#I generally listen to albums on repeat so I had ~curate~ my answers
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@halbermensch tagged me to post 10 songs that I’ve been playing on repeat recently. thank you, friend!
listed in no particular order...
1. Tell Me You Love Me - Sufjan Stevens
2. Black Madonna - Cage the Eephant
3. As Many Candles as Possible - The Mountain Goats
4. Which Witch - Florence + The Machine (this is the top played song of my entire Spotify since I got one in 2016)
5. AM - Marika Hackman
6. I’m Lost - Elohim
7. Bad Guy (cover) - The Interrupters
8. Run Away With Me - Sufjan Stevens
9. send my love - Marika Hackman
10. Cosmonauts - Fiona Apple
#I generally listen to albums on repeat so I had ~curate~ my answers#since my Spotify repeat playlist was legitimately just two and a half albums I’ve been listening to on repeat
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For the ask game: 🥳 🎤
I hope you'll feel better soon 🙃
I do feel a lot better now, thank you!! I so appreciate your concern and your ask—thank you for sending 💖
🥳: What always cheers you up when you’re in a bad mood?
- Writing out all my feelings in an angry or anxious Notes-app rant. Usually, it helps me to put words to what I’m feeling and get the buzzing, swirling thoughts out of my head and onto my screen.
- Listening to music. Especially if it’s really loud. Sometimes I listen to the same song on repeat, especially if it’s been known to comfort me (more on this below), but it also really helps if the music is a playlist I’ve curated to have all the songs in the same or similar key signatures that flow into each other cohesively. In fact, the process of making that kind of playlist also makes me feel better! Which brings me to:
- Doing an activity to distract myself. If I’m just sad and need a pick-me-up, reading or watching Netflix—generally silly and fluffy sitcoms, romcoms, or anime—works well. But if I’m angry or anxious and the thoughts are swirling around and my brain is going mmmmmmmmmm like an anxious little microwave, I need to do something that fully immerses me and leaves no room for my mind to wander back to “oh god I’m gonna ruin my life and flunk out of everything and everyone will hate me”. What works well for this is drawing, making playlists, or writing a string-quartet arrangement of a song I really like (maybe one I have on repeat to comfort myself!). If I come up with more things, I’ll add them here.
- Sorry to get all “blorbo from my shows” on you, but—watching Cowboy Bebop. Since I’m so obsessed with it, watching it is generally an immersive enough experience that it can successfully take my mind off the Anxiety™️. (The tags have a list of my favorite episodes to watch when I’m sad—I originally had them written here, but they were taking up too much room.) I swear to God, once I was really sad and my roommate walked in to see me watching Cowboy Bebop, while wearing a Cowboy Bebop shirt, with my Cowboy Bebop toys. That was a hard day. But honestly, when I’m sad, just immersing myself in my current obsession/special interest—whether it be Cowboy Bebop, Avatar: The Last Airbender, The Great Gatsby, or Star Trek—usually does wonders to make me feel better. Just being in the presence of The Thing will bring me joy.
- Being with my friends. Usually I like to be alone when I’m upset, but sometimes I need them as a sounding board for my problems/feelings or just to hug them. Just asking my friends for hugs, and the fact that I have friends who are happy to give me hugs upon request, feels amazing. 10/10, highly recommend. (Unfortunately I can no longer do this since I’ve come home from college and my friends are across the country…and Internet hugs just aren’t the same.)
🎤: What album or song is currently on repeat for you right now?
I already answered this in this ask from @wheredotheducksgo, but I don’t mind answering it again—especially since I mentioned listening to songs on repeat as a thing I do to make myself feel better! The two songs that generally really help with this are Roaring 20s by Panic! at the Disco and Everybody Talks by Neon Trees. I dunno what it is about either song, I just really vibe with both.
And I may as well take this opportunity to dump some other songs I’ve recently been listening to on repeat, as Spotify’s “On Repeat” playlist helpfully tells me: What Planet Is This?! by SEATBELTS (my all-time favorite song in the entire Cowboy Bebop soundtrack), Dance Macabre by Ghost, Shape Of My Heart by Sting, Period by CHEMISTRY (yes I’m a weeb shut up), Last of the American Girls by Green Day (there was a time when my entire “On Repeat” playlist was Green Day’s album 21st Century Breakdown with the occasional Cowboy Bebop piece sprinkled in), Good Life by OneRepublic.
[More Random Cute Asks]
#thank you so much for the ask!#this was fun to think about and i am feeling better now :)#if you do play any of these song recs i highly recommend playing ‘roaring 20s’ followed immediately by ‘what planet is this?!’#i did that once in a dj session and the effect was MAGICAL#also don’t @ me about period—i know citing an anime opening is cringey but it legitimately SLAPS and i will defend it to the death#ask#answered#shakespearestolemyurl#more random cute asks#okay as promised my favorite cowboy bebop episodes to watch when i’m sad:#IF I NEED TO LAUGH#session 11—toys in the attic#session 17—mushroom samba#session 22—cowboy funk#IF I NEED A DISTRACTION FROM MY FEELINGS™️#session 5—ballad of fallen angels#(it’s not a happy episode at ALL but dissecting all the symbolism and foreshadowing is an excellent distraction!)#session 7—heavy metal queen#session 9—jamming with edward#session 14—bohemian rhapsody#the first three quarters of session 18—speak like a child#session 19—wild horses#most of these are lowish-stakes bounty-of-the-week episodes that i know will end well in a non-fucked-up way#(with the significant exception of the ending of ‘speak like a child’)#(which never fails to rip out my freaking heart)
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when your love reaches me (iii)
summary: 1978 is decidedly not 2020. nor is your life ever the same when you meet a guitarist, curly haired, soft spoken, and true.
word count: 7.5k
warnings: angst, language, yearning for a man in his 70s (c’est la vie, i guess), over-describing a moment i’m very passionate about (sorry, not sorry! ten points to the person who can tell me what moment it is LOL)
a/n: wow—this gif? yeah, match made in heaven. thank you all so much for indulging me in this mini-series. i really am very proud of this silly little thing & i’m sad that it’s over because i enjoyed writing it so much. thank you to @im-an-adult-ish & @deacyblues for helping me work out the rough spots in this one. would love to hear everyone’s thoughts because i’m very ~emotional~ about this mini-series!! xoxo.
part i, part ii
in this final chapter: you must adjust because it’s not in your cards to be with him, is it?
you run your hands down your face, feel the ring on your finger catch along the end of your nose, and sigh. two months—two months without him. two months to adjust to world you once knew but happily left behind. two months to gather the pieces of the life which cruelly slipped through your fingers like water.
each day is the same. you rise early and take your coffee on the postage stamp terrace outside your flat. you watch the sun climb higher in the sky with each passing moment and let the warmth of your drink soothe the ache in your soul. you wash your breakfast dishes, mumble a good morning to rachel when she exits her bedroom to make her way to the shower, and dress for the day. you walk to campus if you have a class or take the underground to the museum if you have a shift. you come home, eat dinner, go to bed. repeat.
if rachel notices a change in you, she doesn’t say anything. in her mind, no time has passed between the morning where she asked you to come to the pub and the same evening you tumbled into the flat, drenched and sobbing.
but you—you’ve lost a year of your life. there’s no getting it back, and the only thing that proves it really truly happened is the ring on your middle finger, the necklace hanging by your heart, and the undeveloped rolls of film in your bedside table.
there are few words to describe the unbearable pain in your chest. anything and everything reminds you of brian: the whisper of the breeze in the autumn-heavy trees; the feeling of your warmest cardigan around your shoulders; the sound of someone laughing in the museum.
but there’s more:
the scent of cigarette smoke reminds you of roger. the sight of two friends ribbing one another in a grocery store reminds you of crystal. a colorful jacket makes you think of freddie, a whispered snide remark takes you back to john, and two girls giggling reminds you of giddy moments with anna.
around every corner you turn there’s a memory you cannot avoid, and it hurts—desperately, keenly, deeply.
so you push it all away and soldier on, quiet and downtrodden. it’s easier that way. maybe, if you forget, you can move on and make it through life without him.
six months after you’ve left brian behind, you’re approached by your boss at the museum with an opportunity you’d only ever dreamed of: the chance to create and prepare your own exhibit.
monica is firm when she offers you the south wing to reshape as your own. “blow this out of the water, [y/n], and there will be a job as assistant curator waiting for you after graduation. i want something fresh and exciting. think you can manage?”
you agree without hesitation.
for the first time in a long time, you can’t help but smile to yourself. this is your chance to put everything you’ve learned to good use, to put something tangible in your portfolio, to make a name for yourself.
you’re buzzing with excitement and have to practically hold rachel hostage as you spout your myriad of thoughts and ideas. she’s your sounding board, even if she doesn’t want to be, but she’s honest where it counts most, and you’re grateful for that.
she glances over the kitchen table, laden with open magazines, cutout photos, and history books. her brow puckers. “this is... really boring, [y/n],” she says with a cringe, looking up with her blue eyes and freckled face.
your shoulder droop. “that’s it? that’s all you have to say?”
she shrugs and reaches for a photo, inspecting it with a critical gaze. “i mean, ancient textiles might be interesting to you and maybe five other people, but it isn’t exactly blowing me out of the water.”
dropping to the seat across the table, you huff. “well, we’re a photography museum, rachel. it’s not like i can whip up a few outfits and put them on mannequins.”
“excuse me, but fashion design is just as artistic as curating a museum—if not more so.” she sighs and puts the photo of a thirteenth century chinese table linen on the table. “there must be something else you’re interested in? something that other people will like just as much?”
you don’t mean to, but you let your eyes trail to the camera sitting on on the tv stand. you’d left it there after your return, uncertain where to put it. sometimes you catch a glimpse of it out of the corner of your eye and then you remember the tubes of film in your bedroom, undeveloped and unseen.
rachel follows your gaze. “you know, you never told me where you got that.”
“it was a gift.”
“oh really? from who?”
you’re slow to answer. the truth sits on the tip of your tongue—the man i love, the man i was going to marry—but you bite it back. “my great-aunt. she left it to me... in her will.”
you aren’t sure what compels you to retrieve the six rolls of film from your bedroom, but you do. the tubes feel heavy in your palm and clang against the table as you put them down. rachel looks at them then back at you, waiting.
“she gave me these, too.”
“i didn’t know you had a great-aunt.”
“we weren’t close.”
“obviously you were close enough to get these things.” rachel lifts one of the tubes, turning it over in her palm. “wonder what the pictures are.”
“i’m not sure,” you lie. “maybe they could make an exhibit.”
“i think you’d have to develop them first then make that decision.” she rises from the table and shrugs on her coat. “i’ve got a date, so don’t wait up. and try not to let this consume you too much? you’ve been down and out lately. i think the work will do you good, but don’t let it take over, yeah?”
you nod and wish her well on her date. she leaves the flat in a flourish, leaves you to the tubes of film and the growing curiosity in your stomach.
you really should get them developed. if not for an exhibit, then for yourself. an entire year of your life is in those tubes, and you deserve to see the photos you’d taken to preserve that time.
it’s been six months. you’ve purposefully distanced yourself from anything and everything related to queen, be it a simple news story, a song on the radio, or any of roger or brian’s social media posts. it hurts to see them, to know that they’re so close yet so far away, that they have no idea what became of you all those years ago in japan.
still, it’s been six months. developing the film might be your first step toward a sense of closure. you don’t want to stay in your rut forever. though you’re comfortable with the idea that brian might be your great love and you’ll never find another, you know you can’t stay as you are, sullen and despondent. it’s like a break-up, really. you’re sad, heartbroken over the loss, but you know it’s time to step out of the hurt and into something different.
before you can stop yourself, you grab the rolls of film, your purse, and your jacket, and you head for the nearest photo shop.
a few hours later, you return with a heavy packet of freshly-printed photographs and a usb drive full of digital scans. there’s over two hundred photos to sort through, and you’ve yet to see one.
flipping on the light to your living room, you sit down beside the coffee table, a glass of wine at your side, the table cleared of any lingering books or empty teacups. before you open the packet of photos, you open your laptop and type your search into the search bar. if you’re going to quell your curiosity tonight, you might as well quell all of it, and you’re dying to know what happened after you left.
a simple internet search confirms what you already know: your presence within the group on the jazz tour did not alter any significant events. freddie still passed away, john still retired. a further search yields at least one previously nonexistent queen song written by brian may: “into thin air.” it was released in the album following jazz. you can’t bring yourself to listen to it, not yet. a deeper search unearths an interview brian gave a year or so after you left. the interview was published in a magazine editorial covering of each of queen’s band members and their lives when not on tour or recording. after freddie’s bit, there’s a photograph of brian at the top of a new page. he’s smiling, but he looks weary and he mentions you only once: “i was engaged for awhile, but that ended in an unfortunate circumstance, so to answer your question: no, i’m not looking for love. not right now, anyway.”
you close the laptop and lean back against the sofa. the ring on your finger feels heavy. your eyes fill with unshed tears, and you decide the photos can wait to be seen until tomorrow.
the packet of photos ends up sitting on the coffee table for two weeks before you invite your co-worker, shamik, over for wine and cheese and museum gossip. shamik is kind, a first-generation immigrant from india with personality to spare and an exuberance for all things american. he claims it’s his greatest curse that his parents brought him to britain as a baby instead of america, and it’s something he can never forgive them for. you’ve only interacted with shamik at work, but when you mention your exhibit project, he’s eager to offer his help. with no new ideas outside ancient textiles, you’re willing to take whatever advice or ideas he has.
sitting beside him on the couch, you spread your collection of papers and pictures on the table to explain your vision. he listens dutifully, nodding along, his eyes scanning the 3-d projection you’ve made of what the exhibit might look like once completed. when you’ve finished your spiel, he sets his wine glass down and nods to the packet of unopened photographs on the edge of the table.
“what’s that?”
you frown, shaking your head at the sudden turn in conversation. “sorry?”
he reaches for the manilla envelope. “oh, it’s hefty! what’s in here?”
you sigh and take the packet from his hands. it feels solid in your lap, like a brick. “photos from my great-aunt.”
he points to the sealed flap. “it’s unopened.”
“i haven’t gotten the chance to look through it yet.” setting the packet to the side, you raise your eyebrows. “well, what do you think? about the exhibit?”
“honestly? it’s dull. monica won’t be impressed.”
you throw yourself back against the couch with a groan. “what the hell,” you whisper. “i’ve got no ideas then.”
you know ancient textile photography would not be the most enticing exhibit, but it’s been an interest of yours for some time and would be easy enough to complete. shamik and rachel’s reactions do not bode well, you have to admit. having a job as an assistant curator right out of the gate would be beyond marvelous, and you desperately don’t want to screw it up with a boring first exhibit.
“let’s have a look at these pictures from your aunt!” before you can stop him, shamik reaches across your lap for the photo packet and rips open the top. “maybe that will spark some ideas?”
you lean forward, blush already rising to your cheeks as he pulls out the first picture. “oh no, shamik, i don’t know if—”
“holy shit!”
you shut your eyes, wincing.
“that’s fucking freddie mercury!” shamik grabs your shoulder, his fingers digging into your flesh. “did you know about this, [y/n]? that’s your aunt with freddie mercury!”
forcing your eyes open, you look at the photo trembling between his fingers. it’s a picture of you sitting beside freddie on the tour bus. (you think john took the photo in an effort to get you to stop taking photos of him when he was asleep while roger and crystal placed as many items on his head as they could before he fully awoke.) your head is against freddie’s shoulder, your eyes droopy with sleep. a lump rises in your throat, and all you can do is shake your head in feigned disbelief as shamik continues to shuffle through the photos.
“oh my god, your aunt was a groupie,” he cries, passing you another photo.
“i guess—” you clear your throat. “i guess she was.”
“you know”—shamik sets the pile of photos down and spreads them across the table, obscuring your vision of an ancient textiles display—“this would make a great exhibit.”
“shamik—” your voice is a warning, a sudden surge of anger rising in your chest, but he continues.
“no, really, [y/n]! there are so many photos here that tell such a cutesy little story. i mean, come on? freddie and this cat?” he lifts the photo in question. “it’s stuff people have never seen before from a totally different side of queen. it’s a fucking goldmine!”
“absolutely not,” you say. “i will not put my aunt’s personal affairs on display.”
“think of monica, [y/n]! think of the job!”
“no, shamik!” you stand from the table and drop your plates in the kitchen sink with a resolute clatter. “i barely knew my aunt, but i know enough to gather that her time with queen was private. she didn’t say anything about it until she died. that’s got to mean something, and i don’t want to air it all out for everyone to see and speculate and gossip about just for my own personal gain.”
you’re shouting, fists clenched at your sides, by the time you finish. shamik just stares at you, his face blank and unreadable. he glances down at a photo.
“she looks a lot like you,” he says, his voice even.
you huff and take the wine glasses from the table. “we’ve got strong family genes. now, please, i’d appreciate it if you just drop the whole queen thing. we can find some other idea.”
you gather the photos, shove them back in the folder, and toss the envelope in the nearest drawer you can find. the drawer slams shut, and you leave the photos there to gather dust.
you mull over shamik’s idea of an exhibit based on your photos for a month before you finally relent. monica’s riding your ass daily with questions about your progress. you need to get something down on paper for her to give to the contractors, so you begrudgingly type out a response to her most recent email:
monica,
i’ve landed on an exhibit topic at last. took me long enough, right?
i’ve recently come into possession of a series of photographs taken by my late great-aunt. turns out she was a groupie with the band queen in the ‘70s. my exhibit will be centered around those photos. i’m thinking the exhibit will be titled “queen: unfiltered.” do with that what you will. :)
monica, much to your dismay, loves the idea and sends you right to work on gathering and laying out your vision while she begins the necessary promotion.
it hurts at first—looking at all the photos you took, remembering the way you felt so unearthly happy during that year. you cry each time you sit down to sort out the best of the pictures. the ones which capture a moment of levity amongst the band or are particularly well-shot go in a pile on the left. the ones which didn’t develop well or are too intimate for you to ever consider putting on display go in a pile on the right. your bedroom floor is a mess of drafted captions written on slips of printer paper, photographs with notes scrawled along the back, and used tissues. more than anything, you wish you could step into the world behind those photographs. you want to be back there—with him, with them—until you grow old and gray. knowing you can’t, that you won’t ever see him again, tears you apart inside.
but it helps. the exhibit forces you to acknowledge the time you spent with brian, with queen. instead of leaving the photos in a drawer, they confront you everyday as you sit down to work, and everyday it gets a little bit easier to face your past. as the tears subside, you find yourself laughing whenever you find a new photo of roger’s antics. your heart doesn’t clench as much when you run across another photo of you and brian. you can smile now when you look at his face. he really was so handsome...
you go so far as to frame your favorite photograph of your time together and place it on your dresser. he’s got his arms wrapped around you from behind, his chin settled on the top of your head. you’re laughing, your hands folded on his arms, legs crossed as you tilt to the side. he’s making a face, his tongue stuck out at the camera, and every time you pass by the picture, you can’t help but chuckle.
you love him still. you’ll love him always.
with three weeks before the opening of the exhibit, the stress is starting to get the better of you. you’ve bitten your nails down to the quick, there’s heavy bags under your eyes from lack of sleep, and you can’t remember the last time you consumed something other than coffee. despite the stress, you feel lighter. working through the photos, laying them out in order, writing the captions, pouring over the faces of the ones you love so dearly—it’s all helped ease the burden in your heart. for the first time in a long time, you slip out of bed in the mornings with a newfound sense of energy and purpose.
life will go on. just as you did when you fell into the past, you will find a new future.
arms laden with exhibit proposals and mock-ups, you brush into your local coffee shop—pretty bird—intent on getting some real work done on choosing the final photographs before you send them off to be printed. you order your usual and take a seat by the front. the air which wafts through the open window at your side is warm with spring and rebirth, and you breathe deep, cracking open the lid of your laptop. you manage to pick a total of twelve of the seventy-six needed photographs before you’re interrupted.
“whatcha workin’ on?” matthew, barista extraordinaire and casual acquaintance, sits down on the bench across from you. he has his own cup of cold brew poised between his lips, and the piercing in his eyebrow wiggles as he moves his brow up and down.
“an exhibit for the museum,” you say, pausing to roll your tight shoulders. “it’s my first.”
“do tell!”
you explain, briefly, how to came to acquire your dead aunt’s photographs and the general theme of the showcase. he nods in approval then snaps as if he’s remembered something.
“hold on. stay right there. i’ll be right back.” he puts his coffee down, scoots off of the bench, and darts to the back of the coffee shop. you wait and listen to the sound of the birds twittering outside before he returns with a framed picture in hand. “i just learned about this,” he says, taking his seat again. “this building used to be a disco back in the 70s.” he hands you the frame and points to a collection of people in the middle of a disco bar. “that’s queen. they came here once and somebody had the smarts to take a picture.”
your hands shake around the photograph, eyes darting from one corner of the picture to another.
matthew keeps talking. “the place was called climax. can you believe that? the 70s were fuckin’ wild, mate.”
you nod, lips parted, and skim your fingers over the incredibly tall and recognizable form of brian in the center of the photo. you can see your shoulder, jammed between freddie and crystal, but the rest of your body is obscured. you lift your eyes from the frame and glance around the coffee shop, at the exposed metal beams and vaulted ceilings, at the disco ball still hanging in the center of the room.
makes sense now. why the building had felt so eerily familiar back then.
handing matthew the picture frame, you sit back in your chair. “wonder if my aunt ever came,” you say.
“maybe? sounds like she was in pretty tight. you know who you could ask?” you shake your head, uncertain of matthew’s question. “chris taylor. he was a roadie back then. he’s a regular here. comes in at least twice at week.”
you can’t stop the hand that flies to your mouth in surprise. you try to smother your gasp with a cough, but matthew still stares at you like you’ve sprouted another head.
“you okay?” he asks warily.
nodding, you take a sip of your drink. “yeah, yeah, sorry! wrong pipe.”
“so, do you want to meet him and ask about your aunt?”
everything in you screams to say no. it’s too dangerous. you will surely break the moment you see him. crystal became your lifeline apart from brian during that year. he was your brother, your partner in crime, the one who kept you grounded when things got too wild. just knowing that he’s frequented the same coffee shop as you for the last six months brings tears to your eyes. you could have run into him. hell, you might’ve already. still, you aren’t sure if you’d be able to make it through a proper meeting without spilling your guts and apologizing for the way you left.
“[y/n]?” matthew pulls you from your thoughts. “what do you think?”
you hesitate before shrugging. you speak before you can stop yourself, before the rational and reasonable part of you can take over. god, you need this. if it’s your only opportunity for true closure, you’ll take it. “if he’s up to it then... sure.”
matthew grins. “come in tomorrow. i’ll introduce you!”
that night you toss and turn. you’re plagued with anxiety. will crystal recognize you? if he does, what will he say? will he be angry? what if he tells brian and then—
your bedside alarm goes off just as you fall asleep. it’s a struggle to drag yourself out of bed, but you must. there’s closure somewhere around the corner, and if you just move your ass, you’ll find it. you have one class this morning then your meeting with crystal. you’re jittery by the time you leave class, but you chalk that up to drinking two cups of coffee before leaving your flat and one in class.
it’s drizzling as you make your way to the coffee shop. you hasten your steps, head bent against the rain and fingers curled around the strap of your bag. when you enter the shop, it’s nearly empty aside from a few lonesome students studying in far off corners. you can hear the faint thrill of music over the loudspeakers, but the blood that’s rushing to your ears blocks out most of the melody.
crystal’s already here, leaning against the counter, in conversation with matthew.
you stop in your tracks. he’s bald now, slightly pudgier with age, but he looks every bit as devilish as you remember.
you swallow past the fear in your throat and the anxiety in your veins and step forward. you voice wobbles when you speak. “matthew?” you direct your entrance to your friend because if you come right out and say crystal’s name, you will surely fall over in a puddle of emotion.
“there you are!” matthew jumps over the counter in one easy leap and lands to the floor beside you. he drapes his arm around your shoulders and motions to crystal. “[y/n], i’d like you to meet chris taylor. chris, this is [y/n], the girl i was telling you about.”
crystal’s staring at you through his blue-tinted glasses like he’s seen a ghost. his jaw has gone slack, his mouth opening and closing as he tries to formulate a sentence.
you shove your hand into the space between you. “nice to meet you, mr. taylor.”
looking between matthew and yourself, he gathers himself, clearing his throat, and shakes your hand. “you too.”
“should we sit?” you motion to the same table you occupied the day before. “i can buy you a coffee for your troubles.”
he shakes his head and lifts his cup. “already got mine.”
“all right, well...” you glance at matthew.
“do you want your regular?” he asks.
“yes, please.”
“comin’ right up.”
crystal follows you to the table and sits down, his movements slow. for a moment, you sit in silence and allow his eyes to roam your face. you can’t tell if he knows it’s you or if he thinks it’s just a coincidence. you want to reach out and take the hand he rubs across the bridge of his nose, but you fold your fingers in your lap.
“thank you for agreeing to talk with me,” you finally say.
“you aunt,” he starts.
“yes, my aunt.” you pull a photograph out of your bag. it’s one of the few you took with crystal all those years ago. he’s got you in a headlock, his opposite fist grinding into the top of your skull. you slide the picture across the table. “you knew her?”
crystal lifts the photo, inspects it, before putting it down. he sighs, shaking his head. “i loved that woman. broke my heart when she left.” his gaze lifts from the table. “you look like her, have her name too.”
you look away, out the window at the side. there’s bird fluttering in a puddle on the sidewalk, and you watch it for a moment before turning back to him. “i think my mother loved her a great deal. i didn’t get the chance to know her, though. we only just found these pictures recently.”
his eyes narrow. “i mean, you really look like her.”
you force a smile. “thank you. that’s kind of you.” shifting, you tap your finger on the table. “i know her leaving wasn’t exactly...” you struggle to find the proper word, but he jumps to assist.
“natural?”
“well, i was going to say easy, but—”
“she fuckin’ disappeared! excuse my language.” huffing, he drops back against his chair. “one minute she was there, the next minute she was gone. i swear, i’ve never seen anyone skip town that fast.”
“she didn’t say anything about leaving?”
“why would she? she was engaged! she had no reason to leave that i know of.”
“was she happy?”
“hell yes. her and brian—i’ve never seen two people more fit for one another. brian just about lost his mind trying to find her, but it was like she never existed. strangest thing.” he pauses to take a sip of his coffee, looking askance, before his eyes whiz back to yours. “oh my fucking god.”
you look up, fear sparking in your belly. “what?”
“[y/n]?”
you blink. your head feels dizzy with the way he’s looking at you, like he’s about to jump across the table and throttle you or hug you so tight your insides might squeeze out of your body.
“fuck,” he breathes. “it is you.”
“i don’t know know what you’re—”
“don’t play dumb with me!” he leans across the table and lowers his voice. “i was the one who got you that phony passport, remember? i always wondered why i couldn’t find your credentials. had to lie my way through it until i got the damn thing. you’re lucky everything was so lax in the 70s.” he shakes his head. “how’d you do it?”
there’s part of you that wants to deny, deny, deny.
but it’s crystal. you can’t lie to him any more than you already have.
“i had no choice in the matter,” you say plainly. “one minute i was here, the next minute i was there, and the next minute i was here again.”
his jaw works back and forth as he processes the information. “does brian know?”
“no—and i’d like to keep it that way.”
“i thought we might lose him after you left.”
you twist the ring on your finger. “if i’d had the choice, i would have stayed. i hope you know that.”
crystal nods. “yeah, i do.” he holds your gaze then motions to your bag. “so, this exhibit matthew told me about. you’re publishing all those photos you took?”
“yes. there are some pictures i’ve saved for myself, but my boss, monica, she got permission from the record label to go ahead with the others. it opens in three weeks.”
“i’ll be there if i can. i’d like to see those pictures.”
you smile, your first earnest smile of the day. “you feature many times.”
he ducks his head like an embarrassed schoolboy. “we were thick as thieves, weren’t we?”
“you and roger were thicker, but i’d like to think i had a part to play some of the time.”
he lifts his head and heaves a heavy sigh. “you know, when i said i loved you, i meant it. not in the way brian did. you were like a kid sister to me. i cared for you a great deal.”
before you can stop yourself, you slip your hand across the table to grasp his worn fingers. his shoulders shake on another sigh, and he lifts his opposite hand to wipe at his eyes beneath his glasses.
“oh, crystal. i’m so sorry,” you whisper. it hurts to see him cry, to know that you’re the cause behind his pain.
he waves your apology away, sniffing hard. “i’m just glad to know you’re okay. we thought you might’ve gotten picked up or—” he shakes his head and pats your hand over his, meeting your eyes. “you’re okay, though. that’s what matters.”
“will you really come to my exhibit?”
“anything for you, kid.” he thumbs the underside of your chin with a lopsided grin. “even after all this time, i’m putty in your hands.”
you grin and hand him a business card, which he tucks in the folds of his wallet. rising from his seat, he opens his arms and you practically trip into his hug. he holds you tight for the briefest of moments before pulling back. he pats your cheek.
“i’ll see you in three weeks, yeah? if i stay any longer i’ll end up a sobbin’ mess on the floor.”
you nod. “yeah. and, crystal?” he turns at the door. “don’t tell brian. please.”
he leaves without another word.
the day of the exhibit opening you are equal parts thrilled and a nervous wreck. everyone’s here—your family, rachel, shamik, even matthew. you haven’t seen crystal amidst the crowd mingling in the lobby, but you trust him to show. he’s always been reliable, and you doubt he’ll fail you now.
monica squeezes your shoulder as she passes you by in the staff hallway. “it looks wonderful, [y/n]. consider yourself hired,” she says and hands you a keycard. “i’m going to give you a piece of advice i got when i completed my first exhibit: go have a moment by yourself. look at your work, be proud of it. you deserve it.”
with trembling fingers and a racing heart, you make your way down the corridor to the south exhibit hall. due to a celebratory lunch with rachel the day before, you hadn’t gotten the chance to see the room in its final state. in retrospect, you’re thankful for the chance to see it for the first time alone. at least this way, if you cry, no one will have to know.
the door beeps as it unlocks, and you slip inside the room. you descend the handful of stairs which lead into the showroom floor and suck in a deep breath.
before entering the exhibit, there’s a wall to the side with a simple explanation written in a white font:
queen: unfiltered — this exhibit preserves and presents never-before-seen images of the popular band, queen, through the eyes of an unnamed woman who spent a year traveling the world on queen’s jazz album tour. her images are intimate yet distinctive and offer a personal glimpse into the lives of one of britain’s most well-known bands.
at the far end of the room hang four banners spanning floor to ceiling. the banners wave gently in the air blowing throughout the room, illuminated from lights on the ceiling and floor. each banner hosts an oversized photo of one of the band’s members in an image that best captures their personality. it took you hours to find the right photo for each man, but you stand by your choice for each one.
there’s john on the far left, head bent as he strums the bass across his knee. his lips are pursed in thought, a line of concentration on his brow.
there’s freddie next to him. he stands in a spanish alley way, cradling a stray cat in his arms. he looks serenely on at the camera, a rare moment of simplicity.
there’s brian sat in an overstuffed armchair, his gangly legs crossed, a book open on his lap. he has the corner of his thumb in his mouth, and if you squint you can see the edge of his tongue.
there’s roger on the far right. he’s smiling at the camera, his eyes bright with mischief and joy. there’s a party hat snug on the crown of his head, pulling the skin of his forehead taut.
on opposite sides of the room, two parallel rows of twelve photos hang in neat order. you decided to have every photograph in the exhibit printed in black-and-white and, in all, you painstakingly picked the forty-eight photos featured in their simple white frames. you walk along the wall, hands clasped at your waist, eyes running over the memories you hold so dear.
the afternoon crystal taught you ride a bike in barcelona: you’re sat on the handlebars after a hard fall, mouth open in a squeal of delight as crystal whips toward the camera.
roger and john tossing an apple back and forth in an ottawa grocery store: john’s smile is broad, the apple caught on film midair.
brian sitting on the floor of your hotel suite: there’s a tray of sushi at his feet, and he’s smiling at you, his hair wet from a shower.
freddie playing the piano in the airport in yugoslavia: he’d been so excited to see one, his shoes had slipped on the slick floor as he ran to it. he’d played dramatically, conducting those around him in a horrible rendition of “god save the queen.”
your eyes sting with tears as you glance about the room. you’re proud of your work. it looks good, professional and elegant, but more than that, you’re proud of yourself for the work you’ve done in mending your broken heart. though you will never live the life you’d once dreamed of, you will always have the memories—and that’s got to count for something.
when the double-doors open and monica ushers the first of the patrons in, you slip into the closest bathroom to wipe at the makeup smudged under your eyes. you’re happy, truly so, and you want to celebrate—celebrate both of your lives as they finally come together.
the room is crowded when you reenter, conversation and gentle laughter mingling in the air. you accept a tight hug from rachel when you see her and the congratulations of your parents. you can’t stop smiling, and you’re sure your face will hurt come morning, but it doesn’t really matter, does it?
your parents float away, hand in hand, and you find yourself alone in the center of the room, watching in awe as people you’ve never met look at your photos, at your memories, and nod in appreciation. your chest swells with an emotion you can’t place.
“i think this calls for a congratulations. you’ve outdone yourself, dove.”
you whirl on your heel, lip caught between your teeth in a poorly-concealed smile. “you came.”
crystal grins. the tie of his suit is rumbled and askew, and you reach out to straighten it. old habits die hard. “i said i would.”
“what do you think?”
“i think it’s fantastic. the lads would be proud.”
“maybe.” you shrug. “guess we’ll never know.”
“are you really so intent on staying hidden forever?”
you nod. “yes. it took everything in me to even talk to you. i don’t want to ruin their lives again by popping back up, especially because i’m not exactly old, am i?”
crystal laughs, shaking his head. “you must think you’re hot stuff if a simple hello could ruin a life.” his laughter fades into a simple smile. “now, i know you’re going to hate me and i’m willing to take that, but i did tell a certain someone about the exhibit.”
you can feel the blood drain from your face. “crystal, you didn’t.”
he winces. “i might’ve.”
you slap his arm and curl your fingers into his bicep. “you bastard!”
he holds up his hands in defense, decent enough to plaster a look of contrition on his face. “look, i didn’t tell him the context or what tipped me off. i just told him there was a new exhibit about queen and he was eager to come see. that’s all!”
you swallow hard, uncertain how to respond. “i—” your head twists back and forth in utter confusion. “i don’t know what to do.”
crystal’s face softens, and he nudges your shoulder. “go talk to him. he deserves that much, doesn’t he?”
you can’t argue with that.
giving crystal’s arm a grateful squeeze, your legs shake beneath you as you turn and see him—brian—across the room.
you don’t know how you didn’t see him before. even now, forty years later, he’s still unmistakeable: still tall, still gangly, but his hair has gone white and his strides are slower. the overwhelming urge to tear across the room and curl yourself around his back nearly overpowers you, but you shove it down and manage to cross the floor in slow, even steps. you keep your eyes glued to his back, your hands twitching at your sides. when you reach him and catch a faint whiff of his cologne, the same he wore all those years ago, you have to push back the tears that rise unbidden to your eyes.
you tap his shoulder. “dr. may?”
he circles around, as does his wife anita, her arm snug in his elbow.
brian blinks hard, his brow furrowed in confusion. for a moment, you let him stare at you as you stare right back. his eyes are the same. you’d thought they’d be different, but they aren’t. the realization stuns you silent.
anita glances between you both before smiling sweetly. “good evening, sweetheart,” she says, and her voice is so kind you can’t even summon the slightest bit of jealousy. “i’m afraid i didn’t catch your name.”
“oh, i’m sorry!” you laugh and find that smiling at anita isn’t hard. “my name’s [y/n] [y/l/n]. i created the exhibit. i thought i might come and introduce myself.”
“oh, how lovely!” anita claps her hands together. “what you’ve done is so beautiful, [y/n]. it’s nearly brought a tear to my eye.”
“that’s very kind of you, ma’am.”
“brian likes it too. don’t you, brian?”
he still can’t seem to formulate any sort of response. he’s frozen in place, and your heart lurches for him. to see the woman he’d once asked to marry him, the one so cruelly ripped away, while standing next to his wife... precisely why you never wanted to meddle in his current affairs.
finally, he seems to collect himself. he sucks in a deep breath and nods in agreement. “yes, i do. very much.”
“that means a lot,” you say, easing your smile back into place. “thank you.”
“i’ll leave you two to talk to for a moment. i see crystal hovering in the corner over there, and i’m sure you both have many questions for one another.” anita presses her hand on your arm as she passes. “lovely job, dear.”
she leaves, and you’re left alone with the greatest love of your life.
you wait for him to speak.
“you’re... alive?” it’s a question, not a statement.
“yes.”
“you’re the same age?”
“yes.”
“how did—” he shakes his head. “i don’t understand.”
“neither do i.”
his chin quivers slightly, and he looks away. “i thought you’d been taken or decided to—”
you dare to touch his arm. a spark jolts through your fingers at the slightest touch, but you hold firm. “nothing happened,” you explain. “other than nature righting her mistake.”
“i think—i think i need to sit down.”
“yes, of course. my office is down the hall. it’s quiet there.”
he nods and leans against your arm as you lead him down the hall. in the silence of your dimly lit office, he collapses to the loveseat beneath the window and drops his face to his hands. you hesitate in the doorway until he looks up. tears shimmer in his eyes, and you swallow hard, your smile wavering around the edges.
he stands then, crosses the floor, and cradles your face in his hands. “my god,” he breathes. “it really is you.”
with a laugh, you hold his wrists. “in the flesh.”
“how long’s it been?” his thumb works over your cheekbone and, though you know he should stop, you can’t bring yourself to step away from his touch.
“about seven months.”
he snorts. “try forty years.”
“you seem like you did well for yourself, though.”
he shrugs. “i suppose.”
“you’re happy?”
there’s a heavy pause before he says, “yes.”
“that’s all i want to hear.”
slipping out of his grasp, you put a modicum of space between you both. the air is thick with emotion, and your heart beats wildly against your chest. the love you thought you’d put to bed flares at the mere sight of him, even after all this time.
you drift your finger through the sand of your tabletop zen garden. “i told crystal not to tell you about me,” you admit.
“he didn’t—not in so many words.”
“i know. i’m glad he said something, though.” you pause, meet his gaze. “it’s so good to see you, bri.”
quiet falls over the room as he stares at you. you don’t squirm. you’re comfortable under his gaze, always have been.
“i hope you know i never stop looking,” he says. “even after anita, i kept trying to find you. just to know.”
“and i hope you know that i would do it all again in a heartbeat if it meant i got to be with you even for a time.”
your phone vibrates on the desk, skidding across your oversized calendar. you reach for the phone and flip it over before slipping it in the purse hung over your desk chair.
“i’ve got to go,” you admit, crossing to his side. “i’ve actually got a date.”
to your surprise, his eyes crinkle with amusement. “i’m happy to hear it.” he lifts a hand and smooths back the hair from the side of your face. he looks at you with all the love he did forty years ago, and you wish you could take a picture to remember forever.
but then you remember: you have dozens of photos at home, and it doesn’t seem too hard to let him go now. not after the work you’ve put into mending your heart. you can face this, face saying goodbye for good. you have to, for his sake and your own.
rising to your tiptoes, you place a hand on his shoulder and kiss the corner of his mouth—one last touch, for you both. you wind your arm around his neck and whisper in his ear, “i love you, brian may. i always will.”
he squeezes you hard against his body, sucking in a ragged breath. “i love you too, [y/n].”
dropping back to your heels, you huff a breath and smile wide. “well, i’d better go.”
“yes, you’d better. don’t keep the lad waiting.”
you bite the inside of your cheek, your hand lingering on his. “okay, well... goodbye, brian.”
he smiles, and it’s the loveliest sight you’ve ever seen. he brushes you cheek with the back of his hand, whispering, “see you later, love.”
dipping out the back of the museum, you walk down the street, purse slung over your shoulders. you think you’ll be able to sleep well for the first time in a long time tonight.
you hope he can, too.
~*~*~*
taglist: @bhmay @grigorlee @teenagepeterpan @just-my-sickly-pride @perriwiinkle @ubernoxa @anunknownnebula @coincidence-ithinknots-blog @captvinswaan @ineloqueent
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10/5/20.
Finally...a band I to which I often refer, buick, has reissued their only release in all of its glory. Originally released in 1992, this band was certainly a product of it’s time, but ahead as well. Yes, there are obvious (as the band concedes) nods to Sonic Youth. But there is so much more here. This was recorded well before the “formation of Mogwai, Godspeed You Black Emperor, Explosions in the Sky”. To me, this sounds as vital today as it was back in the early 1990s. In fact, Scott’s mentioned that his “favorite reference to possible influence[s] came from Thin White Rope's Guy Kyser when he stated after one of our shows, "You sound like Dick Dale with his brains knocked out." This is made all the more funny since I didn't know who Dick Dale was at the time.”
buick was Scott Lawrimore (guitar) and Jeff Clark (drums). While a drum-guitar duo isn’t weird today (Japandroids or No Age come to mind), in 1992 there wasn’t a band like them (maybe Spinanes...but not really).
Generally speaking, the band wasn’t entirely happy with the original mix - both felt it missed their quiet/loud arrangements. So, Scott enlisted John McEntire (Tortoise, The Sea and Cake) to remix.
But, only a guitar, and drums? How do you get this much out of two instruments. I asked Scott Lawrimore to comment:
How did you get the sound you did (on guitar)?Most cuts only have one guitar —like in our live performances—recorded in one take on two tracks. One mic was on a Fender Twin Reverb (made in the same year I was, 1970) in a large gym-sized room, and one mic was simultaneously capturing a 4x12 speaker cabinet in a small tiled bathroom. The bass and mids were turned waaaaay up, and the treble ratcheted down on the Twin to counter the jagged, jangling highs produced by the humbucker pickups on the Rickenbackers I used for most songs. Since we were just guitar and drums, all songs use open tunings and those bass-heavy amplifier settings to flesh out a ringing wall of sound behind the main guitar phrasing. I'm sure the tunings have official musical nomenclature, but I discovered them on my own through trial and error. As a self-taught, unconventional guitarist, open tunings helped me to 'find my sound' while also cutting me slack for not being anywhere near a virtuoso. There were four different guitars used for the album: a 1990 solid-body Rickenbacker 610 (for Lucy Conrad, Excellent Liar); a 1980 hollow-body Rickenbacker 330 (for Homage to Lucien Freud, Badhead, The Moon is Not a Yellow Sow, and Immortality); a 1970 Fender Jaguar (for Phrenology, and Brown Blackstars); and my first guitar, a sweet $100 pawn shop Les Paul copy (for Graves). The hollow-body Ric was my preferred guitar because it produced the most controllable 'voiced' feedback (a ridiculous amount, actually). Typically this would not be sought after, or embraced, but everytime you hear feedback on the album, it's intentional and coming from that 330. I always loved showing up to gigs with that guitar and the audience assuming we were going to whip out some Byrds or R.E.M. jangle, and then SCREEEEEEEEEECH!!!!—that first ear-piercing feedback driving half the audience out of the room...
Did Jeff just get to create his own sound?
Origin Story:[Scene opens on the crunchy, tabouli-stained Coffee House of UC Davis just before the summer break of 1990; Scott is behind a cash register wearing a t-shirt he recently spray-painted with the word "Hectic" under a smelly thrift store suit jacket three sizes too big; Jeff approaches wearing an On-The-Waterfront-leather-jacket over a 10,000 Maniacs t-shirt, his grease-slick-black hair partially hidden by a Stanford baseball cap.] Jeff [apropos of nothing in particular]: Wanna start a band? Scott [thrown off by 10,000 Maniacs shirt]: What do you play?J [confidently]: Nothing yet, but I'm going to teach myself to play the drums this summer.S [skeptically and expecting to maybe never see Jeff again]: Ok. Let's try to get together when you get back... Not-such-a-spoiler Alert: Jeff taught himself to play the drums that summer. Apparently he holed himself up in an unused bedroom of a house he was taking care of in southern California and tried to play along with the first two Throwing Muses albums that he had on constant repeat. Funny in hindsight that that is the band he chose considering what we ended up sounding like, but if you listen carefully to their songs like Call Me or Juno, you hear a lot of what was to become Jeff's rumbling tom work and syncopated fill sensibilities. In terms of whether I had a hand in Jeff's sound for our songs, the short answer is "no." When we played together for the first time, I had figured out all the parts for precisely one song—we called it First Song for a long time before naming it Homage to Lucien Freud for the original CD. For the opening chord progression, and just to get us started, I asked Jeff if he could play the drums of Sonic Youth's Tunic (Song for Karen) from the Goo album that had been released that summer. Of course he could. Perfectly. We played that six-chord progression three or four times through like we had been playing together forever when someone banged on the door yelling for us to "turn it fucking down." That was the abrupt end of our first session, but set the tone for everything that was to come... The fact that Homage to Lucien Freud now begins with Jeff's rumbling toms and bears little resemblance to Tunic is a testament to how all of our songs tended to evolve collaboratively. I would have a number of 'parts' or quiet/loud 'moments' or remedial-math-rock 'transitions' that I would play for Jeff and then he would figure out all the drum details for those sections. I had an ear and desire for song dynamics, but it was Jeff that perfectly filled and requited them. Learning those transitions and moments was key, but many songs had sections that we never played the same way twice—the call-and-response section starting at the 1:38 mark of Graves, for example, or the harmonics-to-mayhem-chord section starting at 1:54 mark of Badhead. When we played live, I would simply indicate to Jeff that a change was coming and he would be there with something amazing.
Scott Lawrimore is currently in London, UK (and has had a full career in art/curating/teaching), and Jeff Clark is in Ypsilanti, Michigan (and has had a full career as a graphic designer). This album was originally released on Lather Records (Sacramento, CA). The reissue is self-released.
#buick#Scott Lawrimore#Jeff Clark#Lather Records#Sacramento#California#London#UK#Sonic Youth#Mogwai#Explosions in the Sky#Godspeed You Black Emperor#Japandroids#No Age#John McEntire#Tortoise#The Sea and Cake#Spinanes#R.E.M.#The Byrds#Rickenbacker#Dick Dale#Guy Kyser#Thin White Rope#Ypsilianti#Michigan
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My brother in law has recently diagnosed with pancreatic, lung and liver cancer. According to the oncologist it’s terminal.
It’s hard for me to understand or comprehend that someone so young, he’s 56, is going to pass way so soon. He has a history of cancer, but it’s been years.
I don’t understand how life can be so unfair. He’s married to my husbands older sister and she’s having problems coming to terms with the fact that she will never get to grow old with him. That he will miss seeing his grandchildren grow up.
According to the oncologist he has approximately 2 mos tk 2 yrs to live. But my sister in law says she will be surprised if he makes it to Christmas because he’s so frail.
My brother in law at one point was told by his dr that if he didn’t change his lifestyle, he would end up dying of a heart attack. So, he worked hard to change his diet, exercise and essentially change his entire way of living. He lost a ton of weight and was able to stop taking some of his medications because he was so healthy.
Now, only to be hit by this? How can it be that someone does so much of the right thing to end up this way?
My brother in law and sister in law are very close to us. Mainly because my husband is closest to his sister due to the fact they grew up together and are close in age. So, this hurts even more deeply.
Since we live in Hawaii my sister in law had asked if she pays for the ticket, will he come to support her. He of course said yes, even tho she lives in their hometown in Iowa. I have enough frequent flyer miles to pay for his ticket but not enough to pay for a rental car and spending money.
Plus because I’m fully disabled I am unable to work or travel. So I need to stay home with the kids. But we’re not sure if his employer will pay for his time away. And since he’s the only source of steady income? I’m not sure if we’ll have enough money to lay for bills, and groceries.
I tell you crowdfunding is hard. While I thought I had friends I could count on? They’ve slowly disappeared. Due to the multitude of illnesses I have, and as they steadily got worse, they slowly started to ghost me and leave me with no one to lean on.
I have one friend on Instagram that’s been helping me try to get my GoFundMe going. Since I’m looking for approximately $8k or more. Hopefully I’ll be able to collect more. Not just because I’m greedy, but because I want my sister in law to be ok for a bit. Pay for the funeral, bills and anything she needs. Also to help pay for my husbands travel expenses without having to ask my sister in law and stress her out more.
I honestly don’t know if I’ll even get close to my goal. Or heck when half way. While word of encouragement are fantastic, I desperately need the cash. I wish I had a money tree in the yard to cover what we needed.
I don’t know what to do to be able to have people be generous enough to donate a $1? I’m not expecting $100. Or heck $10. I just feel stuck. And as someone who tends to know what to do in tough situations? This one is the hardest of them all. I wish I had $100,000 to give my sister in law and enough money to pay for his travel expenses and our many, many bills.
It makes my head hurt. It makes me cry. It makes me so angry. I wish someone with a magic wand could come and wave it around like Cinderella’s fairy godmother and bibidi bobidty boo, everything is ok. LOL wishes don’t come true do they?
While they say money doesn’t buy you happiness, it sure as heck make things better. Because what’s a person to do? Buy meds over groceries? Pay for the electric bill over my medications?
It’s funny, I have OCD, CPTSD, bipolar 2, generalized anxiety disorder, panic attacks, social anxiety, agoraphobia, massive fatigue, fibromyalgia, early stage lupus. I also sometimes self harm to relieve the pressure of life. I also have visual and auditory hallucinations.
I just recently at the age of 41 had a double mastectomy and may have to have 3 more surgeries. 1 for skin expanding, 1 for reconstruction and another for my wrist.
But, as a mom? I don’t have the luxury of laying down for a 4 hour nap. Time to sit and provide myself self care.
I also run a small boutique business through Instagram. It’s self curated self care boxes for people who need encouragement to take time for themselves. I curate them myself, I support small business, artists, and select unique items for my faithful customers. These are not subscriptions. They are boxes that allow people to buy when they can afford it. And not commit them to $50/month as a lot of time live on fixed incomes.
So, with all of this? Who has time to sit down and rest? Not me? A lot of days I sit with my phone and fall asleep mid sentence trying to work. Due to my fibromyalgia, remembering words is difficult. The pain sometimes is unbearable. But I push through. I laugh at myself because it’s ridiculous. It’s easier for me to help others, than it is to help me.
Wanna know a secret? The one person other than my immediate family that’s gotten me through the pain in my life is @taylorswift. It’s her songs and lyrics that have given me the strength not to give up.
The one song lately I’ve been listening on repeat is the song she wrote for her mom. It means so much to her it’s hard for her to sing. I’ve watched her in pain because her mom is so close to her. It breaks my heart. As it breaks mine because of my brother in law’s situation. I can feel how much she wishes she could fix things for her mom. And how deeply it hurt to write that song. Much less sing it.
“Soon you’ll get better” “Soon you’ll get better” “Cause you have to” “What am I supposed to do, if there’s no you?”
This song is something I’m sure my sister in law things of. Surviving, the thought of being alone, and the heartache of losing your soulmate.
For me each album that @taylorswift has put out has a special meaning. Whether it’s “Lover”, or her latest “Cardigan” had brought me back from the edge to say ok committing suicide is not the answer. Someone loves me too much to do that. Someone needs that big hug from me to comfort them like a cardigan to walk away from life. Right?
Back away from the edge and get that someone will miss me. Like my sister in law will miss her husband.
One last thing? I love, LOVE that @taylorswift never forgets anyone. To me? That’s a true friend. I don’t have that. Missed birthdays, no gifts, no cake. Heck it’s been a week since my birthday 9/13 and at 42? I don’t think I’m a person who deserves anything. I don’t deserve nice things, cakes, or parties. I am not a good enough person who deserves help. Or anything. I joked, all I deserve is a glazed donut.
Can someone do something for me? Help me? Share this? Help me raise enough cash for my crowdfunding? LOL I’d love it if @taylorswift read this and just likes it. Maybe then I’d feel a little worthy of something.
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