skeptic and the son / i have one more stupid question” and “we all had our reasons to be there / we all had a thing or two to learn / we all needed something to cling to / so we did”. we also see bree seeking refuge in a church after being harassed by josh, because religion is the place where she genuinely feels safest, but she also doesn’t feel safe, as a bisexual woman in the catholic church, but she also knows in her heart that she is loved by god. 

episode six

WE! OPEN! WITH! “motion sickness” by ms phoebe bridgers plays as bree wakes up at liz’s house the next morning - a song literally about a shitty older man - and then bree is literally sick in the bathroom, claiming she has food poisoning from the strange fish they got last night because she couldn’t go to their usual place out of fear. but, in reality, this is morning sickness from her pregnancy, because she had sex with josh for the first time 6 weeks prior.

and then we get a scene of bree in a manic state rapidly working on costumes as “my body’s made of crushed little stars” by mitski plays. this scene is directly inspired by me in what i believe to be a manic episode staying up until 5am writing because i thought that if i stopped i would forget everything that i was thinking and never write anything good again. fun times. but also just the fast pace of the song and the very depressing lyrics and the whole “i’m not doing anything” playing over bree doing So Many Things…..

we then get a lot of silence because it’s Emotion Time, but then!!!! we get a moment very pleasing to be, “unprodigal daughter” by alanis morissette playing as bree goes to buy a pregnancy test. the song itself is just one of my favourites, and it’s also about bree kinning ms frankie healy (having a “perfect” white older brother, having an intense relationship with your mother, being artistic and into english, being bisexual and just really cool), but it’s also a song about choice and the singer choosing herself and who she wants to be and having hope for the future and wanting to run away. also the line “i’d invite you but i’m busy being oppressed” once again being used in regards to a young bisexual girl of colour….. genuinely one of my favourite lines ever written. the power it has.

and then. bree finds out she’s pregnant via the tests. and “oh no!” by marina begins to play, because skam brighton is a comedy show, but also skam brighton is a show for depressed british-ish teenagers. bree copes with this Really Fucked News by deciding to go and get wasted because that’s her favourite method of dissociation. also the song is just very bree as a whole, with the wanting to change and the “i'm now becoming my own self-fulfilled prophecy” after her making fun of her cousin’s pregnancy in the first episode.

and then we get “bubblegum bitch” also by marina as bree goes out to drink. it’s there to represent how bree is trying to force herself to get into her familiar role of the fun bitchy party girl, but it’s not working because she’s just really fucked, but she’s trying her best.

BIG TW FOR SEXUAL ASSAULT

and then “you are going to hate this” by the frights plays as josh and bree dance together, and we see josh giving her more and more drinks, getting her purposefully drunk as she gives into it, wanting the release being drunk gives her, not realising that he could be doing something bad to her because she’s so distracted by a) the alcohol and b) the fact that she’s fucking pregnant and doesn’t know what to do about it.

and then we get “seventeen” by sharon van etten as josh begins to assault brianna. i first heard this song in sex education, where it played as a group of girls supported their best friend after she was sexually harrassed on the bus, and i wanted to use it here as kind of a parallel to that, but also as a reminder than bree is seventeen years old, a child, and josh knows this, purposefully got her drunk and is assaulting her, because he is a disgusting human being.

episode seven

we open with “interlude iii” by tessa violet, as bree wakes up and leaves josh’s bed again, a parallel to the first clip of the season, but this time we saw the before that presumably happened. it’s just a really pretty song that vibes with the lonely emptiness of the scene.

and then we get “the ballad of mona lisa” by panic! at the disco as bree walks into school. it’s just a really vibey bree song, and the whole “i’d pay to see you frown” line is just about the always masking around people and never showing your real emotions. 

we then get “out tonight” from rent, but the movie version, purely because i just prefer the music production on that version. it just slaps. also, i just used this scene to talk about my love for my interpretation of mimi marquez. she’s just a teenager with a lot of problems who needs proper professional medical help, very much like bree. also, i have always seen “out tonight” as mimi having a manic episode and using the number as a distraction from her actual problems (literally what bree is doing) and i love her. (also the scene of bree watching the scene from the movie and having gay panic is just an Iconic moment)

we then get “funeral” by phoebe bridgers as bree lies in bed, deeply depressed and barely able to move. it’s just about a beautiful and deeply sad song. like all of the lines just vibe really hard with bree and the deep loneliness and emptiness of the song, and the underlying panic really outline bree’s actual emotional state.

and we end with the titular song of the episode, “will i?” from rent. i chose this song because, despite it being very repetitive, it’s always been deeply meaningful to me. and the only lines being “will i lose my dignity / will someone care / will i wake tomorrow / from this nightmare?” playing after bree talked about having to deal with her pregnancy, and following the dream imagery used in funeral, because all of the music Is connected…….. quite genuinely one of my favourite moments, because it’s so understated

episode eight

we begin the music of this episode with “everything i own” by the front bottoms - just a really fucking sad song for a really fucking sad time in bree’s life. with like like “just try to appreciate what you got while you got it” and “sometimes i don't feel like singing / i don't really like these songs / sometimes i don't feel like dancing / dj please, don't turn the beat on / let's keep it quiet, keep me honest, keep me true” just really vibing with her.

and then we get “even my dog” by kathryn gallagher, another one of my personal favourite songs, as bree walks through the hospital. first of all, kathryn gallagher’s character in jagged little pill, bella, does parallel bree quite a lot - being from a poor family, being talented at art, being slut-shamed by her school and dealing with the trauma of being sexually assaulted. the song itself has lyrics describing depression, with lines like “i don’t know how i’m gonna get better / i just know that i’m supposed to / i don’t know how i’m gonna get better / but i’ll tell you i’m good ‘til i believe it too” and “everybody wants me to be happy / everybody wants me to be” and “i can feel it / the life i knew before you / it’s beautiful to be so naive” which i feel just Really fit bree and her situation

then we get a little bit of “musetta’s waltz” played by james, because it’s a rent thing, and rori sings a bit of “over the moon” because it’s a maureen song and i just wanted to include it for a little bit of fun in the hell week

and then. oh and then. we get the funeral scene from rent and “i’ll cover you (reprise)” performed by milo and everyone else. the reason i chose this song is because a) it’s one of the most beautiful and heart wrenching songs in musical theatre canon, and b) i wanted to use the imagery of a funeral to show bree quietly making the decision in her head to go through with the abortion, even though she has many doubts. and the line “a new lease you were, my love / on life” is about the baby bree might have had may be being her ticket to a new life, the way she was for her mother, but bree knows that’s not what she wants and not what she can handle right now. and the moment bree finally break is the climax of the song, the moment death is said out in the open “when your heart has expired”. she hears that, is struck by the reality of what she wants to do, and just runs because it’s a lot for any person, let alone a seventeen year old, to handle.

and then we get the girl squad picking bree off the ground, quite literally, and helping her go to the doctor, all of them together, as “sign of the times” by harry styles played. all of the girls are involved, organising rides and where to go and comforting bree, and al’s staying behind, doing ground control at the rehearsal, because al and bree are siblings and they love each other god damn it. ans the song itself is just. simply epic. and the lines “you look pretty good down here / but you ain't really good” really get to where bree is in regards to her self image and it’s about her finally opening up and accepting help and doing what’s right and good for her, not being self destructive or doing things for someone else.

episode nine

we open with a slowed down piano cover of “knee socks” by the arctic monkeys, simply because i liked the sound of it and it’s a quintessential sad british time, but it’s also about girls being pretty.

and then we get one of my favourite songs from rent being sung by bree, “without you”. it’s a genuinely beautiful song about addiction and the struggles that people can go through with it. the song has a double meaning to bree, as she’s been struggling with her alcohol abuse problems recently and going clean, but the song is also about bree imagining life without her hypothetical child. “but i die / without you” is how bree is seeing it, still thinking she’ll be rejected by her mother, and partially by god, if she goes through with it, but the song goes on. she knows the world will go on without her child, but she’s unsure of how she’s going to be after the child is gone. (we also see james come in and sing too, as he plays roger, but him singing is also a reference to him dealing with his own addiction, as mentioned before in this season, to nicotine).

we then get “you gotta be" by des'ree playing as we go from bree getting herself together after josh gets fired to bree and her mother sitting together and watching ladybird. i wanted ladybird to be playing because it’s a very bree movie, in my opinion, and the “give me a number” scene playing is a really good feel, for me, of what it’s like to be a working class child and feeling the need to pay back your parents, which is something bree also feels immensely. and the song has lyrics such as “challenge what the future holds / try and keep your head up to the sky / lovers, they may cause you tears / go ahead release your fears” and “stand up and be counted / don't be ashamed to cry” and “you gotta be tough, you gotta be stronger / you gotta be cool, you gotta be calm / you gotta stay together / all i know, all i know, love will save the day”, which just really vibe with where bree is in this scene, trying to figure out all the things she has to be and can be and the whole thing about standing up is just very bree, because, despite us seeing her insecurities and weaknesses, she’s always been a confident person 

and then we get a scene that i wrote just to make myself cry. bree gets her hair cut by her mother after deeply connecting to her as “slipping through my fingers” by abba plays. it’s a song about a mother watching her daughter grow up and trying to stay close to her despite her always growing and changing, which is how i see audrey. she’s a woman full of love and she will do anything to support her daughter and make her happy, and it took bree until now to see it. and then we see bree’s hair literally slipping through audrey’s fingers, because haircuts are often used as a way to regain control over one’s life, and i’ve used bree’s hair throughout this season as a way to represent her trauma. when she gets morning sickness, she throws up in her hair. josh pulls on her hair when he assaults her. her cutting her hair off is a metaphor for her cutting off her trauma, but then from the hair cutting we transition to:

the abortion clinic, where “soon you’ll get better” by taylor swift and the chicks is playing. a song where a daughter sings to her mother to get better, and we see a mother supporting her daughter as she gets ready to go through surgery. the song itself, though, feels more about bree’s mental health than her physical state. she knows that through this surgery, she will ultimately end up better, but it’s going to take a lot of time.

and then as bree and audrey sit at home, they watch another movie: this time “grease”, representing bree’s desire to get back to her younger, happier self.

and then. we get “wake up” by alanis morrissette as bree gets ready for the rally in support of sexual assault survivors. a song, when used in the jlp musical, is used to talk about how it’s easier to not stand up and speak out against sexual assault. with the line “it’s so much easier not to / and what goes around never comes around to you” being used in regards to the cishet abled white man who will never get back all of the harm he puts out into the world, but we see bree reclaiming the song and her own body, putting on makeup in a way that makes her happy and marching out to the streets as it plays, focusing on her and only her

episode ten

WE OPEN WITH!!!! a moment most pleasing to me - “i did something bad” by taylor swift playing as the girl squad slow mo down the street together, a united front. i chose this song because it’s literally about society saying a woman did something bad, but she doesn’t give a fuck and wishes that she could do it again, which is how bree feels about fucking up a rapist’s life. also, once again, bree rolling a nat 20 on her deception roll as she gets proof of josh having the pictures of her on his phone by pretending to be the manic pixie damsel in distress josh wanted….. and we also get josh using the term “witch hunt”, the same phrase bryan used when he went off on bree, to show that they’re both the same character archetype, but in different flavours (bryan coming in asshole jock and josh coming in adult man incel).

(note: i also wanted to include the girl squad in this scene, because in the og when noora when to go meet nikolai on her own i was just. So Scared for her because she had No One. also, fun fact, i included the fact that the squad call nick “nickolai” as a nickname in season 2 so maybe there would be a theory that he would be nikolai, but i was just playing 4d chess with myself and he’s just a nice guy)

and then we get “seasons of love” from rent, which is, yes, a basic theatre song, but you can’t deny how good it is. and the whole “minute” thing in it lining up with the “minute by minute” iconic skam speech, and we get annabell on the big soloist lines because they’re the person who also heard the “minute by minute” speech before from the same place as bree, because it was said in their group therapy…. and it also parallels “i’ll cover you (reprise)” with them all standing in a line, but this time bree stays because it’s about love and being supported by your friends and not being sure if you’re okay, but knowing there’s always a safe place for you to go where you’re loved.

(also, we get a throwback joke of sandy, once again, being surprised by how strangely sexual all of these musicals are. i love her so so much)

and then!!!!! we end the episode with rori and bree confessing their feelings for each other and kissing for real for the first time, and it ends with “dress” by taylor swift playing. literally just the most homoerotic song, and the whole “i don’t want you like a best friend” line…… they deserve to be in love with each other and i have been building up to them finally admitting it for four seasons. literally the longest slow burn i’ve ever written. 

episode eleven

WE! OPEN! WITH! “watch you sleep” by girl in red, a song i discovered in 2018 and wanted to save for a good moment, and then the whole “do you listen to girl in red” thing exploded, so. (james from derry girls voice) i support wlw, though i myself am not wlw. also it’s just a really sweet song that i like a lot. and we’ve seen bree wake up a lot at the beginning of episodes, and we see her wake up from a nightmare this time, and she calms down instantly when she realises she’s home and with rori…..

and then we get a moment MOST PLEASING to me!!!! we have canon swiftie alistair fletcher streaming “daylight” by taylor swift in the bathroom as bree and rori wait for him to be done. and then they start to dance together to it, with them referencing rent before they start dancing, and rori begins to sing along because rori, as a character, has such “lover” energy. and we get rori singing “i once believed love would be black and white”, which is a reference to her and james’s relationship, with her thinking it would be simple and easy, and then “i once believed love would be burning red”, with her and nick’s quick, passionate relationship “but it’s golden like daylight” and we see her and bree together, calm, best friends who are now lovers, no big dramatics, no fireworks, just two people who care so deeply about each other, holding each other, having seen each other at their worst and still adoring them with every part of their being. and we get the “you’re so pretty”, “no, you”, “no, us” exchange, which is just saying “stop comparing yourself to other girls, just be in love with them and yourself”

and then we get “number one fan” by muna, which is just a really fun boppy song, and just big bree core. with lines like “so i heard the bad news / nobody likes me and i'm gonna die alone / in my bedroom / looking at strangers on my telephone / well, wouldn't you? / wouldn't you like if i believed those words?” is showing her development, going from believing all of the bad shit people say about her, both online and to her face, and standing up for herself and believing in herself

(fun fact, there was originally a clip in this episode where we see bree going to the police about josh, but as i was getting closer to publishing it, i thought “fuck that, i’m not giving them any screentime”, and just gave bree some fun exposition about reporting josh to his school)

so we get “icu” by phoebe bridgers as bree’s walking down the street, just vibing, very happy because she just got her rapist expelled from his university. we get lines like: “and i get this feeling / whenever i feel good / it'll be the last time” which vibes with my perception and bree and her relationship with her mental health, which is currently, in the episode, in a good place because of goos things happening, but she knows that it’s going to come back down eventually, but she’s prepared for it now, she’s not as scared of herself anymore

then we get al’s film of the rehearsal process - which is, once again, him using art and music as a way of expressing his love - as “heroes” by david bowie plays. this is a direct reference to “the perks of being a wallflower”, a very inspiring piece of media to me, writing wise. the film that al makes is just a love letter to being teenagers and making art and noise in a world where people are constantly telling you to shut up.

and then, following two deeply philosophical speeches i wrote at 3am one night, we get the last 15 minutes of act one of a musical because it’s my show!!!!!! and if i want to have a character yell about love and then sing a song i can!!!!!

we begin with “la vie boheme”, the iconic act one closer of rent. quite genuinely, this song has the same meaning here as it does in rent, only with the added layer of “this is the last clip, so we’re just all having a fun happy ending” on it, so i’m just gonna be talking about my favourite fun parts of it.

we got al and bree sharing a laugh as al sings “not to mention, of course / hating dear old mom and dad”; we got al high-fiving jake as he talks about “fruits”, because they’re both gay; we got one of my favourite lines: “to being an us for once instead of a them”; we got milo and bree messing around because i love their friendship; we got bree and nick singing a verse together; we got al making it canon that mark cohen gets pegged with the “mucho masturbation” line; we get rori making eye contact with bree while she kisses another girl, because we love a call your girlfriend reference and we love her character development; we get james finally perfecting “musetta’s waltz”

and then we get “i should tell you”, a song i hated upon first watch of rent, but now i love it so so much. while james and bree are singing it together as roger and mimi, bree is very much dedicating the song to rori, because it’s a song about being scared of starting a relationship but doing it anyway because you’re learning to trust the other person. we also see audrey and patrick in the audience, both so happy and supportive of their children, because i love them so much. i love all of the parents, but audrey is definitely my personal favourite so fa.

and then!!!! we begin “la vie boheme b”, literally one of the biggest bangers of musical theatre history. 

we get rori singing the first fast verse, literally raising a middle finger to the idea of perfection and eating disorders, because while those ideas may be a part of her life, she’s happy to say “fuck you” to them; we get nick voguing to the camera as he sings his fast verse, goofing around like usual; and then we get milo yelling out their verse to the audience, serious, because they genuinely believe in the words they’re saying

then we get the cast all yelling out their lgbt identity in the form of a reclaimed slur. i also changed this part of the show because there’s two terms referring to lesbians in the song and i wanted to a reference just for bisexual people. 

then we begin to shift all focus away from bree and her story, beginning to move onto nick, as he and james dance together as al yells out the title line of the episode: “the opposite of war isn’t peace, it’s creation”. and i decided to edit the closing monologue because i felt that it placed too much focus on roger and mimi’s romance and wanted to end the season with a focus on revolution and positive social change, ending with the line: “the riot goes on and on and on and on…”

and then we end the season with the line “we will now take a short intermission” as nick looks into the camera, because it’s time for a break between seasons babey!

and that’s another well over 10k essay on my music choices!!!!! also, as of writing this, i have officially finished production on skambr season 5!!!! i’m way ahead of schedule, which is really good for me, and the trailer will be coming out in about a month’s time!!!! until then, thank you for reading my infodump <3

[nakanotamu]

Red, Yellow, Black, Teal

(re: this post)

Anon thank you so much before we start I just want you to know I’m so bad at tumblr that by the time I noticed this ask I had to go to my blog and scroll way tf down to find the post again

Red: God oh jeez I honestly don’t remember for sure. I think….. maybe five or six? Maybe younger if I ever watched it while it was on at my grandparent’s house. But I came back to it at 24.

Yellow: I definitely don’t remember the first match I ever watched. I know the first angle I ever, like, noticed was Kumbaya!Stone Cold. The first match I watched as an adult was… whatever the first match was on the go-home Raw for Summerslam 2015. I think it was something Bray Wyatt/Roman Reigns related.

Black: PARADISE LOCK PARADISE LOCK PARADISE LOCK!!!! This is an opinion question that absolutely has a correct answer.

(Rachel I used your gif I hope that’s okay)

Teal: Hmmmm. That’s a tough one. There are so many great themes in wrestling. I really like SANADA’s theme, like, musically. Shibata has the absolute raddest theme of all time, but it can’t be removed from feelings about Shibata, which makes it difficult. Master of Dropkick is both an unmitigated delight as a song and it heralds the arrival of unmitigated delight as a person, Ryusuke Taguchi, so it’s a win-win. Naito still walking out to Stardust is maybe the best use of a theme in wrestling. It just says so much about him that he won’t change his song. Oedo Tai’s them is dope, and OG Oedo Tai walking out to Wagakki Band’s version of Senbonzakura is absolutely perfect, like, I can’t believe that song wasn’t commissioned for them. Kris Wolf (afaik she still uses it) walks out to Midnight City by M83 which seems like kind of a non-sequitur given who she is (a wolf) but if you follow her and start to see parts of The Actual Person shining through her work it’s kind of devastatingly perfect in a very surprising, nuanced way. I genuinely really like Hana Kimura’s current Stardom theme, Internet Friends by Knife Party, don’t @ me, since I’m apparently also the only person who likes insane raver Hana. I could go on about themes for hours.

HOWEVER

Since there can be only one

The Best Theme is also conveniently the theme song for the best character, best at everything else, best girl of my heart, Tam Nakano, with Violet Kung-fu Girl, it’s a bop okay it’s so good it’s on my iPod and I love her

Thank you anon for the much needed distraction!

[a-halfblood-named-coin]

With Korra coming to Netflix, there’s been this whole WAVE of “no more korra hate!” And I’m gonna be honest here, I do, I do hate the legend of korra. Not because it’s more sexual or because Korras a headstrong women but I feel like they tried to be so different from ATLA, more mature and realistic that it lost a lot of the charm. It has other charms but I just don’t like them as much. So to prove I don’t hate the show without reason here are 3 things I liked in concept that they handled poorly in my opinion.

1. Korra herself

Having a headstrong, egotistical, women waterbender with lots of muscles and bravado was AN AMAZING choice to constrast from Aangs pacifist, peaceful and calmer mindset. I loved that part of Korra. But my problem is in her character development, or how I don’t think the writers remember what development means, development =\= pain porn. A lot of Korras ‘development’ was her getting beat to a pulp, having her bending removed, being wheelchair bound, etc. and by the end of the show she becomes more wary and scared of everything around her. Instead of what I personally wanted, which was for her to be underestimating the effort and work it takes to be a good avatar, get knocked down a few pegs by Tenzin or someone and come back stronger and more grounded. Still cocky but now she has the power AND understanding to back up her claims. I never wanted her to lose her ego entirely, or to fall so far she never comes back the same. Speaking of avatar stuff...

2. The removal of an avatars journey

This one is hard, because I understand why they did this but also removing it took a lot away from what made avatar so good. I think they removed the journey as to not just repeat the structure of the OG show, they didn’t want to seem like it was just Ctrl+ v with a new lead. But a big part of ATLA’s charm came from the world building , expescially since it drew so much from different parts of Asia and other groups, making a fantasy world with that backing and exploring it was SO cool. In Korra most of the show is set in Republic city, they leave a couple times to visit the various bending nations but they always go back to that damn city. I don’t hate the idea of modernizing bending, I wouldn’t place a show there but the thoughts are cool. Stuff like electric benders being 9-5 workers is funny and pro bending is an interesting thought but I think the overall setting is...tired. I have read/seen so many pieces of media set in either 1920s America or INSPIRED by 1920s America it isn’t even funny. It was an aesthetic time that’s for sure but I have seen it before and I’ll see it another million times. I don’t know why they would take a fairly unique setting and make a mainstream, Americanized version of it that is arguably more boring and less compelling. But this point is supposed to be about the avatar journey I hear you say and yourre right. The lack of a journey adds to the boredom, in ATLA they could continually have new locations and new people to keep the interest of that episode because they were almost always on the move. In Korra everything comes back to republic city, I got bored of looking at those city streets after the first season! Plus I think Korra as a character could have really benefited from a journey of her own, less focused on bending and more on connecting with the people she’s supposed to protect. In my dream version of this show, Korra gets knocked down but tenzin or smth and as a last ditch effort he sends her on a shorter version of the avatars journey to help her connect with the people and the spiritual realm. She could bring her merry band of idiots (except you bolin) and they could bond over their travels, learn about each other and actually have some meaningful conversations outside the parameters of the weird love thing they all have going on. We could see an updated but familiar world space, run into some familiar places and get into plenty of trouble and Korra could really bond with her people. Learn that understanding and listening are important skills for the avatar to have just as much as bending all four elements. It could all culminate in a trip to an air temple, she could speak her piece in a cool but honest rant about herself and her life and maybe as she leaves the wind could pick up and it would just...click. She would get her air bending in a hopefully more satisfying way than what was shown in the show,speaking of...

3.Changing up the bending/AS . Listen the way the treat bending in Korra is so fucking weird. 1st of all I cannot come up with any reason why a 5 year old Korra would be able to bend 3/4 elements. The thing about bending is that it is a lot harder than some of the characters make it seem (because they are all using their skills at an extremely high level) part of bending is innate skill, that’s true but you would be awful at it if you only relied on instinct. Take Katara from season 1 of ATLA, she can bend of course but it’s shaky and poorly balanced, she can’t do it for long and can barely move any water. This is because she has never been properly taught, once she gets some teaching she becomes one of the best waterbenders in existence, it took training to get her there. So I could buy (kind of) baby Korra bending them innatly when she is found by the white lotus, but a 5 year old who has only ever interacted with water benders should be bending all the elements as if they were water. Bending is all very different, each form is based on a different form of martial arts. The styles are different and require different points of concentration and movements to execute properly. Our little tyke is seemingly doing actually fire/earth moves...now where the hell did she learn those?? Anyway continuing into probably my biggest gripe with Korra is the treatment of Air bending. I like the fact that it is emphasized how much of air bending is about spirituality, more so than other bending forms. I like the struggle there for Korra. But I feel like she never actually listens to Tenzin, never admits he is right and takes on his teachings properly. She ignores his advice and fucks of during training (which is very Korra behavior) but there is never a point when she has to listen to him. She gets all her bending taken in another form of pain porn and when she gets it back, instead of having her realize how much her bending means to her and finally fucking listening to Tenzin and learning air bending the real way, she just goes into the avatar state (which is the least satisfying version of that display) and just...has airbending. And now for my last point, wtf was up with the avatar state?? In ATLA the AS was a dangerous state to be in for Aang and everyone around him, it caused him to lose control, kick ass yes, but lose his sense of self and him struggling with those complicated feelings about his biggest trump card was amazing. Korra however uses hers to beat children in racing games...I am not joking. They toned down its abilities so that Korra could use it more often but not beat the crap out of everyone... you could have just not had her use it for stupid reasons and kept it a power level at 3000?? Like why? Why does the fucking avatar need to have weakened avatar state so she can use it more often, should she be powerful enough on her own?? Maybe it could be harder for her to activate (because Korra does seem like the type to use it too often) maybe she has to talk to her past lives to figure out why she’s having such a hard time using it and it’s revealed that Aang in specific locked it away because she couldn’t be trusted. It could be a whole thing!! But no she just uses for stupid shit and never learns...

So that’s the end of my rant, 3 things I could get behind in theory that, in my opinion, they handled pretty horribly. If you like Korra, that’s great! Tbh I’m kinda jealous, I wish I could enjoy it more because I love ATLA it was a huge part of my childhood and I’d love to have more of that world. I have so many other feelings on Korra if anyone cares. Like the romance fucking with the show, the half assed rep, explaining the magic, side characters being wet paper towels with 1 character trait or Bolin being highkey romantically abused and no one caring but that’s for a different extremely long tumblr post.

[byunberries]

I was tagged by @minsoakedme to do the get to know me tag! tysm 🤧

rules: answer the questions and tag some other tumblrs you want to get to know better

name: Vera gender: Female star sign: Libra height: 5′4″ (and a half)  what’s your middle name? i don’t have one put your music library on shuffle. What are the first 6 songs that popped up?

Stronger (Chinese Version) - EXO

Chill - EXO

Attaboy - Red Velvet (lol pls i stopped typing so i could jam, i love my kweens)

Tell Me What To Do - SHINee

BRING ITT - SEVENTEEN (”ROGER THAT YES SIR!!!!!!!!!” SKGJGS;DK)

Face - GOT7

grab a book nearest you and turn to page 23. what’s line 17? “That would be the end of your war.” (sfljgfjkll this is from an old ass anti-war book :} )

ever had a poem or song written about you? nope 

when was the last time you played air guitar? lol yesterday (well today i guess at 2 AM) when i suddenly was in a mood to listen to my og emo band (the maine) and i started to air-guitar the solo hsfdjalk

who is your celebrity crush? Sunmi (is my wife) and Taemin (is my bf) 😊😊😊 what is a sound you hate? love? Hate - when people scream at each other

Love - diamond crystal by exo cbx  

do you believe in ghosts and/or aliens? I don’t think ghosts are real, but aliens definitely. There is life out there other than the human race.

do you drive? If so, have you ever crashed? I do drive. And yes I crashed in some sort of way ??? (pls i just ran over a sign, it was the stupidest thing i’ve ever done next to forgetting my glasses on the train ride home) what was the last book you read? The Portrait of the Artist as a Young Man (my emo ass is thriving rn) do you like the smell of gasoline? ... huh?!?!? not really, i guess no

what was the last movie you saw? Thor Ragnarok with my sibs sdahljkl pls it was so funny i love thor and loki (i’m a grandma tho and i almost fell asleep at one point😣) 

what’s the worst injury you’ve had? I would always get scratches here and there bc i wasn’t careful as a kid. But a part of both of knees basically had these huge abrasions/burns on them BC I WAS A DUMBASS WHO THOUGHT THE TREADMILL DIDNT ACTUALLY WORK BUT IT WORKED REAL FUCKING WELL AND I LOST MY SKIN ON MY KNEES TO IT AS I WAS DANGLING OFF OF THE HANDLE BARS ON MY KNEES AND FELL OFF. (jaksds i’m suddenly so heated about what a stupid kid i was, like i did NOT care about shit !)

do you have any obsessions right now? learning dance choreos to any kpop song bc it has so much hip hop in it i love it. i used to dance for this school club so i think bc of that i catch onto the moves pretty easily, but i haven’t been able to actually learn something because I don’t have space to do it.  do you tend to hold grudges against people who have done you wrong? MMMM YES i’m a libra with great memory. but after a while if i start to wonder why i don’t like someone, and it takes me time to remember that it’s bc of a grudge, then i’ll let it go. are you in a relationship?

nope

I’m gonna tag: @spacedaddysoo​ @nut4zyx​ @ksoosbbygirl​ @chanyevol​ @starsehun​ @bbhsthighs @ooskd​ (i know you tagged me in something like this before but i didn’t get to it 😣) 

[hereforcalzona]

My Version of Living Under a Rock

You know that feeling when you know you have a lot of friends (in my case just few of them) but you cant really go to them when you keep feeling not okay. Why? Because for me I just dont want to drag them down my lonely state.

Lets get to some of mine one by one and how I think I know why I should not want to bother them with my loneliness right now.

1. Distant Friend

I had a friend from a band I used to play with whom I used to talk to about everything. About my life, (unwanted) family responsibilities, life choices, sexuality and everything in between, faith and relationship with my parents. And now that I know that this person is now set and happy and maybe even fulfilled out there overseas. We seldom or even do not talk to each other anymore since this person got "the visa" she always wanted.

2. Same Wavelength Friend

This one friend is the best among the others even my long term girlfriend. She sees me like deep into my eyes. She always knows the things to say at the right moment. She clears up my head minutes into a conversation. I love this girl. However I dont think I should talk to her either until I sort myself out. She can be prone to being dragged into darkness in an instant. I dont want to do that to her because shes amazing. And she has suicidal tendencies

3. Girlfriend

I have been seeing this girl since forever. We used to talk about life and how shitty our lives are. But keep laughing on the worlds craziness. Then make love all night long while having pillowtalks in between. I love her. But I also dont want to talk her about how I am not ok right now. How I have been not ok in months. Because she has her own personal issues and family issues that is on going. She even broke down infront of me and my family just talking about all those issues.

4. Office colleagues

Well of course theyre last ones who I thought of. They barely know me. I dont know why I included them on this list. Maybe because I was thinking about talking to them. And just realise its not a good idea while I compose this blog post.

5. Older sister

Shes my bestest friend in the world. But she doesnt understand that I have a condition. I am always lonely. Shes born a happy kid. So she easily finds a way to turn her sadness around. Thats why I think I should not talk to her about my loneliness either. Shes already taken over all financial burdens we have. I dont want to add further weight on her shoulders.

You all may have noticed I havent mentioned any male friend in this post. Thats because I dont have any. Not even a male relative. I kind of hate men. I havent found one that is ok. And who could really make me open up to him. I wish i have that one friend who I can talk to when Im like this.

Guess Tumblr is that kind of friend.

I always tend to write here when I cant find anyone to talk to. And it kind og helps. It takes my mind off getting even sadder or madder that I am like this. Always sad. Always angry. Always want to be isolated. Always in the dark. Always alone. Even in my own thoughts.

Dont even know what to pray for anymore. Maybe I should just start praying for everyone else and hope someone I know prays for me too.

I just wonder...what would it be like if I was free. Free to do the things I want to do. Free from financial worries and responsibilities. Free from the chaos of corporate life. Free from human criticisms. Free from any metrics. Free from the noise of the city. Free from fastpacing society. Free from electronics. Just free.