#I did the original concepts and then had artist block because I didnt like it + couldnt draw cookie forms that well
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Awhile ago @vanillaverses asked for some summer themed Pure Vanilla costume so... I tried to make a more beach themed one!
Sprite doodle + og humanized concepts under cut!
i started with the humanized doodles as I had a general idea before settling on an idea! Also his staff's base back is a sea shell! I really tried to concept a kinda beach vibe so!!
#✁ | freshly decorated | ✃#cookie run#cookie run kingdom#pure vanilla cookie#This was my first time trying to make smth more cookie + inspired by the costume illusts so I hope this cool 😭#THIS TOOK ME LIKE MORE THAN A MONTH MY GOODNESS#I did the original concepts and then had artist block because I didnt like it + couldnt draw cookie forms that well#so I practiced cookie forms + changed things around in my concepts to see if I liked other things more#added him his staff because... how will he see without it (proceeds to draw him without his staff in the illust)#ITS SO FUNNY TO ME CUZ LIKE#I have only really designed more like villains#edgy... darkness... idk whatever the Cookies of Darkness have going on#working on my like villain vanilla au and making designs for the other characters and its all like ohohoh villains#and with this i was like time to make smth lighthearted!#this was HARD because it had to be simple cuz cookie and also free of all things bad 🥹🙏#wholesome vibes ONLY#originally he had like a more ice cream vibe but then CN cookie run released the new pv costume and i was like time to redesign!! 😭😭#sorry for the ramble in the tags I have A LOT TO SAY APPARENTLY
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Interview with The Path Podcast (Full written responses)
(Note: The interview itself will be different, since mod myne represented both mods on the podcast. However, this includes our full feelings on the questions that were provided to us.)
Who are you and how did you end up walking the path of a "warrior u" writer/comic creator?
Myne: I go by worldismyne for fandom related pursuits.
I'd like to clarify that Aisha Thani is the creator of Warrior U. Just like multiple people have written for Stan Lee's creations, I'm just a writer who's received permission from the creator to distribute and monetize works within her universe.
I've been in the WU fandom since 2014; at that time Aisha made the comic, ran an in character ask blog, a concept art blog and the main blog. I can only imagine how much work that was. A hard drive crash killed about 6 or so pages of Ambrosia, the last story arch she was working on; three weeks worth of updates up and gone. I watched writer’s block take hold and kill my favorite series in real time. Having to go back and redo work she’d already done had given her time to look at it and go ‘I can’t post this, this is awful’, but by then all of us were waiting for the next update for over a month, she couldn’t go back and rewrite the entire arch. It didn’t help that this was the origin story for a fan favorite character, so there was all this pressure to make it perfect. Instead, after about six artists made fan comics to feed the hungry fandom… she announced the end. The website, the blogs, one by one they all ran into issues and got shut down. Hundreds of pieces of art and story concepts just… lost. Once the comics were rereleased on gumroad, that was it, the fandom slowly died. Before this project, the last time the creator posted new content was in 2017. Then in the middle of the pandemic, out of nowhere I get 70+ notifications from Coffee reblogging the pieces of art I had saved from the old blog, including drafts from the unfinished issues.
Coffee: well, i go by coffee online, im 20 years old and when im not working on my various personal projects i work part-time. i was introduced to warrior u WAYY back in the day (i think i was like 9-ish?) by my brother who found out about it through some unknown and mysterious ways. back then i had very limited internet access (meaning i could only visit sites that could be loaded by the internet app on my nintendo dsi), so i pieced together a bit of a plot from what i could find on google images. i wasnt able to fully read the comic until i was 13 (i had to BEG my mom to pay for the pdfs lol), but it had kinda always existed in the back of my mind ever since i was introduced to it. i decided a little over a year ago to start out the tumblr blog because i had recently read through the comic again and was really sad about just how hard it is (or i guess WAS now) to find a lot of things related to the comic. as the name of the blog suggests, its original purpose was to preserve/archive warrior u stuff so it could be more accessable to your average internet user who might not wanna go digging through internet archives. it was originally for official content EXCLUSIVELY, but myne talked me into also including fan-made content (and im glad he did, its WAY harder to find some fan content than i remember it being just a few years ago). its kinda hard to tell how good of a job it does at BEING that archive, but i like to think it could be useful to someone out there.
i had toyed with the idea of finishing the last official story arc- ambrosia- near the beginning of the blogs lifespan, but i knew that it was too big of a project for me to do myself. i didnt wanna dissapoint people by leaving the ALREADY unfinished arc STILL unfinished. i had written in the "about" section of the blog that the dream was a full fandom revival, but i didnt actually expect that to happen. when myne joined the blog we eventually started playing with the idea of finishing ambro. i forget how exactly we officially decided we would do it, but we did! at some point near the beginning of ambro, we had also decided we were gonna write our own fan-arcs and post those too, and the rest is history!
What was it about warrior u that made you say "this is it. i need to make more content of this."
Coffee: honestly? i think it was just how much i enjoy introducing people to the comic. i already make tons of fan content on my own time, so that wasnt really the crazy part. i had shown a couple of my mutuals the comic after i re-read it, and the feeling of seeing other people actually talk about and even make ART of warrior u was absolutely surreal. i guess thats what happens when you just silently admire a dead fandom for years LMAO! another big part of it was HOW the comic ended. after taking a hiatus, the creator ended the comic mid-arc because creating it just wasnt enjoyable anymore, and thats obviously completely fair. however, the arc it ENDED on was elaborating on the backstory of one of (if not THE) most popular characters at the time (and my personal favorite), so i had always wished that the issue could have been finished. its kinda hard to put into words, but finishing ambrosia was like a love letter to the comic and its creator to me. as flawed as the plot of that arc may be (and as unsatisfied with it as the creator was, at least back then) i still felt like it deserved to be finished. it was like fixing an old toy from your childhood, i felt like we were taking care of the comic in a way, giving it the love it deserves. maybe thats just my tendency to personify objects and get overly attached to them coming through, but hey thats how it is sometimes LMAO
Myne: When the comic was still on hiatus after the harddrive crash, some people had asked Aisha if she wanted to hand the series over to other artists to help her. She said she wouldn’t even know where to begin that process or if she’d wanted to do it. I would have offered then, but my skills as an artist and a writer weren’t nearly as strong. I held onto the drafts thinking, one day I’d do it.
Myne: After Coffee and I started talking I realized, I can do it now. I know what kind of style of pens were used, and I whipped up a page, just the line art and sent to Coffee as a thank you. I thought, it isn’t much, and it’ll take me forever to color everything, but if there’s one person willing to read it, I’ll try. When I explained how difficult it’d be for me to color, he offered to do it for me. Suddenly a page that would take a month for just me to do on my own took 3 days.
Myne: Something, that seemed like a monumental task became a realistic goal. We were able to find, restore, and edit 45 pages within a few months. I’m still amazed we were able to do weekly updates without missing a day. Coffee asked if I’d ever be willing to write fan issues while we were working, not realizing I was the author of the longest fics in the series. Of course I said yes. Seeing Warrior U get finished, even through fan creation, was something I’d wanted to see for years.
You're from Az right, how is the webcomic weeb culture over there as opposed to california?
Myne: Idk about much about Cali, I've noticed the cons are more... professional? Where as Arizona cons have more of a fanclub vibe. Most panels are hosted by your fellow nerds rather than sony or production companies. I will say, that it's become more common and widespread in the last ten years, with multiple anime specific events year round. Back when I was a kid, I'd get made fun of for drawing 'japanese' people all the time.... it was pokemon fanart... Where as nowadays, I feel the average kid recognizes most big name titles thanks to hulu and such.
What are your favorite anime/manga/webcomics and do any inspire your work?
Coffee: not really an anime, manga, or webcomic, but ive always been super inspired by the "scott pilgrim" series. when i was in middle school i was SUPER into it, reading all the behind the scenes stuff i could find. it even made me look into "comic illustrator" as a career option, but i also did the same thing with "game designer" and "animator" so yknow. as for webcomics, the only one i ever really got into was homestuck. side note- the overlap of oldschool homestuck fans and warrior u fans is FASCINATING to me. my current theory is that all these tumblr kids were looking for other webcomics to read while homestuck was on one of its MANY hiatuses(?) and so a bunch of them flocked to warrior u! theres tons of homestuck crossover content and references in fan art on our blog (some of the art styles also look homestuck-ajacent) so its at least clear that a lot of fans back then were also really into homestuck. ANYWAYS other than that i havent really read many other webcomics tbh? weird considering i MAKE one now but what can i say, im more of a Gamer than anything lol. as for anime, my favorite is easily keroro gunso (or sgt. frog if youre using the dub name)! its another thing i discovered when i was young (this time i was like 8) and have just never gotten over. theres a lot of Questionable stuff in it (prime example is an adult alien being madly in love with a 14 year old girl) but if i dont look at canon its not real so i love it anyways <3.i honestly dont know how many people really know about it since the western fanbase is so small, but its like HUGE in japan (or at least it was at one point, the titular keroro has a cameo in lucky star as a keychian) and the manga is still running to this day iirc. it was created by mine yoshizaki and the basic premise is that a platoon of frog-like aliens come to earth to take it over but they really suck at it. they begin living with humans and from there its kind of a mix between a slice-of-life and monster-of-the-week anime. i cant really say anything in depth about the manga because ive only read the first 5 issues of it, which are basically the same as the anime (fake fan smh), but ive heard that it gets more mature and serious than the anime does (which i guess is bound to happen when it goes on for so long). also the manga has some ecchi moments and blood used for slapstick purposes so if anyone wants to check it out just keep that in mind lol.
Myne: Obviously Warrior U. I'm a bit of a visual novel fiend, so Danganronpa is a series I've found a lot of inspiration from over the years. More recently Though for the comic, I draw mostly from late 80s / early 90s high fantasy. Things like Labyrinth and Robinhood: Men in Tights. Honestly anytime I get stuck trying to come up with a gag, I look to Mel Brooks.
So in continuing someone else's work, do you feel a sense of pressure to be just as good as the original?
Coffee: i definitely felt that way when it came to ambrosia, but i feel a lot less pressure when it comes to our upcoming issues. i wrote and made thumbnails for a few small scenes in ambro and i was SO SCARED of those scenes being noticably worse than the rest of the issue. i know the original creator has seen our version of ambro and those scenes by extention, but i dont know her exact thoughts on them. im satisfied with them but theres probably always gonna be that kinda star-struck stage feeling at the thought of the creator reading the scenes i wrote. its like getting stage fright. for our upcoming issues i dont feel as much pressure because theyre fully fan-written. our comics arent official in any sense of the word and theyre basically just fanfiction with extra steps, so its not nearly as stressful as trying to tie together an "official" story. there definitely WOULD be that pressure if we were ever given the rights to warrior u or something (which i dont want to happen) because then it WOULD be official yknow? also if the creator decides to keep up with what we post ill feel a bit more pressure, but i get the feeling that she wants to distance herself from warrior u a bit so im not sure how likely that would be.
Myne: I do. Partially because, the fan content we’re making is completely free while the original series is purchasable on gumroad. So there’s a chance that some people may start with what we’re working on, then go backwards to the original. I'm hyper aware of the tonal shift that's about to happen, no matter how much I try, I can't perfectly emulate someone else's writing style. The best I can do is capture the spirit of it. I just keep repeating "it doesn't have to be perfect, it just has to be". It's a little harder taking that advice now that it's my scripts we're turning into issues. There is some freedom in knowing the series was never meant to be perfect though.
What drove you to writing the longest fanfiction for the series and how did it feel to be recognized and promoted by the original creator?
Myne: When I was younger, I would write fanfic instead of paying attention in class, and I really wanted a full story about the leads getting together. Knowing that the creator was reading every fanfic at the time added more fuel to the fire. I had a guaranteed audience, the audience. I was so grateful that she recommended it to other fans. That fic was 25k, I've written about 100 K in the last year to help maintain interest in addition to new pages to the comic. To that I blame hyperfixation and hiatus brain. You have to be the biggest fan of the thing you're making.
So i see the that most of your work including the webcomic Warrior U is on tumblr why did u choose to promote om tumblr as opposed to other webcomic outlets like webtoons, mangadex etc?
Coffee: the answer to this one is actually pretty simple; i already had a warrior u blog and tumblr is the social media/blogging site that im most familiar with! we have recently started using comicfury and tapas, but that was entirely mynes idea. im personally pretty content with just hanging out in my little corner of the internet so any attempts to expand or get the word out is mostly (if not entirely) mynes doing LOL!
Myne: It's interesting you bring up those two actually. Webtoons recently come under fire for being pretty crummy to it's indie comics, particularly if you write in any genre other than romance. Mangadex is a pirating website, so most of the comics there are fan translations rather than uploads from the creators : they had a pretty bad data breach a few years back too. At first we only had permission from the creator to upload on tumblr. Once we got permission to move forward with the fanmade run, we branched out to tapas and comicfury. They seemed like the best options for the genre and style we write in. Even still, we see about double the growth in readership on tumblr as opposed to the other outlets, and I think that's mostly because the blog updates daily, even though we only publish one page a week.
Do you have any plans on creating your own webcomic/manga?
Coffee: yes and no. i sometimes draw small fan comics and id like to make more polished and "finished" ones in the future, but nothing with any kind of overarching plot, at least not in the near future. i have a very hard time making original content for whatever reason. i DO have one (1) personal project that is completely original, but i plan on making a game with that. then again i have NO idea what im doing with that project anymore so who knows, maybe one day i WILL decide to turn it into a comic! only time will tell…
Myne: I have a visual novel I'm working on. It's about teen super villains that have to go to reform school. Think teen titans meets gifted kid burnout. The game's been in development hell since our first alpha build and writing about apocalyptic civil unrest wasn't as fun as it was pre 2020. We're about 200k into the draft for the full game and we're having to switch engines, which means cutting a bunch of features, but we're slowly getting there. If that fails, I'll try adapting the story into a comic.
To those people who will see this and decide to strut down the path of comic creation what is some advice you can give them?
Coffee: i think the most HELPFUL advice i could give would be this: you dont have to do everything by yourself. i personally have taken tons of inspiration from indie artists/game designers/etc. some prime examples of this are daisuke amaya aka pixel (who created cave story) and toby fox (who created undertale and deltarune), who both made incredible pieces of art that were defining to me as a person when i discovered them either entirely alone or almost entirely alone. you hear stories all the time of these great pieces of art being made by one or two people, and ive always wanted to be like that. as a result ive alwasy had a hard time reaching out for help when it comes to my art, feeling like if i cant do it all alone that itll never be as good as it could be. as a result though, all this mindset does is keep things from actually getting done and needlessly stress you out. NONE of the warrior u comics would exist if i had never gotten help from myne, and the blog would have probably gone inactive a LONG time ago too. i think thats the biggest lesson ive learned from this whole thing personally. theres absolutely no shame in working with a team of people if thats what needs to happen to see a project be realized.
Myne: One, try not to put more than 8 panels on a page, that's helped me a bunch with page layout. And two, find someone you can show your work to. That can be a friend, a mutual online, a family member; as long as you have that one person asking "what happens next" you can keep writing. The stories/comics I have that are the longest are because of that.
What inspires your art and what would u say you consider your style to be?
Myne: Invader Zim, Danganronpa, and Pacthesis have heavily influenced my art style. (pacthesis made a series of free dating sims on deviant art). I've always considered my art style to be pretty shoujo manga, but lately some of my pieces have been labeled too western for weeb spaces.
What advise can you give the next person who wants to draw art and share it with the world?
Coffee: i give the same advice to everyone i meet that says theyre thinking of making art in any form, and i mean it from the bottom of my heart: DO IT! im so in love with art of all kinds and the process of creating it, and i think that getting into any creative hobby is nothing but a good thing and i deeply believe that everyone should do it. whether you wanna draw, write, make music, develop games, sculpt, knit, etc, do it! quality doesnt matter at all, you can make the most technically awful thing in the world but as long as you enjoyed the process of creating it then it still has value. dont be nervous about your art being good enough. if you dont want to share it then you arent obligated to! i dont share like 90% of the stuff that i make but i still create art almost every single day! recently my qpp (queerplatonic partner) has gotten into drawing and im SO happy for them. they primarily use mspaint and a mouse to draw and their art is SO adorable and i love it so much, and im not just saying that because i love them. it doesnt matter what skill level you start at or what tools you have, you can always start making art. and dont compare the art that you make to others art, which i know from experience is a VERY easy trap to fall into. i dont have as much to say about that point because im not as passionate about it but uhhh yeah :3
Myne: Social media algorithms are not going to make you happy; no matter how well you play the game and low engagement does not mean you're a bad artist. If you keep posting and talking to other artists, you'll find your audience.
So at wonder con where we met ylu were cosplaying power from chainsaw man with a group of girls who were cosplaying other chainsaw characters. Do you girls normally group up and cosplay and if so how did you get into it?
Myne: I was born into cosplay. My parents were gamers and cosplayers, and I started picking my own characters to cosplay when I was 14. I started getting more into it in college when I could find other people to cosplay with, it wasn't until this year I started aiming for photoshoots. I tend to be in at least one large group cosplay a con, and bring a different costume every day.
What was your favorite cosplay you've done?
Myne: It's a toss up between Persona 5 Joker and Alluring Secret Rin. Those were the ones I put the most work in that still hold up. Though I'm currently working on Eris from the Grim Adventures of Billy and Mandy, and that may overtake them.
Have you ever thought to cosplay someone from Warrior U?
Myne: I do actually! I've cosplayed as the main character Finn a few times. I really like taking simplified designs from comics/cartoons and turning them into heavily detailed looks. '
Where do you see warrior u being in 5 years from now?
Coffee: man, honestly if were STILL working on this project 5 years from now that would be CRAZY. this is already the longest ive worked on a single project before, along with being the most ive ever gotten DONE for a project, so thinking about what it could be like in 5 years is like. WOW. by that point we would have archived most (if not ALL) of the older stuff we could find, so our blog would probably just be new pages and fan interaction if were still going! the dream is still for a full fandom revival, and weve already got a small active fanbase (of like 5 people but still) so who knows, maybe that dream will be a reality?
Myne: We have at least 3 years worth of story drafted and lined up, and even more outlined. So ideally still updating. By then, we'll have some physical releases of the finished arcs that we've written available for purchase online and at select events. The creator has said she has no interest in making physical releases of the original run. I'd love for that to change, but I respect her decision and I won't press the matter. I'm just grateful we have permission to sell anything we make using her characters.
If you could go back in time 5 years, what advice would you give yourself?
Coffee: 15 and 16 were ROUGH ages for me tbh. i wont get into it because its super personal, but i was struggling with a lot and just generally not having a very good time. i think the best advice i could give to myself would just be that like. things will eventually get better. no matter how dark or hopeless things may be, theres always a silver lining and a light at the end of the tunnel. now if 15 year old me would have taken that to heart is a whole DIFFERENT question, but thats what i would say. 16 was like right before i (finally) started getting treatment for my mental health, so i think considering everything thats what i would say.
Myne: So many bad things happened during those five years, but… I wish I knew what burnout felt like, so I could recognize it. I have this tendency to put my self worth into “how much have you done today”, so once I started working full time and my father passed, I couldn’t recognize that I was physically and emotionally exhausted some days and needed rest, so I’d just punish myself mentally for not being more motivated. You shouldn’t need permission to rest, and I felt like I had to. It’s healthy to ‘nothing’ sometimes, especially if you’re dealing with things you have no control over.
Coffee: thank you for interviewing myne and i for your podcast :D!! its absolutely wild to think that ive done anything interview-worthy and yet here we are! for anyone thats interested in the comic because of this, i also emplore you to go check out the creators current comic "si3lah" (pronounced like si-ayn-lah i think? the 3 is a stand-in for an arabic letter) on gumroad! it deserves way more attention than it currently has and you should 100% go support the original creator if you like the stuff we do (wink wink).
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Week 3
Print Process
Left: Example of how a Stencil can be used
Right: Henry Chalfant ‘BLADE’ spraypaints at Orchard Beach, 1986.
I decided to take a look at the process behind graffitiing and the different elements/steps that go into it. Firstly ‘Stencil’ are usually made beforehand, they can be made out of paper or cardboard and are brought to where the designer wants to graffiti and is attached to the wall via tape. not every Designer does this, as some like to work freehand but it is one of the first steps in the process. Then obviously spray paint cans would be used in layering motions to create lines and fill in shapes to create incredible typography on the wall or illustrate different items.
GRaffiti styles that are a part of the process (definitions from https://www.rileystreet.com/blogs/art/how-to-graffiti)
Tags: This is the original form of graffiti that consists of simple lettering unique to the individual urban artists.
Throw-ups: Throw-ups are slightly more complicated than tags. The letters take on a more artistic form with more color and often contain bubble letters.
Blockbuster: These are similar to throw-ups but are much larger. Instead of the bubble style, use a block style for lettering, hence the name.
Wildstyle: If you’ve ever had difficulty reading graffiti letters, it may be because of its wildstyle. These elaborate works of art take much more time and creativity than the original throw-up.
Stencil: This type of graffiti involves making a stencil out of a durable piece of material and then spray painting inside the cutouts. This is a faster way to create graffiti but impressive nonetheless.
Piece (masterpiece): As you can probably guess, a piece is a complete work of art with more than simple lettering. This type of graffiti includes images of varying subjects and even backgrounds done freehand.
3D: This form of graffiti can also be considered an optical illusion. The artist creates an image that seems to take on a three-dimensional visual, almost jumping off the pavement.
-https://www.artsy.net/article/artsy-editorial-artist-chronicled-bronx-graffiti-boom-1980s
-https://www.instructables.com/Creating-Complex-Spraypaint-Stencils-by-Hand/
-https://www.theartstory.org/movement/street-art/history-and-concepts/
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Notes from ‘Graphic Means’ by Briar Levit
Gutenberg started making bible mechanically but wanted them to look handmade so he could sell them expensive - he managed to print 200 bibles that were all alike. movable type let him change the size of type, etc
1886 - Linotype, - machine lets set lines of type. types in a line automatically spaced - mass education became possible bc they could mass produce books.
Half tones or dots were used to create images - they were expensive and required a lot of time, so pictures were rarely used.
from metal to light
phototype, 50s
Photographic typesetter, the wonderful world of insects
typeface is connected with technology - to make a font you need to know the production side
camera and negatives. - cut into a peace of rubylith, fonts had to be in negative form
Coldtype, women entered workforce but were payed half of men
- you used to type blind, there was no screen no paper
was all coding, you had to get it right
paragraphs were cut out n stuck on
you had to specify how much grey, how many dots when making images - photostat machine
they did overlays to instruct printer how to print
lectroset - students could use, it was more accessible so more people could make stuff, experiments began
printers would always try to ‘perfect’ it, so it was harder for designers to experiment without the printer try and fix it
computers, ibm pcs, macintosh
the digital era
everyone can use, computer people were the first to get into making digital design
it was liberating, it was more accessible, easier to experiment, it was smart tool
it was a west coast tool - east coast didnt like the Macintosh and thought the older technique was better, every time something new comes out everyone likes the old better but starts using it
tactile art to a magic trick
pixel type
was used for type setting early
hybrid era, analog production, toying with digital
software, adobe! gap between laser type and professional type setting had been closed so revolution was happening
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L.A.D.S.
Whats up tumblr its your boy! i say that like i have tons of followers, i do not, this is to the 150 of you who have been following. i use to post directly from IG but my link isnt working. so from now own im gonna be posting articles on the work i do, with the exception of the stuff i cant contractually talk about.. ill be going over the project, from shoot to edit and post some BTS when available, as well as the camera, and lenses i used. hope you guys enjoy and without further ado i bring you the first post.......
Project: Music Video
Song: L.AD.S.
Artist: The Honey Farm
Location Edinburgh, United Kingdoms
Director/Cinematographer: Douglas Ferguson
Editor: Douglas Ferguson
CONCEPT:
So a bit of back story i met THE HONEY FARM while i was in Scotland working on my documentary entitled “beats and bagpipes.” I met them through a mutual friend of theirs who i connected with on Tinder of all places. It really was fortuitous, as i was shooting this doc i kept running into alot of male artist, and couldn't find not a single female rapper and then boom i found three. Went to interview them and knew they had something, they reminded me of a female version of the beasty boys.
and its not intentional on their part its just their swag.. seriously
that was not on purpose, it wasnt till after i edited the music video that i saw the similarities between that shot and the one from the beasty boys video.
So fast forward a few months later i was coming back to Scotland, to give a lecture on being a working filmmaker and to hang out with my friends. the girls contacted me about shooting the video for this song and the concept they had and i thought it was brilliant. The song deals with Toxic masculinity LAD/BRO culture in a satirical and sometimes sadly truthful manner, as a man its hard for us to see the dumb and often hurtful things we do and say to women, and so to that effect the ladies thought it would be a good idea to do some gender reversal where they dressed as the titular LADS and they had some guys dress as ladies, the results were hilarious take a look at the full video:
youtube
While i would love to take credit and say it was the way the video was shot and edited that makes it worth watching, it was really all them, i gave very little direction and just worried more about blocking and camera position, my job was easy. the only footage that wasnt originated by me was the club footage which was shot after i came back to the states.
CAMERA/Lens:
I shot with what has become my favorite combo.
Camera Black Magic Cinema Camera 2.5k with metabones speedbooster
Lens: Sigma Art 18-35mm 1.8
Format 2.5k RAW
this is hands down my favorite and go to combo for most projects, i rarely shoot with any focal length over 35mm, with my sweet spot being between 21-28mm on cropped sensors on a full frame id be between 35-85. with my sweet spot being 35-50mm. but for the bmcc you cant get any better. Sigma has stepped its game up with its Art lens series giving you clean crisp slightly cool images from end to end. i shot in RAW because when it comes to this camera you wanna use all 13 stops of dynamic range, one of my biggest concerns while shooting were the weather conditions in Scotland which can go from sunshine to cloudy with the drop of a hat having that full dynamic range available meant that i didnt have to worry about my highlights, the trick to shooting with the black magic is really getting as much light to the sensor as possible or exposing to the right side of your histogram or ETTR:
This process allows you the best image quality and the most color range, its not something i always follow, but its good rule of dumb when shooting with this camera.
EDITING/Colorgrading
the editing of this music video unlike others i shot was fairly simple mainly because i didnt really need to any kind of special effects like you would for most hip hop music videos, i just let the images and costumes dictate my cuts, for this video thought i wanted fast cuts and for the performers to be often mid sentence.
by adding edits mid sentence it makes the audience feel like they are going on a journey and apart of the narratives being told, my first edit actually had a cut every 4 seconds but i thought it was excessive and instead went for a 4-8 second ratio.. the song is unusually long for todays hip hop standards, with most songs falling in the 2-3 minute range lads clocks in at just over 4 minutes, so my plan was really to treat the video like an action scene in a movie, it really did help with the overall flow it. The coloring process was easier. i used one of my own LUTS(Look,Up,Tables) based on KODAK KODACHROME 64
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and i combined it with Red Giant Universes Retrograde
but before i that i had to color correct the footage and i wanted to do it based off the final look...so in Davinci Resolve i went:
using resolves LUT feature in a node i was able to adjust the RAW footage bringing down the highlights and the shadows boosting the midtones, to create the best footage to match the final look, this was the tedious part of the whole process as it required me to toggle on and off the LUT to make sure the footage would look great and the skintones were fine.
CONCLUSION:
This was probably the funnest video i ever had a chance to shoot and look forward to shooting another with the honeys, hopefully stateside. hopefully you found this post informative ill try and keep them breath but no promises. hopefully someone reads these things. goodbye and good luck shooting.
#musicvideo#BREAKDOWN#filmmaker#cinematography#diy cinema#davinci resolve#kodachrome#adobe premier pro#red giant universe 2.2.2 serial key#blogpost#the honey farm#scotland#edinburgh#scottish hip hop#black magic cinema camera#sigma art#beasty boys#toxic masculinity#feminism#bro culture#drag#cross dressing#filmmaking#vintage#uk rappers#united kingdoms
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