#I go into this series thinking “Oh its going to be a silly comedy (based on what everyones said about it)”

[cupcakedoesthings]

(Possible SVSSS spoilers)

I (finally) continued reading SVSSS and I got to the Endless Abyss scene. And.

I WAS NOT READY.

BROTHER

WHAT.

I don't even have words

THE ILLUSTRATION I CANT DO THIS.

I wasn't expecting this in the FIRST BOOK.

[astralis-ortus]

you're always enough

✱ boyfriend!bc x fem!reader

— losing you was not an option.

w.count → 2.3k genre → angst, fluff, a dash of comedy warning → mild cussing, mention of infidelity, insecure chan :( a.n → based on this request! it honestly was a challenge for me hahahㅠ i think it's been a while since i wrote something with this quick of a vibe change in a while but i'm glad i got to try again! ⋆ see masterlist

the clock at the bottom right part of his monitor shows its lingering around the 1pm mark—a mere 2 hours since he had stepped foot inside the building—and yet, he’s already stressed.

one block and straight to another, work hasn’t been looking good for him so far. he’s so ready to call for another break—but the soft knocks to the melody of twinkle twinkle little stars on chan’s studio door could only mean one thing.

“well hello there, miss producer,” chan’s frown turned into a smile in the split second you peeked your head between the crack of the door, eyes turning into a pair of beautiful crescents you oh-so adore. you couldn’t even stop yourself from smiling—chan just looked so adorable with his messy natural curls decorating his forehead, beanie discarded somewhere on his leather couch. “come on in. i missed you.”

4 years ago, you were graced with the opportunity to participate in a song camp with the 3racha—one of, if not the, biggest producers in your company. it was a great experience—you got to learn a lot of new things, and somehow, your luck seemed to prolong as you kept in touch with the boys; occasionally called in for inputs while some other time just to hangout while grabbing a bite when the three realized the unidentified voice bleed turns out to originate from your producing room.

“oh really?” your smile easily mirrored his as you stepped inside the cold room, not forgetting to close the door behind you, “you missed me?”

taking his extended hand, the wide grin painted on your face soon met the end of its reign as your boyfriend pulls you into his lap—tiny yelp involuntarily left your lips while chan had his arms wrapped around you in a tight hug. you couldn’t even continue with the witty remarks on the tip of your tongue when his complimentary dozen of butterfly kisses fell across the span of your face; all replaced with the series of giggles and ‘oh my god—stop!’s as you attempted to free yourself from his trap.

you thought your little crush on the oldest of the three was going to remain as a silly little crush—but as life turns out, it has somehow been around 2 years since chan asked you to be his girlfriend, and a little over a year since you two gradually came clean to your closest friends and coworkers; though the thought only came after repeatedly being caught secretly meeting up or sneakily holding hands during your increasingly overlapping recording sessions.

“you little monster!” a high pitched squeal slipped past your upturned lips when you finally caught his rosy cheeks between your hands, keeping him still as you brought your lips onto his for a few quick pecks—which seemed to work, seeing how chan’s antics now reduced to a simple giggle as he held you close.  “you really missed me that much?” you hummed, gently running your thumbs on his freckled cheeks.

“of course i do,” chan pursed his lips in protest, warm hand gently running down your side, “it’s not every day i couldn’t see my girlfriend both at home and at work. 24 hours a day alone wasn’t enough, and now it’s reduced? of course i’m bound to miss you!”

swarms of butterflies fill the hollow of your chest while you let laughter echoes through the familiar green walls, feeling both warm and ticklish from chan’s cheesy line. “gosh,” your wide set grin now completed with a tinge of rose-colored flush on your cheeks, “you’re so head over heels for me, aren’t you?”

chan’s reverberating low hum became his reply, nodding his head confidently. “of course i am,” he smiled, eyes twinkling as the pair of deep brown eyes peered right into yours. “aren’t you?”

“well,” you grinned, arms wrapped around your boyfriend’s neck, “maybe if—”

your train of thought was forced to a halt when you felt a buzz in your pocket, quickly hopping off chan’s lap after a quick glance at the name. a short apology was muttered before you finally took the call outside the studio, leaving chan feeling a little dumbfounded and… hurt.

chan knew it’s probably work—despite the promised time off since the artist you’re working with is on their vacation, as someone who works behind the scenes, you’re never actually off duty. there’s bound to be urgent matters you need to deal with, and chan understood that.

he's just… confused.

and his confusion certainly multiplies in size when he heard another voice laughing with yours, right outside of his studio.

“no! geez, didn’t i—oh!” your attention instantly shifted when you heard the studio door crack open, eyes catching your puzzled boyfriends’ as he looked at you and the figure across. “channie, this is kyungho sunbae. he’s a new addition to the team but i met him in college. kyungho sunbae, this is—”

“bang chan-ssi, of course,” kyungho cheerily greeted chan, extending a friendly hand. “i’ve heard a lot of good things about you!”

“oh,” the confusion on chan’s face turned into a tight smile—which equally reflected on his grip on the stranger’s hand. even through a quick scan of his eyes, chan notices a lot. “couldn’t really say the same, but welcome. i hope you’re adjusting well so far,” chan continued, returning his hand to the small of your back.

“i am, thank you! i—”

“i’m sorry i can’t really talk much right now, i have my things to return to,” chan was quick to cut kyungho off, surprising both you and the latter. “it was nice meeting you, though,” chan quickly bowed before disappearing behind the metal door, leaving you slightly bothered.

“well, i gotta get going too,” kyungho finally broke the awkwardness between you. “i’ll text you later about the details?” he smiled despite the peeking confusion behind his eyes, to which you nodded before sending him off.

it was unlike chan to behave like that. sure, he might grow a little rough with his actions when work hasn’t been going the way he wanted things to be, but he was doing just fine. he was all lovey dovey with you less than 5 minutes prior, wasn’t he?

“baby,” cracking the door open, you were met with a stern-faced chan—eyes locked to his monitors with a muffled bass resonating from the headphone over his ears. the sight led you to a defeated sigh; you knew better than anyone to not bother the lion when he’s in this state.

but little did you know,

when you decided to back away and close the door, chan felt as if his worst nightmare had come true.

he knows it’s stupid to think that you’d ever cheat on him, but there’s also no guarantee that you would never fall for someone else and realize that maybe your happiness wasn’t with him. it terrifies chan to realize that maybe one day, you’d meet someone and realize that there’s someone better than him—someone better looking, someone who could treat you better, someone who could give you everything that you could ever wished for.

chan is scared that he’s not enough, and never will be.

for someone who’s been in his seat for so long, chan understands that at times his life does feel rather fleeting—like he’s simply going through the motions as he tries to stay afloat. everything—everyone—goes by so fast, and along the way, chan somehow learned how to shut down his feelings just so he could survive. he knew—he hoped, that as life gets better, he’ll come to find the opportunity to learn how to feel again.

but then, again, not everything he knows he needed to do proves to be easy.

it took him a while, but when he finally reached a point where he felt like life’s doing better for him, chan finally realizes that he now has love within him to give. he tried sharing them with his bandmates, he tried sharing them with his friends and family—hell, he even tried to share them with every single soul he met, but nothing fills him with the sense of content he was looking for…

until he met you.

chan knew he shouldn’t—you were his coworker, but despite him trying his best not to view you in a special light, he couldn’t help but return his gaze to your bright smile whenever you’re in the room. sure, you’re passionate about what you do, and it sure inspires him—but to see how your shoulders relax whenever you pop open a new book, or how happy you looked browsing through the convenience store aisles while trying to find what kind of new snacks you’ve never seen before,

it feels like he finally found what to be at peace felt like. he finally knew what love should look like—and it’s you.

a soft touch on his shoulder snaps chan out of his trance, eyes wide as it met your worried pair. your gentle smile was the second thing he noticed, and his eyes finally trailed down to the box of pineapple juice and a few snacks along the roll of kimbab perched on his desk.

“i know you’re busy,” your voice finally came clear as soon as chan took off his headphone, “but you need to eat first, okay? it’s almost 2, and i know you didn’t eat much earlier before you left. i’m not gonna bother you again if you eat now—i’ll even head home if you need time to focus, but that’s as long as you eat. okay?”

“…then i’m not eating.”

“baby—”

“i don’t want you to go home,” chan reiterated—and that’s when you finally see the tinge of sadness behind his eyes. “i’m not eating if you’re gonna go.”

“oh baby—what happened?” your voice turned gentle as you took his face in your hands, gently grazing the pads of your thumbs over his skin. “are you okay? do you—”

“i’m sorry.”

“sorry?” you tilted your head, now confused. “for…?”

“just… everything,” chan exhaled, arms wrapped around your waist as he pulled you close and rested his forehead on your stomach. “i know i’m difficult, but please. don’t leave.”

“baby you’re not difficult,” you furrowed your eyebrows, puzzled. what happened in the 30 minutes you were gone? did something terrible happened? all sorts of thoughts were running through your head.

“and i’m not leaving,” your voice were stern, and you felt the way chan slightly tightened his arms around you. “where am i supposed to even go anyway? i’m already home.”

if chan wasn’t tearing up before, then he sure is now.

“even if i’m not perfect?” he quietly muttered—and you’re slowly piecing the puzzles together. “even if i’m not tall enough? even if my hair is always messy? even if i’m not fashionable? even if—"

“stop right there, mr. bahng,” you stopped him, peeling yourself off from chan and gazed right at his flushed face, “why are you being mean to my boyfriend? where does this came from, hm? no one’s allowed to say shit to my boyfriend like that!” your pursed your lips and gently lowered yourself to place a gentle kiss on the tip of his nose, only then smiling when chan let out a soft giggle.

“were you upset about me talking to kyungho sunbae earlier?” you questioned, and despite the lack of reply from your boyfriend, you’re pretty sure you knew what his answer was based on the minuscule shift on his face.

“i’m sorry, baby. i thought our interactions wasn’t important enough, so i never really brought him up to you. had i known you’d feel differently about that, i would’ve told you right away,” you apologized, smiling as you noted the faint glint returning in his eyes. “we did met in college, but he was just a senior i came to shadow a couple times when i started out in the industry.”

“i was really surprised when he turned out to be the new guy in my team,” you continued, fingers gently tracing his features, “but what really shocked me was turns out, i actually know his wife.”

you watched as your boyfriend connected the dots, jaw falling upon realizing the tiny detail he had skipped through despite catching a short glimpse of thin silver band on his finger.

“i met his wife a few times since we were pretty close in high school, and he’s been trying to dig out some information from me since their anniversary is just around the corner and he wanted to surprise her. he was just making sure he got the details right without texting me since his texts are synced to their shared device,” you explained, letting a giggle slip when you caught the blush creeping up your boyfriend’s face.

“…i see.”

the echo of your laugh only grew in volume when your boyfriend began to avoid your eyes, resorting to him burying his face on your stomach. adorable.

“it’s okay, baby. i understand why you’d get jealous,” your lips were set into a wide grin as you held your boyfriend close. “i’m still really sorry, though. i really wasn’t trying to hide this, i promise. i’ll tell you straight away if anything like this ever happened again.”

“okay.”

“so…” reducing your giggles to a smile, you gently run your nails on your boyfriend’s scalp, trying to soothe him, “am i forgiven?”

a muffled whine and a nod after, chan finally gazed up at you and added, “if only you’re eating with me.”

“oh baby,” cradling his face in your hands with a smile, you inched closer and placed a light peck over his pouting lips, “i’ll even stay here and cuddle all day with you.”

only then, chan finally allowed himself to laugh.

“well, then don’t mind if i say yes to that.”

©️ astralisortus, 2024. | likes and reblogs are highly appreciated♡

[anonoob]

LOOKING FOR CONTENT TO WATCH?

here are some underrated (in my opinion) media's I recommend!

Lackadaisy (Animated PILOT - Webcomic.) Lackadaisy has its own Animated PILOT on YouTube, and a Webcomic you can find on the official lackadaisy website! The series is about a webcomic set in Prohibition-era St. Louis, Missouri. It chronicles the events of a cast of anthropomorphic cats as they struggle to keep the titular speakeasy afloat.

Murder Drones (Animated series) Murder Drones has recently gained popularity, but is still a small project. You find it on youtube. On a post-apocalyptic exoplanet, worker drones struggle to survive by hiding from rogue robots called Murder Drones

Epithet Erased (Animated series - book) you can find the first 7 episode Animated on YouTube! Season 2, however, Is a book. based on the tabletop roleplay series Anime Campaign! With unique powers called epithets, and characters attempting to steal an amulet rumored to have the ability to take a person's epithet.

Lego Monkie Kid (Cartoon) The tale begins when an ordinary boy, Monkie Kid, finds Monkey King's legendary staff, and he becomes the chosen one. You can watch on PRIME VIDEO!

Recreyo (YouTube channel!) Oddly enough, I'm recommending a YouTube channel.. a Comedy podcast with a group of friends with trust issues are thrown into different chaotic scenarios where they have to survive by learning to trust each other.. or not.

I'm running out of ideas or media's so.. uh yeah guys you should watch those silly fnaf rps like Oddities or The Famous Films!!! There's more, but I don't know them all lol

Also the sun and moon show is pretty cool yeah

EDIT ; The amazing digital circus is a new media too! Though, the fandom has grown largely. It's a animated pilot on YouTube, under the GlitchProductions channel. (creators of murder drones)

EDIT ; Spooky Month! Halloween is one of everyone's favorites, and so is October! I'm sure you've all heard of this show, made by Sr. pelo. Every year, near Halloween, a new episode for this series released! Last year, it grew huge in popularity.

There obviously tons of smaller projects out there, and I totally recommend them! Make sure to support small creators!

EDIT 2;

Fizz back w/ another banger

Y'all have obviously heard of hazbin hotel and helluva boss (I think helluva boss currently is better, especially in it storyline.)

Ramshackle ! An animated pilot on YouTube and it's 1st episode!, with many other small contents (webtoon, merch, art)

(Not really a media, but a nice nostalgic moment for old time flamingo fans) rewatch Roblox myth videos! They're actually nice to go back and remember, Especially if you were around when the vids came out.

An anime for once! Madoka Magica is great, actually. It's a dark spin on the magical girl ordeal, and it's probably the only anime I really like.

Object shows. There's a LOT of these. Most popular; Inanimate insanity, BFDI. Best recommendations; ONE (hfjcheesy), love of the s*n

Robloc area ; Regretevator, Evade, etc are lowkey fun games with good fandoms (sometimes)

EDDSWORLD OH My God please watch eddsworld it's made by this dude named Edd Gould and it's awesome

Indigo Park. Play it. It's so fucking cool/gen

Kinitopet, nice ai spin game!

Class of 2009 is epic and funny (also has triggering topics tho)

Musicals! It's nice to find new and different musicals!

Horror! +Favs ; Mandela catalogue, the walten files (there's more but it's been a bit)

Dead end, cold front, etc! The creator has amazing games :3

I had more but. Forgot oops

[naash-24]

Hetalia: Axis Powers

Oh.......................................................

So Hetalia. A wildly, incredibly popular series among fujoshis and lovers of cute boys. Or maybe countries during WWII I don't know. Admittedly, I have watched this before, more out of curiosity than anything. How was this anime going to portray countries as humans I wondered? Surely not...no, no yeah. Surely. A lot of stereotyping. Now I don't think stereotypes are inherently bad and are very commonly used in comedy. As long as it is understood that stereotypes are just that, stereotypes, and not facts.

There are just a couple things that bother me about this series. Firstly, when I watched this initially, I was still watching anime in English. Now, when you have an anime portraying countries as people and they're speaking in English, what do you get? Very, VERY interesting attempts at accents. I get that English voice actors basically get recycled over and over throughout many dubs, but hearing my beloved Todd Haberkorn attempt an Italian accent hurt.

Secondly and mostly to be honest, is the timeframe of this anime. This would've been more enjoyable had it not taken place during WWII. Germany, Japan, and Italy are just silly goofy guys and we all know that was very much not the case during this time. The anime is also overly energetic and exaggerated, which is the complete opposite tone a WWII based anime should have. There is some conflict between the Allies and the Axis Powers, but again it is really not appropriate...The show as a whole kind of glosses over WWII and makes for a weird atmosphere.

That doesn't mean that the anime is all bad; it definitely has its funny moments and if you look at it with a satirical lens you may enjoy it more. I was not particularly offended by anything in this anime but to be fair, there are little to no Hispanic/Latin countries portrayed. Overall, the concept is not absolutely horrible but there are much better ways the story could've been written. 5/10.

Oh also...last blog post...

It's been a pleasure gang. I'll try not to overanalyze every anime I watch from now on! (this will be difficult).

peace.

[taiblogcomics]

Cry Havoc! And Let Slapstick the Dogs of War

Hey there, jetpack technology. We're half done this Slapstick miniseries by now! We'll be two-thirds done by the end of this one! Isn't the number six grand? Well, let's get into it~

Here's the cover:

Oh boy, this cover. One, Slapstick himself is barely integrated into it. He feels like an afterthought. If this were a larger multimedia franchise, I'd think that was his stock art down there. No, instead, we're selling this cover based on the other thing on it. That's right, furries, we're targeting you! Let's talk about that for a minute! So, obviously, the first thing the War DOGS here are parodying is GI Joe (the ninja design really sells that). That fits with the other '80s references the series has been making: Bro-Man was He-Man, the Taurs were Smurfs with a light coat of MLP. But the second thing~?

Hey, show of hands, who remembers Road Rovers~? Because I remember Road Rovers. I was super into Road Rovers as a kid. Only lasted 13 episodes, believe it or not. It was very much in the vein of the other WB shows of its era: Tiny Toons, Animaniacs, Freakazoid. Except it was an entirely action-focused cartoon with the same level of comedy, which is probably why it didn't last too long. Now, you could also argue it's a SWAT Kats reference, but A) the War DOGS are dogs, not cats, and 2) both are from the '90s, so it's odd either way~

Anyways, I could ramble about Road Rovers for the rest of this review, but Steve Harmon, AKA Slapstick, in an effort to cure his clowny cartoon condition, is conscripted by ARMOR to fight off other cartoons that invade our dimension. To that end, last issue he fought off the aforementioned Taurs, rescuing their lone female member, Taurette, in the process. Taking leave, Slapstick spends his time rebuilding the very portal that got him in trouble with ARMOR to begin with. And it's still getting him in trouble, as it starts shooting out beams that turn inanimate objects into very animated cartoons~

Steve's mom is upstairs remarking to her husband how she's glad Mike is visiting, she likes how he's a stabilising, grounding influence on Steve. Mike has a job, Mike has his own place, Mike isn't chasing some silly dream of being a superhero or mercenary or whatever the kids are calling it these days. Nothing strange happens when Mike's around. Of course, it's at this moment that the cartoon cup of coffee charges out from Steve's basement bedroom declaring he's "off the hizzy for shizzy". Perfectly normal events in the Harmon household~

Mrs. Harmon goes down to give her son a talking-to, during which the broom she's holding also catches one of the stray cartoonifying energy bolts and starts making lewd remarks about how she grips it. Slapstick snatches it away while his mom storms off, complaining "Richard, do you know what your son just did? He turned the broom perverted!" I feel like this issue alone, let alone this whole miniseries, could give me a top ten list of amazing out-of-context dialogue lines from comic books. We're only on page two!

Slapstick retreats back into his room, asking for a minute to think of something. Mike retorts that him thinking is what started this mess. While Slapstick's dirty laundry comes to life and begins a revolt, Mike reaches his breaking point and tries to slam the big red button on the portal device. Except… Slapstick didn't build the thing with an off switch. It only has an on switch, because he didn't want anyone turning it off while he was using it. I think that's more of the kind of thinking that got him in this mess, yeah.

He next tries to go for the plug, but the machine defends itself with another piece of equipment coming to life to protect it. Likewise, the fusebox comes to life before Slapstick can blow the power grid. This is getting out of hand--and out of room, as the cartoonification begins spreading to other appliances in the house. Such as the dishwasher turning on Mrs. Harmon. Now Slapstick's mad. It's one thing to go after him, but when you go after his family, it's too far. See, in spite of his attitude and lack of forethought and disregard of the law, he's still a decent guy under that clown costume.

While Slapstick holds back the other appliances, Mike also leaps into action. To fight a cartoon, you gotta think like a cartoon, right? So he manages to fight his way over to that on switch again, but this time he writes "OFF" over the "ON" and hits the button. And this works. That's absolutely fantastic, well done. However, it's only prevented further catastrophe, as it's shut down the portal but not reversed the transformations. ARMOR might have to come by and sort all that out. Which Slapstick is not looking forward to, in spite of his crush on that one agent.

Before they can further react, however, even more nonsense hits the fan. The War DOGS' tank materialises in Slapstick's room, and if he has a basement room big enough to hold a tank, maybe I'd be reluctant to move out too. Also, their appearance is accompanied by theme music, to Mike and Slapstick's bafflement. The War DOGS (which stands for War Defense Operations Guerrilla Squadron) start blasting, and their blue lasers have the effect of de-toonifying all the rambunctious furniture. Slapstick is unaffected, since he's been a toon too long.

With the active threat now neutralised, the War DOGS sound off. There's too many of them to go into detail (a full 12 characters with distinct designs, army roles, and dog breeds), but Rex is the leader of the bunch. And the only girl is named Crimson, because the GI Joe equivalent was Scarlett. And the ninja is named Silent-But-Deadly, in case you forgot what kind of comic this is. Rex reports that they were told by an informant that the Princess' champion may be here--and the devious enemy team Skratch may be after him. They can't let that happen.

So the War DOGS, Mike, and Slapstick all file out of the house, headed for the streets to do recon. Before Silent-But-Deadly can get in position, though, the dastardly felines of Skratch attack! They demand the surrender of the champion. And yes, they are indeed just a cat-themed version of Kobra. (That's the other reason why the War DOGS can't be SWAT Kats.) A brawl ensues, and in the midst of the fight, Mike gets hit by laserfire. Slapstick is pissed. He's tired of this "champion" nonsense, since every time it comes up, his friends and family around him just get hurt.

Slapstick takes off running, hoping to lead the fight to an empty field or something, so no random innocents will get hurt. But after a bit, he notices that, just like his Twitter account, nobody is following him. Looking back, he sees Skratch loading a captive Mike into a portal and disappearing. He begins shouting that they've got the wrong guy. Rex replies that of course that human is the champion. That's why they have to come to this dimension to find the champion in the first place. How could Slapstick be the champion? He's a toon like them!

ARMOR (including Agents Teresa, Isabel, and Taurette) shows up to corraborate Rex's story. Think about it: Mike and Slapstick were both at the football game when Bro-Man attacked. And the Taurs attacked the mall where Mike works, not the ARMOR facility where Slapstick was being held. Anyway, ARMOR is here to arrest the War DOGS for the dimension breech, but they explain they just used Slapstick's portal, getting him in trouble. But that's not important now. He'll deal with consequences later. All that's important is getting his friend back. So he ends the issue by leading a team-up of himself, ARMOR, and the War DOGS through the portal to Dimension Ecch…

I think, like last time, this issue a lot of fun. It's zany, it's silly, it's tiny, it's toony, it's all a little loony~ The solution to the over-powered portal is beautiful in its cartoon logic. And the parodies continue to remain on point, if a little one-sided leaning. Like, the Taurs were very Smurfs-coded (the names being "X Taur", the Smurfette type, the wizard antagonist, the hats) with just a bit of a My Little Pony coat of paint in their design. The War DOGS are the same way: very GI Joe parody with just a dash of Road Rovers slapped on top. Even Bro-Man is basically just He-Man with only a little Conan the Barbarian in appearance. So it's not really a parody fusion, it's a parody of one property with another property painted over it. I know they don't have time to run into the whole backstory of all these shows they're riffing on, just saying it's an odd amalgamation of things. I guess adding the second parody just makes it wackier or something. It's not bad in any way, just a thing I noticed about the choices.

Anyway, next issue, we're finally going to see the much-discussed Dimension Ecch and meet its oft-rumoured princess~

[discotreque]

LwD 2.05: An Embarrassment of Dooplers

So I was a little nervous about this one! I hadn’t heard any spoiler-spoilers, but screeners have been out for weeks now, and I’d heard a bunch of individual, vague, non-spoilery hints about (1) big character moments, on the scale of a mid-season finale even though the show’s not taking a mid-season break; and (2) an ending that would make me cry.

I guess I imagined something relatively serious and dramatic, like “No Small Parts”? This show makes me cackle with laughter and giggle with nerdy glee and “d’awww!” at heartwarming friendships every week, but it’s only ever made me cry once—and then I was impressed that they were going to get there from the wacky hijinks we saw in the brief teaser.

The lack of a cold open made me apprehensive too—in my experience, that’s typically a sign that there’s so much plot in the rest of the episode that they need that extra scene—but after ~21.5 minutes of aforementioned hijinks, I was having so much fun that I’d completely forgotten about the alleged tear-jerker at the end…

…and they were not the tears I was expecting.

I didn’t think I’d be smiling and crying!!!! That was wholesome as SHIT!!!!!

I almost can’t believe they earned that—but they totally did.

After a Mariner–Tendi episode and a Boimler–Rutherford episode, we’re back to the “usual” Season 1 pairings… except the relationships between these characters have changed since Season 1. Mariner still feels thwacked in the abandonment issues by Boimler bailing for the Titan, and Rutherford’s having a tiny little existential crisis about losing an entire year of his life.

Both of which are extremely understandable and very heavy situations—and both of those situations get resolved because everyone in them is vulnerable with each other and honest about their feelings—AND that honesty and vulnerability brings both pairs of friends closer together. Are you kidding me?? I would watch SEVENTY seasons of that shit. Put it in my veins.

Onto the notes:

So basically Dooplers are Tribbles, but for cringe comedy instead of slapstick? Ohhhhh boy.

Look at Ransom the diplomat, tossing his own fork on the floor! I like that he’s actually a pretty competent Starfleet officer, despite also being a completely ridiculous person.

Wait a second, is that—OH HOLY SHIT, THE DOOPLERS ARE VOICED BY RICHARD KIND.

It makes sense that B. Boimler would find William annoying—who likes seeing their own flaws reflected back at them? And who could be a better reflection of one’s flaws than one’s literal duplicate?—but most interesting to me is that it implies on some level, Bradward knows the stick up his butt is a flaw. (Does William?)

Why does the Cerritos model have working phasers?!?!

I’m loving hot pink as the currently en-vogue colour for “dangerous sci-fi energy” in animation (cf. almost every previous episode of this show; Into the Spider-Verse; other stuff I can’t remember right now). As a former child of the 80’s, I’m living for it… but as a former teenager of the 90’s, I can’t help but wonder if it’s going to age as poorly as the harsh neon green of The Matrix, every Borg appearance on Voyager, and like 80% of the websites I made in high school…

SKANTS! SKANTS! SKANTS!

That fake-out joke with the fly-by over the Cerritos model was in the season trailer weeks ago, and I was so enthralled by that handsome lady that the sticker coming into frame still got me good 😂😂😂

BECKY Mariner????? omg yes

Some top-quality Boimler screams in this one. Poor Jack Quaid must drink gallons of throat-coat tea when he records.

One of the great things about Star Trek to me is that you never know what you’re going to get from any random episode. A murder mystery? A road trip? A spooky thriller? A cheesy romance? Broad comedy? Body horror? Didactic political screeds shrouded in tissue-thin science-fiction metaphors? Brain and brain, what is brain??? And after this many years of watching, you’d think I’d be hard to surprise. But if I ever told you I thought I’d see a Blues Brothers–style car chase through a frickin’ shopping mall on an episode of Star Trek, I would have been straight-up lying to you. I loved it, it worked for me, my jaw was on the floor and I was clapping with joy—but I’m definitely comfortable calling this one “unexpected.”

It’s CAPTAIN SHELBY!!! And an ancient babydyke crush rose from the depths of my childhood subconscious… (Also I think her Number One is based on the original makeup—eventually deemed too complicated—for Saru? Now that’s a deep cut.)

In 20th-century Trek, you almost never got to see what was going on inside a starship from the outside. Even after they switched from physical models (where it was next to impossible on a single episode’s budget) to CGI (which was still in its infancy, still not exactly cheap, and still broadcast in SD anyway), it was a rare thrill to see any meaningful interior details in an exterior shot. Disco’s modern VFX have given us some tasty, tasty treats in that department, but nothing quite as sublime as all the pink Doopler light glittering through the Cerritos’s windows.

Mariner says she’ll take her contact Malvus down with her, and threatens that they’ll end up “in the same cell.” Malvus is a Mizarian, a species introduced in TNG’s “Allegiance,” in which Captain Picard is held in a mysterious prison with one. I think I see what you did there, McMahan?

Bartender… so hot… lesbian circuits… overloading…

The Tendi and Rutherford C-story was, well, a C-story within a 22-minute episode, so there wasn’t much to it, but the one scene that mattered actually mattered a lot. I’m ambivalent on whether they should end up romantically involved—I’d prefer they don’t, but they’ll be one of the cutest couples in Trek history if they do—and as long as they keep that pure, sweet friendship between them at the heart of whatever else happens, I’m on board.

Carol Freeman was already one of my favourite captains before this season, and she’s been steadily moving up the list. The quiet throughline about her ambition to be on a better ship has been fascinating so far, and it’s starting to actually make me feel a little conflicted: I’m of course rooting for Captain Freeman to recognize her worth, make Starfleet recognize her worth, and become the ass-kicking captain of a hero ship that she’s clearly ready to be—but that almost surely means she’d be kicking ass off-screen, because LwD isn’t about those kind of adventures, and I’d be devastated not to have Dawnn Lewis on the show every week. So I’m kind of on the edge of my seat about this one!

I had so many favourite jokes this week I put them in a separate list:

“Even the replicated water on the Titan tasted better” is a low-key brilliant dunk on people who can’t shut the fuck up about the cooler places they used to live.

“Ooooh, they have a Quark’s now! That used to just be an empty lot where teens would make mistakes!” ← That’s literally me every time I go back to where I grew up. I felt so Seen™ I almost hid under a blanket.

“I would never go down the stairs!” (evil grin) (goes up the stairs)

The “well, shit” expressions from Mariner and Boimler as their crashed car sank right into the water… which started to bubble innocuously… and then the bottles of Data bubble-bath popped up, paying off a joke I thought had already been paid off—that was the one that woke up my poor cat this week. Just exquisite timing.

“YOUR PAGH IS WEAK, AND IT DISGUSTS ME!” “I don’t even know what that is, but I don’t like your tone!”

“Okona’s in there? He’s not even Starfleet! This is outrageous!” made me shout “NO!” at the screen like I was scolding my cat for scratching furniture. (She did not wake up that time.)

Best background joke: the neon sign at the dive bar advertising FREE SHOTS & BEERS. (Get it? Because they’re on a Federation starbase? Where nobody uses money?)

And of course Quark merchandised DS9.

This wasn’t just a standout episode of Lower Decks, this was a brilliant episode of Star Trek, period. The Dooplers, though extremely silly, are nevertheless also a clever sci-fi metaphor for real and relatable personal/interpersonal issues, and an effective plot catalyst for meaningful character growth from all four of our ensigns and the captain.

The jokes were hilarious, the action was kinetic, the A-, B-, and C-plots linked up thematically, the visuals were consistently and thoroughly gorgeous, the character beats—between Mariner and Boimler, Tendi and Rutherford, Mariner and Capt. Freeman—were all genuine, heartfelt and wholesome, and the references to other Trek canon were both deep and deeply affectionate.

Only 15 episodes in, and this series knows exactly what it is, exactly what it wants to do, and knows that it can knock our socks off doing it. Mike McMahan has said in recent interviews that the back half of S2 (and the apparently almost-fully-written S3) is a straight line uphill in quality from here—which surprised me at first, because McMahan seems like a pretty chill dude who doesn’t normally brag about his own work like that.

But then the Prophets sent me a vision of my space dad Ben Sisko, who reminded me of the words of 1930’s baseball player Dizzy Dean:

“If you can do it, it ain’t bragging.”

[Thanks to cygnus-x1.net for the screenshots this week—I was too lazy to do my own.]

[twh-news]

To land ‘Loki,’ Kate Herron had to pull out all the stops. How she won over Marvel

As a teenager, Kate Herron was obsessed with the “Lord of the Rings” films.

In particular, she recalls heading to theaters repeatedly with friends who shared her passion to see “The Two Towers” (2002), the second installment in director Peter Jackson’s trilogy based on J.R.R. Tolkien’s epic fantasy novel. She even wrote “Lord of the Rings” fan fiction.

“It was very silly,” the British filmmaker insists, revealing that one of her stories saw the heroic Fellowship traveling through a magical fountain and getting trapped in New York. “Honestly, I was just writing the stories to make my friends laugh. I guess it was kind of that first foray for me: ‘How do I tell a story?’”

Years later, Herron is again involved in telling a story about a protagonist displaced from the world he knows. But this time, her audience is much bigger.

Herron, 33, is the director of “Loki,” the Marvel Studios series that follows the adventures of the titular god of mischief after he has been plucked out of time by an agency charged with maintaining the sanctity of the timeline. Thus, the six-episode series, which premiered earlier this month on Disney+, features a slightly different version of Loki than the fans of the Marvel Cinematic Universe have grown to love since his first appearance in “Thor” (2011) through “Avengers: Endgame” (2019).

“I love villains,” says Herron during a recent video call from Atlanta, where she is putting the final touches on “Loki.” “I think that if a villain’s done right, you don’t necessarily have to like their actions, but you have to understand them. And I think that Tom [Hiddleston], in the last decade, has brought such empathy and wit and pain to a very real character for so many people. I just wanted to be part of whatever [Loki’s] next chapter was going to be.”

The series, on which the self-described Loki fan also serves as an executive producer, is Herron’s highest-profile project to date. Her previous credits include directing on Netflix’s “Sex Education,” as well as “Five by Five,” a series of short films executive produced by Idris Elba.

While growing up in South East London, Herron never considered filmmaking as a career. Her love of movies manifested as the aspiration to become an actor, and she often goaded her peers into putting on plays or making movies using a friend’s father’s camcorder. It wasn’t until some astute and encouraging teachers at Herron’s secondary school pointed out that she seemed more interested in storytelling that she changed course.

By introducing Herron to new texts, these teachers — as well as a film studies class that covered films directed by Stanley Kubrick and Akira Kurosawa — helped expand her perspective.

“I just didn’t know that you could have a voice and an authorship over a film, which probably sounds a bit silly. But I just hadn’t really thought about films in that way,” says Herron. Soon enough, she was on the path to film school at the University for the Creative Arts in Farnham, England, where she graduated with a degree in film production.

Herron laughs as she remembers how she believed she would just go off and find work in film straight out of school. “Obviously that did not happen,” she says.

With no post-graduate roadmap (or job offer) to help her break into the industry, Herron eventually started writing and directing short films with “no money” while juggling a day job as a temp. Both experiences provided Herron with material for “Loki,” which introduces a new bureaucratic agency called the Time Variance Authority to the MCU.

“I’ve worked at a lot of random places, which weirdly has influenced ‘Loki’ in some ways because we have this office culture kind of running through it,” says Herron. “I’ve worked in a lot of offices.”

In order to give the retro-futuristic offices of the TVA “a real lived-[in], breathed-in office” feel, Herron incorporated details that viewers could recognize from the real world — from paper files to the posters on the walls — and gave them a fantastical twist befitting the superhero series.

“One of the most exciting things to me about Kate is she has this amazing attention to detail,” says “Loki” co-executive producer Kevin Wright. “That was something that we saw on her very first pitch [and] it works its way into every frame of the show. Every monitor, every piece of paper in the TVA … she has looked over and approved everything you see.”

In an email, “Loki” star Hiddleston described Herron as “a dream collaborator” who possesses “a unique combination of extraordinary diligence, stamina, energy, respect and kindness.”

“Her affection for and understanding of Loki was so deep, profound and wide-ranging,” Hiddleston wrote. “She built a new world for these characters to play in with incredible precision, but she was also acutely sensitive to their emotional journey.”

Herron’s affinity for outsiders is apparent throughout the course of our conversation. There is of course her love for Loki — the heir to the king of Frost Giants raised as the prince of Asgard who has become one of the MCU’s most beloved villain-turned-antiheroes. Herron’s first introduction to the world of Marvel as a kid was through “X-Men: The Animated Series,” about the superhero team with mutant powers that set them apart from average humans. Herron cites Lisa Simpson — the overachieving, opinionated middle child from the animated sitcom “The Simpsons” — as the reason she is a vegetarian who can play the saxophone.

And although Herron describes herself as shy, it’s no match for the passion she brings to discussing film and television.

She calls Wes Anderson’s 2001 film “The Royal Tenenbaums,” co-written by “Loki” actor Owen Wilson, “a perfect movie.” In addition to being obsessed with “The Simpsons,” Herron gravitated toward genre shows such as “Buffy the Vampire Slayer,” the updated “Battlestar Galactica” and “The X-Files” when growing up.

As Herron enthusiastically dives into “Loki’s” influences — which include “Alien” (1979), “Blade Runner” (1982), “Brazil” (1985), “Metropolis” (1927) and, yes, even “Teletubbies” — it’s easy to see why Wright knew she was the right person to bring “Loki” to life from their very first meeting.

Upon learning that Marvel was developing a show about Loki, Herron tasked her agents with calling Marvel every day until they would meet with her. And it worked.

“I was just so excited that somebody was chasing the project,” says Wright. “Which sounds crazy, that Marvel would be excited somebody’s chasing us. But it was the early days of us trying to get this Disney+ streaming stuff off the ground, so people were very hesitant … they didn’t know what it was yet.”

Herron’s enthusiasm for the show landed her a video meeting with Wright and executive producer Stephen Broussard. Believing it might be her only shot at the project, Herron came armed with so many stills and clips to illustrate her discussion of the scripts she’d been sent that a simple meet-and-greet turned into a four-hour conversation.

“Over the course of the next week or so,” Wright explains, “it was really figuring out how to set Kate up to succeed when we got her in front of Kevin Feige to pitch this.”

Herron put together a 60-page bible of ideas for the characters, the story, the visual references and more. The rest is Marvel history.

She learned not to wait for permission, she says, after graduating from film school and becoming involved with improv and stand-up to both develop her comedy chops and to meet funny collaborators to be in her short films.

“I think I’d always find excuses, almost, [to not do it],” says Herron. “It was that thing of being like, ‘Oh, well, I’m not ready. So I’ll wait. I’ll wait until I’m perfect at it and then I’ll go do it.’”

Taking inspiration from Robert Rodriguez’s “Rebel Without a Crew” and a SXSW keynote speech by Mark Duplass, Herron realized that she just needed to start making things. She told herself it was OK if the films were messy. If a short was bad, nobody had to see it. If a short was “halfway to good,” she would submit them to festivals.

It’s this tenacious creativity that connects the dots between her early fan fiction, her short films, her pitch presentations — and now “Loki” itself. It’s a trait that has helped her navigate the industry to her current success, even during the periods it’s been most frustrating. As a female director, “I got asked crazy stuff in interviews sometimes,” she says of life on the festival circuit. “I remember being asked, ‘Are you sure you’re ready? Are you sure you’re ready?’ And male colleagues of mine were never asked that in interviews. I think that’s probably why I was so driven to just go out and make stuff.”

[cateringisalie]

My list of bearable Binal Bantasy VII tags is thinning...

But seriously. Being skeptical of Tifa’s narration of past events is not without merit. By the time the Lifestream scene rolls around she has been through three comas and some grevious injuries. The Lifestream scene is as revelatory for her as it is for Cloud.

The new assertion she was in any way actually friends with Cloud is not only in conflict with the OG’s portrayal but counter to Cloud’s development, her development, the growth of their relationship as adults and why (in general) people have them stay together post game.

Its unnecessary, frustrating and further damaging Tifa’s character who is spinning off further from who she was.

That Tifa and Cloud were not actually childhood friends does not mean they do not have a relationship in FFVII. It does not mean they cannot be together. Tifa “falling in love” with Cloud at the water-tower does not for a second make their later relationship any more meaningful.

All this new ship information does is make the relationship have longer longevity than previously assumed. As if whichever relationship has lasted longer is betterer and stronger. As if this should automatically undercut any other relationship Cloud or Tifa can possibly experience.

(in fact - and darkly cynically - this feels a lot more like enforcing that Cloud/Tifa and Zack/Aerith operate in near exactly the same way. The pairs fall in love in record time (two years prior to the Nibelheim incident both times as far as I’m ware), the boys go missing and the girls never move on with their lives. I get the boys have gone missing without a shred of explanation or closure, but now for both of them people are willing to wipe out a quarter of their lives waiting. Teenagers are resilient you know? They will be inconsolable if this happened but they would bounce back a lot faster and cleaner than they would expect. The approval of the never moving on this is purely to keep the shipping uncomplicated. There can only be one pairing for Tifa, there can only be one pairing for Aerith. And if you think otherwise you’re wrong in canon. And who wants to write or read about a non-canon ship? Unless its yaoi/yuri in any case. I am so tired)

Childhood friends incidentally is not, however much some insist, a common trope of the series - unless you stretch it a fair amount and it encompasses a trivial number of the pairings. And none of the big ones (you know; Squall/Rinoa or Tidus/Yuna).

Could Tifa do with more backstory? Of course. Did Tifa’s mother deserve a name? Absolutely! But not like this. Not when Cloud helping round up cats in Remake is now tied to finding Tifa’s cat in a new authored backstory. This speaks again to the constant magpie-ing of existing imagery and moments from older parts of FFVII to feed the present. The retconning in of importance by changing the meaning of otherwise unimportant moments.

Tifa is not and never was under any obligation to like Cloud as a child. She did not bully him, but neither should she expected to involve him in anything she did. I understand the book has muddied this gloriously, but for what effect?

I mean, I know where the desperation to make Cloud and Tifa childhood friends stems from. I know why you want Cloud to have fallen in love with Tifa at like age 5 or something and for Tifa to fall in love with him at 13. And I rail against it all the time that its not necessary. Being first does not mean better.

Maybe I am old, cynical and exhausted, but I kind of like watching Cloud and Tifa grow closer in FFVII. I like watching Cloud and Aeris grow closer in FFVII. I like to experience these things where I can... experience them? I don’t like reading books which assert things in blunt statements that clarify exactly what the writer intended. I certainly don’t have the patience to wait for a later book to clarify what happened on-screen when I have drawn my own conclusions based on my preferences. Especially as this is all contributing to that continued sense that the OG is a smelly, badly designed embarrassment we would rather tiday away for the crime of being graphically inferior (never mind it was championed on its looks on release) and “goofy” (and apparently unable to run the gamut of emotions I remember from serious to comedy, to silly, to tragic, to pessimistic and quietly optimistic and moving).

I’m coming back to this point to stress it - I want to see the relationship growth. Remake gave me that for Aerith and Cloud even if the details aren’t to my taste. First meeting is awkward because hey, random stranger/Cloud is tired. Cloud gets involved and spends more time with Aerith. And the high-five thing is used as a clumsy/awkward/eh but clear metaphor for how their relationship develops over the course of their time together.

To the point that yes, it makes sense for Cloud to want to rescue her. Less sense for Elmyra and Tifa to be “Well they might not vivisect her” and then delay for two full chapters, but the whole thing flows.

And here’s where I get accused of being a fake fan: I don’t like how Cloud and Tifa’s relationship develops in Remake. Flirting. Tifa being mildly fazed by Cloud claiming its been five years. Scared when he almost kills Johnny. Maybe hurt depending on your resolution scene (hey podcast people! No Gold Saucer multiple dates because too expensive? How are there branched resolution scenes in Remake then?). But there isn’t growth. They seem to fit into each other’s lives without worry, bit of flirting, strange super-intense moments jammed into inappropriate sequences (the train roll, climbing the plate, Cloud remembering the promise unprompted, Tifa not actually engaged with Avalanche’s plans). There’s no sense anything has changed between them, the missed five years has done anything to them.

And I’m sure some would take this as proof of correctness. But... somehow Remake is better for realism despite a lot of new clumsy, but this relationship is not dinged for being implausible? No way does that five year gap not seriously impact any prior relationship to say nothing of developing from scratch.

See this was a neat thing about the OG; while Tifa seemed to have an edge over Aerith by knowing Cloud longer, he was in effect meeting them at the same point in his life and more or less starting from scratch with both. Both ships are valid, and even if Cloud is with Tifa come the end, it doesn’t mean he can’t have romantic feelings about both women.

Oh, but Nojima has changed his mind/always intended it this way. And? I can change my mind about liking what he’s written - and my patience and tolerance of Nojima has waned massively since 1997. To the point where his involvement invokes a pained groan from me.

Plus the hilarious attitude that this is from the same people who insisted “the OG will always be there, stop moaning about Remake”. Well guess what? I don’t like Remake and I don’t really want it around. The OG is better.

Yes, Tifa is under-served and sure, it could be clearer about shipping (but the apparent hostility to ambiguity and personal interpretation is deeply distressing. These things can mean something to you and don’t have to mean the same thing to everyone. Interpreting the romancs - again - not a competition).

BUT

I will take the OG version of Tifa where she believed in the cause, where she had friends (again, yes, the relationship between Tifa and the rest of Avalanche is not well depicted, but it was better than actively curtailing it), where she ran a bar THAT ACTUALLY OPENED AND SERVED CUSTOMERS, where she hated Shinra, where she didn’t know how to treat Cloud because she had only really talked to him once in her life and DESPITE THAT that they great closer and spent their last night before THE END OF THE WORLD together over the Remake.

Where Tifa is wary of Cloud for about 5 seconds, twice and then defaults to constant flirting. Where Cloud is near smothering Tifa every second they’re together and she doesn’t tell him to fuck off once. Where she’s allied with Avalanche but hates their methods (and the pacifists are in a shop around the corner and she is not with them because...?). Where she has some absurd contrived plot about medical bills and buying Seventh Heaven for Barret and Marlene.

Which would lead to a whole other rant titled “Marle is the Worst” but this has dragged on quite long enough.

But seriously; if you argue that we can’t hate Remake because OG is always there, then you have to stop applying Remake back to OG and using it as proof. Which is exactly why many people bemoaned the Remake at all. OG is one thing, Remake is another. I don’t care for the latter.

And I know if anyone does read all this it will be about the meanie Cleriths who diminish Tifa for no good reason. And yes, they are indeed acting in bad faith. But what makes you think for a second evidence will convince these people?

In particular, the argument has raged so long and always will because if people do not like a ship they will not accept it as canon (if they care about this as a factor) NO MATTER WHAT HAPPENS. Literally. Look at Loki if you want the most recent example of this.

Canon is to many “what I want” and often does not tally with the general interpretation. And you know, if being “canon” or guessing right early wasn’t triumphed as such a vital thing, we might not get these really terrible and pointless arguments.

Canon is a prize but here’s the big secret: fandom - in general - does not care. FFVII is an excellent case example given Sefikura overwhelms the other ships (and I think AZGSC is close?). And that’s not canon. That’s not even in the ballpark of the Cloud/Tifa vs Cloud/Aerith arena (even give that the former is roughly twice the size of the latter, you already won, so please stop?). Canon is only important if you think its important - and you get some more official art of sequences you can gif. And maybe you get kissing/implied sex/marriage/kids, but most of all you get a smug sense of superiority. And the last is why I have no patience with this.

[zelskzerker]

Mangadex went down so I read alot 2/7

Lets CONTINUE reviewing a bunch of isekai and related stuff I binged because mangadex went down. The scale will be a single thumbs up to a single thumbs down in terms of how much I would consider recommending it in general. Lot more to come, brace yourself future me who is reading this.

The Reincarnation Magician Of The Inferior Eyes

Chapters 1-55

This manga is FUCKING SHOCKING. [Insert reincarnation setup] but this time it is end tier level generic. I actually cannot believe the things that happen in this manga are so utterly within my prediction range. Calling the plot and characters lazy would not give this enough credit. It takes alot of force of will to produce something so utterly generic, devoid of spirit, bereft of theme and lacking in interesting setting. I keep reading only to be shocked SHOCKED at how basic the next fuckin plot point is. HOW FAR CAN THIS GO?!?! It is maddening. THUMBS DOWN.

The Reincarnation Magician Of The Inferior Eyes (Prequel)

Chapters 1-21

I cannot believe this. How is there a prequel. How is it even worse. Is this a test? Did Cthulu write this to drive me insane? HOW IS THERE A PREQUEL. This must be a personal attack. Who asked for this. Why.

Revival Game of Wandering Reincarnations

Chapters 1-20

Hmmm. This manga’s concept actually comes together and manages to have emotional highs and lows in a short amount of time. Where it doesn’t connect with me is how every arc completion in this ends with some plot-direction altering revelation about the world that its hard to grasp the theme. Its the best its concept allows I guess. THUMB SIDEWAYS. 

Do You Think Someone Like You Could Defeat the Demon Lord?

Chapters 1-8. 

THUMBS SIDEWAYS. Biggest problem here is how little is translated. Great trajectory, bad total amount of content. Gorey story of a former hero tricked into slavery by an evil member of the hero’s party. Using the knowledge she got there and her skill to reverse effects, she fights for a daily life with her new maid friend. Edgy dark and sweet yuri mix.

Start a leisurely lord life with a plant magic cheat After farming with the knowledge of the previous life, a reversal life began

Chapters 1-7

[Insert isekai startup here] but this time its about growing a town with MC’s OP plant growing magic. Nothing too interesting here, just slice of life slow town building. THUMB SIDEWAYS.

The Principle of a Philosopher by Eternal Fool "Asley"

Chapters 1-41

[Insert reincarnation setup] but this time he didn’t actually die, just hikki researched for waaay too long. 5000 years too long. He drank an immortality potion he accidentally made, so old age can’t kill him(he can only die when killed.) Firstly, the story has got alot of chapters which means it clearly goes through multiple arcs and scenarios that allow the grand narrative to start coming into perspective and show how the MC is going for it. Most notable thing about this is how much a comedy duo The Fool Asley and his Trusty Dog Pochi make. It is every chapter, sometimes hit or miss, so you have to be braced for constant back-and-forth comedy acts. For a reincarnation-esque series, Astley is not overpowered for the world. Or at least he really does not want to show off what he can do and has invented himself willy nilly. It is really interesting to see how he self-describes himself as an idiot and he is slow to learn and talentless, his only real advantage being his massive age. As long as you can take the comedy antics and the sometimes iffy art, THUMBS UP.

Exceeding limits can only be handled by reincarnated people

Chapters 1-5. 

Absolutely wild start, even though its isekai. THUMBS UP. For at least the first chapter. Skills in this world are mineable ores and each person only has 8 skill slots. Then of course the MC equips an ability that needed 10 slots. Story outside the inciting incident is cute shotasekai stuff. But damn chapter 1 pops off.

Saikyou Juzoku Tensei: Majutsu Otaku no Risoukyou

Chapters 1-20

So [insert isekai startup here] but this time the MC’s clan uses totems to teach magic, therefore MC mostly uses totem magic. Alot of this series is made up of weird ideas like that and the biggest hook I saw is the chapter 6 stinger of the clan having its siblings marry, the MC obviously hating it and running away, and the YOOOO part of his little sister being a yandere out to fuck him. Surprisingly interesting. THUMBS UP. 

Shadow Hero's Daily Life

Chapters 1-10

Displays and goes through the positivity in seeking revenge. One of the best complete expressions of the theme of “revenge” that I have ever read. A THUMBS UP based on that alone.

The Abandoned Hero is Going Home

Chapters 1-6

THUMBS DOWN. Eh. Not worth reading based on its incompleteness and hiatus.

Shokei Shoujo no Ikirumichi

Chapters 1-12

A well thought out world and story about an isekai slayer *coughcoughfuckisekaicheatslayercoughcough*. The world exists such that the isekai’d are many(relatively speaking) and are on a variable scale from good to bad. The only consistency about them being that their skills eventually grow out of control and instantiate nuclear-tier catastraphoes. So the MC is part of a group that assassinates them, before they know whats happening. Good depictions of present, past, and expectations of how the MC will grow given the recent isekai’d girl she meets and has to travel with because she can’t be killed by normal means. Also touches on how the assassins don’t neccessarily see themselves as good people. Some even see themselves as evil. THUMBS UP. Oh yeah also this is a yuri story so its anime as fuck and adorable.

Even Though I'm a Former Noble and a Single Mother, My Daughters Are Too Cute and Working as an Adventurer Isn’t Too Much of a Hassle

Chapters 1-8

Cute concept, but its kinda only it’s concept so far. Mom is a god tier semi-immortal and fights for her daughters. Maybe the revelation of mysteries later will be interesting but, its exactly as the title says. THUMBS SIDEWAYS.

Vermeil in Gold

Chapters 1-9

Gotta love these oneshota manga. Good design sense, really love Captain Kurys. Vermeil is shamelessly lewd and secretly tragic. This is a story that is going on constantly despite oneshota shenanigans every chapter. su-perb. THUMBS UP.

Ragna Crimson

Chapters 1-40

THUMBS UP. This manga is absolutely wild. It has 4 different scenarios, each which are so radically different in setting and then they just flip out into a totally different setting, making it impossible to predict the trajectory of the manga or what kind of arc will happen next. The only thing worth describing here is the MC with big himbo that is beqeauthed power from his future self in order to protecc his loli this time. Thusly, Ragna wants to kill every “dragon.” They say dragon, its more like vampires. Then there is Crimson, one of the strongest dragons who wants to hunt the 12 elites, and then at the end have Ragna hunt him. Issue being Ragna hates Crimson, because Crimson is absolutely evil. More evil the 12 elites but also more pragmatic to reel it in. The power system of the world is simple and described well so fights make sense. The real most amazing part here is the art and the concept behind fights. Probably the BEST ART of any manga on this entire list. From silly cute gags like the MC’s head being a sword or tsundere love antics to Crimson’s face as he commits a warcrime. As for one of the many amazing fight portrayls I while mention a time where Ragna has to fight an enemy for NINE SECONDS. So the whole chapter takes place over 9 seconds and there is a countdown timer in every other panel. FUCKING SUGOII.

[fnafslinky]

Fazbear Frights 1-9 review.

Into The Pit:

Slow and meandering during the first half but picks up speed after Spring Bonnie shows up. Good message and good idea, but the execution could be better. 6/10

To Be Beautiful:

This story is so full of fluff, you can cut out like 60% of it and lose nothing. I know it's going for a fairy tale thing with the repetition and all, but fairy tales do that because it's made for children. Repetition is to train a child's brain to remember better. These books are aimed at teenagers, so this narrative device is not needed. On top of that, it has unfortunate implications of "Not like other girls" memes that we don't need to revisit. Only saved by its creepy af ending. 3/10

Count The Ways:

Legitimately my favorite story out of FNAF and one of my favorites of all time. It fixed the previous story's Not Like Other Girls problems by having the goth main character hate the pretty blonde and being called out for not even knowing her and being shallow. It is actually surprising to have these two stories be back to back.

The narrative device of switching back and forth between the MC facing her death and how she got up to that point means it keeps your interest throughout that the previous two stories had problems with. It makes for great drama and tension.

The main reason I love this story in particular is because of this exchange near the end:

“Silly Millie, for someone who doesn’t want to die you sure spent a lot of time talking about it,” the voice surrounding her said. “But that’s the way of things, isn’t it? Talk is always easier than action.”

“I think,” Millie said, sniffling, “that when I said I wanted to die, what I really wanted was to escape. I didn’t want death. I just wanted my life to be different.”

“Oh, but that really takes action, doesn’t it?”

And, if I can be real for a minute: I feel like that kinda changed my life. Or very least, my point of view.

As someone who has made attempts on his life before and frequently battles depression- It made my problems so much less overwhelming. Of course I didn't want to die. I wanted my life my life to improve. And now whenever the thought of suicide passes through my head, I just remember this phrase and it helps me keep it together and calm down.

And also F.Freddy's follow up with having to work for happiness is spot on too. Misery is comfortable, that's why so many people prefer it. Happiness takes effort. 10/10

Fetch:

I'm in the minority for not caring for this one. I felt like there wasn't any direction or character arc, I didn't find Fetch particularly scary or interesting, and the MC makes a lot of dumb decisions in it.

That being said, I love how it jumps right into the action instead of taking awhile to get to it like the other stories did. The stories tend to play out like a different book and then FNAF characters are slapped in at the end. This one gets right to it and makes it integral to its plot. 6/10

Lonely Freddy:

Another one I really love. The Frights series has a good traction with its tragedies and this one is no exception. I really connected with the feeling of being pitted against your siblings, usually by accident and circumstance with your parents. Particularly this line:

“Maybe you’ve made them what they are,” Aunt Gigi said, pausing for a moment before adding: “Hazel’s the easy one. Alec is the hard one. It’s like you put them on their own little islands.”

I wasn't Alec, but Hazel in this situation. And it made me realize what my sibling went through because of it.

And this is another story where Freddy's is more integral to the plot too, and one of the few times it's not already abandoned.

I really like how well done Alec's back and forth he had with himself whether to befriend his sister or not. It's a believable character arc when he realizes his mistake at the end unlike another story that we'll get to.

And the fact they made a God damn teddy bear legitimately creepy is a mastery of horror writing that I can only ever hope to strive for. Definitely the scariest in Frights 2. 9/10

Out Of Stock:

I agree with Dawko that this one feels best to make a 30 minute special out of. It feels like a Halloween special or creepypasta you would watch/read as a preteen. Old enough to want to explore more mature stuff, but young enough to still have more cartoony stuff be familiar. And I mean that as 100% a positive.

I also like how this one is a bit more comedy based. Like the scene where the MC gets thrown across the room after electrocuting himself and his friends dont even notice. I can picture that bit so clearly.

The climax is the best part of having a dire game of Red Light, Green Light with the Plushtrap Chaser. It's very energized and exciting that the other stories don't have as often because the subject matter doesn't lend itself to it.

The trend in these stories of kids learning to appreciate their parents, and they're parents realizing they have to sacrifice some stuff to make their child happy is very sweet. And it's no different here. 8/10

1:35 AM

What I like about this series is that you never know where its gonna go from story to story. I though for certain this story was about how the doll was gonna have an evil spirit possessing it.

But no, what actually happened is that it's never made clear if the MC is losing her mind, being haunted, or just seeing stuff because she's sleep deprived. That ambiguity makes the book a lot creepier and sadder because you don't know how this poor woman should be helped. And it ends without any clarification. That's great and a perfect idea for horror story.

That being said, Scott's writing quirks (and it's definitely Scott doing it, I can tell) of front loading info, constantly stopping the flow to have backstory and over explaining things that don't need makes it frustrating to read after several books of it. And we're not done with that either. 9/10

Room For One More:

I skipped over all the dream sequences because it adds nothing to the story. Its great you remember Sister Location, but it feels like you don't trust your audience to read a FNAF story if there isn't animatronics every couple pages. And honestly? Understandable.

I do know based on my own FNAF comic, pages featuring humans is a lot less popular than the ones featuring animatronics. And I get it, you're a bunch of furries it's more interesting to visualize. And you can go in the opposite direction and have very little FNAF stuff when they're needs to be more. The New Kid doesn't even bring it up til the last third.

But I digress. The strongest qualities in Room For One More is three points.

The location is very vividly described. The underground security office with steel walls, the radiation disposals, the musky scent. It paints a clear and unique picture.

The main character's fallen arc of self care and distrust of others is a well done cautionary tale. It goes hand in hand with the speech before of having to work for happiness, and the difficulties there are from even trying. But you still need to do it.

The body horror is not as visually disgusting as it could've been, and more conceptually horrifying. But if you have a fear of bugs in your skin or crawling in your mouth, prepare for something so much worse! And no, that's not a spoiler, it's pretty obvious where its going from the beginning. 7/10

The New Kid:

This one was disappointing. This is not the way to do a tragedy, because I don't care about the MC.

Throughout the entire story, the main character has literal sociopath tendencies. He is controlling of other people, he doesn't have any empathy, he sees other people as tools to use, he kills a bird and doesn't care- So at the end when he accidentally kills someone, I don't believe him feeling bad about it. And I sure as shit don't care about his death after him leaving his victim to die, while he was still breathing, and not coming back for a week.

Also the twist at the end makes no God damn sense and I'm not even gonna dignify it.

A better tragedy would've been his friend, Mick, getting into trouble for the murder after refusing to ever stand up to the MC. Or even the MC being betrayed by him last minute for him to learn how his shit behavior really screwed him over. But the end result ended up being an unsatisfying mess. 2/10

I'll review the 4th's books with 5 and 6, since I'm sticking with a three at a time theme and because I haven't read 4 yet.

[fipindustries]

list of comics i made so far

i already shared the list of all the novels i tried to write throughout my llife so i see no reason why not to do the same with the comics i tried to work on. no i should clarify, with my lists of novels there was a clear cut distinction between what was a novel and a short story so to parse one from the other was an easy task. it should be known that i wrote hundreds of shorts stories that i havent shared with anyone. now a similar situation occurs with my comics, i have done hundreds upon hundreds of little comics, short jokes, little skits and short lived strips through my life, so in order to give this list some weight and not make it longer than the bible the criteria i used was that it had to be something i did on a regular basis or that tells a self contained story with a beggining middle and end.

now without further ado, lets begin!

spike Vanderville (age 7)

you can tell i was way more into comics than i was into novels from a young age. done with pen and folded paper, it was the story about a young kid called spike, whose design was heavily inspired by bradley from sticking around, who had magical powers which allowed him to manipulate reality. it was a mix of harry potter and a series of illustrates short stories that came in a magazine in argentina. his best friend was a scarecrow with a pumpkin head that he had brought to life, his archnemesis was a fat bully.

curiously enough i was so passionate about this project even though i had no idea what i was doing and no talent that i actually did like three full colored issues of it. my family was really proud of me. sadly those comics are completly lost to time

andrew and the monkey (age 10)

this was the classical story about a boy and his best friend the talking animal. one page comedy strips done in pen and paper. nothing too clever, just a way for me to try lame jokes mostly stolen from spongebob squarepants. not much else to it. i tried to do like a revamp in 2014 but it was short lived, as you can see the jokes didnt get any less lame

FIP industries (age 17)

mostly done in digital. yes as you can see fip is something that has followed me my whole life in quite the variety of mediums. there were as a matter of fact multiple attempts to make this comic a real thing but time and again they would peter off as i saw that my skill was just not up to the task. i think i have talked more than enough about fip industries on this blog, one interesting thing is that if you follow the link you will come across a lot of proto ideas that i had before they cemented and took their definite shape in the novel (and even after the novel i kept retconning and retooling things over and over again, fip industries is an ongoing thing that will probably last my entire lifetime)

Disregarding Reality I (age 20)

the first iteration of disregarding reality, a humorous strip done in pencil and paper, a fairly short lived affair, lasting no more than 3 months. the entire premise of the comic was an MRA activist and a feminist live together, they are friends, they argue a lot. remember 2013 guys? back when this whole politics bullshit truly kicked off online? this was before gamer gate, mind you. but by that point i had seen more than enough of it on tumblr and i was like “someone should do some scathing commentary with wit and penache” and that someone had to be me. mainly inspired by commics like f@nboys and el goonish hive and a thousand billion others that were so popular back in those halcyon days.

i got bored of it pretty quickly and it wouldnt be until three years later than i would finally decide to re-start the project but until then...

Strangers in the forest (age 21)

here comes a rather productive era in my ouvre, ink and paper, based on a short story i wrote, its about an eldritch monster pretending to be human and a ghost girl, killed by her father. they have a dispute because the monster wants to eat the corpse of the girl but the ghost doesnt want to give up her bones because its the one thing that tethers her to the mortal plane. they eventually resolve their dispute. by this point i was actually, unironically trying my best to do comics which i felt looked professional.

Song of a nightmare (age 21)

another one based on a short story i wrote. ink and paper, a private detective wakes up in the middle of the night and sees a mermaid lying in bed next to him. he spends most of the comic trying to figure out how the hell is this possible. still one of my favourite ones and certainly one of my family’s and friends favourites as well. a rather poetic tale, strongly inspired by argentinian fiction and their propensity towards magical realism, i was reading a lot of cortazar back then.

Aika (age 21)

as you can tell i was on a fucking roll that year. ink and paper, this was a story based upon a simple and basic idea that i had in my mind for years and years. i always liked the concept behind the movie “the kid” where bruce willis mysteriously comes across himself as a kid. so of course one day i came up with the idea, what if you recieved a visit from your future self... but she was a woman?

this is probably the most aggresively trans story i ever wrote in my life, it is literally about a guy realizing they are trans and breaking down over it. here is the giant kicker, i did not realize at all what i was doing. i was completly unaware of what was going on here, i was still deep deep in the closet and not even realizing i was there. it really is astounding the honesty and the rawness with which i wrote this comic and it went all over my head. a perfect example of “im such a great ally lol”

oh also there is time travel i guess. my main impetus (beyond whatever my subconcious was forcing me to do) was my desire to make a complete clusterfuck of a story, i was a huge fan of homestuck, i had read fleek and demon, i wanted to do my own take on a hypercomplicated time travel puzzle plot. other things came out on top of it but i didnt noticed them. fucking hilarious

Hello Agatha (age 21)

a comedic strip about a wacky pixie dream girl having wacky adventures with her wacky friends, one of which is a man with a toilet for a head. what a gut buster, what a knee slapper!

there is not much to say about this one, wacky surreal comedy was always my favourite and so time and again i would try my hand at it but it is surprisingly hard to do!

The /co/ ventures! (age 20 - age25)

an ongoing project done in multiple mediums. i think i said more than enough about this in here and here. it was me practiscing comics, practiscing my humor and adding my tiny grain of sand to the 4chan culture. i am proud to say these comics were actually very well liked there and that i would be recognized without a name or signature of any kind, just on the strength of my style.

the vest kind of madness (age 22)

probably one of the projects in which i put the biggest amount of effort to make it look professional. traditional inks and digital colors. a crossover that i cant believe never happened in comics considering how obvious it is. Rac Shade, the changing man and delirium of the endless, the two flagship vertigo characters associated with madness. clearly a match made in heaven.

to this day im flabbergasted i seem to be the only one to think of this.

Disregarding Reality II (age 23)

another work where i have already spilled rivers of bytes explaining my thought process behind it. after having a no good, terrible, very bad day, finding my self aimless and without purpose, deep in denial and depression, i decided to give my self a big project to have something to get me out of bed every day. these three guys came from the depths of my mind to save me.

this time leaning a lot more on silly humor and surrealism than political commentary, still insanely proud of how much i managed to make this last, almost three years, well over 200 pages! and in here i found the inspiration and the creative energy to tackle all sorts of diverse projects of which we are about to see all about.

Mama Bird (age 24)

my masterpiece.

by far the best comic i ever did. a kid with a bird for a mom. hilarious, touching, heartbreaking. it was a concept that i had come up with when i was 21. back then it was supposed to be exclusively a humorous comic strip but then i found a dramatic angle for the story and that was when everything clicked into place. that was when i realized this was a comic i had to do. and i did it. it took me five months but it was well worth it. still insanely proud of this one

Soft boys (age 25)

a weird experimental little story where i decided to sit down and deconstruct one of the most popular superpowers. super elasticity. more akin to me just mashing my toys against each other than me trying to tell a serious story. i am actually really happy with some of the art here and some of the sequences presented. particularly the final one where a brick joke twenty pages in the making finally pays off.

Hexen Snatch (age 25)

a semi spinoff to my novel FIP industries, we focus on a side character that managed to survive after the events of the novel and how they’ll manage to survive further beyond that. insanely soaked by the magical world of pact by widbow i wanted desperatly to share my own take on magic, every page is accompanied by a little text where i expand upon the lore and the way magic is supposed to work on this world. i really like the prose on those snippets and the ideas they work almost more that the comic itself with which i was not happy at all when i was working on it. i didnt like the character design, i didnt like how the art in general was coming out, i didnt like the pacing of the story or how superficially we were getting to expore this world in the comic proper. i had to take a very long hiatus just to accumulate the will to finish the comic and once i did i feel it really petered off without much of a satisfying payoff.

on some level i blame the exhaustion and frustration that i came out of this comic with for the fact that i ended up quitting disregarding reality soon afterwards.

Maxplosive (age 26)

another project that has followed me across multiple mediums. came up with an idea for a videogame back in 2015. saved it on the back pocket for a while, used it as a story within a story on my novel fan.tastic, practisced a couple of animations with the characters and eventually decided that, if my skills at videogame making were not enough, i had at least more than poven myself as a comic artist so maybe that was the definitive medium in which this idea would have to exist.

the original idea was to tell the story in two parts, the first half would introduce the character and the videogame as if the comic was a playthrough of the game. all fun and childlike and innocent. then the second half was meant to explore the life of the main character as an adult, how being “a videogame protagonist” had ruined her body, her mental health and her life. i tried all sorts of weird stuff with the format here, using reciclable assets, static camera angles and generally presenting the whole thing as if it was a videogame.

sadly the project got too big for my breaches, i was fucking exhausted back then, swamped with a bunch of other projects, my job, other responsabilities, unsatisfied with the story and with no idea where to take it. eventually i got tired, decided to skip a day, then the day became a week and then the week became a month and by then i had to face the facts, i was just no longer able to continue the comic. and so i quit not only maxplosive but disregarding reality all together.

i still did the occasional comic here and then but it wouldnt be until the very end of 20-fucking-20 that i was finally inspired to tackle a new project, my newest one, my last one....

Lapsarian (age 27)

an interesting experiment, i decided to do the whole comic in one sit and then post it chapter by chapter on a weekly basis. a surprising result of this was that i managed to do in one month the same amoung of pages that would have taken me 5 months back when i started disregarding reality, is good to see that after al this time i still got it.

took me a while to get the hang of it again and find my own style once more but once i armed up it was smooth sailing for 40 pages all the way to the end. but what is this comic even about?

its... weird, with full disclosure and no shame, it is mostly a fetish story about big lizard creatures commiting vore. the milkman had already shown me that i could do those types of stories and no lighting would come from the heavens to strike me down so i said, why not as a comic? i like to think that beyond the fetish content it is still a decent story in its own right, an interesting feedback that i got from this is that people are suprised how earnest it is, one saying something like “this is the best pitch for a fetish that i was never interested in”

Conclussion:

looking back on this im surprised, turns out i was a lot more prolific and working a lot more regularly than i expected, in here are documented ten years of creative output that never seems to wane. it was fun to do the roundabout trip and see how my style, my technice and generally my work ethic evolved through the years. another nice thing to see is the multiple formats, the multiple tools and mediums i experimented with, i find myself constantly trying new things, new methods, new angles, new interesting ideas for how to make a comic (without even getting into what to make a comic about).

something i always knew about myself was that drawing is a fundamental part of who i am, it is something that just cant be taken away from me and that will always be a part of my life one way or the other, is good to see it so plainly, in black and white, on this list. here goes for what i might be able to do in the future

[trishyeves]

Episode 4-Ranma and...Ranma? If It’s Not One Thing, It’s Another

Oh boy, we are back into the Ranma Rewatch and this time it’s the fourth episode, titled “Ranma and...Ranma? If It’s Not One Thing, It’s Another”. That is definitely the kind of title I remember more from this show: incredibly long and silly. I love it in any series where the titles are like half-formed sentences. As for what I’m expecting in this episode...I honestly don’t really remember. We’re already reaching the edges of my memory, so I look forward to seeing it with fresh eyes.

Yeah, I had pretty much forgotten about most of the stuff that happened in this episode, but that’s not necessarily a bad thing. The episode starts with Ranma having a bad dream about Kuno professing his love and asking him out. After waking up in a cold sweat, Ranma takes a bath and shenanigans happen.

There’s some cute banter between Ranma and Akane on the way to school, then a threepeat of the fight against all the guys trying to ask her out. Kuno makes an appearance at the end again, but this time he’d taken out in one combined hit from both Ranma and Akane. He’s tended to in the nurse’s office afterwards by Nabiki, who finds out from his sleep talking that he’s fallen in love with ‘the pigtailed girl’ in addition to Akane, and feels conflicted over who he should choose.

Seeing an opportunity, Nabiki abuses the fact that apparently Ranma is a heavy sleeper to activate his curse as he sleeps, takes a bunch of sexy pics, then turns him back, all without him ever waking up. Not too long later, she gets a surprise message from Kuno, asking to meet up.

He treats her to a meal, asking her the favor of delivering a cute doll he got as a present to its recipient: the pigtailed girl. Before addressing that idea, Nabiki tempts him with the sexy pictures of his new waifu, only letting him even see them if Kuno treats her to spaghetti. I thought that might be a dub change, but it’s not, either language they still go out for Italian pasta. She sells them to him for 1000 yen a pop, then asks if he’s giving up on Akane then. He clarifies that he intends to pursue them both, so Nabiki reveals there are Akane pictures available too. In exchange for free ice cream, and the same price per picture, she sells him those too.

Only with that done does she tell him how to get his present to the pigtailed girl: Ranma is the only way. She doesn’t explain why, but Kuno doesn’t dig too deeply into it. She couriers a letter to the titular protagonist, asking for a meet up, which Ranma goes to. Once it becomes clear exactly what Kuno is asking for, Ranma rebuffs him, saying he’ll never see his precious pigtailed girl ever again.

This threat becomes somewhat toothless when someone randomly dumping water out of their window activates Ranma’s curse, and Kuno quickly embraces the object of his affections. This hug becomes a little awkward when Nabiki appears and douses Ranma with hot water, and Kuno realizes who he is ‘now’ hugging. You might think this would mean he has some understanding of what’s going on, but Kuno’s immediate thought is that Ranma knows some vile sorcery.

When Nabiki realizes how dense Kuno really is, she decides to phrase it to him as Ranma ‘owning the pigtailed girl’s body and soul’, which is not technically a lie. That said, of course Kuno interprets that as meaning that somehow Ranma has the warrior woman he loves enslaved to him in some way, so a fight breaks out.

When Ranma sees the photos Kuno has on him, it distracts him enough to take a hit to the torso, just as Akane arrives. Just as Kuno starts getting serious, the air pressure from his piercing attacks alone strong enough to crack a statue apart, Ranma counteracts and wins, though it becomes clear his injury hurts like hell, even if he’s trying to ignore it.

And that’s it, no cliffhangers this time around. Now that Kuno’s love for Ranma’s alter ego has been established, the actual meat of what that means, namely how he sees them as two separate people and chases one while attacking the other, is what this episode works to make clear. It also sets up his and Nabiki’s dynamic more, but that’ll be something I talk about more in just a little bit.

There are two kind-of bigger things I want to pull out of this episode. First one being the dream sequence at the start. Now, I am fairly sure that whole bit is meant to be there for comedy, in a very ‘gay panic’ kind of way. Which honestly...does not play super well these days. Ranma’s terror at the dream, on a surface reading, has to do with him being super grossed out that some dude is in love with him.

Of course, there are other ways to read the scene as well. I’m sure some people might instead look at it as being less a nightmare and more like Ranma running away from his own possible attraction to another guy, and while that’s definitely possible, I didn’t really get that vibe at all. That said, if you did, rock on.

What I saw as more likely was a gender-based reading. Ranma is, more than anything else, freaked out by Kuno’s love declaration because it’s someone seeing him as something he’s not, a woman. Kuno isn’t interested in Ranma, he’s interested in a woman who doesn’t exist. Ranma has a lot of complicated feelings tied up in his masculinity, which his curse doesn’t exactly help with, and Kuno’s attraction to his cursed form just makes it all worse.

Speaking of attraction, let’s talk about Kuno. The fact that everyone calls his affections for two people at the same time ‘two timing’ is a bit vexing to me. As someone who has been in polyamorous relationships before, I can attest to the fact that liking more than one person at a time is totally okay, and if everyone involved is okay with it, dating multiple people is also okay.

That is kind of the problem though. Neither Akane or Ranma like Kuno, and neither is likely to want to date him, regardless of if he’s dating someone else at the time. Their problem with Kuno isn’t his dual attraction, it’s that they just plain don’t care for the guy. (And Ranma probably doesn’t swing that way, but he could be repressing it so what the hell do I know.) Even with that in mind, I still kind of roll my eyes at how Kuno ‘liking two girls’ is treated as a perversion. That just kinda sucks.

Last thing before the character spotlight I can think of is that I really liked the fight in this episode, the action was pretty good. ... Listen, I know that’s not exactly expert analysis, but it’s what I got.

I feel like covering Nabiki now is pretty much a no brainer. Of all the side characters introduced so far, she’s easily gotten the most shading, and this episode in particular develops her further for the audience. In terms of voice acting, she’s played in English by Angel Costain and in Japanese by Minami Takayama. Angela isn’t known for much else, which is quite a shame, because she’s pretty fantastic, in my personal opinion. Minami, on the other hand, has a pretty huge resume, and along with the voice actors for Akane, Ranma’s cursed form, Kasumi, and a character we haven’t met yet, was in a pop group called DoCo.

In terms of acting, they both play her fairly similarly. A normal girl at first glance, but with quite the amount of dry wit and sarcasm lying beneath that surface. The main difference I’ve seen so far is that Angela seems to have more mirth to her performance, while Minami’s is a bit more deadpan. Both are good, though I definitely prefer the english performance so far.

But what is Nabiki actually like? Well, of the three Tendo siblings, Nabiki hides who she is more than the others. For the first few episodes, she comes across as a fairly unassuming character, most known for her occasional snark. But this episode is where we get to see her primary character trait: greed. Nabiki is quite happy to take advantage of Ranma’s curse to make money, though how far she’s willing to go for the yen hasn’t really been made clear.

It is worth noting that, while her pictures of Ranma were very sexy and revealing, her pictures of Akane were just of her working out and stuff, far less of an invasion of her sister’s privacy. Does she have better respect for family than the freeloaders who live with them? That’s to be seen.

Another big character trait we’ve gotten so far is her...friendship? Sure, let’s go with that, her friendship with Kuno. Always happy to try and pop his inflated ego with her sharp wit, they have a good comedy routine going. At the same time, she does seem to legitimately be there for him, since she was taking care of him after he got knocked out. They get shipped a lot, which I definitely see the appeal of, but part of me just kind of likes the idea that they’ve just known each other for a long time, and they just kind of have a thing going. Not that any kind of friendship they may have is coming close to stopping her from bilking him from as much money and free food as she can. Of course, Kuno is quite rich, so he can afford it.

Some people have described Nabiki as a villain, but I wouldn’t really agree with that. What she is, is someone happy to create conflict. She’s a fun addition to the cast, and I can’t think of any time in my previous watch-throughs where I got tired of her being there. (Which is not something I can say about every character in this series.)

Now it’s time to rank the episodes once again. Of the four episodes so far, I can immediately say this one is in the top half. I enjoyed Nabiki’s antics and the marital arts quite a bit, but I don’t think it’s quite as strong as the second episode. So far, that means the rankings are:

Episode 2: School is No Place for Horsing Around

Episode 4: Ranma and...Ranma? If It’s Not One Thing, It’s Another

Episode 1: Here’s Ranma

Episode 3: A Sudden Storm of Love

Will next week’s episode be just as entertaining? Well, I don’t know, but from what I remember about episode 5, “Love Me to the Bone! The Compound Fracture of Akane's Heart”, I don’t think that will be the case. See you then!

[ranma-rewatch]

Episode 4-Ranma and...Ranma? If It’s Not One Thing, It’s Another

Oh boy, we are back into the Ranma Rewatch and this time it’s the fourth episode, titled “Ranma and...Ranma? If It’s Not One Thing, It’s Another”. That is definitely the kind of title I remember more from this show: incredibly long and silly. I love it in any series where the titles are like half-formed sentences. As for what I’m expecting in this episode...I honestly don’t really remember. We’re already reaching the edges of my memory, so I look forward to seeing it with fresh eyes

Yeah, I had pretty much forgotten about most of the stuff that happened in this episode, but that’s not necessarily a bad thing. The episode starts with Ranma having a bad dream about Kuno professing his love and asking him out. After waking up in a cold sweat, Ranma takes a bath and shenanigans happen.

There’s some cute banter between Ranma and Akane on the way to school, then a threepeat of the fight against all the guys trying to ask her out. Kuno makes an appearance at the end again, but this time he’d taken out in one combined hit from both Ranma and Akane. He’s tended to in the nurse’s office afterwards by Nabiki, who finds out from his sleep talking that he’s fallen in love with ‘the pigtailed girl’ in addition to Akane, and feels conflicted over who he should choose.

Seeing an opportunity, Nabiki abuses the fact that apparently Ranma is a heavy sleeper to activate his curse as he sleeps, takes a bunch of sexy pics, then turns him back, all without him ever waking up. Not too long later, she gets a surprise message from Kuno, asking to meet up.

He treats her to a meal, asking her the favor of delivering a cute doll he got as a present to its recipient: the pigtailed girl. Before addressing that idea, Nabiki tempts him with the sexy pictures of his new waifu, only letting him even see them if Kuno treats her to spaghetti. I thought that might be a dub change, but it’s not, either language they still go out for Italian pasta. She sells them to him for 1000 yen a pop, then asks if he’s giving up on Akane then. He clarifies that he intends to pursue them both, so Nabiki reveals there are Akane pictures available too. In exchange for free ice cream, and the same price per picture, she sells him those too.

Only with that done does she tell him how to get his present to the pigtailed girl: Ranma is the only way. She doesn’t explain why, but Kuno doesn’t dig too deeply into it. She couriers a letter to the titular protagonist, asking for a meet up, which Ranma goes to. Once it becomes clear exactly what Kuno is asking for, Ranma rebuffs him, saying he’ll never see his precious pigtailed girl ever again.

This threat becomes somewhat toothless when someone randomly dumping water out of their window activates Ranma’s curse, and Kuno quickly embraces the object of his affections. This hug becomes a little awkward when Nabiki appears and douses Ranma with hot water, and Kuno realizes who he is ‘now’ hugging. You might think this would mean he has some understanding of what’s going on, but Kuno’s immediate thought is that Ranma knows some vile sorcery.

When Nabiki realizes how dense Kuno really is, she decides to phrase it to him as Ranma ‘owning the pigtailed girl’s body and soul’, which is not technically a lie. That said, of course Kuno interprets that as meaning that somehow Ranma has the warrior woman he loves enslaved to him in some way, so a fight breaks out.

When Ranma sees the photos Kuno has on him, it distracts him enough to take a hit to the torso, just as Akane arrives. Just as Kuno starts getting serious, the air pressure from his piercing attacks alone strong enough to crack a statue apart, Ranma counteracts and wins, though it becomes clear his injury hurts like hell, even if he’s trying to ignore it.

And that’s it, no cliffhangers this time around. Now that Kuno’s love for Ranma’s alter ego has been established, the actual meat of what that means, namely how he sees them as two separate people and chases one while attacking the other, is what this episode works to make clear. It also sets up his and Nabiki’s dynamic more, but that’ll be something I talk about more in just a little bit.

There are two kind-of bigger things I want to pull out of this episode. First one being the dream sequence at the start. Now, I am fairly sure that whole bit is meant to be there for comedy, in a very ‘gay panic’ kind of way. Which honestly...does not play super well these days. Ranma’s terror at the dream, on a surface reading, has to do with him being super grossed out that some dude is in love with him.

Of course, there are other ways to read the scene as well. I’m sure some people might instead look at it as being less a nightmare and more like Ranma running away from his own possible attraction to another guy, and while that’s definitely possible, I didn’t really get that vibe at all. That said, if you did, rock on.

What I saw as more likely was a gender-based reading. Ranma is, more than anything else, freaked out by Kuno’s love declaration because it’s someone seeing him as something he’s not, a woman. Kuno isn’t interested in Ranma, he’s interested in a woman who doesn’t exist. Ranma has a lot of complicated feelings tied up in his masculinity, which his curse doesn’t exactly help with, and Kuno’s attraction to his cursed form just makes it all worse.

Speaking of attraction, let’s talk about Kuno. The fact that everyone calls his affections for two people at the same time ‘two timing’ is a bit vexing to me. As someone who has been in polyamorous relationships before, I can attest to the fact that liking more than one person at a time is totally okay, and if everyone involved is okay with it, dating multiple people is also okay.

That is kind of the problem though. Neither Akane or Ranma like Kuno, and neither is likely to want to date him, regardless of if he’s dating someone else at the time. Their problem with Kuno isn’t his dual attraction, it’s that they just plain don’t care for the guy. (And Ranma probably doesn’t swing that way, but he could be repressing it so what the hell do I know.) Even with that in mind, I still kind of roll my eyes at how Kuno ‘liking two girls’ is treated as a perversion. That just kinda sucks.

Last thing before the character spotlight I can think of is that I really liked the fight in this episode, the action was pretty good. ... Listen, I know that’s not exactly expert analysis, but it’s what I got.

I feel like covering Nabiki now is pretty much a no brainer. Of all the side characters introduced so far, she’s easily gotten the most shading, and this episode in particular develops her further for the audience. In terms of voice acting, she’s played in English by Angel Costain and in Japanese by Minami Takayama. Angela isn’t known for much else, which is quite a shame, because she’s pretty fantastic, in my personal opinion. Minami, on the other hand, has a pretty huge resume, and along with the voice actors for Akane, Ranma’s cursed form, Kasumi, and a character we haven’t met yet, was in a pop group called DoCo.

In terms of acting, they both play her fairly similarly. A normal girl at first glance, but with quite the amount of dry wit and sarcasm lying beneath that surface. The main difference I’ve seen so far is that Angela seems to have more mirth to her performance, while Minami’s is a bit more deadpan. Both are good, though I definitely prefer the english performance so far.

But what is Nabiki actually like? Well, of the three Tendo siblings, Nabiki hides who she is more than the others. For the first few episodes, she comes across as a fairly unassuming character, most known for her occasional snark. But this episode is where we get to see her primary character trait: greed. Nabiki is quite happy to take advantage of Ranma’s curse to make money, though how far she’s willing to go for the yen hasn’t really been made clear.

It is worth noting that, while her pictures of Ranma were very sexy and revealing, her pictures of Akane were just of her working out and stuff, far less of an invasion of her sister’s privacy. Does she have better respect for family than the freeloaders who live with them? That’s to be seen.

Another big character trait we’ve gotten so far is her...friendship? Sure, let’s go with that, her friendship with Kuno. Always happy to try and pop his inflated ego with her sharp wit, they have a good comedy routine going. At the same time, she does seem to legitimately be there for him, since she was taking care of him after he got knocked out. They get shipped a lot, which I definitely see the appeal of, but part of me just kind of likes the idea that they’ve just known each other for a long time, and they just kind of have a thing going. Not that any kind of friendship they may have is coming close to stopping her from bilking him from as much money and free food as she can. Of course, Kuno is quite rich, so he can afford it.

Some people have described Nabiki as a villain, but I wouldn’t really agree with that. What she is, is someone happy to create conflict. She’s a fun addition to the cast, and I can’t think of any time in my previous watch-throughs where I got tired of her being there. (Which is not something I can say about every character in this series.)

Now it’s time to rank the episodes once again. Of the four episodes so far, I can immediately say this one is in the top half. I enjoyed Nabiki’s antics and the marital arts quite a bit, but I don’t think it’s quite as strong as the second episode. So far, that means the rankings are:

Episode 2: School is No Place for Horsing Around Episode 4: Ranma and...Ranma? If It’s Not One Thing, It’s Another Episode 1: Here’s Ranma Episode 3: A Sudden Storm of Love

Will next week’s episode be just as entertaining? Well, I don’t know, but from what I remember about episode 5, “Love Me to the Bone! The Compound Fracture of Akane's Heart”, I don’t think that will be the case. See you then!

[mytwitterisdogtoast1]

Dragonball GT is the worst series of all the Dragonball series.

I recently watched a video created by Totally Not Mark about which series is better out of GT and Super when it came to the franchise in general and part of me remembered my huge dislike towards the series so I figured I’d get on my keyboard and do that good ol’ fashioned “post an opinion” onto Tumblr because that is what the site is mostly for. So Instead of posting about how I think super is better I’m going to just post why the hell GT is a horrible show to me and the things it gets right and why in general the show is horrible. Now before I get into that context I am in no way a super fan or the type of person who says that subs are better than dubs because we all love anime and shouldn’t restrict others from liking their thing because we fill we are superior to each other based on our willingness to read or because we think “that the voice actors in Japan are so much better and you lose the feeling you get when you watch Americans try and fail at it”. Look as a filthy casual who usually never gets angry or upset at most things my reasons for disliking GT aren’t going to be what most people would see as a bad thing or even say the reasons I like GT are the exact same reasons and if you can come to appreciate the reasons I give that’s cool and if you disagree that is fine as well as long as it leads to civil discourse because again, it’s anime and no one is superior in their likes to another just because of some arbitrary reasons. In the end, it’s all just cartoons. So before I get into why i dislike GT at every turn I see it show up I have to praise it for what it does right to me. That is the visuals of the how the characters looks. See I get that it’s like 10 years into the future or something like that and some people now look way too old like Krillin or just don’t show up ever unless it doesn’t matter but with who we got they look great and I would never take away how good they look. Also the villains as much as I will get into them are actually kinda cool in their own right and aren’t the worst ideas just implemented in such a poor manner that any real good they do is kinda mitigated by the fact that they are almost identical to some other villain in the end. So now with that out of the way I’m going to get into why GT is one of the worst anime of all time. At least to me.  So what makes Dragonball so great is it is a comedy genre even near the final seasons. They either had shitty reasons to amass an army or in general did silly things like make a holiday after themselves when they finally succeeded in ruling the world but in the end the genre of action anime is pretty much parodied with how it is a child who goes in and defeats these muscle men. We have a child who was never really raised by a normal adult trying to fit into a world outside of his normal views and fights these villains who against normal people would lose but in the end they all end up losing to a little boy. It’s a nice adventure with laughs and enough action to really get people to enjoy it. As much as I like Dragonball I never really liked it as much as Z. Yes I do know that it is mostly just Z over here in the west but I don’t see them really being the same manga with the shift in tone that the two had and the styles of adventure they ended up having in Z is so vastly different in comparison that to me they are totally different series when compared to each other. Also I was growing up when Z first came over to America so I didn’t see Dragonball until after it made its first debut on Toonami. So again, totally different series to me.  As for Z? Well Z is my favorite anime of all time. It’s by far not the best anime ever but I do believe it is the best action anime of all time for a couple of reasons. 1: I love how in the end they just fight better versions of the previous final boss. Vegeta? That’s just stronger Raditz who can transform. Frieza? That’s just stronger Vegeta who can transform multiple times. Cell? Thats just stronger Frieza who can transform multiple times, Regenerate, Use everyones powers, and also absorb people. You get the picture by now. Everyone else who comes after is just a “better version” of the last and that tickles my fancy. 2: It helped make certain parts of the genre of shonen manga via the introduction of tropes. Transformations weren’t really a thing before Z came along and pretty much every action anime since then has used tropes that Z has introduced. 3: It still holds up today in being a good anime and manga and in general the popularity of it was so big that even now when I’m a 30 something year old that it got a new series to continue even after GT finished it off in Super. These are the reason I think it’s the best action anime of all time but again, feel free to disagree if you want to.  As for why GT is such a shit show to me it all comes down to the fact that it introduces absolutely nothing new when it comes to itself that even the villains and the characters are a little in general copies of other characters. That and no one matters compared to Goku. If we start it off sure we have people like Trunks and Pan and even “insert comedy character who is only here because plot that could just be ignored and even removed” A.K.A. Giru. See the series starts off pretty generic in that Goku is training Uub up in the look out. He just disappeared and is finishing his time in what I assume was a 10 year training session. We are introduced to our first “villains” in Pilaf and his crew. They are finding out about not only gods look out but they also find a new set of dragonballs. Convenient plot details that are either confusing or just there to set up the series. Firstly before I get into that why was this never said before, Why did Bulma never pick up on these dragonballs, Why did pilaf just now find them if he’d been searching his entire life after dragonball? So many questions in general but still. Not the point. The point is this, they don’t have a real reason except to introduce our first main villains. Pilaf and his gang. A little weird when you look at it cause Pilaf has been bested so many times that him succeeding now seems like a stupid thing to happen. Thankfully his success is only to again, push the story. Goku and his gang have to now search for the dragonballs. Which is exactly what happened in Dragonball. This time, it’s across the universe. This is where my ability to really in general compare the shows ends. That is until in general I get to the final stretch. See there are very few things I can equate to Dragonball besides the adventure of the day aspect. You have the obvious nod towards Oolong with Zoonama who both want to marry a girl and end up falling for a boy in drag. You have the fact of Goku with a tech savvy Briefs person as well as a spunky fighter. Goku is a kid. Maybe a couple other things if I looked it up and compared but the main thing is that first section of GT is based heavily on Dragonball in general. The final stretch part begins with the “Red Ribbon Army” copy in the General Rildo part with Dr Myuu who is just also a copy of Android 20. So after this part finishes it kicks into the saiyan saga of DBZ. Baby is by far a complete knock off of 3 villains in DBZ being comprised of Vegeta, Frieza, and Garlic Jr. Why is this so? let’s face it, If you compare those 3 with him its basically a one for one beat on what he does with someone else. Firstly he’s in the body of Vegeta and even when he starts losing he goes and just becomes a great ape. Pretty much what Vegeta does in the first saga of Z. As for Frieza they can both survive in space, Has multiple different forms and lastly he hates saiyans. Now sure the reason is different but the disdain for them is pretty much comparing blue to a lighter shade of blue that looks just like blue. We could even mention that Baby is like Cell in that they are both made by science but the comparisons end there. As for Garlic Jr Baby does the same thing in taking control of people and making them the same as with the black water mist. These are what make Baby pretty much a whole of 3 separate people. Next comes the Androids and cell. Super 17 is pretty much just perfect cell. You have past villains returning to take out Goku. Those of which are Frieza and Cell. Which funny enough Frieza comes back but dies by trunks who warns of 2 androids coming to fight against Goku and kill him. Which comes in the forms of Dr Myuu and Dr Gero. Both of which, are you know, not the main androids being talked about. In fact it’s actually 17 and hell 17. Both of which are going to fuse and make one super android who changes forms into basically cell in that he can absorb energy and also has infinite energy as well. These are basically the main parts except that the end takes multiple people to fight off and kill Super 17. To which they then wish back people with the dragonballs because one of the Z fighters died and they want to bring them back. Seems that it would be fine except for the small little detail of its an evil dark dragon who when after granting the 7th wish he creates these evil dragons. Before I get into those dragons lemme question this. If Kami and Piccolo fused and the dragonballs stopped existing for a bit and it took Dende a new person to create new dragonballs wouldn’t he know of the evil dragons as well as also in general start a new chain thus stopping 7 evil dragons from existing? Oh well, at least we get 7 different dragons for Specifically only Goku to fight against. I can see people saying how can you compare the evil dragons to Buu which it’s a lot easier than you would think. How many different forms of Buu are there? would you guess about maybe 7? Cause there are 7 different forms of Buu. 6 of which are different forms when he absorbs other people. So lets take it this way. Omega Shenron also absorbs 6 different “people” in the 6 different dragonballs that aren’t his. Sure, he only gets one more form in that he has now been transformed into Omega from Syn Shenron but still. Transformations are a check. So what are the 7 different forms of Buu? 1:Kid Buu 2: Buff Buu which is when he absorbs the southern Supreme Kai. 3: Fat Buu which he gets from absorbing the Supreme Kai. 4: Evil old Buu. 5: Super buu. 6: Super buu with Gotenks absorbed. 7: Super Buu with Piccolo absorbed. 8: Piccolo with Gohan absorbed. Now some of you might be saying “that’s 8 different forms of Buu and not 7″ But in the end Syn and Omega are both different “forms” thus making 8 different forms of dragons as well. The main part that gets annoying though is how they defeat Shenron. Firstly they use fusion and then don’t win even though they could have in the end. Why? Arbitrary reasons. See in Z it was because Vegito wanted to be fused to save the others. In GT it’s cause they needed to defeat him with the spirit bomb. Just like they did with Buu. Both spirit bombs are also involving a larger amount of people than normal. In Z it was all of earth. Every person. In GT it was the whole universe. That’s not even the final part of how it’s the same. At the end of Z Goku says goodbye to his friends and fucks off. GT does the exact same thing. The show is honestly pretty much a beat for beat of Dragonball and Z. It adds nothing to the universe and what it does add  is half assed. Things like Vegeta having an epiphany that Goku is better than him twice at the final end villain or having Goku lose a tournament as a child or stuff like that fill in the cracks of the shit cake that is GT with more shit that doesn’t help or make it better. GT even fails to make what it had that was great good. The use of a new level of SSJ to defeat Baby was also used in the same ways of how Kaioken wasn’t enough to beat Frieza and then SSJ was also attained then. Everything is on a bigger scale while being comparable to the smaller scale before it. The reason I don’t compare this with Super as that even when it takes from earlier seasons of DBZ or anything else it is fresh in comparison. Goku and Vegeta doing their rivalry? not beat for beat. Older characters? They have use. Repeat villains? Frieza is almost a completely new person with his arc in that he now knows he needs to train and actually does and also does some good and even respects Goku. That’s why I don’t compare the two because they are incomparable. GT? It’s pretty much a shitty version of what came before it.

[marypsue]

The villain post...is good but also I threw it in my queue with a bit of a tag-rant about why GoF Voldemort really worked for me and then realised that could probably be its own separate post and anyway: the when and how you establish a villain's threat level is also important in people's takeaway from them.

Voldemort's a vague, shadowy menace for most of the first four Harry Potter books. It works. He's a Big Bad, an outsized future fantasy threat for an outsized fantasy world our protagonist has only just dipped his toes into. While Harry's still at school and learning the ropes of the wizarding world, it makes perfect sense for him to be sort of a nebulous background threat. The moment he appears onscreen in Goblet of Fire - him, not a servant or a memory or a ghost - he kills a child. Onscreen. And not just any child, but someone we've grown to know and like and admire throughout the book. Abruptly, Voldemort goes from being sort of a fairy-tale villain to something real and shocking and very, very dangerous, before our eyes. We learn along with Harry just how heinous he is and what he's capable of. 

It's not at all a coincidence that this event marks an abrupt darker tonal shift in the series, though personally I think it fell a little flat by trying to maintain the status quo and not having enough Voldemort-being-heinous-onscreen. But I'm of the opinion that villains like Voldemort who suddenly Get Real should be conserved according to the Jaws Law of Conservation of Shark, and should only really be allowed to appear onscreen/show their true threat level in the last third or quarter of the story, so you can devote significant screentime to allowing them to escalate.

Speaking of escalating, once you have your villain establish their threat level onscreen, then unless you want to use them for comedic purposes, give them a redemption arc, or both, every time the reader sees them afterwards, they need to be taking it up a notch. Every time the audience sees that villain, they're going to think they know what that villain is capable of, which lowers the fear factor and the threat level in the audience's mind. In order to keep that threat high, you have to remind the audience, every time they see the villain, that they do not in fact have a handle on the situation, and things could always get worse. 

So, again, for a villain like Voldemort who suddenly Gets Real, it makes the most sense to have him Get Real closer to the end of the story, so there isn't much escalation necessary before the resolution. Otherwise, there's a risk of the villain getting silly and comedic in the opposite direction of the villain who never escalates. 

I'm thinking specifically of Phineas & Ferb vs. Supernatural here. The former has Heinz Doofenschmirtz, who is a comedic character partly because we the audience know the true threat level he's capable of and he never rises above it. This is also what the principle of Weird Villain Uncle is based on, where an entry-level villain doesn't stop being a threat but never escalates above the level he was at when the heroes were still green and didn't know how to deal with him. As the heroes grow, he seems like less and less of a threat in comparison, especially if he never comes up with anything new and worse. The latter...well, the longer SPN goes on, the less it seems to know how not to escalate its threats out of all scale and proportion, and the humour mostly appears to be unintentional.

For some things, too, establishing the villain as a real and serious threat right out the gate is necessary, so escalation runs the risk of sending them into unintentional comedy territory. That's where I'd say the ideas of scale and proportion come in. 

If, say, you're trying to establish a character as a formidable villain from the jump in a fun neon eighties nihilist cartoon-action-fest, having her first onscreen appearance be stopping an unstoppable force and destroying an indestructible object gives that immediate, visceral 'oh SHIT' reaction, and can easily and proportionally be escalated to singlehandedly taking out an army of trained soldiers and literally raising the dead. (This does, admittedly, also rely on a healthy dose of PRESENTATION!!!) On the other hand, if you're working on a serious war drama, your initial threat assessment is going to have to be a little more within the realm of actual human abilities, and your steps of escalation are going to have to be smaller and closer together - say, from shooting a dog to starving a prisoner to straight-up treachery.

In cases where a villain has to be kept closer to realistic, I've found it also helps to make their escalations more and more personal to the protagonist. Circling back to Harry Potter, the previous post mentioned Umbridge as an example of a great villain. And she is! A lot of that is that her heinousness is mostly onscreen. But unlike Voldemort, she never kills anyone onscreen, and yet she's almost universally more hated. 

Part of that is, I think, like the OP of the previous post said, because of how many people can relate to having an antagonist like that in their own lives. But I think part of it is also how each step of her escalation is aimed so directly and personally at the protagonist we're supposed to sympathise with. Voldemort feeds a Muggle Studies professor we've never met or encountered to his snake onscreen. That's heinous. That's escalation. And yet, because it's targeted so directly against a personal weakness of a character we're meant to sympathise with and have become attached to over the course of five books, Umbridge forcing Harry to write lines with the quill that carves up the back of his hand produces the more visceral reaction in me as a reader.

Anyway. tl;dr: unless you want them to look ineffective and silly, villains need to escalate. Unless you want them to look unintentionally silly, villains need to escalate proportionally to the story they're in and the abilities of the protagonist they're facing. And if you want to do a sudden tonal shift to bring the horror home, have them escalate Real Fast.

[cherry-valentine]

Spring 2020 Anime:

Kami no Tou is one of my favorites this season. It’s unique in that it’s based on a Korean web comic rather than a Japanese manga or light novel. This gives it a different feel than most anime. The series centers on a massive tower that, when climbed, will grant a wish. Only the strongest warriors can hope to climb the tower, and even attempting it requires passing several grueling tests. The protagonist, Bam, initially enters the tower to find his friend Rachel, but ends up joining a team of three to climb the tower together. For the majority of the first episode’s runtime, I wasn’t really into this series and was pretty sure I wouldn’t watch anymore. It had a pretty vague opening that left me underwhelmed. But just before the episode ends, we get a really awesome sequence that sets the tone for the rest of the series, and I was hooked. The tests to climb the tower are surprisingly brutal, with frequent deaths until the cast is whittled down to the main players. The core group of characters is made up of a refreshing variety, with plenty of badass ladies. The main team of three are all likable. I honestly thought I wouldn’t like the lizard-like Rak very much, but he grew on me very quickly. The art is great, rarely going off model. The animation quality is pretty good and the design work is fantastic. The opening and ending themes are among my favorites this season. Probably my favorite new series of the season.

Kakushigoto covers several types of series all in one. It’s a comedy at its core, with a focus on quick skits and gags. It’s also adorable and heartwarming, following a single father named Goto raising his young daughter, Hime. The hook of the series, and the source of most of the comedy, is that Goto is a manga artist who draws “ecchi” manga (when I first read the description, I had something else in mind, but it turns out he just makes silly, slightly perverted gag manga) and he’s desperate to hide this fact from his daughter, so he pretends he’s a regular “salary man”. His interactions with Hime are so sweet and wholesome, it really makes you just sigh and say, “Awww!” However, the series also covers another type of anime: the tearjerker. The scenes talking about Goto’s dead wife are almost hard to watch, as it’s very clear that losing her was incredibly painful for him, but he had to move on quickly for his daughter’s sake. There are little things, like the fact that the wife apparently prepared boxes for Hime to open at every age containing things she thought Hime might need or want at each age (and it looks like she prepared boxes for Goto as well!), that make it hard to stay dry-eyed while watching. There are also scenes taking place several years later, involving a teenage Hime, that imply some extremely heartbreaking things I’d rather not think about. Basically, any given episode will have you gushing over the cuteness, then laughing hysterically, then crying and batting away some dark and depressing thoughts. The art has a very unique style. To be honest I’m not entirely sure if I like it or not. The colors and backgrounds are lovely, but some of the character designs are a little... odd. In particular, Hime is probably the least cute “young daughter” type character I’ve seen in anime. Something about the way her face is drawn is just... off. Oh well, might be good for warding off the gross perverts who might be watching the show for all the wrong reasons (it’s anime, so I suspect the worst). The music is perfect, with the best ending theme of the season (seriously go watch it, right now! It’s a true visual delight with an amazing song to go with it). Highly recommended unless you have no soul.

Kaguya-sama Love is War Season 2 was something I was looking forward to very much. I enjoyed season one way more than I expected to, and so far season two is just as good. The series follows two highly intelligent but extremely awkward students at a fancy private school who are in love with each other but each is trying to force the other to confess their feelings first. It’s a genuinely funny comedy that also captures the feeling of being in love with someone but being too shy (or too prideful) to tell them. Season two introduces a couple of new characters who, in my opinion, aren’t super interesting but thankfully aren’t around enough to wear out their welcome. This is one of those shows where no actual progress can ever be made, because if these two characters actually get together, the entire premise of the show falls apart and there’s no reason for it to keep going. Despite that, the show continues to be funny and entertaining, and it’s consistently well done, from the art to the writing to the music.

My Life as a Villainess is one of the quirkier “isekai” series out there. It follows a modern teenage girl who suddenly dies and is reborn in the world of her favorite otome game. The catch is that, instead of being born as the lovely heroine that all the guys fall in love with, she’s born as the villain, Catarina, who makes life hell for the heroine and, in every route in the game, ends up either dead or exiled. Upon realizing this, Catarina decides to do everything in her power to avoid these potential fates. This mostly amounts to her being nice to everyone (especially the game’s heroine, whom she meets in this world’s equivalent of high school) and trying to improve both her magic power and her fighting skills so she can defend herself, as well as learning to grow food in a garden so she can feed herself after being exiled. The show’s true (and obvious) twist is that everyone (regardless of gender) ends up falling in love with Catarina. It’s actually a pretty nice message, that people won’t automatically love you, but if you work on improving yourself and be genuinely kind to others, people will gravitate to you. The series is actually really funny and overall light-hearted. It’s particularly amusing if you’ve ever played an otome game and are familiar with the tropes. The art is nice, if a little generic, and the music is fine. Not my favorite this season but certainly worth a watch, especially since the season grew a bit dry a few weeks in.

Major 2nd Season 2 is a baseball anime sequel to the series Major, which I really want to watch (but is clearly not required for enjoying this one). In the second season, protagonist Daigo (the son of the previous series’ protagonist) is now a second year in middle school, and is the captain of the team after most of the third years quit. Almost all of his team mates from the first season have split up and gone to other schools, but Sakura, one of the few girl players, is still on his team. It’s interesting to me that the majority of Daigo’s team is made up of girls, to the point that other teams have a tendency to underestimate them. I didn’t even realize that in middle school, teams could be mixed like this. It’s actually refreshing, as the girls are very skilled (Daigo points out very early on that the girls follow the exact same training regimen as the boys). In fact, the girls in general are much more talented than the boys (Daigo himself even gives up his position as catcher to a first year girl who proves she has more skill than he does). It’s just really nice that these are good players, not “good for a girl”. Another fun aspect of the series is the fact that previous teammates from season one are popping up as opponents in season two. The animation is fine and the music is good. If you like baseball at all, this is the show for you. If you like sports anime in general, give it a shot. It doesn’t really have that “lots of hot guys who are super close with each other” vibe that most sports anime has, so keep that in mind. 

There were a few others I was watching that had to be put on hiatus due to the pandemic. Since I only watched three or four episodes of them, I’ll wait and do write-ups for them once they resume.

EDIT: Added Major 2nd Season 2 because it resumed airing.

Carry Over Shows From Previous Seasons: Black Clover (now on hiatus) Ahiru no Sora

Best of Season: Best New Show: Kami no Tou Best Opening Theme: Kami no Tou Best Ending Theme: Kakushigoto Best New Male Character: Goto (Kakushigoto) Best New Female Character: Catarina (My Life as a Villainess)