#I debated editing and adding more to my old rambles but I think this post is already long enough. I added some new rambles

[stepswordsen]

【KagePro】 KuroEne/SaeEne 🖤💛💙

【KagePro】 KuroEne/SaeEne 🖤💛💙

【カゲプロ】 黒コノエネ/クロエネ/冴えエネ

My shadow wants to swallow up this dream of yours.

Intro Rambles

Happy 9/6! Happy HaruTaka/KonoEne/KuroEne Day!!! 🖤 💛 💙 🥳 🎉

I've loved 9/6 and all related ships for over 10 years now 🥰💞

KuroEne was baby Sen's 1st ship that I was OBSESSED with as a 12 year old, and after 10 years, the KuroEne obsession is here to stay.

Snake x Bunny 🐍🐇

Ene's twintails look like bunny ears 💙

I came back to KagePro in April and got obsessed with Kuroha and KuroEne again, exactly as I predicted. Turns out I'm not immune when my meow meow mf gets handsy with my wife.

B*tches when Snake of Clearing Eyes. I'm b*tches! /lh

I first got into KagePro when I was 12 when I watched the Outer Science MV. Sidu's MV aesthetics and Kuroha's design drew me in immediately. Great design and song~

I'm obsessed with Meow meow mf charas. Black and white colour scheme and design aesthetics. Causes problems on purpose. Sen-core bastard cat. Smug chaotic edgy evil asshole character. Violent, unhinged, bloodthirsty and murderous. Arrogant with a huge ego that distances them from humanity (or social interactions).

All of my top fave masc charas are like this. There's literally no one with more obvious and predictable tastes than me LMAO 😭

Kuroha/Saeru, the embodiment of "Knowledge/Wisdom" as a dark evil cunning and malicious entity in KagePro, and the main source of conflict and tension in the plot, is so interesting to me.

The truly evil monster who wears the face of a past love.

With Ene, I'm very enamoured with her chara and design. The way the way she acts so cheery and self-centered in the hopes of Shintaro to open up more, how she wants to be someone else's friend to subside their loneliness, the same kind of loneliness she'd always felt back then… It also feels like over-compensation for her past regrets, wahh, Ene… ;_;

Rough sketch WIPs. I love their expressions here sm~ I started playing around with Gradient Maps cuz I love picking colours. My works tend to lean more saturated with high contrast, so I ended up going with a more saturated palette.

This shows my process for picking colours. The final one I ended up picking is the 1st one. It has a blue hue shift on Ene, red hue shift on Kuroha, and generally more saturated colours and higher contrast. The last one shows the colours I started with.

The more red + purple toned Kuroha has really nice visual contrast against Ene's cool colours (blues) in her design tbh~

I started off with a more muted palette (different from what I'm used to), but ended up going with more saturated colours cuz I think it fit the mood of the piece more. Though I think it'd still be fun to do both a Muted Colours and Saturated Colours version!

These doodles aren't refined, and just me roughly filling in the base colours on my sketches to get an idea of colours. Since Idk when I'll get to refine these drawings and clean up the sketch and lines

Shadow gate to love by Guilty Kiss is sooo Sen ship-core. It basically works for every Light/Darkness, Angel/Devil, and Narrative Opposites ship of mine. Oh baby shadow gay~ 🌈

KuroEne has such a unique context as a ship cuz it uses HaruTaka and KonoEne (my no. 2 KagePro ships), as a basis. Ene has a "special" relationship with the person that Saeru uses as his vessel.

KuroEne is like the equivalent of the evil sleep paralysis demon (in this case, evil sadistic parasitic snake) possessing your past love (Haruka), or the person that you're conflicted about, but still have a certain kind of tenderness for (Konoha)

Sadistic parasitic evil snake bf and computer virus gf~

Ene already gets flustered around Konoha who is airheaded. So with Saeru, the teasing would just be merciless, cuz Ene is easy to rile up. ENE BELOVED…

KuroEne is SUCH an interesting ship to think about and analyze due to their characters' context and the potential of the complicated, complex, and messy relationship that they would have.

They give me immense brainrot.

I'll talk about the setting of my KuroEne AU. I'll put the rest of my rambles and art WIPs under the cut! I copy pasted these rambles from my side blog and previous post, since it's pretty long.

It feels fitting to include it again, cuz it's basically the big summary of my KuroEne AU.

Art Rambles

Version 8: Lineart (Multiply + Colour Burn) + Increased saturation on Ene's Eyes (50% Opacity)

Version 7: Lineart (Multiply + Colour Burn) + Increased saturation on Ene's Eyes (20% Opacity)

Version 6: Lineart (Multiply) + Increased saturation on Ene's Eyes (50% Opacity)

Version 5: Lineart (Multiply) + Increased saturation on Ene's Eyes (20% Opacity)

Version 4: Lineart (Multiply + Colour Burn) + Increased saturation on Ene's Eyes (20% Opacity)

Version 3: Lineart (Multiply) + Increased saturation on Ene's Eyes (20% Opacity)

Version 2: Coloured Lineart

(Sketch is coloured a dark blue)

Version 1: Lineart (Multiply + Colour Burn)

(Sketch is coloured black)

KuroEne Kiss 😚 🖤 💙

Progress WIP shots of the Lineart set on Multiply vs. Multiply + Colour Burn (Combined)

These are still super sketchy lines for me since it's the 1st sketch pass (that looked good right away ^^)

I drew Kuroha with black nails (since I have a tendency to add painted nails and/or eyeliner on my fave) but Kuroha having black nails just felt so natural I forgot it was even a HC

I'm planning to do more sketch passes to clean up the sketch later on

Also I'm gonna say. Their headphones are lowkey annoying to draw 😭

Kuroha's are at least easier to draw due to the shape, but Ene's has this rectangular part on it that I honestly dislike drawing. I'll fix the sketch up eventually.

Also I adjusted the white colour on Ene's sweater compared to last time, so it's a bright tinted blue~ish white instead of pure white

Usually I don't repost stuff unless I redraw stuff (or make new edits and significant changes), but I figured I could talk about my art process this time.

I initially had Ene's eyes as ice blue for visual contrast against her hair.

With the lines being set on Multiply, the lines are slightly translucent

With the lines being set on Multiply + Colour Burn (combined), the lines gain a subtle glow on the edges.

In response to the lines being lighter, I upped the saturation of Ene's eyes.

I think having it at 20% Opacity looks best cuz it still harmonizes with the colours well

And I think I lightened the value of Kuroha's inner clothes a bit compared to last time. I'll play around with the values later.

I have a tendency to shift hues in my arts for the colours used for lighting and shadows, to keep things looking visually interesting.

That's why I roughly splotched red on Kuroha's hair, and pinks on Ene's hair and sweater to get an idea of colours

I've been playing around with a Auto Action called Better Line Color that you can find on the CSP Assets Store that colours the lines according to the colours underneath, and makes a subtle glow on the lineart.

It does some steps like Gaussian Blur, other adjustments, then sets the Layer Mode to Colour Burn, Linear Burn, or Multiply.

The duplicated lineart, when set to Colour Burn, creates a nice subtle glowy effect that I've been using on my coloured doodles.

Having coloured lines makes such a huge difference with my art. I think it has a really nice effect on my art 🥰

When I first tried it with the KuroEne doodle though, I was so confused cuz all white colours would show OVER the lineart. I found it strange cuz it didn't happen on my other drawings.

So then, for the KuroEne doodle, I just set the lines to Multiply Layer Mode instead. I think both versions look nice ^^

Colour Burn darkens shadows, deepens colours but preserves whites, so the whites show over the coloured lineart. The solution is to change the pure white to a tinted colour white instead. I'll fix that and make edits and combine both versions later.

So far, the dark spirals around Kuroha are on the same layers as the sketch, so it has the glowy lineart effect on it. Though I'll eventually make the dark spirals apart of the colours instead, like in Version 2

The version with the saturated purple glow still looks nice. This time I combined both Multiply and Colour Burn lineart versions.

...

I've been having fun playing around with colours, seeing which layers to turn off and such.

I've been playing around with Gradient Maps and Hue shifts and slightly different colours.

The purple/red toned Kuroha one is also really nice cuz it has nice visual contrast against all the cool colours (blues) in Ene's design

Red vs. blue contrast <3

Plus, it fits Kuroha to be tinted with red...

Considering the red tinted shots in the Outer Science MV where he smears the Mekakushi Dan members' blood over his face.

Love the chosen shots in this MV. Outer Science is my top fave KagePro MV due to its stunning visuals and visual storytelling. Additional Memory and Losstime Memory are also in my top faves.

The white, black and red shots here look so good. And the expressions as well~ I love Sidu's brilliant visual aesthetic sense.

KuroEne Rambles

Ok I also have something to add (once again I'm snatching these rambles from my side blog's rambles cuz I've yapped way too much about these two)

It's pretty unfortunate that my yapping and ramble posts outspeeds me creating art so I'm just waiting for the chance to draw so many of my KuroEne writing and art ideas so I can post them on main combined with drawings

Canon verse KuroEne is not “romance,” at least definitely not in the traditional sense. But there IS desire and passion, and a sense of yearning/longing, a need for warmth and fulfillment. It’s filled with desperation and tension and conflict, which makes it really interesting…

When I think about their relationship in this kind of canon-verse AU setting, it's infused with feelings of love, obsession, desire, passion, yearning, and attachment.

It's so fun to think about Kuroha's selfish twisted nature and dark urges, combined with Ene's bold tenacity and confidence. Since he's someone that's generally observant and good at reading people and their desires, it makes him pair well with Ene who has trouble facing more honest feelings and being open about the things she wants.

I think a lot of things are playing into their relationship dynamic. Like the circumstances of HaruTaka and KonoEne's context, Kuroha's omniscience and knowledge, desire, and a craving/yearning for warmth, touch, and affection and companionship on Ene's end, and the pull she feels for him because of the vessel he uses, and his intimate knowledge of her.

For 9/6 day, it's time to blast the anthem of my fave ship, Yuukei Yesterday~ The song dedicated to Takane's feelings and HaruTaka~ Tatatara!! 💗

Considering the theme of my art, though, I put a lyric from Shadow gate to love.

I also wanna say that I'm seriously obsessed with my genderfluid Kuroha HC 💞

Kuroha can change his body into whatever he wants by using Konoha's Eye Ability, Awakening Eyes. In Novel Route, he knows how to use Awakening Eyes to rebuild the body molecule by molecule and make him immune to other Eye Abilities.

...

I think it's interesting that canon verse KuroEne is a ship that's so tinged with angst and tragedy. But I also love that aspect about them.

I think that in the context of a Kuroha ship AU, Kuroha believes that he and his S/O have a connection of karmic fate with each other, in the way that they'll continue to meet across all the different time loops, for all of eternity.

Kuroha’s love would inevitably be very dark and twisted, because he is that way at his core. At the end of a Route, he kills his S/O, and/or their friends, in order to meet with them forever. Ensuring the next coming of a new cycle is a priority to him.

The intimate knowledge that Kuroha/Saeru would have of his partner’s desires, wants, past, insecurities, relationships, etc., due to all the time loop resets, is so interesting to think about.

And, he gets to be with the other party forever by doing this. It’s a win win for him! He doesn’t want to give that up. Cuz in some fucked up way, in his fucked up form of love and obsession, he creates the concept of “eternity” with his S/O, by killing them, and/or, their friends, constantly, endlessly.

...

Kuroha is someone that wants to draw out "truth" to add to his "knowledge" (massive knowledge bank) and explore endless possibilities.

And Ene is someone who has trouble being honest, especially with her wants/desires, and Saeru was created for the purpose of granting wishes. So he finds it fun to tease her and rile her up, and fulfill her desires for warmth and pleasure, etc.

Ene asks Kuroha if he's learning how to pretend to be human throughout all the time loop resets. Kuroha says there’s no “pretending” about it. And it's true. He's been here since even before the beginning of the world. He asks her if you can really call it pretending at that point.

The end of Outer Science's MV shows Saeru in Azami's hair even before the creation of the world. He's existed before humans were born. He knows the nature of humans better than anyone else after observing them for a long time. He has so much knowledge, that the sheer extent of it is just unfathomable to the average person.

Each time the Route resets, he gets to “perfect” his knowledge, and in the context of intimacy, he gets to know his partner and their intimate desires even better and better, each time.

He constantly refines and adds to his “knowledge” every new Route. He likes learning new things about the other party. Kuroha likes how Ene, with her confrontational, brazen personality, and predictable unpredictability, always manages to find a way to catch him off guard and surprise him.

Kuroha/Saeru possessing Konoha's body means he has his face. His body. His voice. Ene can't shake off the feeling of how uncanny his resemblance is to them, physically, and gets reminded of Haruka and Konoha around him.

...

Now I'll copy paste my rambles from my old posts that summarizes my KuroEne AU. Here. I added some new stuff at the end

KuroEne AU: Set-up

Source: KagePro LN: 7 - from the darkness - Colour Illustration Source: Sidu's Mekakushi Dan Members Colour Illustrations

Ok, I'm just gonna ramble about the setting of my KuroEne AU.

I also included a summary for context just in case my non-KagePro mutuals want to tune in to read these rambles.

I just wrote this quickly before I go to sleep. I have more to say but I think this is a good starter.

In official KagePro media, the present day plot starts after 2 years, on the fateful day of August 15th (Kagerou/Heat Haze) Day.

The Kagerou Daze, the never ending world, swallows up people who die on August 15th, and gives those with especially strong desires, who are compatible with an Eye Ability, a substitute life so that they can return to the real world.

In most Routes, Saeru ends up orchestrating Haruka and Takane's deaths. One thing you'll learn about KagePro is that this guy (Kuroha) is responsible for almost everything bad that happens

Because killing them so that they'd come out with an Eye Ability, is a part of his plan to get the rest of Azami's snakes out of the Kagerou Daze and into the real world.

Haruka's death leads to the creation of Konoha, and Takane's death causes her to lose her human body and become a cyber girl named Ene

There are multiple different ways that a KuroEne AU could go, depending on the Route. KuroEne AU Routes are so fun to write, because any time I get a new idea, I can just put into a different Route (timeline) to explore all the "What if" scenarios that don't fit into a single Route.

Kuroha's Plan and KonoEne

Source: @/x0401x

Mekakushi Dan Clear Files: (X)

Normally, the rest of the Mekakushi Dan members meet each other in the present day plot after 2 years, the fateful day of August 15th, the day Kuroha/Saeru plans to kill everyone.

Kuroha/Saeru's plan is to gather all the snakes with a new Medusa in the real world (bringing the rest of Azami's snakes out of the Kagerou Daze to the real world), and killing all Eye Ability users.

Then, he forces Marry, "the next Master," to rewind the world using the power of the Queen Snake, Combining Eyes.

In official media, Kuroha/Saeru usually possesses Konoha's body at the end of a Route on August 15th, the day he plans to proceed with the "Tragedy" and kill everyone.

I imagine that in my KuroEne AU, Kuroha/Saeru possesses Konoha's body MUCH earlier. Like, anywhere within the timespan after Takane and Haruka's deaths (1 - 2 years)

Because of this, Konoha and Ene usually end up meeting and befriending each other earlier. Ene recognizes Konoha as Haruka's game avatar from back then, and mistakes him for Haruka. Konoha asks if she has the wrong person, and Ene gets heartbroken at Konoha's seeming amnesia and inability to remember her.

Ene imposes a sense of distance around Konoha due to her conflicting feelings (he resembles the person she loved but isn't him).

In my AU, KonoEne establish a relationship dynamic of some kind (which varies depending on the Route), which either progresses to an acquaintance-ship, friendship, or intimate relationship.

Kuroha introduces himself to Ene for their first meeting in a Route

Source: Sidu's 2016 Calendar Hanafuda Set

And then, at some point, Kuroha/Saeru possesses Konoha's body. At this point, when he introduces himself and makes himself known to Ene for the first time, he can choose what information he wants to reveal, and how much.

For example, Kuroha can choose if he wants to introduce himself as Black Konoha, and/or "Saeru," or whether to reveal it for later. (And he also chooses whether he wants to reveal his true identity as the Snake of Clearing Eyes.)

Ene later nicknames him "Kuroha" and "Saeru" to shorten the name.

He knows that the 1st one would be more familiar to Ene. To introduce himself with the 2nd one would make Ene more distrusting/suspicious of him.

He most likely doesn't reveal his true intentions (to kill the Mekakushi Dan) so soon, because he knows that if he does, Ene is (obviously) not gonna want to "play the game" (of being intimate with him) anymore, cuz it means that he is literally putting her and her friends' lives in danger.

Though, across multiple Routes, he probably does play around and experiment with the timing of when he reveals certain information, and how much.

I think in most Routes, Ene is suspicious of him at first, and asks about his intentions and what he's really after, and Kuroha/Saeru just tells her that it's too early to say yet, and that she will find out soon.

(Though, Kuroha could probably quell her suspicions with enough convincing, due to the massive amount of knowledge he carries)

KuroEne AU: Context

Source: Mega Man Battle Network 6 (Rockman.exe 6)

In my KuroEne AU, Kuroha/Saeru, who has messed around with human technology and innovation, has been able to develop a humanoid android/robot body with human flesh that Ene can transfer into.

This concept is inspired by Mega Man Battle Network (Rockman.exe), specifically, the NetNavis (humans' companion AIs in this universe) from MMBN/EXE.

NetNavis can transfer into CopyBots (android bodies) for limited amounts of time, to move around in the real world. These CopyBots take the appearance of the NetNavi that transfer into it.

In my KuroEne AU, I imagine it's battery powered, but with every Route, he gets better and faster at making it. Like he improves the battery life over time, so it goes from lasting an hour to lasting a whole day, etc.

According to the KagePro LNs, Kuroha/Saeru has knowledge from everything from the start of civilization...

Shintaro in the KagePro LNs compares Saeru to "a living encyclopedia with a full grasp of everything from the start of civilization up to modern science."

That LN bit confirms that Kuroha/Saeru carries knowledge of the history of mankind and its technologies over (probably) millions or thousands of years.

Especially when scientists have made developments regarding wrapping living human-like skin onto a robot that can heal when cut.

If he carries knowledge from the start of civilization, so much knowledge that it's unfathomable to the average person, then yeah I definitely think he could get it done (especially for the sake of my AU).

KuroEne's Intimacy

Source: (X)

Scan: @/ayara-resara

Kuroha proposes that he has a solution for Ene not being able to move around in the real world, and introduces the little invention that he made, for her to test out, which Ene eventually agrees to, out of curiosity.

Ene feels a sense of gratefulness to him for allowing her to move around in the real world since it gets lonely in the cyber world, not being able to feel or touch anyone on the outside…

Kuroha gets to know and bonds with Ene, anywhere within this 1 - 2 year timespan, and at some point, Kuroha and Ene get intimate with each other.

Ene gives into the sense of longing/yearning that she feels for Kuroha/Saeru, a yearning for warmth and touch after being stuck alone in the cyber world for so long (in spite of everything - if she knows about his true identity at this point), which is in part caused by his vessel (being Konoha, who's in Haruka's body).

Kuroha knows how to react to her and what to say to her and how to act around her due to his knowledge, and so, seduces his S/O and tempts her with carnal pleasures, and they indulge in "the game/dance" of being intimate with each other.

Because Kuroha/Saeru keeps memories of previous Routes, he remembers memories of being with the Enes of previous Routes, and thus, knows how to react to her when talking/chatting with her normally, knows how to appease Ene's behaviours and whims, goes along with what she wants, knows how to get the responses he wants when he wants something from his partner (so he knows how to seduce them), and knows how to satisfy his partner in the context of intimacy.

Because of the knowledge he carries, he knows the context, past, Eye Abilities, vulnerabilities, etc., of every Mekakushi Dan member, and that includes Ene. So he'd definitely know about Haruka and Takane, and Konoha and Ene's context and relationship together.

The person who's her greatest enemy (whether she knows it at this point or not), very literally knows everything about her.

And not only that, the greatest enemy of the Mekakushi Dan, knows her better than she knows herself.

Kuroha's Nature

Source: COSPA - Tsumamare Series (Keychains and Rubber Strap Charms)

Not only does he weaponize Konoha's body by using Konoha's body as a murder weapon to kill everyone at the end of a Route, he weaponizes words, too. Kuroha/Saeru uses "knowledge" as an advantage over his partner, and weaponizes knowledge. Actually staggering advantage. Because he knows almost everything.

Kuroha ships are like the only time I have ships where one party in the ship has THIS much of an advantage over their partner.

Therefore, as I said before, Kuroha/Saeru ultimately has a power imbalance with his partner (any Mekakushi Dan member that he could be paired with).

He has an overwhelming advantage over his partner due to his role (set-up as an antagonist constantly killing the cast) and capabilities. It is ultimately in his favour.

That fact in itself, that the power imbalance exists, isn't inherently a bad thing, it just means that you NEED to tread carefully with portraying Kuroha's ships. I always make sure to depict my ships with as much care as possible, and as healthy as possible.

Ene is one of the characters who is a really good match with him. Because making Ene more assertive and dominant in the KuroEne ship, and making them take turns in leading intimacy, with having Kuroha letting Ene take control through their bedroom intimacy at times, helps alleviate this power imbalance slightly.

Kuroha is literally so fucked up dude cuz even his twisted form of affection that he holds for his S/O (the Mekakushi Dan member who he's paired with), is still in a twisted, selfish, self-serving way.

Due to his twisted nature, he embodies Koi (恋), "Selfish love," "loving someone for their own sake."

Even when he caters to his partner's pleasures, it still ultimately caters to his pleasures the most. That makes him interesting, though. Someone so inherently dark and twisted and sinister, with selfish desires like that… 🥰💖✨

Misc Rambles

So I imagine, in most KuroEne AU routes, he reveals his true intentions either approaching the fated day of August 15th, or right on the day of August 15th.

There's absolutely a sense of betrayal that Ene would feel following the reveal of his true intentions - he built up a relationship with her, on purpose, just to drop the worst possible scenario imaginable.

Like let's be real. The reveal of "I've been killing you and your friends throughout multiple Routes (timelines)" just sounds like a nightmarish scenario, especially if you've been fucking this guy, like come on. 😭

And something that would make Ene get especially pissed at him, is if he decides to reveal that he was responsible for orchestrating Haruka and Takane's deaths in the first place.

(In official media, Ene sees Konoha for the first time, on August 15th, 2 years after Haruka and Takane's deaths)

Though, there are probably KuroEne AU routes where Konoha and Ene don't get the chance to meet each other - Routes where Kuroha/Saeru possesses Konoha's body before the two can actually meet, so when Ene sees who she thinks is "Konoha" for the first time, it's actually Kuroha/Saeru. With this kind of setting, he could even pretend to be Konoha, if he wanted.

And then on August 15th, he proceeds with killing the Mekakushi Dan with sadistic glee (and even his S/O - though if he's feeling nice, then he can spare them, since he doesn't need to kill everyone), and forces Marry to rewind the world.

Thankfully, due to the nature of Ene's body and predicament, she won't feel physical pain when he kills her. And then, a new Route (timeline) begins.

Previous KuroEne Posts

In my new post (this one), I wrote more about the set-up of my KuroEne AU, and then copy pasted my old rambles. I copy pasted the summary of my KuroEne AU cuz it felt relevant since I'm posting the same art.

My old post has some more rambles regarding some general ideas of my KuroEne AU (since I didn't feel the need to copy paste the same stuff here too)

Shadow gate to love

Lyrics:

Song: (X)

These lyrics work so well for ships like LimGuda, XanLena, IdaTatsu, and KuroEne.

The song sung by the sub-unit, Guilty Kiss, in Love Live! Sunshine!! My favourite version of Shadow gate to love is this fan-edit that pitches down the song to match the original voice actors’ voices, compared to their characters’ voices (which are higher in pitch)

Shadow gate to love is sooo Sen ship-core. It basically works for every Light/Darkness, Angel/Devil, and Narrative Opposites ship of mine.

It’s my song to fall back on if I can’t think of any other songs for my ships. I think it fits these 4 the best, though.

Oh baby shadow gay~ 🌈

The lyrics are in the link above.

The lyrics of the song works for all of my meow meow mfs in general.

In KagePro, though, the mention of "Strong scented eyes" takes on another meaning cuz of the emphasis on EYES, particularly the Eye Abilities.

I also love the emphasis on the Light/Darkness aspect and seduction in the lyrics.

KuroEne: Kuroha seduces Ene by tempting her with carnal pleasures, and keeps the secrets of his plan to commit the Tragedy (killing the Mekakushi Dan on August 15th, Kagerou Day) hidden from her. He tells her "beautiful lies" in order to keep up his facade.

He decides to act tamer prior to the fated date of August 15th, catering to her desires and befriending and bonding her and spending time with her and actually getting to know her. They'd do soft and fluffy stuff like go to the amusement park together, play video games together, and eventually, get intimate with each other.

Due to his inherently dark and twisted nature, Kuroha/Saeru prioritizes his own desires and desire for immortality, and constantly keeps causing the Tragedy by killing the Mekakushi Dan, Marry's friends, forcing the time loop resets. He also believes that doing this allows him to be with his partner forever, because he can continue to come and meet them forever and ever.

Ai (愛) vs. Koi (恋)

Azami's genuine pure form of love for her family, willingly sacrificing herself for her family and mankind.

Vs.

(In the context of a Kuroha ship AU)

Kuroha/Saeru holding a twisted form of affection and obsession for his S/O and wanting to continue the time loop Tragedy in order to be with his S/O forever in a twisted, selfish, self-serving way.

He looks up to his Masters and serves them, but won't put anyone else above himself and his wants and needs.

In the end, he's doing this all for Azami, because he believes that this is what she truly wanted and needed, but ends up being the one causing her the most suffering.

"Selfless" vs. "Selfish" love.

Ai (愛) vs. Koi (恋)

Azami -> "Loving someone for the sake of someone else"

Kuroha -> "Loving someone for one's own sake"

Kuroha's twisted selfish love and how he ultimately loves someone for his own sake, to experience the "high" of being in love...

Reminded of that one chapter title from FGO: Tunguska Sanctuary event (Koyanskaya's main story chapter)

"Love is Karma, and Karma is..."

This fits so well with Kuroha/Saeru's character and KuroEne. Good god.

I can't put any more images due to Tumblr's image limit so you can read about the two loves (Ai vs. Koi) here

Source: (X)

...

If you wanna put it crudely or in funny terms, then Kuroha ships are like the most elaborate ships with the time loop tragedy causing serial killer, in the history of anything ever. But actually really interesting and fascinating.

"I'm gonna kill you" boogaloo (and nothing else) is not very compelling for ships (and even in general) lol

In canon-verse, Kuroha/Saeru lacks humanity and forms of care for others (when compared to my other faves).

That's why I wanted to explore the ideas of Kuroha messing around in the Routes and actually getting to know the Mekakushi Dan members before he kills them all.

[izzyfandoms]

Right if you’re seeing this then I guess I finally managed to successfully put down all my thoughts on how I think the finale two-parter is gonna go! Yay!

I’ve been thinking about this a lot lately lmao

(Edit: adding a Keep Reading cos this is LONG)

SO SVS2 ended pretty badly didn’t it. Yeah, Janus got accepted, but Roman is pretty clearly not doing great because of that - and quite understandably too

Janus treated him pretty badly in SVS1, manipulating him whilst simultaneously giving everyone the impression that going to the callback (following Thomas’s dreams, aka listening to Roman) was a bad thing. Now, did he do that deliberately? No, I don’t think so - I doubt Janus realised that his whole strategy in SVS1 just made everyone else more anti-callback, and I also doubt that he realised how much that hurt Roman

Just look at Janus’s behaviour in SVS2! He thoughtlessly admits that his flattery before was false (saying that he no longer needs to flatter him) - something that probably really hurt someone with such low self esteem like Roman. Like no wonder he lashed out, I’d be pretty upset too if I were in his shoes

And when Roman describes Janus’s behaviour in SVS1, Janus calls it a funny prank, likely not realising that that’s what Roman was referring to

(I’ve talked about this before, but watching Roman’s expressions when he reacts to Janus thoughtlessly saying these things is heartbreaking)

So, here we see that Janus treated Roman pretty badly in SVS1 - using him so he could get Thomas to do what he wanted - and then admitting to it in SVS2 like it was nothing

And I’m not saying this to be anti Janus, not at all, I love the guy! I’m just pointing it out to highlight one of - if not the - biggest flaw he has:

His selfishness and how self-centred he is

Now this probably comes pretty naturally to Janus, given his role, but that doesn’t mean he doesn’t need to improve. Black and white morality comes naturally to Patton, and he still needs to wok on and is currently working on that. Being aggressive comes naturally to Virgil, but we’ve already seen him work on that

I don’t think he noticed how much his behaviour hurt Roman, and you can see that in SVS2 as he doesn’t seem to understand (or often notice) just how upset he was, and he didn’t seem to realise that what he did was wrong. He talked so casually about these things, and not in a smug way, but like it meant nothing - because that’s what it meant to him, so he doesn’t notice how it affects Roman

Janus doesn’t just do this with Roman either, you can see him basically doing this with Logan too, just without such an obvious reaction

He actively excludes Logan from things all the time - he silenced him in CLBG, he replaced and then excluded him in SVS1, and then replaced him again in SVS2

Logan above all else just wants to be listened to - by Thomas and by the other sides - and Janus is too focused on getting Thomas to listen to him then he is on how his behaviour hurts others. He doesn’t seem to think about how Logan just wants to be listened to too

Now Im sure you’re wondering how this is all relevent to the season finale two parter, which I already said that this post is about

Basically, I think that this is what the season finale two parter will be about

I think that Roman is going to continue opposing Janus, and that he’s going to turn to Virgil to assist him in doing so - as Virgil likely will, as he gets along well with Roman now and does not get along with Janus

(A lot of people seem to think that Roman’s going to go full dark side because of all this, and that that’s what the finale will be about, but I completely disagree. Mostly because from what we’ve seen so far that seems literally impossible. Sides are sorted into ‘light sides’ and 'dark sides’ by Thomas alone, it’s not a choice - Roman can’t just become a dark side because he feels like it

Virgil is only a light side because Thomas accepted him - which is part of the reason why I dislike how some people villainise him for leaving the dark sides. He decided to duck out, he didn’t decide to be accepted or to become a 'light side’. Choosing to befriend the light sides and choosing to duck out isn’t something I’d consider a betrayal

If the sides themselves decided who is 'light’ and who is 'dark’ then Janus at the very least probably never would’ve been a dark side. It’s not a real classification, because it’s purely based on how Thomas views his different traits)

I think that Roman and Virgil are going to confront Janus (with Thomas and Patton likely also present) and try to convince Thomas that he shouldn’t have been accepted. They’ll bring up the behaviour in SVS - perhaps even bringing up how the outcome was Janus’s fault, something you’ll know I firmly believe if you’ve been following me since before SVS2 - and we’ll probably also find out more details about Janus and Virgil’s history

(Janus probably felt betrayed when Virgil turned light side, despite how (as I said) it wasn’t entirely his choice, nor was it a bad thing as it benefitted Thomas greatly. Janus probably had a more self-centred view than he should’ve, but Virgil was probably less than sympathetic to Janus’s perspective and lashed out. That’s just some general speculating though, I’m really not sure and I’m quite excited to find out more about their history)

Janus will finally actually realise how his behaviour hurts people - or I guess the other sides, as they’re not people. He’ll probably get defensive at first, but I think he’ll realise and try to improve by the end of the finale

Hopefully lol - if not then I guess we won’t have the happiest ending to season 2

But this is not the only thing I think will happen in the finale, oh no

Because we’re missing two very important characters here - two characters who have probably been the most impacted by Janus’s behaviour, more than anyone else

Remus and the orange dark side

(This is honestly the main reason why I disagree with the fandom’s popular view of the dark sides as a family similar to the light sides. Because Janus was the one actively hiding Remus up until DWIT, and still is the one actively hiding Orange. He seems to have a lot of control over it, too, as he was able to reveal himself and seemed to Choose to reveal Remus in DWIT when it suited him

Hiding the dark sides seems to have been less Thomas’s choice than the dark side/light side split - this is something the sides involved seem to have actual control over

That doesn’t seem like a family dynamic to me - one hiding the other two from Thomas, someone who is basically Everything to the sides - and if it was/is one it doesn’t seem like the healthiest

Again, I’m not trying to villainise Janus here either. This was his job - he did it because he thought it was best for Thomas - and it’s a lot more complicated than Janus just locking the two of them away out of cruelty. He isn’t the sole side to blame, though he was the actual action of hiding them. Remus (despite the fact that he seems to desire attention more than anything else, the one thing Janus deprived him of) doesn’t seem to hold much of a grudge - though most of this I believe is due to Remus as a character. He isn’t really the grudge-holding type, though I really doubt he likes Janus much

Virgil talking about how Remus “used to really unsettle” him, and Remus describing DWIT as “just like old times” seems to support this in my opinion. They don’t seem to have ever been close, so I doubt the dark sides as a whole were/are close

I believe the dark sides were split between Virgil and Janus (the two dark sides with control - Virgil being allowed out, and Janus being in control of hiding himself and the other two), and Remus and Orange (the two hidden))

Anyway I’m rambling a little lol

BASICALLY, I think that Roman and Virgil are going to confront Janus, and that nearer to the end of it (either when the tension is at its highest, or when the characters are starting to come to some kind of agreement) Remus and Orange are going to pop up and bring themselves into it

I think this partly because this is very relevent to them, but also because I firmly believe that Orange will be introduced by the end of the season so they can have a new intro with all the sides in season 3

I think that throughout these two part episodes Patton will probably be mostly on Janus’s side, and that Logan will probably be the most neutral party, though his side of things (being repeatedly excluded by Janus) will probably be brought up by either Roman or Virgil

Most likely Virgil

So overall this will be about Janus and his self-centredness and how it’s harmed the other sides, and Thomas finally properly confronting how perhaps suppressing multiple different traits of himself were a bad thing

Aaaand that’s about it! Sorry that this got really rambly lol, I just have a lot of thoughts and wanted to fit them in

I love Janus - he’s one of my favourites, probably The Favourite side rn honestly, and I adore overanalysing him

Please don’t start discourse in the reblogs/comments, though debates and sharing your own thoughts on the matter are always welcome! Pls don’t bring any unsymp sides stuff into this either, as that makes me pretty uncomfortable

[yayninjabob]

Author Commentary

Ramblings from Yay Ninja Bob about her monstrous creation~

Besides working on my fic, I personally try to journal every day, and I realized that a lot of my journaling has become me pretty much rambling about the process of writing this damn fic lol.  So I thought I'd share some of that for those who may want to know more behind my chapters from my author's perspective. 

It's certainly not everything I can say, but it is a lot haha..

Chapter 1 - Thirteen

Behind the title:

    Well, when I first began writing VillainR, I hadn't planned on having chapter titles at all.  Mainly because coming up with chapter titles (or titles for stories in general) has always been something I struggle with personally.  Anywho after I decided I wanted to challenge myself with chapter titles, I went back and named chapter 1 "Thirteen."  Why?  Well, it is the PpG's thirteenth birthday, of course there is that.  VillainR as a whole is many things, but one major thing is it is a coming of age story for Buttercup/Joey/Jojo, as well as a story of self-discovery.   There's a few important ages I wanted to cover and 13 is around the age where many kids start to "develop" and being a super-powered kid,  Buttercup finally begins to develop her own "special power" at this age.  I wanted this "growing pain" to be the catalyst for the events of Part One.  So, I gave the chapter the title of "Thirteen" to try to highlight the significance of that age for Buttercup. The self-discovery made at this age is that special power (although they are unaware of it at this point).  It's considered an unlucky number, and as it turns out, it is an unlucky year for our main character.

During the writing process:

     First draft was written on Halloween night 2019 and pretty much all of it was completely scrapped haha. 

     I started writing it in first person, like the original Villain, in Buttercup's POV.   I kept the events but approached it again in third person and liked it so much better that way.  One major thing I wanted to improve on with the rewrite was character development which is pretty hard to achieve when writing in a limited POV of a character who eventually loses sight of much around them.  I debated briefly on maybe doing alternating POVs between Blossom, Bubbles and Buttercup, but then I felt like it would still exclude a lot for other major characters like Mojo and Princess.  I could add them too but I thought alternating too many POVs would be overwhelmingly difficult (for me as the author for sure but I imagine for the reader too)  Third person seemed to be the best way to handle everything and really my only challenge with that was tweaking the whole "unreliable narrator" trope which I will be honest is my favorite trope ever. It is a challenge to try to recreate the same effect in third person, but I decided that a close third person was the best way to 1) tell a broader story and 2) still set limits on the reader's perspective, and control when and how I drop information and attempt to recreate a similar experience in an entirely new way I've never tried before heh.  (I guess I will spend more time on this on my notes for Chapter 6)

     Second draft I scribbled out in another few days with this new approach.  It began at the start of the carnival and ended where it ends.   Simultaneously I was reworking my overall outline for the fic and began to narrow down all the characters I wanted to be my key players for this epic.  Once my outline was expanded to include everyone, I added the scene with Mojo and Him.  For me, that's when I was like "Ayyy it's all coming together 👍👍" haha.

     Another thing I wanted to improve on was setting and world-building.  So final draft I decided to include some "history" behind Townsville and that's when I worked out the final draft.

    This chapter definitely had the most trial and error during the writing process than any other chapter other than 5 so far.

Inspirations:

     Townsville world-building/history - much of it is inspired by the city I grew up in (for the most part) which is Los Angeles. I mean it has all the sort of settings we've seen in the show which are all pretty diverse right?  Townville had to have a diverse cityscape ranging from a busy downtown setting to quite suburbs to upperclass mansions, beaches, an island, forests, etc.  Well I knew LA had all that and so I tried to re-imagine Townsville as basically an alternate universe LA lol. Monster Isle, I based on research I did on Catalina Island.  I imagined the Utonium household was in a middle class neighborhood like Pasadena- close to the heart of LA but still a relatively "calmer" part of the city.  Morbucks Manor would be in the Hills like Beverly Hills.  Downtown was the heart of the city like Downtown LA.  I debated briefly whether or not to have the Gangreen Gang be from an area modeled after South Central or East LA, but eventually I went with East LA because TBH I am just more familiar with it since that's where my mom's side is from and where I grew up early on in life.  PLUS East LA actually has a pretty big punk scene so that fit the story too with Ace being in a punk band and all that. 

1998 PpG Show References:

     "Oh my gosh they have giant Bunny-Bunny's at the prize tent!"

    (Super Zeroes)

Pop Culture References:

   (OK most of my pop culture refs are just punk references lets be honest lol.  Why Punk?? - because it is rebellion and rebellion is the heart of this fic)

     The Clash - OK in original Villain I established that this was Buttercup's favorite band so I HAD to have that back for the redux. Here's all the refs I crammed into chapter 1 lol:

   "Oh, Man! It's so hard to choose, like, I love literally everything by them. But I gotta say it's a tie probably between their first album and London Calling."

"Hell yeah. Jimmy Jazz is my jam."

"You know, my band does a cover of White Riot," Ace continued to talk music with the teenager as he lit his cigarette and took a deep drag. He held the smoke in his lungs as he continued, "Only we call our version Green Riot."

Blondie:

     The one artist Buttercup had introduced Robin to that she instantly obsessed over was Blondie.

(Some) Symbolism:

     - Blossom is 5'9" and Buttercup is 5'8" - Buttercup is always falling one step behind Blossom.

     - Bumper Car scene - has some foreshadowing and well...

Blossom sat behind the wheel of a red bumper car at the opposite end of the metal floored rink. Buttercup crossed her arms in protest, "No way. I'm driving." she demanded.

Blossom also crossed her arms from where she sat behind the metal wheel. "So you can just rampage and crash into everybody here? No way." She fastened her seat belt with a quick snap and placed her hands firmly on the steering wheel again.

"Ugh. That's the whole point of bumper cars! It's to bump the other cars! You're supposed to try and bump everyone before the times up!"

"You always take it too far, Buttercup. I'm driving, so get in." The redhead grasped the steering wheel in her hands firmly, and refused to move.

And...

"You drive like an old lady," Buttercup shook her head in disbelief as her sister managed to avoid yet another collision.

"Well, that's your opinion," she shrugged off the insult, "Personally, I think it takes just as much skill to avoid every single car in here, as it does to hit every single car," she smiled at her sister.

And finally a brief allusion to the OG Villain lol...

"Blossom!" Buttercup shouted louder so she could get her sister's attention. She pointed at the fast approaching purple car that zoomed towards them from their right side. Behind the wheel of that car was Bubbles who wore a rather determined look on her face as Robin cheered for her.

Blossom saw, but by then it was too late. Bubbles and Robin's car slammed into Buttercup and Blossom's car at full force, spinning Buttercup and Blossom's car into the wall of the arena. The loud buzz which signified the end of the ride then sounded.

    - the roller coaster is Buttercup's ideal carnival attraction; it's got the thrills, twists, turns, ups and downs.  And makes Bubbles sick.

     - the Ferris Wheel is Blossom's ideal carnival attraction; it's a staple of any fair, grand and big, overlooks everything, and traditionally romantic

YNB's favorite scene:

     Personally, I loved writing the whole exchange between Buttercup and Blossom in the car.  Establishing their rivalry, Buttercup's jealousy over Blossom's special power and heroism, Blossom's projection of her own insecurities, their differences, and their commonality. 

Final thoughts on the chapter:

     I was pretty satisfied with how it turned out but I did wait to post it until I had a decent headstart on chapter 2.  I was pretty nervous about whether or not I could stay personally committed to writing this fic so I just wanted to make sure I was really feeling it first, lol.  It had been so long since I'd written fanfic so I just needed to be sure.

     When I outlined everything I estimated the chapter length to be around 6-7k words... And I was surprised that it was double that at about 12k.  Which was wild because on my outline each opening chapter for Part 1, 2 and 3 were supposed to be shorter and more like preludes to everything else.  Well, I guess they ARE shorter chapters but STILL definitely longer than any chapter I used to write for my multichaptered stories.   At the time I thought "Ok obviously my writing has changed but surely I wont go much longer than 12k for future chapters...."  Hurr hurr.

     Personally, I was pretty proud of myself for spending so much time on it and rewriting it over and over and all that.  In the past, TBH whatever was my first draft was pretty much also my last draft haha.  I cranked out a chapter in one sitting usually and edited it mayyyybeee lol.  I just wanted to get it posted so I could move on and get to that next point in the story.   But I suppose now that I'm older and a bit more self aware, I realize a lot of my own anxieties manifest a lot in my writing though and I can recognize it in my old works like the OG Villain where I JUST WANNA GET TO WHAT I WANT TO WRITE RIGHT NOW OK??  I forced myself to slow the hell down this time, take it one scene at a time, and when things felt off I took breaks, slept on it for a few days and came back with new approaches or ideas.   And so far that's how I continue to work on it.

   Also, CHVRCHES.  I listened to a ton of that band while working on this chapter especially.

[gemtalkpodcast]

We’re alive, we swear! (Along with some insight into making a podcast!)

Hello, everyone! Shane here!

I know it’s been quite a while since our last episode, but with the combination of life hitting Ken and I relatively hard, the holidays, AND Steven Universe going on a long hiatus, we haven’t been able to produce episodes for the past few months. On top of that, producing episodes is a bit more difficult now that Ken and I no longer live in the same building. We weren’t sure if we were going to continue making episodes after the movie ended, since we didn’t know what the Crewniverse had planned. Now that several episodes of Future has been released, though... we’re debating getting back into weekly updates. 

Now, I know I’ve said this before, but editing a 1-2 hour long podcast weekly is NOT a small feat, especially for a group of two people. Allow me to give a very brief explanation behind what goes behind making just one of these GemTalk episodes:

1) We watch the episode once for enjoyment, at this point we aren’t thinking about the show as theorists/podcasters, but rather as fans. We don’t put on our super-fanboy glasses until step 2. (15 min.)

2) We separately watch the episode critically. After we let the episode roll around in our heads for about a day, we sit down with the episode and watch it with an intense level of scrutiny, jotting down nearly everything that happens in the episode worth mentioning. This can take anywhere from half an hour to an hour, depending on how lore-heavy the episode is. (30-60 min.)

3) We research anything that could possibly be a clue, hint, reference, etc. This involves a great deal of internet sleuthing to uncover things we might not have known, such as references to places, events, subjects, or pretty much anything that we need more data on to make an informed commentary. This is one of my favorite parts, as I’ve learned a great deal about a broad list of subjects from doing research for a podcast about a cartoon. However, this is also one of the longest portions of the process. We do our absolute best to provide ONLY information that has been provided by several sources or thoroughly verified, while simultaneously keeping the show as fair and honest as possible. While we obviously have a lot of fun with what we do, we strive to maintain a level of honesty, kindness, and integrity in everything we produce. (60-120 min.)

4) The theory crafting section comes next, where Ken and I sit down and discuss how the recent information we’ve received could be connected to past events. Sometimes we go back and watch old episodes, or review old theories, or even plan out extensive hypothetical situations to see how well they hold up to scrutiny. Sometimes we let our minds go wild and come up with some pretty crazy theories, but we do our best to focus most often on where we think the show “will” go. Since most of this section is open conversation, plotting, reviewing, and theorizing, it happens sporadically over the next day or so. (120 min. - 180 min.)

5) Planning out the show comes next. It might be somewhat surprising to hear this, but our shows do have a fairly loose script. We’ve tried going nearly completely off the cuff before, and it just ends up as a rambling mess. To do this, we sit down with our separate set of notes, compare what we both feel is important to discuss, and determine the order in which we should talk about each topic. This is done to ensure that the flow of our conversation feels natural while running parallel to what is happening in the show. This also usually serves as a “mock run” of the episode, giving us the opportunity to practice how we’ll approach each topic and loosen up the ol’ lips. For me, it also means I’m chugging the last of my coffee before we go on! (60 min.)

6) Recording! This step doesn’t require a great deal of explaining, aside from some small “behind the scenes” facts you might not know. For example, there are several moments where one of us will trip over our lines and “bluh bluh flibberty gibberty” for a few seconds, which obviously gets cut. Also, one of us will occasionally say something very wrong (intentionally or otherwise), which leads to a fit of laughter, which also must be cut. Very rarely we’ll think of something right in the middle of an episode and literally stop what we’re doing to do research just to make sure we’re right. Either way, this usually ends up with nearly twice as much content as actually gets posted. (120 min.)

7) EDITING. The bane of my existence. The curse that accompanies my love of podcasting. This is where I make a massive cup of coffee, burn a pumpkin spice candle, get super comfy in my blanket, and sit at my computer for half a day. The process starts with taking a raw 2+ hour clip, canceling out the noise, adjusting the volume levels, editing out any unexpected background noise, cutting out any mistakes, ensuring that the audio around the cut sounds natural, fixing mic peaks (usually from laughing), removing “filler words” (Hmm, Ummm, Uhh, etc.), adding the intro and outro music, saving, and exporting. This whole process is pretty much the rest of my day once I get home from my day job. (240-360 min.)

8) Posting and advertising is the final step. We’ve pretty much gotten this down to a science at this point, so it takes a lot less time and effort than it used to. We upload the episode to Soundcloud, which beams it out to other podcasting websites, and then post it out on our social media pages. We also try (sometimes better than others) to create other fan content to keep our social media pages as more than just another reservoir of episodes. (30 min.)

If you add all of that up, it comes out to around 13-14 hours of work a week to generate a 1-2 hour podcast. That means GemTalk is practically a part-time job for each of us, on top of our full-time jobs. However, SU has been a wonderful part of my life that has allowed me to create something with my best friend. The time I spend working on the show is a labor of love, and just hearing that people enjoy listening to us ramble about the show for hours at a time means the world to me. Making GemTalk also provided Ken and I with the opportunity to reach out to the community during conventions and provide help in areas like writing, critical thinking, and (perhaps unexpectedly) cooking. It’s been a wonderful ride so far, and we wanted to reach out to everyone and let them know that it’s not over just yet. 

As stated when I began this (now much longer than anticipated) post, we’re currently holding discussions as to whether or not we should continue making episodes about Steven Universe Future. We’re not opposed to it, so it’s likely we will. Regardless of what we decide, however, please be aware that there will be something to look forward to! We can’t promise exactly when, but it’s likely to be within the next few weeks. I’ll do my best until then to try to keep everyone posted.

As always, love ya’ll and thanks for reading/listening!

- Shane <3

[thatguysamaniac-blog]

In roughly a week a swathe of 30-40 somethings are going to relive and re-start a habit in a bid to re-misspend a misspent youth. There is a swell of hype in niche pockets of the Internet as people get more and more excited for the launch of World of Warcraft Classic. But why? Why is there the familiar toot-toot of the hype-train on the horizon for a product that is over a decade old, has a newer shinier iteration currently out and available to play, and a product that held marmite-like, positive and negative criticism when it was out. Just to clear things up I have bought my ticket (ed: and a train drivers hat, matching t-shirt, undies and socks and the special edition coke cans) and I am on the hype train! I am genuinely looking forward to Classic, but my goals and approach are going to be massively different to it, as will it be for much of the community. So I'm gonna play a little bit of devils advocate here... Upon launch many, many people will just be diving in for the pure nostalgia of the game, and very few of us will (ed: should) spend the amount of time and effort that we previously had done in the original WoW. Especially since because of our demographic, most of us are now grownups* with grownup commitments. Being an adult aside, and just comparing current WoW and Classic WoW, part of what I have seen about why Classic has such a following, it that current WoW (retail) sees a bit of backlash in regard to how it plays nowadays, it is considered "dumbed down", the game has streamlined, homogenised, and refined itself to large degree making interaction minimal, levelling, dungeoning and raiding are all infinitely more accessible, and faster. The game has become easier, where, in classic, you would have to learn an individual enemy boars moves so you know how to kill him before he killed you, now you kill several boars, and don't even have time to read what moves it did on you. Where you used to chat to your guildmates or just general chat and group together and adventure your way to a dungeon, it has now been replaced by a couple of button presses followed by a teleport to the dungeon entrance. In short the game has become more of an action fantasy RPG, than an MMORPG. This is in part Echoed by my friend and fellow WoW classic returnee Joldrath: That being said, as we are all grownups* with grown up commitments, is Retail actually just the game we need for our hectic lives?! Is it WoW for adults? The game is so refined that it now sectioned off up into bitesize chunks, rather than the infamous 16-hour junk food stuffing, poop-socking sessions. As with most things on the Internets nowadays, hype lives in a bubble, and a select few loud voices are the ones that get heard. Does Classic exist just for these voices? Does this only exist for private server people? Is it just for streamers? The private server community and the streamers go hand in hand and the tin foil hat theory is that Blizzard just wanna cash in on this... Private servers have been running for years, and streamers sit on their ad revenue, when Blizz ain't even getting a subscription. Will Classic just be a way to regulate private servers will it be World of Warcraft: public private server edition. Probably. The thing is the WoW from 2004 did not have the influencer/content-creator machine to work with, but it did have a lot more eccentricities, character builds and fun to be had in that fashion, that in all honestly it is going to be a great place for content creation! 15 minute bites of "Look at this build kill this thing" or "10 Paladins take down Ragnaros".  But is that the reason the folks diving into nostalgia want to play it again? Probably not. For me, part of the nostalgia was that this game was emerging, new builds were coming out, people discussed strategies and new patches brought all sorts of shenanigans with them. WoW was a sandbox playground allowing for meta-gaming of all kinds and involving everyone in the community. With WoW Classic we are getting the final patch of WoW, we are getting  "phases" where content is opening up but nothing more, and I think that may be a drop off point for a lot of people, "what's next" is very much a thing in WoW hence the plethora of patches, content and expansions that's essentially kept WoW going and with a few other games created the Games as a Service Hellscape we now live in. What we are getting is a little slice of life, a snapshot of WoW as it existed for maybe a few months (?) and a few things will cycle around it. Yeah, don't worry,  I hear myself "Finally, WoW Classic, what's next?", but that is definitely a thing, and I'm sure it's not just me, I wonder what the hook will be to keep people on if there is nothing around the corner... or is there? One hot topic is, what will happen after the phases? simply a reset and start the phases again? there is debate that based on it's success will Blizz just dive into The Burning Crusade and so on... Or it is also speculated that there could be some horizontal development continuing development but keeping the lvl 60 WoW classic experience, Could we see Death knights join us at lvl 60 or could we see Paladins on the horde side? Maybe some pandas could join the fight? Could we see tweaking to see viable Ret-lol DPS?!?? There was also a suggestion that WoW Classic could potentially enter seasonal play, akin to that of Diablo 3 with buffs and effects and such at lvl 60, changing up gameplay. Personally I would love to lift a couple of the non-gameplay elements from modern WoW, Specifically the overhaul to the character models to make them prettier, and hand-in-hand, I heart my transmogging and would love to allow collecting those looks at lvl 60 be made viable (without the masses and stacks of bank room being used up by mats you need to just go to a dungeon in Classic). In any case I do hope there are plans post final phase, given the world we live in for the effort/time we have made with our lvl 60 this time round, it would be nice to have new challenges and change-ups to actually look forward to. So do we need WoW Classic? Based on my grumpy contrarian ramblings above: all we are getting is a non-updated game intended for private server veterans and content creators that due to its time sink qualities will mostly be inaccessible to the commitment-laden nostalgia crowd that actually want to wallow about there! What is the pull to bring people back and, and then stay back? I am fully a part of the mid-life-crisis-got-commitments-nostalgia crowd, I got shit I need to do! I actually spend my evenings with loved ones rather than skulking in "my mom's basement". I cook food rather than picking away at luke-warm kebab on a Molten Core run etc etc. So why should I look forward to a game known to be a time-sink when I can a similar dopamine hit from Retail or even just any other game. Jesus fucking hell, Richie Who's a Debbie Downer! Ha, well unfortunately much of the above is true and quite honestly when this was announced, I immediately thought and realised this was going to be hyped behind a lot of rose-tinted glasses and to echo my parting statement from this post after the announcement, I was always going to play it, just to dip my toe-in at the very least. WoW was arduous, it was not an easy game. And I had to ask myself a few hard questions like: Why do I want to play that grind again? Can I find the time to play again? Do I even want a faithful recreation of that game from 15 years ago? What do I want from another WoW experience!? And Boom! that was the question that re-ignited my passion to play! Personally I love the Paladin class, I played my Blood Elf Paladin at from the first expansion onwards, but in WoW I (badly) played a Mage. I think what I want from WoW Classic is... Drum roll... ...wait for it... ... "Redemption" ... ... ... geddit? Cuz redemption is the name of a paladin spell?... ...Fine whatever, geez... I want to experience the original paladin or play WoW Paladin: Classic Flavour. I wanna do the Paladin Horsey quests (at least the alliance version), I want to do the multitude of Paladin-ish quests in the game, the Scarlet Monasteries and the Scarlet Crusade through Hearthglen, and on to getting Exhalted with the Argent Dawn. And so I realised that I have almost set myself a Goal, a path to go through the game with My goal will simply be lvl 60 hitting the iconic Paladin quests along the way. As much as I have had a grumble about what WoW classic is and if we need it, but it cannot be denied that when WoW came out it was so impactful on everything (media, games, etc), and perhaps this resurgence of Classic can rekindle some of what sparked that zeitgeist. Wow is old, and that cant be denied, just have a look at her face, her non existent nose, and the world is the same, jagged polygonal models, scenery with seams etc etc. However most of the time it can be very beautiful, Each zone has a different flavour, musical theme, and atmosphere, and its hard to any parallels that rival this even today. And it's Huge, yes you can argue that today its huger, with all of the additional zones being added in, but in all actuality because of the addition of flying mounts the world is just so much smaller. Recently I had a chat with Thatguyer, Doppelganger, discussing about how that leap from 16-bit to 3D was so impressive and awe-inspiring, but nowadays you can almost feel like you are just playing an N64/PS1 game, just with smoother graphics. What is the next leap in games? Where do we go from here? logically it should have been VR/AR, but is too much of an ask for the consumer, despite it being forced into our eyesockets. I would argue that mainstream MMO machine of WoW was a leap at that time, moving to online play but at the same time generating community spirit was a massive turning point for games. The traction it gained led the way for the online console experiences and ultimately the community based games we see dominating the Twitch-osphere. Is there more that revisiting this monolith can change/teach the new generation of people who think playing computer games is a job? As the hype-train has been getting ever closer to its destination, I have had to change my news-getting methods, where I used to haunt/feature on WoW Insider, it is now a shadow of it's former self. I have been looking to Podcasts, Reddit and even joined Discord. In particular I wanna give a shout out to countdowntoclassic.com and a big shout out to the shows host Josh on @count2classic who has kept the hype train running with interviews with Class leaders, the original designers and generally great WoW Classic content! It has been a bit part of what is making me excited about Classic! Anyways right, I guess see you in Azeroth? Love and Seal, Judge, Rave, Repeat. Richie X *Grownups absolutely use the word grownups, we're definitely not three cats in a trench coat, fake nose, glasses and a hat. No sir.

http://www.thatguys.co.uk/2019/08/wow-classic-do-we-need-this.html