#I don't know i think it's really the production I don't think the sound fits the melodies or her voice i don't understand the goal | Explore Tumblr posts and blogs

badnewswhatsleft · 2 days ago

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rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be?

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails.

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can...

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band.

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music.

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special.

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

#sir the ''schlubby dad'' in question is getting on stage and GROWLING. people are dying and creaming and dying and cr #time capsule #read the charts #fall out boy #patrick stump #pete wentz #joe trohman #andy hurley

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tambourineophelia · 7 months ago

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she did NOT put Patti Smith's name in the same song as some of the cringiest lines I have ever heard, tell me she did not

#All I will say #Tried to listen to it but geniunely all songs Sound the same what's this production???#I will maybe try again later and i already liked So long London but the rest is...#I don't know i think it's really the production I don't think the sound fits the melodies or her voice i don't understand the goal #Anyways have fun with it girlies but i WILL be salty about the PS name drop

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luvyeni · 22 days ago

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PERSONAS ,, 이제노

⸃ ⸰ ⌁ jeno is surprised by your persona... both of them ヾ

PORNSTAR!이제노・ CAMGIRL!reader ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ g ・ smut ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ wc ・ 6.4k ‎ ‎ ‎ ‎| ‎ ‎click to library

𓂃 🎞️ content warning... sex on film, rough-ish sex, oral sex ( M ), unprotected sex, facial

「 ୨୧ authors note 」 finally did a fic based on this photoshoot , doesn’t he look like a 80’s pornstar?

camgirling was only supposed to be something you did for fun, and the cash you got from it wasn't too bad either — you never expected to blow up like you did, the people really liked you.

when you first started it was slow, but that didn't last long and soon you gained a small following. it wasn't until you did a face reveal that you blew up — the fans loved you; that day alone you gained 100k new followers. from that day on you only grew more; more money rolled in which granted you the ability to move into a bigger apartment, pay off your debts and live comfortably without stress.

“it's your persona” your friends would say; you weren't shy about you did for work; you felt like you didn't need to be — no you weren't telling a stranger on the street you did camgirling , but you didn't hide it from your friends. “you're a walking porn trope.” donghyuck; your best friend said. “innocent girl next door look , but we all saw you deepthroat a 6in dildo without gagging.”

that should've offended you but you were used to it. “yeah , that pigmented blush bows and wide puppy dog eyes is cute and all, but it's that and the fact that you bounced on a 7in strap-on attached to a stuffed bear that turns people on.” ryujin said. “you have a face for porn.”

“is there a difference?” your friends looked at you. “duh , of course!” haechan said. “camgirling is mostly done in the comfort of your own home , low production.” he said. “porn is different, with porn there's a script almost like a movie with a crew , and another actor.” you and ryujin both looked at each other. “uh you seem real passionate about that…” he shrugged. “I'm a man of course i do , that's why i know you would be perfect for porn.”

“what would i get out of bad acting in room full of men with hardon watching me be badly fucked by another macho man on viagra and red bull?” you scoffed. “expect a sore clit and a cumshot to the face that tastes like battery acid?” ryujin looked around the cafe where you were sitting , making sure no one heard the conversation. “would you both keep it down?”

“more money, a new following.” he responded nonchalantly , your ears perked up. “go on.” you said now listening. “well the website you use now, it's big but it's niche , only a few new visitors monthly.” he started. “you do one porn video with a good actor with a good following , bingo! you get a new following from his following and it reaches a bigger audience who stumble across your video.” you had to admit although he was loud and you're pretty sure the sweet old lady walking past heard everything, he talked a big game.

“what are you a porn star scout?” ryujin laughed while taking a sip of her hot chocolate. “wait is that a thing?” he asked, you shook your head. “that does sound good, my rent just went up and there's a new pair of shoes that have been sitting in my cart.” you said. “yn don't do porn for a pair of louboutins and rent , get a roommate.” ryujin said, trying to be the voice of reason. “would you do it?” you asked her.

“i love you so i would never lie to you.” she said. “yeah , give me the script.” the three of you busting out into a fit of laughter. “plus if you don't like it then you can easily go back to camgirling.” she said. “and i don't think all male pornstars are bad.”

“and you know this how?” she looked at you. “you think i don't watch porn?” she questioned. “the acting? horrible but who's watching porn for the plot.” haechan raised his hand. “haechan be fucking for real.” you snickered. “what big dick delivery man and hot lonely milf is a work of art.” he said with a serious face. “oh he serious i think.” ryujin said. “that's the scary thing.”

“you know not all the acting is bad either.” ryujin spoke up. “yeah jeno is good even my dick gets hard when i listen to him speak.” you choose to ignore him. “who's jeno.” you asked. “you don't know jeno? the lee jeno, he's huge in the porn world.” ryujin said, you scoffed. “sorry im not familiar with the ryan reynolds of porn.” you said. “you think ryan reynolds would do porn?”

“lee jeno is a huge pornstar; he doesn't even just do porn , he's a model, he walks on runways as well , he's invited into classy spaces despite showing the world his dick.” the girl explained. “and i heard the girls he fucks on camera…” she said. “those orgasms are real.” haechan nodded in agreement. “i heard that too.”

“if you could get with him, you'd be set.” you rolled your eyes. “if he's as good as you say why the fuck would he film a video with me?” you scoffed. “pussy is pussy and money is money.” ryujin shrugged , the horrified worker walked past making the three of you laugh. “my god ryu , you sound like a man.”

“check him out; i swear you'll understand why he's famous.”

“come in , come in.” you flashed a smile to the camera; this wasn't a camgirl video, but a regular live that you sometimes did because your fans wanted you to — for what? you don't question, they pay you to just talk half naked. “how was everyone's day?”

you read through the comments; thanking the commenters for the donations. “what did i do today?” you read off. “well i ran some errands, got a few new toys.” you smirked. “oh and i had some coffee with some friends.” you said. “they told me i have a face for porn.”

the comments blew up with people agreeing. “i guess you guys agree as well.” you giggled playing into that act they loved so muched, reading more comments.

6inchking. what i would do to film a video with you.

user34.52. fuck yes , i would kill to see you fuck someone else.

allsizesmatter. you should film with lee jeno.

“oh? i keep hearing that name, my friends said the same thing.” you said. “is he really that good? maybe i should watch some of his videos.” you said, rolling your eyes at the comments that were in disbelief that you watched porn. “guys don't be ridiculous , why wouldn't i watch porn?” you laughed, grabbing your phone. “let's look him up.”

you typed into the search bar; waiting for the screen to load. “let's see if he lives up to what everyone says he is.” the screen finally loading, the most finest fucking man popping up on your screen. “oh he's really good looking.” you said scrolling through the many pictures. “really good looking.” you almost forgot you were on live — not only was his face godly , it looked like he was sculpted by the gods himself.

user24.52. look at her , already turned on just by his photos.

user22.63. to be looked at by her liked that.

“guys stop.” you giggled, cheeks red. “he is cute though.” you said. “im already so tired from the day.” you said; and yes you were tired, but you also wanted to watch on of his videos. “am i gonna watch one of his videos?” you smiled innocently , before shrugging. “i guess you guys will never know will you.” you blew a kiss to the camera. “bye bye.” you turned the camera off.

after that you wasted no time, climbing into your bed. your phone in your hand as you get comfortable, reaching over into your nightstand grabbing your rose toy; taking off your panties , pulling down your bra , sighing as the wind hit your nipples. “fuck.” you scrolled through jenos account— he had 5.5 million followers; way more than your messily 345k, he was a big deal.

you scrolled through his videos , settling on the most recent one. clicking the video — normally you'd skip the whole “acting scene” but this guy was known for his good acting so you decided to see for yourself.

you were a little bored at first, but as the scene went on you came to the realization that it was one of the best scenes you'd ever watched when watching porn, even though the actress was good , it almost seemed like regular video — besides the bright production lights and 4k hd cameras , and the fact that the beautiful actress herself was dressed in expensive lingerie and heels. her makeup done to the nines.

and then there was jeno; he was just as fine on video than in camera. his voice alone had you itching to touch yourself, which you did— fingers ghosting over your nipples; eyes closing. you almost forgot about the video, until you heard moaning. you opened your eyes to jeno sticking his cock into the girl. believe it or not , you weren't fucking just anyone , you actually only had sex with a few people , but their sizes compared to his were vastly different.

you understood why he was so famous; jeno was extremely good at his job. it was like you were watching a real couple fuck in their bed; jeno was rough; but not like those horrible videos where it looked like the girl wasn't enjoying it — the way the actresses eyes were crossed, it looked like she was very much enjoying it.

you curled your fingers up into your g-spot, thrusting your fingers in and out of your dripping hole. your moans , jenos and the actresses filled your empty room. you wanted to drop the phone and just finish already, desperate to cum , but you couldn't, it was like you were in a trance. the actress came with a loud scream. “oh fuck.” you moaned as jeno brought the girl to her knees , cumming all over the girls face — lord how you wished it was you.

your legs crossed over your hand as you came, back arching off the bed. “fuck!” you sighed as you came down from your high , the next random video playing on your phone. you turned it off , desperately trying to catch your breath. he had this effect on you and all you did was watch his videos.

getting up to clean yourself off; washing your body and your hair. getting out , drying off. you threw on an oversized shirt not bothering to put on underwear, it was just you. grabbing a snack before making your way back to bed to watch tv.

meanwhile a few miles away; jeno sat in his chair scrolling through his feed. he hated night shoots , everyone was tired and ready to go home. the actress today just wasn't good , her acting sucked , she was bitching about everything; how she hated the script; how the outfit was ugly — how she wanted him to cum. he was all for women wanting to what they wanted , but damn how was it his fault he wasn't turned on enough to cum as much as she wanted.

“jeno?” his manager and best friend jaemin , walked into his dressing room. “is it time to go?” he said, not looking up. “well … no, she's still complaining, something about you being too big.” jeno smirked. “so we're figuring that out now.” he said. “can we just sat fuck this shoot and go home?” he said. “im doing them a favor, i don't need the money.” he said. “yeah sure.” jaemin said. “what can they do?” he told the assistant on hand to tell them they were leaving. “what did you want?” he said, putting on his sweats. “when? oh to just show you this.”

he pulled the sweatshirt over his head; taking the phone from his friend's hand. “what am i looking at, who is this girl?” he stared at the screen , watching you talk. “she's cute , new girlfriend?”

“i don't date, she's a camgirl.” he scoffed at his friend. “her?” he looked at you once again. “stop fucking around her?” you looked so innocent, dressed like a doll , cute makeup, cheeks extremely pink from blush, normally jeno thinks that makeup look is crazy, but you made it work. “she doesn't even look like she's seen a porn film.”

“not everything is what it seems my friend look.” he clicked another video— and he swore he was watching another girl. “did she just?” jeno was shocked. “yes , she did.” his friend smirked while he stared in shock as he watched you take a 9in toy down your throat without gagging. “no gag reflex , if she has a boyfriend he's a lucky fucking bastard.”

jeno pushed the phone away; not that he didn't want to see it, but he also didn't want to cum in his pants to a video in front of his friend. “why are you showing me this?” he said. “you know i don't do camming.”

“yeah , but people want you both to collaborate. apparently she talked about you today and the internet is going crazy.” jaemin said. “she has good following , not as big as yours , but that shouldn't even matter , bro she doesn't have a gag reflex , i’d do it for fun.” jeno picked his bag up, slinging it over his shoulder. “does she even have a manager? does she even want to do porn? why am i asking the questions that i pay you to already have answered before coming to me?”

“she's a independent artist i think, but I'm sure she'd answer a dm.” jeno lifted his eyebrow. “yeah , because she'd answer a random message asking her does she want to do porn , bro she gets those messages daily.” he said. “im sure i could work it out.” he said. “well then come back to me when you do.” jeno slapped his friends chest. “now let's go im hungry.” he said. “i��ll send you that link to the full video , you have to see it.”

“which one did you watch?” haechan asked. “why are we having this conversation right now?” you said cheeks red. “you've literally told us about how you — the recent one.” you interrupted ryujin before she embarrassed you. “i watched the recent one.” she nodded. “oh that one is good, that actress is hot.” she said , hyuck nodding in agreement. “she is.”

“she was, they both were.” you said. “and the acting was good , i actually watched it.” haechan pointed. “told you sometimes the plot just hits.”

“i thought i was watching a couple fucking, either one , that actress is in the wrong business or two , he's a good fucker and she wasn't acting.” you said. “she actually looked excited for him to cum on her.” you could still hear the moans playing in your head. “okay snap out of it , no one wants to watch you get turned on in public.” ryujin said , haechan scoffed. “speak for yourself.”

you laughed , your phone buzzing making you break away from the conversation; it was a message from twitter dm. you ignored it , thinking it was a normal everyday dm from a fan. you sat your phone down only for it to go off multiple times. “girl you got a boyfriend we don't know about? who the hell is texting you like that?” ryujin picked up your phone. “probably a weird fan, im gonna close my dms”

that didn't stop ryujin from clicking the messages, ready to troll the person. “oh girl , i don't think so.” she handed you the device back. “what is it?”

reading through the text messages. “what is it , don't leave me out.” haechan whined. “it's from jenos manager.” ryujin said , haechan sat up from his seat. “what let me see.” he snatched the phone. “oh my god , jeno wants to film with you.” he said. “it's like the porn gods answered us.”

“must you act like a neanderthal? it's probably a fake account.” haechan clicked the account. “it's verified and there's pictures of them together , they seem close.” he said. “he wants you to call him , he gave you a number to call.” he gave you back the phone. “oh my god let's go back to yours so you can call.”

they basically dragged you back to your apartment after that, forcing you to call the boy. “you both have to shut the fuck up if i put it on speaker.” you said typing down the number into the keypad. “probably about to call a random guy just so he can jerk off to my voice.” you pushed the call button. “don't you do that already.” you scoffed. “yeah but i get paid for it.”

the three of you sitting around the bed waiting for them to answer. “hello?” you picked up the phone. “is this na jaemin?” you said. “yes is this yn? i know your voice— wait, not like that.” your two friends snickered. “it's fine, i almost didn't call you, i thought you were a weird fan.”

“understandable; it's probably a weird text , but it me and everything i sent was true.” he said. “it is?” your eyes widened. “s-so he really does want to film with me?” you asked. “yes , he does.” you wanted to squeal , but you didn't want to seem desperate. “oh that's cool.” you said. “oh that's cool?” ryujin whispered to herself. “shut up.” you gritted through your teeth. “excuse me.”

“oh nothing.” you said. “oh okay, well first thing, we set up a meeting with you both.” he said. “just so when you film it won't be too awkward , then we film.”

“that's it?” you said. “that's it , you both show up to film, we'll provide everything else for you.” you looked at your friends who nodded their heads. “how does that sound?” he said. “i guess that's fine.” you said. “great! i’ll let him know, are you free tomorrow?”

“tomorrow? uh yeah sure im free.” you said. “great i'll send the address where to meet us see you tomorrow!” you hung up the phone. “oh my god i can't believe that just happened.” you tossed the phone down on the bed. “this is crazy , you get to film with lee jeno.” haechan said. “i almost want to be in your shoes.”

the next day you got ready for the meeting; putting on your best outfit — so you wouldn't feel so nervous, and maybe to impress them a little. jaemin had sent you the address the night before and lucky for you it was in walking distance from your place. “im almost there's , so I'll call you back when it's over.” you said the restaurant in your view. “you better and be careful , just cause there hasn't been a serial killer porn star, doesn't mean there can't be one.” ryujin ordered. “okay im here.”

you quickly said your goodbyes, before hanging up. you reached for the door , walking into the restaurant. you looked down at your phone, ready to send the man a text when someone tapped your shoulders. “yn?”

“oh hi.” you smiled. “i was just about to text you.” you put your phone away. “you're right on time , jeno is over there.” he said “let's go.” your hands were sweating from nerves as you approached the table , the man himself coming into view. “don't be nervous, he's not as intimidating as he looks on camera.” he said. “jeno.”

the boy looked up from his phone; and he almost did a double take. you really didn't look like what you did for work; gorgeous? yes. but he just couldn't see you doing what he saw you do the night before. “oh shit.” he stood up. “hey.” he said , holding his hands out. you reached for his hand , shaking it. “h-hi.”

“both of you sit down , sit down and get comfortable.” jaemin said. “before i give you some space , let's go over the details.” he sat down. “okay.” you smiled.

jeno didn't need to listen; jaemin would just repeat it over for him — instead he just looked at you, studying you. he watched you fiddle with your nails while listening to his friend intently. his eyes traveling down to your lips, biting the bottom one. “jeno?” jaemin knocked him out of his thoughts. “what?” he watched you shuffle in your seat. “i said you understand all that?”

“yeah , yeah i do.” he said. jaemin knew he didn't , but he'd explain later. “we filming on wednesday, it will only take one day , but it's a all day shoot is that fine?” you nodded. “of course.” you said. “that works for me.”

“good , now i'll give you both some time to get to know each other.” he stood up. “i’ll get you both some food as well.” he walked away. “thank you.” you called out, it fully hit you that you were left alone with jeno again , he smirked watching you shy away once again. “i guess this is the real you.”

“h-huh?” you asked , he sat up; putting his elbows on the table, watching you. “the bows really do change how one would look at you.” your hand came to your head. “no , keep them in , don't take them out.” your hands immediately went to your lap. “cute.”

“me-me?” you gulped. “is anyone else sitting there love?” your cheeks were flushed , to jeno it was like your already pink cheeks were now red. “here you guys go.” jaemin came back with two plates. “i ordered enough steak for you to share , and some pasta.” he said. “i’ll leave you two , jeno play nice , she's perfect for this and we don't need you scaring her off.”

“go ahead.” he said. “eat.” you picked up the fork nervously, picking up a slice of the meat. “now put to your mouth and eat it.” it felt like he was gonna eat you alive , you put the steak to your mouth , biting it. “good girl , i can already tell im gonna like you.”

“so tell me , why'd you want to do this?” jeno asked. “do-do what?” you asked. “do I need to spell it out baby , porn what made you want to do this?” he said. “most camgirls stick to that.” you sat the fork down , taking a sip of water. “well it's kinda stupid.” you said , he waved you off. “tell me.” he said. “well my friends told me i’d be good at it.” you said. “and you just listened to them?” he raised his eyebrows. “you must agree with them.”

“i guess.” you said. “i didn't really understand what they meant by that.” he sat back listening. “i do.” he really did , truth is jeno spent the night before watching your past streams , and fuck did you put on a performance. he had to force himself to put his phone down before he started shooting blanks , his hands and his cock covered in his cum as your moans played over and over on his phone. “well why do you do it?”

“me?” he asked , shrugging. “because i like to fuck.” he laughed, watching your eyes widen. “don't look so surprised baby it's really not that surprising,” he said. “i like to fuck and i like making money , why not do both?” jeno never wanted to be a pornstar , his main dream was to be a model , turns out it wasn't that easy — but it was easy to pick up a camera and film himself fucking. “b-but you're a model , you don't need to do this.”

“you're right i don't , but here we are.” he eyed you up and down , eyes shamelessly stopping at your bust. “just like you.” he said. “y-yeah.”

“you've watched a few of my videos haven't you?” he asked. “i watched yours.” you wanted to lie , but how could you when he was being so truthful. “a few.” you gulped. “so you know im not gonna go easy on you right?” the way he talked so confidently it sent shivers down your spine. “but im sure you can take it right?” your body hot. “i mean im bigger than what you've taken but im sure you can learn to take it right?”

“i can take it.” you said, quickly covering your mouth. “yeah? let's see on thursday.” he bit his lip. “give me your phone.” he said. “here.” you handed it to him. “you listen well , i fucking love that.” he typed down his number. “i don't give my number out to every actress.” he said, handing you your phone back , jaemin returning back to the table. “we have to go soon.”

“that's too bad , we were just getting to know each other.” reaching for your card. “relax , im paying.” jeno said. “i-i have money.” you said. “i'm sure you do , but i didn't ask.” he said. “yn do you need a uber?” jaemin asked, but you were too busy making googly eyes at jeno. “oh no , i-i live a few minutes away.” jaemin nodded. “well it was nice to meet you , why don't you head out first and we'll stay behind and settle this.” you smiled. “thank you.”

“just show up on wednesday as you are ready to film.” you nodded. “of course!” you smiled, about to walk away when jeno grabbed your hand. “your phone love.” you took it from his hands. “thank you.” and just like that , the boys watched you leave out. “you done making googly eyes?” jaemin said. “can i take you home so i can get to my date?” jeno rolled his eyes. “hey don't get upset with me, nothing stopped you from following behind her and getting a pre show of wednesday.”

wednesday came quick; you have a busy few days before — you wanted everything perfect , getting your hair done; waxing your eyebrows and other areas. you hadn't used the number jeno gave you , scared to use it , even though your friends encouraged you too. “you're about to have his cock inside you , this phone call would be nothing.”

still you didn't budge; it probably didn't even bother the boy, he could've easily called someone else.

the production had arranged for a car to pick you up from your place to take you to a location; you read the script on the way there , it was a simple script since it was your first project on this scale — something about neighbors. it really didn't matter to you, you were excited but nervous. “we're here miss.” it was an actual house; a nice one.

you got up to the car , thanking the driver. “okay.” you said to yourself. “let's do this.” you said, the door was open so you just walked in , people running around, cameras and lights everywhere. “you must be yn?” a woman came up to you. “hi?” you said. “you are?” she smiled. “im kim , I run the production company that films the videos jeno is in.” she said. “you do?”

“yes i do; is it a little weird because im a woman?” you shook your head. “no of course not!” you said she laughed. “we're all about comfortability, to make sure you and the actor are both comfortable.” she said. “jeno is already on set , he's normally never here early.” she said. “actually he's normally late.” she said. “but enough about him , let's get you to your dressing room.”

she guided you to your room, opening the door. “this is your first shoot so i wanted to make sure everything was perfect.” she held your back guiding you in. “we have a stylist that will help you , along with make up who will make you even more beautiful.” she was extremely nice. “thank you so much.” you said. “don't worry about it , just get relaxed and ready to film some scenes.” she said. “the stylist will be in here soon , make-up as well.”

she left you alone after that , you looked around the room , she laid out a display of snacks that made you smile — your phone ringing , you took it out of your pocket , furrowing your eyebrows at the unrecognizable number. “so your phone does work.” you recognized the room , whipping around. “je-jeno.”

he walked into the room. “it's been a busy week.” you said. “yeah?” you nodded. “you aren't wearing the bows today,” he said. “gonna tell the stylist to change that.” you nervously took a step back. “i like the bows , let's put them in the movie.” you nodded. “ok-okay.” he was close enough to smell his cologne. “relax , im not gonna bite.” he said. “at least not now.” you squeaked as he pressed against you. “later im not promising anything.”

“i could definitely take you right here right now.” he confessed. “give you a quick training on taking me before later.” he said, his body looming over you. “but i kinda want to wait until later.” he smirked , your knees almost buckling under you. “let's wait until later, yeah?” he said. “ye-yeah.” you sighed in relief when he stepped back , finally letting you breathe. “i’ll see you in a bit love.”

you didn't have time to process what just happened before the stylist and the makeup artist both shuffled in. “out jeno out we have to get her ready.” he was quickly pushed out. “gosh.” the stylist said. “he's never here this early all of sudden he's early.” the makeup artist turned to you. “well there's the reason right there, you are gorgeous.” you smiled. “th-thank you.”

“let's get you ready.”

the outfit wasn't much different from what you normally wear , just a lingerie version meaning it was much shorter; so short you could see your ass , poking from your panties — but it was still cute. “you look pretty.” the stylist said, picking up the bows. “per jenos request, hope you don't mind.” she placed the bow in your hair. “done.”

they left , kim returning soon after. “you ready.” you nodded. “let's go.” she guided you to the front where the scene would take place , the cameras ready. “yn , hey.” jaemin said. “oh hi.” you waved back. “you look nice , you ready?” you nodded. “i'm a little nervous , this is much different than my room.”

“don't worry about it; it's your first big production.” he said. “just do your best.” he reassured you. “jeno is done with make-up so we should be starting — five minutes!” someone shouted , you giggled. “in five minutes.” he said. “good luck.”

“the scene starts with you in the kitchen.” the producer guided you to the kitchen , leaving you alone. you leaned over the counter , scrolling through your phone while you waited. “you look too good right now.” jeno caged you in between his arms. “th-thank you , you smell nice.” it just slipped out your mouth. “oh , i-i di-didn’t — you smell nice too.” he said , your cheeks were already red enough. “makes me want to eat you up right here.” he didn't know how much he really was effecting you , anymore of what he would be doing and you'd be begging him to fuck you right there. “okay actors , get in position!”

“good luck princess.” he walked away, leaving you to pull yourself together and get ready for the scene. “are they actors ready?” everyone got into position. “okay, rolling in 5…4…3…2…1 , start !”

the scene went exceptionally well; it was build up scene that leads up to the actual sex scene — but even those scenes were hot and heavy; at least jeno made it like that. it took a few hours to film , making sure to get every angle. “okay great, the next scene jeno you what to do.”

jeno didn't know if he had it in him; the resistance as the camera guy yelled for the scene to start again — the strength to hold himself together once he got his lips on you; he was a professional, but with you it felt like his very first scene.

“you can do what you want.” you spoke up , back into character , you were a natural — almost like you were talking to him outside of character. “what did you say?” he said , damn near forgetting his line. you looked down at your fingers. “to me , you can do what you want to me.”

there was the girl from the streams; it flicked just like that; your other persona , the one from the restaurant that told him you could take it — and he was about to put it to the test. “i can?” his big hand wrapping around your neck. “you don't know me that well but you'd let me do what i want to you?”

that was basically your current situation with the man; yeah you had only met him four days ago, but you'd let him do whatever he wanted , on and off camera. “y-yes.”

“that's real whore like of you.” his hand squeezed your throat. “real whore like.” he said, slamming his lips against yours. unfortunately the scene took place on a couch so he didn't have much room to work with , but it didn't mean anything to him — besides he'll just fuck you into your mattress on another day.

the kiss was rough; his hand squeezing your throat as he pushed his tongue into your mouth. “fuck.” he cursed, pulling away. “get on your knees.” he pushed you down , the camera close to your face as he unbuckled his pants. “gonna fuck your face.” he pulled his cock out , it was definitely bigger than the dildos you were use to. “hey.” he slapped your face. “come on, be a good whore and suck my cock.”

he grabbed the base of his cock , slapping it on your cheek. “open slut.” he shoved his length inside your mouth , and much like your previous streams , you took him into your throat without gagging. “yeah , fuck swallowing my fucking cock like that.” he groaned , holding the back of your head moving you up and down on his thick length , also moving his hips. “cock sucking slut , how many cocks has this throat taken?”

he was using your mouth; the cameras all there filming it turned you on even more , the many people watching in the room as he fucked your face made you hornier. “yeah fuck!” he had to force himself out of you so he wouldn't cum fast. “get up.” he pulled you up , throwing you to the couch. “ass up, now slut.”

he pulled the dress up , revealing the matching color set they put you in. “dumb slut is wet from sucking cock.” he slapped your ass , you moaned , he pulled your panties down , your folds covered in your slick. “messy pussy , gonna stuff you full of my cock.” he maneuvered your body on the small couch. “arch your back.”

he pushed your head down on the couch seat. “gonna make you take it all at once.” your whimpering turned into screams as he abruptly shoved his entire length into your pussy. “hell you're fucking tight.” he groaned , pulling out slamming back inside. “fuck!” he began to fuck into you , holding the back of your neck. “such a whore.”

his thrust were brutal and unrelentless; the camera catching everything — his cock stretching you out more than you've ever been, the squelching sounds from your cunt it was embarrassing, having people hear that ; but the embarrassment soon was forgotten as he went deeper. “my fuck -oh my- oh my fucking god.”

he let out a lust filled chuckle. “so stupid baby.” he slapped your ass. “my cock really made your brain turn to mush.” he abruptly pulled out of you , slapping your ass , your legs shook. “turn around.” he flipped you on your back.

you looked up at him with teary wide eyes. but he could see the lust in them. “that innocent look doesn't work on me.” he slapped your cunt. “i can see through whores like you.” he lined his cock up with your hole. “innocent looking but ready to take any cock they can get.”

this new angle had you reaching for anything , jenos arm; the couch cushion — his cock had you grabbing at the air. he pulled down the front of the lingerie , your tits now bouncing along with his thrust. the rumors proving to be true as you felt your orgasm approaching. “you're clenching around me , fuck your pussy is suffocating my cock.” he growled. “fuck im gonna cum!” you screamed out. “cum slut , wet my cock with your cum.”

he had your legs open wide , holding your shaking thighs. “cum.” your eyes rolled to the back of your head as you came, soaking his stomach and the seat below you. a high pitched moan coming from your mouth as he kept going. “fuck keep cumming on my cock.” he slapped your poor clit rubbing rubbing it. “yeah im gonna - fuck - im gonna cum.” he groaned. “fuck im gonna cum all over your face.”

he pulled out of your twitching hole , standing over your face , stroking his cock. the camera was up close again as he came — and he came a lot. he groaned, throwing his head back as he covered you in his seed. “fuck.”

you laid out on the couch , his thumb still rubbing at your clit as your reached your final orgasm , your thighs shaking uncontrollably. “cut!”

jeno almost forgot about the camera; ready to bring you to another orgasm. “je-jeno.” your shaking voice pulled him from his horny state. “shit im sorry.” he pulled away , desperately wanting to taste you. “almost made you squirt again.” he smirked. “now how would we explain that? because the camera is off.”

“get her a cover.” he shouted , someone running over to you both , he covered your body. “jeno.” they handed him a robe. “you did so good.” the staff handing you fluids. “felt like watching a couple have sex , you're a natural girl.” you nodded with a smile. “are you a natural princess?” jeno spoke up once they were gone. “or is it because those screams were real?”

you lowered your head , shying away from his gaze. “don't hide from me now , i know your real persona , and these cameras maybe done rolling, but i'm not done with you yet.” he whispered , just as you were pulled from your seat by a staff member and whisked back to your room. “you ready to go?” jaemin came over. “no need to drive me home tonight,” he said. “why not?” asked Jaemin.

“because im not going home tonight.”

©️LUVYENI

#kpop x reader #kpop smut #nct fanfic #nct x female reader #nct x reader #nct dream smut #nct dream hard thoughts #nct dream hard hours #nct dream x female reader #nct dream x reader #lee jeno fanfic #lee jeno x reader #lee jeno smut #jeno x reader #jeno smut #jeno fic #jeno hard thoughts #jeno hard hours

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endless-ineffabilities · 4 months ago

Text

chemical override (6)

Ewan Mitchell x actress!reader

a/n: I hope you all have found ways to cope after the breakup, but here all your questions will be answered on what went down pre-August! Special shoutout to @just-fics-station @thepurplecrown @clarkysblog @hotdismylife and @sprinklesprinkle888 for sharing your ideas and indulging me with the lovely, crazy discourse!

To everyone, I am so chuffed at how this has become OUR story - our lil self-indulgent Ewan Nation production. You all are aces <3

series masterlist ▪︎ main masterlist

In the aftermath of the breakup, the reader and Ewan throw themselves into their work, trying (and failing) to avoid any trace of the other. Will they remain this way - former lovers doomed to drift in each other's orbit?

Some time before August

New York City

The lush office was laden with expensive wooden antiques, one side with built-in shelves displaying film awards and plaques of varying degrees of prestige. A full glass minibar occupied the other side.

The casting director introduced himself as Bruce, insisting that Ewan call him by his first name and not any of that "sir or similar stick-up-the-ass names". Ewan can see him as a mentor or maybe even a friend, Bruce insisted.

After all, they were going to help each other out a lot.

The discussion was straightforward enough, never mind the saccharine tone Bruce seemed to be so good at. Aimed at making Ewan feel welcome, coddling him, remarking with awe at his projects thus far. But there was a fakeness to it. Ewan steeled himself, trying to adapt to the style of conversation. After all, if he is in this for the long haul, then he would have to get used to these situations.

Bruce appraised him, leaning back on his leather swivel chair. "How are you with the fantasy genre? All that YA, lovesick stuff the kids eat up so eagerly nowadays? Personally, I haven't got the taste for it, but it always makes bank, if you know what I mean."

"Oh, well, I'm a fan of all movies. I definitely see why the fantasy genre has made such an impact on audiences, especially with the romance element, you know, I get the appeal."

"Well, son, we've got a solid franchise in our hands here. Some adaptation of an elf-human love story, mind you, it sound ridiculous, but you know how it is. And the team seems to be in agreement - you fit the bill for the male lead. The male elf lead - " he almost guffawed at the thought, then collected himself " - hope you don't mind my saying that you've got elvish features yourself. Long nose, long jaw, lanky. The teens are going to eat you up."

"Ah," Ewan smiled curtly, nodding. There was a backhanded compliment if he ever heard one. "Well, sir, I've read the script - at least, the bit that was sent to me - and it looks quite promising. I'd be honoured to - "

"Of course, of course!" Bruce exclaimed in pleasure, cutting Ewan off mid-sentence. "And there's the case of your leading lady, and this all boils down to chemistry as you know. Our top contender is that Jenna Ortega girl from the Netflix show, you know her?"

Ewan nodded, well aware. He's seen her work, and thinks that she is a top actress of her generation, but leave it to Bruce to reduce her to being that girl from the Netflix show.

"Yes, she's a very talented actress," Ewan replied.

Bruce hums in agreement, head bobbing as a smirk materialises on his face. "Think she's a looker?" he said openly, without shame.

Ewan laughed nervously, his words caught in his throat.

Bruce, characteriscally oblivious to the discomfort of others, carried on. "I only ask because we're going to need you two to be pretty chummy with each other when you jump on this project. It's kind of a condition of the whole thing, but really nothing to concern yourself with." He waved a hand in the air, his proposition barely carrying any weight in his mind. But Ewan was catching on, and he started to develop a dislike about the whole deal.

"What do you mean?" Ewan asked.

"It's pretty common in this business, son. There's a reason why young, new actors like yourself opt to remain unattached so to speak, so they're always open to a PR arrangement or, you know, just so their - your - hoards of fans would think they got a chance with you," Bruce explains lazily. "In this case, since you and Ortega are, as I said, unattached, getting you two together would fuckin' do wonders for our movie."

Our movie, he said, convinced that Ewan was all in, because why would any young actor refuse such a golden opportunity? Franchises like this can set up an entire mainstream Hollywood career.

Ewan thought that he wasn't unattached. Granted, his date with you was yet to happen, but he already felt bound to you. He wished you were the one tapped to be his love interest. Very little acting would be needed there. Maybe he might even be inclined to go along with the idea of selling the relationship, using it for publicity for the film, but even that made him uneasy.

The industry offered a lot of privileges, but more often than not, they come at a cost.

"Sir, I - "

"Bruce."

"Right, sorry. Bruce, I have to tell you that I'm not exactly unattached."

"Got a partner?"

Ewan actually found himself smiling at the thought of you being called his partner. His first easy smile since entering this office. "Yes, she's an actress herself," he agreed.

"I heard of her?" Bruce asked with obvious disinterest. You were but a wedge in his flawless plan.

"She's kind of a new talent like me, but she's brilliant. She plays Alyna Rivers in our show."

"Ah her," Bruce loosened up a little. "I get it, she's a piece."

Ewan cleared his throat loudly, his jaw clenching on instinct. "So, like I said, I'm with her. I'm sorry but this whole PR arrangement with Jenna wouldn't work."

"Look, kid, I want my movie to do well, alright? I got a lot invested here. This PR thing has proven to be highly bankable time and time again. If you don't trust me, I can ask the team to show you the data on all that. It's a lot of boring numbers, but shit, the numbers are never wrong."

"I don't need to see - "

"If you wanna be with your girl, you can, but you just gotta learn to hide it. Sweep it under the rug, you know. Don't canoodle in public, you crazy kids," Bruce offered, like that made things any better.

"You want me to hide my relationship?"

"Hey, now, come on. Word gets around. Isn't your girl also doing this exact same thing with Jacob Elordi?"

"Not anymore, I don't think," Ewan clarifies, "and that was... that was hardly anything. They weren't obligated to do it. It just worked by chance because they were both single for a time."

"Po-ta-to, po-tah-to." Bruce clicked his tongue before making his next point. "So you see how it works, your thing with Ortega won't be any different."

"Do I have a choice?" There it is, the defining factor.

Bruce smiled slowly. The calculating and menacing air about him intensified, and it was obvious he was not there to be Ewan's friend.

"It would be stupid to refuse something like this, kid."

Ewan's blue eyes flashed in return. None of this was ideal, but his nan raised him well, and he knew better than to falter on his values in times of trial.

"Sir, what's stupid is if you ask me to hide my real relationship for the sake of mere publicity for a film."

"Stupid you say?" Bruce sneered, having already discarded Ewan in his mind, his fragile ego bruised. "What a shame."

There wasn't much to say after that. Bruce was clearly not disinclined to reveal the ice that settled in his veins, and it dawned on Ewan that it had always been the case. There was no true hospitality here.

For bigwig casting director-slash-execs like Bruce, this was a transaction. And Ewan was not about to put what he has, or what he could have, with you on the line.

There has to be another way to advance his career. If not bigger productions, then at least those with less domineering producers.

"That is a shame," Ewan said, getting up from his seat. "I won't waste any more of your time, sir. Thank you for considering me."

Bruce's eyes darkened even further. "You're actually refusing me? For some girl?"

Another genuine smile formed on Ewan's face at the thought of you. Some girl.

But you're not just some girl. He nodded without a trace of doubt in his mind, before reaching out to shake Bruce's hand. "If you don't mind, sir... I have to go and see my darling."

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

Near the end of August

Los Angeles

The modern space sported a minimalist yet rustic feel, the interiors a blend of sterile white and sleek wooden surfaces. Very LA, as they say. The windowed walls offered plenty of light, as well as precious views of the valley below.

"Thank you for agreeing to meet with me, Donna," you greeted Ewan's publicist as she ushered you in her LA office.

"No problem at all, sweetheart," she said. "Please, have a seat. Would you like some coffee or tea? Ewan always has his coffee with way, way too much sugar. Mind you, if that kid wasn't active and boxing all the time, I'd be worried for his health."

You smiled fondly at her genuine concern. "Don't even mention the cigarettes."

"Oh, yeah," she scoffed, settling down on the chair across from you. She could have sat down at her desk, making the meeting more official, but Donna's always had a friendly and open way about her. "So, my sweet, how's your new movie coming up?"

You respond eagerly. The dialogue flowed freely, talking about your film and the lukewarm reception of season 2 of House of The Dragon. And finally, Ewan.

"I really thought he would get the Greta Gerwig film," you said. "Everyone said he was perfect for it. I think Greta herself had nothing but praises for him when they met on Zoom."

She sighed thoughtfully, "I thought so too. And, theoretically, he did have that one almost booked up. But there was an issue with one of the producers, which - I don't even want to get into that."

You shook your head, catching on whom she hinted at. "Donna, I heard... well, it didn't go too well in New York, didn't it? Ewan told me about it but... if you can tell me more, I just want to understand why - "

"Sweetheart," she offered a smile, but it doesn't reach her eyes, "you should talk about this with Ewan."

"I tried. But he wouldn't budge. Mallory told me... that it might have been because of me that he didn't get the role? And also why he's struggling to get roles now? Donna, I... I can't have that."

It took some time for her to formulate a response. She didn't want to step in something that's none of her business. Your relationship with Ewan is yours. But when his career is on the line, she supposed that she needed to have some say in that.

"He met with this top producer in New York. This real old money Hollywood guy. For decades, he's built careers for the greats, you know - Pitt, DiCaprio, Theron, and whatnot. There was a franchise project practically offered to him on a plate, but Ewan refused, because a non-negotiable was that he would have to hide you in favour of a PR arrangement with his leading lady."

You swallowed, the weight of the truth making itself clear. "Couldn't he have just done the movie without that?"

"You would think," she grimaced, "but some producers... when they want something, they have to get it. And well, Bruce wasn't lying, that would have sold the movie well."

"I thought we were past this," you expressed sadly. "I understand how PR relationships work. Just recently, I found myself kind of in the middle of one. But there was no pressure, it wasn't forced on us, and it was meant to be all in good fun."

"I know, sweetheart," she insisted, reaching out to squeeze your hand. "Bruce is an outlier now. Most of the time you do get lucky, with an all-around supportive production team, just like with your project with Elordi."

You hummed in agreement on that positive note, but your mind kept drifting back to Ewan.

Donna continued, wrapping up her story, "but Bruce is still here, and he still has a lot of power. But you know, it'll be fine. Ewan's got such a huge fanbase and so much talent that it'll only be a matter of time before something else knocks on his door."

You wanted to share her sense of optimism, but something ate at you. What else will Ewan have to sacrifice just to be with you? This was his dream, his one dream, and you were standing in the way. How much longer before he is offered another project but he refuses to take it for your sake? Your thoughts blurred together, bordering on irrational, but you couldn't help it.

All you could picture was the unabashed sincerity on his face, that sense of wonder, when he told you that acting had always been his dream.

Being tied down to you, this early in his career, would surely only hurt him. And you don't think you're worth it.

"Ewan loves you, sweetheart. Anyone with eyes can see that," Donna said after a while, heeding the storm brewing in your expression.

He loves you. It was true.

Less than a month in, and you've already found yourself with a love that you've never felt before. And perhaps never will again.

And that was the problem.

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

Late September

The podcast moderators are overly welcoming, if not a little loud for Ewan's taste.

The BBC podcast is called Loose Ends, and it's one of the first things Ewan agreed to take on upon returning to England.

He had wanted to head straight home to Derby, to bury himself in his heartache and bitterness, but the team for the show tapped him for a couple more promotional stints, riding on the high of the season finale. And who better than Ewan to offer to the media, the undeniable fan favourite.

Clad in an old gray shirt and blue jeans, people would think he just rolled right out of bed. He didn't really have the motivation to put in more effort. The only striking thing about him is his newly bleached head of hair, supervised by his stylist for a photoshoot a few days ago.

It was ironic, the timing of such a change. Ewan knew that if word got out that you dumped him, he would never hear the end of the joke of that being the reason for his hairstyle change, typical of all heartbroken sods.

Everyone bursts into laughter when he tells them about his mum's reaction to his nude scene. It feels like going through the motions, and he must have been so out of it, so forlorn, that his team prepared an outline for him prior to the interview. The questions and answers all pre-agreed.

Make them laugh. React as required. Remember to speak when spoken to. The mantra goes on in his head.

And don't think about her.

An impossible task, worsened when a moderator goes off script and asks, "Now it wasn't me who saw this, as I'm not on social media myself, but one of our interns did mention that you ventured into Instagram recently? Is that true?"

Oh fuck.

"Mmm, yeah, I guess," Ewan laughs nervously, his hand massaging the back of his neck in a self-soothing motion.

"And your first post went viral? What can you tell us about that? Our listeners would love to know."

"Uhhhm - " He remembers that the broadcast is live, and he can't exactly ask them to edit this part out, so he quickly settles for something indirect. Inconclusive. Safe. " - did it go viral? I'm not too sure how that thing works. I haven't used any kind of social media before."

"Apparently it did! And it had to do with the subject featured in that photo, Ewan. Your costar - "

"Mmm," Ewan stops him there, "didn't you say that you don't use Instagram?"

"No, I think I'm too old!" The moderator laughs.

"It's insane, that whole thing," Ewan shakes his head. "I don't know how to handle it. I'm logged off most of the time."

"Oh, you log off?"

"Yeah, yeah, helps me keep my focus, you know. Keep calm and all that."

"It can get frivolous, can't it?"

Ewan hums in agreement, and thankfully, the moderator moves on to his last question. One that does not breach the subject of you.

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

Another day means yet another media stint for Ewan, this time for Now TV.

Still in London, his stylist Davey and the rest of the team prepare him for a day of brief interview clips, to be posted on the social media pages of the company.

Davey had half-joked about Ewan needing even more concealer than usual, the shadows under his eyes having significantly deepened after the breakup.

Some of his team have gotten wind of what happened. They would curiously ask about you, how often Ewan keeps in touch with you while you're on set...

You must be on FaceTime everyday!

Is it hard to be doing long-distance so soon?

Do you miss her? Is that why you're not getting any rest?

...but Ewan would only laugh uncomfortably, dismiss it by bringing up another topic or shifting the attention to someone else, or excuse himself to go for a smoke.

He'd been drowning himself in cigarettes and caffeine during the day, pint after pint in the nighttime. Aimless.

He is coping. He knows how it must look, but he deserves this. He deserves to drift for a while. It's the only thing he can do to keep himself from jumping on the next flight to Atlanta and begging for your hand back.

You said you love him. You did. He hangs on to it like a beacon in a storm. No matter how pointless it may seem, with you choosing someone else over him.

Work is becoming something of an anchor, something that keeps him from spiralling. He's an actor, and he has always wanted to be an actor. People now have expectations of him, and he will answer the call.

The interview session begins with generic questioning, stuff he's answered before on several occasions.

How special is the bond between dragon and rider?

What is a funny moment from set that you can share?

How similar are Aemond and Daemon?

All safe. He's proud of himself for not breaking mental clarity thus far. You're in the back of his mind, dormant as a memory, and not something looming darkly over him. For a while, at least.

But then he is asked, If you could invite any 5 people to a Ewan Mitchell dinner party, who would you pick?

"Matthew McConaughey - "

You.

" - Bruce Lee. I think they could strike up an interesting conversation - "

Your name echoes in his mind, and he can't control it.

" - Andrea Riseborough. She's just a chameleon, like in any role she undertakes -

You have great taste. Even if you would make him eat spicy food again, he'll take it. He'll endure anything for you.

He's stumped for a second, lump in his throat, and his effort in avoiding you leads him to mention someone who will always be a comfort to him.

" - Maybe my nan, because I miss her -

Your name. He has to say your name. Who else? Think of someone else.. but who else? Who would be better?

" - and then, another person. Let's make it from the show... it would be Alyna Rivers."

"Oh really?" The interviewer asks. She's not really meant to respond in this instance, but she knows that the fans would go crazy about any mention of you or your character, so why not jump on this opportunity? "Can you tell us why you chose her?"

"Uhhm, well, she's just an amazing character, you know, fiercely loyal, beautiful, tenacious," Ewan replies easily, "so yeah, she would make for good company."

It is obvious that he is describing you just as much as he does Alyna Rivers, and no doubt, the fans will catch on to this detail.

Later, he's asked about his favourite part about season two, and he duly answers, "Seeing more of Aemond and Vhagar's bond and how that perhaps have gotten stronger. Aemond has definitely reined her in, after the accident at Storm's End."

Then, "There are some new additions to the show. Do you have a particular favourite?"

Another obvious piece of bait. And he takes it, he doesn't care anymore. What's the use of denying the truth?

"A favourite new character? Oh, well, uhmm... I really do like Alyna, and I think I've said before that Aemond and her are quite similar in a sense that they both know what they want and how to achieve it. It's just a shame they're on opposing sides, because if those two get together... " he trails off, leaving it up to the audiences to fill in the rest of the thought.

And they eagerly do. The clips where Ewan mentions Alyna get the most traction, flooded with comments that more or less talk of the same thing -

We know why you chose Alyna, Ewan. We know your ways.

He could have said Alys. Or Gwayne. Or even the ghost of Daeron ffs. But nooooo.... it's Alyna Alyna Alyna 😮‍💨

I wonder if she's there behind the scenes

yeah shes definitely lurking in the background!

Aemond and Alyna better have at least a scene together in season 3!!!!!

Someone kidnap Ryan Condal and make him write this

Ewan doesn't see any of it. Not that he's missing out, because he soon feels the need to call his younger cousin to ask her how to turn off his notifications on Instagram.

Day in and day out, his one single post gets dozens of new comments and likes, a brutal reminder of what he's lost. He could just delete it, and get rid of his profile entirely, but he hates to imagine the discourse that would follow.

All the invasive allegations and rumours. So he leaves it be. It makes no difference to him now. Let people believe what they want.

To his chagrin, he finds himself scrolling on his home page once in a while. The addictive element to it was true, and for him, it's exacerbated because the things he sees are often related to you.

Photos of you from fanpages and news accounts. Ones where your friends have tagged you. It's a toxic habit, looking through it all, but he can't help himself.

Then one day, as he's slouched on the seat in his London apartment, phone propped on his knees, he sees a cutout photo of his face on the corner of the screen. He clicks on it, and it's an image of him interposed among different posts. Posts which he apparently liked.

"Oh for fuck's sake," he cusses at himself, reading the caption.

Boyfriend lurking? - Ewan Mitchell may play a formidable TV villain, but in real life, he's just like us. Click on the link in bio to see his series of liked posts!

Dread takes root in him, followed by self-loathing. Why couldn't he just keep off this bloody thing? He takes to the comments to see what he has allegedly liked on accident and it's predictably photos of you - you at a premiere, stills of you as Alyna, and even, heavens fucking forbid, a behind the scenes shot of you getting pretty close with Jacob Elordi on the set of your film.

He vividly remembers seeing that last one, because he went on a bender after coming across it.

Cursing himself and his wayward, sticky fingers, he exits the app and deletes it from his phone.

Whatever goes on there, whatever people might leave on his profile, he washes his hands of it.

He calls up several of his mates, asking them if they want to come over for a few drinks.

"Again, Ewan?" one of them exclaims. "C'mon, you gotta take a breather, mate."

"I don't need a breather." I need her.

"Ewan - "

His composure breaks, all his damned frustrations rising to the surface, and he confesses, "I wonder if she thinks about me."

"Hang in there, mate. We're coming over."

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

October

The director finally yells a satisfied, "Cut!"

It's only taken a good twenty-something takes for you and Jacob to nail a challenging scene. You had been on a roll since the beginning of the shoot, the last few weeks seemingly a breeze on paper, though it's a constant struggle to keep it together.

You've had to quell your internal dialogue so it does not stray to him. His smile. The feel of his skin against yours. His way of subtly picking up on details, and doing sweet things that surprise you as a result.

But you received word just before the scene that a few of your friends have come to visit, waiting back at your trailer - Phia, Fabien and his girlfriend, Bella.

And so, as if on instinct, Ewan is all you can focus on, every repressed memory of him rushing in like a tidal wave.

Do they know? What could you possibly say to justify what you did? You can only hope he took on that project, to give you a bitter sense of vindication.

It's the only thing that keeps it all the bay, the only thing that keeps you from jumping on the next flight to England and grovelling at his door.

Phia has her arms wrapped around you the moment you open the door to your trailer, loudly squealing, "I missed you!"

You sink into the hug, comforted by her presence.

As well as the fact that she represents some connection to Ewan.

Phia, Helaena. Helaena, Aemond. Aemond, Ewan.

It's a sick game to play, but it's what you have.

"Hey, yous," you hug Fabien and Bella in turn. Not long after, you're all lounging on director's chairs right outside your trailer, enjoying a bit of sun.

"How's our big Hollywood star?" Phia quips, her lips curling in her trademark pleasant upturn.

"Hardly a star," you shake your head fondly. "More of an indie darling."

"Of course, of course," she relents, before going on a monologue about how she's been keeping tabs on your project, how she just adores the costume designer whom she spoke to at length while you were working, and how the rest of the cast is rooting for you.

The rest of the cast.

"Ah, are they?" you ask, making a conscious effort to not simply blurt out his name. What does he think? Has he mentioned you at all?

Do they know?

Do they secretly hate you for what you did?

"Mhmm, right Fabs?" she says.

"Oh, definitely." Fabien agrees right away.

"How's your film? Are you done shooting in Philly?" you ask him.

"Just about done, but I think we're doing some final reshoots next week. I'm just glad my girl's here to visit," he slings an arm around Bella, who smiles and leans closer to him.

You smile at the sight, but it visibly falters. Ewan could be visiting you on set right now, just like Bella with Fabien, if you hadn't fucked it all up.

They notice.

"Love," Phia sighs, her tone softening. "I just want you know - we want you know - we're here for you, okay? No matter what you went through with... " A pause. Like saying his name would open up the floodgates.

Your gaze falls to your lap in shame. You pick on invisible lint on your trousers. Bite your lip. Breathe deeply.

Don't cry, don't cry, don't cry.

"So you guys know, huh?"

"Well, more or less," Phia says. "I just spoke with... Ewan... recently. He's back in Derby for the time being, and he's - "

"He's a bit rough," Fabien says firmly. He's not taking sides here, but he's heard from Ewan, and he feels the need to have his mate's back. "Look, I don't want to pry, but what happened? It seemed like you guys were doing so well together!"

"You don't have to tell us," Phia adds, shooting Fabien a look. "But if you want to, we're here to listen. We love you both and we just want to help, love."

You feel your eyes welling up. Leave it to Phia to be oh so sweet. You can't lie to them, you don't want to. Even if you did, they would see right through it.

Your friends know you too well.

"I... I miss him."

Phia squeezes your hand, and the whole story is about to spill out of you when you hear your name being called.

It's your assistant Clara, letting you know you're needed back on set.

You swallow back tears, standing on your feet, trying to maintain enough composure so you can grant yourself access back to your character.

"Go do your thing, superstar," Phia smiles comfortingly. "We'll be here when you're ready."

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

November

"I'd like to propose a toast," Tom declares out loud in the empty pub, "to Ewan, Hollywood's new elf... Lord? Prince? Ah sod it, cheers!"

Round the table, Ewan, Fabien, Luke and Elliott all raise their pints with a collective, "Hear, hear!"

The pub has been cleared out for the lads, thanks to a favour called in by the twins, with the owner being their gym buddy and good friend.

"Thank you," Ewan replies, smirking. "I am your new elf prince, address me as such."

"Your ears have never been pointier, mate," Luke quips.

After a month of moping back home in Derby, or recovering as Ewan prefers to put it, he got a call from his manager telling him that the offer from Bruce still stands.

Apparently, the production team for the movie still had him tapped as the prime choice for the lead. After observing his audience metrics and overall viability, they decided that the movie would fare the best with him in it.

They had planted some half-baked announcements in the media, stating that it was Ewan against Joseph Quinn and Manny Jacinto for the role, and the fan reaction veered in Ewan's favour by a landslide.

Even though Bruce had an unsavoury word or two to say about him, he was willing to work past it, so long as Ewan would be more amenable to his demands.

After careful deliberation, Ewan chose to throw caution to the wind, and accept the role. So what if he has to pretend to have a real-life romance with Jenna? This is what you wanted.

"I'm glad you finally came out to see us, mate," Fabien says. "It's been a while."

"Yeah, fuck's sake. Remind us never to break your heart! That was tough to witness, you hunkerin' down out there all mopey and whatnot," Elliott laughs.

"Mmm." Ewan takes a swig of his beer to hide the wince he couldn't hold back. His friends, and most of the cast know by now, not in too much detail, of what went down between the two of you.

A typical short-lived romance of two actors. A summer fling. Most of them would look back and only see it as that.

Even though it was so much more. Even though Ewan still recalls how warm and soft and beautiful you felt as you whimpered underneath him, the loss of you as painful as getting hit by a freight train.

The liquor helps. Burying himself in work helps. Denial... well, that certainly helps the most.

When he goes out to the back garden for a smoke break with Fabien, he tricks himself into believing it's mere curiosity that compels him to say, "Phia mentioned that you guys went to Atlanta."

Fabien is rendered off guard, because he knows what's coming. "Yeah, we did. Bella came with us too. She was visiting me on set," he says, measuredly.

"Mmm." A long drag, a flick of ash towards the ground, an unaffected shrug - and eventually, with as impassive of a tone as he can muster, Ewan asks, "So how is she?"

Fabien smiles knowingly. "She's doing great. Her film's looking pretty good." He's privy to the truth, after he and Phia managed to gently coax it out of you over several martinis at a hotel bar in Atlanta. But he doesn't think it up to him to reveal that to Ewan, out of respect for your privacy.

While he might not share your sentiment, he thinks it's not in his place to tell Ewan that you basically lied for his sake.

But that doesn't mean he won't drop a helpful nugget or two.

"You know, I don't exactly know what's going on... but her and Jacob came across as nothing more than friends."

Ewan's hand freezes mid-air, the cigarette inches from his lips. He loathes the sense of hope that immediately bloomed in his chest. He's so bloody easy. One miniscule hint, and his delusions break through the wall of indifference he worked so hard to build.

"She said she has feelings for him," Ewan stresses, trying to convince himself. What was the fucking point of all this... this pain... if you never did?

"Hey, mate, I dunno," Fabien puts his hands up, "just telling you what I saw."

"It doesn't matter." It does. "She ended it." He wants you back, he will always want you back. "It's better this way."

"Is it?"

Ewan doesn't answer. He doesn't know how to, without grossly embellishing the truth.

Fabien watches his friend, sensing his hesitation as he averts his gaze. One thing becomes clear to him - you and Ewan are far from being over.

So he says, "She misses you, you know."

Ewan regards him with a stony look, one that slowly softens to reveal the broken boy inside. For but a moment, before he clears his throat and throws the butt of his cigarette on the ground.

"Let's head back inside."

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

December

You're back in London, as production for your film is paused for the upcoming holiday season.

Work is supposed to be the last thing on your mind, but it just so happens that your manager has you booked for a chemistry read for a yet undisclosed film.

Phia came over to your apartment, insisting that she help you get ready. When you asked how she found out about your audition, she was quick to say that she was up for the role as well but didn't think it was right for her.

"Why not?" you ask, as she hovers over you, patting blush on the apples of your cheeks.

"Oh, you just get a feel for these things."

"Phi, it's just a chemistry read," you say, when she reaches for the mascara. "I don't need to get all dolled up for this."

She gasps, "Oh, but this is showbiz, darling. We always have to put a face on."

"Fine," you relent. "Do your worst."

The makeup she ends up doing on you is minimal, but it enhances your features just the right amount. You rush through your final preparations, folding up the script sample you were given and stuffing it in your purse.

Phia stands out on your balcony, in the middle of a call. The window screen is slightly open, so you hear snippets of the conversation as you walk by.

"Is he ready?" she asks. Who's he? You assume it's the guy you are doing the read with.

You don't know about him, but you are ready, so you stick your head out to say, "I gotta go, Phi."

"Oh!" She startles a little, angling her phone away. "Already?"

"Yeah, the read's at 4, I believe. Just lock the door when you leave, 'kay?"

She hurriedly whispers something to her phone, presumably ending her call. "I'll actually head out with you," she grins. "My work here is done anyway."

"Any plans for the night?"

She shrugs, "Might meet with Tom and Martha."

"Oh, why don't I meet you guys after my thing?"

"Uhhhm," she chews on her lip, thinking. Under her breath, you barely hear her mumble, "... hoping you'd be busy."

"What?" A restrained chuckle escapes you, confused as to why she's being so coy.

"Nothing," she tilts her head. "We can meet if you'd like."

The weird exchange is out of your mind when you arrive at the casting agency. You run the scene through in your head as you walk in the building, up the elevator, down the long hallway.

It's a heartfelt scene, if not a little tense, a dialogue between reunited ex-lovers.

Your manager Polina and publicist Mallory greet you at the doors, swiftly briefing you before directing you in.

"They're waiting, just walk right in, doll," Polina says.

"Okay, wish me luck!" You have your hand on the door handle when Mallory strangely remarks, "Don't hate us, sweetheart!"

"Why would I - "

"Go, go," Polina guides you in, then shuts the door behind you.

The office sports an spacious and open layout, with plenty of natural light streaming through large windows. The primary workstation is partially hidden behind a subtle partition. You see silhouettes of a few people behind it, so you walk down that way.

The figures reveal themselves soon enough - the casting agents you recognise as Patrick and Amie, sitting in front of the actor you're meant to read with.

A range of emotion washes over you, but you don't even have time to reckon with them. The casting agents divert your attention from Ewan, as they approach you with wide smiles in greeting.

"So nice to finally meet you!" Amie croons. "Take a seat. You two already know each other, of course. Between us, there won't really be a question of chemistry here."

"Right?" Patrick adds, looking between you and Ewan. "The fans sure think so, and we have to say we already agree."

"So just give us a minute to set up," Amie says. "Then we'll start."

You smile stiffly, settling down on the opposite end of the couch. You keep your gaze straight, trying to keep your attention on Patrick as he sets up the camera. Your heartbeat races the entire time, and you feel your hands getting clammy.

"They're all in on it," you hear Ewan say, prompting you to finally look at him directly. You take him in hungrily, admiring his outline, ever so handsome with his Targaryen-blonde hair and black leather jacket.

A weak "Mmm?" is all you can muster.

"Our teams, Tom, Phia... they set us up. Tom came over and I overheard him on the phone with Phia."

"Oh," you mumble. He doesn't even spare you a glance, leaning on the armrest on his side of the couch. He looks as if he'd rather be anywhere but here, next to you, and it hurts.

It's what you deserve.

"Is this not a real chemistry read?" you ask meekly.

"I suppose it is," he laughs humourlessly, "but it's not a coincidence that you and I just happen to be the only ones scheduled for today." He turns to you, giving you a critical sideways glance. "Didn't see that coming, did you?"

"I... I can leave if you want - "

"Mmm," his brows furrow, "you do seem to be good at that."

You look away. He is not being fair, but you weren't neither, that wretched night back in September.

And he is making you pay for it now.

But then you hear him speak in a softer tone, "Stay."

Stay. When you look at him once more, his attention is entirely on you, arm outstretched on the couch like he just tried to reach for you but decided against it.

Stay, he asked. So you do.

It's what you should have done, months ago.

"Okay, guys. Whenever you're ready," Amie says. She and Patrick take their seats in front of you, with the camera on a stand between them.

The script crinkles on your lap as you hold it with shaky fingers. "It's been a while," you read out your opening line.

The dialogue plays out twisted and ironic, now that you know who your scene partner is.

"Hardly," Ewan responds in character. "I feel like no time as passed."

"Feels like a lifetime."

He pauses, then sighs, "Do you even miss me?"

"How... how can you even ask me that?"

"How can I - "

"Why didn't you... why didn't you fight for me?" your voice breaks, the lines hitting a bit too close to home.

"You're a fucking hypocrite," he spits with venom. "You weren't exactly giving me anything to fight for."

"I did it for us. I did it all for us." If you didn't feel like crying at the weight of the scene, you would have rolled your eyes at the similarities.

"Like I said - nothing to fight for."

"Nothing? So you're telling me I was nothing to you."

"No," he levels you with an icy look, "you were everything to me. Everything. But you left me behind, and for what? So you can run off with the rebel sect?"

"The mission needed me. You wouldn't understand." You feel a sense of relief when the sci-fi elements roll in, otherwise you might have given in to your emotions and sobbed right there on the damn couch.

"I needed you," Ewan says, eyes not leaving yours. "I needed you and you abandoned me, just like that."

"And are you not better for it? When I left, did they not make you General?"

"See, that is the difference between you and I," he says coldly. "I wouldn't have traded what we had for anything - no position, no amount of wealth, no glory... I would have chosen us every time."

"Aaand cut!" Patrick jokes, effectively breaking the tension.

The two of you have unconsciously drifted closer, now only a foot part. Ewan does not drop your gaze, watching you closely. You see his eyes flit down to your parted lips, and he leans in almost imperceptibly.

"Alright, how about we go one more time?" Amie says, diverting your attention. "Give us a different take, and then that's it!"

Ewan settles back on his end of the couch. When he reads his lines again, his tone is harsher and he no longer meets your eyes.

Patrick and Amie commend you both afterward, singing praises about your acting abilities. Ewan is polite as always, blushing and grateful, but he practically dashes out of the door when the meeting finishes.

You're left standing with Amie, as Patrick has taken to his laptop to file the footage.

"The way he looks at you," she sighs dreamily, referring to Ewan. "You'd think the sun shone out your arse, doll."

"He... he was just in character," you disagree. "He's a good actor, as you know."

"Yeah, I mean, he nailed the part's rancour perfectly. But his eyes - oof - you've got a good one there."

Oh. Of course they would still assume you and him are together.

How desperately you want it to be true.

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

An hour later, you've just sent Phia a text saying - You owe me. Where do I meet you guys?

But you hear a knock on your apartment door. If you didn't buzz anyone in, it can only be a neighbour or someone the doorman recognised.

Someone familiar to you.

And it's him.

"Ewan?"

"I need to speak with you."

You step aside so he doesn't linger at your doorway. He walks past you, a welcome if not unexpected presence in the room.

You can't decipher his expression, his gaze angled downward as he leans against your kitchen counter.

When the silence becomes almost deafening, you laugh awkwardly, about to make some silly remark on whether he is still in character. But he doesn't let you diffuse the tension.

"I want you," he blurts out without warning. "God help me, I still want you. I think I might have a fucking problem because how can I... after what you did - " A momentary glance of betrayal, but you see the spite clear in his eyes. " - but I do. I can't get you out of my system."

"I'm sorry - "

"I don't need that," he says sharply. "I don't need your sorry. I need you. I need to have you, and maybe this way, I'll satisfy whatever pointless desire I still have in me."

"What are you saying?"

"I'm saying - I'm asking - will you let me have you?"

"Ewan, I don't under - "

"I'm saying that we should sleep together," he says bluntly, and it feels like the rug has been pulled from under your feet, "but only just. You won't be mine, and I won't be yours."

"You're kidding."

He shakes his head, before adding, "Don't worry. It'll be our little secret. To the rest of the world, I'll have a different girlfriend anyway."

His words register, along with the bitter ache at his words, that you won't be his, he won't be yours. This is purely for pleasure. There used to be love here, and now he just craves the comfort your body allows.

You'll be using each other.

You should refuse. This is not healthy; this is not how you move on. Can you even go back to being good friends after this? But also - what have you got to lose?

What, except for him, and for good this time?

What, except everything?

"So what do you say - " He closes in on you, and with every bit of malice intended, the name no longer possessing the sweetness it once held, he sneers, "- darling?"

💌 next chapter

Taglist: @namelesslosers @skymoonandstardust @valyrianflower @luckyfirebasement @omgsuperstarg @elissanatok @callsignwidow @sinistersnakey49 @darkwriteracademia @yyrzmomo @queenofshinigamis @luvaerina @shamelessblazecrown @mirandastuckinthe80s @elleinex0x0 @pierrotlu @aegonswife @strangersunghoon @lunampacheco @writer-ann-artist @gaiaea @of-swords-and-words @ateliefloresdaprimavera @m00n5t0n3 @helaenaluvr @peachysunrize @annie-ruk @luvly-writer @ananas26t @athenafaes @lovelyteenagebeard @mamawiggers1980 @moongirl27 @katherine93 @barnes70stark @justbelljust @cloudroomblog @somestufftoday @esposadomd @girl-in-the-chairs-void @insideyourimagination @vyctorya @wildrangers @livcookesgf @onlyrealjoy (continued ... )

Some notes in the margins...

Well well well... the transition from friends to lovers to strangers to angsty FWBs sure is a slippery slope!

The time jumps are so we get through the moping quicker! It's mostly back to the regular shenanigans in the next part. Only, you know, angst-ridden. But you hurt Ewan, reader. *wags finger* Don't say you didn't expect this switch! Tsktsk

So what now - will you accept this arrangement? Will things ever be truly okay? Part 7 is going to be hot and hilarious and stupid and messy, just as the doctor ordered.

Let's hash it out in the comments, shall we? 🗡💕

#ewan mitchell #ewan mitchell x reader #ewan mitchell imagine #aemond targaryen #house of the dragon #chemical override #hotd #aemond targaryen x reader

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fuckyeahgoodomens · 9 months ago

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youtube

Very funny Staged-like opening of BAFTAs 2024 with David and Michael! :D ❤

David: Can you hear me? Michael, how is it going.

Michael: Yeah, I don't have time for pleasantries, David. Some of us are big in America. In fact, I have a zoom with LA in ten minutes.

David: It's 04:00 a.m. in LA.

Michael: Well, that was the only time I could fit them in, so they're getting up early. Anyway, look, I just wanted to confirm, I'm going to drop the new dog off on Sunday morning. We've called him Bark Ruffalo. It's cute isn’t it?

David: That is actually quite good. But listen, that's what I wanted to talk to you about. I'm afraid I can’t dog sit on Sunday.

Georgia: Oh, hi, Michael.

Michael: Yeah, hi, Georgia. Look, I don't want any of your excuses, David, you promised. I can't leave him with a neighbour because he peed in her kitchen.

Georgia: Right. Whereas we are desperate for him to come and pee in our kitchen.

David: I know that I did promise to dog sit on Sunday but since I promised, something else has come up and I-

Michael: Well, that sounds like a you problem.

David: Hi, Stan how are things?

Stanley Tucci: Hi, David. How are you?

David: Okay, listen, I need a favour. Michael Sheen has asked me to look after his dog on Sunday, but I agreed to host the BAFTA Film Awards on the same day. I was wondering if you could look after his dog for me?

Stanley Tucci: I would love to do that for you, David.

David: Oh, Stan, you're a lifesaver. Thank you so much.

Stanley Tucci: Is there anything else I can do for you?

David: No, looking after the dog is... I mean, that's obviously amazing.

Stanley Tucci: I could wash your car or something or the windows in your home.

David: You're not really gonna look after the dog, are you?

Stanley Tucci: And the BAFTA for Catching On Very Quickly goes to...

David: Himesh! Oh, Himesh, I think your computer is frozen. Oh, no it’s not frozen because I just saw someone.

Himesh Patel: Look, I know you're just calling because you want something from me.

David: Yeah. What are you doing on Sunday? Oh for crying out loud. Tom Hiddleston!

Tom Hiddleston: Hey, David. What's the pitch?

David: Pitch is dog sitting for Michael Sheen.

Tom Hiddleston: Wow. Okay. Yeah. Interesting. I'm guessing that we're going for, like, funny.

David: Could be funny, it’s a cute dog.

Tom Hiddleston: Yeah, I suppose the dog sitter initially could present as benign, and then he and the dog get up to all kinds of hijinx and ultimately disrupt stuffy old Michael Sheen's boring life. But for the better.

David: Listen did your agent tell you that I wanted to talk to you about a film?

Tom Hiddleston: Well yeah, obviously, unless you're actually, you know, calling me to ask me to dogsit for Michael Sheen.

David: No. Oh. Dame Judi. Long time no see.

Judi Dench: I thought you were going to be that beautiful Michael Sheen. What do you want?

David: Well, I wonder if you'd be up for a bit of dog sitting. I promised to look after Bark Ruffalo for Michael on Sunday, but I'm double booked.

Judi Dench: David. Bark Ruffalo. He pees everywhere. And anyway, I shall be watching a BAFTA Film Awards with a big glass of champagne. What's with the kilt?

David: Wait and see.

Judi Dench: Ooh.

David: Hi, David Tennant signing in. There's a courier here with something for production.

announcement: David Tennant to stage. David Tennant to stage.

David: Hi. Hello. Hi, everyone. Hi. Hi. Hi there.Sorry. I've got-Are you good with dogs? Yeah, and not on your dress. I'm sorry. Thank you. Hi. Hi. Sorry. Hello. Hello. Hi. This is fine. This is fine. This is. Michael? Michael?! What? What is this?

Michael: What are you doing there?

David: I'm hosting the show.

Michael: What?!

David: This is why you wanted me to dog sit, so you could sit there?

Michael: Yeah.

David: You going to have to take the dog.

Michael: What? What if I have to go up on the stage to be given an award? Yeah. All right. Give me.

David: Yeah. Come on. Get that one. You take that. And this weird thing.

Michael: Was this Scottish man mean to you? All right, come on to me. Oh, darling, hello, hello.

David: Never work with animals or Michael Sheen. Not a great start. Not a great start. Don't worry, though, tonight is going to go smoother than Ken's chest. For one thing, he's not a dog anyway. He is actually being played by Andy Serkis. Look at that. What a performance. Andy.

#david tennant #michael sheen #staged #david and michael #funny #videos #transcripts #bafta 2024 #awwwww #stanley tucci #himesh patel #tom hiddleston #judi dench #Youtube

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devdirt · 11 months ago

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Hazbin Hotel Spoilers!! My thoughts on the VAs, and where I go from here.

I'm only going to say a couple of things about the first episode. The voices are bad.

I think Charlie is the only consistently good one and Alastor does sound better with the voice filter on. I think Niffty is okay, I will always prefer the pilot VA. But...listen.

I don't want to be mean about Blake. I'm sure he's talented. But his delivery as Angel is really, really bad. I don't mean in a "bitch about the show haha" bad, I mean it is just painful to listen to. His delivery is not natural, the accent sounds so forced and the tone is grating. He sounds like he belongs in a cringe fandub, not an official production.

Vaggie sounds incredibly dead. I think Stephanie could really work in this role but it sounds like the voice direction is keeping her from emoting half the time. Her register is too low and too plain to give any kind of meaningful performance. She has done low register characters before and knocked it out of the park so that's why I believe this was a mistake on direction's part. She's talented, let her showcase it.

Husk, it doesn't fit. Keith David is talented as FUCK and his delivery is good! But this was a miscast. The original VA was great because he had that jaded old man sound to him, a disgruntled quality that accompanied his character.

Adam...god shut up. I don't know if it's the fact that his song is paced all weird and the dialogue doesn't flow, or that his dialogue is just GOD AWFUL but I can't listen to this man speak. He sounds like he's overacting on stage in every single line, there is no time to breathe between his sentences.

And my wife Katie Killjoy? It's just fucking Blitz. There is no humor in having her sound like this, and the performance has none of the flair as the original pilot VA. It sounds like when a cartoon gets an obvious celebrity who doesn't fit the show because they just wanted to get that person on for an episode.

So yeah. The songs were mid, the jokes weren't funny, and Angel saying "this body was meant to be exploited" was just...yeah.

I'm sorry to the entire pilot cast, I'm sorry you were all replaced when you ARE these characters. A character is their voice, and you all poured your hearts and souls into your performances to make Viv's creations come to life. I don't think she deserved any of you. This is a disappointment for animation at worst and a bad vanity project at best.

I will not be watching any more full episodes.

#hazbin hotel critical #hazbin critical #vivziepop critical #hazbin spoilers #hazbin hotel spoilers #hazbin hotel overture #spindlehorse critical #hazbin hotel critique #hazbin leaks #hazbin hotel leaks

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nothorses · 1 year ago

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I hope this is okay to ask but I’m pretty desperate and googling stuff has failed me, so do you or one of your followers have recommendations on how to deal with the BO that comes with taking testosterone? I never had BO that couldn’t just be managed by showering enough and putting on just any deodorant but now that I’m taking T I sweat a lot and I smell bad and I nothing I do seems to fix it. My boss has politely mentioned it several times now despite all my effort and it’s so mortifying and embarrassing.

Things I’ve tried and am currently doing include so many different deodorants which I bring to work and reapply, putting baking powder in my shoes, on top of general basic hygiene. But none of it seems to make a dent and it doesn’t help that I can’t really change clothes or shoes throughout the day. I have to wear closed toed shoes and a lab coat and my job is pretty active, plus it’s 10 minutes walk from the parking lot and it’s over 100F or 40 C right now so when I arrive at work I’m already pouring sweat. I also have a large chest so it all gets under my bra and soaks into it and by the end of the day the bottom part of my bra reeks.

I know some ocasional BO on a busy day can’t be helped but none of the other people at work including other male coworkers seem to have the same issue at all, so there’s got to be a solution but I haven’t found it. Im thinking of trying antiperspirants but I also know I need to sweat and I would rather not put my health at risk. So if anyone has something that works for them please let me know bc im really desperate here.

First I want to say: you're not doing anything wrong. You probably just sweat more than some other folks, and that's not your fault, and you shouldn't feel bad about it. I'm gonna give you some ideas to try if you haven't yet, but I don't know how much you've already tried, and it sounds like you've been through a lot already.

I also have always had terrible BO, and the only thing that helped at all pre-T was "prescription strength" deodorant. I honestly have had less of an issue since starting T, weirdly enough, but part of that is also that I physically cannot stand to shower any less frequently than every single morning (not necessarily a good thing lol), and I also started using antibacterial products on my armpits when I shower.

Currently I use benzoyl peroxide body wash on my armpits, which can be drying, but it hasn't caused me issues so far (just look for Panoxyl, other brands have caused irritation for me and my partner both). I used Betadine surgical scrub before that for a bit (you collect weird shit when you work with horses 🤷‍♂️) and that worked well, too- plus it's less likely to irritate skin.

I also find that certain shirts cause me to sweat there more, and those also tend to be the more form-fitting shirts that get up into my armpits. That skin def needs to breathe.

My partner has had trouble with feet/shoes in the past, and he's used cedar shoeforms to mitigate that (cedar is also antibacterial!). He also makes sure any shoes he gets are breathable (not leather), and if they are leather, he gives them at least a day or two between wears. Probably good practice if you notice any kind of smell on any of your shoes.

You mention baking powder, and I'm not sure if you meant baking soda and just mixed them up (which I do all the time lmao) but just in case: if you are using baking powder, the one you want is baking soda.

I don't have much advice for chest sweat, except that you may want to consider bringing an extra bra (and maybe an extra pair of socks if you're noticing it before the end of the day) to change into midway through the day. You can also look for more breathable fabrics in general, especially athletic-wear, which is already designed to help wick sweat and mitigate those issues.

Lastly, I want to stress again that you're not doing anything wrong. Some people have more trouble with this than others, and if you're really struggling in a way nobody around you is, it may be that you've got something going on in your body that they don't have to deal with. This could be a medical thing as well (like acne!!), and there's no shame in seeking medical solutions for it. Talk to your doctor if you can; it sounds like it's causing you distress, and you deserve to be comfortable.

#advice #resources #testosterone #hrt #testosterone hrt

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mr-ys-phantasma · 1 month ago

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🌙 Moon Phases 🌙

Agatha Harkness X Fem!Reader

Chapter 1. - Chapter 2. - Chapter 3

Chapter 4. - Chapter 5. - Chapter 6

Chapter 7. - Chapter 8. - Chapter 9

Chapter 10

Word Count: 1588

Chapter 10:

You approached Jen, who was trying to think.

"What ingredients do you need?"

You had not been around a lot of Potion Witches but you knew Jen would need certain things to start making the potion.

You merely prayed you would find them soon enough in this huge house, for enough time had already been wasted.

Jen thought carefully for a moment. "I need frankincense and the gut of a eusocial insect."

Alice extended her hand, grabbing Teen's lower arm. "We'll handle that first part." She said and, along with the boy, rushed to find the two ingredients.

Jen took a deep breath, trying not to overthink or let the ticking sound of the clock distract her. She needed to be concentrated, for there was no room for error.

"I need a corpse that's been decaying for at least 30 million years."

Your eyebrows went up, not expecting that such a thing could actually be part of an antidote. It was in those times you really hated potions and was reminded how complicated they were.

"Is that something that's available? Cause I don't know what you're talking about." Agatha commented, anxiously waiting for the swelling to go away.

"Why do I have to translate? It's zooplankton." Jen explained, but that did not seem to ring a bell to any of you. "It's in petroleum products."

Suddenly, Lilia seemed to get an idea. "That we maybe can do."

Agatha nodded. "Lilia, let's go."

You watched the two women go and you glanced at Jen, feeling odd to be left with her.

"You help me find a cauldron or something to use!"

You could only nod as you both started to search the kitchenware, but nothing seemed fitting enough or your cause or big for that matter.

Your eyes went to the square sink, and a crazy idea popped into your mind. It was crazy. It was perhaps wrong, but right now, you were literally fighting for your life.

"The sink!" You pointed out, earning her attention.

"Huh?" Jen exclaimed.

"The sink is big enough, and we can clog it, so the water remains."

Jen looked at you for a moment, wondering if you had gone mad, but then she looked at the sink, and she could somehow imagine it that it could work.

"Okay... I can work with this," she agreed and once again focused on you. "I need one more ingredient. Eye of Newt, " she explained, but you only ended up staring at her for a little longer, blinking slowly. In the end, she gave up. "You fill the sink, I will go get it"

"Sounds like a good plan" you agreed.

You would not really point out that potions was your weak spot, though by now it might have been obvious enough.

Choosing not to comment, you watched her leave in search of a spice pantry while you placed the tab in the sink and let the warm water flow.

The clock next to you kept counting down, making your heart race faster due to the poison but also due to worry. A constant reminder that your chances of survival kept getting smaller was not helping keep you calm.

You placed your hands on the kitchen bench and leaned slightly forward, head hung low. As you felt the hot steam coming from the pooling water, you closed your eyes and tried to take a few deep breaths.

You sure did not remember the trials being that stressful the last time, yet centuries had passed ever since.

The sound of the clock seemed to slowly go away, blending with the background noises until it was a deep but weak echo at the very back.

The sudden change made you open your eyes, wondering what was going on. To your surprise, the house seemed dark and with barely any light present.

The faint sound of multiple steps came from a door to the very left, and you found yourself slowly walking towards it, leaving behind the kitchen and the sink that was halfway full.

As you kept walking, the sound of steps grew louder, and as you took a turn to the left; you could not help but gasp silently.

The hallway or room or whatever was meant to be there seemed to have expanded and was covered in darkness. The only thing visible was the light of torches, casting shadows on the faces of some familiar men.

"Get the witch!" One shouted, lifting a heavy object with both hands.

"Grab her!"

"Demon!"

"Kill her"

Your instincts told you to run away, to get as far away as possible but sudden fear clouded your mind; paralysing you.

You could only stare as the angry men kept shouting, the sound of chains triggering dark memories within you.

"No... no, no...no..." You repeated again and again as you brought your hands in front of you, forming an X in a futile attempts to protect yourself from the hits that were about to come.

Your white magic glowed in your palms and around your fingers, your instincts about to use it to protect you against the old enemy that had been brought back.

Before it could, however, it was stopped.

A strong pair of arms grabbed your wrist and shook you faintly as a muffled voice barely reached your eyes.

Gathering the courage, you dared to open your eyes only to see yourself with one knee against the wooden floor.

The angry men from before were gone, the lights were back to normal, and Agatha was holding your wrists; having almost gotten hit by your magic.

"You are with me, sugar?" She asked, bending slightly as if trying to ensure you would not fall; her grip on your wrists strong.

When Agatha was coming back with Lilia, she felt triumphant. She knew she found the ingredients into Jen's products, and she would use that as a chance to expose her dirty secret about her "natural" products.

However, before she could; Lilia seemed to get trapped into some sort of illusion or nightmare; one that actually worried Agatha, mostly on what the old witch had seen to terrify her that much.

Once this was over, she had made her way towards the kitchen when she saw you; staring at nothing. She called your name but her smile had disappeared once she realised you were also fighting an illusion, one to make you beg.

Her instincts kicked in and she handed all of the products she had right into Lilia's hands, not caring if the older witch would be able to handle the new load and quantity.

She rushed towards you, worry evident in her eyes. Your white magic seemed to flare when she approached but she managed to grab your wrist and shake you slightly, hoping this would help you snap out of it.

When you opened your eyes, she could barely find the strength to stare into your pained and terrified gaze. She had never seen that look on you, and it worried her of what could have taken place while she was away from you.

When you finally calmed down, a deep breath left your lips, and you could finally answer her. "I... I am, " you replied as you stood up with her help.

She did not seem to truly believe you, but as the sound of a ticking clock reached you, you were reminded there was not a lot of time for small moments.

You moved back to the kitchen just in time to meet the others, seeing them almost all as terrified and shaken as you; with the exception of Teen, who had not drank the wine.

Wasting no time, you cleaned the bench of any unnecessary items and placed all the ingredients on the marble top. When Jen had seen her products, she parted her lips to argue but chose not to; and only instructed you to add the ingredients in the proper turn.

Then, another obstacle showed up.

"Any bright ideas on how to set this sink to boil?" Jen asked, since the warm water you had filled the sink with was mot enough.

Agatha looked at her. "You didn't think of this before?"

Jen held back the need to snap at the former dark witch. "In the middle of a traumatic hallucination? No, Agatha, I did not!"

She took a deep breath as she tried to ignore the sound of running water. Because if it wasn't enough the poison and the timer, the Road had chosen to flood everything outside.

And thanks to the crack Agatha made before, saltwater was entering and you all feared when the time was up; that crack would stop holding resistance.

Thankfully, Teen seemed to know of something.

"Is there a sous vide?" He asked, and Jen smiled, a passive congratulation in his quick thinking.

Agatha arched an eyebrow and looked at you and Lilia, the ones standing closer together.

"That's something people know about?" She asked, and you only shrugged your shoulders, as clueless as the others on the topic.

Potions were never your strong suit, and neither was cooking, pastry, or anything having to do with a kitchen. You were a descent gardener, but your talents, unfortunately, laid elsewhere.

"It's a super fancy cooking tool. It heats water to a specific temperature, so you can cook your meat evenly." Teen explained, coming back with a weird object in his hand.

The clock let ouf a louder ticking noise, a reminder that you were almost down to the last minutes.

Chapter 11

#agatha all along #two chapters in one day #why not?#after all #you guys kept asking to see the hallucinations #so there you go #dont forget to comment #agatha harkness #agatha spoilers #agatha x reader #agatha fanfic #agatha harkness x reader #marvel #moon phases fanfic

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m1ssunderstanding · 7 months ago

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Let it Be Close-watch

Paul, sweety, it's beautiful, but it's killing the vibe.

Ringo looks like a very old, very tired lab rat whose been put through the maze a few too many times

Somehow the air-brown mostly eaten apple is very appropriate.

She looks far too sweet here to ever let John down. Yoko has very kind eyes.

I love how it makes it seem like Paul and John are calling Maxwell “the corny one” but really we know from Get Back that they're talking about a particular arrangement they were trying out for Don't Let me Down.

I swear he's saying “John” there, not “Joan” and also he said “came down upon His head” so… Oh! And Max died in the end in this version? “Sure that Max was dead” Okay. So Paul kills John and then himself. Murder suicide story. Yeah, Paul, you're doing great mentally, we can all tell.

I love how George getting electrocuted was important enough to make the cut for both films. Poor baby. “If this boy dies you're gonna cop it” from the guy who was just singing about a serial killer.

They're so silly

Yoko does not agree with me

Paul: stealing your man, sweetheart. John: oh no I'm being stolen teehee!

They're so silly

Oh wait, were those bitchy looks at George??? Because there he is. Idk could easily be him or Yoko.

this poor autistic baby trying to use words (not his language) to explain music (his language)

“Good MoOornin! Wooah!” I think I just … You know how Mike said people were booing Paul in the theater watching this? Yeah it's because they were pissed he didn't step out of the screen and onto their necks.

Oh Michael put himself in his own movie too? Huh, cool.

They are always in my heart

The way Paul says “get on the mic” to John??? I would've thrown something, that was so fucking bossy! Just his tone and his face and his angry pointing fingers. So mean. And John just goes “okaaay”. Oof.

Ringo covering his eyes like a little kid watching a scary movie during the orange sweater fight. Same, babe.

Sounds like the original lyric John's going for is something long “All I want is you. Nothing else is gonna do.” But that obviously didn't fit with the tune. I wonder if there was a particular conversation with Paul being controlling that made the “everything has got to be the way you want it to” line click in.

Oh my gosh! So George is showing I Me Mine to Ringo and Paul and he says the “I don't give a fuck it can go in musical” line before he even plays it. Not after John's making fun of him like he does in Get Back. Nagra reels experts: which one is correct??

George: it's a heavy waltz. Ringo:*claps hands angrily and punches the air to a ¾ beat. I love him, he's like the core of “Beatle humor” to me.

Woah there! Okay this is the John/Yoko pda Peter Jackson cut, I see. I wonder if there's a lot more footage of them swapping spit that might make the “oh John was just so in love” theory more reasonable.

It's extremely impressive that George just wrote this whole thing last night. You know? John and Paul have brought in all fragments from what I can tell. He's the only one to come in with a basically finished product.

LMAO and we're just going to Apple now. No reason. Nothing happened. Nothing to see. Moving on.

Ringo is so so cute pretending to hide from the cameras. Really he should've been the cute one.

Is it just me or does Paul drop the sillies and get sad when he sings “always be mine” at John? It's his regular voice, too, for a minute, if I'm not mistaken.

Silly cuties. But John's grin and little sexy tongue action happens the second time Paul sings always be mine, so…

What friendly artistic collaboration looks like when it's not psychosexual

Paul: have you played the dubs? George: yeah. Terrible. Paul: Great! Ringo: terrible. John: laughs Paul: (sarcastic) oh, so dreadful. …. John: where's my guitar? Paul: (still sarcastic) well we're just the greatest band ever. Idk I just like this dialogue. It's very them, you know?

This is adorable.

But I also love how they're already communicating with eyebrows, you know? They just bonded so fast and I find that beautiful.

And then Heather ups their game from taking turns going “chchchchch” into the mic to meowing into the mic. She looks at Paul like “okay your turn” and he sets her down lol he's thinking ‘if I meow into the mic right now after John already had a sex dream last night about me, he might actually cream his pants and we can't have that on camera’

Lol Billy just magically appeared!

Paul you're literally so annoying. You started the goofing off and now you're like “alright lads, that's enough.” Mkay.

He is unbelievably sexy and talented though so you know he does have those little things going for him. Someone write me a Paul/Billy fic please!!

Kinda crazy how they all four just slide straight from “Kansas City” to “Miss Ann” to “Lawdy Miss Claudy”. Makes me think of something they might've done in Hamburg.

I'm sorry but Paul finishes “please don't excite me baby. I'm down in misery.” And John's immediate answer is, “well you can get it if you want it, and if you want it you can get it!” And Paul ends up singing “I want it I want it I want it I want it”. Nice. Very subtle, boys. And that's before John gets kinky.

I love how Heather just forces a hug from George and then immediately runs away. What a cutie.

But really. How did anyone watching this get the idea that John hated Paul? Just confirmation bias I guess?

All the cut off conversations kill me but especially the one where John's working though Paul's anxieties. They're just in the middle of it and then cut. “two of us Sunday driving…”

Someone should do a study of whistling in their songs. I feel like it's another one of their tip offs that “hey this one is about us” Anyway I love John's whistling here. He's so good at it. I can just imagine him as some farm boy picking apples, you know?

Imagine booing this poor stay puppy though, like. What? I mean, what if Johann Weiner was wrong and John wasn't crying at the sight of him and Paul playing triumphant together on the rooftop, but at Paul playing his little heart out about their doomed love. Idk it's probably both. Let's be real, John was bawling through the whole thing.

What is George laughing at? Picture quality is garbage because evil corporations don't let you take screenshots of their content, but he looks like that one kid in your elementary school class that just dumped Cheetos all over his crushes desk and thinks he's a criminal mastermind.

Also I do appreciate all the attention given in the chosen shots to the musicianship. I bet they liked that at least if they had the heart to like anything about the movie at the time.

I'm sorry but I love how in sync Mo and Paul are. With this ducking and later the shimmying. I know it's wrong to ship Ringo’s wife with one of the Beatles she didn't sleep with, but… idk I really want her to have bedded all four at one point, you know? She deserves it, being an og.

Okay but yeah I'd be having a public meltdown if I fumbled that too holy fucking shit

Ringo feeling himself as he should

George just looks like he smells nice. Unlike the others. You know?

John has such a beautiful smile. If somebody looked at me like that I'd put him up on a giant screen behind me on my world tour after he'd been dead for forty years too.

That pleeeaaaheeeaaase though. Looking at Paul. How did he survive I'll never know.

The cut from screaming Paul to grouchy nap lady is extremely painful.

John was so cool in this concert. Like the epitome of cool.

Kevin, my love, thank you for your service

I love Yoko leaning so far and craning her neck. She's like a mom at a school talent show. Like “I only came to see my baby.” Type vibe. Which is exactly what she's doing, unlike Mo, and honestly I find both of them extremely valid

You know in movies where the romantic leads are never looking at each other at the same time?

I think I watched George and John switching back on their amps like fifty times because I just love it so much. And from this angle, you can see John's saying something to Paul about it. He looks serious and he's shaking his head. I wonder what he's saying.

Mal Evans I love you forever for this. Look at his hand on the rail, just blocking them off completely, so protective.

Them turning to each other at the end always gets me. It's automatic, like second nature, and it's the last time ever. They deserved better.

Oh Darling duet in the credits are you fucking kidding me??? Was that in the original? “Believe me, when I tell you.” “Oh I do.” That's the second time that they gave away in this footage that they know they're talking to each other in their music.

Alright, that's it, I guess. And then MLH is haunted by this experience for forty years until he makes Two of Us to purge the demons.

#paul mccartney #the beatles #john lennon #mclennon #ringo starr #george harrison #let it be

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scalefeathers · 3 months ago

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Thinking once again about how Nobuo Uematsu and Masayoshi Soken are both completely amazing composers but in completely opposite directions let me explain

Disclaimer I am not a music theorist; most of music theory is black fucking magic to me. I barely know what a chord is and the circle of fifths makes me quake as though before an Elder God. I just really like both of their works and sometimes I have thoughts about things. Also this is all just my opinion, it's fine if you don't agree, etc.

So: Uematsu is first and foremost, in my opinion, an absolute master of melody. I believe it's what makes his work so iconic and makes so many of his pieces so instantly recognizable. The Final Fantasy theme, the chocobo theme, Dancing Mad, Vamo'alla Flamenco, fucking One-Winged Angel--Just from seeing those names, you've probably got one playing in your head already. You could start humming it right now. Maybe you are already.

And it makes perfect sense when you consider the era he was working in, because back in the 8-bit and 16-bit era, the melody was all you had. When you have such a tiny amount of storage space to work with, you can really play only one, maybe two notes at a time. You can't do anything that's layered, because you only have one layer to work with. I think that's why so much video game music from that era is so memorable and iconic. It's not just because you played so much Street Fighter II when you were a kid that the music is indelibly seared into your brain (though that probably doesn't hurt); it's also because Yoko Shimomura wrote really solid melodies that had nothing else competing for your aural attention (apart from the in-game sound effects, which are probably also seared into your memory). (Yoko Shimomura, btw, also composed the music for Final Fantasy XV, the entire Kingdom Hearts series, and like 50 other games over the past 40 years, another fucking icon).

But back to Uematsu: like I said, melodic genius. Even when his work is upscaled into full orchestral arrangements, that core melody is always front and center. And his affinity for melody makes even more sense when you consider that before he got into video game composing, he was writing commercial jingles. (Younger folks may not be aware, but there was a time when practically every product had to have its own theme song, and the best ones were short, snappy, and instantly memorable--and for that, again, you need a strong, simple melody. Ba da ba ba ba, I'm lovin' it.)

Compare: Soken. Soken only started at Square 12 years after Uematsu, which isn't that long in human terms (to me at least, cos I'm old), but it is a long fuckin' time in video game years. By the time he started composing for games, there was so much more you could do with game music in terms of layering, complexity, and sound, and you can tell from his work that he takes full advantage of that. His work is complex and dense, a rich layer cake of themes and motifs, all beautifully merging and weaving together, often to extraordinary effect.

And again, if you look at his pre-music career, it makes a lot of sense that he'd have that approach to music, because he first got into the games industry as a sound designer; I believe that he is the sound director for all the FFXIV expansions, as well as being the composer. So of course he'd be very aware of not just how a sound (or piece of music) works on its own, but of how it fits into the greater whole, and of how to layer and balance lots of different sounds to create something greater than the sum of its parts. And of course it makes sense that he'd bring that approach to his compositions as well.

As a consequence of this approach, though, his music often lacks the memorable melodies that characterize Uematsu's work. Like, I ground (grinded?) Dun Scaith a lot the last time it was on the Mogstone rotation, I know all the boss themes extremely well and can recognize each of them instantly. But if you asked me right now to hum one? I don't think I could. (This isn't a deficiency, to be clear; music doesn't need a prominent core melody in order to be good.)

And that's also not to say that all his music lacks iconic melodies. His vocal tracks, pretty much by definition, have to put a single melody front and center; and then on top of that (or rather, behind it), you have all that trademark Soken richness and depth. Which is probably also why his vocal tracks go so fucking hard.

I think that's also why, out of all the expansions, I like Heavensward's music the best. Most of Heavensward's score is written by Soken, but the main theme is Uematsu's, and you may notice it's basically a tasting menu of like 5 or 6 excellent, very recognizable melodies, one right after the other. And basically every piece on the Heavensward soundtrack incorporates one or more of these melodies. So it really does give you the best of both worlds, and gives the overall score a cohesion that I don't see as much with the other expansions.

TL;DR, Uematsu and Soken are both amazing composers with very different and complimentary styles that reflect their differing backgrounds and the different eras of games in which they have worked and I just think that's neat.

#masayoshi soken #nobuo uematsu #ffxiv #final fantasy xiv #final fantasy #rambling into the void #music #music theory #video game music #yoko shimomura

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just-null · 1 year ago

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YO, SUPER LATE SUPER LONG SUPER MESSY OCTOBER POST THAT I JUST SHOVED EVERYTHING INTO BC I DIDN'T WANT TO DO MULTIPLE. FUCK IT.

I forgot halfway that these were supposed to be costumes and not mini aus... SO REMEMBER IN MY PLACE, EVERYTHING IS HYPOTHETICAL. also. some have a bit of yandere elements to them bc its SO FITTING FOR NORITOSHI.

Happy late October, everyone. it's winter now. Let's get it, baby.

[Long rambles and doodles under the cut!]

Vampire!

I kept asking myself, "How sexy is too sexy.." and "How the fuck does a sexy vampire even look like without it being a shirtless guy w fangs or Edward Cullen....." I think I figured it out

Sure, sure, vampires are superhumans with sun allergies that can drink blood really hotly. They can also easily overpower you to feast and blah blah blah, but what if said vampire (Noritoshi) was too weak to do any of that? Not literally, but he craves your say. He wants not only your blood but your affection. He wants to get praised as he drinks you in. Are you comfortable? How much will you allow him to take? Do you want to get him back in return? Guidance with this makes him feel more at ease. It's still Noritoshi at the end of the day. He's going to find a way to be a little awkward about you because of his crush. He refuses to drink from anyone other than you, even if it causes his death. Therefore, he has to keep you healthy! For the rest of your lives..! Besides, he can't really go outside or else he'd.. y'know. So if you think about it, this is a very beneficial relationship for both of you!!

The only downside is that you're losing blood on the regular, and for some reason, more people are moving away... Probably nothing, right? Noritoshi is always there to keep you company and help you recover anyways.

Witch!

my attempts also bled into the witch design.... you got greedy with requesting two in one ask, but I'll spoil you this time bc I also wanted to see Noritoshi as a (sexy) vampire and witch. heh. AND I DIDNT REALIZE HED BE SO CUTE AS A WITCH..... WHAT THE FUCK?? rip momo, fight for your title of cute witch...

Noritoshi strikes me as one of those witches who'd rather be left to their own devices because they're running some important magic whatever in the background. though, he'll take some breaks and indulge you if you insist on having him around. Insist meaning you pass by and strike conversation, leaving him to neglect anything and everything to prioritize his time with you. He doesn't want to use magic on you unless it's beneficial for either you or both. Noritoshi likes a natural progression with you that he knows for a fact is true and not some product of some spell. Though it doesn't mean he wouldn't use charms and such to get you to interact with him more often to speed up the process!

Can't sleep? He has a remedy perfect for that! Bad luck? Oh no, take a charm. Nerves? A potion he perfected will help you ease your jitters. Annoying peers? With a snap of Noritoshi's fingers, they're gone! Just don't ask what happened. Enjoy yourself instead and come to him with any new issue. He's quick to resolve it.

Definitely has some sort of doll that looks suspiciously like you.. Noritoshi would probably talk to it and practice one liners that give you the strongest sense of nostalgia once he uses them. He's simultaneously giddy that the charm he put in the doll works but also a little annoyed that his hard work isn't surprising you, but leaving you with deja vu.

Idol!

i was crying the entire time bc what does an idol look like.... noritoshi is handsome enough to be an idol without actually being an idol... now i can confirm that idols are very well dressed though. thumbs up 100% but i had some thoughts...

[Idol]

Noritoshi would be the type to cherish his fans, but hold clear favoritism over you. he'd be those idols that look cold, but they talk, and they sound smug in a charming way. i don't know much about idols, but i know he'd be so fucking good.... he'd be the type of guy to sing to you amongst the hundreds in the crowd.... ahhh the interviews w these famous aus. they're just talking and acting like themselves. can you imagine Noritoshi getting asked the question if he has a lover or not? he can lie, im sure you're alright with that, but he doesn't want to!! he does have someone!!! someone he loves more than all his fans love for him combined!!! he just can't say it for the sake of your privacy and his career. so Noritoshi does what any charming guy who's good with their words does. he deflects the question. answering the question, but not really, that'd be something he's known for. fans online are split on why Noritoshi does this. some think he's trying to keep that side of his life private, others think he's trying to mess around, and others think he's hiding a secret lover!!! though the last one is usually seen as the outlandish one, sometimes it makes Noritoshi's heart drop bc they get some things right. "Having a lover is a complicated question hidden behind a simple disguise. If I had to answer, I'd say my lovers are my audience. they make sure i'm well cared for, some more than others." AND HIS FUCKING LITTLE SMIRK I CANT COUGHS UP BLOOD. IM A THEORIST TOO. SECRET LOVER. 🫵🫵🫵🫵🫵

ON THE FLIP SIDE....

[Not an Idol]

An amusing thought where Noritoshi goes out in his casual clothes, and he's mistaken for an idol. No one knows who he is, but he just looks like he'd be one. bro's just trying to buy groceries, and now he has a fan group asking him to take pictures with them.. He'd tell them that he's just a guy, not an idol, but the group would still want a picture with him. it'd be a waste to pass by someone who's so naturally gorgeous, so with a sigh of defeat, he relents. It's just a photo, right? No harm done. Noritoshi'd go home and feel overwhelmed/embarrassed by the whole ordeal. later, he gets a call from someone in the kyoto group or you to inform him how he's all over social media, known as that handsome guy in the supermarket. HED BE COMPLETELY UNREACHABLE TO MEDIA OUTLETS BC NORITOSHI IS THAT GUY WHO DOESNT HAVE SOCIAL MEDIA.... he'd have to make one to make sure no one pretends to be him online. "Hello, I don't use social media, but I've been informed I've been getting attention online. To prevent anyone from being fooled by an impersonator, this is my official and only account. thank you." P.R. STATEMENT WRITING ASS.. his single post gets flooded with likes, comments, and DMs. it almost blows up his phone..... he was just buying bread, dude...... people try to dig up and find him through the other Kyoto group's social media.

[bonus] my second in command requested to put him in a fem idol outfit bc he thought it was funny. after frothing at the mouth and coughing out blood, I complied.

Doctor!

THIS IS SUCH A STRAIGHT FORWARD ASK BUT IT HAS SO MANY IMPLICATIONS. MY BELOVED CULT MEMBER.. THOSE EMOJIS GIVE ME A DIFFERENT IMPRESSION BUT IM NOT SURE.

Noritoshi as a doctor...... apple sales would plummet. his little clinic's business would skyrocket. sick cases would peak in his area. getting your heart checked by his stethoscope would be so fucking embarrassing bc all he'd hear is THUMPTHUMPTHUMPTHUMP

LIKE IMAGINE IF THAT WAS YOUR DOCTOR? BRO.

COUGH COUGH HACK WHEEZE COUGH COUGH.

Noritoshi would probably own a small clinic that he wants to expand. That or he opened one after working for a hospital for a while. He's a great doctor who's most likely respected but a pain in the ass to work with. Among patients, he's gotten the hot doctor reputation. Most want to be treated by him, but he's so professional, any chance of trying to flirt goes down the drain. Yeah, he puts his hair up to avoid it in his face even though his eyes are closed classic lab safety procedures. He seems like the type to have a soothing but authoritative voice during examination, so he gets his message across. it's a bit difficult when dealing with patients for Noritoshi. If he sees them too often, he firstly scolds you for not taking care of yourself, then feels guilty for not giving you the proper care. Keep yourself safe and healthy, or else Noritoshi will clearly :( Putting him in a yandere setting would be dangerous. He'd have a lot of control over you, considering he can prescribe medication, shots, visits, and other things.... he'd have a ball.... nothing that would cause you any harm, of course. he's only looking out for you and doing what's best for you..!

Pirate!

my second in command wanted a pirate. pirates are so fucking cool and i know damn well if this guy were a pirate he'd have a bunch of battle scars under that fancy coat.

Noritoshi as a pirate would be more than a little odd, but also fitting. He looks like the type of guy who'd be well put together, yet he's willing to get his hands dirty. Like the guy who got into the pirate life because of some personal issue that couldn't be solved fast enough through conventional means. Even as a pirate, i imagine he holds everyone to high standards. They're still pirates though.. so his expected standards aren't even that high. He has more freedom here, so even he himself lets loose once or twice. Especially with you. He's even able to get away with more violent actions for you, the seas are unpredictable, after all. While taking some treasure, Noritoshi'd toss you a gem or golden coin, just so you can say you were the first to claim it. Just so he can see that happy glint in your eyes when getting your hands on treasure. God forbid anyone try to get their hands on your hard earned goods. They'd be met with a bullet to the foot or a sword at their neck. Everyone and their mother knows how you're his favorite, but Noritoshi downplays it. Its not a crime to help out someone from his crew is it? Not in the seven seas. He leans more into his cold ruthless killer side here. He has goals and people to help keep in line whether hes captain or not. Yet when around you, he's almost adorable in how he shows you a pearl so entrancing that it reminded him of you.

Corpse Bride!

my submission to my Noritoshi Halloween costume closet.. CORPSE BRIDE, THIS MOVIE FUCKS. esp w the yandere elements.

Noritoshi 100% made you recite the wedding vows to him before accepting the ring. If you fumbled up, he'd correct you with SO much attitude and expect you to start from the top until you got it perfectly.

Hypothetically, in the chalice scene towards the end..

Noritoshi is the type to never be fully relaxed unless he knows for sure you'll be eternally his. In this scenario, YOU proposed to HIM but have to die to continue being together. Not only that, but someone in the living world is also after your heart. Someone who bleeds. Someone who's the obvious choice. Someone who can give you the life that you deserve. Someone who will succeed in their pursuits if you. remain. alive. Noritoshi's life was cut short, yet he still managed to lose so much and be abandoned a considerable amount of times. When he meets you and finds out about the possibility of having to go through that again even in death, it finally clicks in his rotting mind. He realizes he's been doing something wrong to keep constantly failing. Noritoshi revises his methods to a more.. selfish course. Why should he care about anyone else's wants or how his actions hurt them? You were the only one who made him truly fulfilled, to make him feel alive. The only one who deserves anything and everything good that comes from this world. Destiny is never done toying with him when he realizes your marriage is invalid because of your pulse and his lack thereof no matter how hard he'd try, but the opportunity arises. of course, he's ecstatic to give you an afterlife worth much more than what a silly beating heart can achieve. "All people die eventually. If you miss your living family or friends, all it takes is patience, darling. I'll wait by your side in the meantime." He weighs the pros and cons of everything, but when it comes to swaying manipulating your thoughts he only highlights the ones that'll get you on his side. in this case, the pros of dying to be with him! Honestly, the answer was so obvious that Noritoshi didn't know why he was stressing about it before. It hurts him to see you in any type of pain, but he reassures both himself and you that it'll only be for a moment. Afterward, he'll have the rest of your afterlives to make it up to you!! What happened to Till Death Do Us Part? Noritoshi thinks it's insulting that something as shallow as that could be so widely accepted. If your love were true, it wouldn't stop just because the world decided to take them away. "Till death do us part? Darling, don't be silly. 'Not even death will do us part' feels much better, doesn't it?"

#noritoshi #kamo noritoshi #noritoshi kamo #noritoshi x reader #kamo noritoshi x reader #noritoshi kamo x reader #yandere noritoshi #yandere kamo noritoshi #yandere noritoshi kamo #merry october #???#ragingbisegzual #charamander459 #I FUCKING LIVED THROGUH THIS GOD I FELT SO BAD I TOOK SO LONG ESP SINCE ITS ALREADY HALFWAY INTO NOVEMBER BUT HERE WE GO. BABY IS HERE #i thought i was so smart making this look like a fashion show. anyway hi im still alive just busy #vampire and witch nori were makin my brain fry bc all the outfits for guys were their shirt off. it was both funny and testing my creativit #as for idol.. heh. <- in love with forbidden love and secret relationships and 'we shouldnt be doing this' 'i know' *does it anyway*#I WAS TEARING MY HAIR OUT AT DOCTOR. LIKE I LIKE THE CONCEPT BUT WHAT WAS I SUPPOSED TO DO.. PUT HIM IN SCRUBS???#im not upset im just so entertained by how straight forward you were yet there are still so many implications in this ask #LIKE YOU WROTE FOUR WORDS AND TWO EMOJIS AND THATS ALL IT TOOK FOR ME TO DO A DOUBLE TAKE #now that i think abt it. i shouldve put him in a hot nurse outfit... //punches myself in the face #THATS WHY ANY FAMOUS/ROYAL/REPUTATION AU IS MY SHIT BC THEY HAVE TO HIDE THEIR RELATIONSHIP/EACHOTHER AGH FROTHS AT THE MOUTH #i love how the pirate noritoshi is a cool guy until he sees you and turns into a simp #CORPSE BRIDE WAS SO SELF INDULGENT. THAT MOVIE FUCKS SO HARD. THE USE OF 'DARLING' WAS BC EMILY USED IT IN THE MOVIE #IT HAD SO MANY YAN VIBES BUT FUCK. WHY DID YOU HAVE TO BE SUCH A GREEN FLAG EMILY. I LOVE YOU #heh. the lace and mask are supposed to represent the bones and such. didnt mean to give him a phantom of the opera look.. though it fits...#null rot

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howdoyousleep3 · 2 months ago

Text

Prompt: Sex with a Stranger

Pairing: Shrunkyclunks (Modern Bucky Barnes/Captain America Steve Rogers) Word Count: ~6K Tags: shrunkyclunks, strangers to lovers, awkward flirting, stranger sex, public sex, car sex, blow jobs, anal sex, unprotected sex, clothed sex, porn with little plot, dirty talk, come as lube, size kink, feminization, multiple orgasms, coming untouched, Author's Note: I was truly planning on throwing my whole ass into Kinktober, but life totally and completely dragged me down lol. Hopefully I can contribute more because I have all the plans to, but I don't want to jinx myself. For now, here is a prompt I've been working on for years that hopped in my inbox a few years ago. This is for you, nonnie. 😉 Read here on Ao3

“I think this might end up being one of the greatest moments of my life, Cap…”

It was just supposed to be coffee.

It was a simple and innocent enough request on Tony’s part, a cheerful inquiry about how Steve’s morning was going, how productive his run through the city at dawn was, which led to an invite for coffee. And coffee sounded damn good, as did the time spent away from the Tower, spent away from himself.

Tony offered to drive, and although Steve barely fit into the passenger seat of the vehicle Tony chose to take— “They didn’t build this thing with your shoulder span in mind, buddy…”— it seemed like a lovely way to spend an hour of his morning.

But then Tony started talking about bikinis and broads and Steve had to stop and clarify—

“You asked me to go get coffee with you, Tony. Not...not a place with nudity or—”

“Oh, my dearest Steven. You’re about to have the best coffee of your too-long life.”

Steve goes through what he knows, filters through the limited 21st Century knowledge he carries and builds upon each day.

He’s been to a few local places, ones that are open late at night that he has popped into when sleep doesn’t claim him. He is aware that Starbucks is incredibly popular. He’ll never get the sizing correct and has been told it is somehow both the best and the worst, but he thinks they have pretty decent coffee. Then again, he’s from a time where coffee’s intended purpose was to stimulate you enough to keep you awake for long working hours.

Coffee is viewed very differently now.

Steve is about to tell Tony to turn around, to pull over and let him walk home because he really isn’t in the mood for any shenanigans, when Steve sees the sign—

Java Juggs.

And then another sign of—

Bikini Baristas.

“Tony…” Steve warns, voice stern but it’s no match for Tony’s charming smile, his feigned innocence with a light, “Yes, Steve?”

“Surely you are not taking me to a coffee shop where the women serving patrons their coffee are dressed in only their bikinis.”

Tony nods his head, continues driving and follows the arrows painted onto the pavement of the parking lot that guide cars in the direction they should be driving, surely necessary only here given the...distractions.

“Right, of course. Why would I do that?” Tony asks, tone serious, but when Steve takes one look out towards the incredibly small, standalone building merely the size of a shed, he has his answer.

“Goddamnit, Tony.”

The women are indeed clad in bikinis. Steve has absolutely no idea how this business is legal, but he’s found out a lot of shit about the 21st Century is unexplainable and this must be one of those things. Steve is aware that a normal drive-thru window is small, coming up to most people’s chests, mid-torso, but these windows are much larger, dropping easily down to hip level.

That has to be because of the baristas and their attire.

There are only three baristas in the establishment that Steve can make note of. As they wait for the car in front of them to receive their coffee, Steve finds himself respectfully managing to take their appearance in while also not gawking. He will admit— these women have every reason to show their bodies off in the way they are choosing. They’re voluptuous and curvy, of varying shapes, two choosing to indeed wear a bikini.

The redhead has chosen a white ensemble, complete with a bikini and a wrap of sorts around her lower half that makes it look more like a skirt, one that hugs her hips. The curvier brunette opted for a black bikini, also simple, and not a skirt per se, but Steve assumes it gets the job done. It looks like fishnets, hugs her lower half, stops right below the curve of her bottom. Steve can’t see the third barista but he can only assume she is dressed in the same kind of attire.

“This is the best place in the city to come and get coffee,” Tony explains, and Steve is quick to furrow his brow.

“Really?”

Tony scoffs. “Absolutely not. Come on, Cap.”

Steve should just get out of the car and start walking home.

“It isn’t terrible but, come on— it’s allowed to be shit. Look at ‘em!”

Steve reaches for the door handle as Tony rolls the car forward, approaching the window, and that’s when he sees the third barista.

Oh.

“Well look what the cat dragged in. Girls, your fave— Tony’s here.”

“Hello to you too, Buckaroo. How are my favorite baristas doing, hmm?”

Oh God.

Buckaroo is gorgeous.

Since coming back to this life, Steve has not once been struck by someone’s beauty so suddenly as he is with the man at the window.

It hits him in the very center of his being, feels like every inch of his skin is electrified where he sits cramped in this car. The man’s beauty punches him right in the dick, and he almost makes a noise, one Tony would surely hear given the compactness of this goddamn car. He gets so hard so fast it knocks the air out of his chest but this is something more, something deeper.

Where Steve was respectful with his eyes towards the two female baristas, he is anything but as he drinks in this other beauty.

This man is young, his chocolate hair pulled up into an artful bun, the skin of his neck, of his entire body, making Steve need to damn near sink his teeth into his own fist to calm down. Steve just knows he’s soft, knows his skin has to be the most tender thing to press his fingertips into. And that thought makes him ache to touch this man.

How inappropriate of him to have these filthy thoughts about a stranger.

But Steve can’t help it, damn him.

He too is wearing a bikini, but his is crocheted into the pattern of two small, crimson stars that cover his nipples and are brought together by mere strings. His jean shorts are tiny, sit on his full hips low enough that the matching strings of the bottoms of the bikini sit high up on his hips.

Steve finds himself wanting to bury both of his hands down the back of those shorts, to get two handfuls of what’s sure to be a ripe peach of an ass. The kid has to have an ass that matches the rest of him, one that Steve imagines himself sinking his teeth into even though he’s not once done that to anyone.

Steve’s lewd and feral reaction brings a flush to his cheeks. He digs his fingers into the denim of his jeans. Is he sweating?

The stranger seems to be tall from where Steve is looking up and over at him, lithe and graceful and supple, and when he ducks his head, bends and rests his elbows on the windowsill, he knocks Steve out with one curl of his plush lips and a smack of his bubblegum.

“Who’d you bring along with you, Tony?”

Steve feels his flush creep down his neck, one that is pronounced and intense. He adjusts where he sits, wiggles even.

“Oh, right of course. This here is Steve! Told him I’d show him where to get the best cup of coffee in the city. Steve, Bucky. Bucky, Steve.”

“Oh yeah? Mr. Captain America himself? And you brought him here?” Bucky teases with a wink tossed easily in Steve’s direction before he purrs, “Heya, Stevie.”

Steve is in love.

He’s so in love he trips over his words, feels his blush darken impossible further and he makes an unexplainable gesture with his hand that he thinks will pass as a wave. He isn’t even sure if the words he uses are English, are ones Bucky can understand, but whatever he ends up saying makes Bucky giggle, face lighting up in a way that narrows all of Steve’s focus down to the way Bucky’s nose crinkles up cutely as he does so.

Steve is really in love.

“You want your regular, Tony?” one of the women within the stand asks with a holler and Tony nods, turning his curious gaze away from Steve to confirm his order.

“Yeah, sweetheart— ten shots of espresso and then your Rainbow Unicorn blended drink.”

Jesus. Steve doesn’t have enough time to be horrified before Bucky is speaking to him.

“What’ll you have, Mr. Captain?” Bucky asks, and Steve didn’t know it was possible for someone’s voice to sound like sex. In another life, one where Tony wasn’t mere inches from him and one where he had more instances of human interaction since coming out of the ice, he’d have a flirtatious response, one that would make it crystal clear for Bucky the direction of Steve’s thoughts.

“I’ll uhh...do you guys have...have lattes?” is what he stumbles through instead. Tony immediately giggles, scoffs, but Bucky just smiles at Steve sweetly.

“Yeah, big guy. We’ve got lattes. You want something sweet in that?”

You.

One word, just one word, that’s all he needs to say. Steve nods.

“I’ll uhh...I’ll let you decide.”

So close.

But Bucky hums, bites his lip, doesn’t miss a beat.

“Too bad I can’t put a little bit’a me in your cup, huh?”

Oh Christ.

Steve gulps, cheeks immediately flaring red, but he’s tired of fumbling over himself and his words, his wants. He ducks his head and looks right back at Bucky, mustering up just enough confidence to give him a solid once over before replying, “Yeah, that’s too bad.”

Steve chooses to ignore Tony’s squawk and instead focuses on the way Bucky grins, the way Steve swears he sees Bucky’s cheeks glow pink. His stomach twists up pleasantly, butterflies joining in alongside the curl of heat.

He can’t remember the last time he felt such validation before, especially that in the form of flirting.

He floats through the rest of their interaction, eyes tracking Bucky as much as he can. He wishes to burn the various sexy images of Bucky into his brain, wants to pull them up later when he has time to himself with his fist and his cock. He doesn’t feel like as much as a pervert as he did minutes before, not with the way Bucky’s eyes meet his at every turn, a constant onslaught of further validation.

He isn’t sure why he doesn’t ask for Bucky’s number before they drive off. He later blames it on the haze and heaviness of such an intense interaction, how he felt like he was wading through molasses in his mind as he watched Bucky wink at him as they drove away, still trying to memorize anything and everything he could about the brunette.

He barely heard Tony’s chiding, his boisterous words that surely consisted of shit-talking him into the ground for his embarrassing behavior. He had no energy to dish it back, to stand up for himself in any way, especially when Tony mentions Bucky usually works tomorrow’s morning shift as well.

“We’ll come back tomorrow morning and try that again because that was pitiful. Not only am I shocked you swing that way, I’m shocked at your absolute lack of flirting skills. I mean, could you not have at least…”

Tomorrow morning.

He’ll come back tomorrow morning, without Tony and with a clear head, all lack of self-confidence and pathetic attempts at flirting washed down the drain alongside his cum. Because there’s no way he’s spending the rest of the day doing anything but jerking off to images, thoughts, and scenarios of Bucky.

Bucky, the curvy barista with the tiny red bikini and pinkest lips, the one who insinuated he wished Steve could eat him for breakfast.

Fuck.

Steve isn’t even ashamed in the slightest as he pulls into the drive thru the next morning, steady rain and darkened sky and all.

After a day spent sitting on the shower floor alone with his hand and his dick, he spent too much of his night tossing and turning thinking about the way Bucky would feel under his hands to have any sort of shame this morning. Yes, he’s here to see Bucky; of course he is. Does it matter what kind of coffee he’s going to order? It does not. Is he going to ask Bucky out on a date or get his number? He absolutely is.

He’s here without Tony, is alone without any added pressure, he’s thought of what he’s going to say—

He’s going to do this.

His planned out words are forgotten the moment it’s his turn to pull up to the window and he sees Bucky’s smile, bright enough to threaten to push all the rain out of the forecast.

He looks as ethereal as he did yesterday, glowing and angelic and delicious. Today he’s sporting a football jersey that is quite short, cropped and sits just below his chest, another g-string high on his hips that stands out because of his tiny denim shorts.

Steve’s mouth waters at the same rate his dick turns to stone. He has to busy himself with putting the car in park so he doesn’t reach out his window and grab for Bucky right away, especially after Bucky purrs, “Heya, Stevie. Just had to come back and see me?”

Steve takes a deep breath. He’s gotta start off strong.

“Of course I did. How are you, Bucky?”

His voice is perfectly confident. It’s strong and sturdy and smooth as he leans as casually as he can on his rolled-down window. Bucky meets him in the middle with his own lean against the open drive-thru window, cocking his hip and tucking his chin.

“I’m good now that you’re here. My latte was that good, Captain?”

Steve hums. He doesn’t even recall drinking the coffee Bucky made for him the morning before, but he knows it was perfect. He is more than intentional with the way his eyes wander before he answers quietly.

“It was delicious, doll.”

It’s the forwardness he was wanting from himself and the exact reaction he was wishing to get from Bucky. The tension between them finally snaps into place with strength that is so startling to Steve it has his heart hammering against his chest. He would be worried, would be backtracking and reeling himself in if it weren’t for the molten and seductive look Bucky is sending his way.

“You want the same thing? Or do you want somethin’ a little different today?”

Go in for the kill, Rogers.

“Think I might want something even sweeter this time around,” he starts, pausing momentarily to watch Bucky’s tongue run along his bottom lip distractedly. “When is your shift over? How about I take you somewhere to grab something to eat?”

That’s what people do, right? That’s not weird at nine in the morning?

Bucky barely reacts to his proposition, but Steve can see it, the excitement of his words behind Bucky’s gaze and cool facade. He doesn’t even hesitate, doesn’t pull his eyes away from Steve’s when he raises his voice to speak over his shoulder.

“Darcy! Can I take off early? You owe me.”

Steve should have known Bucky was going to surprise him, to one-up him. He doesn’t hear what Darcy says in response, is far too focused on the way Bucky’s ass fills out his shorts as he gets quite the eyeful when Bucky turns around. He wants to take the strings of Bucky’s underwear that are resting on his delicious hips and suck them between his teeth. Steve hopes Bucky can tell where his eyes have been as he turns back around with a grin on his face that Steve can’t quite decipher.

“I’ve got a hankering for somethin’ that isn’t food, big guy.”

Steve doesn’t know what that means but has a sneaking suspicion it is alluding to something extremely sexual. He hopes it is. Steve’s mouth dries right up when Bucky hops up onto the window, throws a leg over it and straddles the window ledge with unbelievable grace. Steve doesn’t even respond before Bucky is peeking into Steve’s own window, looking into his car.

“How big is your backseat, Captain Rogers?”

Steve has ascended.

He has once again left this life and instead of plummeting into frigid ice, he has been swept up into a flaming inferno.

He thinks it’s all worth it now. Every shitty and bizarre thing that has happened to him in his life, both of them, has now been deemed worth it as he looks down between his spread thighs and watches Bucky suck down his dick like it’s the best gift he’s ever been given.

Steve could have never guessed this is how his morning would go, that he’d end up in this random parking lot with Bucky pulling him into the backseat of his car and sitting himself right in Steve’s lap. Don’t get him wrong, it’s the ideal situation, everything Steve eventually wanted, but he thought this is what he’d get after a few dates, after some sort of courting.

“I’m sure I’ll have some sort of appetite after I bounce myself in your lap the way I’ve been thinkin’ about for twenty-four hours now.”

Steve had no objections whatsoever. Whatever Bucky wanted.

“Knew I was gonna love suckin’ on your cock,” Bucky murmurs, voice like sex, dripping in arousal as he mouths at Steve’s cockhead before holding onto the base and smacking Steve against the flat of his tongue, then his cheek. “This isn’t a dick though— this is a cock. Look how big you are, Steve. Just big and pretty all over, aren’t you?”

Steve’s intended scoff comes out as much more of a garbled whine than a huffed noise. “Right. M’not sure I’m the pretty one, kid.”

Steve is reminded that he has never seen someone so beautiful in his life actually. He knew it after pulling up to that godforsaken coffee joint, but his realization is driven home in this moment, in watching Bucky suck him off like it’s a privilege, like it’s his only purpose. Even in this vulnerable, subservient position where he is threatening to suck the soul out of Steve’s dick, he’s breathtaking.

Bucky’s eyelids are heavy with arousal, the curl of his mouth is the most sinful thing Steve has been witness to, and when said mouth is full to the absolute brim of Steve, he moans, makes the sweetest of noises like he’s lost in it.

Steve almost wishes he could draw Bucky like this and he hasn’t felt compelled to draw with his heart in months.

Maybe another time.

“Don’t flatter me, Captain,” Bucky murmurs with a grin, flicking his tongue and mouthing at the crown of Steve’s cock in a way that has Steve’s vision swimming.

“Steve,” he hears himself breathe, hand coming down to messily stroke a few fingers across Bucky’s cheek. “No Captain, not here. Not with you.”

Steve’s insides feel all sorts of rearranged with the way Bucky looks up at him, with the seemingly nonstop stream of eye contact he gifts Steve with. He watches as Bucky’s eyelids flutter as he moans, dips his chin and wraps his lips around Steve, sucks.

“Steve,” Bucky husks out sweetly before he’s swallowing Steve down again, letting him feel the back of Bucky’s throat.

Bucky sucks cock like he’s a professional, like he’s an expert and he damn well knows it. He’s noisy with it, that perfect edge of sloppy yet succinct, complete with filthy wet noises that go right to Steve’s balls. Bucky moans around his mouthful, throatful, moves his hand in time with his mouth as he does so, slipping together so beautifully Steve has no choice but to drop his head back as he groans.

The pounding of the rain on the hood of his car barely drowns out his noises.

This kid doesn’t care that his chin is covered in spit, that his hand is coated in it as well, isn’t afraid to pull off and dive down to mouth at Steve’s sac, first one ball and then the other. Two seconds after Steve lifts his head up to look down at Bucky, he’s right back to dropping it back again, the feeling of Bucky’s tongue slipping behind his balls enough to make him damn near shout towards the roof of the car. Bucky huffs, whines as if he’s on the verge of a climax simply from making Steve feel pleasure he’s never once felt in his life.

“I wanna make you come, wanna swallow your big load, Steve,” Bucky pouts, voice nasally and desperate in a way that has Steve gritting his teeth. It’s like he can’t bear the thought of pulling his mouth away from Steve’s dick, rubs his cheek against it, moans open-mouthed as he kisses at it between words. “But I want you to come inside of me more, wanna feel this fat cock fill my ass up.”

Steve gasps, brings his hand down to Bucky’s head once more, this time with an edge of eagerness. He nods his head feverishly as he cards his fingers through Bucky’s chestnut hair, messing up his picture perfect bun as he guides Bucky to wrapping his lips back around his cock. Bucky obliges so gorgeously and eagerly Steve can’t help but moan appreciatively.

“Can...can come more than once. Can stay hard,” Steve bites out, and he isn’t halfway through his choppy explanation before Bucky is moaning happily, damn near squealing around his mouthful. “You want both, Buck?”

He doesn’t need a verbal answer— Bucky gratefully sputtering and gagging on his dick is enough.

It takes Bucky but sixty more seconds to make Steve come, embarrassing for him but something Bucky should most definitely take pride in. He sends Steve to the back of his throat, slide after slide, opening his mouth to not muffle the wet and filthy noises of his mouth working Steve over.

When he comes, he feels his orgasm in his core, pleasure so sharp that it immediately leaves him struggling to take air into his lungs. He forces himself to not shove Bucky’s head down, to not take what little air Bucky has in his own lungs away from him. He fights through waves of his orgasm as he watches on as Bucky drinks him down, as he moans and swallows, moans and sucks, moans and bobs.

Steve thinks he’s part of some sort of erotic show when Bucky spits bubbles of his mouthful of hot cum back onto Steve’s still- hard cock, whining pitifully when he goes to suck it off again, but Steve is beginning to think this is just Bucky.

Bucky likes sex.

Steve likes Bucky.

Steve thinks he likes sex if it’s with Bucky.

His cock is still covered in his own cum when Bucky moves with pointed determination and a wet mouth from his spot on Steve’s floorboard. To say Steve is surprised even though he knows what’s happening is an understatement. He shakes his head uselessly.

“It’s…do we…do you have a—”

“No,” Bucky mumbles with a smile as he fumbles with his shorts. “No condom. I want you raw. I wanna feel you. I promise I’m clean, Stevie. Lemme feel you bare. If I get one chance with Steve Rogers; I want him bare.”

Steve is too overcome with the force of newfound arousal, a wave hot like fire, to reassure Bucky this will not be the last time they see one another.

He manages to nod his head though, watching through hazy vision as Bucky moves to straddle him, reaching back to pull his excuse for underwear to the side.

“Know you probably want me to keep my panties on, the way you’ve been eyein’ them. I’ll let you take them home when we’re done here. How ‘bout that?”

Steve can’t stop his groan as it tumbles from his lips, and all he can think to say is, “But it’s…I’m messy,” as he feels about the cum still coating his erection.

Bucky moans, reaching behind for Steve’s cock, cum-covered and all. “It is messy, baby. But that’s the way I like it.”

Steve reaches another level of ascension when he hears those words, when he feels Bucky press the tip of his cock against his hole, when Bucky doesn’t so much as flinch as he begins to sit on him.

Maybe it’s because he’s drunk on sex, maybe it’s because he can’t remember what sex felt like before this, but he feels the urge to confess his love for Bucky right there, back seat of a car in the pouring rain and all. He feels like he’s under a spell as he looks up at Bucky, as he takes in his flushed cheeks and glazed eyes, as he watches Bucky get lost in the sensation of being speared open by Steve’s cock.

“Oh my god,” he hears himself slur, voice dripping in awe, and Bucky smiles— smiles— as he nods his head and lowers himself further onto Steve’s dick.

It’s impossible for Steve to not reach for Bucky then, for him to not sit up with Bucky in tow and wrap an arm around his tiny middle. It brings their faces impossible close, forces Bucky's hands to come out and scramble for any kind of purchase as he continues to slide down onto Steve’s cock. When they land on his shoulders and then his face, his arms winding themselves around Steve’s neck, the intimacy nearly cuts off Steve’s air supply.

“Oh my god, sit on it.”

“Steve…!”

“Oh baby, c’mon. C’mon…”

They work in tandem to settle Bucky fully onto his cock, to make him as comfortable as possible with being split open. With the way Bucky bounces and sinks himself into Steve’s lap, it’s clear that he is experienced with sex. But there’s no doubt that Steve is incredibly well-endowed. In fact, Bucky tells him so, to Steve’s utter disbelief.

“Steve,” he whines into Steve’s open mouth, voice so sweet it makes Steve’s bones ache. “Steve, you feel so big.”

“I am big, baby— I am. But you can take it, right? Oh, you can take it.”

He’s not once been one to talk dirty, not once been vocal in any past sexual encounter, but it feels natural with Bucky in his lap.

Bucky nods his head frantically, wide eyes locked onto Steve’s as if hypnotized. “I can take it.”

The fingers of his free hand come up to squeeze at the meat of Bucky’s ass cheek, smacking at it when Bucky all but squeals, encouraging him when words become hard and his vision blurs yet again.

When Bucky’s ass settles flush against Steve’s lap, when he’s left gasping with how hot and tight and wet of a grip his cock is fully wrapped up in, they both share a set of moans, lips smearing messily against one another’s in an excuse for a set of kisses.

Steve doesn’t even hesitate when he tastes himself on Bucky’s mouth. In fact, his cock pulses at the taste coupled with the reminder images of how Steve’s cum got into Bucky’s mouth in the first place.

He’s coming to find he enjoys messy if it involves Bucky.

What he expects to happen next is for the two of them to need to get used to the feeling of Steve inside of Bucky, for Bucky to need to wiggle and roll his hips to adjust to Steve’s size.

He should know better by now that Bucky is set on surprising Steve at every turn.

Because what Steve doesn’t expect is for Bucky to moan and press himself fully into Steve’s lap, chest to chest, , to spread his legs around him further and to pout, “Oh, my pussy’s gonna be feeling you for days, Stevie. Stretch it out so good.”

Holy fuck.

He lifts himself up in Steve’s grip, an arm around his waist and hand on his ass, and begins to give Steve the best ride he’ll ever have in his life, this one or any cursed one that comes after this.

The way Bucky sucks cock is nothing compared to the way he rides one. His hips move like water, smooth but with ferocity that can only be compared to hunger, bouncing and rocking in a dizzying tandem. Steve gasps when Bucky adjusts and rises up on his knees, pulling his cock out of his ass and sliding back down onto it, repeating the motion with a guttural and cheerful moan.

Between bouncing and rocking, Steve isn’t sure if he’ll make it out of this backseat alive.

“Fuck, you feel so good, baby. Does it feel good? Does my pussy feel good?”

Yeah— they’re going to have to carry him out of here on a stretcher.

Steve’s thighs shake with the force of Bucky’s bounces, the sensation of the car swaying underneath them adding to the eroticism of the moment. He grits his teeth in an attempt to ground himself, yet all he can hear are the lewd noises of his cum slicking up Bucky’s pussy, easing his bounces and making it easier for Bucky to fuck himself down into Steve’s lap and onto his cock.

He knows his grip on Bucky’s body has to be too tight, knows that if he isn’t actively thinking about his strength it can get away from him and cause great harm.

But Bucky doesn’t seem to mind, not with how loud and how eagerly he fucks. The way his body moves, the way it bounces and jiggles in his lap and in said grip, warrants a tight hold. Bucky squeals against Steve’s mouth as he rocks his hips back and forth in Steve’s lap forcefully, finding his rhythm and that sweet spot deep inside of him.

“Steve,” he all but begs, gasping and tugging at the hair at the back of Steve’s head. “Does my pussy feel good?”

Validation. Bucky wants validation. Steve can do that. Moving to dig his fingers into the skin of Bucky’s hips, relishing in the shock and pain of Bucky tugging on his hair while his ass squeezes the life out of his cock, he growls through gritted teeth.

“Pussy feels so goddamn good, Buck. Sweetest pussy v’ever fucked.”

Bucky’s moan is different this time, more frantic, more emotional. It tugs at Steve’s balls.

He wants more of that.

He grabs a hold of Bucky’s ass cheeks this time, two overflowing handfuls that he spreads and spurs on, using his strength for good as Bucky shows more and more signs of his own climax.

“You like how much my cock stretches your pussy out? You like bein’ stretched out like that?”

Bucky’s movements become messier, less expertised, as if he’s been waiting for Steve to take over in order to feel. With Steve holding onto him the way he is and with him able to use his strength to fuck Bucky in his lap, Bucky winds an arm back around Steve’s neck, burying his face into the opposite side of it.

“I love it,” Steve barely hears Bucky slur out. “I fucking love it.”

“You love the stretch of me or you love hearin’ me talk about it?”

“Both. Both,” Bucky moans, messily sucking on the side of Steve’s neck as he continues to use Bucky’s body, his hole, like a toy.

That’s all he needs to hear to push past his insecurities of being inexperienced. He lets the words flow, presses them right into Bucky’s jaw.

“Pussy’s so tight, Buck. Fuck. Never had a pussy as good as this. Squeezin’ the hell outta me. Bet it’s so pretty too. You didn’t even show it to me.”

Bucky’s noises sound like garbled hiccups. Steve is hotter than hell for them.

“That’s alright though— you can show it to me after this. Bet it’s even prettier all swollen and full’a my cum. Bet it’ll taste even better.”

Bucky sobs.

“You filthy, bastard. I’m gonna come. Make me come, fuck me harder.”

Yes.

He picks Bucky up by the ass and pushes him back down onto his cock faster than humanly possible yet with ease, over and over again until Bucky’s noises are a constant stream, garbled and nonsensical. Being able to use his strength, the vice-like grip Bucky’s pussy chokes him in, the sweet noises Bucky lets out now into his mouth; it sends him all but sailing into his climax.

“Come in my pussy. Use it for what it’s made for, Steve. Come in it, come in it. Come in my pussy. Fill it up and—”

Steve blacks out. He isn’t sure if the ringing in his ears is from how hard he comes or from how loud Bucky’s fucked-out noises are, but the first spurt of his second orgasm has him blacking out.

When he comes to, Bucky is writhing in his lap, wiggling against his front and in his grip, whining about his sweet pussy as he makes a mess of them both between their stomachs. Even through a seemingly watery haze Bucky is beautiful when he comes, free of touch and from Steve’s cock alone. Flushed cheeks, flushed neck, half-lidded eyes and a wet mouth; Steve’s never seen anything more bewitching.

He can hear himself groaning, can feel the noise of it against the skin of Bucky’s neck when he pulls him close again, sliding his hands up and under Bucky’s cropped jersey. His skin is impossibly warm, impossibly soft. He turns and lets his teeth sink into the skin of his flushed neck, following through with his wish to do so when he first saw Bucky in the drive thru window.

Once he begins to touch Bucky, he can’t stop himself, his hands wandering and rubbing wherever he can, stopping briefly to play with the strings of Bucky’s g-string.

He breaks the silence by clearing his throat and whispering gruffly. “I do think I want to take this home with me.”

Bucky’s giggle is immediate and joyful. He pulls his head back, the effort of the movement obvious and sparking a deep sense of satisfaction in Steve.

“I’m so happy you’re a freak too,” Bucky mumbles, voice raspy and fucked-out. “I was worried I would scare you away.”

Steve slides his hands back down to Bucky’s ass, kneading at it and moaning at the still pleasurable feel of being inside of someone.

“To be fair, I didn’t really know I was a freak. You brought it out of me.”

Bucky purrs happily, squeezing at Steve’s chest and kissing his clean jaw.

“Good. We can capitalize on that. Hopefully.”

Steve’s heart soars happily, butterflies such a foreign feeling to him. He squeezes at Bucky further, getting another happy moan out of him.

“We absolutely can.”

To Steve’s pleasant surprise, Bucky seems to be in no rush to move from their entangled spot or from Steve’s car. With the exhaustion from using their bodies and the patter of rain falling from the dark sky, it becomes obvious to Steve that they could easily fall asleep here.

And then Steve can’t help but recognize that he hasn’t felt this at ease with someone, this safe, with someone else since he rejoined this world.

His grip on Bucky tightens at that thought. He’s unable to stop himself from turning his face and pressing his lips to Bucky’s neck.

Bucky hums, rocking himself slowly in his lap.

“Can you come more than twice in a row or…? How long between rounds?”

Oh yeah— Steve likes sex and Steve likes Bucky.

#my writing #howdoyousleep #shrunkyclunks #kinktober 2024 #stucky fanfiction #steve x bucky

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