#I gotta learn how to do backgrounds so I can draw it

[allastoredeer]

I want more Hellaverse lore. Characters interactions and everything are fun and all but... lore 🥹

SAAAAME! I've made a lot of my own lore and world building for the Hellaverse, mostly for Pentagram City and the sinners, and it's been a lot of fun, but I want that sweet, sweet canon lore too. Gimme that deep-dive.

A did get an ask a little while ago asking about the world-building I've done for Hell and all it's politics, which I 100% intend to answer! I just need to gather up all my notes and make it legible enough to understand LOL

But very much agreed, Anon! DROP THE LORE VIV! We gotta knooooowwww.

[gemharvest]

mmmmmmmmm this is looking alright so far 👍

[hansoeii]

Hello! Hope you're having a great day/night! I absolutely adore your art, you are one of my favourite artists. I love the way you shade and do backrounds. Also everytime I get into a new show I immediately see your art for it??

I was wondering if you had any advice on drawing more realistically (backrounds, anatomy etc) but still keeping a style?

Hey hey!

Thank you so much!

I have a pretty good understanding of facial structures, because before I got into drawing more semi-realisticly, I heavily focused on realistic portraits. Here are some example, these are from around 2019!

(yes, I was really into danmei and kpop back then, haha)

I just always loved drawing/painting faces and it was all I did. But at some point I realized that I wanted to do more than that because just portraits felt super restricting. So it took me around 2-3 years to somewhat find my style. Thought it would be fun to show a little timeline! Advice will follow afterwards :)

2020

I began working on my OCs in 2020 and since I didn't have an exact reference to work off of, I struggled a lot. My art from this year is super wonky.

2021

Still wonky, but the Lokius obsession was the jumpstart into finding my style! My work from this year is all over the place haha, I was experimenting a lot.

2022

This first ofmd piece is pretty much the first drawing where you can see where my style is gonna go, which I think is pretty cool! This is the year I made the biggest progress cos I was drawing SO much. These two pieces are only six months apart. The one on the right was the first time I gave drawing a background a proper go, too! It was a good year.

2023

And this is where I am now! I'm still constantly learning and improving, but I'd say I have a style you can recognize now!

Now here comes some actual advice, haha:

What I highly recommend you to do is to study your favorite artists as much as you can! I have like 5 A4 sketchbooks all from 2020 that I filled with sooooo many studies, where basically all I did was look at artists I like and copy how they draw stuff, to try and figure out how to stylize certain things. Some of my favorite artists are Ami Thompson, Velinxi and TB Choi. But I also liked to just scroll through pinterest and study all the art I came across that I liked! For example, if I saw a really great drawing of a pair of pants I would copy it many times in my sketchbook and try to learn how they stylized the folds. Doing this for a prolongued period of time will naturally improve your own work! It'll be difficult at first, but you gotta push through, it's gonna be worth it!

I also highly recommend studying unique faces to try and avoid the same-face syndrome. Find some cool looking people and try to draw them as simple as you can! Maybe even draw a little timeline where you first draw them as cartoon-y as you can, and keep going until you end up with a more detailed, realistic drawing. Maybe in the middle of it you find a step that feels the most fun to you, so you can try to build on that! It's a great way to figure out what kind of style might be the best for you.

Here are some cool faces I found on pinterest!

I have a pinterest board with many more!

One REALLY important part of learning how to draw all kinds of things is to understand forms and shapes and how to manipulate them. I have so many pages in my sketchbook filled with just shapes that I drew from all kinds of angles without any references.

This is a great video on it:

6 Ways to Draw Anything by Proko

Learning how to do this is so crucial! Young artists often think they first have to learn all kinds of detailed anatomy before doing anything else, but all that's gonna do is make you tired and hate drawing. Shapes are where it's at! Once you understand how shapes work and which ones to use for certain parts of bodies or objects, drawing is gonna get so much easier! Once you understand them, you can get into details such as muscles and bones!

And honestly the most important point is to just absolutely love what you're doing! I wouldn't be doing this if it wasn't for the fact that I get extreme hyperfixations on certain media that turn me into some kind of beast where I can suddenly draw 10 detailed illustrations a week, haha. Just be passionate about what you do, find something you REALLY love and go crazy!

I really hope this was somewhat helpful! My inbox is always open if there's any more questions :)

[ckret2]

@marsupials-of-mars submitted:

I was planning to do maybe a fic and more doodles of this but now I'm busy with school so I might as well show what I did do!

Based on how the goldilocks fic seems to posit that Bill at his best is a silly professor who loves to teach his own way

Introducing Professor Locke!

Things about this idea:

-post redemption, however that will go. I'm calling it an AU because I imagine it is not your plan for what happens after lol, but currently canon-compliant.

-Bill is at first not very on board with the idea of working in the higher education system. It's a scam and it's dumb that they tell adult people how to think.

-He's eventually convinced to bless Backupsmore with his tutelage, on the grounds that they're less stuck up there, they seem to care about giving their students opportunities despite their backgrounds, and the kids there care about learning rather than going to college just because their parents said they should.

-Ford uses his academic connections to vouch for Bill even though he is very mysterious and has no academic records. This is another reason why they picked Backupsmore: i's a little more lax when presented with a shockingly smart mystery professor. Bill gets an interview and charms the pants off the university president.

-He teaches "astrophysics" in theory (that's the job description) but he ends up teaching a little bit of everything.

-He's one of those professors you either adore or despise. He's very loud, often outright mean, and if you're too shy to speak up in class he does not give a SHIT about you. You gotta want it!

-However, his class is notoriously easy. He thinks homework and tests are facist, but he's required to have a curriculum, so his "quizzes" are like a few true or false questions and then a short answer where he asks something he thinks would be funny or wants to hear about, like "what's the dumbest thing another student has said in class since the last test and why was it dumb" or "fashion advice: what's the coolest thing I wore this last week? Extra credit: draw something cooler I SHOULD wear."

-as a result, students who have completely unrelated majors will take his class. If they end up being interested, he deems them worthy. If they're just there to be lazy, he will bully them into dropping out.

-Mabel buys him stickers to put on people's tests when they pass, or to just hand out when they something he likes. He gets along most with the college kids who know how to appreciate a classic gold star.

-He really wanted a big pretty lecture hall, where his voice would echo and he could point at a big chalkboard. But all Backupsmore could provide was a cinderblock and linoleum basement classroom. The lights buzz very loudly and it smells musty. They have stools and folding tables. Bill finds he enjoys the more intimate environment where he can walk between the tables and also sneak up on people.

-He's broken multiple folding tables by trying to do the cool professor thing where you hop up onto your desk and cross your legs and talk all casual. He is able to do this on his own desk thankfully. It's aluminum.

-Ford gets a bit nervous if he did the right thing when bill tells his school stories at the dinner table, so he finds an excuse to accompany Bill to a campus event where he can meet some of his students.

-His fears are quickly assuaged when he sees how beloved Bill is and how well he gets along with the kids. When he eventually joins in on one of these conversations, one of the students asks if he's Sixer. The students are excited by this. Bill tries to shut them up, to partial success.

OK I guess I just ended up writing the fic more or less so enjoy I guess lol.

Aww, this is adorable! Thank you! (And the fact that you're imagining a future for Bill makes me so happy.) He's absolutely be the weirdest professor in the school and he'd ADORE having a crowd full of trusting impressional minds whose parents are paying him to change the way they think. Talk about playing to his strengths.

Your idea is so wholesome, meanwhile the moment I saw "Professor Bill" I went,

[sen-ya]

Life After Info Post

[Click here to access the Life After Digital Comic Book]

Summary: Two years ago, a viral outbreak rose the dead. Considering how his life had gone up to this point, surgeon Trafalgar Law figured this might as well happen too. When a supply run into the nearby city gets intercepted by a seemingly reckless and impulsive former patient, the dependable routine Law had settled into in this new life shatters. He finds himself exposed — his body out in the infected landscape, his conscious clawing to define what he believes is right, his heart begrudgingly deciding to find a new home on his sleeve. Maybe there’s more than a virus roaming the new world that can bring a dead man back to life.

Content Warnings: Canon typical violence, zombies/body horror (but lbr I am not good at making scary things look scary)

Relationships: Luffy x Law

Update Schedule: New page every Monday/Wednesday/Friday

Page Count: [37 posted | 55 drawn]

Latest Update: [7/21/24] WOWEE did I get myself carried away this morning. I just spent 5 hours organizing my comics and creating the digital comic book pages. I could have spent that time drawing or idk not doing what I do for my job, but I cannot be stopped. Anyway I blocked out 30 pages of this comic last week and they include the most intense action sequence I've ever done in my gotdang life. Wish me luck because I am nervous about tying down all my drawings lmao.

OLD UPDATES:

[6/29/24] HULLO! I'm doing so bad at keeping my masterposts updated lately I am sorry. All pages of life after are tagged life after if you're ever looking between masterpost updates! Also exciting update, I finally have figured out all the different plot points i'm gonna be hitting (yay!). I got hung up on something for awhile that made me not wanna work on this project, but I'm back at it. I think we'll end up with 6-7 parts! I have probably another 80-100 pages to draw lol. Also i got the app Magic Poser and it's AWESOME and I immediately used it to block out sets cuz MAN I hate backgrounds.

[6/10/24] HELLO. I'm sorry I've been shit at updating my masterposts lately. It's easiest to do from my computer, which I rarely use, and life has been happening. I also can't believe I bungled the queue and posted pg19 before pg18 i am very sorry 🤦 Eventually I'll have to turn this into an airtable base I'm sure, but until that day comes where I have like 100 pages of this comic we're stickin to the regular post lmao

[5/26/23] I got real caught up in doing summer of lawlu comics this week and this is the first week since the first week of April I haven't drawn new Life After pages and it feels weird 🙊

[5/19/24] More Luffy backstory comin' this week! :^)

[5/12/24] Updating now so get myself on schedule to update on Sundays like I had been with my other comic master post!

[5/8/24] Thank you to everyone who's liked/reblogged/comment on the first few pages!! It means the world to me that anyone's reading my silly little comics.

[4/28/24] HULLO. It’s happeninnng. I’ve spent the last few weeks working on this comic, and I gotta make this post so I can start queuing pages & link this in them! This is the most like….legit? Comic endeavor I’ve undertaken perhaps….ever. I’m very nervous about committing to how long it will need to be lol. This story is dear to my heart — zombie content is kind of my very favorite. I’ve always found it to be a great backdrop for exploring themes like grief, coping with change, community, and learning to live again. It’ll be a long haul but I hope you’ll ride it out with me!! Tomorrow I’ll be posting the first two pages. After that a page will post every Monday/Wednesday/Friday. As of this post I’ve completed over 20 pages so that I have a good lead on what’s posting and continuing to write, so I’m hopeful that’s a cadence I’ll be able to maintain. I’ll update this post weekly to include the most recent pages the way I do with my main comics master post. All pages will be tagged 'Life After' and I'll tag any pages with zombies in them with 'zombie' for blacklisting etc.

[lambment]

Any tips on writing character dialogue and interactions? Love your art btw

Hiya and ty!! Im still learning myself, but I can explain to you my current process!

first step for me is imagining a situation (amusing or entertaining ideas) and I develop that Idea by picturing how the characters would react to the situation based on their personalities and what their motives/goals are. basic story stuff y'know. then I rlly start to think key moments with dialogue.

for flow of dialogue sake, I speak the entire comic outloud several times. this helps with pacing, and lets me know if it feels natural or awkward. I like to imagine conversation between characters like a tennis match: reacting, defending, attacking, back and forth.

but as an example, this is my thought process on making character interactions in the Mawwige comic (X):

situation: "wow it'd be funny to explore the lamb trying to immediatley marry Narinder after usurping him."

so knowing that, I ask: what are the characters thinking and feeling in that moment based off of three things : personality, motive, and their experiences/backstory. how would the dialogue btwn the characters bounce off of one another, based on all the information given.

Lambert: is sly, always looking for a punchline, backhanded. motive: wants to marry Narinder (whether as a joke or fr, youll never know), clearly holding a grudge still, shown through them being unsympathetic to narinder having a meltdown.

Narinder: is an asshole, but in this situation, he's locked in a stupor. all he can think about is how he lost his life's work. he's out of it, he does not have a fucking clue what the lamb is transpiring in the background.

based off all of that information, I make the bits + dialogue:

Narinder being shellshocked by the usurpment, contrasted by Lambert unphased and wanting to move on and get to their wedding.

the wedding being planned for months, despite not knowing if Lambert would actually beat Narinder.

Narinder being the last one to find out hes a bride. He’s prideful but a little dense, and the lamb knows that.

the lamb is hinting at the wedding the entire time, literally handing him a veil and wedding pamphlet, and doing it as smugly as possibly.

the sundial watch bit, because I needed the lamb to get them both from the summoning circle to the temple "oh we gotta get going".

the crown objecting because its homophobic hates narinders guts.

I hope this helps? this process isn't linear with finding dialogue, its a lot of back and forth and I usually change the dialogue/ add bits as im in the process of drawing the comic.

[charbies]

linktober 31 - HAPPY HALLOWEEN!!!

I thought for the last day I'd write a little retrospective on what this whole thing was like and what I learned. I'm too tired to draw literally anything else I'm due for a break lol

So this was my second time ever attempting a linktober/october drawing challenge, but my first time managing to complete all the days and prompts. I feel super proud of myself and accomplished for pulling it off.

There were a number of things that were surprising and that were challenging for me that I wasn't expecting this month. If anything, I think this challenge really highlighted my flaws and mental blindspots with how I approach making art.

For one thing, I came away from this not liking everything I made. I think I only like about 9 or 10 of the 30 pieces I put out there. When I don't like my art, I tend to get stuck in this mental stalemate of refusing to finish a piece until I like it, but also refusing to retrace my steps and erase/rework what I have so far for fear of losing progress or not being able to replicate the line/angle/color/etc that I liked.

It was surprisingly hard to accept when I didn't like a piece but had to move on for the sake of time and post it anyway. But once I did it a few times, it got easier. I realized prioritizing my standards over my available energy is not gonna promote progress. If I kept sinking myself into one piece and not moving on until it was optimal, I never would have finished anything-- that was the pitfall that ultimately made me bail out 10 days in last year.

I also realized my sunk cost fallacy/"what if I erase this and can never redraw it good again" stems from some real lack of confidence in my knowledge and techniques with art. I'm self-taught, and I think I tend to believe that everything I make is a dumb happy accident, even though I have mental rules when I draw, use tons of references, and have a process lol. There are a few pieces I started over 2-3 times before I got them right, and that's starting to feel liberating instead of like failing to me now, which I never expected to come out of this experience so that's cool.

Another place I had to learn to let go of control in this was with allowing for style variation. I really wanted each and every piece to be coherent and painterly, like they all came from the same book or something. But then I couldn't decide whether I wanted to do all/no lineart, all/no detailed background, all/no heavy rendering, etc. At the end I settled on just keeping the same canvas dimensions and just prioritizing filling up the space. Glad I ended up doing this, because I really would benefit from continuing to chill out and scale back how much I default to making dramatic, high-render pieces. I gotta break out of my comfort zone and make more sketchy little guys!

Sometimes my attachment to the prompts fluctuated; some prompts I thought I would love and then just wanted to get them over with. Some prompts I thought I would hate and subsequently half-ass, then I ended up redoing them and putting more effort & time into and loved the end result!

It was funny to also see how some pieces that I loved straight up did not get a whole lot of notes or attention. Some pieces I was "meh" about did crazy numbers lol. I'm used to posting maybe 5-6 times a year on here, so I'm usually indifferent to getting notes (by which I mean, I'm super grateful for likes & reblogs and the super sweet & funny messages in y'alls tags, but I'm not butthurt when I don't get notes because whatever happens, happens). Churning out 30 pieces in 30 days made me sometimes get bewildered by what did and didn't get notes, but frankly in the end I think it helps reaffirm that I should continue putting whatever I want out there because it! is! not! graded!!!

So would I do Linktober again? Probably not, sorry! it was a lot of time & effort and took me away from fall festivities more than I would have liked. I kinda only managed to pull this off because I was transitioning between jobs this month and had a week off to just draw. But I also completely see the value in taking on a challenge like this and finishing what I started, I'm super glad I did this, I think my art improved from it. I would definitely do future drawing challenges/prompt things that are quicker or have less prompts!

My advice to prospective future linktoberers: pace yourself and be gentle; this is a great chance to do something exciting and new with your art, but above all it's about you having fun. There are no prizes at the end except for what you've learned and how you feel about it, and that's for the best!!

One thing's for sure, I am zelda'd out lmao so I'll be branching out towards some little projects I have lined up for personal art and other fandoms I'm into right now

So anyway thanks to all of you who read this or who gassed me up this whole month, I appreciate you!!!!!!!! ヾ(＾∇＾)

[oldwritingm]

hi hi! can I request some headcanons about the ninja (+pixal, if you're up for it) having an artist s/o? okay thank you, also I love your writing!

Oooh yess!! Where my artist ninjago enjoyers at⁉️ I’ve come to nourish you <3

Ninjago - Ninjas (+ Pixal) with an Artist s/o

Jay

Immediately asks if you can draw/paint/etc him

If you agree, he will ask again in the future

….honestly he’ll probably keep asking even if you say no

What can he say? He wants to inspire you ;)

If you have art block, he immediately jumps to pose dramatically or arrange a bowl of fruit or something

He’s equally enamored with the quality of your work and the fact that it came from your hands

He loves all your work, even the pieces you decide to scrap/re-do

“What are you doing?? That was perfect!”

“Jay? How long have you been standing there-”

On that note, he loves to watch you work

Even when you don’t know he’s watching… (he’s a little obsessed)

But the plus side of this is that he knows the exact products you use, and he can see when you’re running low

He makes sure to replenish your stocks for you :) so you won’t ever have to worry about running out mid-project

He also makes sure to flaunt your work as much as possible, especially the pieces he “inspired”

He truly thinks you’re the best artist in the world, and he WILL fight someone over it

Cole

I see Cole as a pretty artsy guy himself, so he’d be thrilled to have an artsy s/o

You might not expect it, but he’s really in tune with his feelings, so to me it makes sense

He’s not quite as artsy as you, but he knows how to appreciate it

He’s more into the performing arts himself, but he has no less respect for other types of art

He’ll totally arrange work sessions for you both, which vary depending on the vibe you’re working with

Feeling like doing something a little dark or moody? Dramatic piano. Candles. Wine/grape juice in wine glasses.

Feeling colorful? Open windows. Flowers in vases. Candy and fruit. Maybe some cartoons playing in the background.

Point being: he knows how to get a vibe going

He really loves to work alongside you, even if you’re not doing the same thing

Sometimes he tries to sketch or paint, but more often he’s just watching you work or practicing moves

(You guys totally have a shared studio btw; wood floors and barre for him, easel/supply cabinet/whatever you need for you)

You guys definitely help each other out too

He’ll teach you a few moves so you can be his dance partner every now and again, and he’s more than happy to be your muse in return

He doesn’t really do performances or anything (dance is just a side hobby), so he has all the more respect for you if you publicize your work

He loves all your work, but he’s also a great source of constructive criticism

“I like this one. It’s darker than your other pieces, though, isn’t it? More drab.”

“Yeah, that’s kinda what I was thinking. I think I was just in a mood when I made it.”

Kai

He’ll make requests, but mostly for things he thinks would be cool

“What if you did one with, like, a car shooting flames from its exhaust pipes? Oh! And the driver is super handsome with a flaming cape and swords and sunglasses that are made of pieces of the sun!”

“That is insane. …I’m starting right now.”

He really admires your art, and he’s honestly a bit jealous of your skill

He actually has a pretty creative mind, just not the means to express it

So he’ll be shy about it, but eventually he asks if you can give him some pointers

He doesn’t want to keep asking you to bring his sharks flying in jets over volcanoes to life forever, after all

He’s gotta learn to be independent!

So he’ll quietly join you while you work, watching you closely and trying to follow along

He gets frustrated when he isn’t instantly as talented as you, and you have to laughingly assure him that skill takes time

He only gains more respect for you as he tries to stay calm

He learns to truly admire your work this way

And with his admiration came a tenfold increase in support

However you share your art, he’s the #1 supporter

Posting online? He’s already liked, commented, and shared on 7 different platforms. At a showcase? He’s dressed sharply, stationed not-so-inconspicuously in front of your piece(s) and getting others to talk about them

Zane

He also has a deep appreciation for art

He doesn’t always understand non-logical things, but art has a way of resonating with him

So to have a partner who makes art…

It adds a whole new level of emotional depth to your relationship

You already make him feel complex things, so seeing art that’s from you is truly an experience

The wistfulness he gets when looking at normal art is only amplified when he remembers that your hands produced it

He likes to be with you when he admires it, squeezing your hand while he takes in the little details

He’s a quiet admirer, but he’ll absolutely attend any events you’re featured in/support any online presence you have

He never gets tired of looking at your work; or looking at you work, for that matter

If you let him, he’ll watch you work

He’s dead silent, which is either a blessing or a curse depending on how easily you get creeped out

Eventually, when you finish, he’ll stand up and join you at your side, admiring the final product

You know he likes it when he reaches for your hand with a smile, letting you rest your head against him

The most you’ll get verbally is “it’s beautiful,” but trust me, he feels so much more deeply about the piece (and you <3)

Lloyd

Lloyd is more curious than anything when he finds out you’re an artist

What kinds of art do you do? Can he see your work? Have you always liked art?

He’s eager to see your work, but he’s not sure he can “appreciate” it properly

You have to reassure him that there’s no one way to “appreciate” art, and however he feels about it, that’s just how he feels

Your response only increases his interest

He ends up getting more into art because of you

The art of appreciation, if you will

He wants to be able to understand your work more so that he knows how to support you

He mostly spends hours just staring at your work, trying to notice the little details

He’d love to watch you at work, too, if you’ll let him

He asks questions all the time, but still tries not to annoy you

He’s actually already a natural at “appreciating” art, but the fact that he’s always trying to learn only makes him better at it

So you can do nothing but smile while he tilts his head, carefully formulating his next question

They’re surprisingly deep at times:

“Do you think this piece uses smoother shapes because you were feeling relaxed, so you moved more slowly? Or perhaps you were just emulating your calmness subconsciously..?”

“That could be it. I hadn’t thought of it like that.”

“Oh, sorry, am I overanalyzing? Sorry-”

“No, no, you’re totally right.”

You’ll ruffle his hair affectionately, and he’ll wrap an arm around your shoulder while he continues to examine your piece :]

Nya

I’m gonna be honest, I don’t see Nya as the type to get all deep over the meaning of art

Like, if it’s pleasing to the eye she’ll appreciate it, but she doesn’t think about it too much

It’s just too abstract for her tastes; the pseudo-reasoning of art critics gets on her nerves

But for your work she makes an exception

Well, not really an exception—she doesn’t take to pseudo-reasoning

She knows you, she knows your feelings, so when she sees your work, she sees a piece of you in it

It’s something she doesn’t see in other art pieces; she doesn’t know the artist, so it’s nothing more than a visual piece for her

But with your pieces, she can dig deeper because she knows deeper information

That’s why she loves your work, and why she loves watching you work

You’re the only artist that makes her feel like she really understands art, and for that she appreciates you

(She still thinks that most critics talk out of their asses though)

On that note, she will fight your critics. She will hunt them down and make them regret ever trying to “understand” your work

“Tch, look at this idiot. He doesn’t even know what he’s talking about! He doesn’t know you!”

“Nya, he’s complimenting my work-”

“But he doesn’t understand it!”

Honestly you think it’s a little funny how she’s unintentionally become one of those critics who argue about a piece’s meaning

Only for you though ;)

Pixal

She has a vast trove of knowledge, but feeling is something she often struggles with

There are few things that actually give her profound emotions

Your art is one of those things

The fact that it came from you, that your hands crafted it…

It stirs something in her, and suddenly the shapes and colors come to life

She asks you about it often, trying to understand

“Why is it… calming?”

“Well, I suppose I used some pretty muted colors, and the imagery is kinda peaceful… I dunno, does it calm you?”

“Yes. It makes me feel calm.”

Obviously you’re proud of her for better recognizing her emotions

And she’s proud of herself!!

Your art helps her understand a part of her that she’s only beginning to explore

And, since it comes directly from you, she credits you with the help :)

She loves to see your finished work, but she also finds herself mesmerized by your creative process

Watching the piece come together, each motion bringing it closer to completion, helps her understand the art itself

She tells herself that it helps her understand her feelings, too

Even though she knows that not every piece is dedicated to her, she always thanks you for showing her your work <3

Thanks for this request!! And thank you for reading, take care you little rockstars <33

(divider by saradika)

[randomyuu]

so hold my hand (consign me not to darkness) [1/4]

Ah, yes. The fic that made me realise I’m in desperate need of Cursed Spirit Gojou in my ever-growing favourite GoYuu tropes.

Content Warning!

Major Character Death. Other characters are disrespectful to the corpse.

I highly suggest you read the fic first, or just the fic, since I don’t think I was properly able to adapt it into drawings. While I managed to use roughly two weeks of on-and-off planning, researching, and storyboarding, I only had a full week to finish it. You can read more of my thoughts below the comic if you’re curious.

Title: so hold my hand (consign me not to darkness)

Author: qalb_al_louz

It’s ongoing, and as of this drawing, the fic is in its third chapter. While this is (sexually) SFW, always be mindful of the tags! Please keep yourself safe and sound.

Please read from right to left, and enjoy!

You can only upload 30 images in one post, huh Damn, I gotta divide it into parts

Part 1 | Part 2 | Part 3 | Part 4

Alrighty, I'll put my watered down unhinged thoughts below. No extra drawings down there if you're curious haha (unless you want to see the storyboard and the characters' full body character sheet, lemme know). You can skip the stuff underneath the Keep Reading for all parts.

This fic had me grinning from ear to ear every time I read this. The atmosphere, how it goes from POV to POV—of pure fear and panic—and the peak excitement I got when Yuuji properly meets Gojou, like brooooo 😭

Gosh I cannot emphasise how much I love this fic. I’ve always been wanting to make a whole comic out of it, especially since it was 2 chapters and it doesn’t look like the author will update it, but it just… kind of forgotten ∠( ᐛ 」∠)＿

But then the author posted a new chapter and I told myself this is a sign I should really start.

also goddamn I was so naive to think I can tackle 2 chapters as comic—no I was in fact cannot

The moment I laid my eyes on the first paragraph, things were portrayed very vividly in my mind. The panel, the angle, Gojou's head rolling down... I was like, hell yeah. Then I continued reading and I finally succumbed to my desire to draw this out.

At first I want to adapt this into a vertical format like those manhwas. However the longer I try to learn and storyboard it... I am simply not yet comfortable with it, especially for such a big project. Even the 1st storyboard starts vaguely vertical before the panels quickly crammed into that B4-B5 format lol. The first sketch estimated 69 (heh) pages for 90% of chapter 1. I said "no" for my own sanity and fully focused on the usual manga format and it was narrowed down to 60. Still a lot though, quantity and time-wise. So with a heavy heart, I can only do the majority of chapter 1 :”) I really really want to draw Sukuna talks back to Gojou—do you have any idea how good that scene was??? Gojou tried so hard to restrain himself, he’s so other I love him 😭

Due to the sheer length of this comic (I'm still in disbelief), I have limit lots of things, and that includes the drawing. If you've seen my other JJK fanarts, they are more rendered than this one. Well, this one is purely sketched with the help of the eraser to tidy up some lines. This is also the first fanart that I did purely on Photoshop, so I can control the typesets and drawings in one place. Usually, I use Photoshop for panels and typesetting and Krita for drawing.

I don't really like Photoshop's brush, but it did really well in curbing my perfectionist tendencies, so that's good.

It's also been quite a while since I draw in general (sobs) so... yeah, you might find differences, or not ¯\_(ツ)_/¯ But I hope you enjoy it nonetheless!

I know setting is important, but maaan I genuinely won't miss rereading chapter 83-93 with a heavy focus on background and character locations. I just want to read the action and dialogue😭 However continuity is really important. But my spatial intelligence is almost non-existent even GPS sometimes can't help me. All I'm saying is that if you find some silly drawing mistakes, do forgive me ∠( ᐛ 」∠)＿I only drew all this in a week because otherwise I won't have another chance to complete this.

Well, lots of things I won't miss from this project, but haha let's talk about the characters instead because holy shit what was I thinking, starting this year drawing this many characters in the same project??? I have never drawn anyone here except for Yuuji, Gojou, Nanami and Megumi. I don't think I've ever drawn older Getou before. I already forgot how to draw my boy Yuuji and I gotta draw all these people???

This is what you call making a bad decision, kids. Don't do your "drawing warmup" after months of not drawing and tackling a project of a scale way bigger than you've ever tackled before.

Thank you for reading this far! I hope you find my complaint entertaining! But make no mistake, I genuinely still love the fic. Drawing this, even with all the headaches it gave me, only makes me adore this fic even more.

Thank you very much to each one of you who follows and leaves comments and tags on my silly art—it never failed to make my day :D And I sincerely wish this one also made your day or even made your minute! I'll see you in the next part!

[thedenofravenpuff]

How do you draw the metal shine on your animatronics?

Oh geez

Honestly?

I have no frigging idea! Couldn't start to explain what I'm doing, as I just draw and add shine and shading as I work. At least if yer talking about my robot shine in my sketches.

But alright, let's see if I can try and make examples for this..

Fig. 1

As said above, I usually shade and shine as I go, so leaving this one mostly blank was bit of a toll on me.

But yeh, just a flat sketch of our favourite Sun guy just happy to be here

Fig. 2

Alright, this is a very simple example for how I do most shine on areas meant to be a light colour. Can't be too drastic and risk making it look like the casing is supposed to be darker.

Best way I can explain the "shine lines", hmmm.. I'm not smart enough to have the words, I guess. I just learn from observing art and things around me to try get an idea what gives the right effect with the tools given..

Fig. 3

Let's try with more detailing by adding soft shading.

I really do just add these things based on feel and vibe, as I go.

Do pay attention that whether it's metal shine or shading on non-metal parts, it rarely goes all the way to the art lines. Gotta preserve white space for effect, it helps giving the needed illusion of light when ye only got pencil to work with. Is the best way I can put any instructions on this.

Fig. 4

Of course matters on the shape and desired effect on what you are drawing. There are many ways to draw shading and shine on different materials, for the right feel. This is just some basic and simple examples I can think of to try and illustrate.

I'm sure you can find plenty of better tutorials out there to explain this concept in deeper detail than I'm able to.

I never really looked it up myself, I just experimented with my techniques as I went. Even trying to set it up in separate parts have me unsure if this gonna help ya understand how I do my work.

Best I can tell ya, is I mostly tribute the backgrounds of Hollow Knight some credit for my shading techniques today. Some arts done attempting to copy the style of the game's backgrounds and detailing gave me some pointers to work from.

(Moth character my old OC Grave Keeper)

So, yeah, that's the best I can give ya on the subject of how I do metal shine in pencil. Best I can offer is ya look up examples that work for you, to try draw from as you figure out your own technique and vibes for it.

I do hope that was any help!

Enjoy!

The Roan RPG Project ScreeCon Server on Discord Leave a Tip on Ko-Fi

[loafthecat]

Now I don’t have any drawing or anything planned for the anniversary-

But I do wanna express how much this game means to me personally-

Honestly, I don’t even remember what drew me into ctm, lol- I just remembered the series from some old play throughs and thought to give it a watch but- something about the game just made my brain want more of it-

So- I watched more playthroughs and comic dubs and animation memes, (even vine comps too-) I just- loved it- and from there it’s led me a lot of places-

Thsc was how I joined discord and met some of my best friends and some of greatest people I know! All my mutuals are really creative and nice- idk what I’d be doing without @emperorcandy or @rubianarosevine or @toxsradioactivelocks and ESPECIALLY without @randomgasleak because Leaky is one of the bestest, nicest friends I have- and I would seriously miss out on every fun lil conversation and infodump we have with eachother, getting to share my ocs with him is some of the most FUN I’ve had in my life- and i am seriously thankful to EVRYONE in Tox’s server for just- existing lol-

Also no I didn’t forget about- @kean-thebean or @savagepotat or @cybercypress24 or @lynplaque or stormy love yall too-))

Thsc led to me learning about more lgbtq+ identities that I didn’t even know of- in fact it helped me figure out my own identity and realise I was AroAce! So thanks for that-!

Thsc also helped and inspired me to improve my art!!!! Seeing the talent in this fandom made me wanna improve and develop an art style I truly love to draw with- and well- I did it!!!! I finally have an art style I LOVE to use and which actually looks good!!!! I can finally draw necks!!!! And no that was not something I could do before thsc- hm, funny because sticks don’t have necks technically so who would’ve thought-???

Continuing on from that, thsc is directly responsible for the creation of some of my FAVOURITE ocs!!!! Ollie, mitzy, mavy, Kapper, Tulip etc. heck- even ocs that while they ain’t sticcs or direct thsc ocs were INSPIRED by and influenced BY the game!!! (Lookin at you, Opal and Angus-) I especially have to gush about Ollie because I just LOVE him so much- who would’ve thought a BACKGROUND oc for a rp would become one of my main ocs today-? Not me that’s for sure-, I especially didn’t expect that I’d cry over how invested I am in him lol- I just love my lil gae sticc so much!!!!! He’s brought me so much joy, he’s helped me to vent out my problems- I just- I just- LOVE Ollie- lol- and I’m sure I’ll continue to do so even in future-

Thsc also introduced me to Dave panpa’s existence so everything is 100% worth it. I would die for this man, I want to platonically hug him and him and Rupert kiss kiss, I should know- I am the loaf of bread on their countertop!

And I guess last of all- I wouldn’t be on tumblr if it wasn’t for thsc. Thsc gave me the confidence to branch out and actually start using over websites aside from YouTube- it’s also how I joined discord and as I’ve said meet all my closest friends- sure- tumblr hasn’t always been the best at times but- I enjoy being here and while yes I’m not the most popular person here or even of note to some people- I’m still here right-? And I gotta thank thsc for that-

So in conclusion-

It is 23:24 pm at night- and my WiFi really didn’t like me finishing this- (it f^cked up THREE drafts of this that I had like wtf WiFi-????)

Now. Is this normal-? No, it probably isn’t normal to have a extreme obsession over a silli game about a sticc figure stealing shi- but shush I’m weird- and autistic it’s fine-

So yeah. Thanks thsc, and thank you puff for making the game.

You changed my life- for worse or for better take your pick-

[nerves-nebula]

I fucking adore your comic panelling, any advice on how to do it? Like specific ratios or ways to divide the page?

god there's so much advice i COULD give but i really dont wanna end up writing a book here. so I guess I'll say this: however you divide the page you should be CONSISTENT with it, i literally just learned/internalized this but it's made comic paneling soo much easier. when you break that consistency it will be more impactful. hold up lemme grab some pages.

so i recently started making loose stitches a 4 tier comic. it's not the exact same for each page cuz i'm lazy but i think it's made legibility way better. before i think it was kinda uhhhhh a little all over the place. not BAD but a little difficult to tell where your eyes supposed to go sometimes. which isnt great for a commic.

the page on the left in particular has always bothered me cuz i always read the top panels incorrectly and it's like. fuck man what is the paneling here why is it in two columns ????? that's so hard to understand. but the page on the right can be more or less easily understood (by someone who knows how to read comics) even without panel borders because it's just a simple 4 panel square.

one thing my comic professor really stressed was that he didn't like weird paneling or weird borders. for the most part, a square is fine. AND HE'S RIGHT. weird paneling is fun and cool but should be used sparingly or with intention, cuz if you do it too much then like. how tf are ppl gonna read your comic.

that being said there are a lot of cool ways to cut up panels even if they're just squares hold on lemme grab some examples

so the panels here are all square but the image in the one at the bottom is almost like a mural. one thing i really like to using is a lot of heavy BLACK, what can i say silhouette's have my entire heart.

in my fable comic, I used a 3 tier system. it wasn't the same exact size across all pages but all pages had 3 tiers of paneling. that way i can be a little more flexible with the SIZE of the panels to emphasize the more important things, without it feeling like it's all over the place

meanwhile in my comic final i used a 4 tier system where each tier was nearly the same across every page, but you can collapse tiers together for establishing shots and big reveals so that they're more impactful. it's still fully within the grid system I set up so it doesn't feel like it's messing with shit either.

ok i just spent a lot of time rambling about this one particular concept and it's probably not even what you wanted to hear about :') i didnt even go into ratios or anythinggg guhhhh sowwy

other than all that i'd just say you gotta keep looking at what comic artists have written and take note of how they use space and cut things up. there's this book called How To Read Nancy and it has all these exercises for understanding the building blocks of nancy. for real the author is OBSESSIVE and goes through everything of a 3 panel nancy strip from body language to spot blacks to the minutia of the background. we used this book in my class and did some of the exercises in the back and i think it's really good at getting you to THINK about what you're drawing. and you can easily pirate it if you're broke.

also try to make sure things dont get stagnant on a page. zoom out if you're only doing close ups (i try to make sure every page of loose stitches has at least one full body shot even tho I'm lazy and wanna just do talking heads- talking heads arent interesting!!)

also, take advantage of the fact you're drawing a COMIC. you can do shit in comics that you can't do in other mediums, try to implement them when u can! ALSO PRACTICE. you're not gonna get better just by reading and watching. you gotta do it lol. ok ok that's enough and you didn't even ask for that stuff you asked about PANELING sfdasfsd byeee

[majorproblems77]

Recalled updated! Okay okay okay im very excited about this lets gooooo!

HI!

How are yall doing? I've been freed, (then I got sick haha.) We are back with the final part of Directionless and we find the main group inside Hyrule castle trying to figure out what to do next.

With some shenanigans along the way.

Okay, time for the important things! Recalled and all panels belong to @recalled11 and its wonderful artist @l3ominor. Go check it out!

You can find the comic page here!

Now, it is time for snacks and drinks, Let's do this! :D

Backgrounds my beloved, you get so much story telling from just this one shot it's great.

MAlon and Time and helping Wild gather information, Sky is resting his leg while flower and Sun discuss something.

Hmm, Sky's looking very serious right now. What's on your mind blorbo?

Look at him run. I love him.

Yoink.

This makes me chuckle. I love when we get Wild shenanigans.

I love how casual he is about this. But I'm gonna note something here.

The orange glow of what I assume is ultrahand. Which would be it, If this next panel didn't exist.

Wild's eye is glowing orange. The eye which changes colour when he's looking at the orb.

So Wild's eye changes colour based on what ability he is using.

Confusion and joy.

Like ust look at these guys

These two are just cackling at Time's expense. And Wild's shenanigans and I totally agree.

The man is still holding his hands out like he's still holding the books.

Flower's little pen for her pura pad. I love it. I can only assume She's got a little diagram on her screen which is just chaos

What's on the paper captain? I hope you didn't tear it out of your book.

I wonder if it's a group drawing of the war heroes looking at a reference picture while trying to find information would make sense. Depending on the length of time it's been since he was fighting that war.

Hiding something are we captain?

I reckon he's trying to figure out just who Time is. And has dug out a picture from the war. (Im unsure, do we get Big Brother Captain? Because I live for Big Brother Captain)

interesting we get symbols for these heroes.

What's the problem Time? Are you looking at someone who you recognise and now he's mentioned your hero title you dont want to talk about it?

Look at Malon, She's like 'You have gotta tell him.'

And Captain looks sad about it. Which tells me that he knows and that he's waiting for Time to approach him.

Thats interesting. We know we get Midna as a companion in Hyrule Warriors. And I assume that Fi mentioned Sky at one point.

I sense some Angst in our future.

Sun putting her hand on Sky's shoulder like that gives me life. i love these two a healthy amount okay.

Also these backgrounds are pretty, I love the triangle behind Sun and Sky here. Thats' Wisdom On the triforce (If observed on the left hand). And considering that sun is in the centre of the frame. I find this interesting. Maybe because they are learning a lot of information right now?

Okay, so you may be wondering who says this line on the left here. I was too. I reckon it's Sky. As a shock response to being mentioned by Captain.

Mainly because From the angle of the speech bubble and the location of the heroes in relation to Wild, it only gives a few heroes. Mainly Sky and Sun.

Sky asking this makes sense as he and sun are the newest to the group at this point.

Okay now its the time for the big one'

The orb. (Or compass,)

I've taken the time to translate the words I can identify and have extrapolated the rest of them from there. The language is Sheika, and most of these words are what (From what I understand) Is what Wild himself identifies each hero as.

So we have, (Rapid fire style)

Hero of Wind

Hero of Spriits

Hero of Sky

Hero of Time

Captain

Me

These all say, Unknown.

A little more on this as well.

This circle around this orange arrow. I believe this is the arrow that Wild has chosen for them to approach. Orange if I had to give you a guess is Twilight's colour. Mainly from this bit before.

Backgrounds give a lot of information by themselves. This looks like a Twili portal.

The reason Wild chose that is unknown to me. During one of his adventures, he encountered Wolfie. So it makes sense. Maybe he was able to identify his name as Twilight. Or called the wolf that himself.

I suppose the next arc will give us more information!

Woo! Adventure time! :D

Okay, thats enough of me rambling.

Thanks for hanging out with me today! I love this comic so it's always a pleasure to write these!

:D

Now I hope you all have a wonderful day!

[untoldsoup]

Something scary about drawing fan comics is when you're faced with a pose, or a background, or a color scheme that is needed to move the plot forward but you *know* is beyond your skill.

Or even just a character that's hard to draw (looking at you, early versions of bowser lol).

You know it's not turning out and it's not going to be perfect. And it won't be perfect for a while as you figure things out slowly, and the fear everyone else can see you struggled with that one panel, or that one page. Just feeling like everyone can *tell* this is where you faultered and the scope of your story was bigger than what you could do but you pushed forward anyway.

And then I read other artists comics and I wonder if they are having the same struggles. And they *must*, I can't be alone in this, but I don't see those struggles in their work. So surely If I'm reading their comic and I can't see where they faltered or struggled or feel that 'this is the worst page I've ever drawn' then no one else can see it in mine, and we truly are our own worst critic. We judge our own work on a scale we wouldn't judge others by.

You got to remind yourself the viewer most likely won't see those mistakes. And if they do they are already reading the next panel and moving on. They didn't stop to analyze and judge that one mistake that you agonized over yet couldn't properly resolve.

Sometimes when I'm struggling, when a panel is just...not how I want and I realize I've spent so much time trying to fix small things no one will give a shit about I hear that meme in my head, the one that says "fuck it, we'll do it live!" And I move on. It's just gunna be like that. I gotta keep the momentum going. I can't be hung up on one thing.

And the momentum is crucial with comics. You gotta keep moving. Every panel or page you finish helps the next one be better, because soon things you once struggled with are second nature. You gotta use the tools in your toolbox. References are not cheating and every person who ever said that to an artist held that person back from improving. You're never going to fully know how to draw that angle if you don't *look at it*. It wont become second nature to draw if you just hope you can guess right through sheer force of will.

And coloring is fucking hard. It's tedious. Its boring but god when you finally get it right it's so rewarding. When you learn a new thing that makes your work pop.

And you gotta just accept your art will not look the same from page one to page 50 if you're learning as you go. You got to stop being embarrassed. Because it shows you were *learning*. It shows you improved and yes the early pages wont look as good but look!! Look at what you can draw now. It's a visual representation of every new skill, every new technique you learned on the way and we gotta stop cringing at our old work and instead thank it for getting us to where we are now.

[echosong-87]

“The Hidden Lair of The Moonlit Prince.”

Ok!! I really do suck at drawing a Background!! I don’t know what I am doing… and yeahit was stupidly making me frustrated!!!

Ok!!… this is another writing attempt on Moonlit Prince!Branch!!

All of this is under Poppy’s point of view under third person!!

—————————-

“Sooooo?… tell me again why you and Queen Barb wanna go into a place where Count Creepula sleeps in?” Smidge asked, while she steadied her balloon’s landing as close to the steep jagged rock face.

Barb Smirks and wrapped a strong arm around Poppy’s shoulders and replied. “Simple!! I am trying to fix whatever mess I threw myself in, and having to help Poppy make sure that Mr. Sunshine is doin’ alright.” “And we DID promise King Trollzart that we somehow need to convince LUNAR to come out of his spooky man cave and back to the trolls below.” Poppy added, correcting and smiling wildly at her newfound friend. “and Thanks for taking us all the way up here though!”

The blue haired(or is it teal?) troll shrugged it off without a care in the world. “Don’t mention it Pops, It’s what friends are for.” She said, but turned to her right. “What I don’t understand, is why do YOU gotta come tag along?” The purple troll jumped slightly in his skin, and he trembled quietly, as he tried to ignore the burning stare from the smaller girl. The suspicion was burning a hole right through him as she narrowed her eyes.

He shrugged it off as he walked near the two royals. “To be fair Smidge. I am still a tad bit worried about the aura the prince was letting out the last time we met.” Creek explained, standing in his signature pose, back straight and his paws in a prayer position, his tail curling beside Poppy and Barb.

Rolling her eyes at that Barb retorted, “dude? I turned him into a raging rock zombie. Remember?” Creek shuddered, “Yes. I know, we were all there.”

Poppy face fell and she glanced down at the wooden floorboard of the balloon ship Smidge owned as memories flooded her mind with the terrors of that moment but she quickly shook it off not wanting to remember the prince’s tear stained face as he slowly loose his mind and became this monster that not even Barb could control.

“It really wasn’t his fault.. and it wasn’t your fault Barb, it wa-“ Poppy started, but the Queen of rock scoffed and walked away from her and Creek. “It was so too my fault. During the time where I was invading each land and concurring every string… and every time Lunar had to physically fight me… He warned me!.. He warned me not to continue! Each. And. Every. Second.”

Poppy watched Barb glared daggers down at her feet, and looked very angry… mostly at herself for doing something terrible, far more terrible than what Poppy’s tribe had done centuries ago.

Creek tilts his head, curious as to what she meant, asked her. “What exactly DID Prince Lunar said to you?”

Barb sighed and crossed her arms leaning her back on the side rail of the ship. “All I can say is that Lunar is an amazing fighter and never does quit… it always looked like he never learn how to quit… but he was holding back… a lot… well a lot enough to tell me these words”

“‘Only a fool may lay snares, so obnoxiously noticeable enough for their own eyes to see, yet it is within their own folly that ensnared them to death.’” Barb quoted.

Poppy, Creek and Smidge looked at Barb blankly. “WHAT!? It’s what he told to me!!” She defended, her face hot in blush.

“Uuuummm?.. what else DID he told you?” Poppy asked, still beyond confused at the saying Lunar confessed.

“Well.” Barb started, looking up in thought. “He’s way of talking is just hard to understand but very thoughtful… I don’t know how to say it.” “Then what did he meant by what you just said?” Creek asked.

“What he meant is that I almost got killed for doing something that I wasn’t supposed to do… yet I still did it anyways.”

———————————————-

Ok that’s all i got for now!! Do you want me to make the chapters here? Let me know!!

[guppyfish77]

Another year Another summary of Art! An Entire Year of Submas lets gooooooooooo!!!! This year I feel like I really pushed myself when it comes to illustrations and I feel like I've learned a lot! But at the same time I feel a little tired, next year I think I wanna relax and experiment a bit more, I gotta learn to loosen up! Might get more art out if I do :p

I also feel the Submas grip ever so lightly relaxing (unless they decide to do Unova remakes haha XD), so I might introduce some of my numerous ocs in 2024! I'll probably start with the conductor oc ;]

Thank you for all your support! (you are all very nice! ToT), I still have a good amount of submas stuff planned in the works so look forward to that (๑•̀ㅂ•́)و✧

If you are interested, I also have some commentary and behind the scenes for some of my submas illustrations! I wanna talk about it and now seems like a good time to do so now that the year is over! (Beware! its going to be long!)

All titles are linked to the original post

Lunch Break

hoho! This one is the sort of AU thing in which the only thing that changes is that I give Emmet a Victini friend (not a part of his team, I dubbed them the "victory duo" because Emmet likes winning and Victini is the Victory Pokemon), I planned out a few wordless comics regarding the idea, they were all very lighthearted slice of life kind of stuff, usually Victini causing some mischief and the brothers having to deal with it

and here's the thumbnails for this piece! I played around with various angles but decided to keep it simple and choose a straight on angle. It was originally a snack break and Emmet sharing a granola bar with Victini, but as I was planning it, submas unexpectedly showed up in the Pokemon Anime where they were serving ekiben, after learning about it it quickly turned into a lunch break! (how fun when new information lines up with an art piece you are working on hoho! ^ ^) After studying what foods Ekiben usually have in them (there was quite a variety!) I took what I learned and try to make the food look like the gear station logo :D

In the background there are children drawings because in the battle subway one of the trainer classes you can face off against are preschoolers, and I thought at least one of them would share their drawings with the subway bosses (and of course why wouldn't they hang it up?), there is also a trophy in which you can get in the players room if you beat the subway bosses on the super trains (one day, battling competitively is not my forte), I did my best to make Emmet's office feel lived in by adding a little bit of clutter (like adding a note) but overall very organized

(hey hey that joltik mug looks familiar in the corner there, its the same one Rei is holding in the christmas drawing)

Bonus Emmet and Victini Drawings

aw come on dude, not on the trains!

ah this one, it gave me quite a bit of frustration! This piece I used to challenge myself on perspective, and challenge me it did! The version you see now is I believe the 6th iteration of this drawing! The reason for restarting so many times is because I originally wanted it to be in 3 point perspective, but I couldn't get it to look right so its now in 2 point... Haha Some valuable lessons learned there!

This illustration was inspired by the history of New York Subway Trains and Graffiti! I read about it when I got to visit the New York Transit Museum and found it super interesting!! Then I went I gotta do something with this! Since Unova is based in New York after all!

I got so many subway surfer comments, they don’t know I forgot subway surfers existed while making this and that I am a huge nerd lmao

I had a lot of fun designing the graffiti on the train (yes it says among us) stylizing the fictional letters was so fun! I studied some graffiti to see how they do it, I could've pushed the graffiti style more but then it would be illegible! I also mixed in elements of Grafaiai graffiti, and trainer that is running away is the artist trainer class in SCVL because they are graffiti artists! And the train that got graffitied is the Wifi Train, due to BW (and the DS) servers being shut down, I doubt that train gets used much anymore, which makes it a perfect target!

Derailed!

hohoho! This was a fun one! I'm not sure how many of you guys read my tags, but in there I did state that this piece was based off the fact that model trains are powered by electrifying the rail it runs on (very low watts mind you) and the fact that Joltik eats electricity, but thats not the only inspiration, it was also inspired by those videos of cats laying on the layout and derailing the train!

Theres quite a variety of thumbnails for this idea (including a comic!), and the idea was there in 2022, but this year I decided to fully commit to it! I started rendering the top right one and almost finished it, but it felt really boring to me, so I switched it up and made some thumbnails in a new perspective and viola! thats what ended up being finished!

The train that is being derailed are Sanriku Railway Type 36s, based off a model train I have in my collection! (While sharing this fact on the original post Haiku Bot detected it as a Haiku?! and this art went out of my target audience, that certainly was a day (⊙□⊙;))

Also I straight up put a picture of Thomas the Tank Engine in the background, I'm not sure if people noticed cuz its quite blurry, the fact that nobody said anything means I probably would’ve gotten away with it before sharing this fact, so hehe :3c

Unexplained Melancholy

eyy! this one! It started out wholly different

It was originally me dropping Warden Ingo in various natural landscapes around Hisui as I didn't feel like drawing anymore linear perspective (ah, but heres the thing, all environments require a little bit of perspective lol), and it was just going to be Warden Ingo hanging out in a lush forest, specifically by the train rock that was shown in his concept art! but after sitting on it, I realized I could do something more with it! by making it a snowy environment I could make callbacks to Emmet's coat being white! hence the "SNOWY!!!" being scribbled there, that was added like weeks afterwards, Then I realized I could push it even more by making the whole environment about Emmet's colors! So the new thumbnail is in color because thats whats its about!

The moon smile thing was stumbled on by complete accident, while working on it it felt empty there and I added Emmet's smile to fill the space before going "moon!!!"

The piece is also a sort of a parallel to last years piece “I am Emmet, I wish for Ingo and I to be a two-car train once more” composition wise, sort of, I tried to at least 👍

Black Tower and Whitetree Hollow

Ah! I was quite proud of this one! Black City and White Forest are some of my favorite places in Unova mainly because the parallels are so very cool!

As the thumbnails suggest it was all going to be in complete black and white, as I was working on it though I could not help but add some values in there so yup! I quite like both compositions but the perspective won me out, plus that one focuses more on the characters than the other one (as much as I love backgrounds, it really is supposed to be about Emmet and Ingo U_U)

Being places of duality and having a battle challenge in there, it really fit them!

Emmet drops the hottest single of all time 🔥🔥🔥

Not really much to say about this one since it was very much done on a whim, but

its not the first time I drew Emmet with his hat backwards, I did this little doodle around the same time I did the train graffiti piece, been wanting to do something with this silly idea, and when I heard that audio, I went :o

Following Some Rumors of a Time Machine

the finale! I decided to choose Area Zero because its a very cool place! I am inspired by cool places! and I decided to give it my all for this one!

The thumbnail I made was more for jotting down the idea, and the landscape was going to be more eyelevel? Later I decided to make it so you were looking down into the crater and you get to see the fog blocking the crystal caverns, to show that Emmet was going deeper into Area Zero and the Deepest part is his destination (the time machine, not the underdepths, I didn't know about that yet haha!) I was always going to make Emmet encounter a Slither Wing, with it being based off Volcarona, a gen 5 pokemon :]

Anyways, That's all I have to say! I hope you found it interesting! (and enjoyed my varying quality in sketches and thumbnails XD) Thanks for listening! see you in 2024! ✌