#I feel enlightened about this

[agentc0rn]

He dared to fly high and beyond

With a will that burned hotter than the sun itself

Outstretched his hand

Just to feel a modicum of its light

Longing to possess its brilliance, power, legacy

Enveloped and overwhelmed

His wings of crystals cracked and he fell

Down into the heart of the sea

Just before the tides claimed him

From the skies, came down them

and reached a hand for his.

[painfully-unoriginal]

So I drew these under the assumption that diane used to be part of kitty's crew and realized after that i don't actually know if that's tru or not so uuuuuhhhh probably should've just waited for the movie to come out to start drawing shit but 👍

[secriden]

i've been thinking and thinking about the significance of the sunflowers parapai sends sky after their first face-to-face meeting post-one night stand and it suddenly hit me why it made such an impact on sky.

prior to this point, sky's attracted to prapai, no question about it. the physical attraction is there pretty much as soon as they lay eyes on each other. even at their one night stand, regardless of the reasons why (tbh my read was that sky wanted it in the moment to feel like he had a way to wrest control over (a) his own body and (b) the situation), sky at least physically seemed to enjoy himself. but its the lack of emotional connection, after the endorphin rush is over, that makes him feel like crap, makes him second-guess his worth and leave feeling used and hallow (and boy oh boy does peat manage to show that so well - he's so so good at wounded).

but then prapai comes back 3 months later, teasing and playful and flirty and still so attractive. sky recognises his own attraction (his self-talky bits are cute but they break my heart), but the one night stand was good enough physically for him to know he doesn't want just that. he doesn't just want to just feel physically good. and he's stuck in the thought that he can never have anything more.

when prapai tells him he's going to pursue him in sky's dorm lobby, he's startled but not shaken. he goes up to his room, essentially tells himself to get out of fantasy land, peeks out the window - but he still fundamentally doesn't engage with the idea that there could be anything real between them.

but the sunflowers and "remember that this wind's watching over the sky". it's protection; its safety.

sky's visibly shaken (peat, oh peat, the vulnerability you managed to convey) and i think this is probably the first time prapai actually manages to get a little bit past the wall sky's already put up between them. and prapai's such a flirty idiot i 100% think he didn't have a clue what he was saying, really. he just thought he was being clever with the unusual flower choice and playing with their names, but in a way that's what makes prapai so perfect for sky.

he's... well, guileless. he's almost accidentally exactly what sky needs to even consider falling in love after everything that happened to him. there's something very clumsy about the charm prapai has and i suspect it's because he's never really had to work to charm anyone before - his looks, money, and status do most of the heavy lifting for him. the fact that he isn't an absolute jerk is pretty much enough for most to be pulled into his orbit. but this works so well for sky because i think someone more suave and actually adapt at wordplay/flirting would have made him run for the hills, because it would have come across as manipulation given his trauma. but prapai is so bad at it (prapai: 'if you don't try it, how do you know?' sky: you absolute fucking idiot did you forget how we met?) that it actually sounds genuine. it makes it safe.

fuck, safety. i feel like it's something everyone wants on some level, but when you've gone through something like that... something where you're betrayed on such a fundamental level by someone you trust, safety becomes the core of what you need. i can deal with hunger, with pain, with loneliness, with being overworked, with being called names or scolded by others - as long as i can maintain that safety. and for sky, that safety always came when he was in his own hands. the only one he could trust with his safety was himself (even as a child, he had no one; alone in Bangkok with a mother who left and a father who cared but was too far away). its why sky isolates; why he'll help his classmates but never ask for help; why he takes the bullying som dishes out without a word.

then prapai comes in and takes care of him when he's sick. his safety is outside of his hands - terrifying. but... also such a relief. i cannot stress how much this was exactly what sky needed. if rain had taken care of him, he would've kicked rain out the second he became conscious. rain doesn't have the backbone/will/character to force the issue. but what prapai did was prioritise sky's safety (health) and for the first time in years, it didn't have to be in his own hands...

(prapai then goes on to makes a lot of other accidentally good choices - comes to Last Cheer and gives him medicine, a place to rest his head, and a quiet space so he can do what he wants (stay to the end, not worry his friends). care, offered at sky's terms. even the bits where prapai's a visibly horny idiot, nearly edging past sky's boundaries but not is counterintuitively perfect because sky sees that prapai's going against what he wants to make sure sky's expressed boundaries are honoured and sees how it costs him something - but, also, i think that speaks more to (a) prapai's growth as a character now that he has a focus that goes beyond the instant gratification of physical release and (b) mame knows her characters and prapai is built to be perfect for sky. honestly most of the skill in writing prapai was the change was gradual enough to be believable in the context of this world. but i digress.)

i just... really adore what prapai did for sky here. like, utter relief that comes from having someone take care of you when you've had to take care of yourself for so long. like a heavy burden suddenly rolling off. and the sunflowers are cheesy but they're the first real hint that this is what's going to make prapai succeed with sky. its not (just) that he's attractive and persistent - that wouldn't have been enough ultimately. (for eg. had phayu pursued sky, he would've also been attractive and persistent but boy would sky have run for the hills with that kind of pursuit. phayu's hot but the manipulation in how he got rain... sometimes i'm baffled by this fandom's take on phayu vs prapai because it's always prapai that everyone calls shady/problematic when he's actually very transparent and honest with his intensions with sky vs the mind games phayu played with rain. i don't have an issue with it because of how rain's character's written - he needed a phayu to get past his internal hang ups - but still, baffling.)

but its how he continually offered to take on the burden of care from sky. so sky could finally actually address the other things he needed. sky didn't have the (physical OR emotional) bandwidth to even consider a relationship until prapai because no one was taking those things off his plate (feeding him, making sure he rests, making sure he took care of himself. like - even when prapai just reminds sky to take care of himself, that's taking some of that mental load off sky having to remember for himself).

honestly this is why when in the scene when sky opens the door to prapai when he's half asleep and then lets prapai feed him, and lets him put him to bed, undress and dress him (all things that would have triggered sky to hell before) - I actually believe it. i believe that sky feels safe around prapai because he's done nothing but actively, persistently offer that to sky over and over again by this point.

anyway, yes, i just really love the sunflower scene for how it gives us that first real glimpse as to why prapai really was perfect for sky.

[lizzybeeee]

Dragon Age Day 2024 you will always be remembered lmao

[simcardiac-arrested]

IM SURE YOUVE ALREADY EXPLAINED IT SOMEWHERE but.. may i ask about the story in bitter choco decoration. I like those guys :)

you’d be surprised but i apparently have never talked about these particular ocs’ story in detail on this particular tumblr blog. so i shall do just that…. i tried to summarize but it got kind of long oops, as it always does when i talk about my mentally ill ass ocs

so! as u might already know the guys in the video are rikki and william, and the animatic happens from rikki’s pov. rikki is basically the golden child of the family—smart, well-behaved, always keeping her parents satisfied, etc etc. generally she is put under a lot of pressure a lot of the time. and then her family decides to get an insurance child so to speak—just in case rikki fails in life—but they don’t want to go through the trouble of raising another one, so they decide to adopt.

that’s where william comes in, baby! now he is decidedly Not the golden child. he is the problem child. parents thought they could reform him—well, not much to show for that. but him and rikki surprisingly get along, even though they’re opposites. william actually gets someone who cares about him for once and wants him to be okay, and rikki gets someone who wants her to be more bold, stand up to others and consider what she herself wants instead of people-pleasing. he even gets her to make snide jokes and cut her hair. they’re best friends, it’s nice. for a while.

but, none of it is perfect. you know how rikki always seems to be smiling even though she’s clearly not having a good time? and you know all those red eyes that appear pretty much everytime william’s on screen? rikki has so many layers of masks that william never really feels like he actually knows her. and william, even though he mostly wants rikki to do her own thing, can still kind of be selfish and controlling (because he’s a teenager, and traumatized, and scared of losing his best friend, but it doesn’t change the fact that rikki feels the same pressure from him as she feels from their parents).

so this all culminates when they’re in high school and rikki buries herself in work—she wants to secure a good education and a good job so that she can actually get them both out of this shitty abusive household. for the first time in her whole life, she has a Goal that she personally has chosen. she now has someone to work hard for. but she also ends up spending a lot less time with that someone because of her studying, and it eats at william and eats and eats until—it turns out rikki’s hard work has actually paid off. she’s gotten a scholarship, and she can leave for a good university and she’s finally achieved something that she herself has wanted to do and not anyone else. for both of them. for her brother.

except her brother doesn’t react with support, like usual. he’s not cheering her on now that she’s fulfilled her dream and beyond. he just looks betrayed. because they’re best friends. they promised to be there for each other, to get out of this hellhole house together. how could she leave him behind? how is he supposed to make it without her, who is he going to have on his side? william loves her and wants her to be happy but he doesn’t want her to leave.

so in turn—because rikki is a) an avoidant little bitch who would rather masterfully evade conflict than try to have an opinion and b) doesn’t want her brother to hate her forever and not speak to her ever again—in turn, rikki, as always, as second nature, lies. i mean, it’s her dream, it’s something she’s been working towards for years, but she’ll stay. she’ll leave it behind. it makes perfect logical sense to her—best of both worlds: she doesn’t spend the last summer at home with her brother resenting her, and she still gets to actually go to university. it is basically flawless.

all up until, you know, the day comes where she actually has to move out and go to university. and william inevitably finds out that she lied to him. and they fight. it’s not good. it’s not happy. they end up separating on really bad terms, and not talking for the next 7 years because william runs away from home pretty much soon after rikki leaves (it’s not shown in the animatic but he does go MIA, rikki visits home once on holiday to find that her brother is just Gone, no one knows where he is, her parents couldnt give less of a shit, not great all around!!!) then rikki ends up graduating and looking for an easy first job, just to kind of set her foot in Job World.

unfortunately, it is also the exact same easy, convenient job that her brother ends up picking. hoo, boy. long time no see.

[lorillee]

im really normal about them <- lie

[cherryzlem]

(Reblogs >>> likes 🫶)

Doomed yaoi being normal for once and a meme that made me laugh outloud like a dumbass when I imagined it

[lovelyrotter]

can ppl in this fandom like... stop... implying that transmasculinity in hcs or (especially) canon is shallow or misogynistic or even transmisogynistic on princible, like literally just by being prescent in someones mind or in the text. like that doesnt fuckin feel good. thats kind of really nasty to imply. if its not okay to say about other trans experiences, maybe dont say it about this one either. why is there a weird little exception here. yall KNOW how much that sucks to hear all day every day. what the fuck

[rawliverandgoronspice]

I don't get why people hate the timeline so much, its not like you can't pretty much completely ignore it when you play the games. The only time it even approaches mattering to the story is when there is an explicit sequel like botw and totk or zelda and zelda 2

Hey sorry your ask got lost in the sauce of my broken tumblr, but: yeah!

I mean, I get why in some sense. It's been a heated point of debate and I think some people understandably resent the space it has taken not only in fandom discourse, but in how people began to understand the game and its narrative aesthetic choices. There is such a thing as over-rationalizing everything to hard logic, and sometimes it's just not the fandom for that --especially when you begin to forget it's all just fan theory and start to forget what the games are supposed to be like and evoke beyond just strict facts displayed in a linear way.

What I think bugs me with TotK in particular is that it both evokes and relies on continuity and the idea of a timeline, of archeology, of history itself, while being so loose and vacant with it that it both is doing Timeline Shit while also completely failing to understand why some parts of the fandom were invested in Timeline Shit to begin with.

But that's just my two cents of course!

[inertia-m]

sometimes you'll meet a person you've loved for so long, and then they will tell you they haven't felt the same about you. And you'll question them and gain so much clarity, that the love flies straight out of the window.

some people are meant to be lovers. some best friends. some good friends. some...just friends.

you think you were meant to be something more, but then you realise that you are only compatible in one way. there's nothing beyond that. and that's also not bad. it's not a downgrade, it's what's meant to be.

[kismetmoon]

The False Shepard, Here To Lead Our Lambs Astray

[ID: a digital drawing of an original, stylised Flatland character named Elizabeth.

Elizabeth is a vaguely humanoid character. She is depicted here with a seven-point star head with an eye in the centre, a clawed right hand and a left arm that is cut in half at the elbow - leading onto a white geometric hand. She has a broad chest that narrows into a thin torso. Her legs are cut out of frame - her body is only shown from the waist up.

She is stood in the centre with her arms held perpendicular to her body and the palms of her hands facing upwards. Over her right hand hovers a white crescent moon with a black earth shadow. Over her left hand hovers a black four-point star. She is smiling and staring slightly upwards. Her body is made up of black lines that get denser at the edges of her head, the bottom of her body and on her forearm.

The background is a stained glass window. There is a yellow and orange sun behind Elizabeth’s head with grey and pale blue glass around it, that fades to purple further down. Faint rays of light also shine out from the sun and into the corners of the canvas.

End ID.]

putting the background story and symbolism about this piece under the cut bc i feel like it really deserves an in-depth explanation

i can’t believe i’ve never properly discussed it before, but Liz’s main goal is to stop Chief turning out like his father.

after she tries and fails to kill their Chief Circle and instead kills his guard in Atlas’s defence (and i’ve decided that this is the incident where she loses her arm), she can’t risk taking any more blows like that. so instead of resorting to physical violence, she instead tries her hand at ‘positive manipulation’ to tear her problem from the root up.

she makes sure Chief has enough emotional ties to the lower classes (Atlas and Vance), irregulars (Ruth and Elijah) and lines (Liz, Ruth, Stella and Irene) for him to reconsider everything he’s been told about them. this is all to make sure that when Chief Sr. kicks the bucket they have a somewhat more progressive next-of-kin lined up to take his place. this works for her as Liz first meets Chief when he’s only about 15, so he’s still pretty young and an impressionable teenager.

but Chief Sr is still alive so boo. he has a strong grip on everything and has Chief Jr pinned under his thumb out of fear. while he doesn’t know about Stella, he does know that this ‘false shepard’ is up to something that involves his son. again, he still doesn’t know exactly who Liz is but he’s working on figuring it out.

so this image of Liz - a large, dark, looming, unnerving figure - is made to fit the circles’ depiction of her. how the next Chief Circle and his daughter are locked in her clawed grasp, and she smiles almost mockingly about it. her prosthetic is replaced by a white geometric hand and it sticks out like a sore thumb, as though it makes her ‘unhuman’ - but easily identifiable. her body is made up of a mass of lines, joined together in their force (danger !! women !!). the glass is only coloured around her head (the sun is the same as her colour palette when she’s not greyscale) and at her ‘feet’ (it’s more like the bottom of her torso but you know what i mean) which is mostly shaped with triangles - as if she’s breaking their world of grey out over the blood of the circles (again, i use purple as circle symbolism). the sun is rising in the sky, as the dawn of a new day and a new era begins.

essentially, she’s a revolutionary of the lower class, and a tyrant to the upper classes.

[wassupmygays]

okay as a fellow lesbian i need ur opinion on lesbian cherry with HEAVY comphet….

ohhhhh okay. yes. i've never really thought about it to be totally honest but i like it i see the vision

cherry dating bob because hes got this huge crush on her, and everyone says theyd be perfect together. u know how parents put their little kids together and gush about how cute they are together?? thats cherry and bob

and she likes bob!! hes sweet and nice to her. so they should date right

and like. her besties all have their boyfriends, and maybe she doesnt really get how lovey-dovey they are with their boys, but not everyone can be bev and brill. and marcia and trip aren't a perfect couple so her and bob are fine, right?

i think cherry just thinks this is what love feels like and maybe everyone else was exaggerating a bit. but shes happy enough with bob, and she really cares about him and trying to help im through his family stuff

listen man i didnt know dating girls was even an option until 8th grade and cherry doesn't have queer friends to help her. i dont think she realizes things until like. college

after bob dies, she stops dating. it just doesnt feel right, or appeal to her really, and everyone lets her be because her boyfriend just got murdered

eventually her parents do the "cherry sweetie you've got to find a nice boy and settle down" and shes like damn. i guess i do

idk where she goes to college. but if its somewhere a bit more progressive.... cherry eventually learns what gay people are outside of the scary stories from home.

[bumblingbabooshka]

Tuvok can dissociate as a treat

[lelianaslefthand]

me seeing any interview with da devs, past or present

[zeldasgard]

Vaati headcanons hmm?

How do you think he dances? Does he have two left feet or is he pretty decent? If the latter, what does he prefer?

Oh I like this one! Mainly because I have never thought about it in depths so this is the occasion.

I do not see him having any interest in learning how humans dance in Minish Cap, although he probably knows of some Minish celebration/traditional dances. I absolutely see Minishs enjoying dancing and playing music. I am thinking mainly of an Irish like musical culture for them. So by that logic… maybe Vaati being able to dance a jig is a thing. I don’t see him enjoying it though, because it would make him feel like a fool. I can imagine him as a Minish refusing to take part in any of these, or: he would at the beginning, then as his fascination for darkness in the hearts of men grows he would take himself too seriously to take part in any of these “silly activities”.

But afterwards? He has many centuries to learn many refined skills, and (human) dance would be one of them. I think that he would be pretty decent, after all he has to show off that he is worthy of court like settings for personal pride matters, also probably to impress the ladies. That is, if he can ever turn back into his human form after Minish Cap. And as such, the one dance I can really imagine him dancing and enjoying would be the waltz.

Thank you for your submission, it was very fun <3

[good-to-drive]

Not to start shit but there's no non-misogynistic explanation for hating Pattie or Jane