#I don't know what to tell you if you didn't

[dcxdpdabbles]

Danny: You want me to what?

Tim: Give this letter to Batman for me.

Danny: Why?

Tim: I need to tell him something, but I can't give him the option of capturing me.

Danny: But he can catch me?

Tim: He doesn't want you.

Danny: Damn, alright.

Tim: No, sorry, I mean - look, just give him the letter and don't tell him anything about me. Here is 10k in cash. Can you do it?

Danny: For 10K? Yeah, okay.

Ten hours later

Danny: LET ME OUT

Bruce: It's okay, son. We're going to help you get your memories back.

Danny rattling the bars: I'm not Tim Drake. He just hired me to give you the letter!

Bruce: A letter claiming Tim Drake was tired of his life with us and that he was going to become a regular citizen, so don't look for him? Your only involvement with the letter and him is that he paid you to delivery it?

Danny: YES!

Bruce: And the fact you both look exactly alike has nothing to do with this?

Danny: I don't question it. You start questioning stuff and bad things happen to you

Bruce: Bad things like memory loss.

Danny: IM NOT TIM DRAKE. LET ME OUT.

Bruce: Until we know what they did to easrse your memories I'm afraid your going to remain in containment.

Danny: WHY!? I DIDN'T DO ANYTHING

Bruce: You stabbed Jason

Danny: No, he rudely walked into my knife

[seungcheorry]

it makes you worry a bit, how quiet mingyu is. he's lying on his stomach, limbs spread out on the bed, his face pressed against his pillow as he mindlessly scrolls through his phone - and you know he ain't paying attention to it.

"are you hungry?", you ask him, after getting out of the shower.

mingyu slightly shakes his head, looking up from his phone.

"are you?", he asks, pouting when you nod. "do you mind ordering something? i don't feel like cooking..."

wow, okay. now that's new.

mingyu watches as you climb in bed with him, laying on top of his exposed back.

"what's wrong?", your voice sounds like a key trying to unlock something to him, and he huffs.

"nothing", his voice is muffled by the pillow. "i'm just tired".

"are you sure? would you tell me if there's anything bothering you?"

mingyu sighs, trying to look at you from the corner of his eyes.

"yeah. i'm just feeling down, the tour was great, but i'm exhausted, and we have many more schedules coming... i feel like i'm out of energy."

"wow, kim mingyu out of energy?"

your playful tone makes him laugh a bit, dropping his phone so he can reach for your head that's resting on his shoulder, caressing your hair.

you press a tender kiss to his skin, letting it linger.

"it's just one of those days... where i wish i didn't exist. i wish i could be a tiny dust floating in the air."

"just recharge, baby. go to sleep and don't worry about anything", you tell him.

mingyu hums, sighing so deeply yet again.

"will you be with me?", he shyly asks, as if he's a 5 year old boy; as if he hasn't been dating you for so long.

as if you could ever leave him.

"of course i will."

[woso-dreamzzz]

If You Were My Little Girl II

Alexia Putellas x Teen!Reader

Summary: Things are looking up

Alexia watches from the stands.

They're mostly empty, like almost all Barcelona B matches.

Women's football has only really started picking up steam recently but only at the top flight. The lower level leagues are still having a bit of a popularity issue.

But Alexia, for once, finds that she doesn't mind.

Because it means she can sit practically alone in the stands as she watches the home match.

A notepad sits on her lap, a pen tapping against the pages thoughtfully as she watches.

Barcelona B are good and Alexia has never expected anything different. She's seen the system at work many times as La Masia churns out players like Aitana and Pina and Jana, and more recently Vicky and Martina.

There's a reason so many clubs wants La Masia products.

They're all good players but even now, Alexia can tell a great player when she sees one.

You rise up among the crowd in the box and slam the ball into the goal, the net rippling with the force of the shot.

The best part, Alexia thinks, is that you didn't even need a moment to control the ball, hitting it in on the volley and grinning as your teammates practically dogpile you.

A hattrick in ten minutes is impressive in any league and Alexia makes another note in her notebook, humming softly to herself.

She rises out of her seat at the end of the match, disappearing into the building and out the doors.

It takes another half an hour for you to appear again, hair damp and an old crew neck sweater that Alexia's pretty sure is Alba's being tugged over your head.

You slip into the passenger seat, throwing your bag into the backseat and Alexia pulls your head down to press a kiss against the side of it.

You smile shyly at her as she offers up the fries she'd bought for a job well done.

"You did good, kid," She says," Very impressive."

"Yeah?"

"Yes. But I think we're going to work on evading slide tackles next," Alexia says as she drives off," We're trying to keep those ankles of yours intact, alright? I'm going to need them this season."

You roll your eyes and Alexia clicks her tongue.

"Don't roll your eyes at me," She says," I've got a good feeling about that meeting later in the week. A great feeling, actually. You should have one too."

"I'm managing expectations."

Alexia looks at you fondly. "Well, we'll see which one of us is right in a few days."

She lets you choose the music in the car, like she always does when you've scored a goal and you pull up to the apartment a lot quicker than you want to seeing as you're in the middle of singing along to your favourite song but, still, you drag yourself out of the car and up the stairs.

"How was the match?" Olga asks as she greets Alexia with a kiss on the lips.

"She did very well," Alexia brags," A hattrick within the first ten minutes and another goal in injury time."

"Exciting," Olga says indulgently as Alexia grins, already giving her running commentary of everything that happened during the match.

You escape though, hurrying to raid the cupboards before Alexia finally comes to her senses and tries to stop you 'spoiling' your dinner.

You don't know if there's any way to thank Alexia for what she's done for you.

Just three months ago, you were convinced that you were going to quit. You had no passion for the game, no hope of what your future was going to be but now all of that had changed.

You had direction. You had a manager. You had new boots and a place to live that wasn't a group home and support and love and everything seemed to be coming together for you.

A toe pokes you in the leg.

"Move."

"Alexia says that if you're trying to nap on her sofa again then I don't have to move," You tell Alba, who huffs and pokes you with her toe again," She also says that you have your own apartment and should stop mooching of us."

"But Olga's a better cook than me," Alba complains and you roll your eyes.

"Aren't you an adult? Even I can cook."

"Yeah but it's not like you could mooch off your sist-"

Alba falls silent quickly and you pretend to not notice what she was going to say for both hers and your own sakes.

The topic of your sister is kind of off limits when you're in the room. It's not completely banned because Alexia's still Jenni's national teammate but she's not really spoken about if you're in the room.

Alba's face flashes with terror for a moment so you pretend you don't notice her slip up ever though it sends a bolt of lightning into your stomach, a deep pit forming there.

It works for the most part, everyone in the house pretending Jenni isn't who she is to you, pretending that she's just Alexia's teammate and not her friend and ex, pretending that Alexia fostering you isn't her walking on a tight rope because Jenni doesn't know.

All Jenni knows is that you didn't quit when she told you to.

Jenni doesn't know that you live with Alexia. Jenni doesn't know anything. You doubt she even thinks about you when she's got a life far away in Mexico.

She lives there, far away from you and your life here in Barcelona.

She lives there and her presence is hardly ever mentioned around you.

Life is good at Alexia and Olga's house. Life is even good at training, though you could do without the smug little smirk Alexia has on her face when she picks you up.

"You already knew!" You accuse her, waving a finger in her face.

"Knew?" She asks, lips curl up in what can only be described as pure smugness," Knew what?"

"Right, who told you? Go on. Who was it?"

Alexia grins. "You do realise I am the captain? Any time they're looking to bring someone in, they ask me my opinion."

You roll your eyes. "Yeah and I'm sure you gave it."

"You're a good player. A great player," Alexia says," All I did was tell them what they already know."

You look down at your lap, fidgeting with your fingers. You want to be mad at her, to yell at her for keeping this from you. Maybe even yell at her for promising to the staff something you're not but you know she hasn't done that.

If she thought you weren't ready, she would have told them that.

But Alexia didn't. She didn't tell them to let you have a bit more time with the B team. She didn't tell them that you don't quite have what it takes.

"Thanks."

Alexia smiles at you as she drives home, a comfortable silence enveloping you both until your hand is on the door handle.

You stop.

"When I open this door, there's going to be a party, isn't there?"

"I may have told Olga...who told Mami...who told Alba...who told the rest of the family..."

"Is that a yes?"

"Possibly..."

"And there's no getting out of this?"

Alexia ruffles your hair, a soft kiss being pressed to the side of your head. "They're here to celebrate you."

You suck in a breath, just ready to turn the handle when the sound of the lift doors opening chimes down the corridor.

Both you and Alexia turn your heads towards.

It's just a fleeting second.

Just a moment.

But your good mood plummets as the door opens.

Alexia's hand tightens on your shoulder, pushing you slightly behind her and putting herself between you and the elevator.

Between you and Jenni.

[mirohlayo]

F1 DRIVERS AND YOU (their crush)

KISSING THEIR CHEEKS

( include piastri, norris, leclerc, sainz, hamilton, russel, verstappen & ricciardo )

warning : none just fluff

note : little nod to max's 4th championship win, congrats to him, sooo proud !!

─ OSCAR PIASTRI

I know for sure boy was blushing so so hard. But it's absolutely adorable and cute. Oscar is very patient with you, and even though he dreams of being able to touch you in a more than friendly way, of being able to at least have the right to a little kiss, he restrains himself and tries not to act under his impulses. . However, when you decided to quickly kiss him on the cheek, out of nowhere, he actually felt himself melting from the inside. His cheeks have never blushed so much, and his heart has never beaten so quickly.

─ LANDO NORRIS

Ugh, you guys can barely hold eye contact, but he's already so in love. So mad in love even. Despite the fact that you are still shy, especially him, that you struggle to make eye contact without blushing afterwards, Lando can't help but ask for more. Just a little extra. So, when he walked you to your doorstep, he immediately asked you if he could have even a mini kiss. Your lips naturally landed on his cheek, brushing against it, almost like a ghost kiss. And when you pulled back oh... He was already touching the place where your lips rested, cheeks as pink as yours.

─ CHARLES LECLERC

This was absolutely surprising to Charles. But he would love to be able to feel that feeling again. When your lips pressed naturally against his cheek, your hands framing his face perfectly. He didn't move for at least a good two minutes, trying to figure out what just happened. If it was real. He was so shocked that he didn't see you lean in again to place another sweet kiss. He blinked a few times, and you could only giggle silently. Oh, it was the best day of his without a doubt. And if he could live it again, he wouldn't hesitate for a single second before saying yes.

─ CARLOS SAINZ

He only had eyes for you. And he loved seeing you smile, and making you happy. So from time to time he spoils you, and although you don't like it when he buys so many things for you, you always end up thanking him warmly because after all, it's adorable. You always hugged him, hugging him a little tighter each time, but this time it was different. You wanted a change from hugs, so with a surge of courage and love you gently kissed his cheek to thank him. He was dizzy, almost on the verge of passing out. He couldn't hold back a shy smile, and above all he couldn't settle for a hug from now on.

─ LEWIS HAMILTON

He waited there patiently, sitting in a corner of the garage before getting in his car. You were a few feet away from him, watching the mechanics adjust the final modifications to the car. He couldn't help but admire you. And stare at your lips. God, he would give anything to be able to feel them against his skin. And as he was about to get in the car, he stopped when he felt your arm rest on his forearm. And without knowing how, your lips crashed onto his cheek in a quick kiss. His best smile appeared on his face, as he tried to hide his blush by putting on his helmet. Finally, his wish came true, right?

─ GEORGE RUSSEL

He can't stop replaying the scene in his head. He already found you so perfect, so beautiful and incredibly intelligent. It wasn't just a crush anymore, it was George, a simp for you. But already his heart was speeding up just by looking at you, he really thought it was going to stop beating when you gently kissed him on his cheeks. It was pure, sweet and... terribly affectionate. He tried to appear as normal as possible, but inside he was a mess. His whole body was telling him to kiss you and tell you everything he has in his heart right now. And he's sure that day will come soon, because there's no way another day will pass without a kiss from you.

─ MAX VERSTAPPEN

As the race draws to a close, Max is finally a 4th time F1 world champion. And getting out of his car, as he proudly waves his arm to greet the crowd, only one thing is on his mind. You, you and only you. So it was natural that he found you among the crowd, looking at you as if only you existed in the world. His hair was still damp, his face still covered in drops of sweat, but that absolutely didn't stop you from pressing your soft lips against his cheek, for a long time. Passionately. And oh, that sweet gesture was better than any championship. His eyes spoke for themselves.

─ DANIEL RICCIARDIO

He will never, ever stop teasing you about the kiss you gave him. Quite simply because he loves seeing you smile and laugh, but above all because he secretly wants you to repeat this gesture over and over again, for eternity. Honestly, you wouldn't even have to ask him for permission as he will already be ready to receive another kiss from you on the cheek. It was by far the most beautiful experience of his life, and oh, his heart always asks for more when he sees you. So, he hopes to feel your lips on his skin again, even if it costs him to tease you all day long.

[the-knight-of-the-stars]

Are we gonna talk about how that finale entirely erased any conversation about class divisions or are we too focused on ships?

Are we gonna talk about how Caitlyn for a good chunk of the season willingly enforces violence and opression against the lowest class, no doubt directly causing more deaths and suffering, and she is forgiven by the narrative without any meaningful reflecting?

Her great moment getting together with Vi is right after she JUST had a conversation with Jinx where we see she STILL doesn't recognize any class bias she clearly has, insted making it about HER.

Her and the other enforcers are treated like noble heroes in the final battle, all the blame put on Ambesa. Vi's happy ending is getting into a relationship with the exact type of person who perpetuated all the suffering she endured as a child.

Are we gonna talk about how Jayce never leaves his privilege pedestal, never actually reflects on how he was also enforcing violence to the people of the undercity and living on his bliss of progress at THEIR expense?

Jayce, who got help on every step of the way to get to where he is, who wasn't disabled, who never lived the kind of poverty or class obstacles Viktor did, who never recognized the harm he enabled and was complicit to, HE was the one to tell Viktor "People build their own destiny." and "There is beauty in imperfection" ?????

Not to mention the whole bit where he implies Viktor did all that because he wanted to "eradicate what he thought was weakness"??? Didn't we stablished Viktor wanted to HELP THE PEOPLE FROM THE UNDERCITY TO HAVE BETTER LIFE CONDITIONS?? don't try to gaslight me.

I know this is just a TV show, but I need to remind everyone that what perpetuates opressive, discriminatory and violent systems as long and as deeply as they do is indiference. Is turning your head and enabling others to stay ignorant.

Edit: You guys are misunderstanding me. And I admit it is probably my fault, I wrote this high with emotion I wasn't as eloquent.

Jayce's exact choice of words or his time living in the alternate world is nowhere near my point.

My point is, that the narrative is establishing that the privileged character, is the one that has to show (and is quite literally, textually, always the one to show) the underprivileged character that "he was looking at life the wrong way." Forgetting that Viktor's journey of feeling powerless was greatly influenced by the fact he was poor and from the undercity.

That's what I meant by it erasing the part of the plot about class systems. In the end, the story only requires Jayce to understand Viktor's struggle on a superficial level, but the text never recognizes that it as the product of a deeply rooted SYSTEMIC ISSUE. One Jayce and even Viktor on some level, benefited from and perpetuated.

Understanding Viktor still doesn't give him any moral ground, and nobody ever challenges him on that because the story isn't interested in that anymore.

And the same with Caitlyn. She knows what she did what's wrong, fine, she feels bad. Like I said, she still has a class bias, and no character challenges her on it again because the story derails to magic and fighting and whatnot.

The plot just forgets (or ignores) that layer of the story despite it being so prominent up until now.

And ignoring the class discussion does a disservice to every single character because they were initially built on it. You can see it in how they lose the essence they had on s1.

I know y'all love the characters and want to empathize with all their motivations, okay? But the fundamental issue is that characters also represent things, and more so in a story as political as this one. We also have the right to point out that the show told us they represented something and then abandoned that narrative.

What do I think they could have done differently? If I tell you scene by scene we could be here for an entire year. The gist of it is: I think they should have stuck to the character themes they already had established.

Vi as someone fiercely loyal to the undercity beyond her relationship with Powder/Jinx, and being "cursed" by the role of the older sister. Jayce as someone with good intentions but who is ultimately limited by his blind idealism. Mel as a cunning politician who thinks she is on the right path because she isn't violent like her mother, not realizing she is still perpetuating it. Caitlyn as someone kind and compassionate who realizes the institutions she believed in are fundamentally flawed, and because of the way they are built will never be on the side of kindness. Etc, etc.

None of that gets any meaningful resolution.

I am glad if you liked it, or got something from it, you are entitled to your opinion.

I wanted to say this because I was angry, and still am. Because there was so much incredible potential, and honestly, to me, it feels like the writers chickened out on actually saying something in the end.

That's all I have to say about that.

[quantum1mmortality]

i apologize for this.. BUT what about curly sobbing when he's overstimulated during sex because it feels too good.. and he can barely talk, most of the words leaving his mouth too quiet or unintelligible to decipher :3

ʷʰʸ ⁱˢ ʸᵒᵘʳ ᵗᵉˣᵗ ˢᵒ ˢᵐᵃˡˡ

Tw/cw; OVERSTIMULATING CURLY!!!, he cries, no specific genitalia mentioned so gn ig????

Not proofread

I feel as though Curly would only get overstimulated if he wasn't topping. Like, in missionary, he knows his own limits because he's so used to the position. That's not at all saying he's bored, he enjoys it a lot, but because it's your default position, he knows when to stop before he gets overstimulated.

The first time you ever overstimulated him was when you were riding him. It was your first time being on top, and yeah, Curly was practically doing all of the work, but that's besides the point.

Anyway, because it was a new position he hadn't tried before, he didn't know his limits just yet. So imagine his surprise when he started to get overstimulated after the first time he came, and you were STILL going, just adding to it.

It was a new experience, a new feeling, he didn't know how to handle it. So what does he do? Cries. He cries. Yeah, I said it, he'd cry when being overstimulated BOOM I JUST DROPPED A BOMB ON YOU GUYS!!!

No but in all seriousness, he would cry. Like I said, it's a new experience for him and he's just not used to it yet, the extreme pleasure he's feeling is catching up to him, badly.

His grip on your waist would loosen and his head would be thrown back, maybe even a little back arching action idk lololollollllol 🤭🤭

You have this man seeing legitimate STARS. He'd try to praise you, tell you how good you're making him feel, but everything coming out of his mouth is either incoherent or whispered.

You can make out some of the words though, but he's just repeating 'i love you' and other random praises and pet names, practically anything that comes to his mind in those moments. But most of the words he's trying to say get drowned out by his loud whimpers and moans.

I really hope you don't need aftercare, because he canNOT feel his legs.

A/N; chat should I start adding memes as dividers again I feel like I lost a lot of whimsy by doing away with them

[punkshort]

Evergreen | Chapter One: Denial

Pairing: Joel Miller x f!reader

Chapter Summary: Tommy encourages Joel to join bereavement group counseling, where he meets you. You connect over a similar loss and the common thread of loneliness, leading to something unexpected for you both.

Chapter Warnings: grief, angst, mentions of OC deaths, mild references to: suicide, self harm, drug use (none by reader or Joel), language, panic/anxiety attack (Joel), Joel POV

WC: 8.8K

A/N: I've been working on this goddamn series since May. Sorry it's taken me so long to get around to it but I am committing to a posting schedule now that it is almost complete and I appreciate you all for being so patient. Hope you enjoy tons of fluff and softness and angst.

Series Masterlist

Joel's hands gripped the steering wheel as he stared blankly at the faded brick building connected to the small, run down parking lot. He watched as the clock ticked down to six in the evening, and with each passing minute a new car parked nearby or someone walked through the double doors. He wasn't sure what he expected, but he was surprised to see people of all ages streaming inside.

Then he saw a young woman with two children, one in each hand, neither of which could have been over seven years old, walk inside with watery eyes and he dropped his gaze to his lap in shame.

Mia had been gone for nearly ten years. He had no business being there. His grief wasn't fresh. Over the years, he's learned to cope with it, to live alongside it. The people who were there that night needed the support.

Joel didn't need support. He was just lonely.

He reached for his key, still dangling in the ignition, when his phone rang. With a sigh, he patted down the front of his jeans until he located his phone, then lifted his hips off the worn seat with a grunt so he could fish it out.

"Yeah?"

"You better not be thinkin' 'bout leavin'."

Joel swiveled around in alarm, searching the parking lot for his brother's truck, but all he saw were the last few stragglers hurriedly walking up to the front doors, the anguish practically weighing them down as they moved.

"You watchin' me now?"

Tommy chuckled on the other end.

"Nah, I'm at home. I just know you."

Joel rolled his eyes as the clock ticked to 6:01 on the dash.

"This is stupid, Tommy."

"It ain't stupid. It's been almost ten years and you've never looked twice at another woman. You can tell me you've moved on or that you're fine, but I'm not buying your bullshit," Tommy said sternly on the other end. "I don't think you ever gave yourself a chance to process what happened and it's important you do that. For your mental health and all that."

"Maria tell you to say that?" Joel scoffed, but still unbuckled his seatbelt and opened the door.

"Maybe. Don't matter who said it, it's true."

"Fine. I'm walkin' in now, I'll call you later," Joel said, then hung up without waiting for a reply.

The building wasn't very big. From the lobby, Joel could hear a male's voice making what sounded like brief introductions as he strolled quickly down the hall. He rested his hand on the push bar and took a deep breath. Right as he was about to enter, he heard someone else's light footsteps jogging up behind him. He turned around as you approached, a little breathless and with a guilty smile.

"Oh, good, I'm not the only one who's late," you said, nodding towards the door.

"Uh, yeah," Joel said, clearing his throat softly, "we can share the heat," he joked, opening the door and stepping aside so you could walk through first. You shot him a grateful look and mouthed thank you before entering the room.

The group all turned their heads at the disruption, as expected, but the counselor waved them in with a warm smile.

"Welcome! Have a seat, we were just getting started."

Joel found the first empty chair he could, in the very last row closest to the door. You glanced around the room before sliding into the same row as him, just a few seats down.

"As I was saying, welcome to the grief and loss support group. I'm Dr. Harris, but please feel free to call me Ryan."

Ryan was young. Definitely under forty. Something about that irked Joel. He imagined this man going to school to learn how to be caring, how to listen and say all the right words at the right time so he could make a decent paycheck and call himself doctor while he went home to his wife and picket fence and his patients went home with a gaping hole in their hearts.

"There is no wrong way to grieve," Ryan was saying from the podium with a practiced look of solemnity. "All of you are here for different reasons. And while you may look around here and think nobody else could possibly understand what you are feeling, I am here to tell you that you are simply wrong." Ryan took a moment to let his words settle over the group before continuing. "We have all lost somebody in our lives. That is the common thread that weaves us all together. And I'm here to tell you to use it." Ryan clenched his fists for emphasis and Joel had to resist the urge to roll his eyes. "Lean on each other. Listen to one another. This is a safe space. Nobody will judge you here, no matter what you may think, everybody in this room is here for the same reason."

After what felt like an eternity, Ryan invited the people in the room to approach the podium to speak, no longer than ten minutes, he had said, reminding everyone that their time was limited and they always could speak again at the next meeting.

One by one, people trickled up to the front of the room. First it was an elderly woman who explained with tears in her eyes that her husband of forty years passed away a month ago.

"It sounds silly," she sniffled, "but it feels like I'm... untethered. Like I lost my connection to this world when he left and I'm scared I might just... float away."

Next was a man around Joel's age who visibly struggled to hold back his tears about his late sister.

"I just keep reminding myself I didn't cause it, I can't control it, can't undo it. I'm really mad at myself for not paying attention to the warning signs. She was struggling, y'know?" His glassy eyes addressed the group briefly before he cast his gaze back down. "The best thing I can do is try to rebuild. Don't let the anguish fester. Don't let it consume me. Because she wouldn't want that."

After that, a girl no older than twenty, arms and neck covered in tattoos walked to the front. "She was my best friend since we were eight. And I know it's my fault, I know it is," she choked out, tears slipping down her cheeks. "I gave her her first hit. I could see she was falling too deep into it and I didn't try to help her, I was too focused on my own shit and not seeing what was right in front of me. To this day, I can't look her mom in the eye-" the girl hung her head and took a moment to gather herself. Chairs squeaked as the group patiently waited for her to continue. "But I'm clean and sober almost six months now," she said with a watery smile. A small round of applause broke out amongst the group and she nodded her thanks. "I'm thinking about going to school for social work. Maybe I can honor her memory in some way."

Out of the corner of his eye he saw you cross and uncross your legs nervously but made no move to walk to the front.

Same as him.

When the clock on the wall ticked closer to seven, Ryan addressed the group one final time.

"I'll stick around in case anybody wants to have a talk after group. Just a reminder that I'm only here once a week, but my esteemed colleague, Grace, runs another group on Tuesdays, so please feel free to stop by one or both. I also left some cards in the back next to the coffee. My information is on there if you would like a one on one appointment and on the back is the crisis hotline. Please take one, you never know when you may need it."

The room collectively seemed to stand, a murmur rippling through the group as people began to softly speak again, reaching out to neighbors, either introducing themselves or catching up from the last session. Joel scratched at his chin and looked around the room as people continued to filter around. Some paired off to grab coffee, some went to talk to Ryan, but Joel just stood there. All alone.

He took a deep breath and headed for the back, then lingered at the small stack of business cards Ryan had mentioned. He picked one up and flipped it over, studying it, when he heard a soft voice behind him.

"Excuse me," you said, and he swiveled around in surprise.

"Oh, sorry," he replied, stepping to the side so you could reach the coffee. He pretended to look at the card but watched as you filled up a cup. He waited for you to add cream or sugar but you didn't. You lifted the cup to your lips and took a tentative sip before recoiling at the heat and doing it again.

"That, uh, any good?"

Your eyes locked onto his and you shrugged. "'Bout what you'd expect."

He smiled and looked around the room, fidgeting with the edge of the card before sliding it into his pocket. "This your first session, too?"

You shook your head and stepped aside, a little closer to him, so others could get to the coffee. "I've been coming here almost two months."

That surprised Joel. Based on the way the rest of the group seemed familiar with each other, he had suspected the two of you were both new.

"Two months? Wow," Joel said, "how's it workin' out for you, if you don't mind my askin'?"

You sighed and gave him a little smile.

"Some days are better than others. But I figure it doesn't hurt, so..." you trailed off and crossed your arms, your fingertips tapping against the paper cup. "My mom begged me to come, so I did. I think it makes her believe she's helping in some way by pushing it and I grew tired of feeling like an emotional burden."

Joel frowned. "I'm sure that ain't true. No parent thinks their kid is an emotional burden."

You chuckled and drained the rest of your cup. "You'd be surprised." You tossed the cup into the trash before giving him a brighter smile. Although expressing your emotions was the entire reason you were there, you still felt uncomfortable doing it. "So this was your first time? What did you think?"

"Jury's still out," Joel replied honestly. "Promised my brother I would give it a try, same as you. My daughter just went off to college last month and I think he and his wife are worried 'bout me bein' all alone for the first time in, well... forever, I suppose." His lips pursed in thought for a moment. "Feels kinda like I don't belong here. My wife passed almost ten years ago. I've learned to live with it by now. It ain't as raw as all that-" he gestured up to the podium, referencing all the individuals who poured their hearts out for the past hour. Then he realized he was rambling and chuckled. "Sorry. Can't seem to shut up." He looked at you sheepishly and you smiled back.

"That's good. That's what you're supposed to do here," you assured him, then took a deep breath. "I lost my fiancé a year ago, so I can relate... kind of."

"I'm sorry," he said, furrowing his brow and examining your face. "You're so young, you shouldn't know what that feels like at your age."

"Not that young. I'm thirty-one," you joked. He laughed and rubbed his chin.

"Well I got twenty years on you, seems pretty young to me."

"You're fifty-one?" you asked, and he nodded. "You look good, I wouldn't have guessed a day over..." you trailed off as you studied his face and he grinned.

"Go ahead, be honest."

"Forty-three," you decided, and Joel laughed. When was the last time he felt this lighthearted?

"Well that's the nicest thing I've heard all week," he replied. The room began to thin out and you shifted your weight.

"Well, I guess I should get going," you told him, almost sounding regretful. Then you pinched your eyebrows together. "I'm sorry, I didn't catch your name."

"Joel," he said, sticking an arm out to shake your hand. You gave him a warm smile before telling him your name, your hand getting dwarfed by his thick, rough fingers.

"Will I see you next week, Joel?"

"Yeah," he replied, walking out with you and holding open the door. "I'll give it another chance."

"Good. I mean, you know, I'm glad you're giving it another chance," you found yourself inexplicably stumbling over your words and before your face began to heat up you veered off towards your car with a quick wave.

Joel's eyes trailed after you for a minute before he opened the door to his truck and climbed inside. He absentmindedly rubbed his thumb against his lower lip, lost in thought while he stared straight ahead at the emptying parking lot. Then you drove by in a higher end white SUV and he watched as you took a right turn out of the lot and disappeared down the road. He sighed and started his truck, realizing he was one of the last cars in the lot, and decided to stop at a fast food drive thru on the way home.

"Uncle Tommy told me you went to a grief support group the other day, how did it go?" Sarah asked him over FaceTime. He pushed the lever on his recliner and leaned back into the chair with a grunt.

"S'alright," he mumbled.

"Did you share anything?"

"No."

"Well, why not?"

"'Cause, baby girl, these people just lost someone close to 'em. I can't get up there and talk 'bout your mama, it's been so long-"

"That doesn't matter," she said, interrupting him. He could hear other kids in the background laughing but she remained focused on her screen. "I don't think you've ever really processed Mom's death and it's important to me that you try. I worry about you, old man," she teased, and Joel grinned.

"No need to worry 'bout me, I'm stayin' busy."

"Yeah, doing what? And don't tell me you're eating frozen meals and watching baseball because it'll break my heart."

Joel's eyes drifted to the empty plastic tray on the coffee table.

"No," he said gruffly. "Ain't baseball season. I'm watchin' basketball."

Sarah rolled her eyes. "Dad," she whined, "what about your friends? The guys from work?"

He didn't have the heart to tell her they were busy with their families, with their wives, so he lied.

"Yeah, I'm gonna get together with Jimmy later this week. Gonna shoot some pool."

"That sounds great!" Sarah exclaimed, her face instantly brightening. Her eyes snapped up to someone behind her phone and she grinned, holding up one finger, then looked back at him. "Listen, Dad, I gotta run. I promised a few friends I would go to the football game with them."

"Oh, so you'll watch football with your friends and not me?" he teased, and she giggled. "Alright then, text me when you get back home safe."

"I will. I love you."

No matter how many times he heard it, those words always warmed his heart.

"Love you too, baby girl."

The call ended and he set his phone down with a sigh. Sarah was right. He couldn't waste away in his house all alone, waiting for her to come home to visit or for Tommy and Maria to come by for dinner. He needed to get a hobby. He glanced outside then looked at the time before turning off the television and pushing himself out of his recliner with a groan. He shuffled down the hall to his bedroom to change out of his old sweatpants and ratty tshirt, then snatched his keys off the kitchen counter and headed out to the driveway.

He drove aimlessly through town, his window down with his arm hanging out, soaking up the sun's rays. Kids were playing on the sidewalks and people were walking their dogs or pushing strollers. Everyone just seemed so... happy. Content.

Maybe he should get a dog.

Maybe he should start with a fish, first.

He jumped on the highway and cruised with one hand on the steering wheel. Hank Williams crooned from the radio and Joel took a deep, relaxing breath. He was coming up on the exit for the mall. Sarah loved dragging him to the mall. A smile played on his lips and he figured why not.

He veered off the highway and slowed when he approached the red light, the mall parking lot straight ahead. It didn't look terribly busy. With the weather as nice as it was, he imagined most people would be spending their time outside.

Joel found a good spot right out front. He shoved his hands deep in his pockets and walked inside through the Macy's. A blast of freezing cold air conditioning hit him like a ton of bricks, cooling the sweat that was collecting on the back of his neck. He managed to make his way through the maze of the department store and entered the mall itself. There were a few groups of girls around Sarah's age giggling and carrying shopping bags and the random couple here or there walking into William Sonoma or Brookstone.

When he passed by the food court, he saw a few solitary older men sipping coffee and reading the paper or people watching. Joel huffed under his breath, wondering who on earth would come to the mall just to read a paper until he realized he was no better.

Was he going to become just like them one day? Would he come to the mall to nurse a coffee just so he wouldn't feel so alone? The thought had his throat closing up.

He paused and leaned against a railing overlooking the bottom floor of the mall, pretending to be looking for someone when in reality he was struggling to breathe. His heart was fluttering too fast in his chest and his vision was narrowing.

"Shit," he whispered to himself, rubbing his eyes and trying to focus on taking deep breaths. It was like reality crashed down around him all at once: Sarah was moved out of the house. Tommy was happily married. And Joel was going to die all alone.

He gasped and blinked, trying to clear his head and mentally talk himself down, but it was no use. He leaned forward a bit to rest his forehead on the cool, stainless steel railing but his knees began to buckle. Just when he thought he would need to stop someone and beg them to call an ambulance, he heard someone say his name, temporarily snapping him out of his daze.

"Are you okay?" you asked, the smile slipping from your face when you noticed how flush he looked. He could only manage to shake his head. Without hesitating, you wrapped an arm around his shoulders and helped him stand, then glanced around. Spotting an empty bench, you led him over and helped him sit. You rubbed your palm over his upper back soothingly and sat next to him, reminding him to breathe deeply until his vision cleared and he felt his strength return.

"Christ," he mumbled. He sat up and leaned back so the back of his head rested on the bench and stretched his long legs out. "Thank you," he added, pinching the bridge of his nose between his fingers.

"No problem," you said, "is everything okay?"

"Yeah. Or, no. I don't know," he sighed, dropping his hand from his face. "I think it just hit me all at once."

You slid over on the bench to give him more room. "What hit you all at once?"

"That my little girl is growin' up and -" he stopped himself, the words and I'm all alone getting trapped in his throat. "And I just miss her, is all."

You slowly nodded and glanced around the mall. "What does she like?"

He smiled. "Clothes. Music. Makeup. Books."

"What kind of books?"

"The fantasy kind. Y'know, like Lord of the Rings or Harry Potter."

A huge grin spread across your face. "Follow me, I have an idea," you said, standing up and looking down at him before you realized you might have overstepped. "I mean, unless you're-"

"No, let's go," he replied, standing up and stretching out an arm for you to lead the way. He fell in step next to you as you led him down towards the other end of the mall and after a few minutes, he realized where you were leading him.

"The bookstore?"

"Yep," you said cheerily, shooting him a playful grin. "Trust me."

And he did.

"There's some really incredible series out there right now. Why don't we pick one out, you can read it and share it with her so you guys have something to do together from a distance? Do you know if she's read The Word of the Heir? That's by an incredibly talented author who actually got the idea when she was only seven years old," you told him excitedly, leading him deep into the bookstore, dodging tables and displays until you made it to the fantasy section. Joel slowed down and looked around, his panic attack slipping further and further from his mind.

"Uh, I ain't sure," he replied as you held up the book. You tucked it under your arm and began to look again.

"How about Empire of Kings? I haven't read that one but the author is relatively new and I've heard he's an extremely talented storyteller."

Joel shrugged, again unsure what Sarah may or may not have read. All of the titles sounded so foreign to him until his eyes landed on the spine of a thick, hardcover book.

"Oh, this one sounds familiar," he said, plucking it from the shelf. "The Crimson Stone. I think she wanted to read this but I don't think she ever finished it. It's a series-"

"Yeah, I know that one," you told him quietly. He glanced down at the book again and read the author's name.

"Daniel Davis, ain't this the guy who died in that bad wreck downtown?" Joel mumbled as he flipped the book over in his hands to read the back. You nodded. "Maybe I'll get this one."

"Don't waste your money, I can give it to you for free," you said, gently taking it from his hands. You ran your palm distractedly over the cover before flipping it open and looking at the tiny black and white photo of the author on the inside jacket. "This was my fiancé," you added, your voice thick. Joel's eyebrows shot up in surprise.

"Shit," he mumbled. "I-I'm sorry, his name just sounded familiar, I remember it from the paper..." he trailed off, floundering for what to say to comfort you. Why couldn't he fucking think?

"It's okay," you told him, waving him off, but the guilt still laid heavy in his chest. "There's no way you would have known." You slowly closed the book, giving the picture one more glance, and handed it back to him. "But really, if you want to read them I have tons of copies just sitting around. He had a few other books outside of this series, as well, if you guys wanted them."

Joel's eyebrows knit together. "I don't wanna take your books. They gotta have sentimental value or somethin'."

"No, seriously, I have boxes of them just sitting there. He was in the middle of signing copies for readings he was supposed to do before-" you stopped yourself and cleared your throat. "Anyway. I can bring them to group next week or you can come by the house and look through them yourself if you like."

Joel nodded and nervously chewed the inside of his cheek. "Do you wanna talk 'bout it?"

You looked up at him then, all wide eyed and filled with so much sadness that it made his chest ache. No one so young and pretty should have to go through so much pain. Your eyes drifted over his face for a moment, quietly studying him before responding. "Yeah. I kind of do."

Joel looked over his shoulder and spotted the caf�� across from the bookstore. "You wanna get a coffee and find a quiet bench or somethin'?"

"That sounds nice," you replied, so he put the books back on the shelf and walked out into the mall. He spotted a bench near an empty storefront and he told you to go have a seat with the promise of bringing you back something to drink. There wasn't a line at the counter. He couldn't imagine many people wanted coffee that late in the day, so it only took a few minutes before the barista slid the two cups of black coffee across the counter and he met you back at the bench.

"Black, right?"

You smiled and gingerly took the cup. "Yeah, how did you know?"

"From group the other day," he replied, then sat down with a grunt. You sat in a comfortable silence for a few minutes, each of you letting your coffees cool before you spoke.

"I usually don't talk about it. Every week I tell myself I'm gonna go up to that podium and pour my heart out and every week I chicken out."

Joel didn't say a word. He learned early on with Sarah when she was upset, she just wanted someone to listen to her. So that's exactly what he did. He sipped his coffee and just listened. And before you even realized it, you were telling him everything.

You began by telling him Daniel was from Austin but you met in Portland, where you grew up. For a while, the two of you tried doing a long-distance relationship, but once you were finished with school you took him up on the offer to move in with him in Texas. Shortly thereafter, he proposed and you had spent the last year of his life planning your dream wedding. The night of the accident, you had been touring a venue an hour outside the city. It was dark when you finished up and drove back home.

Daniel didn't do anything wrong. You insisted Joel knew that first.

A truck driver had fallen asleep at the wheel and ran a light, completely crushing the driver's side and killing Daniel instantly. Somehow, you had only come out of the accident with a small concussion and a badly bruised chest from the seatbelt.

"Jesus," Joel muttered when you exhaled a shaky breath. "I'm sorry, darlin'. That's some fucked up shit." His eyes widened and he straightened up in his seat. "Shit, sorry for cursin'... twice." He scratched the back of his head uncomfortably and a slow smile spread across your face. He nearly jumped out of his skin when you burst out laughing.

"Thank you," you said in between giggles. He grinned, confused but happy you were laughing and not crying. "I needed that. And you're right, it was some fucked up shit."

Joel chuckled and took a sip from his coffee. He heard his phone ring so he pulled it out of his pocket and glanced at the screen before silencing the call and putting his phone away.

"You can take it," you said, wiping a stray tear from your eye and jutting your chin towards his phone.

"Just my brother. I'll call him back later."

"Ah, the infamous brother that made you go to group?"

"The very same."

"Younger or older?"

"Younger, but the way he bosses me 'round you'd never know it," Joel said with a grin.

"He's probably just looking out for you."

"He knows I'm feelin' especially lonely without Sarah. Sarah's my daughter, by the way," he said, pulling his phone out and showing you his lock screen: it was a selfie of him and Sarah on the beach, Joel looked red as a lobster and Sarah's hair looked tangled from the wind but there was no denying the happiness in both their eyes.

"She's beautiful," you said warmly. He smiled and put his phone away.

"Got that from her mama."

"I don't know, I see a little bit of you in her smile," you teased, bumping up against his shoulder playfully. He rolled his eyes but didn't argue.

"What I'm tryin' to say is, I can relate a bit to what you're goin' through. Y'know, losin' a partner and feelin' like you got no one left," he said. You took a deep breath.

"Yeah, sounds like you do."

Joel nervously picked at his jeans, trying to figure out the right way to say what he wanted to say without sounding like an old creep, but before he could open his mouth, you spoke first.

"Maybe we can hang out together and keep each other company?" you offered. He turned his head and grinned.

"I was 'bout to suggest the same thing."

"Really?" you asked, looking as relieved as he felt. He nodded.

"Sounds like we both could use a friend."

Something in your expression shifted. It was too quick. He couldn't pinpoint it but whatever it was disappeared, leaving behind a genuine smile.

"I would really like that, Joel."

"What the hell? You couldn't call me back yesterday?" Tommy scolded when he marched into the small, messy office the following morning. Joel glanced up from behind his desk; papers, a calculator and a pencil scattered about in front of him. He took his reading glasses off with a sigh, abandoning his work. He hated doing the administrative part of his job. He always preferred to be on site or meeting with clients.

"I was busy."

"Busy?" Tommy repeated before collapsing in the worn out chair across from him.

"Yeah, busy. I was... with a friend," Joel mumbled, trying to sound nonchalant but Tommy's ears perked up.

"A friend? Who?"

Joel shrugged. "Someone I met at that group you made me go to."

Tommy's eyes lit up. "Hey, that's great. See? I knew it'd be good for you. What's his name?"

Joel pursed his lips before softly saying your name and Tommy raised an eyebrow.

"A woman? That's even better, Joel."

"It ain't like that-"

"'Course not," Tommy said, "I'm just sayin' it's a step in the right direction."

"She's too young," Joel said defensively, giving Tommy pause.

"Okay..."

"We're just friends. She ain't from 'round here, ain't got anyone in Texas."

Tommy frowned as he watched Joel shift uncomfortably in his chair, wondering what made his brother get so sensitive, so he chose to tread lightly.

"So you're keepin' each other company. That's nice."

"Yeah," Joel said, standing up with a grunt and rubbing his lower back before he snatched his coat from the wall. "Ready to go?"

"Sure," Tommy said, standing to follow Joel out of the office. While he locked the door behind him, Tommy couldn't help but ask, "How young is too young?"

"Thirty-one," Joel replied, fishing the keys out of his pocket.

Tommy shrugged, falling in step next to his brother as they walked towards the parking lot. "Sounds like an adult to me," he muttered, but Joel chose to ignore it. "When are you seein' her again?"

"End of the week," Joel replied before climbing into the truck.

"Friday?"

"Yeah, after work. We were gonna order some dinner and look through some books she's tryin' to get rid of."

The corner of Tommy's mouth twitched. "So, like a date?"

"It ain't a date," Joel said firmly, his jaw set as he pulled out of the parking lot and began to drive in the direction of the first worksite. "She's mourin' the loss of her husband, it's not a date."

"Husband?" Tommy repeated, then Joel shook his head, growing flustered.

"Fiancé. Not husband."

"When did he pass?"

Joel thought back to what you told him the night you first met. "A year ago."

Tommy hummed and looked out the window, tapping his fingers against the car door in rhythm with the beat from the radio. Joel side eyed him while they sat in silence for a few minutes before he rolled his eyes and sighed. "What?" Joel asked with an edge to his voice.

"A year's a long time, is all."

"She's in grief therapy, Tommy. She's in pain and tryin' to come to terms with it. Quit makin' it sound like somethin' it ain't."

"Just 'cause she's in grief therapy don't mean she ain't ready to move on-"

"Goddamnit, this is the last time I tell you anythin'," Joel grumbled as he made a left hand turn. Tommy hid a smile behind his hand and looked out the window.

"Alright, no need to get all defensive on me now."

Joel opened his mouth to argue but quickly snapped it shut. The more he pushed back just gave Tommy more ammunition. Besides, he knew the truth. You were looking for a friend, someone who could relate to what you were going through. There was absolutely no way you were interested in a man twenty years older than you. The thought was so absurd it almost made him laugh. You were young and beautiful and charming and you had your whole life ahead of you.

No, surely Tommy was wrong.

When Joel pulled up to your house, his eight year old truck the noisiest thing on the whole block, he let out a low whistle and threw it into park, deciding at the last second to keep his car on the street for fear of leaving an oil stain or something on your pristine concrete driveway. He sat in his truck for a moment, taking in the monumental Victorian house before him. He recognized it from his youth, but back then the siding was chipped and the windows were foggy, in desperate need of replacing. He always admired houses like yours and part of his heart broke whenever he saw one fall into such a state of disrepair that it was beyond saving, but not yours. No, at some point in the past ten years, the house was upgraded but managed to maintain the original charm.

There was fresh siding and new windows installed, the insides framed in what looked like delicate lace curtains, complimenting the style of the house. The roof looked like it had been replaced and the front door looked new, but the original architecture remained. He could easily tell whoever bought the house took great care with it, and the contractor in him breathed a sigh of relief that it didn't fall into the wrong hands, or god forbid, a flipper.

When he walked up your driveway towards the small stone path that led to your front door, he slowed to look at the garden that flourished in front of the wraparound porch. It was a beautiful mix of wildflowers and hedges, and while wildflowers had a tendency to look messy and unkept, you somehow managed to make it look neat and well put together. Fat, fuzzy bumblebees bounced drunkenly from flower to flower and as he climbed the wooden steps, a hummingbird buzzed past his ear, spooked by his presence.

He pressed the button to your doorbell, noting you chose not to install one of those camera doorbells and for some reason, that bothered him. Normally he wasn't a huge fan of technology, but you were all alone in this big house. You needed to be safe, to be careful. Your house was in a nice neighborhood, but that didn't necessarily mean anything.

The door swung open and you greeted him barefoot with a warm smile before stepping aside to let him in. You were wearing a loose tshirt that hung off one shoulder and he chastised himself when his eyes traveled down your tight fitting jeans to your ass as he followed you into your home.

He shrugged his reaction off to just typical male instinct and forced his focus onto the lovely foyer surrounding him as he slid off his boots. Polished cherry wainscoting lined the walls and his eyes widened when he noticed the small tiles in the shape of little octagons below his feet.

"Is this original?" he asked you in disbelief as he pointed to the ground. Your gaze followed his finger and you nodded.

"We tried to keep everything original, if we could," you explained.

"Wow," he breathed as he stepped forward into the hallway, his eyes unable to keep up with how fast his brain was operating. His gaze slid over the original hardwood floors of the hallway, fresh wallpaper, and wide, polished staircase with a plush carpet installed in the center of the steps. Much to his delight, you chose to furnish the house to match the style, as well. Antique fixtures hung from the ceiling and a real wood table was pushed against the wall. A small lamp sat on top with a stained glass Tiffany shade, and next to it was a pile of mail and a framed photograph he tried not to examine too closely out of respect.

"This way," you said over your shoulder, and he followed you blindly deeper into the house. You pushed open a swinging door that led into your kitchen, and for the first time since arriving, his nose was the first of his senses to respond instead of his eyes.

It smelled absolutely heavenly. He had no idea what you were cooking but his mouth instantly watered at the smell of garlic and salt and some kind of meat.

He swallowed and hoped his stomach wouldn't growl and embarrass him.

"Thought we were gonna order somethin'?" he asked as he watched you hurry over to the stove to stir something.

"Oh, I hope you don't mind, but I felt like cooking," you replied without looking. He glanced around the room, noticing you chose to update the counters and cabinets to look more modern, but kept the original flooring.

"Mind? Are you kiddin' me? Haven't had anythin' decent to eat since Sarah left for college."

Memories of fast food drive thrus and frozen dinners flashed before his eyes as he watched you turn off the burners on the stove. You opened a cupboard and stretched on your tiptoes to reach a bowl, the hem of your shirt riding up ever so slightly and revealing a small sliver of skin on your back and suddenly, his mouth was watering for an entirely different reason.

Stop it.

"Need some help?" he offered, and you fell back onto the flats of your feet, shooting him a nod and smile. He didn't mean to, but he reached up from behind you for the serving bowl, his front brushing gently against your back, and your shoulders tensed. Shit.

"Sorry, here ya go," he said, handing you the bowl and immediately giving you some space, not catching the glimmer of disappointment in your eyes.

"Thank you," you murmured shyly. He watched you spoon vegetables into the bowl for a moment, grabbing random jars of seasoning and sprinkling them on top before stirring it up, and he finally remembered his manners.

"Can I help?"

"No, no, I got it," you insisted, waving him toward a door on the other side of the kitchen. "Go sit down, I'll be right out."

He wandered over to the propped open door and entered your dining room. Pausing for a moment, he admired the chandelier above the table that looked old but the brass had been polished and the crystals cleaned. The drop ceiling was even remarkable: squares of textured patterns that repeated across the whole room, adding a whole other layer of elegance to the already impressive first floor. His eyes drifted to the dark wood table, where two spots were already set across from each other. He pulled out a chair and sat down, shifting his weight a bit and noting the chairs must have been recently reupholstered based on how firm the cushion was underneath him. You breezed in after him, hardly giving him enough time to take in the elaborate fireplace and mantle at the end of the room, and began to set down plates of food. His eyes bugged out of his head when he saw fresh, fried chicken and whipped mashed potatoes.

"You didn't have to go through all the trouble," he assured you, but you smirked at the way he stared at the chicken, the aroma from the breading overpowering his senses.

"It wasn't any trouble, I like to cook," you replied, disappearing into the kitchen to grab the vegetables and a basket of fresh rolls before finally joining him at the table.

Joel spread the cloth napkin over his lap, using every ounce of self control to stop himself from devouring everything in sight. He glanced up at you and you grinned.

"Go ahead, help yourself."

You watched with a small smile on your face as he loaded up his plate, then played with your own food until he took his first bite of chicken. He froze, his mouth full, and stared at you in awe before he dropped the chicken leg on his plate and leaned back, a deep, appreciative moan rumbling from his chest, making your thighs squeeze together under the table.

"Goddamn," he said once he swallowed. "That's the best fried chicken I've ever had in my entire life, darlin'."

You giggled and finally took a dainty bite of your own before nodding in agreement. "It's not bad."

Joel scoffed and took another bite. "Don't sell yourself short, now. I know what I'm talkin' 'bout. What'd you put in this?"

He listened, completely enraptured, as you explained how you soaked the chicken in buttermilk the day before and all of the seasonings you used in the breading.

"Oh! I almost forgot the lemonade," you said, standing back up and rushing into the kitchen, returning with two cold glasses and setting them down on the placemats. He nodded his thanks, mouth still full, and you giggled again.

You were already planning on packing up all the leftovers so he could take it home, but you still encouraged him to have as much as he wanted while it was warm and fresh.

"Did you make the rolls, too?" he asked after he took a bite.

You laughed and shook your head. "No, I'm not that good. I bought them this morning from a local bakery I like around the corner."

You had finished your meal long before he did, watching with your chin in your palm as he went back for seconds, reveling in the noises and compliments he made with practically each bite.

"Here, have some more," you told him, nudging the plate of chicken in his direction, but he leaned back in the chair and shook his head. "I can't, but everythin' was delicious. Thank you."

"You're welcome. I'm thrilled to cook for someone again," you replied with a sad smile before standing up and picking up your plate. He immediately stood and began to collect the rest, but you waved him back down.

"Sit, sit, I still have dessert," you told him, and based on the way he looked at you in that moment you would have put money down that he could be knocked over with a feather.

"Oh, darlin', you did too much," he replied, immediately flooding with guilt that he didn't even bring wine or flowers.

"Stop! I told you, I like doing it and I never get a chance to anymore, so please, sit down and I'll be right back."

Begrudgingly, he did as he was told and, while listening to you in the kitchen, peered out the back window at the meticulously kept grounds. Your house, like you, was absolutely beautiful. It felt like stumbling across an oasis in the middle of the desert.

You reappeared in the dining room with a bowl of diced, sugared strawberries and a plate of warm biscuits. He watched in stunned silence as you fixed him a plate, spooning the strawberries on top of a fresh shortcake, but told him to wait a moment before hurrying back into the kitchen and returning with a small bowl of homemade whipped cream.

Joel thought he died and went to heaven.

He could tell you didn't want to hear him complain that it was too much, so instead he lavished your baking with praise and thanks, both of which seemed to make your eyes shine bright and your lips remain curled into a smile the whole time.

"You're taking the leftovers home, too," you warned him once you finally allowed him to help bring things back into the kitchen. You were packing everything up nice and neat in matching Tupperware containers and stacking everything into a paper bag. As much as he wanted to decline, he really wanted your leftovers more, so he continued to thank you as he began to wash the dishes in your farmhouse sink. You had tried to fight him on it, but he finally wore you down and won. Stubborn little thing, he thought.

After dinner was cleaned up, you led him back down the hall and up the wide staircase, explaining that the books were all housed in a den at the top of the stairs, but when you opened the door to the room, den seemed like too small a word for it.

It was gorgeous, plain and simple. The cherry wainscoting continued in this room with a dark green wallpaper to accent the wood. All along the wall were antique sconces lighting up floor to ceiling bookcases stuffed full of literature. On the back wall was a large, heavy looking desk with a wingback velvet chair. The desk itself had books and papers scattered about, as if someone were in the middle of something and was rudely interrupted, but based on the layer of dust, he had to imagine nobody had sat there in some time.

And then it hit him: this was your fiancé's office.

A laptop sat open and turned off on the corner of the desk, along with a dusty printer behind the chair on the carpeted floor. He noticed what had to have been manuscripts of some kind based on the lack of coverings on the bound papers piling up next to the printer.

He was an author. This is where he worked.

That was when Joel realized you had been suspiciously quiet. He turned towards you, his eyes scanning your face, studying it. Your arms were wrapped around your middle as you stared blankly at the desk.

"We don't gotta do this today," he said softly, snapping you out of your reverie.

"No, it's okay," you replied, your voice so small it nearly broke his heart. You turned and walked toward the corner of the room, opposite the desk, where a small couch and coffee table sat. A few cardboard boxes were stacked nearby, two of which remained unopened, one recklessly torn into. You started with that one.

"Here," you said, pulling out a few books and handing them out. He stepped forward and took them, looking down at the covers and the beautiful artwork that adorned them. "These are the first trilogy, you should probably read them first before the next. They're different stories but they inevitably weave together so it'll make more sense if you-" you paused, your voice getting caught in your throat, and that's when he realized you had been fighting back tears.

"Hey, it's okay," he told you gently, putting the books down on the coffee table and carefully touching your shoulder, urging you to sit on the couch. After a moment's hesitation, you did, and he sat beside you. "This was too fast. I'll leave these here and maybe one day, when you're feelin' up to it, we can try again."

You looked up at him, eyes watering, and shook your head.

"No, take these now. I have more, I have tons, actually," you said, nodding towards the unopened boxes. "I just haven't come in here since he died and I didn't think it would be this hard." You wiped furiously at your cheeks, trying to hide your anguish.

Joel's heart thundered in his chest. He rubbed your back, trying to offer you a glimmer of comfort while he glanced around the room. "Maybe it was too soon," he offered again.

"No, it's been a year, Joel. I needed to do this." You took a deep breath and gave him a shaky smile. "Thank you. I know this is probably more than you expected-"

"Nah, hey, none of that, now," he cooed, mindlessly petting your hair. "If you needed someone to be here for this, I'm glad you picked me, okay?"

You sniffled and nodded, quietly thanking him again before taking another deep breath and exhaling with a nervous laugh as you looked around the room with him.

"Can I ask you something?"

"'Course," he replied.

"How long did it take for you to move on after your wife passed?"

He chewed the inside of his cheek as he thought about it, his fingers still playing with the ends of your soft hair as he slowly rubbed your back. "Well, hard to say. She was sick for a long time so I think I had time to come to terms with it before she died, y'know?" You nodded and listened to him, hanging on his every word and inadvertently leaning into his gentle touch. "Then I had Sarah to worry 'bout and, I don't know, time just... passed me by." He chuckled dryly for a moment before continuing. "My brother thinks I never got over it, Sarah thinks I never processed it, but they only think that 'cause I never dated anyone else."

Your eyes widened in surprise at his confession.

"Never?"

He shook his head and gave you a lopsided grin. "Been busy, I guess."

"But aren't you... lonely?"

He sucked in a sharp breath and cast his gaze to the floor. How did you manage to see right through him so quickly? Was it the common ground or something else?

"Wasn't too bad til Sarah left," he admitted, "but now... yeah. Yeah, it's lonely."

You scanned his face, watching the flicker of sadness in his eyes he tried to hide from you, and you inched a bit closer.

"I'm glad we found each other, Joel," you whispered. His eyes found yours again and he smiled.

"Me, too, sweetheart."

Then, without giving it another thought, you leaned forward and pressed a kiss against his lips. It was so tender and soft it felt like he was on the bus in fifth grade and Christine Murphy was giving him his fist kiss all over again while kids in nearby seats teased them with sing-song voices.

You pulled back and looked into his eyes, searching for any hesitation but all you must have seen was confusion because you leaned forward again, kissing him with a little more emotion, your small hand coming up to cup his greying, prickly jaw. You tasted like strawberries and lemonade and you smelled like vanilla and it was making every neuron in his brain fire all at the same time, to the point where his body had no idea what to do but remain frozen.

It was when your tongue first slipped past your lips and flicked nervously over the seam of his mouth that he finally came crashing down to earth. He sat back, breaking the kiss and holding you by the shoulders, staring deeply into your eyes. You were both panting slightly, probably from the excitement and adrenaline, as he tried to figure out what to say, what to do. You were in a fragile state, he decided. You made a mistake, the moment got away from you both and it didn't mean anything. It couldn't mean anything. You were too young and sweet and beautiful. You didn't really want anything to do with an old man like him. He just happened to be there when you were vulnerable and that was all.

The words never came. He couldn't form a coherent sentence. As the seconds dragged on, your face began to fall and embarrassment flooded your chest, the atmosphere in the room suddenly so thick that it was difficult to breathe. You cleared your throat and leaned back, his hands falling from your shoulders, and then you were the first to speak.

"Oh, no."

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[felassan]

David Gaider on Fenris, under a cut for length:

"Fenris. Now, DA2 is a story all on its own but I'm not going to go there other than to sum it up as "we had just over a year and a half to make this". It's why I only wrote one follower, Fenris, and although it'll make his fans mad: I probably shouldn't have. Let me explain. The way we'd approach making the followers is brainstorming a list of concepts covering first the array of gameplay classes (and sub-classes) and then making sure they each have some skin in the game when it came to the story's conflicts - ideally having characters on both sides of the major ones. Why? You can't make a player care about the world, but you can make them care about characters who care about the world. It's the easiest way to provide hooks into a conflict, outside of it knocking on the player's door. Heck, it's probably better than that. Players will burn the world for approval. After that, we'd decide things like romances/sexuality. Then the writers would pick who they'd write. I always let my writers pick first. I figured they do their best work when it's something they're inspired to write... and they got so few chances at ownership, I wanted to give it whenever I could It's why I (reluctantly) let Patrick wrest Cole from my grasp in DAI, a character I'd created in Asunder. It's also why I let Jennifer take Anders in DA2, who I'd started in Awakening. In this instance, it meant I was left with the angry elven warrior character who nobody else appeared to want."

"It should have been my first clue that something was up. The second was how the artists had zero clue what to do with him. The art concepts were all over the place - from mages to crows to... well, even weirder. No matter how hard I tried to explain the idea, the artists simply didn't seem to get it Does this mean he was a bad character? Not exactly. Just an idea that probably deserved some re-examining. You can tell when an idea has a certain spark, and part of that is being easy to communicate. Sadly, there wasn't time for any re-examining even if it'd occurred to me. And it didn't, not yet. If it had, if I had time, maybe I'd have re-booted him as a templar. Someone pro-templar rather than anti-mage, who could give a personal hook into Meredith and give the templars some badly-needed humanity. But this falls into the shoulda-woulda-coulda category. I had a follower to write. Quickly. I struggled, at first. It was hard to get away from "Fenris hates everything, all the time". It felt very one-note, and I didn't know where to take him. My third clue, I guess. I also wasn't sure if I was the right person to write a former slave. I did know that couldn't be the center of his story. I did know trauma, however. How it can eat you up. How the hate and resentment is like drinking poison and hoping the other person dies. How it can infect your relationships. Fenris's trauma isn't my trauma, obviously, but here I dipped into a more personal part of myself than I'd ever done before."

"It gave me the center of his story I was missing, but wow was it uncomfortable. In a good way, maybe. I likely wouldn't have, if I hadn't been so desperate. In a way, I think DA2 had some of our best writing *because* of the timeline. It was raw, with little time to sand down the interesting parts. I wouldn't have done the "Fenris doesn't talk to you for three years" thing if I'd known we were going to cut all the reactivity initially planned for the time jumps. When that call was made, I campaigned to cut the jumps to a year, but there was no time for the revisions it'd need. So, um. Awkward. I used to get asked where the name came from, and I... don't remember? Obviously it's derived from Fenrir, but I don't recall why we picked that. Someone pointed at Fenris the Feared from Joe Abercrombie's books... and I did read them, so maybe the name lodged in my head? Wouldn't be the first time. Casting Fenris turned out to be easy. He was the first time I requested a specific VA and got him. (The other times were Merrill and then Solas, my two "I want these specific Welsh actors, please".) Why? OK, if you must know, I'd played a bit of Final Fantasy XII. I heard Balthier. "Yes, that." 😅 And Gideon Emery was a delight, as it turned out. Consummate professional, and that lovely gravel in his voice... good god. Bite the knuckles. There was a struggle to find the voice at the outset where I did my best not to say "just pls do Balthier" but he found Fenris on his own and it was amazing. Overall, Fenris turned out better than he had any right to, considering the rocky start. He had a lot of soul, a vulnerability forged by pain that struck a chord with a lot of players, and I'm glad. Do I regret anything? Probably having him live in a corpse-filled mansion that would never update. That's a hindsight thing, though, as again the cut to reactivity over the time jumps came late. Outside of that, maybe letting the player give him back to Danarius? Poor shock value and a waste of resources because almost nobody took the option. Good evil options are ones that are tempting to take. And the lyrium tattoos. Interesting concept, but they're probably why you'll never see Fenris in a future DA. He requires a custom body, and the tattoos make that expensive. It's why I put Fenris in my 4th DA novel - the cancelled one. Don't fret, though. He died in it, so this way he lives on. 😉"

[source thread]

User: "Wait wait how does he die in [the cancelled novel]??" David Gaider: "Gloriously, after taking up a cause he didn't believe in at first but then made his own, one that allowed him to rediscover what it meant to be elven." [source] David Gaider: "I’m not sorry about the novel cancellation. I’m the one who cancelled it. I am kinda sad we couldn’t make it work, though. Considering it was after I left the DA team, it would have been my final DA hurrah." [source] David Gaider: "From my perspective, it was kind of "well if you're never going to use him again, let me at least give him a proper send off" and the story required a glorious death... but I get that's not the story his biggest fans would want (which is Hawke + Fenris 4ever), so it's just as well." [source]

User: "You all did some incredible work with such a tight deadline" David Gaider: "I'm of the opinion that even if we'd had only another six months to bake, DA2 would be remembered as a classic and not either a flawed gem or underbaked sequel, depending on who you ask." [source]

David Gaider: "Just to clarify the "they're probably why you'll never see Fenris" thing, as it's spawned commentary: 1. It's the reasoning as was explained to me back then. 2. Obviously, if Bio *really* wanted to, they'd find a way around it. But it was a complication that meant he couldn't be included casually." [source]

[beezelbubbles]

She trudged along behind her girlfriend at a relatively safe distance. A full moon meant babysitting duty supervising her. This was decidedly less sexy than she thought having a werewolf girlfriend would be. Centuries of proximity to humans and civilization meant that werewolves had undergone a bit of domestication that they would never admit to and were now closer to weredogs. But she'd never tell Tessa that. Domesticated or not, she could still rip the throat out of someone before they got more than one syllable into "Who's a good girl? Who loves bellyrubs?"

Up ahead Tessa was snuffling at the brush. most months she just wanted to run, maybe chase some deer. Sue clamped down firmly on the thought, Just like Aunt Nell's mastiff. Suddenly, Tessa stopped, ears alert. Sue caught up to her and closed her eyes, and willed herself to hear what Tessa was hearing. Finally, for a moment, the wind dropped and she caught the cadence of what seemed like chanting from the direction of the cemetery. Oh no. Tessa took off at a run and Sue scrambled to keep up. The ground leveled out when they got into the cemetery proper and it was easier. The chanting had resolved from a murmur to clear Latin. Sue groaned. Latin being chanted in a cemetery at night was never good.

There was a deep throated "wuff" and Tessa leaped into the circle of candles. Fuck fuck fuck. Candles? No no no. Sue drew the machete she kept at her hip. The chanting turned into screaming.

"No! No! Bad dog! DROP IT!"

Tessa was shaking her head and gnawing at something, but there wasn't the sort of screaming that meant it was alive, so that was probably okay. As Sue came up to the circle, the robed figure whirled at her and pointed accusingly. "Call off your dog! Do you know what you have interrupted?"

Sue looked them up and down and then squinted at the runes drawn in white chalk. "A reanimation spell? Not like a good one though."

The robed figure gaped, then seemed to remember themself. "Call off your dog, or I will deal with it myself." They waved their ceremonial dagger. It looked silver, but Tessa was ignoring it, so it was maybe silver plated at best.

"Not a dog," said Sue absently, looking around the circle, "and if you like your throat where it is, you'll stop saying that."

The figure froze and stared at Tessa with dawning realization.

"Hey, how far were you into this spell anyway?"

"It was done," said the figure in an attempt at portentously. "I was just repeating for, you know, ambiance."

"Uh huh. Uh huh," said Sue. ''Babe, drop it, you don't know what this dummy coated that in."

Tessa looked up from the femur she was gnawing on and cocked her head questioningly.

"They were trying to raise that thing."

"I did raise it. It's just... inert because I haven't given it any commands yet."

"You missed a line on the third rune. It's never gonna work like that." She sniffed. "And are those Bath and Bodyworks candles?"

"There was a sale and they're the right color."

"Riiight. Okay, well good luck with this. Tessa, let's go before this dummy's consequences start turning up." She scrapped the missing line in on the rune with the toe of her boot and muttered the final line of the incatation.

The aspiring necromancer watched them walk away. "They'll see! They'll all see."

Behind them the bones rattled and began pulling together. The necromancer cackled in delight until the skull began to elongated into a wolf's skull.

"No no! Sit! Stay!"

And then there was only a brief scream before the were-skele-wolf raised its bloodied muzzle to the sky in a silent howl.

Sue and Tessa watched this from the treeline. Tessa growled.

"Don't worry," said Sue. "It'll fall apart when it leaves the circle. I didn't put that much into the spell. Let's go home. We'll come clean it up in the morning. After you make me pancakes."

I guess this is what would happen if a werewolf bit a skeleton.

[pomefioredove]

@hxney-lemcn said more cater fics and I am here 2 deliver ✌️✌️

*ੈ✩‧₊˚ friends kiss, too

type of post: short fic characters: cater additional info: romantic, reader is gender neutral, reader is yuu, friends 2 lovers ON TOP! a little making out

Every time Cater drags you through one of these things, you ask yourself why you let him, and every time, the answer is the same: he's your best friend, and you love him.

It's the very same reason you let him spam you with texts and annoy you with surprise selfies. It's the reason you rarely hang out with anyone else, because you know it makes him jealous, though he'd never admit that.

It's the reason you're here, now, awake in your room well past curfew.

Despite the threat of a Housewarden who would flay you alive if he caught you and Cater sneaking around in the dead hours of the night, your bestie was absolutely insistent on this all-nighter.

It's a trend on Magicam, he said, and he had, of course, pouted and whined like a sad puppy until you agreed to "support him" by keeping him awake.

By two in the morning, you were more bored than tired.

"Pass. Pass," Cater says, swiping through dating profiles on his phone. "Hm... no, pass."

You sigh and slump against the headboard of your bed. "You've said that word so many times, it doesn't sound real anymore,"

"Ughhhh. Is Sage's Island where hotties go to die? I just want a cute holiday romance!" he exclaims. "Think of the pics!"

You roll your eyes. You'd heard that exact string of words probably ten times in the past few days.

"You can't date someone just for couple photo ops,"

Cater pouts. "Oh, yes I can. I specify "nothing serious" on my profile! It's not like I'm lying!"

Another eye-roll. He's technically right, as always, which just makes you even more annoyed.

But you don't want to get into an argument about the morality of flings right now.

"And it's cold out. Who am I gonna hold when it gets even colder? It's cuffing season, hon,"

Something about the way he says that bothers you. You try not to think about it so much.

"Well, you'll always have me," you tease.

Cater giggles, and sets his phone down on the bed, a subtle way of showing you that you have his full attention now. "Oh? What's this? Sounds like you're offering,"

"Not what I meant," you counter. "I'm your bestie, not your bae."

"Boooo. What are you, a nun? Friends cuddle all the time,"

Again, he's right. He likes being right, and you can see that on him now, too. He has that competitive glow on his face.

You smile. "Sure, sure, but we all know that cuddling isn't what you're looking for,"

Cater gasps, feigning offense with a hand placed delicately over his heart. "I am not that easy! I'm starting to think you really do want me all to yourself,"

If anything, it's the other way around. Since befriending him at the start of the school year, you'd always had the feeling that he took up all your time on purpose. But you don't say that.

"Besides," he goes on. "There are a lot of things that besties can do that are perfectly friend-like. The segregation of romantic and platonic is a totally oppressive amatonormative structure, anyway."

You roll your eyes. "You have got to stop reading those infographics. Do you even know what any of those words mean?"

"Not the point! I'm saying that there's lots of cute stuff we can do while remaining besties,"

He's very enthusiastic about this. You can't tell if it's his penchant for being right, or something more.

"Pfft. Okay. So, what, friends can kiss?"

"Obviously," Cater crosses his arms over his chest, giving you that smug look of his. "Friends kiss, too."

"Then prove it,"

The words that had you had been holding in the back of your mouth for the past few minutes escape before your brain can stop them.

Even Cater, who's never surprised, pales a little.

Your mouth opens, then closes, then opens, again without your thoughts offering any support.

"I didn't mean-"

"Okay,"

You blink. Something hot and cold at the same time runs through your body- adrenaline, anxiety, maybe it's just your own blood heating up at the way Cater leans closer, cupping your face in his hand, his fingers curled under your jaw and thumb gently brushing against your cheek.

His hands are kinda sweaty. You don't really mind, and even if you did, it wouldn't have mattered, because his lips are now sweetly pressing against yours.

You fit together quite nicely. As if he was just meant to kiss you.

It's hard not to think about everything all at once; his warm hand moving to cup your chin and hold you close to him, his hair brushing against your face, the way his lips still linger with spice from whatever he'd eaten earlier...

It's not perfect. But it's him, which is close enough.

Cater pulls away, his breath dancing across your lips, but he gives you no time to recover before he's closer, kissing you again with a sort of heat that matched the taste of his mouth.

He holds your face in both hands, shamelessly pinning you against the headboard and sitting in your lap as if he belonged there, always.

Minutes go by. Maybe hours. You wouldn't have noticed, or cared, either way. When you finally part from one another, it's felt like years.

You feel like an entirely different person. As if the world had ended and begun again in the six minutes you had been kissing him.

Cater sits atop your thighs, panting, his face redder than his Housewarden's hair, that of which would have flayed you both if he were to catch you like this.

Luckily, it's just the two of you.

"See?" Cater finally mumbles, dismounting you and scooting back to where he left his phone. "Platonic."

You're too breathless to argue.

You suppose you'll let him be right again.

[kinardsevan]

What is your opinion on Tommy coming back or not? And in they case we see him again, do you think it’ll be just for closure (ex: Abby in season 3) or maybe for a BuckTommy second chance?

fun fact: i was considering doing an entire breakdown with a bunch of Oliver's interviews from the start of this arc until now to point to my opinion:

Tommy is coming back. The romcom theme is still in effect, and we're only about midway through the 3rd act.

Long story short (and without sources right now), I think that the interviews were actuallly pointing in this direction with the wording for a hot second. We have OS telling us that he thinks the best relationships have a "will they, won't they" bit where the audience and the characters are pining. We've seen this play out on the show. And we also have to remember that Oli knew during this interview that the breakup was coming. We also have the interview (I believe it was the Decider one I linked last week) where he mentions choosing to fight for the relationship or not. I feel like a lot of people have taken the context of that and twisted it into "they didn't do it right away, so they're not going to". Except, there's ANOTHER quote of relevance, which is Oliver talking about how Buck's queerness isn't tied to Tommy or Eddie, and only to himself.

Obviously, there have been things said since 806 that would point towards me being delulu, except, here's the issue: TM, OS and LFJr are NOT going to tell us that Tommy is coming back if that's the intention. It would spoil the surprise of it all, and the win of it all. What fun is there in that? What TM has said is that Tommy is Buck's romantic past but that doesn't mean he won't turn up again in the future (all relevant and true facts which do not shut down a reconciliation). Lou never out-and-out said he was done with the show. He's said time and time again that he wants to come back. TM has mentioned Tommy coming around again. OS literally said in an interview "they may run into each other on scene and have it be awkward".

Now obviously we don't actually have the full story with how things went down and the show decided to go with splitting the boys up. I think the fact that Lou has called out the bullying but says he wants to come back suggests that it wasn't him saying it was too much. I have two theories that could honestly run concurrent with one another:

Evan and Tommy break up in 806 at the end of the episode. With 911 having 18 episode seasons, this quite literally only makes up the first third of the season. It set up the beginning of the year for us. We're now two episodes into the second part of the season with a pretty clear idea of where the next three will go and suggestions (by fans, nothing official) that the "soonest" we could see LFJr again is 812. This is reasonable, as it would be the end of the middle of the season. Knowing that TM has suggested he might do a multi-episode season finale, pushing LFJr back into the show in 812 (or even the end of 811 if we go with my theory that Eddie could possibly leave around this time and Tommy helps them pack up/his and Buck's first time spending time around each other again), there would still likely be something around this time period that would be around when they would open the doors to this. As it is, we know that 809 and 810 go together, and then we'd have 811 to really flesh out the end of Buck's fling. I think there's even more possibility of LFJr being in this episode as well because if the plan is to bring them back together (which everything has been suggested so far ON screen in terms of keeping Tommy "in" the story), three-episode arc gives us several things: a. it allows the show to make the point that Buck's queerness is not intrinsically attached to Tommy; that his interest in men is as equal as he know his interest in women is. b. it gives them the ability to also show that his feelings for Tommy are not based in Tommy being his "first", or Evan needing to "discover" more about himself. They're in love with each other, and the show has given us the pieces for that. LFJr has acknowledged it in an interview, Tommy loves Buck. We also know that Tommy's line to Evan is "you'd end up breaking my heart, and I don't think I could deal with that". When I hear that sentence, what I'm actually hearing is "I'm already in love with you, and if I let myself fall more in love with you by being with you every day all the time and this ends, I won't survive it". By relation, we have Josh ask Buck if he loves Tommy and Buck waffles, but I think this has more to do with his lack of understanding of what a healthy love is in a relationship, given his past relationships. He never got to tell Abby. Ali left. and saying I love you to Taylor wasn't about the core of actually being in love with her, which I think is another important piece for BuckTommy: they don't just love each other, they're in love with each other. Still, sometimes it's hard to quantify that feeling, and I think (as I've referenced before), for Evan it was easier to ask Tommy to share a living space with him than to share how he feels about him because historically, things haven't worked out well for him when he's been in love outwardly. Further, the questions Josh asks Evan are directly correlated with loving someone, and Evan answers yes to all of them. (I don't think I need to add this, but he also sees a future with Tommy, talks about being engaged or married. He's serious about Tommy in a way he never has been before.)

There's also the theory that the breakup happened because of scheduling conflicts. Now obviously the show could've found other ways to work around LFJr's scheduling issues by having Tommy go on a trip or what-have-you, but let's remember OTHER things that have been said by OS in prior interviews: a. back in June, he did an interview where he stated that he wanted and hoped that BuckTommy would go through issues that couples normally go through in their first year together. He wanted normal issues. This storyline IS normal. b. he didn't want to repeat Tarlos. By the very definition of what the show is doing right now, we're not. Tarlos and BuckTommy are their own things with their own reasonings.

One of the other things I also keep being pulled back to is these issues: first of all, we know how LFJr plays with the 911 demo, given that they got to see it last season. It's why he was written into more episodes after his initial four episode arc and brought back. ABC has also used BuckTommy in their own adverts, which suggests that they are very supportive of the relationship continuing because it draws in viewers. Truly giving that up for good feels like dousing yourself in gasoline and then considering striking a match. Second, people also keep calling out that TM only plans a few weeks in advance. I believe this is true with story beats. We know that the writers room has a general idea on character arcs, thanks to some of the discussion on the cheese page post-806. I really struggle to believe that TM didn't know going into going forward with the breakup whether or not he wanted to bring LFJr back. We know he waffled back and forth on the idea of the breakup, meaning he probably had other solutions on his mind for whatever LFJr's schedule needed adjusting for, and this is what he decided on. Also, even if 8b hasn't been broken down yet (we know it hasn't), they would still know at this point what they do or don't want, what their ideas might be. Solidification for why Tommy should be brought back is directly shown in the reaction by the GA and the fandom to the breakup. They may not know exactly how that reunion happens yet, but what they have suggested is that Buck's new relationship will be short-lived. That he's using it to cope. We also know he's still processing the break-up and still misses Tommy. These are all things that point to the story not being over. Plus, I feel (once again), if the story really was over and they didn't have plans to continue this in 8b, LFJr wouldn't be talking about wanting to go back. It be far more "yeah that sucked, but it's over now and what can you do? I'm off to this new show and I'll never be back." (I've commented also on the fact that the fangirlish interview comment about his "i'm going here, doing this, have some opportunities" statement is very run-of-the-mill. Obvs I could mean something. Or it could literally just be a canned answer.) (This might feel a little off-center, but I think his commentary on trusting TM and knowing what he's doing in one of his post-806 interviews directly suggests that he believes the story is going to be handled properly.)

I realize at the end of the day, all of what I'm piecing together could mean zilch and Tommy could possibly never come back. They could truly just drop the story and never circle back around, set fire to a beautiful arc and lose thousands (possibly millions) of viewers. I've certainly suggested myself being one of them. But I don't see BuckTommy only getting an Abby fix for two reasons. LFJr wants to come back and continue the story, and Connie Britton only ever intended to do one season. Also, the fling has been called out as being planned to be short-lived. Why bother mentioning that if you don't have other plans for the story.

The last thing I'll leave you with is my commentary from the interview Oli and Aisha did with the guy from Chicago. That reporter obviously liked the BuckTommy storyline and said he's choosing to believe that the relationship is paused, not over. By relation, we had Oliver say three things: (1 and 2) Buck is still looking for love, both in himself and with another person. (3)The season is only half over. Circle that back to 806-808. Buck is finding love in himself by dealing with it in a healthy way (so far) with the baking. We've also seen the "cracks" Oli mentioned with his continued urge to want to text Tommy, as well as him fighting it off by baking (referencing the "pendulum swinging"). Looking for love in others will likely be this arc where he tries to deal/move on. I feel like we collectively watched the end of 806, and then 807 and 808 yelling at the TV "you're in love with him, piece it together already!" (or maybe that was just me???). But truly, whether it's a fling, his therapist, or Bobby/Maddie/Eddie who finally spells it out of or him, I think there will be a point at which we see that come to fruition. The seeds were sewn in for it in the scene with Josh. Now it's just about watching those seeds sprout.

Final note: we've had a good run up to this point with these two. Did we truly thing that the honeymoon phase would last forever? (I didn't. Conflict and the pink bubble popping have to happen eventually.) If we really want to suggest that what BuckTommy has is real, they have to go through this and come out the other side. I think everyone is justifiably frustrated due to the 4 month wait on new episodes (I personally would not have left people hanging quite like this, but that's just me), but the narrative does lead us toward what the show is doing with the suggestion that it does have a natural (and good) conclusion. (Possibly with a helicopter/truck/jeep crash?!)

And just as my singularly LAST note, here's my other thing: Evan and Tommy both have abandonment issues. (Tommy's are clear based on the break up and we know Buck's.) By that correlation, when these two finally get back together, they're never going to fucking let the other go.

(This was so much longer than I intended it to be, but that's my answer 😂😂😂😂😂😂)

[felassan]

David Gaider on Zevran, under a cut for length:

"I was going to skip over Zevran, honestly, as I felt like I didn't have a lot to tell in the way of stories about him... but I know he still has some (ardent) fans. Plus, on reflection, I thought maybe I DO have a few things to say. 😅 Sooo we'll see how this goes. Zevran came along much later in the DAO process, as we were trying to round out the cast of party members. Alistair and Morrigan were well underway (as "main" characters, they were concepted very early) and I'd just started to consider who our Rogue followers might be when... things changed, a bit. See, BioWare had released a game not long beforehand called Jade Empire. It had included some same-sex options in its romances - not obscured like the way Juhani's "romance" had been hinted at in KotOR, but explicit. To this day, I have no idea who on the Jade Empire team was behind it, or why. More to the point, the same-sex options had received a lot of attention and praise - almost universal praise, in fact. In 2005, everyone was just pleasantly surprised. And I don't recall if I went to James and asked about it or if he came to me to suggest DAO should include it. The latter, I think."

"You might ask "Aren't you gay, Dave? Weren't you already pushing for this?" And the answer to that is, emphatically, "no, not at all". It might seem odd looking through the lens of 2024, but there was no talk of 'representation' or 'diversity'. Not at any level where we were aware of it, anyhow. Today, fans argue about how MUCH representation to include and whether it's done well enough... the idea that, less than twenty years ago, it being included *at all* was very much in doubt feels so far away. But, back then, I'd always assumed my private life and my work in games would never meet. So I think it was James who brought it up, because I remember being startled. Pleasantly so, of course. Now I had to look at our two rogues and figure out how this would apply. I sketched out the female of the two (who was taken on by Sheryl Chee) and then looked at the male - he who became Zevran. I'd been reading about the CIA and one thing that stuck with me was how they'd (allegedly) recruit gay men as assassins because they rarely had familial ties. Zevran wasn't going to be gay (bisexuality wasn't a question of representation, but a cost-benefit compromise) but that was the inspiration."

"Then there was the question of how "flamboyantly" I was writing this character, whether that might be too stereotypical? I don't remember how it arose, but I had too many "flamboyant" friends to do anything other than double down. This character was gonna be Zorro the goddamn Gay Blade, that's what. So that's how Zevran happened. Fun, a bit nihilistic, maybe a bit too overtly flirty for today's audience but very confidently *sexual*. Everything I'm not, so I'll admit it was an interesting exploration to dig down and find that voice somewhere inside. He was the anti-Alistair, and I needed that. Casting him was difficult. Caroline always tried to go for authentic accents, when we could, but for some reason this was getting us nowhere. I think back, and I suspect it's because I hadn't yet learned the lesson to not use terms in casting descriptions I thought were universal... but were not. What do I mean by that? Well, there was one write-up that said "drow elf". Now, I know what a drow elf is. It wasn't even important to the description, but the director saw the word "elf", and you know what we got back? A Keebler elf. Like a leprachaun, high and sweet and cutsie. Can you imagine?"

"In this case, I think it was the use of the word "assassin". Combine that with the sorts of roles many Hispanic actors in LA probably are asked to play, and all the auditions we were getting were 150% dark, mean, and gritty. 🫠 So we widened the casting call a bit, and this led us to Jon Curry. I knew Jon wasn't Hispanic, but what I wasn't prepared for when I flew down to meet the DAO actors was that he's this extremely tall, extremely Nordic looking dude who just happened to do the most amazing Antonio Banderas impression. Watching THAT man channel Zevran was... more than a bit surreal. 😅 And he had fun with it. As soon as we gave him the go ahead to play the fun and flirtiness to the hilt, that's exactly what he did. Over the few days where we found Zevran's voice, it totally supplied me with something I could hold in my head when I went back to Edmonton and finished writing him. Zevran was funny enough that the fans liked him. The only part of the reception I thought odd was the occasional comment by a male player who felt "tricked" into having sex with Zevran. "You mean... that part where he invites you to his tent for a sensual massage?" "Yes! I was expecting a massage!" "He literally says the massage is sensual." "Well he wasn't clear enough!" This is where I first came to the conclusion that a certain number of our players just don't know how to people. And that maybe an adjustment to the way we approached the messaging (or massaging lol) of romance was in order. If I could go back, would I change anything? Maybe I'd remind the systems team Zevran should really be able to pick a lock. And maybe not allow him to die. We had no idea we'd need to import these choices into the future - we kinda thought DAO was "one and done". Not so much, as it turned out. 😁"

[source thread]

David Gaider: "there's something to be said about how Zevran flirted and even had sex with you because he thought that's all he had to offer... not just you, but anyone. And when he realized you wanted something deeper, suddenly he was on unsteady ground and it truly unsettled him. It was fun to explore." [source]

User: "So David - besides loving the fact that the third image you picked is a gay sex scene - what happened in DA2(DAE - come on) with Zevrans design?" David Gaider: "Check the ALT text. It wasn’t a custom sculpt, so that’s as close as they could get it. Which… was not close." [source]

User: "Just to make sure I fully understand: the director (was it the voice director?) saw the word "elf" and thought you were looking for someone high, sweet, and cutesie?" David Gaider: "Yeah, this was from back before we managed VO in-house. The voice director in this case just didn’t have an association with “elf” like some familiar with fantasy would." [source]

[whyohwhydoris]

This is a lovely idea. But four years of policy is not the democratic party. We must remember that this party routinely platforms Bill Clinton - and lets set aside his failings as a human being - who pushed through NAFTA, pushed through PNTR with the PRC, and over saw the repeal of Glass-Steagall. Barack Obama's economic policy bailed out big corporations and banks, but did little for the individuals destroyed by that rampant deregulation, and failed to jail the vast majority of individuals responsible for active financial crimes. When Sanders primaried Clinton, despite his garnering of notable support, and despite him *polling better in polls against Trump specifically* the party actively played favourites. And people will say Clinton would have won regardless- but we don't know because the entire process is tainted. At the same time they played party politics, they sent strong and clear messages to Latinx and young male democrats - the very demographics who have been most willing to move right of late - that they weren't welcome. The party actively promoted rhetoric which placed Black POC in a position of unique privilege in the party, assumed the fealty of other minority groups, and sidelined other POC voices which did not full toe the party line. On the issue of men, the Clinton campaign was *actively* insulting and diminishing of men, frequently targeting male commentators with sexist language and - in essence - telling them to shut up, the women are talking. The Clinton campaign also managed the sexist double whammy by framing Women who sided with Bernie as class-traitors - ignoring that the most common Bernie supporters were women of colour between the ages of 25 and 35. The Clinton campaign was practically a white-girl feminist playbook running for the white house. As for Kamala's run? She did, frankly, brilliantly. She didn't treat any group of people like the free square on the bingo card. She however failed and was failed in two critical areas: The genocide in Gaza and the cost of the bread basket. It is worth noting that support for Palestine is highest among the young, and among racial minority groups. It also happens that the lowest quintile (20%) of Americans by per capita take-home is disproportionately young (the single largest age cohort in the lowest quintile are households with a HOH 24 and under.) and people of colour. They are, definitionally, the core of the working class - and one of their major social issues was literally laughed at by the current DEMOCRATIC administration. But what about the bread basket? Biden nipped inflation in the bud, right? The Democrats beat it? Right? Well, to little, to late. Because dealing with year-on-year inflation doesn't actually reduce the cost of goods. At the same time that a vast plurality of Americans are experiencing serious economic woe, the Administration told them they were flat out wrong and that President Biden had fixed the economy. But that doesn't actually bring down the price of milk and eggs!

But, Harris ran on going after price gougers! Okay, then why didn't she or her surrogates focus on that in their closing weeks? Probably because a bunch of inside the belt-way consultants and a bunch of wall street policy wonks say it wouldn't work! Which, I don't know, sounds an awful lot like the party being captured by special interests. At the same time that the party base and the electorate at large were calling for a change candidate, Harris was saying, point blank, that she wouldn't differ from Biden, and was campaigning with established members of political dynasties because her advisors - many of whom were Biden folks she basically couldn't fire - were telling her to. The Democratic party is failing the working class. And if you don't see that, you're equally part of the problem. Macro-economic policies, large infrastructure bills, great job growth are paper statistics. But when you have a country where you had country with %93+ employment in 2020 and %95+ in 2024, those are talking points for %2 of people, not for the %90 who are struggling. And the party has no plan for those people because it is actively and routinely hostile to individuals who try to platform those concerns and far too reliant on individuals whose own power is defined by that inequality. And while you can say "most pro union" and "most anti-corporate" that doesn't actually help most people. That shit shouldn't be your head line item. That's literally the party's most basic job, and the fact Biden was exceptional is the most thorough damning of the party you can write, because it means that the last 70 years of Democrats have been fucking the working class on those issues. 4 years isn't good enough. And the party is too up its own ass to actually see what the typical *individual* is dealing with.

dropping this here

[finrays]

Surely you all saw this coming

PLEASE do more Animorphs Generator stuff, I'm loving this

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[stevieschrodinger]

Eddie hasn't answered the phone in nearly two days which, post Chrissy, post Vecna, post end of the world (averted), post every thing, is a wholly unacceptable amount of time.

Steve does a round robin on the walkie; everyone suddenly realizes they haven't heard from him either. Steve volunteers to go over.

He raps on the front door of the little two bed place Wayne owns now, a little government recompense after they took the trailer away to study, or whatever. Also quite a bit of 'take the house and keep your mouth shut,' kind of thing, Steve figures.

Wayne looks tired when he opens the door, kinda droopy, which Steve knows means he's really tired. Like, holding form is becoming a smidge difficult kind of tired.

Steve slips in fast, 'sorry Wayne, Eddie's van wasn't at his place so I figured he was here,' which he must be, because Eddie's van is here, and not outside his shiny new trailer, 'he hasn't been answering the phone.'

'He's here kid but he's kind of...having a rest day?' Wayne hedges. He's bad at lying, just like Eddie, Steve knows something is up.

'Can I see him, just for a second? Just check all is good?' Wayne gets Steve's protective nature, after everything that happened, he knows Steve likes to look after his people. He also knows Steve can keep a secret, only Steve and Robin know about Eddie and Wayne's shape shifting ability - carrying Eddie out of the upside down, convinced Eddie was about to die, only to have Eddie's glittery insides do something wholly unexpected was...well, Steve knows, is the thing.

Eddie also wins at doing impressions, since he can actually turn into movie stars, and that's kind of cool. Steve always likes watching Eddie turn back into himself though, maybe because of the crush he's been nursing.

Wayne caves, and Steve knows it's bad when he finds Eddie in the bin. He's shimmery and silver, and nearly tipping out the edges. He sloshes a little when Steve walks in, 'hey man, you didn't even make it to the bath? You want me to tip you out?'

Nothing, but the overhang wave of Eddie goo turns, hanging over the far lip of the big trash can. Like Eddie just turned his back.

'Uhm. I just. I just wanted to check you were okay? You know? Everyone's kind of worried.'

Eddie ripples. Like a sigh.

Eddie sloshes out of the bucket, his form building upwards until Steve is standing in front of...Nancy? Wearing a torn Dio shirt and plaid sleep pants.

'Eddie...that's kind of weird man.'

'I know!'. He waves Nancy's arms around, ' I know okay! But I can't stop it!'

'What...you're stuck? As Nancy.'

'Kinda', Eddie hedges, his ability to lie as bad as Wayne's.

'What does that mean?'

Eddie huffs, and shifts again...into Farah Fawcett. He crosses her arms over his now ample chest.

'Eddie...what is going on?'

Eddie shifts again, the hot brunette from the horror movie they watched two weeks ago, Steve can't remember the actresses name. He remembers saying she's hot though.

'Steve just...I'm having some kind of crisis, okay. It's just a bit of a...block. Just give me a few days and I'll be right as rain.'. Heather Locklear explains.

'Eddie...come on man, there's clearly something up.'

'This is so embarrassing.'

'Just tell me, okay? It can't be anything that bad, I won't judge.'

'It can be that bad,' Michelle Pfeiffer whines from behind her hands.

'Eddie...I'm not leaving until you spill.'

'I really...like you...' which, coming from Olivia Netwon-John, probably fulfils some sort of fantasy for Steve, but he has to remind himself he's thrilled to hear it from Eddie, too. 'So now I'm stuck, trying to be someone you actually want.'

'I...oh.'

'Yeah.'

'Well, I really want Eddie. So does that fix it?'

Brooke Shields cocks her hip and rolls her eyes, 'Steve, I'm not doing this on purpose, I don't have any control right now, so I don't need an empty platitude-'

'Its not. I've had a crush on you for ages. I'm not going to kiss you when you look like someone whose not Eddie.'

Eddie slowly melts back into himself, 'you're not?' he asks weakly.

'Nope, I can now though-'

'I'm back!!!' Eddie runs his hands all over himself, disappearing into the bathroom, checking the mirror he shouts, 'it's me! I'm me again! Oh thank fuck! Do you know how stressful that was! Having big tits is hell on your back-'

Eddie rambles, and Steve waits patiently for him to remember they could be making out right now.

Your friend, a shapeshifter (a secret you've kept since childhood) hasn't answered your texts in days, so you head to their home. Upon arriving, you find that they're in the middle of an existential crisis; they can't remember how to turn back into their original, human form.