#I dunno i like the surfer vibe a lot | Explore Tumblr posts and blogs

maybankiara · 4 years ago

Photo

pairing: JJ Maybank x Kiara Carrera

summary: Kie meets her housemates. For the better part of the day, it’s a warm welcome (even from one housemate’s girlfriend who lives downstairs), until JJ Maybank rolls around. Snappy and unwelcoming (and somehow never wearing enough clothes), he’s only the beginning of troubles for Kie.

word count: 8k

my foolish heart masterlist

read on ao3

Moving to Kildare is a decision Kie makes in about fifteen minutes, on a rainy Thursday. After spending four years getting her degree and a year travelling the world, returning home is nearly unfathomable. It’s a month of endless arguing, of never seeing eye to eye, and her parents’ inability to understand that she isn’t their “little Kie” anymore.

She’s had enough, so Kildare it is.

Moving to a place she’s only heard of once or twice in passing is better than living with parents who don’t give a damn about what she wants.

She packs up her belongings, counts her savings, and sets out for the town on the West Coast. No plane ticket – the prospect of a four-day bus trip is daunting, but she’s put herself through worse. The important thing is that there is nothing worthy she’s left behind.

Kie lets herself change her mind until she reaches the bus station at Chapel Hill. When she boards the bus and sits down next to an elderly man that she’ll be sitting next to for hours until the next transfer, she scours Craigslist for housemates.

If she’s moving to Kildare, she’s moving to Kildare.

The adventure doesn’t end until she lets it.

She finds a decent-looking apartment with four housemates urgently looking for a fifth. It’s cheap, too – she’s applying to jobs as the day turns into night, but there’s no guarantee of getting it. Her savings won’t last her a lifetime; she needs to get her life kickstarted.

By the time she steps foot in Kildare, it’s Monday morning, and she has a place to live.

John B. Routledge is the first housemate she meets. He’s the one who posted the ad and he’s the one who answers her calls (throughout the following days, video calls, too). He’s also the one who picks her up from the bus station.

Kie thinks about this situation as she makes her way off the bus, waiting for the driver to open the cargo so she can get her two suitcases. She is essentially agreeing to go live with four boys (granted, they’re all also in early twenties), across the country, because one of them seemed like he’s not going to kill her.

The driver takes out her suitcases and she goes to fetch them, adding a quiet ‘Thank you, have a good day.’

She walks off the bus stop and into the station, glancing around for a tall boy with floppy brown hair and a kind face. Possibly with a red bandanna wrapped around his neck. The boy is a little eccentric—and possibly overenthusiastic—but he seems kind, and he’s willing to give her a hand.

Kie doesn’t forget kindness easily.

John B ends up waiting for her at the entrance into the station, hands relaxing in the pockets of his jean shorts. His face stretches into a grin as soon as he lays his eyes on her.

‘Hey, Kiara!’

She returns the smile. ‘Hey.’

He approaches her, wearing the bandanna just like she thought. He paired it off with a half-buttoned shirt that’s almost see through – it’s the look she’d see him wearing to the beach, not to pick up his new housemate.

(Don’t judge before you meet, she reminds herself.)

John B goes in for a hug, and she awkwardly wraps her hands around his back. When they part, he glances around. ‘I’ll help you out with the suitcases.’

‘Thanks, but you don’t have to—’

‘I can’t let you carry all of that yourself,’ he argues, already reaching for the suitcases. ‘C’mon. You spent days getting here.’

Accepting that he has a point, she lets him take over, but keeps her backpack. They’re actually faster this way, too. John B tells her he parked a little out of the parking lot so he wouldn’t need to “pay the outrageous price”, and the refusal of going with the system warms her heart a little.

John B’s taller than her by a few inches and he’s got that broad-shouldered, chiselled-body look from what she can tell (his muscles are literally about to pop out of his shirt.) Usually, going into a car with someone like this and letting them drive her to their place would feel ridiculous, but the boy looks as far from menacing as possible.

(Still, Kie tells herself she’d fend him off if she had to. Truth is, she’s crashing from the lack of proper sleep and she hasn’t had food in over twelve hours and she’s a little bit exhausted.)

His car is actually an orange van filled with trinkets belonging to him and his friends; when Kie climbs into it, it feels as if it has a personality of its own. It’s as brown on the inside as it is on the outside, and she likes the whole hippie, surfer vibe it’s going on. She’s not sure if that extends to its owners, but she’s happy to find out.

John B takes care of the suitcases. She throws the backpack with them, relishing in not having to carry anything for the first time in days.

‘There’s a sandwich for you.’ John B reaches into the glove department, taking out something that Kie never would’ve guessed is a sandwich. ‘Pope made it. He’s pretty good with food.’

‘Okay, thanks.’

Kie takes it and examines it a little. John B drives them onto the road, driving close to the beach – she looks out with longing in her heart. It makes her decide to not be ungrateful and takes a bite into the sandwich that, surprisingly, actually turns out to be delicious.

John B takes a turn. ‘You ready to see your new home?’

(Kie is starting to think that smile is permanently etched on his face.)

‘Temporary home,’ she emphasises, then flinches at the intensity of her own tone. ‘Sorry. I’ve had a few long days. Right now, a bed is all I can think about.’

‘We set up your bed yesterday. The whole room is in a really good state.’

They get onto a bigger road and right into the traffic, but John B doesn’t seem to mind. He puts on a chill reggae song (is this really happening? did she get that lucky?) and hums to it, before turning back to Kie.

‘Sarah actually insisted on getting you some new bedsheets and all, so it’s all ready for you.’

‘Sarah?’

‘My girlfriend. She lives downstairs.’

‘Oh, that’s nice.’

‘Yeah, she’s pretty nice,’ says John B, in this half-dazed voice that tells Kie the couple is definitely still in the honeymoon phase. ‘How was the sandwich, by the way?’

‘It was amazing, thanks.’

He doesn’t ask anything else and she doesn’t have anything to say, so she puts up the volume up the tiniest bit, and lets herself relax a little. (Even if she’s about to be sacrificed to a cult – she deserves to breathe.)

Kildare is prettier in real life than in pictures. It’s one of the older fishing towns, with modern job prospects only flourishing in the past half a century, so most of the houses are ancient, for American standards. The beach is nice and although the waves don’t seem to be the same, she knows she’ll manage. She plans to make herself busy in town, anyway, but knowing that she’s not bound to land is soothing enough.

‘So,’ says John B after the second Marley song ends. ‘What’s your story?’

‘Oh, quite boring, actually,’ she admits. ‘Squabbled with my parents and decided to move to the other end of the country.’

‘Ah.’

‘Yeah.’

He ponders over her words a little, then gives her a glance and a warm smile. ‘Kildare is a pretty good place to start a new life.’

‘Yeah?’

‘Mhm. The best, actually. We’ve got everything you could possibly need.’

The hints of humour in his voice drag a smile out of her, too. ‘What, like housemates who try to pull a Hotel California on you?’

John B lets out a hearty laugh. ‘Exactly! But don’t tell the others.’

He embarks on a brief history of Kildare and manages to entertain her enough to keep her from falling asleep – she thinks he might be a tour guide. John B’s lived here his entire life, only moving to the city when his dad died a few years ago. He could go back to his “Chateau”, but he says there’s something nice about having his old home be a getaway, now.

By the time they actually arrive at John B’s—their—apartment, Kie feels like she knows exactly what the boy with the bandanna around his neck is made of. He’s quite simple and easy to understand.

Kie likes simple.

When they pull up in the parking lot of their apartment complex, a boy John B refers to as their housemate Pope is waiting on the porch. He ends up being a tall, dark-skinned boy John B’s age with a little less enthusiasm, but a little more maturity. He’s wearing a shirt over a tee and a pair of shorts, shaking her hand.

‘Hey, Kiara. I’m glad to finally have you here,’ he says, giving her a smile that’s more reserved than John B’s. ‘Are you sure you’re okay being with four boys?’

It’s half serious and half a joke, but she chuckles regardless. ‘I guess I’ll have to be.’

John B appears at her side, handing Pope one of her suitcases. ‘She’ll be fine. She likes reggae and I think she likes the beach, she’ll fit right in.’

Kie just looks at him, eyebrows raised.

All she gets in return is a shrug and another smile. ‘What? I saw you staring at the beach and don’t tell me you turned up the volume on that Bob Marley song.’

‘I love Bob Marley.’

‘Good, because we are all very fond of Mr Marley,’ says Pope. He tilts his head then, frowns, and looks over at his friend. ‘Does Kelce like Bob Marley?’

‘Dunno.’

‘Huh. Well, we should probably get going.’

In the end, Kie enters their apartment building with the bandanna boy behind her, and Pope in the front. Each of the boys is carrying a suitcase and John B took it upon himself to carry the backpack, too; the lack of any weight, for the first time in days, feels disconcerting.

‘So on the ground floor, there’s the Glissons,’ John B tells her. ‘A pretty charming family with one kid, but they can be loud sometimes. I can hear the kid screaming in the backyard from my window.’

John B ends up telling her the stories of all residents as they walk up the stairs. It’s interesting, and it’s all the people she’ll be seeing around for a while, but Kie can’t pay attention for more than two minutes for the life of her. Judging by the way Pope’s shoulders are slumped, he’s not listening to the boy, either.

‘This is Sarah’s apartment,’ John B says, with a smile on his face once again. ‘She’ll come by later, she’s at work right now, but she’s really excited to meet you.’

‘Oh, I’m excited to meet her, too.’

Kie finds it a little odd that everybody seems so excited to meet her, but doesn’t dwell on it. Maybe it’s normal, and she’s the odd one.

‘Yeah, she said she stalked you on Instagram, or something.’ He frowns a little, eyes shifting from Kie to Pope. ‘Maybe I shouldn’t have said that.’

Kie feels the tug at the corners of her mouth. ‘It’s okay. I don’t mind.’

At least being excited after stalking her Instagram account and therefore knowing something about her (travelling, blogging, feminism, activism, and probably some other stuff) makes sense for someone to be excited.

(She’s also slightly taken aback at John B’s tone insinuating that the boys didn’t perform a background check on her before letting her stay with them. She certainly did one on them – or tried, really, because they didn’t end up being much of social media people.)

‘So,’ says Pope, ‘here we are.’

The trio don’t dwell before opening the door to the apartment. It’s a rather newish place with walls painted a soft, creamy brown; right behind the door is a massive coat rack with a variety of styles displayed on it – from leather to plaid jackets, and an occasional winter coat. The smell of the flat is nice, surprisingly. Sweet.

John B gets in behind them, her suitcase creaking as he pulls it over the doorstep, and shuts the door.

‘So? What do you think?’ Pope has a nervous look on his face.

‘It looks nice, so far,’ Kie says, giving him a smile.

‘So far,’ John B chuckles. ‘Just wait till you see what we have done with the living room.’

‘Alright, show me. Better sooner than later.’

‘You’re gonna love it,’ says Pope, in a voice that’s either really genuine or oddly sarcastic.

She doesn’t have the time to build up expectations before the boys urge to keep going forward. They pass Pope’s bedroom on the left, next to the first bathroom, and Kelce’s bedroom is on the right. The hallway widens in the front and there’s a corridor that extends to each side – she thinks it’s a little weird that the middle of the flat is basically an intersection but hey, she’s not an architect. John B tells her it’s him and JJ on the left, and Kie’s on the right, with the second bathroom and a storage/laundry room to keep her company.

In front of them is a massive open-plan living room/kitchen, painted a very soothing baby blue all over. The room seems to be split in half by an island counter with barstools propped up around it – kitchen elements are to the left, and the couch and the medium-sized TV with a PlayStation underneath are to the right. The curtains are wide open with sun shining bright enough to make the whole place liven up.

There’s also the tiny aspect of the decor that she assumes was the boys’ touch. Road signs and traffic cones and even something long and thin that seems a little too much like a ramp are scattered across the living area. Above the couch is a massive pin board with a lot of notes, letters, postcards, schemes and designs for something that resembles cars; and all of this is put together by several different strings of fairy lights, pinned all around the walls—even the ceiling—looking like weeds, almost.

Kie lets out a surprised, breathy laugh.

It’s not that it isn’t nice. It just… not what she expected, really.

(The surfer girl in her is living for this.)

John B goes to stand in front of her, arms spread wide and a dumb grin on his face. In the middle of the living room, like this, he looks like the king of his castle – Kie’s laugh becomes a little firmer.

‘And?’

She grins, wide and honest. ‘I love it.’

The boys cheer and John B flings himself at Pope, next to Kie, smacking a high-five to his hand. They walk further into the room. Pope goes into the kitchen, and Kie and John B take a seat on the barstools. He gives them a glass of water, each (‘Sarah and I are doing this healthy living thing, so I only drink water and milkshakes.’)

‘This place is really nice,’ Kie admits, then nods towards the collection of things from the road with a smirk. ‘Not very legal, though.’

‘Are you a cop?’ asks John B.

‘No?’

‘Do you know a cop?’

‘…no?’

‘Will you tell a cop?’

‘Look, if you get me drunk enough, I’ll be the one adding some more to the collection.’

If there was any tension between them, it dissipated in this very moment. Kie’s statement seems to confirm the boys’ assumptions – she is going to become one of them, they tell her that much. It’s this fact that earns Kie a lunch because she arrived here, and John B lunch because he brought her here. JJ earns his lunch by simply not being here to make his own, according to Pope, who Kie learns absolutely adores cooking.

It’s lovely. They have a good vibe between them and they’re not excluding her, and she feels comfortable around them.

John B takes her to her room shortly after they’re all done eating their tacos.

‘There you go,’ he says, opening the door to her room. ‘It’s not much, but…’

Kie walks in and feels herself smiling. ‘I love it.’

It’s a cosy room – queen-sized bed with soft purple bedding, a long desk right underneath the window looking west with a simple white desk lamp from IKEA with a black wooden chair, three shelves on each side of the window, and a modest closet that she already knows she’ll only half fill with the things she brought. There’s enough floorspace for her to bring some decorations in (maybe a mirror and some plants – Kie always wanted that.) Her suitcases in the space between the closet and the wall, with her black backpack perched on top of one.

Like John B said, it’s not much, but it already feels more like home than her actual bedroom ever did.

‘The bedsheets, uh, they’re Sarah’s, but she’s okay with you keeping them.’

‘I’ll give them back, don’t worry.’ Kie opens the window wide, letting fresh air in. ‘What’s her favourite chocolate?’

The boy frowns, thinking. His arm is leaning on the doorframe and his forehead against his arm, and he looks both quite out of place and perfectly in place.

‘I don’t know,’ he admits. ‘She prefers milkshakes, anyway. You know, that homemade stuff. She’s trying to get me into that, but it’s just too much effort, y’know?’

‘Effort is always too much.’

‘I know, right?’ John B groans, playing along (or maybe he doesn’t notice the teasing in her voice.) ‘Anyway, I’ve got stuff to do. Pope said he’d make dinner for everybody tonight, I can let you know when that’s ready, if you want. I was thinking about having a chill night, but you’re tired, JJ isn’t back yet, and I don’t know where Kelce is, so we should do it some other time.’

Kie frowns. ‘Is Kelce not around often?’

‘Eh,’ says John B, shrugging. ‘He doesn’t like us very much, I think, but he just stays away.’

This Kelce guy doesn’t sound like he’ll be as nice to be around as the two she’s met so far, but Kie doesn’t allow concern about that to take over.

‘Knock on my door, then. I’m a light sleeper.’

John B nods, wishes her a good nap, and closes the door when he leaves.

The silence that befalls is different than the one back home. There, she could always hear the vastness of the empty space when her parents aren’t around; she would be drowning in knowing that she’s the only being alive on the premises. Even this tiny bedroom seemed more alive – if she leans out of the window, she can see Kildare around her. The apartment breaths with life.

For a moment, Kie just looks around, trying to rewrite her life in her head – this is her life now. This little bedroom, four guys out of whom two are suspiciously kind and the other two she hasn’t met, and Kildare.

It’s not a dream. The bed she sits on is a little creaky but the bedding is soft and smells like her grandmother’s backyard, and it’s real.

All of this is real.

Kie starts crying.

★

A couple hours later, John B’s knock wakes her up. She tells him she’ll be there in a few and he replies something she doesn’t catch, but she hears footsteps before she can ask.

Rolling over on the bed sheets, still wearing the clothes she travelled in, Kie feels like she woke up in a different reality. Before her nap, she managed to compose herself enough to get some of her belongings sorted – the books she brought are on the shelves, her journal and a pen are on the desk, and a clean change of clothes is neatly folded on the chair. The room still doesn’t really feel hers, but it’s starting to.

(She doesn’t want to think ahead of herself, so she doesn’t think about tomorrow, or the day after, or whatever is going to happen with jobs and—No.)

Kie rubs her eyes. Her stomach grumbles and she pushes herself off the bed; the beige walls look brighter than they were when she fell asleep. She opens the window again, leaning through it – she can see someone’s window being wide open on her floor. She wonders if it’s John B or that JJ guy.

Kildare looks pretty from here. The view isn’t the greatest, but it’s unfamiliar, and Kie loves that.

It takes her nearly half an hour to get herself to the kitchen. She ends up opting for a shower, first, because priorities are priorities and she washed herself in the disgusting bus stations for days.

She’s halfway through showering, hair all wet, when she realises that she doesn’t have a shampoo. Or anything else, for that matter. Which is terrible, because Kie is quite particular about her shower routine and the fact that he’s prevented from enjoying it, truly puts a damper on her day. Using someone else’s shower gel, shampoo, conditioner, all of that… It’s not her favourite.

In this situation, she wouldn’t really wash her hair if that’s the case (it’s curly, okay) but there’s someone’s coconut shampoo for dry hair and a matching conditioner and okay, maybe she’ll steal a little bit of that. The shower gel is one of the minty Axe ones and she knows that she will smell like a man, but it’s either that or keeping on the smell of all the buses she’d been on.

(She hopes no one will notice.)

The bathroom itself is smaller than she expected, but there’s a toilet and a shower tub and a mirror over a sink with a cupboard behind the glass, and it’s cute. The only thing she notes is that there’s only one of everything. Could it really be only one person using the bathroom? She’s the only one in this end of the corridor, and the only thing here aside from her bedroom and the bathroom is the storage that also serves as the laundry room.

It could be any of the boys. Or, actually, she assumes it can’t be Pope or Kelce, since they have a bathroom in their corridor. Probably John B, then – he seems like he cares enough about the way he looks to have some nicer hair products.

Looking in the foggy mirror, Kie feels as if the mirror is making her face look thinner than it is. That could be the case, but knowing what kind of stress she’d put herself under for the past few days… and the lack of eating…

She leaves the bathroom looking a bit better for the wear, and smelling like a minty coconut.

(I’m not trying to make an impression, she tells herself, but the lie falls flat even in her own head.)

Kie dries hair quickly with a fancy cotton towel she took—stole?—from home. She puts on the clean clothes, feeling very Lara Croft-y in her black tank top and denim shorts; it’s a confidence boost, for sure. She finishes it off with a pair of converse trainers (she forgot to pack slippers) and sets out for the kitchen. The smell of food fills the corridor, and her stomach churns.

‘What smells so good?’ she asks, right before entering.

‘Hey, Kiara.’ Pope’s leaning on the island counter as he eats out of a massive pot with a spoon, giving her a warm grin. ‘You’re looking fresh.’

‘Had a shower. Works wonders. It’s Kie for friends, by the way.’ Pope hums in response and Kie approaches the kitchen, looking into the pot. It looks like a bolognese sauce, except the colour seems is more of an orange than a begie, and there’s a few scents to it she can’t identify. ‘What’s that?’

‘Bolognese a la Pope Heyward. I’ll get you a spoon and a fork.’

‘Is it spaghetti?’

‘It’s penne, why?’

Kie pretends to gag, taking a seat at the island counter. ‘I hate spaghetti. I just can’t’—she makes a rounding motion with her hands—‘twist it the right way.’

Pope laughs as he hands her a plate and a fork. He has a nice laugh, Kie notes – it involves the entirety of his face, with his eyebrows going up a little bit. It’s sweet.

‘Yeah, spaghetti tends to be ridiculous sometimes,’ he tells her, leaning on his elbow against the counter. ‘You’ve got to cook them just the right way. Timing and salt is everything.’

‘I don’t like to cook by the rules, so precise dishes don’t really suit me.’

‘You’re more the type to cook by the heart?’

‘Eh, I guess you could say that.’ She takes the fork and pushes the penne around until it’s all mixed together – and realises just how much food that is. She brings her eyes to meet Pope’s. ‘This looks absolutely amazing, but I don’t think I’ll be able to eat all of it.

He waves her off. ‘JJ will finish it, if you don’t. He told me to leave him everything that’s not eaten by the end of the day, although he had more than a fair share already.’

Kie perks up at this, a forkful of food halfway to her mouth. ‘He’s home? I thought John B said he was at work.’

‘He came back about an hour ago. Wanted to use the shower after eating, but you must’ve been using his bathroom, so he went for a jog instead.’

There’s no way—

‘His bathroom? But I thought John B said everything was communal.’

She should’ve known the toiletries would belong to one of the two flatmates she hasn’t met. She should’ve known that at some point, her luck had to start running out.

Kie runs a hand through her hair and the scent of coconut and mint both engulf her; she pulls her hand down immediately, gauging Pope’s reaction. Can he smell it on me?

‘It’s communal,’ he says, ‘but he’s been the only one using that bathroom since Topper left. John B’s lazy, he likes to shower in the one that’s closer. Or at Sarah’s.’

‘So I can use it, right?’

‘Of course!’ he says, as if he hadn’t pretty much just told her it’s JJ’s. ‘JJ will get used to it, as long as you’re clean.’

Come think of it, the bathroom was unusually clean for a boy. ‘Is he a clean freak?’

‘No it’s more like… He just likes to have a safe space. It’s him and showers, or water in general – I often joke that he’s a siren.’

With her heart finally at peace, knowing that JJ won’t gauge her eyes out for taking a shower, Kie takes the first bite of Pope’s dish. It’s still warm and absolutely delicious, and he laughs when she lets something along the lines of a moan.

‘Pope, this is — oh my god.’

Tilting his head down, the boy’s face stretches into a shy smile. He grabs a wet glass from the drying rack and starts wiping it with a cloth, leaning against the counters. ‘Thanks. I’m having a good day, so.’

He doesn’t finish. Kie takes another bite and says, ‘So you’re cooking for everybody.’

‘Yeah. Kind of.’

‘That’s pretty nice of you. I’ll cook tomorrow, if you’ll have me. I’m not the greatest of cooks, but there’s some Asian dishes I can cook pretty well and—’

‘Kie, that would be amazing.’

‘Yeah, well – I try. Don’t judge before you try.’ Kie isn’t too keen on hyping herself up. Offering to cook is fine, but she doesn’t want anyone to have expectations.

The two of them fall into a comfortable silence; all Kie can hear is her munching on the bolognese, and Pope drying the dishes and putting them away (Kie makes a mental note of what goes where, and another note to ask what is communal and what isn’t.)

‘Why do you call JJ a siren?’

Pope seems a bit stricken with surprise at Kie’s question, but answers quickly regardless. ‘He’s like that. Mischievous, will die if away from a body of water for too long, lures a lot of people to his bedroom… He’s got quite a reputation.’

‘He’s a player,’ Kie interprets.

‘I— Yeah. Kind of.’ Pope makes a grimace that tells her he��s not the greatest fan of that. ‘It doesn’t happen to often, anymore. Work’s been keeping him really busy these past few months.’

Kie just nods. She’s not a fan of casual hookups herself (there’s gotta be…something to them) and she usually doesn’t mind someone else doing that sort of thing, or one-night stands, but she doesn’t quite fancy the idea of random people being around the apartment.

It may be a bit evil, but Kie likes to hear he hasn’t been having sex as often.

(She doesn’t even know the first thing about the guy – it is evil.)

‘What does he do?’ she asks in an effort to distract herself.

‘Mechanics. Engineering.’

‘Mechanical engineering?’

Pope frowns and tilts his head, shaking it a little. ‘Not quite. It’s complicated. He’s a really smart guy, he’ll explain it to you himself. He should be back anytime now, I don’t know what’s taking him so long. Usually he jogs for half an hour only – must’ve been a long day at work.’

Kie opens her mouth to ask what JJ does for work, when she realises that she’d kind of already asked that. Instead, she finishes her meal and then washes up, listening to Pope talk about his own issues at work (he’s a coroner, which is only slightly morbid, but somehow fits him.) He talks about it a lot, so when John B joins them fresh out of the shower and lets them know Sarah’s coming over in a bit, she’s saved. John B drags Pope into telling her some of the shenanigans the group has been up to during their long friendship, and Kie notices how much John B’s energy makes Pope more energetic.

That’s the thing about John B – his energy is contagious even when he’s not the one talking the most. Even Kiara feels more awake than she did minutes earlier.

Nothing about moving to Kildare is how she expected it to be. It seems too easy – too natural. John B and Pope accepted her into the apartment group as if she’d always been a part of it, and they’re all like a family (cooking for everybody? Where did they come from?) and Kie is not used to it.

She’s never had friends who felt like family. No, scratch that – she’s never had a family that felt this much like family.

Eventually, Kie goes to rest on the couch while John B updates Pope on the latest news about Kildare’s football team (Kie’s starting to think he might actually be a football coach, now.) Pope doesn’t seem to be listening that much, but John B doesn’t notice, so it’s fine.

She sees JJ for the first time about an hour since she came out of the shower, and he’s no more than a blotch in the corner of her eye as he marches from the main entrance into his room.

‘JJ?’ calls John B. No answer, but they hear a door shut. ‘Kiara’s here!’

‘Kie,’ Pope reminds him, and gives the girl a gentle smile.

No answer comes. The door shuts again. This time, Kie sees a boy slide by, too fast for her to see him properly – but he’s tall, with hair definitely a dirty blonde or a light brown.

Right before they hear the bathroom (her bathroom) door slam, a voice shouts, ‘I’ll be there in ten!’

Pope sighs. ‘Multiply that by two.’

‘Three.’

‘Maybe four, if he got really sweaty.’

‘He could be doing himself up for Kie.’

It’s an offhand comment that’s supposed to be a joke, including her in this whole banter thing, but Kie’s cheeks go ablaze at the idea. Not too long ago she was doing herself up for them in that very same bathroom.

(First impressions matter, okay?)

‘We apologise on JJ’s behalf,’ says Pope. He’s looking at her over the island counter, with one elbow propped up on it to hold his chin. ‘He can be a hardass sometimes.’

‘And he won’t apologise,’ adds John B. ‘Got a stick up his ass.’

‘He’s a nice guy, though.’

‘Yeah,’ Kie muses, ‘I can tell.’

The boys just sigh, telling her that they can’t convince her otherwise until he convinces her, and Kie starts cataloguing everything she knows about this JJ guy.

Tall, probably blonde, probably lean. Uses coconut-scented, quality hair products and keeps his bathrooms clean – high maintenance. Demanding, or at least that’s what she got from his asking Pope to save him the food. He seems to go on jogs often, so he’s probably sporty, caring either about his appearance or health. He’s got a job that keeps him busy and it’s got something to do with mechanics and engineering (but not together), so he’s probably quite smart. A player who’s currently on hold, so he could be cranky if there’s a lot of sexual frustration pent up. Slightly possessive (his bathroom?) and not really the one for manners, if him not introducing himself is anything to go by.

From what the boys told her, she thought he’d be fun – the guy she has in her head doesn’t seem like the guy who’d tape fairy lights all over the living room and decorate it with stolen road signs, or really like the ocean.

So, JJ – Kie’s not his biggest fan.

(He definitely pales in comparison to John B and Pope. Maybe he doesn’t take change well; maybe he doesn’t like newcomers in his inner circle.

She isn’t already making excuses for his behaviour.)

There’s the irritating iPhone message chime somewhere in the room, interrupting whatever conversation the boys have been having while she’s thinking about their friend. John B reaches into his pocket and reads the message from his phone. ‘Sarah’s here. I’ll go get her, JJ must’ve locked the door.’

‘Dumbass,’ says Pope, as if locking the door isn’t the sensible thing to do.

(Maybe JJ isn’t all bad.)

Surprisingly, Kie isn’t too bothered about the girlfriend coming up. She sounds nice, from what John B has told her, and she’s actually looking forward to a dash of femininity in the place.

Sarah Cameron ends up being an incredibly lovely girl, and a completely suitable match for John B – neither of them know when to shut up. In a good way, of course, because Kie likes listening to both of them.

‘So, how are you enjoying your room? I wanted to get you some plants and stuff, but John B said it’s probably best if you get them yourself. I know you probably don’t know a lot of people in Kildare and I thought I’d help out. Boys, as you know, aren’t the best at being welcoming.’

‘Actually, I’d say they’ve been pretty welcoming.’ Despite the fact that her housemates are engaged in a very passionate conversation about something, she doesn’t want to trash-talk them. ‘Better than I expected, anyway.’

Sarah chuckles, draping an arm over the back of the couch. ‘Just you wait, honestly. They’re absolutely ridiculous, I love them. They’re chaotic as it is, but with JJ around, it’s all hell breaking lose.’

‘That bad?’

‘That bad.’

Exciting, crosses Kie’s mind in a sarcastic tone, until she realises that she genuinely is excited at the prospect of chaos. His life’s been lacking it for a good few years now, if she’s being honest. Besides, all these conflicting statements about JJ and the lack of any mention of Kelce whatsoever is making her curious about the two missing housemates.

And Sarah is nice, which is why she says, ‘We can go get some plants together, if you’re down. I’ve been meaning to get some anyway.’

The blonde clasps her hands together, cheeks stretching into a wide grin. ‘Great! Could you do tomorrow? After three, though, because I’ll be in kindergarten until then.’

‘Yeah, tomorrow sounds great, just let me know when you’re back here.’

And any other day. Any time. It’s not like I’ve got somewhere to be.

Another part of her mind concerns with the whole “kindergarten” part, but she figures she’ll find out, eventually.

‘You drive?’ asks Sarah.

‘Yeah, but I don’t have a car here. Yet.’

She thinks of her car back home – it was a nice car. Kie loved that car, especially when something would need fixing and she and her dad would get into their ugly and old clothes and—

Kie rests her arm on the back of the couch, glancing at the girl sitting next to her. She’s wearing a floral tube top and high-waisted denim jeans, with her blonde hair loose save for the two front pieces on each side that she plaited – it’s an effortlessly chic look.

‘That’s fine,’ she says. ‘I can drive. I’m honestly so happy there’s finally a girl in the flat, I’ve been telling them that this place is lacking a feminine touch for ages. As much as I love them, it gets a little too full of testosterone sometimes.’

‘Oh, I don’t think I’ll be giving it much of a feminine touch.’

It’s a joke, but it catches Pope’s attention: ‘The most feminine thing we’ve got is JJ’s coconut hair set. I feel like that says enough.’

Kie’s cheeks flare up at the comment. She tells herself no one will connect the dots despite her smelling like minty coconut. First things first, she needs to go shopping tomorrow, and she’s happy to hear that Sarah is more than willing to accompany her.

‘So, shopping tomorrow?’ asks the blonde.

John B makes a groan that sounds a lot like “girls”, but blows Sarah an air kiss the moment she gives him the death glare.

Kie doesn’t hide her laughter, and neither does Pope hide his groan that sounds a lot like “couples”. It only makes Kie laugh harder, before she composes herself.

‘Shopping, definitely. I need things.’

‘And we can go sightseeing. I know all the best places in Kildare—’

‘Unless you’re showing her the Boneyard, you’re not showing her anything worth seeing.’

Her eyes are drawn to the unfamiliar voice coming from the corridor, and she stifles a small gasp.

Kiara Carrera has seen a fair share of shirtless boys throughout her life. Most of them, however, were expected – at the beach, at the pool, or in the bedroom. Most of them she was mentally prepared for and they didn’t catch her off-guard. Realistically, she knows he just came out of the shower – but there is absolutely no fucking need for him to be walking around in just a towel, and a loosely wrapped one around his waist most of all. Not with hair that’s still damp and dripping down his bare torso, making him look like he’s glistening.

And Kie’s got eyes – the lean muscle covering the entirety of his torso and arms doesn’t go unnoticed.

(It should.)

Pope sighs as the group watches JJ make a beeline for the hob with the sauce and the pasta on it. ‘And this is JJ,’ he says. ‘JJ, Kie.’

She tries looking everywhere but his body, and it’s surprisingly difficult. ‘Hey.’

The blond boy glances in her direction and nods, then glances at John B. ‘I went to the pier today. Had a fucking day at the workshop, the fucking asshole kept giving me the most tedious jobs just because I told him he was wrong.’

‘Was he?’

JJ snorts and fills up a plate. ‘Fuck yeah.’

As he continues telling the boys about his day, munching on the food with his back turned to Kie, Sarah indulges her in a conversation about music. Kie tries to focus, she really does because she really appreciates the girl trying so hard, but she can’t focus on anything when she’s staring at the back of someone built like that.

Besides, he’s acting like Kie’s not even there. She tells herself that she isn’t hurt, that she expected something like that – she was waiting for the other shoe to drop, and…

Yeah.

He doesn’t even so much as look at her.

Not too long after that, Kie bids her goodbyes as she goes back to her room. Things seem a little weighty now that JJ’s around and the boys seem to not understand that there’s something off – it’s easier to just leave the room.

She’s got to unpack, anyway. There’s a load of clothes and knick-knacks she took from home that she needs to put somewhere.

Kie begins with her backpack, seeing as it’s got the least things in it. The first thing she takes out is the phone and the charger along with it; the device is heavy in her hand. If she turns it on, she knows she’ll have dozens of missed calls and texts, despite her leaving a note before she left.

The note doesn’t matter. They don’t understand.

(That’s why she left, but it’s not like they’ll understand that, either.)

She puts it off for a while but the pressure is on the fact that she applied to jobs with this phone number and she needs to be available. If she wants to act like a grown up then there’s some sacrifices that need to be made.

Reluctantly, Kie plugs the phone into the charger, but doesn’t turn it on just yet.

★

Kie doesn’t plan on seeing anyone again. It’s nearly two in the morning already, so she doesn’t think before she goes to the kitchen wearing nothing but an old Bob Dylan sweater and pyjama shorts.

She just wants some berry tea, really, because falling asleep in a strange bed is more difficult than she thought.

The fairy lights are on – all of them. The blue light is bright enough to shine the corridor, reflecting pleasantly from the brown walls. Kie rubs her eyes, having come out of a completely dark room.

It’s almost intimate, the little differences in colour from one set of lights to another; all in different shades of blue. It must be John B, but hopefully she doesn’t walk in on him and Sarah – not like she’s judging a book by its cover, but both of them seemed confident and open enough so that Kie wouldn’t be surprised if they have a sort of a public kink, or something.

(Sometimes it’s fun to be risky; the possibility of getting caught adds a certain kind of flavour.)

Kie steps into the kitchen, and the light shines on the back of JJ’s tee.

Fuck.

This is, like, the worst case scenario. Of all the people—

‘Hi,’ she says.

JJ doesn’t react. He’s fiddling with something on the counter, his body swaying from side to side in rhythm. He turns his head a bit to the right, reaching for a cutting knife, and she finally sees the earbuds.

Kie lets out a heavy sigh, feeling her fingers going a little cold.

(It’s not from the room temperature, because the apartment is roasting.)

Bracing herself, Kie makes a beeline for the kettle, feeling much like JJ earlier today. He still doesn’t notice; he’s humming along to a song and it’s familiar enough that she almost gets it. She checks the kettle—empty—and turns to fill it up when she nearly bumps into the blond’s chest.

JJ whisper-screams a profanity, just whatever he was holding thumps on the ground.

Kie flinches, too, so she figures an apology isn’t necessary (it’s not like she wanted to scare him. She said hi.)

Still, she takes a step back. ‘Sorry. I didn’t mean to— We must’ve turned around at the same time.’

‘Yeah, must’ve.’ JJ crouches and picks up the bread and whatever’s fallen out of it, all with a melodramatic sigh. ‘Can I eat that?’

She looks at his hands – ham, cheese, pickles, and a sauce. She feels her face distort. ‘Absolutely not.’

JJ sighs again, then throws it all into the bin. Kie notices he hasn’t taken out the earbuds as she fills up the kettle and sets it to boil; he delves into the fridge and starts making another sandwich.

Rude.

Then again, it is the middle of the night. She’s not feeling very chatty, either.

She starts making her tea and struggles to find the mugs and the teabags, but doesn’t ask for help. It’s odd; all she can hear is the clanking of her moving around the kitchen, JJ preparing a sandwich, and his humming along to the music in his ears.

It’s exhausting.

‘How come you’re still up?’ she asks. He doesn’t acknowledge her so she taps on his shoulder, waits until he takes an earbud out, and asks again. ‘Can’t sleep?’

‘I’ve got work.’

He doesn’t elaborate. Kie’s jaw clenches and she lets out a huff, just in time for it to be drowned out by the sound of the kettle boiling.

She goes to tend to her tea, then looks back at JJ – it must be a good sign that the earbud is still hanging off his neck. ‘What’s the Boneyard?’

‘You still don’t know?’

JJ’s tone is demeaning, almost amused – and Kie doesn’t like it the least, so she decides to be just as respectful. ‘Would I be asking if I did?’

He looks at her, for once; his eyes gaze into hers as if he’s trying to decipher her. The chuckle he lets out is a little more amused and the corners of his lips turn upwards ever so slightly.

That’s the closest to a smile she’s seen on him so far.

‘No, guess not.’

‘So, you gonna tell me?’

His hands come to a still. He frowns, then grins. ‘That’s for you to find out.’

Right.

Kie has two options here – fall back, make her tea and leave, not cause any trouble, be the best possible flatmate she could be so they don’t kick her out. If JJ doesn’t like her, that’s on him. It’s also probably what he’s expecting, for her to do all the work.

A smile flutters on her lips. Kie has never been one for choosing the passive option.

‘What’s your deal?’ she asks, pulling her mug up to her chest. ‘Having a bad day?’

He looks at her with his head tilted a little; she’s pretty sure there’s annoyance written in the wrinkle between his brows, tiredness in his bright eyes. ‘Have I not made that clear enough? What’s with all the questions?’

‘Dunno.’ She shrugs, holding her mug to her chest. ‘We’re living together, shouldn’t we try to get to know each other?’

‘I don’t really care, to be honest.’

He might’ve as well just slapped her across the face. She blinks and swallows the sudden lump in her throat. ‘Right.’

JJ puts the new sandwich on a plate and he starts walking out of the kitchen when he turns on his heel, sighing. ‘Okay, what’s your deal, then? Why’d you come all the way here from Outer Banks on such a short notice? What are you running from?’

The blue light is behind JJ, softening his silhouette and making him look like he’s glowing. Menacing or benevolent, Kie would go for the former. Her blood runs cold and that’s not a feeling she wants to experience in her new home.

(But the way he’s looking at her, it’s not menacing. It’s curious – it’s as if he wants to gauge her reaction more than the answer itself.)

What are you running from?

Instead of giving him what he wants, Kie takes a sip of her tea and ignores the liquid scorching her tongue. ‘That’s for you to find out.’

JJ raises his eyebrows and she thinks she sees a smile betraying him in the corners of his lips, shaking his head. ‘See?’

‘See what?’

‘Questions,’ he says, ‘they’re too much.’

He’s the type of guy Kie usually cannot stand – full of self-assurance and bravado that may or may not be real. He also knows how to get someone like Kie, usually very vocal and confident, into tripping over her own words.

At a loss for words, she squeezes herself into the counter so he can pass between her and the chair, when his head tilts, nose scrunched, and his eyes glancing at her hair. ‘Do we have the same shampoo?’

‘Oh, I used some of yours,’ she replies, pressing her mug even closer to her chest, forcing herself to not look away from him. ‘Sorry. I didn’t have my own, but I’ll get it tomorrow. I hope you don’t mind.’

‘It’s fine, just don’t do it again.’

‘Okay.’

He turns around the island counter and for a moment, she thinks he’s going to sit there and her mind starts wondering whether that would make her want to stay in the kitchen more or less. But he keeps walking and nods at her from the entrance into the corridor, muttering an almost inaudible ‘goodnight.’

Kie waits for about a minute, sipping her tea, before she turns off the fairy lights and goes back to her room.

(She thinks about how fluffy JJ’s hair is when dry; how deep the circles under his eyes looked under the intensity of the blue light; about the tension in his shoulders that was present the entire time she was in the kitchen.)

She plops into her bed, finishing off her tea. Her phone’s still on the desk, now fully charged, calling to her.

It’s been nearly a whole day. Dragging it out will make the whole thing more painful than it already is, so she takes it in her hands, and holds the button on the side.

Kie spends the next fifteen minutes scrolling through the sea of messages her parents have drowned her phone in. Not just her parents – there’s messages from aunts and uncles, great aunts and cousins, both sets of grandparents as well. Much like she expected, instead of keeping their problems to themselves, her parents made them everybody else’s.

Some of the messages were encouraging – her dad’s mum told her to stay safe and smart and return home whenever she’s ready; her mum’s sister said that she understands her choice. Some were the exact opposite – a lot of them called her ungrateful, or attention seeking, or childish and irresponsible.

The worst one was from her mother. Granted, it was followed by an apology and a change of attitude, but the message is clear.

If you really think you’re ready to leave, be ready to make it permanent.

Kiara goes to sleep with one thought on her mind, and it’s that even with a housemate she doesn’t like, and one that she doesn’t know, and being on completely foreing ground, moving to Kildare was the smartest decision of her fucking life.

★

next chapter

#jiara #jiara fanfic #outer banks #obx #obx fic #obx fanfiction #jj maybank #kiara carrera #jj maybank x kiara carrera #my foolish heart series

35 notes · View notes

forgedwild-arch · 4 years ago

Text

NAME: sadie. fun fact ! it’s supposed to mean some shit like “god’s princess” n i think that fuels me to be extra blasphemous just like. as a person.

ZODIAC SIGN: scorpio but i got a lot of air + fire influence in my full natal chart which makes me a SHIT water sign. i’m not emotionally profound or mysterious at all i’m just BARELY dodgin’ my way thru life with little to no knowledge of fuck all n my snapback hat on backwards. i did get the scorpio stubbornness tho, but i think that rly just amounts to me growing up around a bunch of bull-headed italians.

HEIGHT: 5′4″ i’m a short king

LANGUAGES SPOKEN: english, some italian & french. i rly wanna get into practice with them again n also learn spanish cuz like. i live in fuckin california....... i should u kno.

NATIONALITY: american. i’m from norcal which explains why i talk like a surfer stereotype in a disney channel original movie most days. radical.

FAVOURITE FRUIT: grapes, pineapples, cantaloupes and strawberries

FAVOURITE SCENT(S): campfire smoke and petrichor. both of them together? ugh *chefs kiss* also i’m one of those freaks that likes the smell of gasoline.

FAVOURITE COLOUR(S): forest greens!! n as i age i find myself gettin more n more into yellows

FAVOURITE ANIMAL: bears, octopi, n literally any type of bird you can name. avians are all dinosaurs n they DID NOT forget that.

COFFEE, TEA, OR HOT CHOCOLATE: love ‘em all but damn nothin beats good hot chocolate..... like really good hot chocolate. ugh.

FAVOURITE FICTIONAL CHARACTER(S): negan (twd), camille preaker (sharp objects), nadia vulvokov (russian doll), maeve millay (westworld), akecheta (westworld), cersei lannister (GOT), tessa thompson’s valkyrie (marvel), thor (marvel), magneto (x-men), elektra abundance (pose), pray tell (pose), n many many others.

DREAM TRIP: i would love to travel the whole wide world tbh but i’m not fuckin rich. let’s be a lil realistic n pick one. i’ll say ireland.

WHEN WAS YOUR BLOG CREATED: april but i’ve been in the rpc for 5 whole years. time flew. genuinely dunno how i’m still here some days lmfao.

LAST MOVIE SEEN: i think the last time i had enough of an attention span to sit thru a whole movie was on valentine’s day when i saw 1917. weird fuckin choice given the day i kno but i’m single n i decided to treat myself on a date ( it was a good movie! )

SONGS YOU’VE HAD ON REPEAT:

SONG ONE: “Rocky Mountain High” by John Denver

SONG TWO: “Broke Bitch” by Tiny Meat Gang

SONG THREE: “Some Kind of Disaster” by All Time Low ( i’m still pop punk trash even at the ripe old age of 24 n yes i DO realize how embarrassing that is. don’t @ me i vibe w/ this song on a personal level. )

FAVOURITE CANDY: this is gonna be Controversial of me to say but i don’t rly like candy all that much. i guess if i had to choose, three musketeers and baby ruths have always been alright imo.

FAVOURITE HOLIDAY(S): Halloween. i also like the aesthetic itself of christmas but the holiday traditions themselves are eh.

TAGGED BY: i stole it bc i’m a semi-narcissistic bitch who loves talkin abt myself ngl. TAGGING: @forgedwest / @onlyliberty / @coyotesteeth / @somniaxperdita / anyone else who wants to do this !

#( ooc. )#my music taste makes absolutely no sense n im fine w it LOL #i should rly change mun fcs but i identify deeply w/ that pic of ben wyatt. so.

6 notes · View notes

bwayfanficblog · 6 years ago

Text

Opinions on the BMC OBCR!

(Friendly reminder this is just my opinion! I think this cast recording is over all insanely good, I’m just being a little nit picky because I’ve loved BMC for a while. I had the privilege of seeing BMC in NYC in March, which was amazing and the live performance did influence my opinions a bit. If you have doubts about Will Roland as Jeremy, seeing it live will flip your opinions. Trust me. ❤️)

(edit: my overall opinion of this is that it’s great, but it’s trying WAY too hard. Am I the only one who thinks that the try hard sound completely erases the actual message of BMC? that you don’t have to be someone or soemthing you’re not to impress someone? I feel like the old score was just as amazing and the new actors could’ve done it justice without all of these wild changes. They basically took the creepy retro vibes out of BMC to keep up with modern broadway. I don’t have a problem with it, I just think that it erases the actual message of the show to an extent. I am so in love with Will Roland! He was wonderful live. Feel free to message me and discuss this!)

More Than Survive

- Inclusion of more dialogue is good but I kinda think it breaks up the flow a little

- Will Roland yesss, this song is actually how he sounded live, I wish you could see how incredible he looked and acted during this song

- Inclusion of the “Boyf” dialogue is cute and definitely should’ve been added to begin with

- The new harmonies on “Christineeee” where Jeremy goes up a step is so nice

- Michael’s new part is just as adorable as before, kinda sad they took out the “so own it!” line tho

- Buttt more sweet giggles from Michael makes up for it!

- I don’t like how they cut off the last Canigula so quickly to make room for the chorus singing though idk

- The louder beat slaps tho

- I don’t like how Chloe’s last “I like gay people” is isolated unlike the original cast recording

- Will gives a heartbreaking “I’m never gonna be the cool guy” performance though like damn I almost cried

- The “na na na” is now “na ahh ahh ahh” if that makes sense and it doesn’t give as much impact which makes me wanna die bc that part was so pretty

- Will’s riffs at the end make up for it

I love play rehearsal

- There’s more instruments at the start and I think a flute which is so pretty!!

- Stephanie yessss with those improved vocals

- I think the extra instruments overpower her soft sweet sound at some points in the song tho

- YESS the dialogue that’s now included yesss

- The extra instruments at the end actually add more tho I love it

- A little more dramatic

More than survive (reprise)

- ICONIC

- IM SO HAPPY THEY INCLUDED THIS

- nothing bad to say other than I’m not a fan of the weird pop-y instrumental at the end, when I saw it I think it was a little more spread out instead of included in the song but I could be wrong

The Squip Song

- Gerard’s vocals have gotten even better like yes

- The instrumental sounds about the same as the old recording which makes me glad they didn’t change it too much

- Jeremy sounds scared when he says “you got quick” and I don’t know why ? That’s kinda odd like buddy are you good

- Is rich ok like at all in this song

- The song isn’t as like soft if that makes sense

Two Player Game

- Michael sounds like wants to die when he says “apocalypse of the damned” at the start shaksksks

- BUT THIS SONG IS SO GOOD it’s another one they didn’t change very much

- The instrumental is a little more pop-y but otherwise it’s still got that retro vibe

- George was keeping it real and not changing his vocals in the song for us thank u

- Will Roland come thru with those harmonies once again

- Jeremy’s verse is really soft and sweet and I love it he just sounds done

- The extra lil video game sounds are spot on

- The “You know that you are my favorite person” lines are done so perfect but I’m sad Michael’s little giggle isn’t as prominent

The Squip Enters

- Jake’s “that freak is freaking out” isn’t that funny in this recording sjsksksksk I’m sad

- The Squip’s surfer voice was less prominent live and more realistic and I’m not sure I like it that much in the recording

Be More Chill PT 1

- The Squip has a solo part at the start!! It’s adorable

- Jason Tam yessss

- The Squip calling Jeremy Bae and Boo makes me wanna die tho

- The first part isn’t sung anymore which makes me wanna die too bc he has such a nice voice

- The Squip’s vocals in the chorus tho yes ma’am

- Instead of Jeremy saying “Jesus” he just has a lil panic attack that poor boy

- The Squip kinda sounds British in some parts of it

- You can hear George doing a funny voice for his mall character which makes me laff

- “Jerry?” —“jerry-ME” I love Will

- Chloe is a lot more pissed in this song

Do you wanna ride

- The instruments overpower Brooke in some parts

- They didn’t change the vocal lines too much but they did slow the song a bit ?

- The harmonies are really nice though come through Brooke and Chloe

- The end is also sped up a little

- Brooke’s giggle and the little French at the end was so cute

Be More Chill PT II

- “Everything about me makes me wanna die” LINE WAS SO SAD

- the instrumental build up was so incredible !!

- This is probably my favorite song for the Squip he just brings it vocally

- JEREMY’S LITTLE GIGGLE AFTER “be mORe CHILL” I CRIED

Sync Up

- This replaces the original More than survive reprise

- I don’t like how it takes Michael’s little part out of it because I think it was necessary plus the instrumental part of that slapped

- Also I think it gives us a good insight into the characters but it could’ve been placed somewhere else maybe?

- I also think the beat isn’t very uniform and is kinda messy and the dialogue is more interesting than the actual song

- It shows how nice Jeremy is tho

- I liked this song live better because the actual song just isn’t interesting enough to be a song on its own

- Jeremy and Brooke’s interactions in the song is really nice

- I love the distorted little “na na na” from more than survive though you can tell it’s slightly off

- I don’t like “head to play rehearsal” instead of “drama practice” though I don’t think it flows well

- I’m sad they changed one of my favorite songs !!

A Guy That I’d Kinda Be Into

- Once again stronger instrumental, especially guitar

- The vocal track doesn’t seem to be changed very much again thank u god

- Weird clappy sounds ??

- The harmony on “absolutely” YES

- Christine’s little breathy laugh after “I guess there’s a part of me that wants to” yes sir

Upgrade

- Brooke speaking French at the start SNSKSKSKSOSK

- I think the dialogue gives more insight into Brooke and Jeremy’s relationship

- “Jere-Bear” NAJAKAKA

- THEY TOOK THE LITTLE “damn” OUT NO

- Jake and Christine’s part is cute but it felt a little out of place for some reason and I don’t know why, like the little sad dialogue they have about Jake’s parents feels weird but it’s really

- “I’m tired of being the person everyone thinks that I am” feels like it should’ve been a part of sync up instead of upgrade

- Brooke saying she was happy Jeremy looking at her instead of Chloe first made me wanna bawl

- Also it makes me wanna punch Jeremy

- Poor Jenna got like 1 like in this song

- I feel like it wasn’t smooth transition into Loser Geek Whatever at the end I don’t like the whole weird chorus thing leading into it at all

- Feels out of place without Michael’s little part at the end, I’m sad they’re cutting significant Michael parts, I know they kept it in LGW but it felt more in place in upgrade

Loser Geek Whatever

- It’s great and Will re recorded it for the album because it seems to have more emotion and be more genuine

- He sounds super excited at the start and it makes happy

- One of the few songs that managed to keep BMC’s kinda creepy computer tech vibe which is weird because it wasn’t even in the original album I wonder if it was written newly or was a draft from the first run back in 2013-2015

- A little more upbeat but in a good way

- Will’s vocals sound a lot better than the first recording

- Extra beeping at “my one real friend” was nice

Halloween

- Brooke does a little bark at the start awe

- The beat doesn’t go as hard as the OG cast recording which sucks bc it went hard

- Everyone kinda sounds like they wanna die at the start again which seems like common theme??

- The chorus doesn’t slap either what

- The song also got cut a little short I think unless I’m crazy but I feel like it was longer than this?

- Extra verse at the end and I don’t really like it

- Kinda boring now and doesn’t give you a panic attack vibe like the OG one did

Do You Wanna Hang

- Only song where they changed a lot that made it better

- Included the dialogue at the start which makes the song make more sense

- The Squip’s Voice is so smooth ssnskskskw

- Chloe’s losing her mind a little but I love it

Michael in the Bathroom

- Jesus George’s vocals OWN MY WHOLE ASS

- He’s only gotten better somehow

- No to the new pop-y sounds in it it takes sad creepy feel out of it

- Too much instrumental added bc it doesn’t sound like ballad anymore

- I dunno how I feel about it because George’s vocals are perfect but the instrumental is doing him dirty and not making it sad enough

- This song gives me anxiety now wjsjsksks and I don’t know if that’s good or bad?

- The few lines and instrumental lines are the same as the OG which is good

A Guy That I’d Kinda Be Into (reprise)

- SO HAPPY THEY INCLUDED THIS TOO

- Whoever’s playing that flute was told to play that shit LOUD

- Jeremy’s “Christineee” omg he’s so in love

The Smartphone Hour

- The new instrumental sounds at the start sound bonk

- The phone sound effects make me wanna die dndkjssk

- Tiffany Mann’s voice COME THROUGH

- The “whoaaaa” was changed which makes me sad

- I’m glad they specified it was Jake’s house because when I listened to the OG one at first I was like did he just burn down a random house ??

- The dialogue between Chloe and Brooke is kinda dramatic now but it’s not a bad thing

- KATHYLN CARLSON’S VOICE IN HER SOLO CHORUS YES SIS

- the whistle noise has gotta go that’s what my track coaches whistle sounded like when I wasn’t running fast enough

- I’m scared now the dance break sounds like salsa music

- “Matches, ashes” was changed to “drama, drama” girl what

- Brooke’s screams yes

- The random auto tune voices in the back are trying to capture the creepy vibe that this song originally has but isn’t doing it

- This song isn’t changed much though and still has the OG vibes which is good

The Pants Song

- The weird piano at the start scares me

- The lyrics have changed a bit too

- I’m not too familiar with this song because I don’t listen to it so often but it doesn’t sound too different from the OG cast recording which is good instrumental wise

- The chorus sounds different though I don’t know how I feel about it

- The “Michael in the bathroom” melody playing in the back during the dialogue YES

- Omg the dialogue where Jeremy’s dad tells him to say it like he’s in the army omg I’m weak

- YES THE HARMONY RIGHT AFTER RHAY DIALOGUE

The Pitiful Children

- My fav song

- Not this version I don’t think but

- I don’t mind the lyric changes but I think it takes the dark creepy techno vibe out of the song

- If it was anyone other than Jason Tam singing this version I wouldn’t like it

- The chorus lost its punch with this new pop sound

- I’m really confused as to why the lyrics had to change tho these make less on an impact, I think a solo song with Jeremy and the Squip about Christine would’ve cooler

- The Squip and Jeremy’s harmonies tho like fuck me up

- The techno voice singing “lets save the pitiful children” is eh like it makes it cheesy

- I’m scared of the Squip singing “Squip Squip Squip”

- “Everything about us” run is still amazing as always

- I just realized the Squip is using Christine to manipulate Jeremy into squipping everyone that makes sense that’s why the lyrics are changing

The Play

- The dialogue at the start is different but it makes sense, it’s Jeremy realizing the Squip made him Squip the whole cast

- The instrumental sound is the same thankfully

- “Michael makes an entrance” sounds like Michael wants to die is he good

- It adds Michael and Jeremy’s fighting dialogue in it which I like and adds the two player game melody in the back

- Jake’s “living the upgrade” line was cut short :((( I love his voice

- They changed the “having sex” convo between Brooke and Chloe which doesn’t make it relevant to that scene anymore ?? But they also validate each other so idc

- The “I love play rehearsal” melody playing when Christine talks yes ma’am

- “I’m stronger than you think I am” I LOVE JEREMY

- The LGW melody playing when Jeremy is telling the Squip to fuck off

- Jeremy and Michael saying “oh god” back and fourth to each other in different tones of voice is an accurate representation of having a best friend conversation

Voices in my head

- The start sounds like pac-man and I’m so here for it

- RICH HAS HIS LISP YES QUEEN also his harmonies !!

- This instrumental is kept pretty much the same too which I’m happy about

- “Don’t dump her on Halloween” BYE I love u Brooke

- “We are your squad” AWE

- It’s so pure

- The second verse has some lyric changes but I like them more

- LGW melody is playing when he and Christine talk which is so soft bc he’s like owning being a loser?

- The “bowling alley performance art” line wouldn’t make sense if you haven’t watched the show but it’s cute

- The loud flute is present again shsksksksks

- Awe the ending harmonies are soft

- The Squip was tripping balls in the end of that wtf

- The “na na na” runs at the end don’t sound like the more than survive ones sjsksksk

- “You ready?” I LOVE

- Jeremy is such a dork and I love that so much in this song

114 notes · View notes

mkzmerryfriend · 2 years ago

Note

6, 7, 19, 25!

!!!!! Thank u!!!

6. What is your darkest fear about writing?

Starting off dark! I like it! My darkest fear is that I will die before I’m able to publish anything and nobody will find my writing. Essentially, dying in complete obscurity. Dunno if that’s narcissistic or something but that’s my biggest fear related to writing.

7. What is your deepest joy about writing?

Related to that last one, I find the most joy when I hear from people who have read my works. Not just the good stuff either, I love hearing what could be done better (if I’ve asked for that kind of criticism of course lol) and if there is something that is either factually or culturally incorrect. Like when I wrote something with German in it and exclusively used google translate bc I don’t know German and a fluent native speaker told me it was okay but the grammar was unnatural. I love that shit.

19. Tell me a story about your writing journey. When did it start? Why did you start? Were there bumps along the way? Where are you now and where are you going?

*claps hands very loud and sits forward in my chair* Well! I have basically been writing since I learned how to read, which was like… age six or something, I don’t remember. I started writing because reading amazing stories stimulated some creativity in my little brain and it needed to come out, I wasn’t satisfied just reading stories or watching movies or shows. I had stories to tell too, and by golly I was gonna tell them. There were lots of bumps along the way of course, almost all of them caused by my own belief that writing/art wasn’t a “real career” and that if I was going to college it had to be for a science or a social science. There were times where I wasn’t reading or writing anything that wasn’t academic for years. Where I am now is that I’m an art major getting a minor in creative writing. I believe in myself and my creativity now. I am currently brimming with ideas, I just need to commit to one and write it. Where I’m going is forward, wherever I can end up writing and publishing a book. I want to set up a writing schedule that works for me so that I don’t have too many of those bouts of not writing at all, I want to set reading goals for the year so that I have less bouts of not reading at all, and I desperately want to go on a writing retreat bc that sounds like the ultimate vacation to me. Go somewhere gorgeous and just write.

25. What is a weird, hyper-specific detail you know about one of your characters that is completely irrelevant to the story?

Oh my GOD I have so many of these… I’m so glad you asked this… Literally all of my characters are from stories that are WIPs, but I will briefly explain their story’s premise for you.

Ronny is an English major whose story is about a summer vacation to San Diego where she meets a bunch of cool surfers and skaters who help her find her place in the world. Her irrelevant fact is that she has gone skydiving once in her life and didn’t completely hate it.

Paul is from the same story as Ronny, he owns the local surf/skate shop. His irrelevant fact is that despite being a surfer and his nickname being Pauly, he has never once listened to the Beatles. Bonus slightly more relevant fact, he also doesn’t like The Beach Boys that much but plays them in the shop anyway because it “fits the vibe, man.”

Ellis is from a story about a shattered magical family, and is the only boy among three other siblings. He also has a magical power called Suggestion: he make anyone do anything he says to them. His irrelevant fact is that he once used his power to get into the newest Star Wars movie showing for free, but it was the Phantom Menace. It is still at the top of his list of biggest wastes of his powers.

Juliet is from a sci-fi story about time travel and fixing mistakes. She is from the far flung future. Her irrelevant fact is that she is legally not allowed to drive, in the future nor the past. She is a menace to society with no spacial awareness inside a vehicle.

Thanks again for humoring me!! I love talking about writing and my silly little characters!!

#mkzrambles #thank you sooooo much for sending multiples I love u #this is so fun #I hope this was interesting for you too lol

0 notes

visiodreams · 8 years ago

Video

youtube

So here is my personal top 43 eurovision ranking with comments be below

Comments

-- Finland: My country so I won't rank this. There is always tendency to be a bit biased when it comes to your own country. I wasn't big fan of the song at the beginning but the live really made this song grow on me. They were clearly best act on the live shows so they did deserve to win. I think there is potential to go to the finals so fingers cross.

42. Czeck Rebuplic: Sorry but this song is just boring.. I don't even have that much to say about it.. Not the type of music I listen.. I'm afraid that this song isn't that memorable.

41. Slovenia: Oh Omar Naber the man who has made on of my favourite eurovisions of all time (If you don't know what i'm talking about check out esc 2005 slovenia) .. but this.. oh well this is just one very forgettable eurovision ballad.. sorry but it's no for me.

40. Germany: Okey I try to be nice with this. She sings good at live.. yeah that's about it.. I have tried to make myself to like this song but it's just.. I don't know.. lyrics are just bad and over all just meh for me.

39. Malta: There isn't exactly anything wrong with the song. It's just quite unoriginal eurovision ballad. Nothing new. If you like this part of eurovision then this is probably song for you.. I just don't like it.

38. Russia: Haven't checked the latest news if they are taking part or not but don't wanna exclude this either. This song.. well mm she's a sweet girl and it's a sweet song.. just not what I would listen.

37. Denmark: Oh Denmark I admit I probably dislike this song more cos I watched their national finals and liked other song way way way more than this (I'm a fan of cheesy euro disco and half naked man.. but hey can you blame me) This just not my cup of tea. I won't listen this more than I have to.

36. United Kingdom: I have started to like this song than I did before but still not my top songs of the year. I just think that UK would have so much potential for more than this. Just not fan of these eurovision ballads if you can already tell.

35. Georgia: I don't hate this song. She is powerful singer with powerful song. It's just not one of the songs I would put to my playlist. I can handle this when it comes to the live shows but that's about it.

34. Ireland: Very irish ballad. Nothing really wrong with the song. But to be honest can't remember nicely how this song goes. Quite forgettable. Sweet ballad nothing more nothing less.

33. Serbia: It's not bad song. It's just quite forgettable. There isn't any interesting hook in this song that would make me craving for more.

32.Lithuania: I'm actually surprised that this song got this high on my ranking. But this song has grown on me for a bit. At least it's not boring song. I won't go to refill my wine glass while listening this song. This songs is still quite too much bizarre to get enough votes i'm afraid.

31. Albania: I will complain about the same thing I complain about every year with Albania. Why ooh why you have to translate your songs? If you want to participate with english song then why not to make the songs in english in the beginning with?? why to first make it in albanian and then try to make it fit in english? it's just doesn't make any sense. I like this song more in albanian. It's still not that bad song. And she is gorgeous singer and sings amazingly in live. Defiantly not the worst song of the yea.

30. Croatia: Definitely one of the most interesting songs of the year. It has some Disney feel in it. Also i'm interested to see how he can change his tones in live. Definitely looking forward to see this song and him singing it. Just not my taste of music.

29. Creece: I'm a fan of cheesy dance songs but sorry this is just too cheap even for me. I can handle this that one night and maybe party a little but it's a no for me. I won't listen this much after esc are over.

28. Polan: This reminds me of Bond song for some reason. It's not bad song and I can see why there is people liking this song. It's just not my taste.

27. Ukraine: It's always refreshing to see other genres than cheesy pop and ballads. So I'm glad Ukraine chose this song. Is it my all time favourite rock song? Mmh not really. I do like rock music but this isn't really the song I like to listen all the time. It has grown on me tho' quite a bit.

26.Iceland: I think this sounds very nordic. I could imagine this kind of song coming from Norway or Sweden also. It's not bad song but not the top cast either. I do like it quite much and it's pretty catchy.

25. Israel: well I think this and Creece are pretty similar. Cheap pop songs that are okey to party on when esc party is on but there isn't much to tell to next generation eurovision fans about this song. Some other year could have been higher but this year there is just so much better dance songs. Okey okey I might have given some cute boy extra points to this song.

24. Romania: Oh Yodel it! It's definitely eurovision material. I'm glad they chose this song cos well comm’on it wouldn't be eurovision without acts like this. I'm glad that eurovision is getting it's weird factor back on. And I mean weird in good way. You have to admit that you can’t hear yodeling in everyday radio pop song. Btw both of them are good singers.

23. Australia: Very quality eurovision ballad. Pretty safe choice. Not the most memorable song of the night but it's not bad either. One of the best in category of eurovision ballads.

22.Latvia: This song will bring the burst of energy to the stage for sure. This song itself isn't just that kind of song I like personally that much.. It's okey song. It will be nice to watch in show but I'm not gonna listen it that much.

21.Netherlands: Is it throwback Thursday? Hello is it year '99 calling? Am I watching Charmed marathon on Netflix and still waiting for the episode where Leo first show up and scream like a fan girl cos piper x leo is the one and only otp.. oh sorry I got lost in track. I quite like this song. It's very old fashioned on it's on way but it's not bad thing. It gives you feels and things that give you feels can't be that bad.

20. Austria: Oh Nathan Nathan.. I have to admit I have a thing for him. I have thing for red heads I can’t deny it. Yeh this song got quite a few cute boy bonuses. It's a chill song. Not really the type I like that much but if Nathan sing it I can listen to it.

19. Belarus: This is just one very adorable song. It makes you feel good and makes you wonder if there actually is that small three hugging hippie living inside you. Who just want to sit next to bonfire holding hand in circle and singing songs. BTW love that it's sang in Belorussian.

18. San Marino: Okey remember the part when I said I love cheesy eurovision disco songs? Well like I said I love them and I love this song. Just want to get up clap my hands and move my hips like a John Travolta.

17. Switzerland: I follow you Apollo.. very catchy chorus.. very good live and man that woman is gor-ge-us.. definitely some hot woman extra points here. Not quite my top 10 material but definitely a good song that goes right to my playlist.

16. Spain: Yeah I know I'm cheap.. I dunno everyone seem to hate this song and i'm just here in my tropical printed shirt sipping pina colada from coconut and wondering what is it exactly that I'm gonna do for my lover.. Overall this Manel boy's surfer charisma has affected me and I'm quite enjoying the song.

15.Estonia: i'm quite digging this song. It also have some vibe from the past but it seems to be a thing this year.. Maybe i'm getting old cos it doesn't bother me at all. This Koit Tooma has very nice voice I specially like it. Not bad Estonia not bad at all.

14.Armenia: Uuuh I love the vibe this song has. A bit mystical and this woman has nice voice. I haven’t listen it as much I have other songs since it was the last to be released. But I'm liking it.. waiting to see how is the live show.

13. Azerbaijan: I admit it I was expecting again one very swedish sounding ballad sang by one gorgeous woman in glittery gown. So yes you surprised me positively Azerbaijan. Still a gorgeous woman singing but a bit more with an attitude that I like. Looking forward to see live.

12.Macedonia: Oh I like this song a lot a lot a lot. It reminds me of some other song can't quite catch which one.. but it's a type of music my big sis used to listen a lot and has affected me also .. very nice.

11.Bulgaria: On of my favourite ballads of the year.. more modern than others.. very quality song-- I can see this doing well.

10.France: Would have been better without forced english in the middle but still very nice song. This has been on my top 10 from the beginning. I'm glad France sending top songs every year.

9. Moldova: Well common it's a epic sax guy eurovision just got 100 times better. I loved sunstroke project last time and I love them now. Best party song of the year. How you can be not liking this song?

8. Cyprus: Very radio friendly song with catchy lyrics. Quality song yet again fom Cyprus I'm glad. Interesting to see how it's gonna be live.

7. Sweden: First time of the history of melodifestivalen Sweden picked the song I liked.. sorry but that Nano was way too similar to one other song and it bothered me way too much. Robin had by far the best show in melodifestivalen I dare him not to change a thing (Dressmanwalk and hot dancers in suits works for me). Sweden you just know how to make shows and this song really need its live show to get where it is now.

6. Hungary: Love this sone more and more by every listening. I love it's in hungary I love the violin I just love everything. Hungary is always strongest when they pick songs sang in hungarian. Unique and beautiful.

5.Norway: I just L-O-V-E this song.. amazing... He has so great voice and the beat is nice.. modern song.. good job Norway.

4. Portugal: Oh Portugal finally did it!!! Finally a song I adore so so so much.. I feel like crying every time I listen this.. and I haven't even had time to check the translation yet. But that old Disney feel you get from this. You get thrown middle of black and white film where you sit in smoky table and listen when this beautiful man sing like a bird.. I'm in love.

3. Belgium: What is happening this year? What are these great modern pop songs we are having.. It's just quality after quality.. Awesome job Belgium.. this song will do good.. She just need to be good in live show..

2.Montenegro: Yes I know and I'm sorry.. but couldn't help mysef. .I was like 'can I do this?' but then the spaceship hit me.. I mean ho you cannot love this song? Man Montenegro I'm surprised.. this kind of cheeesy euro disco I love love love.. Just need my glitter and I'm ready to paaartyy.. (this song would make a great condom campaign song.. just saying.. cos I have my suit on..no need to worry..)

1. Italy: Oh how I hate that he had to cut the song for eurovision.. But oh well I'm in love.. and nothing can change my love for you Francesco Gabbani I'm waitin..ghmm I ment I'm wai..waiwing for you song.. not like i'm waiting him to marry me or anything.. nope not at all.. I have very realistic ideas in my head.. but common it's cheery italian pop song I lvoe cheery italian pop songs.. and when you add a hot italian man with tons of charisma what can go wrong?

#esc 2017 #esc #eurovision #eurovision 2017 #eurovision top 43 #my top #somments #finland #italy #belgium

3 notes · View notes