#I didn't mind though

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[notbrucewayne48]

"aphobia doesn't exist"

bitch literally not that long ago an aroace youtuber animator was insulted by almost half of its community for being it

[poorly-drawn-mdzs]

Trapped in a vicious cycle of pining? Try gay sex! (More things to learn over at Tiger Tiger!)

[egophiliac]

giving the people what they want (jokes about spreadsheets)

anyway, Twst continues to prove that it is aimed at me specifically by giving us not one, but now TWO extended scenes of characters being incredibly difficult about signing an NDA. you just don't get this anywhere else.

[majingenosthesecond]

cool looking -- vs -- wet sock

pick your poishin

[0fps]

JANE DOE ❖ undercover r&b

The big bad daddy who cussed you out every day is gone and yet you still miss him. What are you, a bunch of daddy's boys?

[hedgehog-moss]

Help me settle a debate with my friends! If it seems difficult to choose that's normal, we've already dealt with the animals that are easy to sort (e.g. goats and mice are the two extremes on the spectrum of animal civility) and these are the more dicey choices that are on a similar level of perceived politeness.

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.

[moongothic]

MY BLANKET OF DARKNESS HAS BEEN COMPLETED

✨👁️✨ I AM SO COZY NOW ✨👁️✨

So I started working on this blanket around June of 2022. Got like, maybe half-way through the blanket and then the yarn I needed for the blanket went out of stock at my local yarn shop. Now I didn't know the yarn would be completely unavailable for like 6 months (until the stop closed permanently), so I just kept on waiting, hoping for it to come back in stock-- but it never did, so in January I finally looked online if I could find the yarn elsewhere and I did, I got the yarn I needed, and finished the blanket. So it kinda took me 6 months to make this blanket but also not

What made this blanket a truly exciting and fun project for me is that this has been the first blanket I actually made for myself and designed for myself. Like I've enjoyed every single blanket project I've had so far, but having a blanket that's Just For Me is just. It's nice

I originally planned the granny squares out digitally because I wanted to have a fun pattern of different granny squares, something that wouldn't be too busy looking and was carefully planned, and here's what I came up with

I had two versions of the square pattern, one with moon phases right in the middle of it and another without them. I do like how the moon version looked and part of me kinda regrets not making that one, but I'm not sure the moons would have really gone well with the eyes... So I did go with the first version

(Sidenote, it's not on the pattern above but I added extra rows of just black squares at the top and bottom of the blanket, so there's two rows of black instead of just one)

(Sidenote 2, although I knew I wanted the blanket to be mostly black from the begining, I wasn't entirely sure what accent color I wanted to use, it really was depending on what colors the shop had available. Like I used yellow as kind of a default color since it worked nice with the stars and eyes, but I could've gone with some other color too. In the end, because I didn't like the color options for the yarn at the shop I ended up going with a yellow anyways) (Also I tested out a reverse color version with the pastel purple and white base and no eyes, just for funsies, it looks kinda neat)

But yeah, that's how the planning of the blanket went.

The blanket is made of 231 squares in total, 11x21 rows. 186 of the squares are plain black, the rest are patterned. The star squares were the worst to make because of how many strands of yarn I had to weave in, 0/10, would not reccommend.

I used the Cedro 100% wool yarn (reccomended hook size 5, 50g=100m), and it took me about 38 balls of yarn to finish the blanket (including crocheting all the squares together and doing a single round of double crochet around the blanket to finish it off)

This is literally all the yarn I have left from this blanket; one untouched ball of black and three partially used balls.

I gotta admit.

I'm kind of shocked by the size of the blanket. Like I very carefully measured it to make it the exact size to fit my bed, and it fits perfectly. But I'm still kinda shocked how big it is. (Which is why I didn't make the border of the blanket any bigger, even though I could've with the yarn I have)

Also

It's HEAVY

Like, of course it's heavy, it's 100% wool and thick, but MAN I didn't expect it lmao

But that kind of makes it perfect for cold winters especially, it's super warm and the weight makes it cozy- like who needs a weighted blanket when you can have one of these lmao

Now I just need to figure out how to protect the blanket from being covered in my white cat's hair...

[jokzs]

I yearn for engiespy cuddling in some corner in the middle of a match like the others aren't being blown up by each other just a few feet away... do you see my vision...

I hope I do see it!

[skrrtscree]

burn my dread 💀💙

[redraw of sorts of official art, the og under the cut]

[fuumiku]

Soft & cute, quick-footed, scaredy & anxious, with explosive kicks and tempers... Clumsy bunny and clever hare! Fight, flight or freeze go!

[poorly-drawn-mdzs]

Ooh, you want to know what happens at the gay bar run by ex-pirates, ooh...You'll just have to read Tiger Tiger to find out...

(Inspired by this Disco Elysium comic)

[conjuring-ghouls]

Papa's speech in São Paulo, Brasil, 20/09/2023 video by douglaskurt on ig

[show-tunes]

Let your branches fork my veins, let your honey tide in me, blood loving, poison whispering

Inscryptober Week 1: Corruption

[witsserviceablesubstitute]

Dragon Age's female characters are some of my favourite fictional women in video games. They're vivid and unapologetically themselves. Morrigan and Leliana are beautiful but also too imperfect to fit any traditional definition of a pretty accessory. If anything the Warden is their pretty accessory. Morrigan is dry and mean and will walk over the player to get to where she's going, and you'll need to buy into Leliana's power fantasies to keep her, she won't stay for yours alone.

They have agency and personality. Even Merrill, who can be a bit infantalized sometimes, is no wallflower. She's willful and determined— sometimes blindly so. And I love that. It means she fits in with the rest of the Kirkwall Crew, all of which have their own blinkers. The DA2 group is dictated by their pain to varying degrees, and Merrill, whose different ideas were automatically disdained and caused her ostracism, has built a lonely study where any input but her own is quietly dismissed.

Isabela is the best example of this to me because so much about her feels subversive. She's a walking sexual fantasy but all that power is hers, not the players. She owns her sexuality and while she may sleep with you, any other relationship will have to be earned an inch at a time. Even if you romance her she's not a particularly romantic person. If you want a personality with a similar history and disposition to eventually swoon at your feet and never leave your side you should romance Zevran. He'll give you a bard's tale of epic romantic commitment. Isabela is your lover and lifelong friend and that should be enough. She's a pirate queen, free and undomesticated, whether romanced or not.

It's something this series does well, character building, and it doesn't often let misogyny rule in the creation of its female characters. They're people, as perfectly imperfect as any of their male characters.