#I do want to clarify that I ABSOLUTELY get why others do believe the 'over 500' thing -

[madamegemknight]

How about MOTU hot takes? From any iteration (the 80s cartoon, the comics, the cgi reboot, the other serious reboot)

rubs my hands together maniacally. boy oh boy crispy you are ENABLING me here we go >:3

The 1987 movie really isn't as bad as people make it out to be. It's not great, don't get me wrong, but the people who made it were clearly passionate about what they were doing and it's a fun (if somewhat aggravating at points) ride. Dolph Lundgren is a good He-Man who understands that the character is just as much about his heart as he is his muscles, the way it and the Power Tour serve as sister experiences to each other with their incorporation of music and Earth storylines is fascinating to examine, and while Julie's subplot about her dead parents is utterly pointless, I think Kevin and Julie are two genuinely likable characters who deserve a second chance in the grander scheme of things.

The Greatest Show on Eternia is the worst episode of the Filmation series and should have never been made, but the way Masters of The Multiverse chose to "address" it was immature, childish, and nearly tipped the comic into edgelord territory for me. If something is bad, you should take the time to figure out what went wrong, then try and fix it - you shouldn't murder the only tolerable character in that episode and then have an aside about how the Eternian Circus is being thrown into chaos because of that murder that does nothing to progress the overall plot!!! wadda heck!!!!

CGI!Krass did literally nothing wrong. She was a deeply traumatized kid who was absolutely correct regarding pretty much everything (especially wanting to guard the Tiger Tribe instead of running off and ignoring it forever like Adam did, considering the later reveal that the Dark Masters kidnapped Justine), and the fact that the show is more willing to blame her flawed behavior on "evil rock that makes you evil in her helmet" than acknowledge she watched her parents die and literally cannot be in enclosed spaces without Adam as a result is legitimately disgusting. CGI tries so hard to have their cake and eat it too that they end up portraying Krass as in the wrong for wanting things to stay the same with Adam while ALSO establishing in one of the tie-in books that if she'd never met Adam she would have never even partially recovered from her trauma.

Speaking of which, considering that this IS apparently a hot take outside of my own little circle of incredibly cool and correct mutuals: CGI Season 3 is bad. It is so bad it makes the flaws of the previous two seasons, which I could mostly ignore up until that point, painfully obvious. It is genuinely upsetting to me that a series where the SOLE SURVIVOR OF A GENOCIDE BRAINWASHED INTO BELIEVING THE PROPAGANDA HE WAS FED ABOUT THE COLONIZATION OF HIS PEOPLE is made into a villain will be some kid's introduction to MOTU, ESPECIALLY considering how tolerant and accepting the Filmation series was.

Orko is a good character and plays a vital role in the franchise overall! Wow yeah it's weird to remember how that used to be a hot take in any non-tumblr MOTU fan community until like...2021. Crazy that huh.

Maybe not a hot take per se, but I don't personally think that Trollans have that different of a lifespan/age rage from Eternians. As far as I'm aware, the only implication of that being true is from the UK comics, and even there it's said that "it has been suggested" that Orko is over 500, not that he is - and this is also the same comic that said that nobody knows what Trolla is like, something that is patently not true, so I'm gonna go out on a limb here and say that maybe the UK comics have some slightly incorrect information and possibly shouldn't be blindly trusted when determining major factors about a character! There are several times in the Filmation series that he either flirts with or shows a very clear attraction to adult Eternians (something that would be Weird if he was aging at a different rate than an Eternian), and while he does call Adam "kid" when they first meet, that's just how Orko talks - he says "atta boy" unironically for crying out loud. I have always envisioned Orko being around the same age as Adam, if a little bit younger, and while Trollans probably do age at a different rate on account of being a different species, it's probably not to that extreme of a difference otherwise it would have been mentioned elsewhere.

Netflix She-Ra is not special for having Adora start out as a brainwashed soldier who has a crisis over realizing she's been fed imperialist/fascist propaganda her entire life. That is literally the plot of The Secret of The Sword, which was released in 1985. I love Netflix She-Ra dearly and always will, as without it I would have never become a fan of MOTU in the first place, but head in my hands if someone calls it bold and innovative for doing things that the OG series did back in the 80s one more time, I am gonna wind up on the evening news 🙃

[solarmorrigan]

Silly idea I talked about ages ago with @azure7539arts, inspired by a similar event my workplace hosts every year. Would minors be allowed to participate in such an event? Probably not! But then again, it was the 80s, who can say for sure. Anyway, it's my birthday and I'll post nonsense if I want to <3

-

“I need you to buy me.”

Eddie looks up from his notebook, effectively jarred from his campaign-plotting fugue state by Steve’s declaration.

Steve is standing at the other end of the dining table, staring at him expectantly.

“Y’know, this is the part where someone usually follows up their completely bonkers demand with an explanation,” Eddie says slowly.

“At the charity auction,” Steve clarifies. “I need you to bid on me, and I need you to win.”

Ah, yes, that weird Rent-an-Athlete charity auction the school runs every year; anyone on any Hawkins High sports team could volunteer to be “auctioned” off in order to raise money for said sports team, to spend a day at the beck and call of the highest bidder (within reason, supposedly). It’s generally restricted to students, but occasionally, prominent alumni are invited to participate – and Steve certainly fits the bill, especially after the story the government spun about his heroism in the face of “serial killer” Henry Creel last spring.

“And what, deny all those pretty girls a chance to get at you?” Eddie asks drily (he’d never turned up at previous auctions himself, but you could hardly avoid gossip in a school their size; it had usually been some cheerleader bidding with daddy’s money who won a date– that is, a day with Steve Harrington).

“It wasn’t always a girl who won,” Steve says, crossing his arms over his chest. “One time it was Mrs. Dalton – you know, the lady on the school board who lives on my block? I just spent the day doing yard work for her. She gave me lemonade. That was pretty cool.”

“Right,” Eddie drawls. “And I’m sure she definitely didn’t sit outside and stare at your ass while you were working.”

“She did not– she– I mean she was on the porch, but, like– she wouldn’t have– she’s, like, seventy, Eddie,” Steve splutters, and it’s all Eddie can do not to laugh.

“Older gals have needs, too, Steve,” Eddie says, giving in to a smirk. “So she was checking you out from the porch, huh?”

Steve goes red. “Shut up, that isn’t the point. I’m trying to ask for your help.”

“Right, right, your absolutely reasonable request for me to buy you at market. Why, again?” Eddie asks.

“The kids are planning to bid on me,” Steve says gravely.

Eddie blinks at him. “Okay?” he says, when no further explanation is forthcoming. “You basically do most of what they ask, anyway, so…?”

“Okay, believe it or not, I actually say no to at least half of what they ask me to do. I would literally never get anything done if I gave in to all their demands.” Steve jabs a finger at Eddie, who holds up his hands in mock surrender. “Anyway, this is all Henderson’s fault.”

“It usually is,” Eddie agrees, nodding sagely.

“He decided that he was going to bid on me and then use that day to finally make me play your nerd game with you–” Eddie snorts, and Steve shoots him a look, “but Wheeler doesn’t want me to play, so he said he was going to bid against Dustin and make me do anything but sit in on a session with you guys.”

“So let Wheeler win.” Eddie shrugs.

“No! I can’t let fuckin’ Mike win, he’ll probably make me do something even more ridiculous!” Steve exclaims. "He’ll make me play chauffeur for him and El on a date, or something, and he’ll probably include the stupid hat.”

“Wait, I thought El broke up with him,” Eddie breaks in.

“No, they’re on again,” Steve says absently, shaking his head. “Which is why Max has been in a bad mood lately.”

Eddie bites back the reflexive need to ask “How can you tell?”, going instead with, “I thought she and Sinclair were on again.”

“No, they are. That’s why no one’s been actively murdered,” Steve says.

“How do you keep track of all of this?” Eddie asks, squinting at Steve.

“It’s a natural skill. And we’re getting off track,” Steve says quickly. “Normally, I wouldn’t be that worried, because Dustin regularly blows his savings on weird science gadgets or whatever, but then Lucas and Will started taking sides.”

“This is getting very involved,” Eddie says.

“So you see why I’m stressed!” Steve insists, smacking a hand to his forehead (personally, Eddie thinks Steve is stressed for many other reasons, but he figures pointing that out just now won’t be appreciated). “Lucas is on Dustin’s side, and that kid does odd jobs like nobody’s goddamn business; he actually has shit saved up. And usually I’d have faith in him being more, like, sensible than to spend it all on this, but the little shit is really fucking competitive.”

“Wonder who he got that from?” Eddie mutters.

“Okay, we do remember that I’m not actually biologically related to any of these idiots, right?” Steve snaps.

“Well now we’re just getting into nature versus nurture–”

“Eddie.”

“Right, sorry, continue.”

“Well, Will took Mike’s side–”

“Shocking.”

“Right? But anyway, I don’t know if the kid has much saved up, but between him and Wheeler, they might be able to win.” Steve sighs, looking far more world-weary than Eddie feels the situation really warrants.

“You know you don’t actually have to do what they ask you to, right?” Eddie points out.

Steve rolls his eyes. “If an auction winner complains to the school that the person they bid on didn’t fulfill their end of the bargain, they can get their money back. It’s a whole…” he waves his hand vaguely, “thing. Happened once when I was a sophomore; Deacon McNab. Lost a good chunk of change for the football team, and they vandalized the shit out of his car.”

“Ah, right. Forgot we went to school with literal psychopaths,” Eddie hums.

“So, I just need you to bid on me and win, so I’m not stuck wasting a Saturday on whatever the hell the kids are going to try to make me do. Or not do. Or– whatever,” Steve says.

“Okay, not that I don’t understand your predicament here, but I think you’re forgetting something kind of important, Steve,” Eddie drawls.

Steve’s brows draw together in question. “What?”

“I’m fucking poor.”

“Oh.” Steve shakes his head. “I didn’t mean– no, I will give you the money, you don’t have to spend a dime, man, I just need you to get me out of this.”

“Why not have Buckley do it?” Eddie asks.

“That was Plan A, but she actually has a date that night, and it’s kind of a big deal, so I don’t want her to cancel,” Steve says. “But I assumed you wouldn’t be busy.”

“Wow, rude,” Eddie scoffs, and Steve sighs.

“Fine, sorry, I just really hoped you wouldn’t be busy.” Steve gives him the most lethal set of puppy dog eyes Eddie has ever seen, as if there had been any chance from the beginning that he’d be able to say no. “Please?”

Just for show, Eddie lets out a long sigh, falling against his chair and letting his head flop over the backrest like he’s deflating.

“Fine.”

“Thank you,” Steve groans, sounding so genuinely relieved that Eddie almost feels bad about how quickly his thoughts dip into the realms of the inappropriate. “Oh my god, I owe you.”

Eddie glances back up at Steve, tongue darting out to wet his lips almost unconsciously. “You know I’m not as easy to appease as a couple of fifteen-year-olds, right?”

Steve’s eyes drop for just a second—maybe down to Eddie’s lips, maybe not; who can say?—before he looks back up, cocking an eyebrow at Eddie. “I think I can handle it.”

Slowly, Eddie grins. “We’ll see.”

[lawofangie]

hi guys! i've been getting some dms and asks, and since there seems to be some confusion about what the law of assumption is, i wanted to make a post clarifying some things. so here are some things you need to know:

1. the law is not a mystical thing.

it is not magic. its not foreign. it is not a superpower. it is simply making assumptions. not praying, not wishing, not hoping, not affirming. making assumptions. manifestation is about accepting things as true without any proof, the proof comes later. once you've successfully completed this step.

2. you didn't create life, you created your reality.

there is a difference. i remember this one tumblr interaction where someone sent an ask, believing that since they're the creator of their reality, then they also created every tv show they watched. and no, you obviously did not. anything that you obviously didn't physically create in your life, you didn't create. the only thing you are responsible for in your life is how things operate in relation to you.

3. you don't get what you want, you get what you are.

there's a reason why you're told by neville to stop desiring, why you're told to state your desires as a present tense fact. its because no amount of wanting, no amount of desiring, is going to change anything. if our assumptions (what we believe is true without proof) have so much power over our lives, what do you think desiring implies? what does wanting say about you? if you had your dream job, would you be wanting your dream job, or would you already have it and no longer desire it?

it should be obvious that we as human beings are conscious enough to realize certain things. we have the freedom to change our own minds because we are autonomous human beings. therefore, you are completely capable of making the conscious decision to believe something without proof.

4. you are a human being. other people around you are human beings too.

i've noticed that a lot of people within this community seem to be out of touch with reality. i find this very concerning and it's why i no longer say things like "the 3d isn't real" or "you are god", because they can be blown out of proportion. while yes, you are the cause for everything in your life, this is still your life. the 3d can be as unreal or "fake" as it wants to be, but it's all you've ever known. it's all you will ever know. why? because regardless of any material you've ever consumed, we are human beings living a human experience. nothing can change that.

you still need to take care of yourself, you still need to live your life, you should still enjoy your life, you should still be kind to others and treat them with respect. don't neglect yourself and others around you. the 3d is real, it's just not as absolute as we're made to believe. that's all. the 3d is real, but its authority over you is not.

5. again, the law is not magic. it's a natural process.

once you assume something, it's not going to just magically fall into your lap. the law is meant to be a natural thing. while manifestation is instantaneous, there is still the bridge of events that unfold to lead you to what you decided has already happened. and while things can still happen in an infinite amount of ways, the "how", regardless of what i've just said, is still none of your concern. your job will always be to decide it's already done and stick to that.

also, please don't take my words out of context. i'm not saying that manifestation is a process or anything like that, this is simply the way our world works. for instance, if you wanted to manifest a free vacation, the tickets wouldn't magically appear in your hand right that second. you'd decide you were already going on/already on that vacation first. then in the next couple minutes/hours or the next day or that same week, a relative of yours calls or visits and mentions that they won a trip to your desired location, but they changed their mind, so they ask you if you want to go.

this is what i mean by a bridge of events unfolding. there is no process, just events that lead you to where you already assumed you are. your physical reality is a mirror that reflects whatever you tell yourself instantaneously. things will always unfold in a natural way.

that's all for now. i hope this helps. 🩶

[wonryllis]

★ ᵎᵎ ENHYPEN AS KDRAMA LEADS AND THEIR LOVES.

╰ 𝖺𝗅𝗍𝖾𝗋𝗇𝖺𝗍𝗂𝗏𝖾𝗅𝗒, 𝗐𝗁𝖾𝗋𝖾 𝗍𝗁𝖾𝗒 𝖿𝗂𝗇𝖽 𝖺 𝗒𝗈𝗎 𝗂𝗇 𝗍𝗁𝖾𝗂𝗋 𝖼𝗈𝗆𝗉𝗅𝗂𝖼𝖺𝗍𝖾𝖽 𝗌𝗍𝗈𝗋𝗒.

𝒏o𝓉ℯs. enhypen on the screen with you 𖥔 ݁ fluff, suggestive LIB? fem!reader requested word count `1715 PLS REBLOG!!!

𝐋𝐄𝐄 𝐇𝐄𝐄𝐒𝐄𝐔𝐍𝐆 ❝ they tried to take what was mine, so i will show them what i have. ❞ jang uk, alchemy of souls.

the forlorn hero cursed by fate to bear the weight of being the most powerful person in the world. and for one that withstands death and destiny; you are the light that embraces his shadows of darkness when he embarks on the path to save the world.

"you look pretty," heeseung eyes glance over your dolled up figure as he enters the room. "well no one's going to notice me anyway, they're all interested in your past lover," you scowl in an adorable pout that tingles heeseung's inner desires to eat you up. "that's why sit where everyone can see you, show them who my actual bride is," his fingers reach out to hold the side of your face in a gentle caress, gaze locked with yours, the atmosphere heaving with tension. "then i'm going to wear the family ornament," he hums inching closer,"then i'm going to tell them we get get along very well," he hums again, nose brushing against yours,"then i'm going to brag that you light up the path for me at nigh-" this time heeseung's lips find yours in a tender kiss, sucking softly almost in a nibble as he pulls away in a moment,"show me off however you want, i'm all yours," because he's sure you are his light in the dark.

𝐏𝐀𝐑𝐊 𝐉𝐎𝐍𝐆𝐒𝐄𝐎𝐍𝐆 ❝ even if other people say it is not, if you say it is love, then it is love. ❞ lee jun ho, extraordinary attorney woo young woo.

the secure and dependable soul who is left navigating through a love that confronts the pitifully vile sides of society. and for who wishes to be the one for you; you help his muddled worries come to the ultimate realization, to love and to fight for it till the end.

"jay, can i.. touch you?" jay is dumbfounded at your words, frozen at his spot for a momentary instance," he looks at you trying to avoid to his gaze,"i want to check whether i like you in that way," you clarify and jay curses his tainted mind for going places they absolutely should not be going. "oh, i see," it takes a few seconds for it all to sink in, and as soon as he does he's approaching you in a confident stride. "can you only check by touching me?" one step forward, one step back. "i need to see if my heart races—" caging you with your back against the couch, hands on each side,"so your heart doesn't race if we're not touching?" jay whispers, grinning at your eyes looking everywhere but him. "even when you're with me, doesn't your heart race?" his own heart pounds hard in his chest, just being with you has him weak,"that's disappointing," breathing fast as he leans in. you test him against all that he has ever known.

𝐒𝐈𝐌 𝐉𝐀𝐄𝐘𝐔𝐍 ❝ does my dream have to be success? can't it be a person? ❞ nam do san, start up.

the ridiculously gifted and capable protagonist on his journey of growth, struggling between reality and dreams. and for one whom love, self worth and truth is conflicting; you provide an elysian abode of validation and acceptance of who he can be despite everything.

"a rainbow doesn't make your wish come true," jake smiles to himself, fiddling around with the pebbles at his feet,"it's just light reflecting and refracting," looking up he finds you staring at him in a sulk. "so you're not going to pray? because you don't believe in it?" your words are one of sorrow albeit you hardly sound upset and more in spirit of challenge. "there's no objective evidence," though he'll admit he'd take every chance he could to make a wish about you, even if it's superstitious. "let me show you then, evidence," you pull him by his collar into a messy, sloppy kiss, one that takes his breath away,"see, i prayed i'd kiss you and i did," his cheeks warm up at your bluntness,"you're the one who kissed me, the rainbow has nothing to do with it," "just the way liking you has nothing to do with reasons to like you, i like you because you're you, you're my reason" you make it so easy to fall in love.

𝐏𝐀𝐑𝐊 𝐒𝐔𝐍𝐆𝐇𝐎𝐎𝐍 ❝ even if my feelings for you make me insignificant and weak, you are my fate that i cannot defy. ❞ jung gu won, my demon.

the immortal infernal superbeing caught in a web of events that go against his very existence, piercing through the root of his beliefs. and for one whose emotions have been shut for the longest time; you open the doors of his hell, where his throne shines for you.

"is this what you're trying to get?" sunghoon's figure presses into your back as he reaches above you to bring down the book from the shelf,"my demon guide, really?" moving to the side he leans against the tall furniture, waving the heavy book in your face. your eyes fall to the exposed skin of his torso, toned chest and glistening abs, staying there a second too long,"ay ay ay, you pervert!" sunghoon immediately pulls his loose dress shirt together buttoning it up in a hurry as you look away. "why are you here anyway?" for once you have been the first to come to him. he feels something is wrong with him to be so elated over a mere thing like this,"i was just worried," you make him feel human, you make him feel vulnerable, you make him want to rewrite the stars with you. "about you," it is scary yet it feels like a kind of freedom that relieves him of a load he never knew he carried.

𝐊𝐈𝐌 𝐒𝐔𝐍𝐖𝐎𝐎 ❝ if you really want to express something you will find a way. ❞ ha yi chan, twinkling watermelon.

the ever merry fellow, overflowing with a shinning soul and a sparkling heart, choosing to see only the bright side of everything. and for whom shortfalls have been a sign of misery; you show him a new world where flaws exist to give meaning to what you have.

"here, i got you a cat," sunoo gestures to the cat snuggling in his arms, getting closer to let you pet it. "i was worried you'd be bored alone," he speaks slow, moving his fingers just the way he practiced as you take the little fluffball from him,"i made sure to pick out a kitty that looked like me," he points and when your eyes crinkling into an adorable smile, sunoo feels all his efforts of learning to communicate with you to be fruitful. "a name based on your face?" he questions when you talk about naming the cat,"do you have a name like that too?" he never thought there'd be a time when he'd sit with you in the woods like this, talking in a language of your own as you taught him how to call out to you in a way only you two would understand. there was so much beauty in silence and he only realized it now,"that's a pretty name, i will call you by that from now," the simplicity of life he forget, you remind him.

𝐘𝐀𝐍𝐆 𝐉𝐔𝐍𝐆𝐖𝐎𝐍 ❝ i'm a terrible liar and i don't have the ability to fool the one i love. ❞ kim do ha, my lovely liar.

the honest yet constantly condemned guy doing his best to fall back into the rhythm of life, having lost the last hopes of happiness. and for one who has always been doubted and criticised; you bring reason, to survive the dark into victory.

"lie to me," jungwon looks up from his bowl of soup, bewildered at what you ask of him,"what?" he mumbles slowly, trying to make sure he heard you right."just once please? try telling me i'm pretty," the insistent tone of your voice persuades docile jungwon to give in, brown eyes gazing at you in a dazed stare. one that lasts a little longer than a moment necessary,"you're pretty," and it's not a lie, you are so much more than just pretty in his eyes, it could never be a lie,"of course, i would say you're pretty," when jungwon looks at you he sees love in a new light, he sees all these positive emotions in a new light. in a light that gives him hope of escaping the hideous cage his mind has him trapped in. "because you really are pretty," he returns back to eating, trying to avoid the flush of butterflies he feels in just that one acknowledgement. it had been years since he felt them, such a normal emotion of love.

𝐍𝐈𝐒𝐇𝐈𝐌𝐔𝐑𝐀 𝐑𝐈𝐊𝐈 ❝ when you miss me, you can go to a bookstore and see me in a comic book. ❞ kang chul, w two worlds.

the tragic struck, defined by his past character thriving into a position of power and influence to uncover the truths of his comical life. and for one that battles against injustice, fictional between dimensions; you are the key to his long awaited peace.

"this one looks good on you, you should get it—" your hand slaps across riki's cheek in a snap making everyone in the room gasp in horror. to be hit like that out of the blue, riki should have been outraged, instead all he felt was confusion but not so much as to end the chapter. "what, is it?" he asks, his brows raised in question. "why am i getting slapped for buying you clothes?" stepping closer to you,"t-that, i'm sorry—"your lips crash against his for a fleeting moment before you rush off into the fitting rooms leaving everyone in shock. riki's fingers linger over the spot you kissed, feeling his heart skip multiple beats for some reason. you are pretty for sure, but you're also idiotic in way that attracts him out of pure amusement. he knows you don't belong here, and he knows it'll be reckless to try and find your world, but you make him feel there is a way out despite all obstacles and absurdities.

taglist ( open. ) @kangseulgithegreat @s00buwu @luvyev @pockyyasii @nctislifue @ashtxrie @miniature-tragedy @jayujus @brachives @thoughtsmeander2tumblingblindly @eeunoia @nxzz-skz

[hmsdoodlin]

(22) Heart and Soul <3

Long ramble under the cut

I’ll be honest I have no idea why these two resonate so much with me, they barely interact in the album one on one. But I think they’re really cute and I’m kissing them on the tops of their heads. They have so much potential.

(Please don’t crucify me for any of this, I acknowledge that some of my takes may be ooc. This is all based on interpretation and whimsy. Soul is hard for me to characterize.)

My version of Soul is tired. He’s driven to drastic decisions that he does not want to do. He loves his Heart and his Mind with his entire being just as much as he hates them, they’re him! They’re a package deal! But in Cacophony Heart and Mind are far too absorbed with their rivalry to really acknowledge him unless it’s to turn the argument in their favor. He feels ostracized and used, more like something to be fought over than a friend. I think he’s really lonely.

And then you have Heart. Someone who yearns to be understood but struggles to express himself in a healthy way. He craves for unity just as much as Soul and Mind do, but ultimately crumbles beneath his own perception of the others and his loathing. He wants to love, he has the capacity to if he is the entire emotion spectrum, he just can’t express it right now because of everything going on inside his head.

Soul really needs a hug and to feel loved -> Heart really needs a hug and to feel understood

Both are incredibly lonely in their own ways, but they also have the ability to be mutually beneficial for each other in Cacophony.

Assuming Soul is half and half of both sides, he’s able to understand and at least sympathize with Hearts point of view. He doesn’t agree with it, he can see past all of the twisted perceptions, but he’s able to provide the sympathy/understanding that Heart needs. No matter how small. And in turn Heart is able to provide that brief feeling of togetherness and unity. Heart is most likely the easiest to connect with on a surface level, and therefore the best option for when Soul is feeling down and hopeless.

Heart thinks the entire world is against him, he believes that Mind and by extension Soul hate him and want him gone. Soul is able to quell the moons worries, at least for the night. Soul believes that his sides hate him just as much as they hate each other, he wants them all to get along. Heart can provide that feeling of unity, physical touch acting as a form of reassurance and communication. He can pretend that everything is good for a moment and that the warm body beside him is how it’s supposed to be.

I headcanon Mind as touch adverse and Heart as very physical, so Soul is the perfect middle ground! Heart and Soul are able to connect on a very emotional level, and therefore have an easier time showing affection and being close. Lots of cuddles! Lots of comforting! They don’t have to talk, there’s no pressure, they can just hug and everything melts aways. They want to keep each other safe and happy.

Their relationship is so appealing because there’s no barrier between them. They can connect with and understand each other on a very emotional level, switching seamlessly between comforter and comfortee in most scenarios.

I have a lot to say about them in an angst sense, but it delves a bit too far into headcanons and is incredibly long. That’s a discussion for another time, I’m trying to focus on the positives of their dynamic here. Heart and Soul angst absolutely cooks though, trust.

I may be delusional. But in my HEART and in my SOUL they are very close. They share the same night sky! The moon orbits the earth and controls the tides! You can only see the stars when it’s night time!!!!

(Quickly going to clarify that I personally accept a lot of different interpretations of Hearts blindness as canon, I generally like and accept most headcanons even if they conflict with eachother. Soul blinded Heart? Cool. Mind blinded Heart? Epic. Heart was always blind? Awesome. I personally don’t really care and I think all of them can be true simultaneously. Why the hell not, time does not exist on a linear scale. I don’t agree with Soul being 100% an abuser though, he’s just as much of a complicated victim as the other two.

I personally like the idea that Heart did it to himself in apathy the most. Doodle Heart has subscribed to that, as will all/most of my interpretations of him. My Soul didn’t hurt him in that way. And I think he was actually quite mortified when he found out.)

Be silly be goofy, do whatever the hell you want, at the end of the day this is my own personal point of view. They swim in my brain like little amoeba and have rerouted all my nerves. I’m definitely more inclined to be soft on them so take everything I’ve said with a grain of salt. My ass is biased. On my hands and knees begging for more content of them though. PLEASE.

On a less serious note. I think Heart is Souls little guy. He love him :(

[shadowtraveled]

In your Mithrun analysis, when you say “maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.” who is the ‘someone’ in your mind? Milsiril? Kabru and the canaries? I loved your analysis, so I’m curious

OH kabru absolutely

milsiril spared him and, decades later, helped him with his physical rehabilitation, but it seems like she more or less gave up on his personhood. no more desires -> no more mithrun as we knew him -> no more mithrun. she spared him because he wasn’t completely devoid of motivation to live, and she used the single motivator he had left to eventually get him to keep himself alive, and she briefly even seemed to want to try and instill some of his old mask (even with the understanding that that’s what it was) back into him, but that fell through immediately and i think with it went her optimism that mithrun would ever… be a person again. “too late now, i guess.”

then the canaries are on good enough terms with him, but they’re practically instructed to treat him like a weapon or a tool they’re maintaining. i believe it’s cithis that tells kabru to take care of mithrun but clarifies that really what that is is just making sure he eats. ensuring his baseline needs for survival are met. and really, that’s all she was ever tasked with. when it’s all over and mithrun is cataleptic, the canaries stay physically near him, but they seem to have accepted that he’s gone—without the demon to chase, he has nothing to live for. cithis, though, seems to be closer to mithrun than any of the others, and i don’t think it’s a coincidence that she’s the one who calls lycion off and encourages kabru to try engaging with him when she hears the beginning of what he has to say.

this post caught a lot of my opinions regarding mithrun’s relationships (linking to my reblog of it because i dumped some thoughts in the tags) but tldr i do think milsiril and the canaries fall short of thinking of mithrun as a person, and that’s why their relationships with him fail him somewhat. i don’t think that’s their fault, because it seems like they were taught to think of losing your desires as a complete loss of self and humanity, but it does mean they see mithrun as someone who has already been lost. kabru is demonstrably different in that he’s able to help mithrun see a future beyond the demon, and he’s able to do it because he deals with mithrun like he’s human. because he is. and all of that stems from the specific aspect of kabru’s personality that is his obsession with people

[daffydilled]

On using the Robins

Alright, I know I'm preaching to the choir here, but DC? We gotta talk about the Robins and how they're used. For a company and comic universe with a truly spectacular willingness to explore every possible avenue of a character, if you want to really get to the point of Batman, we're going to need Robins used consistently across media and we're going to need the right ones used.

Why? TL;DR: the Robin you use tells us a hell of a lot about the Batman you're using. If you're going to keep using Batman in everything, we're going to need Robins. And they need to be the right ones. Using the wrong Robin is destroying live action DC adaptations.

Believe it or not, this whole rant started with me playing Gotham Knights on my PS5. Normally, anything that distinguishes between Robins and puts them interacting with others is pretty damn good to go in my book. It's not exactly common, after all. But I got about 15 hours into it and realized what was bugging me so much: it uses the wrong Robins.

Let me clarify. Nightwing and Red Hood are nearly perfect. They're exactly where they need to be. But if that game let Tim Drake detect in the role filled by Batgirl, let Batgirl be Oracle, and put Damian Wayne into the 'young Robin finding his wings' role that Tim plays, the story would have been far more cohesive. Why? Because I would have bought the final word Bruce tells them far more and I would have bought Talia's involvement as well.

This particular Bruce Wayne is an older Batman, one comfortable removing himself from the cause and passing it on to the rest of his family. The balance of Robins (and the misuse of Batgirl) upsets this. This isn't a team that is ready for that step yet, and Bruce in-game would know that. One can argue that's part of the tragedy of it, but the weight of the dynamic is still lopsided. The game feels unbalanced. If a story is going to rest on proteges and inheritors, I need to buy their ability to take over for Batman, and I don't. (And don't get me started on the misuse of Babs in this game. That woman has her own team, her own struggle!

Batman v Superman pokes me too. It's the lack of a Robin in these, though, that really grind my gears. That is a violent, brutal Batman that has fallen so far into 'The Mission's' ass, I kept expecting to see a suited memorial to a dead kid in his batcave and an extremely stubborn thirteen-year old stopping him from breaking a Kryptonian's face open before the dread "Save Martha" can be said.

That is a Batman that screams I just lost my son. He is so angry and bitter and walks around with an armory for a suit. That's a perfectly acceptable Batman to explore, when paired with the context of Jason Todd. Otherwise, it just reads like they made the movie gritty for the sake of being gritty and missed out on piles of nuance for both the heroes.

Frankly, a Batman grieving Jason Todd and a Superman processing the arrival of a cloned version of him mixed with Luthor's DNA would go miles to explaining the mental states of both these guys, but nobody bothered to do that, so I'm just bitter.

One of the oddest mix-ups of Robins I've ever seen has absolutely nothing to do with Batman. It's from Birds of Prey or The Fabulous Emancipation of Harley Quinn, where somehow Stephanie Brown and Jason Todd pre-pit get fused into one character and named Cassandra Cain. That is. Odd. I don't even really know how to address it, but I'm going to try.

Fact one: Steph would have been a perfect kid for Harley to meet in that movie. She's whip-smart, tough as nails, survived having a supervillain for a dad, and could, in the right light, even look a bit like Harley. There's this great potential there for her to remind Harley of a younger version of herself before the Joker got to her and wouldn't have messed with the vibes Birds of Prey was going for at all.

Fact two: Jason Todd also wouldn't have been too odd of a fit, especially if this was happening in a world where he did manage to jack the tires. He's immediately recognizable to the fans, though, which I do think would have pulled focus from the Birds in that movie.

Fact three: That was not Cassandra Cain and it was frankly a bit of an insult to her character to name that character Cassandra Cain. That's a rant for another time though.

Why mention it now? It's indicative of the greater issue DC has with adapting its characters to screen. Namely the issue to actually adapt the characters at all and not turn them into some weird Frankenstein'd versions of themselves. There's no Batman in Birds of Prey, but the world he'd inhabit is. And that world, based on our poor scrambled egg mess of Robins, is a disaster.

I think it's important for DC to remember they are adapting comics here, and those comics do not shy away from using Robins in them. Even in the most bat-shit (pun not intended) alternate universes where there's Cthulhu Batman or Edwardian Batman or White Knight Batman, the Robins are there.

How they're living and dying in those universes is one of the reliable ways to judge things like tone, narrative priorities, and themes. There's nothing wrong with trying a few different version of Batman, but Batman without Robin doesn't work long-term. It hasn't before and it will continue to fail if DC, in their adaptations, don't get a handle on their universes' scale. After all, the heroes only work if they have people to pass the work onto.

[dr-zeddy]

Miquella is a deeply tragic character and saying he's a villain just because he used someone, who was probably way worse than him to create an order lead by kindness, makes you come off as pretty short-sighted imo Miq was as much of a victim as Mohg. He had good intentions, he truly believed he could make the he could make the world a better place.

*exhales deeply* Are you the person, I think you are? nonetheless....

I'm going to shed my opinion on Miquella now because I seriously can not tell if this is bait or not from things we see and know in the base game and DLC and want to clarify my thoughts on him and why I believe rendering him as a victim is extremely problematic, also outside of the entire Mohg situation.

Is it so hard to internalize that the things Miquella did were actually highly morally questionable? I got to admit, he is a way more interesting character to me after the DLC because of the things he did (and I enjoy villains, so yeah.) I guess the »villain« term is as much accurate as some of you folks justify brainwashing to be ethical , when it is done with good intentions and keeps the peace, with which I personally do not agree with at all.

I don't see Miquella as tragic because honestly we have nothing to suggest that this guy suffered in any way before he decided to rip himself off of his personality. And that is the point, he decided to do that himself. No one forced him to this. Miquella had a choice, unlike Mohg. Yeah sure, you could argue that he suffered through his immense »empathy« but honestly, Miquella's empathy for the weak and shunned always came off as superficial. Why does he not care for the Albinaurics being tortured in Castle Sol, which is clearly allied with him? Where are the Misbegotten and other creatures in Elphael? Where are the Albinaurics? And the Omens? The Nomads?? Miquella claims to want to create a perfect world where everyone is equal but honestly except for words we hear, we do not see any fucking action or effort to truly include them in his world order.

And that's the thing, Miquella reeks for me at best of naivity and at worst of white saviour complex. He grew up as a fucking empyrean, he had a good relationship with at least one of his parents, he was a golden child. From the things we see and hear in the base game, and now the DLC, it feels like Miquella does not seem to grasp the complexity of the situation when it comes to subjugation. If that is due to his child-like thinking, infused by his curse or actually just his personality, is up for debate. Can you truly care for the subjugated as someone more privileged? Absolutely. But only if you truly educate yourself on the matter and actually listen to the needs of the excluded and shunned.

What does Miquella do instead? He rips everyone off of their autonomy to make decisions themselves if they refuse or challenge his beliefs. That is textbook tyranny. You can not save someone, who refuses to be saved by someone like you. Doing so anyway is extremely ignorant. In the end, Miquella actually puts his needs & beliefs before that of those he claims to desire to save. He is so convinced of his own agenda that he loses track of the moral dilemma, his approach to worldpeace poses. That is not tragic. These are the thoughts of a megalomaniac. If Miquella's selflessness was truly genuine there would be no need of compelling affection. However, he bewitches people. Over and over.

Of course, there are his efforts of curing Malenia still. But even that is, in the big sight of things, not really a selfless act because Malenia is a.) close family and b.) he gets and actual use out of Malenia's talent as a skilled swordswoman. I do not think Miquella bewitched her, I truly believe Malenia followed him by his own will and I also do believe he really did want to help her! However true kindness lays in how you treat those who can do nothing for you. Bewitching those who can do nothing for you and refuse to follow you, is not exactly a very pretty picture of his character.

And in comes Mohg to this occasion. The game is so fucking obvious about the fact that Mohg was the exploited one and I seriously do not understand why people still insist he isn't and exploited Miquella?? He is the only demigod we know for certain of, who was brainwashed. With Radahn and Malenia we do not know for sure but with Mohg we do. The fact that Mohg was bewitched implies that Miquella could not be sure that Mohg would have agreed to a deal and that would have been a way safer route than to bewitch him and his closest consult. I mean, Miquella almost DIED because he underestimated Ansbach's knowledge on how Mohg behaves. Why the fuck risk that if you could have just openly made a deal with Mohg, if he was as power hungry and crazy as the game implied?

In contrast to Miquella, Mohg is actually one of the most tragic characters in the game. This motherfucker was told his mere existence is a crime, grew up in the sewers locked away for years, he had no one except this one Outer God who seemed to care for him and showed him maternal love, something he was deprived off his entire life. Not getting into the speculation on how the cult operated before Miquella took over but it's very clear that he ruined Mohg's life. Mohg just wanted to get away from the toxicity he grew up with and created his own haven, from which he too thought, was the right thing to do. However he never forced anyone to join him. He never mind controlled people. People followed him by their own accounts.

The cult in itself is probably morally questionable too but we also have no idea how the Mohgwyn Dynasty worked before Miquella essentially took over. But by that standard, everyone is in the Lands Between is a twisted bastard with their different agendas ….

The point is that Ansbach is still right though when he says that »Mohg deserved better«. NO ONE who is genuinely interested in helping the shunned and subjugated, would chose one of the most excluded and tormented souls as their pawn. NOBODY deserves to be treated like this but the fact that Mohg is a product of extreme racism and social exclusion makes it so much worse and makes Miquella look so much more hypocritical. It suits the stuff we see in Castle Sol and the Haligtree … Miquella wants to be seen as the world's saviour so badly but seems to have no understanding on what suffering actually means. Because he never experienced it. His empathy is superficial and short sighted. The fact he is convinced he is doing everyone a favour in bewitching them, and does everything in his power to achieve his dream, makes him a truly terrifying villain. And that is something I like Miquella for. Is that really so hard to accept for people like you?

Sure, you can still live out the fantasy in your head that the mindcontrolling intermitted in Mohg to "grape" Miquella (even tho the game also never confirmed this????) if that pleases you, but for the love of God stop acting like it is a fact that Miquella was used by Mohg because he wasn't. I guess a lot of personal feelings from my side bubble up regarding this topic and I'm sorry of if I come off as passive aggressive but as a survivor of abuse as a minor by someone "popular", and nobody believed me, and Mohg being one of my comfort characters, that shit hits different. Just not a fan of turning victim-abuser dynamics upside down, sorry.

[kanohivolitakk]

Ok let me explain why I reacted as I did in my last post, which was indeed regarding the scrapped Toa Inika concepts essentially vindicating why I'm one of the few people who believe love not being canon is a good thing.

Firstly, before anyone gets assumptions let me clarify something. I don't think having romance existing in Bionicle is inherently a bad idea in and of itself. Those who followed me in le olden days know I do ship characters from this stupid series. Romance existing in the world and characters having romantic relationships is something I don't inherently oppose.

That said

I've always believed that romance wouldn't work as a proper element of the story itself and would've made the series worse for a few factors.

For starters, I feel romance kinda, clashes with Bionicles core essence. Bionicle is fundamentally an action adventure story that focuses on mystery, intrigue and discovery in a fantastical setting, with heavy emphasis on worldbuilding and intrigue. Sure, there are other series with similar styles and goals that have romance. But usually they happen to only have part of those elements than all of them. Bionicle is already packed as is, so as such having romance would've just muddied the pack than made actual worthwhile addition to the story

Secondly...romance in these kinds of stories is rarely done well, unless it is one of the core components. In action and fantasy stories aimed at kids and teens romance is rarely (if ever) done well. Usually it's regulated to onedimensional love-interests, will they won't they plots or compelling characters being ruined by forced romance plots. While there are exceptions, most of the time romance in these stories feels forced rather than organic, and as such more of a detriment to the narrative than a benefit. Given how Bionicle was released during the heyday of mediocre forced romances and how the series already isn't that character centric to begin with, I absolutely believe the series would've stumbled with handling romance.

Thirdly, it's just nice to have a story that doesn't have romance at all and instead focuses on fun adventures and interesting mysteries. As I said, romance could've most likely been felt shoehorned or forced in, and thus its nice for Bionicle to exist as is without any unnecessary elements to drag it down. But in addition it's just...really refreshing and freeing. A lot of stories (especially of the time) feel very amatonormative where romance is expected as a natural part of live and thus exists in everything no matter what. As someone who both was annoyed by romance being everywhere no matter what (and is possibly onarospec on some degree) that kind of..refusal to amatonormativity is just...really nice.

Fourthly, it allows platonic relationships to shine. I feel that often (both in real life, fiction and fandom spaces) romantic relatinships are put bigger emphasis on than platonic relationships, whenplatonic relationships are just as valuable if not moreso. Platonic relationships are undervalued and certain traits are seen as inherently romantic. As such its just...nice to see characters have deep bonds and connections without being forced red string of fate either by the narrative, fandom or both.

And lastly...I just kinda prefer shipping in fandom over canonical relationships. Unless the story is focused on romance, has romantic relationship being important for the larger narrative/themes or there's a relationship that is geniunely compelling and fascinating I just prefer when audience can choose which characters they see being "together" rather than the writer "forcing" a relationship onto them. Like, I love Daggerspider but part of that is because I get to choose the ship myself rather than Greg (or anyone else) forcing me to accept it as canon.

So yeah that's why I always believed romance not being canon was ultimately a good thing and why I am somewhat against the fandoms desire to make it canon. If you want to meet me halfway I'm willing to accept romance as an element of the setting or have romantic relationships be subtext/canonicaal couples. But Bionicle should never be focused on romance because its lack of romance is ultimately for it's benefit I feel.

[theonceandfuturequeenoftarts]

Harry really should’ve expected something like this, but he’s still bewildered.

(And more than a little pissed off.)

Of course some bastard managed to enter him as the fifth champion in the Triwizard Tournament.

...Well. There are four schools participating, but “Quadwizard Tournament” doesn’t have the same ring to it.

There are several people shouting at each other and him in a variety of languages, and while he has no idea what they’re saying, he gets the gist of it: how did this scrawny fifth year have the audacity to trick the Goblet of Fire and enter the prestigious (and deadly) tournament?

He wishes they’d ask him so he could clear up that he hadn’t done that, and he doesn’t want to take part in this tournament, and they’re all being world-class prats right now.

Well. Except for Cedric Diggory. He just looks a bit confused, bless him.

Dumbledore asks him if he put his name in, and he says no, and maybe he overestimated these people because pretty much all of them scoff and don’t believe him. 

The Koldovstoretz champion’s voice cuts through the hullabaloo and says, in barely accented English, “If he is required to participate, why not let him forfeit?”

Thank Merlin, there’s a voice of reason in all this idiocy.

All eyes turn to the tall young man – Tom Riddle, Harry’d heard the name said by his love-struck peers enough times since the other schools arrived to remember it – who looks politely disinterested in the chaos around him.

“That sounds good to me,” Harry says, hoping that’ll be the end of it.

But of course it isn’t. 

The Durmstrang headmaster sneers something that sounds awfully rude at Riddle in a language Harry doesn’t recognise, which makes the boy tense and darkens his eyes. And then the shouting starts up again.

For all that the gathered headmistresses and headmasters and students were arguing against his participation before, they’re now demanding that he take responsibility and not besmirch the tournament’s prestigious history nor the Goblet’s choice by bowing out. Harry is once again of the opinion that there is no continuity or logic in the thinking of magical people, so he zones out like he does when Uncle Vernon wants to rant at him.

As the group finally quiets down and Dumbledore explains what the next steps are for the champions, Harry tunes back in to listen with half an ear. The other schools’ representatives send him dark looks as they depart, while Cedric gives him a pensive frown. Dumbledore ignores Harry’s attempts to catch his eye and disappears as soon as the discussion ends.

Well that’s just great.

Harry decides to head back to the Gryffindor common room – he needs to vent his anger at this madness to his friends, who will hopefully have his back.

(Though, the look on Ron’s face when Harry’s name had been called… No. Ron knows him better than that.)

Before he gets too far, he hears a voice call, “Harry Potter.”

He turns reluctantly, hoping it’s not another person ready to call him an attention-seeker or cheat, to find Tom Riddle.

Feeling his shoulders lower from his ears where they’d risen in pre-emptive defensiveness, Harry manages a half-hearted smile for the older boy. “Hey. Thanks for trying to help, back there.”

Riddle shrugs and somehow makes the motion elegant. “It was obvious you did not want to be chosen." 

Harry thought so, but apparently they're the only two of that opinion. “What did the Durmstrang headmaster say to you?”

“Nothing I didn’t expect,” Riddle says dismissively. When Harry doesn’t relent, he clarifies, “Igor Karkaroff rejected my application to Durmstrang because I’m not a pureblood. I’m sure you can imagine his opinion of me – and my blood – hasn’t changed in the intervening years.”

Harry can feel his hackles rise. Yes, he can imagine – he’s heard what the pureblood bigots have said about Hermione and the other muggleborn students over the years.

“Well, there’s only one thing to do, isn’t there?” Harry says, grinning sharply. “We’ll both just have to–” absolutely crush them all “–prove them all wrong.”

Riddle’s eyebrows rise slightly and one side of his mouth twitches. “I suppose we will.”

Harry holds out a hand. “May the best champion win.”

Riddle accepts the handshake. “Indeed. I’m glad to have your support.” 

Delivered in a perfect deadpan, it takes Harry a couple moments to realise the other boy is making a joke. He laughs, and Riddle finally lets his face break into a grin.

—

When Riddle uses parseltongue to get past the Peruvian Vipertooth (“What were they thinking, including a human-eating dragon?” Hermione demands when Harry first sees her after the first task) and retrieves the egg in less than two minutes, it causes an uproar. How did someone with Slytherin’s gift, who was born on British soil, not end up going to Hogwarts? The details of Riddle’s first introduction to magic and meeting with Professor Dumbledore are splashed across the front page of the Daily Prophet the following day.

Needless to say, the headmaster is in a bit of hot water with the Hogwarts board of trustees and the pureblood crowd.

(Karkaroff is looking decidedly pale, too.)

Harry thinks he’s the only one who sees the vengeful grin on Riddle’s face while everyone else is staring at Dumbledore getting dressed down. When Harry congratulates Riddle later that day, he knows the older boy understands it’s for more than just retrieving the egg the fastest.

(As for his performance in the first task, Harry’s content with how he did against the Hungarian Horntail, even if he’d gotten a little singed. He might be in second place, but he’s nipping at Riddle’s heels.)

[themattress]

Re:Celestia Ludenberg, GOD DAMN IT!

So this happened again over 5 years later, this time on a short video centered around Celeste's character. And while I am glad that we're at a point where damn near every commentator is able to say "No, that's wrong!" since Character Perception Evolution toward her has become widely spread toward what I said also 5 years ago, I also wanted to spare some thought as to why the misunderstandings even occur among people. Whose fault is it?

The answer: half Kazutaka Kodaka's fault and half the people themselves' fault.

I think Kodaka writes Celeste in the original Trigger Happy Havoc game wonderfully. But you know what he didn't write wonderfully? Chapter 3. It started "Chapter 3 syndrome" and why I'd argue it's the best of the lot, that still doesn't make it good. And this sadly extends to how he ended up depicting Celeste's role in it. Beyond leaning way too hard into her not being as competent as she would like to be to the point where the case itself is too easy to solve and thus frustrating to go through for players after the legitimately spooky set-up, there's the matter of the girl behind the facade. We have seen glimpses of Taeko Yasuhiro in the prior chapters and Celeste's FTEs, but now when it really needs to shine through to clarify how twisted yet tragic a character she is, it mainly just comes through in her raging breakdown. Thus while we do also get her humbled acceptance of defeat and her whole parting words that hint at deeper reasons than greed for her turn to villainy and buried affection for her classmates despite trying to get them killed, it's overshadowed for many by how pronounced the crazy side of her was, and so the impression that makes + her lies as she tries to remain in-character as Celeste to the end = the "she's just a fucking psychopath" misinterpretation. Tellingly, the manga, anime and stage show versions all pronounce the true sad reality of Taeko more, and all without losing the fun of her crazy side, so I definitely prefer those here.

But as for how it’s the people themselves' fault? Beyond many of them just being dumb?

Umineko's motto fits perfectly here. Celestia Ludenberg is egocentric, condescending, and all-around off-putting, and that's before she becomes a villain who tells some truly heinous lies and works some insidious manipulations in a plan that leaves two dead and with more intended just to achieve a ridiculous, shallow dream. Her design, voice and manner of speaking are all pleasant, but otherwise, let's be honest - she's a difficult person to love.

However, almost every other character in the game is the same. Chihiro and initially Sayaka aside, all the students have truly glaring personality flaws that can easily turn people off of them...heck, three of them (Byakuya, Toko, and "Junko" once the truth about her is revealed) are even worse than Celeste. But the game still invites you to love them; to learn to love them through FTEs and interactions during trials, to say nothing of School Mode (which btw wasn't in the original Japanese PSP release of the game and is thus an absolute God-send.)

You really do have to love Celeste, or at least want to, in order to be motivated to put in the work of uncovering the truth about her. Makoto gets halfway there, but the rest is on you. Kodaka has been open about that: as the Queen of Liars there is almost always different thoughts and feelings that contradict her words and actions, and you have to actively engage with her as a character in order to sort those out, with the end result being a regular, introverted, socially awkward and somewhat childish teenage girl with no self-esteem who desperately wants to live as what she believes to be a more interesting, important and memorable (even if bitchy) character, and whose fears and insecurities surrounding the environment she was trapped in did more to push her into villainy than the allure of money.

Without love for Celeste, flaws and all, Taeko cannot be seen.

[luv-lock]

sorry if this is random or you’re having to repeat yourself but

from what i’ve seen/read of yours, you seem to lean team green and i’m just wondering if that’s right?

again don’t want to start like an argument or some stupid fucking discourse over a FICTIONAL world but i just find it really interesting hearing other people’s opinions.

so basically i was just wondering if you do back the greens, is it because you believe that aegon should be king because he’s a man, or based on the books i’m guessing, would be a better monarch bc of characteristics etc…

coz don’t get me wrong i love show alicent and show aegon is easy to sympathise with but when i read fire&blood and watched hotd i thought that no one was really team green because rhaenyra was chosen by the king to be queen, and then was usurped because of her gender, not her ability to rule or anything.

just feel like i need to clarify again, i seriously don’t rlly care that much if you are team green and for whatever reason, i just love having discussions like this!

so i would love to hear your thoughts and opinions! love you’re writing btw!!

Alright so if you didn’t know, I run another blog solely dedicated to Tom Glynn-Carney. I’m into Tom, not Team Green. My fanfics are written because I find him beautiful and talented, and that includes the characters he’s portrayed. I’ve always been clear that I’m his fan, not necessarily a part of the HotD fandom or a staunch supporter of the Green faction. But overall I write for every character in Asoiaf world, because I'm a fan of books. Hopefully, that clears up why my fanfics have the tone and focus that they do.

Now, to answer your question: do I think Aegon should be king simply because he’s a man? Absolutely not. Likewise, I wouldn’t support Rhaenyra just because she’s a woman. Both these views—gender alone being the deciding factor—are reductive and ignore the complexities of the Dance of the Dragons.

The book makes it clear that the Greens didn’t challenge Rhaenyra’s claim purely because she was a woman. Aegon’s gender was used as a convenient argument, but the underlying reasons went much deeper. If Alicent had only daughters, I firmly believe the Greens would have found another way to challenge Rhaenyra. The succession conflict was less about misogyny in isolation and more about political, familial, and personal grievances.

What I find puzzling is how some people can sympathize with Aegon in the show but not in the book. Aegon’s characterization in the book, while flawed, is far more nuanced and less morally damning than his portrayal in the show.

Aegon is not a rapist. Yes, he is guilty of inappropriate behavior like groping maids, but there’s a significant difference between unwanted touching (which is still wrong) and outright sexual assault. The show’s portrayal exaggerates his flaws to a point where it distorts his character entirely.

Aegon loves his family. He isn’t a bully to Aemond and shows care for his siblings. His relationship with them is much less contentious than what the show depicts.

Alicent is not an evil figure akin to the "evil queen" trope. She’s more akin to Catelyn—a protective mother who is fiercely loyal to her children and acts out of a sense of duty and love. Her treatment of Rhaenyra, while harsh, is understandable given the political and personal feelings she endured.

And most team green fans that I saw are book readers while show watchers mostly support team black.

Rhaenyra, in both the book and show, demonstrates poor leadership qualities. However, there are key differences between the two portrayals.

In the books, Rhaenyra at least has the courage to pursue her ambitions. She’s unapologetic about her desires and choices, even if they’re flawed. However, her tenure as queen was disastrous. She neglected her responsibilities as heir and, once crowned, failed to rule effectively. Her leadership destabilized the realm further and led to significant losses, including the destruction of dragons.

In the show, Rhaenyra is portrayed as hesitant and indecisive. She’s framed as a "chosen one" by the gods, universally loved and morally righteous, which feels unearned. Despite having more dragons and greater initial support, she fails to secure her claim effectively. Alicent practically hands Aegon over to her.

Meanwhile, Aegon in the show has absolutely nothing. Unlike his book counterpart, he doesn’t have his family’s loyalty, his dragon (Sunfyre is dead), or even his crown. He has no army, no support, and yet he still going to kill Rhaenyra and take the throne back. Why would I root for Rhaenyra in this scenario?

In the book on the other hand, Aegon proves himself during the Dance. Initially reluctant to rule, he grows into the role and accepts his responsibilities. In the books, Aegon wanted to remarry for duty, seeking a legitimate heir rather than marrying for lust. Defeats Rhaenyra, retakes the throne, and restores order to a realm she left in chaos. Punishes those who harmed dragons, showing a sense of justice and loyalty to his family’s legacy. And so much more.

If Aegon was sitting on the throne during Rhaenyra's time on the throne, I believe he would have prevented much of the harm done to the dragons and the realm. His leadership during the latter stages of the Dance demonstrates his growth and potential as a king. And unlike Rhaenyra, he actually listen to people who are wise and smart.

That said, the one character who truly deserved the throne was Daeron. He’s portrayed as intelligent, dutiful, and competent—everything one could want in a ruler. If Viserys had named Daeron as his heir, the Dance likely wouldn’t have happened, and the Targaryen dynasty could have avoided its catastrophic decline.

Some argue that Jacaerys should have been king when I say Daeron deserve the throne, but that argument doesn’t hold up. It’s equivalent to claiming that Joffrey or Tommen were legitimate kings, which they weren’t because they were bastards. Similarly, Jace and Luke’s status as bastards makes their claims to the throne invalid, regardless of personal feelings toward them.

Daeron, by comparison, outshines Jace in every way—leadership, legitimacy, and potential. Had he been given the opportunity, Daeron could have brought peace and prosperity to the realm.

Ultimately, my perspective is shaped by the source material. Aegon, despite his flaws, demonstrates growth and proves himself as a capable ruler during the Dance. Rhaenyra, on the other hand, fails to rise to the challenges of leadership and leaves the realm worse off. While Aegon was a better king than Rhaenyra, Daeron remains the most deserving of the throne due to his competence and character.

Yet again, I'm a fan of Tom and Asoiaf not house of the dragon. And thank you very much for being respectful and I'm happy that you enjoy my works.

[clownakai]

"Dance with me."

Shuuichi very nearly chokes on his drink. "Pardon?"

Scotch smiles beatifically back at him. Definitely tipsy, at least a little bit. "Dance with me."

"I can't dance," he blurts out, the lie slipping past his lips as smooth as breathing.

Silence falls over the flat, only broken by the sound of Mochi's hissing from inside Scotch's bedroom; Hana has probably been bothering him again.

"That's fine," Scotch eventually replies, "I'll just have to guide you." With all due respect, fuck that.

"Why?"

"Well, I obviously can't let you lead if you don't know how to dance." Scotch leans back against the couch, looking for all the world like someone who just cracked the Twin Prime Conjecture or some other equally convoluted math problem (thank you, Shuukichi).

Shuuichi scowls, bringing his drink to his lips only to realize that the glass is already empty, again. "Why would I want to?" he clarifies.

"Ugh." Scotch rolls his eyes, muttering something about all workaholics being the same. "Live a little, why don't you? We can even turn the lights off if you're that embarrassed."

Way more than slightly tipsy, Shuuichi corrects his previous assessment with a sigh. "I'd be stepping on your toes the entire time if we did that."

"You'd manage it even with the lights on."

Shuuichi's eyes narrow. For the sake of his lie, he doesn't correct Scotch's claim. Let the guy believe what he wants, so that proving him wrong will be that much— hm.

He glances critically at his empty glass. He'd better cut back on the drinking for tonight, lest he want to end up embarrassing himself for real.

Then again, if he doesn't dance at all, those chances will inevitably drop to zero, thus allowing for more drinks to be had. Who knows, he might even get something mildly useful out of his flatmate in that case.

Scotch shifts in his periphery, successfully drawing Shuuichi's gaze to himself. He knows exactly what he's doing: it's in his posture, so loose and relaxed it can be nothing but studiously arranged; in his hands— long, calloused fingers loosely holding up a crystal glass (and petting Hana and chopping vegetables and dancing on bass strings and carding through Shuuichi's hair); in his eyes, so very blue and positively smoldering (there's a sliver of ice in them, ready to pierce and tear and sink: Shuuichi pretends he doesn't see it).

Tipsy, but no less dangerous because of it: Shuuichi had better keep that in mind. He should tread carefully, play it safe— turn down the offer once and for all.

Oh, who is he kidding?

"Fine." He puts his glass down with a clink. "Show me how to dance."

Scotch looks, for lack of a better descriptor, absolutely delighted. Shuuichi suddenly regrets more than a few of his life choices.

The other man stands up with remarkable grace for someone who has been drinking for the past hour and a half; he waits for Shuuichi to do the same, and at no point does he stop looking at him— through him, digging and searching and for a weightless moment Shuuichi wonders—

"I set the music up, you get the lights?" Scotch asks, blinking it all away.

Shuuichi valiantly holds back a grimace, but nonetheless moves to comply. "If we fall and break something, do me a favor and shoot me before Bourbon comes back."

Scotch snorts, and Shuuichi's stomach most definitely does not do a little victory dance. It doesn't.

He flips the light switch, plunging the living room into darkness: the only remaining light sources are Scotch's phone and a stray ray of moonlight feebly peeking past the mostly-closed curtains. Shuuichi takes advantage of those to orient himself, smoothly padding past the couch with nary a sound; he's sadly not fast enough to catch a glimpse of Scotch's screen, instead finding himself being led to the emptiest part of the room as the first notes of a simple waltz begin to fill the air.

"Right. So, the first thing you want to do is—" Shuuichi only has an inch or so on Scotch, height wise; it's certainly not enough of a difference for him to successfully pretend not to be taken by the moonlight striking the man's features, only barely reflected in his eyes.

(There they are, those shards of ice. Primed and ready, a hair's breadth away.

Ever the fool, Shuuichi inches closer.)

"— even listening to me?" Scotch asks, sounding torn between amusement and mild annoyance.

"My right hand in your left," Shuuichi absentmindedly parrots, "my left on your shoulder. You go left foot forward, the other to the right, close with the left, then right foot backwards, the other to the left, and close with the right. I just mirror you."

"... Okay, good." Scotch doesn't sound baffled, but Shuuichi is pretty sure he went a little overboard and recited something the other hadn't said yet. God fucking dammit.

"I know what a waltz is," he tries to salvage, "I've just never tried dancing it." For his own sake, Shuuichi prays that all the drinks he had tonight will help him sell the beginner act he talked himself into.

Scotch gives him no verbal answer; nonetheless, the silence feels as loud as a blaring horn to Shuuichi. Then there are hands on him, one coaxing his own upward while the other slips under his arm and comes to rest on his back, miraculously avoiding getting caught in his hair at it splays right beneath his shoulder blades, and Shuuichi almost forgets to let Scotch guide his hand into the correct position rather than doing it himself.

Right now, he might hate his own shirt more than anything.

"Alright." Scotch is... close. Not quite chest to chest, but still enough for Shuuichi to smell a hint of alcohol when he speaks. "Waltzes are in three quarters, so we're just going to— one, two, three."

Shuuichi doesn't even need to pretend: he stumbles through the first few rounds, the hand on his back burning like a brand. He wonders if Scotch can feel Shuuichi's heart jackrabbiting beneath his fingers, a caged beast in its own right.

(It sure feels to Shuuichi like it's trying to claw its way out of his chest.)

The waltz eventually gives way to a slow song Shuuichi doesn't recognize but is still aware enough to know how to adapt to: he doesn't startle when all of a sudden Scotch is everywhere, chest pressed against his and arm dipping to Shuuichi's waist and face so close the tips of their noses almost touch— yet he's deafened by his own heartbeat, a relentless drumming in his ears as Scotch meets his eyes and smiles.

"So you did lie to me," Scotch murmurs, smile widening when Shuuichi freezes. "This one's in four quarters, so it's no longer a waltz. But you didn't need me to tell you that, did you?"

Shuuichi swallows dryly. With how they're standing— with how Scotch is holding him—, the flush he can feel creeping onto his cheeks is just about the only thing he can feasibly keep to himself; everything else is fair game, from twitching hands and shallow breathing to faltering steps and a heartbeat so loud he struggles to convince himself that the other still can't hear it.

"No," he admits, and watches the ice spin in Scotch's eyes. "I didn't."

Shuuichi almost expects the operative to let go, to step back and put a healthy distance between them; what he gets is Scotch's fingers drumming a silent tune on his waist and one of the guy's legs moving forward in a tacit bid to keep dancing. Shuuichi obligingly follows, happy enough to let the other lead while he gets his shit together, although he puts his foot down the moment Scotch tries to raise their clasped hands above their heads.

"You're not turning me," he huffs, then curses himself for speaking up when Scotch's breathy laugh warms his lips.

"Next time, then." The weight around Shuuichi's waist disappears, and this time Scotch steps away for good, leaving him cold, adrift and hungry for something he can't quite place.

Shuuichi stares at his retreating form— what little he can distinguish of it in the dark, at least—, then sets out to distract himself by clearing the low table of all evidence of their drinking. It'll certainly not be enough to fool someone like Bourbon, but it'll knock 'leaving a mess for others to clean up' off the list of complaints he might receive tomorrow.

He knows what this— all of this— was. He's been taught how to do the same himself and he can't afford to fall for it.

(He thinks of those eyes, dark waters waiting to drown him.)

He really, really can't.

(Scotch took his phone with him, but Shuuichi still hears something: one-two, three-four; one-two, three-four. It's nothing like the all-encompassing drumming from before, and it makes him wonder...

Maybe his heart had felt so loud because it wasn't the only one he'd been hearing.)

[xoxoskai]

THE WHITE MASK THEORY;

PART TWO

Before I go into detail about Ava and her relationships with the Heathens, I want to clarify a few things.

I wasn't aware that Rina had confirmed that we haven't met WM yet. A lot of you pointed it out in the previous post and that's how I found out. However, I think it's even more anti-climactic if it's someone we haven't met so far to be WM because there will be no excitement involved in the grand reveal. A five-book buildup for it to be someone completely new is not dramatic or shocking at all. It'll be like the no-name nanny being the villain in God of Ruin. Most people, me included, were dumbfounded at the reveal and of course, Maya's ridiculous fall from grace.

How are you going to look at normal sibling jealousy and kidnap the sister because you thought it would do justice to the other one? You're telling me the Bratva with Kyle-fricking-Hunter, Rai-mother-Sokolov, Adrian-Daddy-Volkov as the Obschak and Kirill-dilf-Morozov as the Pakhan couldn't track down the silly nanny who kidnapped a mafia princess for shits and giggles? That they haven't been able to for the past decade? Make it make sense.

It would have made a lot more sense for it to be the Irish mafia back for more revenge.

Now, Eli King.

I swear, his character is all kinds of perfectly mysterious, makes him such an enigma.

Eli being awol most of the time can perhaps make him WM. Infact, him telling Killian "It's nothing personal, family business" before they waterboarded him could imply a lot more.

(Plus, Eli was the one carrying Niko out when he stabbed himself to save Jeremy and thus, missed Creigh getting shot.)

However, this also shows that Eli prioritizes his family over a game of tag with mafia heirs and the Heathens trying to off Creighton for being with Annika is not something he would let slide. Maybe he is closer to them than he lets on but Eli participating in the initiation feels like a far cry. Especially because Creigh has specifically mentioned that Eli is more of a strategist type, not known to use his fists to absolutely destroy someone.

Eli having his own inside contacts feels like a given. And I do believe it's a huge give-and-take type of scenario. Eli, heir to the King Empire, I'm sure realizes the importance of having connections. Especially connections with the mafia. I'm guessing his point of contact would be Killian in that scenario.

Interestingly, someone I accidentally left out in my observations is Kayden.

For everyone who doesn't know who Kayden is, he made his first appearance in God of Ruin and is confirmed to be Gareth Carson's love interest.

In my defense, we haven't seen a lot of him at all. But is he a viable candidate? Absolutely. Would I be disappointed to see him as WM? Absolutely not.

What, however, will disappoint me is that Gareth Carson being the green mask and Kayden being the WM, DO NOT GET A BOOK. AND THAT IS TOO CRUEL. AN MLM, PROFESSOR X STUDENT WHERE THEY ARE BOTH PARTAKING IN THE INITIATION FOR WHATEVER GOD-FORSAKEN REASON AND IT BEING THE PEAK OF FORBIDDEN ROMANCE IS,

You guessed it,

Not getting a book.

This is the exact same reason why I ruled out Remi Astor as well. If WM is simply meant to be a side character, why would they be such an enigma? Why is there not a book?

Kayden also checks a lot of the WM boxes of

Being leaner than the rest, hello he's a professor. He's not going to be fighting for his life every day in the mafia (or he might, we don't know his origins)

Cherry would not be able to seduce him. Kayden plays for the same team so, yes, it makes sense.

In the epilogue of God of Wrath, we see Jeremy proposing an initiation where they chase a pre-decided target only. We know why Nikolai, Killian and Jeremy would appreciate it, Gareth was not having it, but WM was. (It feels like repetition but Gods, the hatecrime it is to not have their book).

But the prospect of the Heathens allowing a professor at their university into the mix seems a little far-fetched. Not to mention, I think it was clearly stated that Kayden had arrived at Brighton recently and there was no mention anywhere of WM being a recent member.

Now, Ava Nash.

Remember I said, "Eli realizes the importance of having connections with the mafia"? That it's a give and take? If Ava Nash is really WM,

Do we really believe Eli wouldn't know?

Do we really believe he would not be keeping tabs on her?

Now, the million-dollar question is - what do the Heathens gain from forming an alliance, as discreet as it is, with Eli King?

The most I can think of is, Brighton is basically RES' turf. The Heathens are far from their powerful parents and between the mafia and the powerful families of London, The Kings, The Nashs, The Knights and The Astors hold a lot more power and influence. At some point, I'm sure they would call in a favor when the times comes for it, to wipe out the Irish mafia's main base or whatever it is these people want to do.

Would Eli really not keep tabs on Ava after two of her closest friends start dating two leaders of the Heathens?

Between all the Heathens and Ava, I think she has the most complicated and interesting relationship with Jeremy.

"Say the word and I'll bring him to you?" Bestie hasn't exchanged a single word with that man as far as we know.

"When she's not around?" What context and scenario would lead Jeremy to meet Ava when Cecily isn't around? ("Break Ava"? Bro we know you're a mafia prince but the little princeling of the King household would uproot your family if you tried. )

Jeremy, as the leader, obviously knows who the WM is.

The scene is God of Wrath where Cecily is following Ava outside before encountering Jeremy is single-handedly carrying my theory.

-> Ava, drunk, still seemed to know her way around the forest behind the Heathens mansion despite only exploring it once with Cecily and Annika (God of Pain, Chapter 5)

-> Jeremy, when spotted at the beginning, is wearing a jacket that he's discarded by the time he finally encounters Cecily. Unless my man wants to flex his Russian roots and channel his inner Queen of Arendelle, it does not make sense for him to lose his jacket when stepping out of the house.

-> Cecily is tracking Ava using an app on her phone when she suddenly changes directions back towards the house at an alarming speed that indicates she was on the back of a motorbike.

This brings me to my theory that-

It is not surprising that Jeremy was out of the house as soon as Cecily was. Which means, he'd have gone ahead and intercepted Ava first to send her back. His jacket is missing cuz, she was wearing a short skirt and was going back on a motorbike, so she needed coverage.

Yes, shocker that Jeremy is being civil to her, but I need to remind you this is much earlier than him falling for Cecily + the entire AnniCreigh shitshow. So, if Ava is really WM, to some extent, he was probably civil with her.

Either Ava went back with a bodyguard or someone else with connections to the mafia (*cough* Heir of the King Empire *cough*) was informed and came to pick her up.

The Heathens would gladly form an alliance with Eli just for inside intel about their girls all the time and vice versa if Ava really is WM.

Interestingly, according to the timeline, this is also the part where in God of Pain, Creighton tells Eli that if he's so bored, he should go to Ava and gets "If I go to her, I'll kill her" in response.

Is this because he found her wandering by herself through the forest at midnight?

Is this because she refuses to disassociate with the Heathens?

Theories, theories, everywhere.

Now, if Ava is really WM, why would Jeremy make her cry?

Because Ava made Annika cry, It's that simple.

When I tell you it's only Landon King and Killian Carson who don't care about their siblings, I mean it. Jeremy and Annika are obviously close enough to want to die for one another and if someone comes up to your sibling and calls them a murderer after they shoot someone to protect you, yeah, I'd have a vendetta against that person too, part of my cult or not.

Jeremy obviously hated Cecily at some point for it too. At how easily they all abandoned Annika and while I understand that she was new to their group as compared to Creighton who they've known their whole lives, Ava might have taken it too far by calling Annika a murderer, something Jeremy obviously heard of.

In Ava's defense, they probably felt guilty for ever including Annika in their group and causing the chain reaction of Creighton falling for her because it led to him being in a coma.

Naturally, Jeremy doesn't care about that. Ava name-calling Anni became personal to him because 1, she's his baby sister and 2, Annika was in that predicament cuz she shot Creigh for him.

At the same time, I was really mad at Cecily for not defending her childhood best friend because whatever happened to sisters before misters? Sometimes the girls only seem like friends to me for the sake of the plot considering how little they know of each other.

In God of Malice, when Killian swaps in for Nikolai and is about to go against Creighton, who is giving Glyndon a run-down about the Heathens?

Go ahead and take a guess.

How, and I can't say this enough, does she know so much in excruciating detail about the Heathens when she's never interacted with them, and they are from a completely different university? Everyone always asks her how she knows so much, and she deflects with -You have to be living under a rock to not know- when the actual situation is that no one but Ava knows so much.

You seriously can't believe the Heathens are observant to the point of knowing every little, tiny detail about their girlfriends, quirks only a childhood friend would know?

And no, Eli King, close ally or not, would not divulge all this freely. You know who would? Someone who wants to see their girlfriends get laid and happy.

I think the most fascinating thing about Ava being the WM is that I can't, frankly, think of a single reason why she would be a part of the Heathens except that she thrives on chaos (hello daughter of Cole Nash).

But it is entirely plausible that if the Heathens send initiation invites to the Elites who never attend it, chances of Ava swiping the QR code thru someone's phone is very likely.

What does Ava bring to the Heathens?

Honestly? No idea. If it was in exchange for being close to their respective s/o, it'd make sense, but WM is already part of the initiation way before God of Malice.

Did they have a particular initiation to recruit a fifth member for their close circle? Probably. Were they looking for someone who'd be willing to betray the Elites? Maybe. If Landon and Ava have a completely different type of understanding between them, do we really believe Landon to be above using Ava to spy for the Heathens? If no, why the Heathens would still allow her among them remains a mystery. Did they not know who she was related to? Did she pass the initiation with flying colors and show potential to be a part of the inner circle?

(Eli is family man first, which is why I can't see him being a Heathen)

What I do know is that Ava feels lonely among her own circle. With all her friends now spending more time with their boyfriends, she feels alone (God bless Remi, he's going to be such a good brother-in-law after being an already awesome friend to her).

I also believe that if Ava would tell anyone she was part of the Heathens, it'd be Remi. They are a lot closer than they portray.

You know who else was shit at keeping secrets, was out-going, definitely the social butterfly of the group but had a truckload of demons in their closet? Ronan Astor.

This is why, I refuse to underestimate Ava. "Disappears like a ghost" is a very interesting choice of words.

Besides, if she's really WM, she's so unserious.

Also, possible foreshadowing?

Anyways, considering Ava is also pretty close to Brandon, we'll be seeing a lot of her in God of Fury which will finally reveal who WM is. She has no interactions so far with Nikolai or Gareth for me to deduce anything between them so 6th December, we'll find out!

For now, and perhaps always (I'll reject canon I don't care) my suspect is Ava, who's yours?

[twistedastrology]

- let's talk about pop astrology. -

----------------------------------------------------------

u can tell from the singular period in the title that this is not gonna be very positive So let's talk abt why i absolutely hate pop astrology!!!!!!!

and to be fair i will recognize what good pop astrology has done, it popularized the subject ofc and it is partially the reason i got into astrology, so while i cant be Too mad at it, i Did get into astrology thru pop astrology to essentially disprove pop astrology soo... 😵‍💫

real quick btw, and this does actually have significance in this post im not just promoting it to promote it, i have an ig now for my astrology stuff- @twistedastrology on ig go follow me there if u fuck with ig-

But if u saw my about me post on there, you'll have seen the slide where i talked abt why i actually got into astrology- to save you some time ill put it here, but please do go follow me on ig anyway if u like what i do and wanna support me 😵‍💫

like i said, when i got into astrology, i instantly noticed how many of the same keywords were regurgitated for everything.

that's what i notice most in pop astrology.

pop astrology is where everyone says cancers are crybabies, leos are narcissists, aries are hotheaded and impulsive, capricorns are cold and unemotional, geminis are two-faced, etc.

unfortunately and also fortunately at the same time, i have ungodly pattern recognition in just about everything, so of course i was gonna notice the same thing being said about the same sign and the same house and the same planet over and over again-

and to clarify before we continue (random disclaaaimeerrrrr- hey. dont do Anything that i say in this song-), this is what i personally have observed and experienced with pop astrology, im not sayin that it's All like this, but im talkin abt the very surface level, shallow kinda stuff.

that kinda stuff is what made me not resonate with my rising sign and be incredibly confused by my sun sign-

i would read "what ur like based on ur rising!!!! Cancer: U cry too much." and feel so shitty bro- id have to go look at every other sign to see which one i resonated with more and it was very rarely one of my big 3.

so naturally i was incredibly confused abt astrology but for me, that didnt deter me.

the stereotypes and stuff offered by pop astrology are incredibly harmful and play a huge part in making people not believe in astrology as a whole.

say someone's an aries sun and they read one of those posts for aries sun right- the post says something along the lines of "ur incredibly impulsive, ambitious and extroverted!!! u probably cant control ur anger" and it doesn't resonate whatsoever because guess what their rising sign is capricorn (side note: why do i always manage to default to aries/capricorn in my examples im gonna laugh 😭😭😭) and their saturn is in cap too-

but ofc they wouldnt know their rising or their saturn sign bc those aren't focused on in pop astrology- it's all sun, moon and rising-

the sun, in my opinion, is actually one of the least important placements in a natal chart- and i can do an entire post on my take on the sun dont worry i actually rly want to- but to explain why i think that real quick, the sun is the culmination of the chart, it's not its own placement.

so every other placement in your chart has influence over it, that's why i never related to taurus sun stuff because i dont have any other earth placements in my chart and mercury in gemini is my dominant planet- so i had to look at gemini sun stuff, but i didnt know that until i was like knee deep into astrology.

stereotypes are not only harmful, but also largely inaccurate.

and pop astrology also loves to convey the understanding that astrology can be segmented into little pieces, when it absolutely cannot.

"what drives u based on ur mars sign!! cancer mars: ur family :))))" Die.

BUT- say someone Does actually relate to that!!! there's 2 possibilities: they relate to it and they have mars in cancer OR they relate to it and they Don't have mars in cancer

in both of these scenarios, we are completely overlooking the rest of the chart-

you can't make astrology bite sized without also stripping it of all depth. but you can't deliver in depth astrology without it being overwhelming.

kind of a lose-lose, huh?

here's where we need to understand astrology as if it is a science.

astrology is literally an ecosystem, this is how ive always viewed it. you can't interpret one planet on it's own without taking into consideration the aspects it has to it, the degree it's in, the signs that the planets aspecting it are in.

this is scary, yes, and a great way to ward off beginners, absolutely. But if you think it's scary, then you're overlooking the beauty of learning about something that's an ecosystem.

the beauty is you can't interpret one thing on its own, because everything else will follow.

you cant sit down and learn one thing, because you'll learn a whole slew of things and feel like it's never ending- which can be overwhelming for some and satisfying for others.

imagine walking on a floor covered in wires that are tangled with each other. you kneel down and try to pick up one wire and while you can see part of it clearly, it also brings up like 500 other wires for you to untangle as well.

that's what learning astrology is like.

in my experience, i picked up mercury, and mercury brought with it gemini, saturn, what sextiles are, what conjunctions are, the sun, degree theory, aries, and it just kept going.

and the more wires you pick up, the more wires they bring with them.

this is why i hate pop astrology so much- they're picking up one wire, cutting both visible ends of it and ripping it out of tangled mess that is the floor we stand on.

now we don't know where the rest of that wire is because it was forcibly removed from the bunch.

SO! this is why i try so hard to make these posts and explain how literally Everything depends.

"what about mercury in this sign?"

"ya sure! so here's what i think it Could mean, but ultimately it depends."

"depends on..?"

"the entire rest of the chart."

"oh."

anyway i think im abt done yapping now but i hope this made sense- i think the next post i do will probably be the sun one so be on the lookout for that- and again i have an ig for astrology stuff now, link is at the top here- and i have plans to eventually probably make a tiktok as well for astrology but im still figuring that out so ill let you know what happens with that But!!!

thank u for reading i appreciate u and dont be afraid to think in depth abt vast concepts, that is where the mind is exalted 🙏🙏

[justinspoliticalcorner]

Tristan Snell:

Shortly after the release of the Jack Smith report on the January 6 case against Donald Trump, every major legacy media outlet released its “takeaways” from the report. And every single one of those outlets missed the two most glaring problems about this case. First, there is either an elision or a mischaracterization of DOJ’s internal memoranda that concluded that a sitting president may not be prosecuted. The elision is simply not to mention it at all, gliding right over it with an oh-well assumption that because Trump won the election, the case must die. The mischaracterization is to refer to the memos as “binding” without further explanation, when the memos do not have the force of law. They merely constitute internal guidance within the department. These policies can and could have been changed at any time. Not to be too flippant, but in the same way that DOJ could change its policies around casual Fridays and how parking spots are allocated, they could change their policies around whether they’re allowed to indict their boss. It was a make-believe policy in the first place — relics of the two next most recent times that a president was in legal jeopardy, Richard Nixon during Watergate and Bill Clinton during the Lewinsky scandal. Those two times, DOJ decided that they did not want to indict their boss. Rather than admit that that was their motivation, they passively-aggressively pinned it on the burden it would supposedly cause. Oh, gosh, it would be such an inconvenience for him — it’d really mess up his schedule. He’s just way too busy to get prosecuted. And now? DOJ’s cop-outs have risen into a Frankenstein’s monster of a legal argument, taking on a life of its own, climbing off the table and setting off on a murderous, arsonous rampage. At the very least, DOJ could have issued a new memorandum clarifying that its policy eschews indictment of a sitting president — but that an indicted individual may still be brought to trial even after becoming president. After all, DOJ’s spurious argument is that presidents must not be distracted from their constitutional duties by a prosecution — it’s really about attention and surprise. I have to run the free world, and now you want to indict me! But that argument does not hold up if an already-indicted person becomes the president. The criminal cloud above them was already there. By seeking the presidency, they already knew what they were getting themselves into — that they would have to deal with the case while in office. The White House should not be an asylum from which to escape criminal consequences. None of this has been discussed or questioned in any serious way by mainstream outlets — and this is an absolutely appalling lapse, another example of our sleepwalking into a lazy, cozy fascism of failing to question authority. Yet there is a second glaring problem with the DOJ case against Trump — and again it is somehow getting missed. Why didn’t anyone else get indicted? Smith’s indictment identifies and numbers six co-conspirators, who appear to be:

Donald Trump

Rudy Giuliani

John Eastman

Sidney Powell

Jeffrey Clark

Boris Epshteyn

All of these other individuals have been implicated in Trump’s conspiracy and its various crimes — with the ultimate goals of stopping or delaying the January 6, 2021 certification of the Electoral College results, with fake elector documents waiting on standby, so that the election could be thrown to the House of Representatives, where Republicans would likely prevail and vote Trump into office despite very obviously losing the election.

[...] And exactly zero of these people are immune. None of the arguments for presidential immunity apply to any of the president’s aides, no matter how senior. In fact, even in DOJ’s misguided memos on presidential immunity, they determined that even the vice president lacks any such status and can absolutely be prosecuted while in office. So why weren’t any of these people indicted? When Trump was indicted in August 2023, it seemed like a shrewd move only to indict Trump. To have a sole defendant would streamline and speed up the trial calendar — it made Jack Smith’s January 6 case the most potentially lethal of the various cases against Trump that emerged that year. That all changed with the Supreme Court’s involvement in the immunity issue: not only the decision itself but the delay that it injected into the process (which, of course, was really the primary goal of Trump’s lawyers). Yet SCOTUS issued its immunity ruling on July 1. Over six months ago. As soon as that decision came down — with its mandate that the district court engage in a fact-intensive inquiry as to whether the various acts alleged in the case were “official acts” of the presidency — the need for speed in the case went out the window. At that precise moment, there was no longer a rationale for only indicting Trump. Literally everyone I spoke to about this case that summer expected that DOJ was busily hammering out indictments of the other co-conspirators and that we would see those indictments by the end of the summer, or by September at the latest. They never came. I cannot fathom what happened here. Was there just such a devastating blow to morale that prosecutors could not figure out what to do? Was there a worry that indicting the other co-conspirators would look too politically motivated? The latter does not make sense. To indict Trump — the actual candidate for president and leader of the Republican Party — but not his underlings, for fear of appearing political? Yes, the election season was in full swing by the summer, but DOJ could have stood firm on the position that the timing of the additional indictments was driven by SCOTUS, not the election. Once again, as has been the tragic tale throughout this case and many of the others, prosecutors’ Hamletian excess of caution has been fatal.

The DOJ’s decision to not prosecute Donald Trump’s co-conspirators was a terrible decision.