#I don't like them but they're human and that's weird to think about sometimes

[rainbowkeyboardyippee]

Hate when I see radfems on my scrolls, but I'm always somewhat conflicted

Like sometimes, instead of blocking them, I'll scroll their blog for a bit and I'll see their hateful posts against trans people. But I'll also see posts about their dog or their interests and I do know they're human and flawed

But also the entirety of one of their major beliefs is about hating plainly innocent people. Then I feel less bad about blocking them

[keeps-ache]

mm i Neeed to go the beach

[wereh0gz]

The number of times I've seen ppl imply the anthro animals in sonic have the same predator-prey relationships as their non-anthro counterparts is not a lot, but it's still somehow weirdly common

[dcxdpdabbles]

For Danny, gravity is a suggestion, but when he's human he prefers to feel ground under his feet while he's thinking. This leads to him often not realising he's started walking on the wall or ceiling when he's lost in thought or otherwise distracted.

Tim's definitely normal human friend Danny, pacing on the ceiling during his third visit at Wayne manor: [ranting about something, probably defending his love of weird flavour combo milkshakes]

The Batfam, silently debating how they're gonna break it to Danny that he's a meta: ........

Tim's eyes follow Danny as he starts pacing around the table, his homework abandoned on the table. His voice is becoming sharper, and his words are strung together more as he continues. He noticed that he became less aware of his surroundings when his friend started going on his rants.

Watching Danny's body language become slightly less human was fascinating. It started with his eyes—if Danny felt angry, they would glow green. Tim always knew when to cut back on his teasing whenever he saw the flash of green, no matter how brief the green was.

When Danny rants about something that upsets or makes him sad, his voice gains a particular echo. It is almost as if he is slowly walking into a cave.

There were times when Danny got excited or happy; his hair would start to puff up slightly. This reminded Tim of when he would rub a balloon on his hair to study the positive and negative charges.

Danny's hair didn't flout straight up, but it was electric enough to be noticeable if you paid enough attention.

It was as if his emotions affected his physical form like a mood ring. Tim could always tell what Danny felt by watching for the little effects.

All these little things were easy to hide. Most people noticed less than Tim did, but there was one little quirk Danny did that was rather hard to miss.

"What if we talked about the effect of well-lit street lights on crime rates?" Danny asked, striding up to a wall and casually pacing on it. He continued to think out loud, with his eyes closed, as he made loops on the ceiling. Tim needed to pay more attention to the subject of their presentation, but he was somewhat distracted by how Danny's hair and shirt defied gravity.

They stayed perfectly in place as if his friend were still on the ground and not upside down. Tim wondered if his powers were less flying and more gravity-shifting.

It would also explain his lower degree of super strength if he could manipulate gravity. (Tim didn't care what Danny claimed in gym class. No regular human could lift two punching bags like nothing, especially for something as casual as cleaning up)

Or maybe he was able to move in a fifth direction. From his perspective, while Tim was stuck in 3D, Danny could move in the fourth and walk on the ground. It would explain why he didn't notice he had stepped on the walls or ceiling. To Danny, he never left the floor.

"No, that wouldn't work," Danny mutters, making loops around the chandelier. "What if we...but then that would mean...."

Tim couldn't make out most of his words, but that was fine. Danny also tended to mutter under his breath when he was deep in thought.

He cranks his neck back, eyes tracing the way Danny seemed to strut around as if he was out for a walk on a nice sunny day in the park. Carefully, making sure Danny was too distracted by his thoughts, Tim aimed his camera phone at him.

He takes a few photos and then opens the family group chat.

Tim: I need advice on gently telling a friend something that may change our friendship. I've tried to say it to him before but he doesn't seem to get it.

Jason: buy him some flowers and write him a poem. He'll love it.

Steph: That's terrible advice, Jay. No one does that anymore

Jason: No one has class anymore, you mean. Besides, boys deserve to be romanced, too.

Dick: Just tell him how you feel, Tim! Be direct and make sure you use the words "I like you romanticly." Sometimes people don't understand you're asking them out.

Damian: Do not bother me with your failed courtships.

Duke: Maybe don't go as far as Jay said, but Dick's right. You have to say, "Go on a date with me" or something.

Steph: Try the bend and snap! It's Elle Woods-approved!

Tim: No, that's not what this is about. I need help telling Danny he might be a metahuman with Superman-level Power.

There is a long pause before his phone vibrates again.

Damian: I beg your finest pardon?

Bruce is typing.....

Tim: He's friendly! He just has yet to notice that what he does isn't regular.

Jason: Wait, isn't Danny that kid we saw you at the ice ring with? The one that snuck up on Cass by accident?

Tim: Yes

Multiple people are typing.....

Tim briefly glances up to see what Danny is up to, and he is surprised that Frost has started developing in his footsteps. That's certainly new. He attached the photos to the chat, sending them off as Danny slowly floated back down.

He watches as his friend flips horizontally in mid-air so that he's standing upright when he lands. His hair is starting to puff up again, so he is not surprised when Danny's eyes snap open with a gleeful glint in them.

"I figured it out, Tim!"

"That's great," Tim tells him with a smile as Danny eagerly returns to his seat. He is babbling about the solution to their government class and how he knows he can get their proposed bill passed with the correct narrative.

Tim watches frost develop around his pencil and chair. Fascinating. Does that mean excitement? He almost forgets about the family group chat while attempting to figure out what emotion Danny is experiencing to connect to frost that he missed a few messages.

Bruce: Tim, where are you?

Bruce: he made Cass jump because she didn't hear or see him coming. That's worrisome.

Bruce: He could be dangerous

Bruce: Where are you

Bruce: Tim, answer me

Bruce: Timothy Jackson Drake, answer the phone right now

Dick: Oooooohhhh middle name

Damian: They are in the left-wing dining room, Father. I already have a visual on them.

Damian sent a photo of two teenage boys sitting at a table, bending over to look at a book together. Papers and pencils are scattered around the stranger while Tim's trusted laptop is in front of his part.

Bruce: Good. Keep them in sight at all times and report any suspicious behavior.

Damian: Naturally.

Steph: No DNA test is needed

Duke: Literally.

Cass: I am confused. I thought we all knew Tim's boyfriend was not human?

Jason: We did not, in fact, know that Cass.

Cass: It is obvious by the way he moves that Danny is not a meta-human. He is close to one, but he moves like a different being. He reminds me of Captain Marvel.

Multiple people are typing......

[thefudge]

Advice for writing smut???

gonna do bullet-points of things i tend to live by when it comes to smut (this is just my opinion):

don't switch styles: the way you write the smut has to be consistent with the way you write the rest of the story, so if your story is more comedic or romcom-y in nature, the way you write the smut should have those stylings. i personally find it very jarring when authors decide to break the format for the smut, almost like the story has to stop for the sex intermission; if you're writing a horror story, the smut must be informed and influenced by that genre, and if you are breaking genre for the smut portion, tell us why you're suddenly switching gears (it has to be an aesthetic choice you're making on purpose). likewise, if your style in that story is more lyrical, the smut has to be somewhat lyrical too, or if your story is more cormac mccarthy-esque-cut-and-dry, the smut can't suddenly involve an effluvia of purple, sappy prose. integrating the smut in the story and treating it like any other part of the story is key to me. too often i've seen ppl switch to this anonymous pornified style when they get to the smut

which brings me to specificity. i'll talk about het sex, since that's what i tend to write most: not all men are going to be fingering or eating pussy the same way, not all dicks are big and they shouldn't be, not all women immediately get excited by fingering, not everyone moans the same way or makes the same sounds. you're writing about particular characters so it has to be particular to them. i know this is very old advice, but i think it bears repeating

there isn't an exact formula or sequence you have to follow, there aren't precise steps, you don't have to go "well, first he has to kiss down her neck, then reach the boob area, then play with the nipples, then put the nipple in his mouth, then slowly go down on her, then prepare her for entering her etc. etc. etc." this can get boring and repetitive and you start thinking of your characters as these mechanical dolls who have to fuck for your audience. and that can be a vibe too, if you do it on purpose. but sometimes you can get stuck in a porn routine (and ofc, having only the guy show initiative can also get boring)

in order to break that, insert some character moments. what are the characters thinking during this? sometimes they might be thinking of something completely unrelated on the surface, but which has a thematic relevance that can make the scene hotter. likewise, maybe they're doing smth that seems unsexy on the surface, but which, within the context of the story might be really hot. sex doesn't just involve, well, sex, but so much weirdness and humanity and creativity. two bodies (usually) are trying to do this really awkward thing together and they might have a lot of baggage and history to inform it. there's a lot you can do with that.

don't make it glossy and clean, where everyone smells of strawberry shampoo and there is never anything out of sync. the most boring smut tends to be the kind where no one makes any mistakes and everything is super efficient. i imagine it feels like using an industrial pump to milk various farm animals.

and you know what? you can make that hot too. you CAN write a kind of robotic efficient smut and make it really interesting based on the context. let's say you're writing a 1984 AU fic where ppl are forced into intimacy only to procreate and their sex drive is diminished. you can play with that premise and lean into the dehumanizing industrialization of sex, but you have to mean it, aka your narratorial voice must be conscious of these factors.

if you're writing dubcon, make the dubious part present, make sure you draw out the ambivalence and ambiguity. if you're writing noncon, the character whose consent is being violated has to be transformed by this in some way. it can be forced pleasure, for instance, but not only. it has to be a journey for them too, some kind of spiritual pit, or a form of access to terrible knowledge. i know this is a personal thing, but noncon doesn't work for me if the character being noncon'd is just sort of *there*, suffering passively. i think that sort of dead passivity can be done very well too, but the narratorial voice has to persuade me.

that being said, don't be afraid of fear in consensual sex. terror and vulnerability are a part of consensual sex too, imo, and again, depending on the story and the characters, there's a lot you can explore there

i personally find it really hot when the narratorial voice starts discussing some of the ideas that the story wants to convey during the smut. so like, you can characterize person A and outline their worldview and their plans while they're ramming person B, and the thinking & fucking are thus entwined. idk, i dig that

speaking of which, smut can convey world-building details and social/philosophical ideas, not just emotions and character beats

not all smut has to end with mutual orgasm or even one-sided orgasm, it depends what you want to do or where you want to go. again, you don't have to follow a sequence. plus, it's fun (and hot) to write about frustration and failure too.

if you want to mix up the descriptions, resort to the story & characters. you'll find it's easier to describe someone fondling a boob in a new or at least interesting way if you're thinking about that particular character in that particular story, and not just Man X from planet porn (sorry to be snarky, but mainstream erotica is soooo guilty of this)

screaming & really intense reactions are cool but they have to match the characters and the situations

sometimes, it's hotter if an effect is mild or negated, if the usual outcome doesn't happen; mix up the order of events, toy with the usual reactions. it's not about being original, it's about finding out what works for your characters. writing about sex is, in a way, a performance of it, an attempt to go through the sexual motions, to find out what works and doesn't, to engage with the erotics of text (roland barthes entered the chat)

if you are bored by your own smut, that's a problem. i know we all talk about how hard we find writing smut, and IT IS hard, and sometimes it's not enjoyable, because writing itself is often not enjoyable, but even when it's painful and annoying, it gives you that little intellectual kick like "huh, i'm creating this and making these people do this, and ohh look, i can maybe put this unnamable thing into words". but if you become bored, that's a sign you have to look at the language & characters and figure out what's not working for you

last thing i'll underline: pay attention to your narratorial voice. in this ordeal, you are the seducer. not the characters. you have to seduce us with words and context. your voice matters the most. you can persuade us of anything. but you have to be confident in your weirdness and particularity. this is your bedroom (so to speak), so invite us in.

[cripplecharacters]

Hi! I’m working on an original character project that I want to include a lot of casual representation in (“casual” meaning that the characters don’t need a justification for being disabled/fat/POC/etc, they just are because people can and do exist that way in reality!)

I was wondering if you had any suggestions for finding resources for drawing facial differences(and maybe other visible disabilities), especially in a cartoony style. I’ve looked through the Facial Equality Week tag but would like to see more examples, and since my art is so… goofy, for lack of a better word, I would love any help I can get in integrating differences without being offensive or upsetting.

Sorry if this is a bother, and thank you for all that you do!

Hi!

I'm not aware of any guides for drawing facial differences specifically (or at least, good ones. There's 1 billion tutorials telling you that scars are just a Singular Line, always, but that's not... correct), but perhaps someone in the notes could help out?

For my own advice, you could check out this old post I made. Because you mentioned your art being cartoony, I would specifically urge you to not overexaggerate facial differences the way they often are. Prime example would be how a lot of cartoons portray strabismus;

It's just a funny gag to them rather than, IDK, how some of us look like. Not to mention that one of these is also a mockery of intellectually/developmentally disabled people with "Derp" in the name, but that's beside the point here.

It's the whole "the character is crazy/stupid/wild/whatever and that's why they have it" that's the problem with how it's often shown. You can also see it in how characters who don't even normally have it will be shown with it for a scene where they're saying something nonsensical, etc.

Another example that's nowhere near as rampant is the like... split-face thing with various facial differences being used. Mostly vitiligo but sometimes also facial palsy. I'm talking about this weirdly perfectly halved face that looks extremely different on each side, often used to signal that a character is two-faced or that the author doesn't know how vitiligo looks like.

[note: vitiligo also shows up on lighter skin. I wanted to make sure it's visible here for tutorial clarity purposes.]

This one is just weird because it straight up doesn't look like that? I have no idea where it came from, but it should go back there. Facial palsy doesn't make someone look like the antique comedy/tragedy theater mask.

Unless I'm forgetting some other annoying cartoon trope, these would be the big ones that you should stay away from.

Outside of that, it's really on a case by case basis on how a specific FD should be drawn because they're so different! A birthmark can just be a differently colored patch of skin, but a craniofacial difference would require some more changes to be included. Alopecia is well, lack of hair, and can be done very easily but ectrodactyly can be more complicated to show properly because of the limitations of a cartoony artstyle when it comes to hands. And while I do think it would be great to see more of those facial differences that tend to not be included in art at all, there's nothing wrong with deciding to go for the things you can represent more faithfully, especially if you're just starting.

I will say that if you're making an honest attempt at being respectful and trying to get it right, most of us will still be excited to see your work. Even if it's not perfect or has some inaccuracies. I will take a "'yeah more or less' correct with a happy, human character" over a "Very Technically correct but tagged as #tw burns and with blood splattered on them" any day.

Lastly, I wanted to share some art featuring characters with facial differences (and other visible disabilities) that are done in a cartoony, or at least somewhat simplistic artstyles (I'm using both terms very widely here, but like. Not Realism) - maybe it will give you some ideas!

Man with Treacher Collins syndrome (also one of the first pieces online where I saw a character with an FD portrayed in such a lovely way! A fav of mine) Girl with Pfeiffer syndrome Too many characters to count! Woman with burns Woman with a limb difference Multiple characters again Animation featuring people with Down syndrome [youtube] Multiple characters, including a girl with neurofibromatosis, a burn survivor, a girl with a cleft lip and another with TCS! [twitter]

If you have a more specific art question ("how do I draw a person with XYZ facial difference?") you can send me an ask on @saszor! I prefer to stick to the writing theme on this blog but would still like to help if you need it:-)

Hope this helps!

mod Sasza

Edit: apologies for the lack of alt text on one of the images, it has been fixed!

[miraculouslbcnreactions]

About the "kwamis as mentors" angle: Interesting to read and analyse, yet I can't help but feel they were not necessarily meant to be seen as mentors. At least to me, they seemed to be kind of whacky mascot characters who are tied to the lore, who have a personality to crack a joke or point something out or cause a little situation or be cute, but nothing more.

They are rather naive magical entities chained to jewelry (a fact they don't seem to mind that much or think about at all except for Plagg) and all that talk about "being around for 5000 years" and having seen many holders before is just there to make them seem more wise than they actually act like. From what I've seen on the show I would even assume there's a threshold to how much they can even mature emotionally and understand humans. Sometimes Tikki and Plagg even come off as indifferent and egoistical towards their holders (like an example you gave with Tikki, or Plagg's fixation on cheese over Adrien at times).

So...sorry if I missed it, but why do you view them as mentor characters? You made an interesting post about rom-com vs magical girl and the magical girl part is exactly why I always viewed them just as critters to appeal to kids, but nothing more. I can see that the show's writing is so inconsistent that sometimes they are portrayed as wise but more often then not they are just background noise to get a little interaction on screen so that the characters are not talking to themselves about miraculous stuff or to point something out for the audience.

The show's writing is pretty weird, so there are elements that are hard to get a clear read on. The Kwamis are one such element. When they're one-on-one with their chosen, they often feel like mentors to me. When they're all together, they almost always read like "critters to appeal to kids" (mostly because there are too many of them to let them have individual personalities when they're all together). So while I think that they're supposed to be mentors, it's not like that's the only canon-accurate read.

To dig into what I mean by the one-on-one writing, let's look at this exchange from Feast:

Master Fu: See, Wayzz? If Marinette had kept her Miraculous, the sentimonster would have swallowed her right up. Wayzz: Or she would have transformed into Ladybug and fought it. Master Fu: Sometimes fighting is futile, Wayzz.

And then later on we get this:

Wayzz: Master, look! Ladybug and Cat Noir, despite their ridiculous costumes, they haven't let you down! Wang Fu: That's impossible! They don't have their Miraculous! Wayzz: Master, it's obvious it's them—who else would do something so crazy? Cat Noir (Adrien): Hey, have a taste of this! Some exploding banana split from Bananoir! Ladybug (Marinette): Much tastier than any Miraculous! Wayzz: Look, Master, there's no use in running! Your disciples never give up the fight, no matter what! With or without their Miraculous, they are Ladybug and Cat Noir!

That's some pretty active mentoring right there.

Wayzz is probably the character that feels the most like a mentor to me. When he's with Fu, he feels like Fu's partner or adviser, which is why I think that the Kwami's aren't supposed to just be cute critters. They're regular ol' Jimmy Crickets meant to act as a conscience that the characters can talk to since this is visual media and you want a way for the characters to talk through their thoughts instead of having them do it all internally.

I also present this exchange from Desperada as evidence:

Adrien: Plagg, Ladybug needs me. She needs "Adrien"! Plagg: If you asked me, this whole idea is worse than cheese in a can. Adrien: She thinks I'm the perfect guy for this mission. Plagg: You can't be Cat Noir and another superhero at the same time! Which means that you're not the perfect guy for this mission. Adrien: The Lucky Charm told her I am. Plagg: That's not how it works. Why am I bothering? You're not even listening.

We then get Plagg reiterating that this is a bad idea through multiple loops, ending with this:

Plagg: Ah! At last, you've come to your senses. Adrien: I'm not sure Ladybug will have very fond memories of her experience with "Adrien Agreste". Plagg: Then make up for it as Cat Noir.

See? I told you Plagg can be a good mentor when he wants to! Tikki, take notes!

I'd even call this bit from Sapitos some quality subtle mentoring from Trixx:

Alya: Oh please, Ladybug! We'd make a great team! I could help Cat Noir and you every day! Ladybug:(her earrings ring) I'm about to transform back! Hurry! Alya: Please? Ladybug: I have to go! I'm trusting you! (opens a nearby door and goes inside, so she can detransform) Trixx: You're absolutely right, Alya. I'm sure the three of you would make quite the team! You have all the makings of a true superhero. You're strong, brave; but most of all, you're trustworthy.

Way to both build Alya up and reminder her of her duty, Trixx. Gold star. Quality mentorship!

So are the Kwamis supposed to be mentors? Who knows! I just see them fill the role often enough to feel comfortable judging them through that lens.

Miraculous also isn't the only magical girl team show to make the cute critters into mentors. That's a pretty standard path even though it's also common to see the critters used to sell merch/appeal to kids and nothing more. In terms of classic magical girl team shows, I'd say that the Kwamis are written way more like Luna and Artemis from Sailor Moon than Mini Mew from Tokyo Mew Mew.

[steddiealltheway]

For some reason, Steve and Eddie do not know how to greet each other. Maybe it's because their friendship is somewhat new, and they both don't know how to outright say, "How the hell am I supposed to say hello?"

So, it just kind of becomes a thing between the two of them to almost rapid-fire greetings until they land on a mutual one. And usually... it takes them a while.

This time is no exception.

Eddie sees Steve and lets his heart do a little flip that he knows isn't just nerves from their little greeting thing, but eventually, he'll learn how to push those feelings down. He just can't help it when Steve always looks like a- like.... okay, he's hot, and Eddie's brain goes to mush whenever he's around him.

Speaking of being around him...

"Hey!" Eddie says throwing his arms out wide for a hug while the kids walk around them.

Steve counters him by thrusting his hand forward going for a handshake while saying, "Hey, man!"

They both laugh at their awkward greeting and move on to the next one. For some reason, Eddie goes for a bow, and Steve does Eddie's signature devil horns while sticking his tongue out which really should not be so damn attractive.

Then, Eddie stands up straight and goes for a high five while Steve goes for a fist bump. "Almost had it," Steve says with a wide smile.

"We'll get it on this next one," Eddie states. Then, he moves his elbow forward as Steve does his little finger wave.

"I definitely should've seen that coming. That's on me," Steve says running a hand through his hair.

"No worries, man. But I won't lie, I'm starting to run out of greetings, and they're about to turn weird," Eddie admits, but this is usually the fun of this game. Somehow they always get to some mutually weird greeting that no human would actually ever do.

So, Eddie prepares himself when Steve gets a rare mischievous look in his eye and asks, "Ready?"

Eddie nods then jumps into the air as Steve raises his foot up, luckily not kicking him but getting fairly close.

"Were you trying to kick me?" Eddie asks with a laugh.

"Was going for a footfive," Steve replies with a smile.

That smile is going to be the death of Eddie one of these days. And for some reason, with that thought on his mind, Eddie suddenly remembers that sometimes people kiss each other on the cheeks as a greeting, and wouldn't that be funny?

"Ready?" Eddie asks, excited for his plan.

"Ready," Steve replies.

Unexpectedly, Steve steps forward as Eddie does the same. But Eddie doesn't chicken out of his plan. So, he quickly leans forward, but Steve must entirely misread him because suddenly he is kissing Eddie. Like... full-on kissing him. On the lips. With his hands gently cupping his face.

When he pulls away, Eddie is still a bit in shock, but Steve just raises his hand in a high five and excitedly yells, "We found a greeting!" Like they usually do as if he did not just kiss him.

So, Eddie does the only thing he can think of and celebrates with him as if nothing life-changing just happened.

When Steve walks away, Eddie can't help but get stuck on the fact that they're going to have to go through the same process when saying goodbye again. Is he allowed to test his luck?

He glances around and realizes that no one else witnessed their little moment, having gotten used to their antics long ago. But maybe when everyone is leaving and they're around the two, Eddie won't be so lucky. If anything, he can say he was going for a cheek kiss.

So, the night goes on, and Eddie tries as hard as he can to forget the kiss.

It does not work at all.

And before he knows it, people are starting to leave, and Steve is even looking at him expectantly. So, Eddie walks up to him and says, "Bye, man." And before he can even think of a way to say goodbye to cover how much he wants to kiss Steve again, Steve is already leaning in.

This time, Eddie easily meets him in the middle to properly kiss him which gives him butterflies in his stomach until he hears Dustin say, "What the fuck?"

Steve and Eddie jump apart breaking the kiss, but Steve quickly defends them. "We found our new greeting!"

Eddie thinks he might die on the spot. This is going to be a recurring thing? Jesus H. Christ. Steve is going to be the death of him.

"Good for you?" Max says as she walks out the door clearly weirded out but Eddie thinks she could care less.

Everyone else kind of dismisses it as well, but Dustin just stands there flabbergasted.

Steve takes a small step forward with his hands on his hips and his eyebrows raised. “You got a problem, Henderson?” Steve asks, more fearful than accusatory.

“No!” Dustin squeals then calmly continues, “No. it’s just I…” he trails off and looks between the two before shaking his head. “I don’t want to see any tongue,” he states.

“Gross, I would never in front of you kids!” Steve says shoving him out the door while ruffling his hair.

“No promises!” Eddie shouts after him, but then it hits him that Steve just said he would make out with him with the kids not around… and right now the kids are all gone.

Oh shit.

The door closes behind Dustin, and Eddie knows that he needs to leave the Harrington house. Especially because he’s the kids’ ride home.

He ducks his head, letting some strands fall in front of his face, and says, "Goodbye, Steve." He takes a few steps toward the door but is stopped by Steve's hand on his shoulder.

"Eddie?"

"Yeah?" Eddie asks, sounding a little too hopeful.

Steve just steps in front of him and cups his face. "This okay?"

Eddie melts into the touch and grabs Steve's hips. "More than okay."

He's not sure who moves first, but Steve is pinned against the door, and Eddie fulfills his secret wishes of taking Steve apart as he learns that Steve wasn't lying when he said no tongue only in front of the kids.

There's a loud knock on the door, and Dustin is suddenly yelling, "Hurry up in there! Some of us have a curfew!"

So, Steve and Eddie reluctantly pull apart, but Eddie can't help but kiss him one more time and wish him a good night.

In the car, the kids grill Eddie to answer when the hell they started dating, but Eddie assures them that they're not. Then, they all take bets on how long it will be, and Eddie chimes in that he's pretty sure he's not supposed to hear their bets.

(Secretly, he wants to make El's bet of two weeks come true.)

Eddie knows it's just a fluke though. Steve is probably just kissed starved after his series of failed dates, and Eddie is just an outlet.

It's pretty depressing when it's put like that but... Eddie is willing to take anything from Steve.

So, he can't be too upset when Steve kisses him the next time he sees him. And the time after that... And the time after that...

But, then it shifts to whenever Steve sees Eddie after he goes in another room, the bathroom, hell, sometimes Steve just says he hasn't looked in his direction in a while and misses him before he swoops in to kiss him.

It shifts even further when Steve starts purposely making excuses to get Eddie alone only to make out with him. They're not even good excuses. He once asks, "Eddie, can you come in here to observe the color of the inside of this door?"

But every time Eddie thinks maybe this is not good for my heart, Steve looks at him sweetly and says, "Hi," before leaning in to kiss him again.

And maybe it would be easier to distinguish whatever the hell this whole greeting thing is if only Steve wasn't acting all lovey-dovey outside of it. He starts insisting on sitting next to Eddie and slinging his arm around his shoulders. He even starts whispering flirty stuff in his ear that makes Eddie turn bright red - he didn't know someone could do that to him.

And the kids are getting worse in the van, insisting that they each have their bet in the bag with it being any day now.

And Eddie knows they're all wrong.

Steve has just hit a rough patch and he's content with using Eddie until the next girl comes along.

Once again… that sounds really bad. But it has to be the only way that Eddie deserves this.

But maybe he should end it before things go too far.

With that in mind, Eddie goes to Steve’s house unprompted and without anyone else for once. He needs to make it clear that a new greeting is needed.

He gets there quickly and rushes to the front door before he can change his mind. He can do this. He can set a boundary.

But then Steve opens the door and his whole face lights up when he sees Eddie. “Finally. I was wondering when it would just be you, but I didn’t want to push it.”

Instead of dodging the kiss once he’s through the doorway, Eddie completely gives in to the way Steve desperately throws himself at him practically devouring him. And Eddie is a very weak man.

Every kiss breaks his will and he begins to wonder why he should say anything and instead just accept anything he can.

Then, Steve starts kissing his jaw and down his neck and Eddie freezes up. Whatever comes next, he definitely does not want it to mean nothing.

Luckily, Steve notices and pulls back. “You okay?” He asks looking him in the eye.

Eddie shakes his head. He’s not. God, he really likes him. But he can’t go any further or this will tear him apart.

“Hey,” Steve says gently. “Talk to me. What’s wrong?”

Eddie thuds his head against the door and feels so dumb when his eyes start to burn and his bottom lip starts to tremble. “Please don’t hate me when I tell you this.”

“I could never hate you, Eddie.”

Eddie laughs humorlessly. He’s going to flip out when he finds out. “I like you, Steve. As in, I have feelings for you.”

Steve waits a moment, brows furrowed, and Eddie is sure he’s going to kick him out. Instead, he asks, “But…?”

Why is he prompting him? “No but. That’s it,” Eddie states. Maybe Steve just heard him wrong?

“Okay?” Steve says as if it was the most obvious confession in the world. “And why would I hate you when you told me that?”

Eddie’s eyes widen. Does he not get it? “Because I like you! Like… romantically! And I can’t have you kissing me since it means nothing to you and everything to me!” His heart pounds in his chest as Steve takes in what he’s saying.

“Holy shit,” Steve says having the realization.

“Yeah, holy shit.” Eddie thuds his head back against the door again. Hopefully he’ll let him down easy.

“No, I mean holy shit holy shit,” Steve crowds into his space and cups Eddie’s face. “Did you not think I had feelings for you too? Hell, I thought we were like… dating by now.” Steve pulls away and runs a hand through his hair anxiously. “Holy shit,” he mutters in disbelief.

Eddie just stares. “You thought we were dating? Like… you have feelings for me?”

“I thought I made them clear after the second time I kissed you! Why would I make out with you if we were just friends?”

“I don’t know!” Eddie yells back and runs his hands over his face. He laughs. “Oh god, none of the kids will win the bet because we have no idea when we started dating.”

“There’s a bet going on?” Steve asks with a small smile. “What did El say?”

“That’s who I was hoping for! She said we would be dating two weeks from… Oh, that was two weeks ago exactly,” Eddie realizes with a big smile. Maybe she won fair and square after all.

“Want to make it official then since I somehow forgot to?” Steve asks with a big smile.

Eddie pretends to actually think about his answer before considering, “Maybe I should review all the bets first.”

“Eddie,” Steve says exasperated.

“I’m joking. I will be glad to be your boyfriend… if it means El wins the bet.”

“Eddie.”

Eddie can’t help but laugh at Steve’s irritation. He leans forward and easily kisses him. “You’re going to get tired of me so fast, boyfriend,” Eddie can’t help but tack on at the end.

“I’d like to see you try, boyfriend,” Steve replies before kissing him again.

From then on, their greetings only slightly change. In addition to the kiss, they always say some form of, “Hi, boyfriend.” The kids quickly get tired of it, but Steve and Eddie never do.

[harmoonix]

🍂𝓝𝓸𝓻𝓽𝓱 𝓦𝓲𝓷𝓭🍂

🍁 (Astrology Observations) ❄️

𝐖𝐡𝐞𝐫𝐞 𝐭𝐡𝐞 𝐍𝐨𝐫𝐭𝐡 𝐰𝐢𝐧𝐝 𝐦𝐞𝐞𝐭𝐬 𝐭𝐡𝐞 𝐬𝐞𝐚

𝐓𝐡𝐞𝐫𝐞'𝐬 𝐚 𝐫𝐢𝐯𝐞𝐫 𝐟𝐮𝐥𝐥 𝐨𝐟 𝐦𝐞𝐦𝐨𝐫𝐲

°•°❄️°•°❄️°•°❄️°🍁°❄️°•°❄️°•°❄️°•°

🍂 Capricorn Placements (Sun/Moon/Rising/Venus/Mercury) can indicate ageless beauty, your beauty comes with the time and patience

🍂 Sun in the 10th house natives can put their main focus in careers/job/future and sometimes they can forget about their family/friends/relatives, need a balance here

🍂 Scorpio Women are very different from Scorpio Men, like people tend to put them in the same box thinking they're both the same because they share the same sun sign

🍂 I don't know why some astrologers don't like cusps (they have beef with the birth chart I guess) if you have a Placidus chart rather a whole sign chart, cusps are important for Placidus

🍂 Moon in the 1st house/Moon aspecting the ascendant makes the native very soft/kind and generous, they have gorgeous eyes too

°•°❄️°•°❄️°•°❄️°🍁°❄️°•°❄️°•°❄️°•°

°•°❄️°•°❄️°•°❄️°🍁°❄️°•°❄️°•°❄️°•°

🍂 Mercury in Fire/Air Signs may like loud music, something like R&B or Rap/Trap, club music

🍂 On the other side Mercury in Earth/Water may like soft music especially if there are romantic songs, for example Love you like a love song is such a Pisces Mercury song

────────────────────────────────

🍁In her waters, deep and true

Lie the answers and a path for you❄️

────────────────────────────────

🍂 Sagittarius Mercury or Mercury in the 9th house may like to listen to songs in other/foreign languages from other cultures/ethnicities. They may like traditional songs aswell

🍂 Mercury aspecting Venus/Moon can have a very comforting voice, very soft and sometimes they can be shy in their voice

🍂 Mercury in Scorpio/Scorpio in the 3rd house/Mercury aspecting Pluto > You can feel free to talk everything with them, literally they will jump from every topic to another topic

°•°❄️°•°❄️°•°❄️°🍁°❄️°•°❄️°•°❄️°•°

°•°❄️°•°❄️°•°❄️°🍁°❄️°•°❄️°•°❄️°•°

🍂 Pluto in the 9th house can make the native to have a philosophical opinion about their own religion/belief system

🍂 Jupiter Retrogade can indicate not acknowledging your own luck/benefits/opportunities, is like you are blinded from them

🍂 Sun aspecting Juno [3] they will shine in every relationship they are in. They may also show a big support in their partners

🍂 Groom(5129) /Briede(10929) in the 4th house can sometimes indicate marrying someone from your childhood (maybe a friend/maybe someone you didn't expect to marry from your Childhood)

🍂 Pluto or Saturn in the 4th house can indicate an continuously changing home mood/behavior, and sometimes tensionate moments too

°•°❄️°•°❄️°•°❄️°🍁°❄️°•°❄️°•°❄️°•°

°•°❄️°•°❄️°•°❄️°🍁°❄️°•°❄️°•°❄️°•°

🍂 11th house ruler in the 5th house can indicate romance between friends, and is not always you who is in romance but you can have friends who can get in a relationship after some time

🍂 4th house ruler in the 8th house can have ancestors who may practiced occult/magic/tarot maybe? there is a big interest for the taboo things here from your family

────────────────────────────────

Every inch of me is trembling🍁

🍁But not from the cold

Something is familiar❄️

❄️Like a dream I can reach but not quite hold

────────────────────────────────

🍂 6th house ruler in the 12th house can have a pretty chaotic sleep schedule/may sleep a lot or may sleep less at points, they're with one eye in the spirit realm and with one eye in the human world

🍂 I cannot imagine Libra/Taurus/Pisces and Leo Moons getting in relationships with non romantic people, babes please...romance is everything for you...don't settle for less

🍂 Mars in Pisces/Mars in the 12th house can experience weird dreams or nightmares, sometimes they can have vivid dreams

°•°❄️°•°❄️°•°❄️°🍁°❄️°•°❄️°•°❄️°•°

°•°❄️°•°❄️°•°❄️°🍁°❄️°•°❄️°•°❄️°•°

🍂 Neptune in the 3rd house natives are very intelligent/spiritual/clever, they're very kind at first glance and always ready to discover new things

🍂 Uranus chart ruler can bring you unexpected desires in life, like you never know what's coming next with Uranus, a desire or a wish

────────────────────────────────

I have always been a fortress🍁

🍁Cold secrets deep inside

You have❄️ secrets, too

But you don't have❄️to hide

────────────────────────────────

🍂 Aries/Aquarius/Scorpio Risings can really show on their faces when they don't like someone, and is not about being rude is that they have a prominent facial figure to express that

🍂 Moon in the 11th house/Moon in Aquarius "Friends stick together" the are this vibe 100%, I love how friendly they are and their attachment to their friends

🍂 Having a Virgo Moon/Moon in the 6th house is also an indicator having a very nurturing/healing/purifying energy around you like a shield

°•°❄️°•°❄️°•°❄️°🍁°❄️°•°❄️°•°❄️°•°

°•°❄️°•°❄️°•°❄️°🍁°❄️°•°❄️°•°❄️°•°

🍂 Girls if you wanna do synastry chart with your crushes and you don't know their birth time, is enough to know their birth date because it shows the placements of the planets at least, so if you have Virgo in the 8th house and your crush is a Virgo Sun/Moon... love - hate war

🍂 Moon - Sun aspects have a great analytical mind, maybe it is from their ambient style of analyzing and feeling the same things at once

°•°❄️°•°❄️°•°❄️°🍁°❄️°•°❄️°•°❄️°•°

°•°❄️°•°❄️°•°❄️°🍁°❄️°•°❄️°•°❄️°•°

🍂 North Node opposite the Moon, it indicates that you have emotional patterns from a past life that don't serve you. And that you can fall into moods/moments that are difficult to get out from

🍂 Also if you have North Node opposite the Moon your mother in this life was also a mother figure in your past life (shock 😲). It says that it can be damaging in one or both lifetimes (idk if I should cry or not)

🍂 If you have Saturn square north node in your chart you can often have the feeling of taking the responsibility/accountability for other people, in a way you live for others but not for yourself

°•°❄️°•°❄️°•°❄️°🍁°❄️°•°❄️°•°❄️°•°

°•°❄️°•°❄️°•°❄️°🍁°❄️°•°❄️°•°❄️°•°

🍁🍂❄️ I hope you all have a great great greattttt day full of blessings !!❄️🍁🍂

Have a blessed day to all of you who read my notes, Harmmonix ♥️🍁

Off topic but I have to admit Frozen 2 was one of Disney's biggest masterpiece, the native language, the songs, the storyline, the goosebumps everything is on point. There are rumors of Frozen 3 coming in 2025 and so my eyes are ready to cry again at this masterpiece (The Nordic culture 😍)

°•°❄️°•°❄️°•°❄️°🍁°❄️°•°❄️°•°❄️°•°

[unluckilyimnot]

hihi! I was wondering if you could one with an s/o a bit more colder but softer with them specifically. Maybe sae, yoichi, rin, and hiori. Thanks!!!1 :33

(pls take your time with this)

cold to other but softer with them s/o - sae, yoichi, rin, hiori

m.list | rules | requests open

Note: hiiii thank you for your request! It's so cute I love this vibe and honestly same I'm only nice to me gf 🧍‍♀️ I hope it's fine !

Sae

You're a killer duo honestly

You're impossible to approach when it's the two of you, your expression is closed

it doesn't even seems like you're together or close

You keep your relationship private mostly in the beginning but it's a little too much sometimes

People noticed that you two are together based on the small gesture : him taking your hand when it's crowded, you pulling him closer when he doesn't look where he walks

But people are choked when they pass from seeing without and with sae around

The way your face light up when you see him around is something, you go from a darker look to sparkling eyes in a second

You ask about his day, maybe lay a little on him if he's sitting next to you

Then go back to your usual neutral/cold face

Those who don't really know are shocked at first

Yoichi

People don't imagined his s/o to he like that AT ALL

Isagi is really sweet and caring yet the first time they meet you you were frowning at them

They soon realized you're just like this, neutral expression that makes you look rude, and you're not the most gentle with his friends either

But you don't feel like you need to? You don't own them a thing

Isagi is always a bit sorry when you ignore people but always answer to him with a sweet voice

You lay your head on his shoulder, only paying attention for real when he's talking

He feels loves for sure but he tries to ease this side of you around people he really appreciate

Rin

He kinda likes it

He feels seen and really appreciate for some reasons

There's a small grin or blush on his face when he realized that your tone soften for him during a conversation

He does it for you as well, it's an habits for you two

It's your world and people live in it kind of vibe

There's nothing weird with you two being together, it's like heaven send you to him and vice versa

You two are : unapproachable

Hiori

Once again, a little surprising but not as shocking as yoichi when you know him a little

Hiori is harsher than people think but he also need someone prioritizing him because of his relationship with his parents

No need to say that he feels like he's the most precious human in the world with you

He can't help but giggle when he sens your tone changed when you talk to people interrupting you

You're not a smiley person yet he always get to see your face lighting up when you catch his sight

The way you lay on against his chest in the street when you have to wait or even hold his fingers when you're looking at your phone instead of the road

He loves every little things that you do and when there's somebody with you, they're always surprised to see you this comfortable around someone

I hope you liked it !

Reblog are appreciated ♡

[undreaming-fanfiction]

Imagine pretty boy Steve trapped in a mirror for his vanity.

Except he grows as a person so much that his sole purpose becomes boosting self-esteem of everyone looking into the mirror (unless they're being an asshole in which case, bye any semblance of personal worth).

"Looking great, Dustin, go and get them! Oh wait, move your tie slightly to the left, that's it, good job buddy, go go go!"

"Seriously Robin, there's no way your lady isn't all over you the moment you step in that restaurant. Did you wear smudge-proof lipstick? Time to test it."

"No, Nance, it's not weird to ask your ex-boyfriend if you look presentable, I mean, who else is better qualified? Good choice of dress for the interview, you're going to ace it."

"El, it doesn't matter how long your hair is. Yeah, it was so pretty, but it will grow back. But you know what else? You have gorgeous eyes, a wonderful smile and the way you say "mouth-breather" is everything. As long as you have that smile you'll be the prettiest girl around, so don't you dare worry about it."

"Mike, stop looking like someone stepped in your birthday cake, you're a handsome young man and Will is going to love the new haircut. If I'm wrong, feel free to come back and spread mustard all over my frame, but I've yet to be wrong. Yeah, you're a bit of an asshole too, now go and get your boy!"

"Joyce, you're as beautiful as always, but from what I know about Hopper, he'd think you're the most beautiful person alive if you were wearing a potato sack. But this dress is perfect and you look so happy. I wish you all the best on your date!"

"Yeah Jason, looks aren't the issue here...nothing I can do to help you all the ugly stuff on the inside buddy. Sure, smash the mirror if you want - good luck by the way, it's fucking cursed for a reason - but that won't make the truth hurt less, huh?"

And then Eddie accidentally steps in front of him and Steve has never seen anyone so unaware of his own beauty. And Eddie seems to be the only one apart from Robin who realizes how lonely he sometimes gets so he often takes Steve with him no matter where he goes (the big van is handy) and Steve makes sure to shower him with compliments, gradually finding exactly the right doses and right words to make Eddie understand how special he is, how radiant his smile looks, how he's so animated when he talks about things he loves-

And on the day when Eddie looks into the mirror and finally sees himself just as Steve sees him, the mirror cracks and Steve falls out, disoriented and kind of terrified, what the fuck what the fuck what the fuck-?!

But Eddie just smiles at him and hugs him, the first human touch in such a long time it makes Steve tear up. "Finally!" exclaims Eddie and pulls him even closer. "No shame at all Stevie, but that frame was fucking heavy!"

[shalotttower]

A Natural Benefit

Title: A Natural Benefit

Fandom: Death Note

Characters: L Lawliet x Reader (female)

Summary: L wants to try something new, you want to be left alone. So an offer is on the table, it's a mutually beneficial arrangement after all.

Word count: 2100+

Notes: yandere!L, kidnapped Reader, dub-con kissing, manipulation, captivity, L and Reader were together at Wammy's House

"Would you indulge me?"

Your eyes dart up from the page to his face. L looks at you like he always does ─ an intent yet oddly distant stare that used to make goosebumps appear on your arms. Nowadays you're somewhat re-accustomed to his mannerisms. He doesn't blink much, tends to stand behind your back whenever possible, likes to play with his food and enjoys invading your personal space far too much to be deemed socially acceptable.

His habits are strange but harmless.

"No," you say, just to be contrary.

L is fond of making things sound simple, and then — snap! — the trap is shut, and you find yourself doing a completely different activity than initially expected.

"I want to kiss you."

"N-" You blink and lower your book down, not bothering to mark it. "What?"

"Kissing is an act of physical intimacy between individuals," he says like it's an obvious fact and you're merely slow on the uptake. L's expression doesn't change, neutral despite this being anything but a normal conversation starter even by your standards ─ admittedly low.

"Thank you for enlightening me about the definition," you lean back against the cushions, "still no."

"Why not?" He asks after a momentary pause.

"Because I don't want to."

A simple answer to a weird request. You try to resume reading, but there're other things currently occupying your brain ─ namely the attempts to understand what prompted such inquiry.

L never asked for physical contact before; platonic or otherwise. Sure he tried to entice you into spending time with him through bargain and manipulation, and you pretended to be oblivious enough to earn an Oscar for your acting skills. However, there never was any talk of kissing involved. Any kind of touching, actually.

He hums. "Would you like me to explain my reasons?"

Sometimes you think that the sole cause of L's existence is just so he could annoy people for kicks. His questions are always peculiar, and you've learned that every single one of them is designed to lead towards some specific conclusion, preferably the one he wants. You have a feeling that if you say 'yes', L will proceed to list a hundred points about why kissing is good. And then another hundred why kissing him specifically is beneficial.

"No."

He looks at you. You look at him and raise the book higher.

"Indulging me would benefit both of us," L says, undeterred. "You're very curious by nature and I find it quite fascinating that you're able to deny your curiosity in this particular case."

Has a more obvious bait ever existed anywhere in human history? Probably not, and you'll bet your entire life savings on it too.

"I'm not curious," you lie, "now leave me alone. I want to read."

He leans forward. "You haven't focused on the book since I asked my question."

Smartass. You purse your lips and pretend that the characters are suddenly so interesting, that it's hard to look away from the intricacies of the plot unfolding inside this fictional world. At least things there make sense; no need to figure out the hidden meanings behind other people's words, because they are mostly transparent when there's a whole paragraph dedicated to the protagonist's feelings.

He reminds you of those spider-like creatures from documentaries ─ their actions seem random at first glance, yet upon further scrutiny prove to be anything but. Instead, they're meticulously crafted and executed to obtain maximum results.

L studies you for a little while longer, and eventually pads towards the kitchenette. The kettle whistles soon after as he makes himself tea; mint flavored, judging by the aroma wafting through the air.

______________________________________________________

You should have known that he won't give up ─ L is just as persistent as you are stubborn. If anything, you've set a challenge before him, and he tends to fixate on those until they are solved: a fact well-known and accepted among those who ever had a (dis)pleasure of interacting with him.

He doesn't outright ask you again, not the next day or the one after that. No. Accidentally, the only type of movies you're able to watch now are rom-coms or dramas with lots of kissing scenes sprinkled here and there between the banter bordering on cringe; sweet confessions spoken over candlelit dinners; passionate declarations whispered during sunsets... Clichés, amore, and kisses galore.

"I'm not sure this is the best movie for the evening," you say, as the screen flickers with images of two leads gazing into each other's eyes like they found the answers to every single question asked.

"The reviews are quite positive," L replies, munching on caramel popcorn.

"Reviews can be faked. And the trailer was misleading. I thought it was going to be an action movie."

"It is an action movie. The genres are listed right there," he points at the screen, and the words 'romance and action' stare back at you.

You frown and settle deeper into the couch cushions. It's uncomfortable ─ watching romantic scenes with L in the same room. His presence doesn't feel oppressive or demanding, yet you can't shake off the squirmy, twisty feeling. The kind when you enter an elevator with someone else and get slightly agitated for no reason. And so you try to slow down your breathing, but it only makes things worse. Your heart beats faster, palms start sweating and the hypothetical elevator stranger inevitably thinks that you're weird.

L isn't an elevator stranger. He's the owner of the elevator, and the entire building, and the city.

"He's going to die in the next ten minutes," you mutter.

"No, he won't."

"Yes, he will."

L hums. "Want a bet?"

Your eyes narrow.

"If he survives past the fifteen minute mark," L says slowly, "you indulge me."

"And if he doesn't?"

"I leave you alone for two days."

There's no hesitation on his side. None whatsoever, which proves suspicious immediately ─ L never offers something unless certain about the outcome beforehand, whether by logical deduction or calculated gamble. Probability factors run inside his brain instead of blood cells and grey matter, calculating risk vs return ratio quicker than any computer ever could.

You glance at the screen. It's a simple plot. There were a twist or two earlier, sure, but overall nothing extraordinary that would require hours upon hours of critical thinking to unravel.

A man, a woman. A handsome villain who wants them dead, for various reasons. They run and fight, shoot guns, dodge punches, and kiss between those because apparently there's time for romance even when a life is on the line.

It's a very simple plot; and two days are a lot to pretend that L doesn't exist. That you got rich enough to buy this kind of apartment.

"The speakers?"

"Switched off."

"The cameras?"

"Those will stay."

Of course, they will. You wouldn't expect anything less ─ privacy issues are non-existent here in more ways than one.

L isn't always a presence. Sometimes he leaves and you're alone with nothing but books and TV to pass time, but two days sound wonderful regardless. There's something in empty spaces that's enticing, even if they're temporary. L, for all his peculiarities, isn't too bad of a company. He's quiet, and often busy with his own matters. But he also has this way of looking at you that is unnerving. Like you're interesting. Or important. Or simply fascinating.

Sometimes he wants to talk, he wants to listen, he wants to ask questions and give answers until everything blurs into an amalgamation of words. It's exhausting.

Two days sound good. His hand is dry and slender. You grasp it and shake it once.

"I'll start the timer now," L says after your hands separate.

______________________________________________________

Twelve minutes.

Three more and he's dead.

You wish that he'd just kick the bucket already, so you could spend the next forty eight hours in pure, undiluted bliss.

_______________________________________________________

The male lead dies after seventeen minutes.

When the credits roll over, the apartment is silent except for the soft buzzing of electronics. You look at the screen, stubbornly, because you don't want to look at him, the owner of the elevator, and the building, and the city.

"It was close," he comments, as if trying to comfort you, which makes it even more of a sore spot.

That’s what L thrives on ─ technicalities, loopholes, small and seemingly insignificant details which are easily overlooked, yet make a great difference. You're not sure if you're annoyed, or disappointed. And what’s more important ─ at whom.

You have known for years that L tends to get his way eventually whenever there's something specific caught up in that head of his; a fixation which refuses to leave until satisfied, and sometimes even after. Snap. You can get up and head out of the living room, you know you can. Will you though is another question entirely.

L isn't a typical captor ─ he doesn't demand or force you into things. He simply presents a possibility and waits. Not aggressive or domineering, not sadistic. But oh he is a PhD of holding a grudge. Leaving now probably means waking up tomorrow and finding that every single disk has vanished without a trace, along with the bookshelves being switched for some obscure scientific texts on chemistry, physics and other things that require an advanced degree to fully understand.

Because someone decided that you don’t deserve entertainment anymore. Because someone is petty enough to deprive you of basic mental stimuli, and is stubborn enough to hold onto that decision even when reasoned with. Unsuccessfully.

It's a talent really, this particular brand of making your life miserable in many small ways, so they accumulate into something greater over time until you feel like the walls are closing in slowly but surely.

You can't back out, even though no one openly stops you from doing so. And L knows that. And he knows that you know. His lips twitch and curl upward before flattening again into neutral territory.

There's a theory that if you pull a band-aid fast enough, it won't hurt as much. The credibility behind it is questionable.

You exhale and meet L's gaze ─ his posture hasn't changed from the beginning to the end of the film, knees tucked to his chest, eyes two dark pools that stare without blinking. His fingers drum a steady rhythm, and that's probably the only sign that gives it away.

Anticipation.

"Fine," you say finally.

His mouth opens before closing back again. L doesn't move a bit.

He wants you to do it, you realize. Wants you to initiate instead of just allowing it. What an ass.

You squish his cheeks between your palms until his lips pucker outwards. L makes a soft noise of surprise but doesn't try to fight back.

Black lashes cast a shadow across his skin. There's no perfume or cologne, no distinct smell ─ he uses plain soap and shampoo which don't have a discernible aroma.

"I believe I was promised an indulgence," L says, voice muffled a bit by your hands on his face.

He looks like a fish this way. A silly, ridiculous image that would make you snort if not for the situation at hand.

Band-aids and ripping them off.

You sigh, lean forward, and press your mouth to his.

He tastes like caramel popcorn.

Mint tea.

Indulgence.

The angle is awkward, and L doesn't move an inch to accommodate the position. He stays still like a block of solid rock, not a single muscle twitches, and doesn't even attempt to reciprocate. You have half a mind to think that maybe he's mocking you, but then his fingers lightly curl on the fabric of his jeans. L's eyelids flutter half-closed when your noses bump, then open again right after. Another oddity added to the pile.

It lasts no longer than ten seconds before you pull away. L blinks. Touches his lower lip with the tip of a finger and rubs it like searching for traces left by the contact.

"You were promised an indulgence," you remind him, trying to sound calm, collected, but your ears and neck feel hot, "not a make-out session."

Technicalities and loopholes.

L has that look you can't quite pinpoint yet know far too well. You've seen it many times before. When he thinks about something but keeps it to himself for now.

"You look more lively," he remarks eventually. "Healthy complexion suits you."

You don't need to hear what he says next, because the words already ring through your head.

"I told you it would benefit us both."

[am-i-the-asshole-official]

this one is kinda nsfw/tmi, apologies in advance u_u gonna try and keep it as short and detail-less as possible

i live at college and i have a roommate. sometimes, as many humans do, i want to masturbate. i do so in bed, either at night or (sometimes) really early in the morning if i wake up early. my roommate is usually also in the room, in their bed, hopefully but not definitely asleep. im super quiet and i dont think you can like, Hear anything weird, but its a small room and i worry sometimes my roommate knows what's going on. i saw a post on my college's gossip account the other day about (hopefully) someone else's roommate "touching herself" while she thought the poster was asleep and it made me concerned that maybe part of roommate etiquette is never doing that at all?? if my roommate is uncomfortable i doubt they'd say anything-- all my love to them but they are Not very communicative especially about anything they find embarrassing. it took me Forever to convince them to Actually Talk To Me when they were going to have their girlfriend over instead of just scuttling out of the room like a frightened beetle when i accidentally walked in on them (they were always way more embarrassed than me).

reasons i think i might be the asshole: like i said my roommate gets embarrassed easily so if they do know what's going on they're probably uncomfortable. it is a small room and they're probably awake usually. post on college gossip account.

reasons i think i might not be the asshole: i talked to my mom about this concern before leaving for college (we're a very sex positive family lol) and she said as long as you're quiet it shouldn't bother anyone. like i said i'm very quiet and it doesn't happen all that often. there is no other time i could do it that would be less awkward and i'm not a puritan so i don't think Complete Abstinence is the answer either.

school is over in a couple weeks and fingers crossed i'll have a single next year so i won't have to worry about this again. still bc of that gossip post im worried that i may have violated some unspoken social rule (wouldnt be the first time) so: AITA?

[thebestsetter]

Thinking about Bachira Meguru assuming he's unlovable.

Being called a monster for their whole childhood really makes a mark on a person's life and self-esteem. But for Bachira, they were unavoidable.

At first, he tried to ignore the mean comments and pretend he didn't hear them. Maybe that would make the loneliness go away. Maybe it would make the problems disappear.

"He's a freak!"

"Eww, don't get too close to Bachira! You'll get lice!!"

"He's stinky"

He heard the whispers. He just used to pretend he didn't. For both his and the children's sake. So he could pretend he was normal. At least for a while.

And, sometimes, even parents, grown-ass adults, called him weird. Shouldn't they set an example for their kids? They tell them: "Don't judge other people! You never know what they're going through!", but are always the first to talk shit about someone, even if said someone is a little kid.

"Poor kid. It's probably the parents fault."

"He says sees a 'monster'! He's probably schizophrenic."

"My son is afraid of him. Specially when he's playing soccer. He said he's very scary"

He tried to ignore them. He really did. He tried to smile through it all and treat people the same way he always had nevertheless: with respect. Because crying would make his problems real. He didn't want them to be real. And he was doing a good job at it! But one faithful day, he snapped. The final nail in the coffin.

"When I grow up, I want to be a football player, just like Zico!" 11 year old Bachira said, showing the whole class a drawing of him, Zico and his monster playing soccer together. His smile was as bright and blinding as ever, specially because he was talking about his passion: soccer. He loved it so much. It helped him escape the harsh reality for a while.

The class went silent. They used to think Bachira was weird, to put it slightly, but this? It just made him even more weird! They all knew that he could never be a football player. He was an outcast. A freak. He was a monster. And monsters couldn't live with humans. Nobody wanted a monster on their team.

And so, instead of clapping like they did with the other kids' drawings, the class started to laugh. It started out quiet, but later it turned into a full, loud laugh. All of them. And Bachira always dreamed of making everyone there laugh, but not like this. They weren't laughing with him or because of him, they were laughing at him.

"Uh? What's happening, miss?" He asked the teacher, confused and on the verge of crying. He couldn't cry here. Not in front of them, please. That would be another thing for them to laugh at.

He swears on his life that he heard the teacher laugh a little, before the adult crouched down to match his size, grabbed his drawing and put it on his desk, while the other kids' drawings were being stuck to the board with tape. And then, he heard one of the worst sentences he ever heard in his life. One that he knew would definitely keep him awake at night:

"Meguru, being a football player is too hard for you. Why don't you settle for something more real and reachable? Like a doctor or a lawyer?"

He didn't understand. Some kids here wanted to be astronauts, others wanted to be models. Hell, one wanted to be a dinosaur babysitter. And their drawings were hanging on the wall, like they were going to be achieved. Bachira felt like no one believed in him. Like he was being put aside.

He then realized the problem wasn't what he wanted to do. It was him. Anyone could be a football player, but he couldn't. Because he was a monster. He was different from others.

And so, the tears began to fall. One by one, first from his left away and then from his right eye. His vision began to blurry. Left eye, right eye. Left, right, left right. Kids laughing, teacher laughing. His drawing on the desk. Left, right. Left right. He couldn't even see his own hands anymore from how blurred his vision was. He looked to his side. Left, right. The door. His escape. He needed to leave.

So, without second thought, Bachira ran towards the door. He couldn't care less for the teacher calling his name. He wouldn't come looking for him anyway. Nobody would. Nobody cared enough to do it.

He sat behind a tree, protected by it's shadow. He continued to cry. Hard. He put his hands in his eyes to try and stop the tears from falling, but he couldn't. He needed to let it all out. He just wished he had someone by his side during his breakdown. He really wanted a shoulder to rely on.

"Hey"

Maybe he was, indeed, schizophrenic. Because, the moment he looked up, he saw a girl he swore was too pretty to be real. The sunset made her have an angelic glow, and the wind made her hair flow just the right way. Her face was like a greek statuate, and he swore he could hear a soothing symphony playing in the background when he met her eyes: they were the most beautiful color he had ever seen, and he could imagine himself being lost and found in them. She was just too pretty. Too pretty to be here for him. And so, he managed to stop crying for a while and said, between sniffs:

"Did you lose a bet?"

The way your face contorted was almost comic.

"What?"

"Did someone pay you to come here? Where are the cameras? And how much was it?"

"I didn't lose any bet" you said, frowning. "I came here to check on you because I wanted to. I don't get why everyone laughed at you. Your dream is not stupid. Nobody's dream is."

"Even Richard's? He said he wants to be a dinossaur nanny" he said before he even thought about it. He then widened his eyes, because what if you were Richard's friend? What if you hated him now because he said something bad about your friend? What if he already screwed everything up? What if...

"Okay, you win. That one's actually stupid." You laughed. He made you laugh. This time, someone was laughing because of him. He felt like he was capable of everything at that moment. Your laugh was a sweet, infecting, honey-like melody. It made him wanna laugh too. He didn't realize it, but he had already stopped crying, and was now just staring at you with big, blown and unwavering eyes. His mouth slightly parted, like he was studying you and comitting everything about you to memory. Almost as if you were indeed an ilusion, and would disappear the second he blinked. He couldn't believe you were real. You were real, and you were talking to him.

After a while, you stopped laughing and finally noticed his intense staring. Suddenly bashful, your cheeks turned a bright red.

"I-I just want you to know that you shouldn't be ashamed of your dream. I think- no, I'm sure you can achieve it. You just have to work hard for it. I-I've seen you playing sometimes, and it's honestly amazing how focused you are. Bachira, I want to be your friend. That's it, if you'll let me-"

He hugged you. Hard. If it was any other time, he would have been afraid of scaring you off with the sudden hug, but he couldn't care less right now. He needed this. He needed a friend. You were just what he needed. You were perfect.

He started to cry again. This time, the first tear came out of his right eye. Right, left. His vision was getting blurred from how hard he was smiling. Right, left. Right, left. Your arms hugging him back. Right, left. The sound of the school bell, signalizing the end of the school day. People would see you and him hugging and you would probably be called weird by them for being next to him, but you still didn't break the hug. Right, left.

He didn't want to escape like he did during the class incident. No. He wanted this moment to last forever. He wanted time to stop, to be in your arms for eternity. He didn't want to pull away. He finally made a friend. You were his first friend.

Bachira Meguru used to think he was unlovable, but you proved him wrong. You proved he could, in fact, be loved. He wasn't a monster. He wasn't a freak. He was Bachira Meguru. Your best friend. And he wore that title with pride. Later on, he had the honour to be called your boyfriend, and he was even prouder of that one.

He used to think he would never find happiness. That's why, the moment the ref blew the whistle signalizing the end of Japan U-20 against Blue Lock eleven match and securing Blue Lock's victory, he couldn't think of anything else besides his girl. He ran across the field to you. Because you were like a magnet. He couldn't be apart from you, or else it felt like the whole earth would explode. He was yours and you were his. You both were meant to be.

"You did it! I love you, Meguru!"

He laughed. A pretty, genuine laugh followed by a couple of tears, beginning from his right eye, of course. His mother was recording behind you both, the blue lock team was smirking and whistling at the sight of you two and the television was streaming the moment for the whole world to see. But neither of you cared about the extra eyes. You were the only ones on the world. You always made him feel like that, and he hopes he makes you feel that way, too.

"I love you so much. Thank you."

Thank you for being with me. Thank you for being there. Thank you for not leaving me. Thank you for accepting the title of being my girlfriend proudly. Thank you for being you. Thank you for everything. Thank you.

He then lifted you and spun you in the air, smiling hard. He brought your lips closer and then kissed you. A kiss full of emotion and love. So much love: raw and pure.

You proved he wasn't just lovable. He was also capable of loving. And there's nothing prettier than loving someone.

Bachira Meguru was lovable, and you made sure to show him that. You loved him, and he would do everything to keep it that way forever.

~A/N: there's a "saying" that says that if you're crying and the first tear is from the left eye, you're crying from sadness. If the first tear comes out of the right eye, they're happy tears!!

Masterlist

[uss-genderprise]

okay the new episode has people poking my sleeping special interest like a bear and it was about time to wake it from hibernation anyway so here are some fun facts about welsh fairies

it's spelled fairy. it's always spelled fairy. not faerie, faery, fae, or fey. fairy. please. or tylwyth teg if you want to be proper about it

fairies are not inherently malevolent. they work by their own rules that sometimes don't make sense to humans but there are rules, if you pay attention.

yes fairies will punish you for doing something they don't want you to do

they will also reward you for doing things they do want you to do

fairy rings are circles of green grass. they sometimes how up as a different shade of green than the grass around it and are generally markers of where fairies dance, as well as portals to the fairy realm. mushrooms aren't really a thing for that in welsh folklore.

string and bones and flowers are man-made and possibly supposed to bind or protect against fairies (though i haven't seen anything quite like what we see in the episode described in any of my sources) but generally breaking one of those doesn't immediately anger fairies, just lets them in to affect whoever put the ward up in the first place. that's not called a fairy circle.

changelings exist in welsh folklore. have fun with your theories.

fairies will generally let you leave the fairy world if you ask nicely. yes even if you've eaten the food and drank the drinks

however time moves differently so when you come back you might be super old and/or turn to dust the moment someone touches you

dancing is a different thing tho. they don't exactly want you to stay dancing with them until you die of exhaustion but like that's on you my dude get your friends to help you

if you broke fairy rules like kicking them out of their meadow to build a castle they will count eight* generations** and come back to turn that castle into a lake and drown everyone inside. you have been warned (repeatedly. usually by old ladies and/or bards and/or birds or sometimes just. A Voice™)

* the number of generations can and does vary but in welsh folklore it's generally 8 that's an important number, not 3 or 7.

** also the way generations are counted is. weird. idk if it's that i'm bad at math or bad at welsh or that the book i read explaining this is over 100 years old but i don't think i fully got how many generations this actually is.

oh and they only wait if you beg enough otherwise they kill you now

so basically. no getting trapped in the fairy world as punishment. they just kill you

personally i think the closest thing in welsh folklore to that old woman is a weird lady but even that isn't a great fit

yeah fairies bend time and space to always be far away from you if they want to but that's generally because they're trying to avoid you not following you at a distance

i am fully aware rtd probably couldn't care less about any of this. he definitely didn't do the work that i did to learn all this and incorporating this into your theories is probably shooting yourself in the foot as far as actually being correct goes. HOWEVER i do think it's more interesting and fun this way :) theories are gonna be wrong anyway might as well respect the culture that's inspiring them while we're at it yeah?

i will cite my sources if anyone asks but i doubt many people care to read hundreds of pages of edwardian non fiction novels just to fact check me. trust me on this guys

[theminecraftbee]

fae zedaph, avian tango, and/or butterfly impulse?

Tango pinches the bridge of his nose. He breathes in. He breathes out. He looks at Zedaph.

"Okay. Why do you have a baby," Tango says.

"Well, it was an accident!" Zedaph says.

"How! How do you accidentally end up with a baby!" Tango says. He pauses. He considers what he has just said. He revises: "How do you or I accidentally end up with a baby! I am a robot and you are an immortal fairy creature. You can't babyificate. I know. You've checked."

"You don't have to sound so haunted," Zedaph says, vaguely hurt.

"I am very haunted by most of what you do, that's not the point. How did you end up with a baby! I can't take care of a baby, Zedaph! You definitely can't take care of a baby! What are we going to do with a baby?"

Zedaph shuffles his feet. When they'd first met, Tango had been reluctantly impressed with how human Zedaph's mannerisms were for a guy who, at that time, still hadn't been entirely certain you weren't supposed to eat people who were rude to you. He's come a long way since Tango had discovered he was just alive enough to be able to accidentally slip into the feywild, and Zedaph discovered he was actually much happier experimenting in the human world most of the time than dealing with other fair folk and their 'predictable rules' and 'annoying laws of hospitality'.

If Tango wasn't mostly made of steel and cold iron, he probably wouldn't have survived the early encounters with Zedaph. Nowadays, though, it's easy to mistake Zedaph for just an exceptionally weird human. Sure, he still looks at everyone a little bit like they're more of an experiment or strange animal than a person, but that's just Zedaph. Even if he were human, Tango's pretty sure he'd follow his own idiosyncratic laws.

None of this explains why he has a baby.

"Okay, look, it's not my fault this time, I swear," Zedaph says. "It's--look, I was in-town, and there was this guy, and he made a bargain with me! It was a very little bargain! I didn't think he'd break it. Honest! He just wanted gold--"

"Oh no," mutters Tango.

"--and I just told him that I wanted him to take care of a sheep for me without looking at it! I wanted to see what would happen if a sheep grew up without anyone looking at it. Would it want to look at other people more or less? You know my problems with sheep and looking at me."

"I hate that I know where this is going," Tango says.

"And he was all like, oh that's easy, I won't break that bargain. And I remembered what you said about how most people don't like having their babies swapped out with fey, which still doesn't really make sense honestly because I think a baby me is WAY more exciting than a baby human to take care of and also then I can experiment with the baby human but that's not the point. The point is that you said most people would avoid that! So I said, okay, if you break our bargain and look at the sheep, I'll come take your first baby. It's a traditional fey thing! I thought he wouldn't do it! I don't want a baby, I want a traumatized sheep!"

"Sometimes I wonder if my inventor knew my life would end up like this," Tango says.

"So imagine my shock when one day I just--poof--I have a baby!"

"I don't know how to take care of a baby," Tango says. "You absolutely shouldn't be trusted with a baby. What do we do with a baby."

The two of them look at the child.

"I mean, I cast a spell on it so it would sleep?" Zedaph says tentatively. "But to be totally honest with you, I don't actually know how long those last. You know how it is with my magic."

"I have decided this is Impulse's problem," Tango responds after a moment. "We give the baby to Impulse. He's a human. Humans know what to do with babies, right?"

Zedaph gives Tango an extremely skeptical look. "I got this one from a human."

"Impulse will suffer with us," Tango says.

"Sold," Zedaph says. "Let's go give Impulse a surprise baby."

"Please don't phrase it like that," Tango says, and they both start heading in the direction of where Tango thinks Impulse is currently living. Surely, he has the solution to this problem. Surely.