#I can't with all the ties

[icedteaandoldlace]

Shipping it already tbh.

[paintedcrows]

"Bill... Can I call you that?" / "You can call me whatever you want except 'My Love'!"

"Ha ha! That's a joke! Everybody loves me!"

Y yo a ti Ford, or whatever. @fearoftriangles pointed out that in the Spanish version of The Book of Bill: Bill says Ford can call him anything but "Mi Amor" instead of anything but "Late for Dinner" and-

...I swear, Spanish translators cannot keep getting away with this

[tapeworrmart]

What if James was always onimously soaked through as a nod to his ending

[egophiliac]

Tl;Dr - I stopped playing the game but I like the characters and I wanna draw them but idk if the wiki I use is up to date for cards

Do u know any wikis that have up to date cards for all the twst characters-

Asking specifically bc of Malleus cause I can't tell anymore if he has any more new cards bc HE DOESN'T EVEN HAVE A 100 DISNEY ANIVERSARY CARD IN THE WIKI I USE 😭

Like compared to everyone else in Disanomia, he has 12 cards (in the wiki I use) and then Lilia has 17 cards 💀

Cause I think Malleus has a Bean's Day card as well, but that could just be a fanmade one, I don't have JP twst nor ENG twst anymore so I can't confirm it myself urhghrhevw 🫠

Malleus doesn't have a Beans Day card, so that would've been fanmade! and the 100 anniversary cards are actually the new round of birthday cards, so most of the characters don't have 'em yet -- Malleus should be getting his in a couple of days, when his birthday event starts! oh god my keeeeeys

I think the wiki.gg stays pretty up to date? it looks to me like they have everything that's currently up through JP, at least. :O I did go through and do a quick count just because I couldn't believe Malleus only had 12 cards, but. he really does have the least...defeated only by Silver with 13...astonishing. we need his gargoyle club wear immediately.

[sixteenthtry]

I hate being on my period bc why THE FUCK am I unironically crying real tears over this picture

[khaotunq]

nipple clamps aside, you know they nasty cus the socks stay on during sex

[baravaggio]

Nana x "Where is My Place in the World? Early Shōjo Manga Portrayals of Lesbianism" by Fujimoto Yukari (tr. Lucy Fraser)

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[fairyroses]

He was about to kill you, Lex. Or divulge something you didn't want me to know.

— SMALLVILLE, "Forever" (4.21)

+ bonus from "Arctic" (7.20):

[a2zillustration]

The final day

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[[ All Croissant Adventures (chronological, desktop) ]]

[[ All Croissant Adventures (app) ]]

[bowenoke]

you'd think a timeloop of mouthwashing would go so hard but unfortunately i think to remain true to the source material. the crew member stuck in the time loop WOULD have to be jimmy

[royalarchivist]

Quackity: Lately, I have been participating in events and projects, and unfortunately it's become clear to me that my presence and name have only been used to attract the attention of my national and international community with the objective, as I see it, of generating more attention towards controversies - destructive controversies, and a rupture that is very clear in the community. [...] In advance, I ask the organizers of any type of events and projects like this to please show more respect to me and my community, because I've shown lots of sympathy and cooperation in these various projects and events, but it's become clear to me that their only interest is in using my name. My name and my community have been used to attract all this attention for distorted purposes, and I will no longer allow that to happen. That is not what my content is about - not me nor my content nor anything I’ve done.

Here's Quackity's commentary on respect and his reasoning for distancing himself and his projects from future events and awards shows.

[ Full Transcript ↓ ]

-

Quackity: Before I leave, I would like to talk about something that is very serious for me and something that I would like to tell you about. Because for me it is a very serious topic and it is a topic that- well, I had my mind on and I want to express it- [reading Chat] yes, thank you. Merry Christmas, Merry Christmas.

Anyways, lately I have been participating in events and projects, and in these events and projects, unfortunately it's become clear to me that my presence and name have only been used to attract the attention of my national and international community with the objective, as I see it, of generating more attention towards controversies - destructive controversies, and a rupture that is very clear in the community, and this is what I want to say: I'm NOT ok with these types of dynamics or stuff like this, and I want to make it very clear to my stream, my community, and everyone that, for this exact reason that I just mentioned, I want to make it clear that I want to distance myself and any of my projects from the Esland Awards, which you all know is coming up.

Sadly, the Esland Awards have been an event with a history of much controversy, a lot of division, and a lot of divisions within the community, and as you guys know, as you know, my content has never been characterized by seeking controversy or divisions or anything like that. It's for this exact reason that I don't want to be involved with these awards.

In advance, I ask the organizers of any type of events and projects like this to please show more respect to me and my community, because I've shown lots of sympathy and cooperation in these various projects and events, but it's become clear to me that their only interest is in using my name. My name and my community have been used to attract all this attention for distorted purposes, and I will no longer allow that to happen. I don't want it to happen. That is not what my content is about - not me nor my content nor anything I've done. That's what I want to make very clear here.

That's about it. I'm going to continue with the projects I'm doing and I want to thank my community so much for the support and love. I appreciate it very much, but I wanted to make this clear - I wanted to make this clear. This is just a topic I wanted to address quickly.

Thank you for all the love and support, I love you all so much.

[shroombies]

The revelation that glRanboo just actually Fucking Died here and got brought back a minute later is fucking me up so bad bc. Hetch says later that you gain that immortality, that ability to come back even after dying during a show, by joining the cast.

It implies glRanboo was already part of the cast from the start. We couldn't even free him in death. Showfall can bring him back any time they want. Fuck .

[dirtytransmasc]

I think I need MelVik connecting when Viktor was on his sick bed. they had been amicable before, maybe a little more than that due to their connection through Jayce and her presence around Hextech and such. but they weren't entirely friends. not yet.

and she goes to see him. perhaps she feels a tinge of guilt at assuming the worst about Jayce, or her bleeding heart makes her feel responsible for keeping Jayce out of the lab when Viktor had needed him. maybe Jayce needs to step out for a moment, and she soothes his worry by promising to sit with Viktor. maybe she just wants to be closer to the man that's so painfully important to the one she loves, wants to befriend him, wants to know him, all before it's far too late.

maybe it's a little bit of each.

but she goes to see him. she sits in the chair that Jayce has nearly worn a hole through, and keeps a semi-awkward distance between them, not knowing what is too close and too far.

this man is dying. he is dying and he has accepted that. he looks like a corpse. cold emanates off of him. he is something she doesn't fully understand.

she doesn't know how to approach.

but she does.

she greets softly and speaks softly and hesitates to touch, but rests a hand over Viktor's and feels how cold he is, even as a sickly warmth brews in his bones, leeching the warmth from his skin and the energy from his body.

he seems surprised she's there. it feels out of place. like the song and dance of their dynamic has shifted, and now he needs to relearn the steps. and now this is a dance of two, not three.

she will tell Viktor, in enough detail to be understood and not enough to be awkward, where Jayce was. because it feels right to confess. it's not an apology, but the avoidance of keeping something like a secret from a dying man.

Viktor will probably just nod and say something self deprecating, because what else do you say when your body is already making a joke of itself? before assuring her that Jayce is not his keeper, that she is not to blame, but even that comes off as some twisted attempt at humor. sue him for being sardonic as he lay dying.

but unlike Jayce, who will cringe at the jokes, she will hide a smile behind her fingers, muffling a soft, if not saddened, chuckle in her palm.

Viktor's eyes will light up ever so slightly.

she'll feel awkward once more. should she have laughed? was this playing into a complex? was this right of her?

Viktor will smile weakly.

she'll feel a little less awkward.

she will realize Viktor needs someone to laugh with. that Jayce, bless his soul, cannot be that person for Viktor. his worry has brewed too long. it's too strong.

but maybe a fresh face like Mel's can be there to smile when Jayce cannot. will laugh when Jayce cannot. can make cheeky jokes and pokes and prods.

the three fit together like 3 pieces of 3 broken puzzles. they fit together, not perfectly, but they fit, and create a finished object, even if off kilter her and uneven there. but it's ok, they're making due.

[theetwinkleboy]

just. came across this panel and got unexpectedly and wildly emotional about aizawa becoming a dad. because like. he cares about his students, he's shown time and time again that he'll push them and fight for them against villains and the media and he'll go to his last breath to protect them but like. they're hero students and he's their teacher and he's tough and strict because he has to be to keep them alive. but then like--

it's morning and he's doing her hair. he's got the hair ties with the little baubles on them and he's doing her hair and she's been through so much crap and aizawa's never shown being demonstrably affectionate or enthusiastic around her the way that izuku and mirio are but like. he's been her dependable quiet shadow every time she's shown up in the manga so far, and he doesn't have to be strict or tough with her because what she needs isn't someone to teach her how to save others, it's someone that she can trust to be there when she needs, someone she can trust to do her hair with little bauble hair ties in the morning.

[wavesoutbeingtossed]

I know you don't like discussing the muses but i love your takes and perspectives and i had to ask you about this. after listening to ttpd, did you have the impression that she really loved matty more than any of her exes/previous relationships?. And listening to the whole album as a whole would you call it the ''matty album'' or do you think there are more prominent themes in there than their period together?. (hope this doesn't bother you, feel free to delete if you don't feel like answering it)

hey anon! You're right, I don't really like to get into the muses as I don't really think there's anything to add to the conversation at this point, and ultimately I don't think it matters.

That being said, and with the caveat that I am not Taylor and I do not know Taylor so I cannot speak to her thoughts and can only make relatively educated guesses based on being an avid consumer of her work and a student of the human condition (lol), no I do not think Taylor loved Matty more than anyone else. I think there was maybe a brief period in the thick of things where she *thought* she did because she was not thinking clearly and was in full-on denial, but to me the message that is loud and clear in the album (and more or less explicitly stated in the epilogue) is that it was not any kind of real love affair. It was certainly infatuation and lust and the promise of something more, and there may have been some love as well, but he was in no way the love of her life by any measure.

I would call it a "Matty album" insofar as they're about events in which he was present, sure. But I feel it much more as a Taylor album, if that makes sense, even though I know that's a cop out because every album is to a degree. I can't explain it well, but I don't see TTPD as a Matty (or Joe) album in the way that I would maybe say Red is a "Jake" album or 1989 may be a "Harry" album or even Lover being a "Joe" album whatever, because even if they don't figure in all the songs, that kind of heartbreak permeates so much of the material.

The thing about TTPD and the Matty situation is that the Matty situation is really a Joe situation (which in some ways is actually partially a Jake situation). I always say I hate treating Taylor like a character so I hate speaking about her and her work in this way, but you don't get the Matty situation without the Joe situation precipitating it. It's @taylortruther's now-infamous donut vs. hole analogy. The reason Taylor makes the choices she does with Matty is directly tied to what happened with Joe that made her feel she needed to. Which is not to say Taylor isn't responsible for her own actions or doesn't have agency in her own life, but I mean it in that the situation in which she found herself with Joe, and the pain it caused, is what made the alternative so comforting and perhaps even necessary in her mind. It's why it makes it so hard to "paternity test" the album, because the stories are inherently intertwined and you don't get the former without the latter.

The major "theme" of the album to me is the loss of a very specific, very personal dream, and the way in which she lost it, and the way in which grieving that loss drove her to make the choices she did. We're all talking very delicately about it because it's a sensitive topic, but it's late on Friday and few people are going to see this, so I'm going to say it: it's the give you my wild, give you a child of it all. The yearning she expresses both overtly and sub-textually for having a family in the album is palpable in a very iykyk kind of way, and it's the realization that those plans are not going to come to fruition in the way she had once imagined that drives a lot of the pain she experiences, and makes her jump at the chance to find that again with someone else.

I started a draft post about the theme of womanhood and motherhood on TTPD three months ago that I never finished because I ran out of time and ran out of steam, but it was the most striking thing to me on the album, not because I didn't know that she wanted those things because that's been obvious for years (definitely since Lover, and again, peace put it all on the table), but because the vulnerability she expressed about it on the album is incredibly moving, and it's so generous of her to trust listeners with those feelings and experiences.

Again, it's the thirtysomething of it all.

She is in relationship A which she at one point believes is forever, one which she at one point believes is going to lead to marriage and children. She is so committed to that dream that she either ignores or tries to fix serious issues that may otherwise lead others to think the two people in the relationship are incompatible, both because she loves the person deeply and because she feels that this is meant to be the way she achieves that dream. She gives it her everything, and it still dies a slow, painful, onerous death, and she feels like it may take her along with it. The dream of getting married and presumably having a family gets taken off the table: how we don't know and will likely never know because that is private between the parties involved. All that matters in the context of the album is that those plans never come to fruition and never would.

Then you have relationship B, an old flame who knows just enough buttons to push both to trigger and to flatter. A person who she presumably trusts with very sensitive, personal information as her life slowly crumbles, and this person is telling her all the things she wants to hear because he knows about what is happening in relationship A because she's told him. Person in relationship B doesn't get an "in" with her and sell her this dream unless what happens in relationship A precedes it. It's not a grand love affair for the ages, it's not a mutual decision on building their own dream together. It's Person B learning about what is happening with Person A and saying "I can do that!" even if he can't or doesn't. The dream he sells her is a rental car; it's not his own, he's just borrowing it from someone else and selling it back to her.

And the reason she falls for it is because it is what she aches for the most in her personal life, and she is grappling with it disintegrating, so she (unfortunately for her) falls for the easy way out, and in turn sells herself a story about how this must be fated, and this must be meant to be, because this person wants all the same things she does and she didn't even have to bargain for it! Well, yes, because she fed him the dream in the first place. (Like a mark falling for a sleeper cell spy.) It's too good to be true because it isn't true. IMO Person B doesn't come running out of the gate with the marriage/baby/dream life promises unless he knows that is what she most desires. But what's left unsaid out of all of it is that: those dreams were her dreams because they were her dreams with Person A. It was a whole life they had together, and a whole life they had planned for in some fashion, and a whole life that has to be dismantled in the aftermath.

So all this to say, yes, on the surface, Matty is a "main character" on the album, but truly he's a side character to Taylor as the narrator and person experiencing it and Joe as the ghost bit-player-who-haunts-every-scene. (Again, I hate referring to real people as characters, it gives me the absolute ick, but in this case it's the only way to answer the question.) I jokingly call it the Matty album for shorthand or when I want to say something out of pocket, but really, it's a disservice to the album to say that because it's not a muse album as in it's about the romance (like, say, Red often is), it's about a soul-crushing heartbreak that goes beyond it. The romance is the symptom, not the cause.

The loss of youth is tied in with all this: she's not 22 anymore. She isn't even 32 anymore. She had a very specific idea of what her life was going to look like at this point and had planned for that life, and it goes up in smoke. But again, to bring the womanhood into it all: there is, unfortunately, a deadline for these things. You're with someone for over half a decade you think is going to be your life partner and father of your children and and then he's not. You spent half a decade building this relationship for it to crumble, but now you're in your mid-30s and you don't necessarily have another half-decade to build that trust and faith in someone else before being ready to start a family. And maybe you're scared that anyone else who may become your partner will need that much time to build that trust and faith, because that's kind of all you've ever know in relationships. But lo and behold, someone comes into your life you once had feelings for and maybe now do again and is offering you everything you want and thought you'd have by this point in your life right now. It feels like an elixir that as we find out is actually poison.

That youth is not just the chance for motherhood, but it's also the hopes and idealism and belief in the future that often gradually erodes as we age. But for Taylor as well, it's also tied into the trauma of what she went through particularly in 2016, which kicks off a lot of things on the album as well (her retreat, her relationship with Joe, the pivoting in her career, etc.). That event caused a pretty clear before/after in her life (like a few other events, I suspect), and another major theme in the album is her finally grappling with the full weight of that. They're all different branches of the same tree of the story of TTPD and her life.

I could talk about this stuff forever, but I'm going to stop here because it's long enough and I should save stuff for one of the dozens of drafts I have half-baked lol. But this is just something I needed to get off my chest perhaps.