#I find appeal in the specific ways a family dynamic affects relationships for the worse

[toxicincestenjoyer-fig]

I'm noticing as I go through the tag that remrom is very sweet which is not at all what I was expecting.

Like Remus is the embodiment of Intrusive Thoughts, he has no qualms about saying what's on his mind, and he can easily figure out what exactly you hate whether about yourself, others or both. He's pretty damn good at getting a reaction out of the other sides too, he's almost childish in the way he enjoys testing the others.

Then there's Roman, the man is insecure. He's easy to lead on if you feed into his ego but as the ego he's also easily bruised. He's desperate to feel valuable, when Janus buttered him up he had such a hard time not giving in because the others rarely play to his pride so much. Yet he despises Janus, more so he despises the concept of the dark sides(A concept that he made up), likely because he knows he's egocentric and selfish as hell, things that C!Thomas's morals say are bad. As the dashing prince he's supposed to be a beacon of good in the world, the fact that he's so often so close to those he deems to be the 'Dark Sides' in behavior disturbs him. It hurts his black and white view of the world and as the ego he can't let that world view get shattered because that world view literally informs his identity, C!Thomas's identity.

Then you bring in Remus, Remus who already knows all of that. Who knows exactly what makes Roman tick and unlike Roman doesn't have the insecurities(As far as I can tell). And unlike the other sides who merely play the roles of a family(Patton as the dad is the most obvious but also that thing with like the cousin aunt mom friend group assigned family roles type deal) he and Roman are ATCUAL siblings, twins no less! Reflections of eachother and he knows that Roman hates what he sees. Remus doesn't though, Remus doesn't care about his image. He just enjoys the reactions he can get out of others.

Each side has unique reactions to his 'contributions' but no one else reacts quite like Roman. Even Virgil tends to simply regard him with disgust. Roman reacts to him like an insult. To Roman Remus's very existence is an act of violence against his character and he HATES it. He takes things so personally and he's so reactive.

I dunno, I kinda expected there would be more Remus manipulating and fucking with Roman. They're siblings, Roman doesn't like Remus and Remus is literally Intrusive Thoughts. There's a lot there, like how one of the most common types of Intrusive Thoughts are those of incest.

Remus would have no problem making a few sexual jokes about him and Roman and it'd get to Roman every time. I can imagine Roman chasing Remus around the mind place with his sword after one of his jokes. One of the sides tries to calm him down after they lose eachother, reminding him that 'Its okay, what Remus says has no real impact. Its just nonsense.' and Roman gets that, like he understands that but it doesn't stop the humiliation he experiences every time it happens, the way it damages his image to even have the thought of doing something like that with his brother?!

Roman almost certainly has taboo desires as well, almost certainly not about his brother but that doesn't change the fact that Remus loves to bring them up all the time. None of the other sides know that Remus is airing out Roman's dirty laundry, only them two. And Remus knows that whenever Roman thinks about those taboo desires of his that he deems to be so wretched he knows he'll be imagining Remus as the subject of them, after all, that's exactly how Intrusive Thoughts works. The more Roman tries to expel Remus out of his life the easier it is for him to stick around. Logically he knows that its not helping, that his disdain for Remus is only gonna make the thoughts worse but that's the issue isn't it? When the thoughts in your head are attacking your morals, your integrity, your ego, there's only so much logic can help before one's emotions get the better of them.

And Roman is very emotional.

[purpledragon57]

Dragon Reviews: Tokyo Mew Mew

I recently finished watching the magical girl anime Tokyo Mew Mew. I’ve been meaning to get into the habit of writing reviews for things I watch, and I had quite a lot to say about this show, so it seemed like a good place to start. Full review under the cut. Apologies in advance for any misspellings - the subs were incredibly inconsistent.

I’m going to break my thoughts up into categories, starting with the characters and ending with the overall plot and themes:

The Magical Girls

I like the overall visuals of the magical girls. The outfits, transformations and attacks are all good looking and mostly well animated. The outfits hit a good balance between uniformity and individuality, which I like.

Personally I didn’t enjoy the girls very much as a group? The best magical girl teams are fun to watch even when they’re just hanging out, but the Mew Mews’ dynamic just didn’t click with me. Most group interactions consisted of arguments and running jokes - they barely seem like friends half the time. This also made it hard to feel invested when things get emotional or during battles

On to the girls as individuals:

Ichigo was a perfectly fine magical girl protagonist. I liked the focus on how her magical girl and regular identities affect each other, and how this wove into her romance plot.

Minto was my favourite initially because I love Tsunderes, but ultimately she was more annoying than anything else and her arc wasn’t particularly interesting to me. She still has the best transformation though.

Retasu is the Shy Nerdy One, which made me like her initially, but there wasn’t anything that really stood out about her most of the time. I think maybe she was supposed to be a ‘straight man’ to the others’ wackiness (esp. Bu Ling), but her demeanour is too reserved to really pull this off in an entertaining way. I liked that she provided a side romance, but it never really went anywhere, which was disappointing.

Bu Ling is best girl. Her childish behaviour and Wacky Antics can get a bit annoying, but she’s cute and genuine enough to avoid being grating. I like her incredibly friendly and determined attitude. Also her focus episode was great and made me cry a little bit.

Zakuro is great just for having punched Kish in the face. 10/10 most satisfying scene in the whole series. On a more serious note, I think Zakuro was the most unique character on the team, but I’m not really sure what to make of her. She’s kind of cold and distant with high standards but occasionally soft, but I don’t really understand why she is this way. There’s hints that she has some kind of tragic backstory and possibly ulterior motives but I feel like this is never properly explained??? Maybe it’s something that didn’t translate well from manga to anime. It’s weird.

The Villains

This segment is gonna get spoilery so skip it if you care about that. The tl;dr is that the villains just kinda suck.

I just have to say it, this show had the ugliest villain designs I have ever seen in a magical girl series. I hate their outfits and the massive ears just look weird.

The Aliens have the theoretically sympathetic desire to return Earth to it’s old state now that their race is dying out on another planet - though doing so will wipe out humanity. This could be an interesting motivation, but unfortunately they are way too self-righteous and hypocritical about this and it just gets annoying. It’s possible this was the point but it’s still tiresome.

The most grating example of this is when Kish gets wounded in a fight and the other Aliens have the audacity to get angry at the Mew Mews for hurting their ‘friend’, even though neither of them showed anything but dislike for Kish, and they’ve been hurting the Mew Mews all the time.

Thoughts on the villains individually:

Kish is the most complete character of the lot - he at least succeeded in getting me to hate him with a burning passion. When he’s not busy being disturbingly possessive of Ichigo, he’s an obnoxious brat but largely a fairly competent villain. He also has the most braincells in the group, being able to come up with almost successful plans and figure out the big bad’s true intentions before the others. I think if his arc had been better paced he’d be a pretty solid MG villain over all.

Tart is just the ‘bratty child’ villain archetype, which I always hate. His relationship with Bu Ling is cute and actually has a satisfying payoff though.

Pie is just confusing. He has a ‘priorities orders over morality’ thing going on but it isn’t made very clear why he’s like this, and his last minute redemption-by-'death’ comes out of basically nowhere. The other villains are annoying but Pie is boring, which is even worse.

Deep Blue is just a generic pure evil villain once he actually becomes a character and not a voice in a void. He also had a possession plot line, which is a trope I like, but they didn’t do anything particularly interesting with it.

The Supporting Cast

Quick shout out to the Blue Knight for being the first time I’ve seen a mysterious ally character get introduced without their secret identity being immediately obvious. It’s fun to try and figure out what’s going on alongside the protagonists instead of knowing straight away.

Masaya was my favourite secondary character. His relationship with Ichigo felt a bit flat at first but after we find out what it is specifically that they like about each other I was sold. Cute and wholesome.

Ryou was an ok character. I feel like his story lines were kind of underutilised?? Feels similar to Zakuro in that he had hints at being a deeper character but couldn’t get me to connect to him.

The other guy felt like barely more than a background character. I can’t even remember his name and most of what I remember about him was ‘makes cake’ and ‘gives exposition’

Presentation

Besides the magical girl designs, I didn’t really like the visual aesthetic of this show. The colours are mostly either too saturated or too bland and the way the characters are drawn is not appealing to me.

The animation mostly ranges from passable to janky, besides the transformations. I remember some of the late-series fight scenes just consisted of awkward loops and quickly cut together stills and it looked more hilarious than intense. Intense facial expressions are sometimes so exaggerated they become laughable.

The voice acting is mostly fine, and sometimes really good, but sometimes it gets really overwrought. The amount of screeching in the last few episodes made me want to slam my head against a wall.

Plot & Themes

I thought it was interesting how much emphasis they put into the puberty metaphor. The Mew Mew powers come with a bunch of uncomfortable side effects (acting more like an animal, sprouting animal parts at inconvenient times, etc.) and the show spends a lot of time focusing on Ichigo’s emotional reactions to her body changing. I haven’t really seen other magical girl shows explore this aspect as much.

Obviously one of the biggest themes in the series is the environmentalist message. This theme gets pretty heavy handed at times but since it’s a children’s show I’m willing to give them a bit of a pass. I think it would have added a bit to show the girls being more environmentally conscious in their day to day lives or something but it’s fine.

Like I mentioned in the character sections, some character arcs and story lines are just kind of left hanging and it’s weird.

The plot about the aliens’ families back home is just flat out ignored at the end????? This was the most bizarre to me because they spent the whole show trying to reshape the Earth into somewhere they could live but then at the end they just leave. You can’t just ignore the plight of a slowly dying alien race like that, what the heck.

For some reason at the end they pull out of their bittersweet ‘powers are gone forever’ ending and have the girls randomly transform and leave to fight some unspecified enemy. I don’t know if this was supposed to be sequel set up or the staff decided it would be too sad or what but it was weird and dumb.

Conclusion

Tokyo Mew Mew is a weird mixed bag of genuinely good ideas but unsatisfying execution. I will say it isn’t really bad, it’s just that I’ve seen most of what it does done better in other series, so it doesn’t really stand out to me for the most part. My experience may also have been skewed by the long breaks I took between episodes at times - perhaps the pacing just seems worse to me because of this. Though on the other hand the fact that I had so little motivation to watch it quickly is a bad sign in itself. If I’d watched this show when I was younger perhaps I would have enjoyed it more.

Overall Rating: 6/10

PS - I get a vague impression that some of it’s flaws may be adaption problems - perhaps I’m wrong but it sometimes gives that ‘weak adaption of good source material’ vibe.

Have you seen Tokyo Mew Mew? What did you think of it? And if you have read the manga, do you think it’s better than the anime?

[treacherycuphq]

I’m really interested in taking a star player / exploring a “fame monster” dynamic but I don’t want to step on a moderator’s toes - can you guys give some ideas as to how we can explore that without feeling like we’re stealing plots?

FIRST OFF - WE WANT TO SINCERELY THANK YOU FOR THIS QUESTION. IT WAS VERY COURTEOUS OF YOU TO REACH OUT WITH THIS, BECAUSE IT SHOWS YOU'VE READ OVER THE SAMPLE APP AND ENOUGH SKELES TO GET A GENERAL LAYOUT OF CHARACTER TRAJECTORIES & WERE ABLE TO IDENTIFY AN OVERLYING CONNECTION. WE APPRECIATE THE LEVEL OF CRITICAL THINKING THAT OCCURRED FOR THIS QUESTION. I'M ( MOD S ) GOING TO ASSUME THIS IS IN CONJUNCTION WITH MY CHARACTER, MARLENE, SO I'M GOING TO FINISH ANSWERING IT.

WE'VE MADE SEVERAL "STAR PLAYER" SKELES FOR THE PURPOSE OF "FAME MONSTER" EXPLORATION PLOTS, SO I WOULDN'T BE CONCERNED WITH "STEALING" ANYTHING FROM ME ! I PERSONALLY SEE THE CONCEPT OF FAME AS A MULTI-HEADED BEAST, AND DIFFERENT ASPECTS / SCENARIOS THAT ARE BORN FROM IT WOULD AFFECT CHARACTERS IN DIFFERENT WAYS. OFF THE TOP OF MY HEAD, I KNOW AUGUSTUS ROOKWOOD, LUDOVIC BAGMAN, LUCINDA TALKALOT, AND EMMA VANITY ARE PRETTY CODED TOWARD "FAME MONSTER" PLOTS OUT OF THE QUIDDITCH PLAYERS. UNDER THE READ MORE CUT, I'M GOING TO LIST SPECIFIC PLOTS I'D LOVE TO SEE !

( SINCE THIS QUESTION SPECIFICALLY MENTIONED 'STAR PLAYERS,' I'M GOING TO FOCUS ON THEM, BUT I 100% SUPPORT THE FAME MONSTER PLOTS APPLYING TO OTHER CHARACTERS, OUTSIDE OF QUIDDITCH, AS WELL ! )

First, you need to address some key "Fame" thematics, before you tap into the monster portion:

Who was your character before they became famous, and who have they become because of the spotlight?

Does your character put on a facade for their public personality, or do they present themselves authentically for public consumption?

If they use a fake public personality, what do they do with the emotional dissonance of pretending to be somebody they're not? Does it affect their private relationships? How do they cope?

If they present themselves authentically, do they maintain healthy boundaries with the public? Can they separate their inner perspective versus the public perception of them? What happens when these two versions don't match up?

Do they have an ability to change back to who they were before fame, or has the appeal of the spotlight changed them, for better or for worse?

The "monster" portion of the fame monster trope really rests in your character responding to a slew of these circumstances negatively - similarly to a "bridezilla," the definition doesn't fit if it's not born of antagonism, y'know?

With all of that in mind, here's a non-exhaustive list of everything I could come up with re: alternate "fame monster" plots / dynamics that don't have any effect whatsoever over me & my current musings.

PLOTS:

BEST OF THE BEST OF THE BEST OF THE...: No one can be flawless forever. No one can be the best until they die. The best is the best until... what? Typically, we see the end of powerful reigns because something else begins to matter more: love, money, power, friendship, self-preservation, addiction, and anonymity are all well-known and valid reasons to finally break ties with the fame monster. Maybe your character did, and is dealing with the fallout from the limelight; maybe your character is about to, but is still trying to figure out what's worth leaving the fame monster behind.

THE LIFESTYLES OF THE RICH & FAMOUS: saying your character has adjusted to their celebrity status would be an understatement; they've flourished beneath the limelight, and now have a personal assistant, an agent, and a public relations manager to help offset even the barest inkling of a bad image. Heck, they've been famous for so long, they barely remember what life was like before - they've become someone that's lost their connection to their roots. However, that's all about to change... because where's the fun in not fracturing everything a person knows, for the sake of conflict?

ICARUS' LANDING: oh how high we fly! oh how far we fall ! your character has found themselves in a typical Icarian tragedy - their fame is hinged on the exploitation of their worst hubris, and they won't stop trying to succeed until it's far too late. Try as they damnedest to touch the sun and dazzle in its spotlight, so too will they find their end and burn beneath its brilliance; whatever your character is using to find fame, they will overindulge and find themselves plummeting toward normality far sooner than they'd ever think.

FAN BASE FAVOR: your character has fallen into the monotony of catering to their fan bases' every wish & whim, creating a public version of themselves that's simultaneously overly enthusiastic & underwhelming. That means that they constantly stop for pictures or autographs, to the point of near compulsion. If they're always willing & able to provide for their fans, what does that mean in terms of their public identity? Are they constantly putting on a show, in case fans are nearby? Do they feel invalidated if fans aren't screaming for their attention at all times? Do they lose hours upon hours responding to fan mail? How do the other people in their lives feel about this exhaustive fan service?

STARRING IN THE SHADOWS: your character's parent was famous, to a high enough caliber that their star power has created an everlasting shadow over your own reputation; nothing you do, nothing you say will keep them from being mentioned in the next sentence. But fame has sunk its teeth into you, and your left with two complex paths: do you cede under their spotlight, and hope it bolsters your own? Or do you try anything to break out of their typecast, and make a name for yourself, outside your family ties? More importantly, does anyone else in the world care? Do you talk about your complex relationship with your own privilege, or let sleeping dogs lie?

MY OWN WORST ENEMY: your character has a complicated relationship with hedonism; whether it be romantic entanglements, illicit substances, or general gluttony of all things sin, they compulsively indulge, with little to no discipline. Regardless of outside intervention, your character partakes time & time again, refusing help for what they don't see as a problem, just a "good time." There's only so long this lifestyle can be catered to, however, before they gain a level of notoriety that blackballs them from the famous circles they were once included in.

DANCING WITH YOUR HANDS TIED: your character has feelings for a certain someone, but is unable to act on it, thanks to their celebrity status. Maybe you're trying to exploit the pureblood/muggleborn dynamic? Maybe their interest rests on someone outside the public eye? Maybe that person has no interest in being brought into the public eye, making your celebrity status the difference between having or losing that special person? Can your character let go of the validation of many for the love of one? Do they even have a choice - stepping out of the public eye doesn't automatically free you from being a celebrity, ask any former child star !

DYNAMICS:

OBSESSIONS & CONFESSIONS: your character may be too famous, as they're currently trying to sidestep a stalker - or "obsessed fan," depending on your definition. Either way, no one enjoys invasions of your property or your privacy - does your character confront the stalker directly, in an attempt to gain their sympathy? Or do they take increasingly ludicrous measures in an attempt to ward them off? Maybe, they enjoy the newfound level of attention, and begin to build a complicated relationship with them?

CHASE YOU DOWN UNTIL YOU LOVE ME: Paparazzi, baby ! Love to hate them or hate to love them, the physical entity that is tabloid publication follows you around wherever you go. Does your character love the constant audience, or crave the solace of anonymity? Is the paparazzi better or worse than the rest of the world's consumption of you? Does one person in particular rile you up for the sake of a juicy photograph, leading to a cumbersome antagonism that's almost targeted at you? Does their presence give your character confidence or anxiety? Maybe your character gets on good terms with one of their paid stalkers, and hatches a scheme to always be on the front page in exchange for the juiciest weekly scoop? Maybe your character is trying to use the paparazzi to increase their celebrity status, which hasn't been fully realized yet?

PEOPLE I DON'T LIKE: there's nothing wrong with making famous friends for the sake of gaining more fame, but Lord, doesn't it get cumbersome constantly trying to please people you barely even like? The photographs may seem favorable enough, but behind closed doors & velvet ropes, these people are NOT your friends - but then what are they? And honestly, is anyone really your friend anymore? What defines friendship, in a world where the flashing light will always mean more than the people standing in front of it?

UPPER MANAGEMENT: all celebrities hit a streak of their pride where they become more eggheaded than egg-ceptional - whether your character is the celebrity or their support staff, the high horse of the limelight has finally caused a conflict between what you think you deserve & what you currently receive. Whether you're demanding a new agent, coach, assistant, or some other ludicrous proclamation, this sudden inflation of your ego has done nothing but piss off the people around you. Congrats ! Now it's time to deal with the fall out of your holier-than-thou expectations.

ASSIST ME: a niche dynamic of the one presented above, this deals with the relationship between star & personal assistant, and the synchrony needed to sail an exceptionally famous ship. Is the assistant good at their job? Is the star judgmental & opinionated, with unrealistic expectations? What does the personal assistant get from this dynamic? How does it further their career? Do they only do it out of contractual obligation to their client, or does their relationship with their assigned celebrity go far deeper than that?

SELL OUT YOUR HEART: your character wakes up one day to find that somebody close to them has leaked explicit information to the press about you. However, this source is left "anonymous." What does your character do? Do they root out the imposter, who sold their personal information for a quick dime? Do they want to know the identity of the perpetrator? Is it actually a betrayal in their eyes, or a product of their work? Or maybe your character picked out someone in their group who exclusively leaks these pockets of information for the sake of bolstering your reputation?

THE BOJACK HORSEMAN PLOT: your character has been playing the fame game long enough that the public has begun the enamored catcalls for a book about your life ! Your character's agent places them with a well-respected ghost writer to get things started; does your character enjoy their time with the writer, or do they find them judgmental / opinionated over your character's past? Does the writer respect your character's vision, or expect them to bend to narrative style of a story? Do they ruminate on ideas that your character finds hit a little too close to home, or maybe they won't write what your character wants at all? Does your character treat their sessions like therapy? Does it force them to confront deep personal issues & views they'd never questioned before? Or do they simply finish the endeavor & send them off, without ever thinking about their ghost writer again? Do they build a relationship with one another, or does it begin & end with work?

FAKE DATING AU: pretty self-explanatory & a fan favorite, especially for celebrity characters !

BODYGUARD AU: also self-explanatory & a personal favorite !!