#I can do what I love and still have people like it. I don't need to bend over backwards for others to be liked and cared for

[barnacles34]

Professional Hazard (And Blue Tongues)

Karina x Male Reader

9k words

18+ smut

'I expected you to have...'

'Grey hair? Glasses thick as tank armor?' You lean back. 'Let me guess—ancient and decrepit?'

'Something like that.' She toys with her iced americano, ice cubes clinking.

'Get that more than you'd think.'

'Can't imagine why.'

'Sure you can't.'

She straightens in her chair. 'Well? Are you going to ask your questions or what?'

'Did you have something specific in mind?'

'I thought you'd at least come prepared.' The sharp edge in her voice softens, adapting. 'After that email you sent.'

'I am prepared.'

'Do you know who I am?'

'I know you're Karina. I know you agreed to fund my little Italian vacation.' You keep your voice flat, unimpressed.

She laughs, short and sharp. 'They really sent someone who knows nothing.'

'Biographers aren't exactly growing on trees these days. Most of them are busy dying off.' [1]

'That's comforting.'

'About as comforting as your enthusiastic response to my email.'

'Ah.' She smirks. 'My monument to hubris?'

'Your words, not mine.'

'Christ, you're not exactly sunshine and roses, are you?'

'If only you knew.'

'Oh, I think I do.' She leans forward. 'People like me—we're your bread and butter. Desperate enough to take the abuse just to get that book written.'

'Quick study.'

'Experience, darling.' She draws out the last word like stretched taffy.

'If immortality's what you're after, we're off to a rocky start.'

'Not even grateful for the Italian holiday?'

You meet her eyes. 'Bribery's nothing new. Don't expect it to polish your image.'

'Tough nut to crack, aren't you?'

'I have what I need.'

'Meaning?'

'Let me put this delicately: my last subject bought me a year at New York's finest.' [2]

'Fantastic.' She rattles her ice cubes harder.

'You know what I think?' She sets down her drink with deliberate care.

'Enlighten me.'

'I think you enjoy this. The whole "unimpressed biographer" act.'

You pull out your notebook, unhurried. 'That'd make a great chapter one. "Local girl psychoanalyzes writer, lives to regret it."'

'There it is again.' Her smile doesn't reach her eyes. 'Tell me, do your subjects usually last long enough for chapter two?'

'The interesting ones do.'

'And the boring ones?'

You flip open to a blank page. 'They get a lovely rejection letter.'

'Which I didn't.'

'Yet.'

She leans back, studying you. The late afternoon sun catches the edge of her glass, throwing prismatic shapes across the table. 'You really don't care that I could walk away right now.'

'The door's right there.' You click your pen. 'But we both know you won't.'

'Because?'

'Because you didn't spend three months negotiating with my publisher just to storm off over hurt feelings.'

'Maybe I just like wasting time.'

'Maybe.' You meet her gaze. 'But people who like wasting time don't usually have a dozen designer brand sponsorships.'

Something shifts in her expression—surprise, maybe, or respect. 'So you did do your homework.'

'I always do.' You position your pen over the blank page. 'Now, shall we begin with the real questions?'

'Shoot.' She shifts in her chair, the late afternoon sun warming the cafe corner we've claimed.

'Tell me about your sister.'

Her eyebrows lift slightly. 'Not starting with the obvious questions?'

'Would you prefer those?'

'No.' She smiles, genuine this time. 'She's a nurse. Like our mom.'

'Close?'

'Very. She's the only person who still calls me Jimin.' She stirs her americano. 'Probably the only person who can get away with it, too.'

'Why's that?'

'Because she knew me when I was just the quiet kid who'd rather read in corners than talk to anyone. Before all of...' She waves her hand vaguely. 'This.'

'Still prefer corners?'

'Sometimes.' She considers the question. 'There's this tiny bookstore in Seongnam. When I go home, I still visit. They have this perfect spot by the window.'

'What do you read?'

'Whatever catches my eye. Last week it was about sharks.'

You raise an eyebrow. 'Sharks?'

'Don't look so surprised.' She laughs. 'They're fascinating. Everyone thinks they know them, but they don't, not really.'

'Speaking from experience?'

She takes a long sip of her drink instead of answering.

'You don't have to do that, you know.' You set your pen down.

'Do what?'

'Deflect. Turn everything into a metaphor.'

She meets your eyes for a long moment. 'Force of habit.'

'Bad one.'

'Says the person who's been matching my deflections word for word.' A half-smile plays at her lips. 'We're quite the pair, aren't we?'

'Difference is, I'm paid to be difficult.'

'And I was raised to be.' The words slip out before she can catch them. Her fingers tighten around her glass.

You wait.

'You're good at this,' she says quietly.

'At what?'

'Making silence comfortable.' She looks out the window. 'Most people try to fill it.'

'Most people aren't trying to understand.'

She turns back to you, something shifting in her expression. 'Is that what you're trying to do? Understand?'

'Would that be so terrible?'

'No,' she says.

'Progress.' You pick up your pen again. 'Though I've just realized something deeply troubling.'

'What's that?'

'Your americano's been empty for ten minutes, and you're still pretending to drink it.'

She glances at her glass, caught. 'Method acting.'

'Ah yes, the classic "I'm too invested in this conversation to pause for a refill" performance.' You wave to catch the barista's eye. 'Oscar-worthy.'

'Says the person who hasn't touched their...' She leans forward to peek at your cup. 'What even is that?'

'Green tea.'

'Pretentious.'

'Says the person who ordered an iced americano in winter.'

'It's barely spring.'

'Case in point.'

The barista arrives with fresh drinks. Karina raises an eyebrow at your cup. 'Still green tea?'

'I'm consistent.'

'Boring.'

'Strategic.' You take a deliberate sip. 'Can't blame caffeine jitters for whatever honesty slips out.'

'Sneaky.'

'Professional.'

'Same thing.' She stirs her new drink, ice cubes clinking. 'So what's next in your strategic interrogation?'

'Thought we agreed to drop the deflection thing.'

'Old habits. Ten seconds at a time.'

'That's oddly specific.'

'It's how I learned to swim.' At your questioning look, she continues, 'Ten seconds of courage. Then you can panic all you want.'

'Does that work?'

'Got me here, didn't it?' She gestures between you two. 'Letting a stranger with a notebook and suspiciously consistent beverage choices pick apart my life.'

'You could always run.'

'To where? Croatia?' She laughs at your surprised expression. 'What? I have dreams.'

'Of Croatia specifically?'

'Of anywhere that doesn't know my name.'

'That's rather poetic for someone who just called me pretentious.'

'I contain multitudes.' She mock-bows in her seat.

'Walt Whitman now?'

'See? You're not the only one who can be insufferably well-read.'

You make a show of writing something down. 

You flip to a fresh page. 'Tell me about Croatia.'

'Nothing to tell. Just a place.'

'There are plenty of places that don't know your name. Why that one?'

She traces the rim of her glass again, a habit you've started to recognize as her thinking gesture. 'Have you ever seen those old coastal towns? The ones with narrow streets and buildings that look like they're having conversations with each other?'

'Been to a few.'

'I want to get lost in one.' She looks up. 'Properly lost. No GPS, no itinerary. Just... walking until my feet decide to stop.'

'Most people want to be found.'

'Most people haven't spent years being findable.' The sharpness in her voice surprises both of you. She softens it with a smile. 'Sorry. That sounded more dramatic than intended.'

'Don't apologize. It's the first time you've stopped performing since we sat down.'

'I haven't been—' She stops. Laughs. 'Okay. Point taken.'

'Progress. Again.'

'You're keeping score?'

'Always.' You tap your notebook. 'It's kind of the whole point.'

'And how am I doing?'

'In being honest or deflecting?'

'Both.'

'You're averaging about fifty-fifty.'

'Generous scoring.'

'Strategic encouragement.'

'You're good at that.' She stretches slightly. 'Making people think they're in control of the conversation.'

'Are you not?'

'Please. We both know you've been steering this ship since you sat down.' She pauses. 'Though I will say, you're the first interviewer who hasn't asked about my routine yet.'

'Your routine?'

'You know. "What time do you wake up? What's your skincare regimen? How many hours do you practice?" That whole song and dance.'

'Would you like me to ask?'

'God no.' She grins. 'But I'm curious why you haven't.'

'Because routines are what people do. I'm more interested in who they are.'

'And who am I?'

'Still figuring that out. But I know you crack your knuckles when you're nervous.'

She stops mid-crack, caught. 'Observant.'

'Professional hazard.' You lean forward. 'Tell me something real. Not about routines or schedules or practices.'

'Like what?'

'Like what you think about at three AM when you can't sleep.'

She's quiet for a long moment. 'Sometimes I forget what my natural speaking voice sounds like.'

'What do you mean?'

'You spend so many years modulating everything—your voice, your laugh, your reactions—until one day...' She shrugs. 'One day you catch yourself using your "public" voice to order coffee at 3 AM in an empty convenience store, and you realize you can't remember what you used to sound like.'

'And that bothers you.'

'Wouldn't it bother you? Losing something that fundamental without even noticing it was gone?'

'Is that why we're here? Trying to find it again?'

'Maybe.' She smiles, but it's different now. Unpolished. 'Or maybe I'm just tired of having "public" and "private" versions of everything.'

'Including your voice.'

'Including my entire existence.'

'Right.' You snap your notebook shut. 'We're getting gelato.'

—

[1] The suspicious rate at which biographers are "dying off" has become something of an industry joke. Three prominent biographers mysteriously retired after attempting to write about a certain K-pop company's CEO. Totally not suspicious.

[2] The Plaza Hotel, to be specific. Said subject was a tech billionaire whose autobiography mysteriously never made it to print. The hotel suite, however, maintains legendary status among New York's housekeeping staff for its impressive collection of empty green tea bottles and rejection letters.

—

She blinks. 'What?'

'We're walking.' You stand, gathering your things. 'Unless you have somewhere to be?'

'Are you actually asking, or is this another strategic move?'

'Both. Neither. Whatever. Does it matter if there's gelato involved?'

A genuine laugh escapes her. 'Fair point.'

The early evening air hits your faces as you step outside. She pulls on a cap—more habit than disguise.

'Left or right?' you ask.

'You're the one who lives here.'

'Technically, I've been here three days.'

'And you already know where to get gelato?'

'First thing I do in any city. Professional secret.'

'Ah yes, the biographer's handbook. Chapter One: locate ice cream immediately.'

'Chapter Two: never reveal your sources.' You turn left. 'Unless they're wearing a questionably large cap and hiding from their own voice.'

'Low blow.' But she's grinning. 'Also, my cap is perfectly sized.'

'For what? Smuggling library books?'

'That's... oddly specific.'

'Says the person who just quoted Walt Whitman in a cafe.'

You find the gelato place tucked between a bookstore and a vintage shop. The owner, an elderly Italian woman, lights up at your approach.

'Due?' she asks.

'Sì,' you reply, then turn to Karina. 'What's your poison?'

She studies the flavors intently. 'What's the most unusual one?'

'Professional or personal answer?'

'There's a difference?'

'Professional would be something elegant. Personal...' You point to a vivid blue flavor. 'That one tastes like your childhood imaginary friend made a pact with a Smurf.'

She doesn't hesitate. 'Two scoops of that, please.'

'Really?'

'What?' She raises an eyebrow. 'Scared of a little blue tongue?'

'More scared of what my editor will say when the interview notes are stained cerulean.'

Ten minutes later, you're both leaning against a stone wall, gelato dripping in the warm evening air. Her tongue is, indeed, impressively blue.

'Yah! Why are you taking a picture?”

'Your tongue. I need photographic evidence for my editor.'

She complains, ‘self-respecting people would’ve walked a long time ago.’

‘And let me guess-’

‘Correct. Take a picture if you want.’

'Pulitzer worthy.' You take another bite of your considerably more dignified pistachio. 'So tell me about the sharks.'

'You're still on that?'

'You brought up marine biology in a cafe and then mysteriously changed the subject. I'm invested now.'

'There's nothing mysterious about it.' She licks a drop of blue from her knuckle. 'I just think they're neat.'

'That's the worst deflection yet.'

'Fine.' She pushes off the wall, starting to walk. 'When I was younger, I used to think they were lonely.'

You fall into step beside her. 'Sharks?'

'Mm. Always swimming, never stopping. Everyone afraid of them.' She shrugs. 'Stupid kid logic.'

'And now?'

'Now I think they're just... misunderstood.' She grins. 'That was terrible, wasn't it? Like a bad movie line.'

'Terrible. But honest.'

'You and your honesty fetish.'

'Says the person who just admitted to emotionally relating to sharks.'

She snorts, nearly dropping her cone. 'When you put it that way—'

'Oh, I'm definitely putting it that way. It's going in the book.'

'Absolutely not.'

'Chapter title: "The Shark Whisperer”. I can see it already'

She tries to hip-check you, but you dodge, protecting your gelato. 'I'm revoking your creative license.'

'Too late. The mental image of baby Jimin crying over shark documentaries is seared into my brain.'

'I did not cry over—' She stops. 'Okay, maybe once. But it was a very sad documentary.' [1]

The sun is setting now, painting the cobblestones gold. You pass a street musician playing something soft and acoustic.

'Your sister know about the sharks?'

'Of course. She bought me the books.' Her smile turns fond. 'Still does, actually. Sends them to me randomly.'

'Recent ones?'

'Last week.' She finishes her cone. 'She has... interesting timing.'

'Interesting timing?'

'Mm.' She wipes her hands on a napkin. 'Right after I told her about the interview. She sent me one about great whites. Said something about facing fears.'

'Subtle.'

'About as subtle as your interview techniques.' She eyes your notebook, still tucked away. 'Not writing anymore?'

'Memory's better when I'm walking.' You tap your temple. 'Also, harder to write about blue tongues while walking.'

'Still blue?'

'Devastatingly so.'

She sticks her tongue out at a passing window, checking her reflection. 'Oh god, it's worse than I thought.'

'Crisis?'

'Please. I once had to perform with my hair half-green because of a dye mishap. This?' She gestures to her mouth. 'This is nothing.'

'Half-green?'

'Not going in the book.'

'Already mentally drafting the chapter.'

She groans. 'I'm starting to regret this whole walking thing.'

'Because of the blackmail material or the exercise?'

'Both. Neither.' She pauses by a small fountain. 'It's just... nice.'

'Nice?'

'Yeah.' She sits on the fountain's edge. 'No schedule. No plan. Just... walking and talking and eating questionably colored gelato with a stranger who probably thinks I'm having a quarter-life crisis.'

'Are you?'

'Having a crisis or eating gelato?'

'Now who's deflecting?' 

And she pauses again, caught.

She dips her fingers in the fountain water, watching the ripples. 'Maybe I just wanted one normal evening. One conversation that wasn't prepackaged and pre-approved.'

'Mission accomplished, I'd say. Your tongue is literally blue.'

That startles a laugh out of her. 'You're never letting that go, are you?'

'It's going to be a running metaphor throughout the book. Deep, meaningful parallels between blue gelato and the human condition.'

'You're terrible at your job.'

'I'm excellent at my job. I got you to walk around Rome with blue teeth.'

'Is that the measure of success?'

'For this chapter? Absolutely.'

The street lamps are starting to flicker on, and the air has that peculiar Roman evening warmth that begs for a drink.

'Know any good bars?' she asks, as if reading your mind.

'Thought you'd never ask[2]. Fair warning though—my Italian's terrible.'

'Better or worse than your interview skills?'

'Much worse. But I can order Aperol Spritz in seventeen different ways.'

'Useful life skill.'

'More useful than relating to sharks.'

She shoves your shoulder lightly. 'One more shark joke and I'm leaving.'

'No, you're not.'

'No, I'm not.' She grins. 'Lead the way, worst Italian speaker.'

You find a tiny place tucked away from the main streets. The kind tourists don't know about, with mismatched chairs and a bartender who looks old enough to have served Caesar himself.

'Due aperol spritz, per favore.' You ask.

The bartender raises an eyebrow. 'Americano? Il tuo italiano è buono!' (your Italian was… apparently… good.)

'Peggio,' you say. 'Giornalista' 

(‘Worse. Journalist.’)

He laughs, already reaching for glasses. Karina slides onto a barstool, looking around with genuine curiosity.

‘He seems pretty impressed by your Italian.’

‘Oh trust me—he wasn’t. He just wanted to be nice. That’s all. The inflections are quite easy to catch.’

‘Alright, whatever you say. Giornalista—.'

You grin at her cute prod.

'How'd you find this place?' She asks; needless to say, she likes it here.

'Got lost my first night here���–five years ago. It was either come in or keep pretending I knew where my hotel was.'

'And?'

'Woke up knowing exactly where my hotel was. And how to say "I'm sorry" in Italian.'

She laughs. 'That bad?'

'Let's just say there's a reason I stick to green tea now.'

The drinks arrive, vivid orange against the dark wood of the bar.

'To blue tongues,' you raise your glass.

'And bad Italian,' she clinks hers against it.

—

[1] The documentary in question was "Blue Planet II." Her sister still has the receipt for three boxes of tissues and a plush shark from the aquarium gift shop. The plush shark now sits in her studio, wearing a tiny version of her debut outfit. Her company has tried to mass-produce it twice. She's vetoed it both times.

[2] You were never this humble about your Italian until you talked to an Italian nonna. "Qui giace la dignità di un giornalista" (Here lies a journalist's dignity).

—

'Speaking of bad decisions—'

'We weren't.'

'We are now. Tell me about the green hair incident.'

'Absolutely not.' She takes another sip of her spritz. 'Some secrets I'm taking to my grave.'

'Come on. Half-green hair? There's got to be a story there.'

'There is. A great one. You're still not hearing it.'

'I'll trade you.'

'Oh?' She turns on her stool to face you fully. 'What could you possibly have that's worth my green hair story?'

'Remember when I said I learned to say sorry in Italian?'

'The plot thickens.'

'Let's just say it involved a fountain, three angry nuns, and a very patient carabinieri.'

She nearly chokes on her drink. 'You're making that up.'

'Want to bet your green hair story on it?'

'You know what?' She signals the bartender for another round. 'Fine. But if you're lying, you're buying drinks for the rest of the night.'

'Deal.'

'And no taking notes.'

'Now that's just cruel.'

'Professional hazard,' she mimics your earlier tone, then grins. 'Okay, storyteller. Dazzle me.'

The bartender sets down fresh drinks, and you lean in conspiratorially. 'So picture this: my first night in Rome, about five years ago...'

'Wait.' She holds up a hand. 'We need to establish stakes. If this story doesn't involve all three elements—fountain, nuns, and police—you're not only buying drinks, you're telling me where you actually learned to say sorry in Italian.'

'Counter-offer. If my story checks out, I get the green hair story plus whatever happened at that music show in Busan.'

Her eyes narrow. 'What music show in Busan?'

'The one you just reacted to.'

'That's... that's actually impressive.'

'Five years of professional nosiness at work. Deal?'

She clinks her glass against yours. 'Deal. Now stop stalling.'

'Right. So. Five years ago. I'd just finished an interview with this ancient countess at the bar. I mean, it’s the bar. Who else gets to interview a countess at a bar? That’s like crazy Bourdain-level shit right there.’

She nods along. 'Of course you did.'

'Anyway, she invited me to this wine cellar...'

'Oh no.'

'Oh yes. And mind you, I was already quite drunk. And she was very, very insistent about hospitality...'

Twenty minutes and much laughter later, you finish: '...and that's why you should never trust Google Translate to help you apologize to Italian law enforcement.'

She's wiping tears from her eyes. 'The part with the cat—'

'Hand to god. Still have the scars.'

'Okay.' She catches her breath. 'Okay, you win. That was worth it.'

'Time to pay up. Green hair. Spill.'

'Can I have one more drink first?'

'For courage?'

'So I can blame it on the drink.' She waves at the bartender. 'I still can't believe you showed those nuns your interview notes to prove you weren't a street performer.'

'Desperate times.'

'Speaking of desperate...' She takes a fortifying sip of her fresh spritz. 'Ever tried to fix green hair with grape juice?'

'No.'

'Don't.'

'There has to be more to this story than grape juice.'

'Oh, there's so much more.' She settles into her seat. 'Picture this: it's two hours before a live broadcast. I'm sitting in the makeup chair, feeling pretty good about life. You know, like that particular moment where your face just… shines. Then my stylist walks in, takes one look at my hair, and just... screams.'

'Screams?'

'Full horror movie scream. Turns out the hair dye we used was... let's say "not exactly approved by management."'

'Let me guess. DIY job?'

'Worse. My sister's friend's cousin who "totally went to beauty school."'

'Oh no.' You snort, taking a hefty drink of the remaining spritz.

'Oh yes. So there I am, one side of my head this bizarre shade of swamp-thing green, and everyone's running around like it's the end of the world.'

'Which is when someone suggested grape juice?'

'Actually, that was my idea.' She grimaces. 'I'd read somewhere that grape juice could neutralize green tones. What they failed to mention was that this works for swimming pools, not hair.' [1]

'So what happened?'

'Picture a very expensive wig, three cans of dry shampoo, and me trying to explain to the camera director why I couldn't turn my head to the left.'

'Did it work?'

'Define "work."' She takes another sip. 'If by "work" you mean "did I make it through the broadcast without anyone seeing the grape-juice-tinged disaster," then yes. If by "work" you mean "did I maintain any dignity," then absolutely not.'

'The fans never found out?'

'Oh, they did. Someone leaked a backstage photo three months later.' She grins. 'By then I'd managed to fix it. Mostly.'

'Mostly?'

'My sister still has a strand of green hair she saved. Threatens to post it whenever I don't answer her calls.'

'Effective.'

'Terrifying.' She raises her glass. 'Your turn again. What's the worst interview you've ever done?'

'Besides this one?'

She kicks your chair. 'I'm delightful and you know it.'

'You're something, all right.'

Three drinks in, and the bar's emptied enough that her laugh echoes a little too loudly. She covers her mouth, but it's too late – the old bartender shoots them an amused look.

'Sorry,' she stage-whispers.

'For what? The laugh or the fact that it just shattered three ancient Roman wine glasses?'

'Shut up.' She kicks your chair again. 'I don't always laugh like that.'

'Let me guess – there's a public laugh and a private laugh?'

'There's a whole taxonomy.' She sits up straighter, counting on her fingers. 'Interview laugh, variety show laugh, fan meeting laugh, oh-that's-not-actually-funny-but-you're-my-sunbae laugh—'

'Please tell me you're joking.'

'I wish.' She slumps forward, head on her arms. 'I once had to attend a laughing seminar.'

'A what now?'

'A laughing seminar. Professional instruction on the art of the public giggle.' Her voice is muffled against her sleeve. 'There was a PowerPoint and everything.'

'You're making this up.'

She lifts her head. 'I spent three hours learning about laugh-adjacent breathing techniques while a woman named Mrs. Kim hit a triangle every time someone laughed "inappropriately."'

You stare at her. She stares back.

'That's the most horrifying thing I've ever heard,' you say finally.

'I know.' She dissolves into another too-loud laugh, this one definitely not seminar-approved. 'God, I can still hear that triangle.'

'Is that why you're here?'

'Getting drunk with a biographer in Rome? No, that's just poor life choices.'

'Speaking honest truths to a stranger?'

'Oh.' She straightens up, but there's still something loose in her smile. 'Maybe. Or maybe I just really needed to tell someone about Mrs. Kim and her triangle of terror.'

'Triangle of terror.' You shake your head. 'That's going in the book.'

'Along with the blue tongue and green hair? You're really painting a picture here.'

'It's called character development.'

'It's called character assassination.' She signals for water. 'What else are you putting in there?'

'Wouldn't you like to know.'

'Actually, yes. That's literally why I'm asking.'

'Fine.' You pretend to flip through your mental notes. 'Chapter One: Sharks and Empathy—'

'Oh my god.'

'Chapter Two: The Grape Juice Incident—'

'I'm starting to regret everything.'

'Chapter Three: Laugh Taxonomies by Aespa’s Karina—'

'I hate you.'

'Chapter Four: Why Romans Don't Trust Her With Fountains Anymore—'

'That was you! That was literally your story!'

'Was it? Everything's getting a bit fuzzy.' You tap your temple. 'Must be all that professional memory I was bragging about earlier.'

She throws an olive at you. The bartender clears his throat.

'Sorry,' you both say in unison, then look at each other and start laughing again.

'You know what's really funny?' she says, once you've both contained yourselves.

'Mrs. Kim's triangle?'

'Besides that.' She accepts the water from the bartender. 'This is probably the worst interview you've ever done.'

'Oh, definitely.'

'And yet...'

'And yet?'

'It's the most honest one I've given.' She pauses. 'God, that sounded way less cheesy in my head. Must be the spritz talking.'

'Blame it on the altitude.'

'We're at sea level.'

'Blame it on the sea level.'

'You're ridiculous.' She's grinning though. 'Is this how all your interviews go?'

'Usually there's less gelato. More gravitas.'

'Gravitas is overrated.'

'Says the woman who attended a laughing seminar.'

'Hey, I'll have you know my triangle-approved giggle is very dignified.'

'Prove it.'

She sits up straighter, arranges her features into something serene, and lets out the most artificial laugh you've ever heard. It's so pristine it's almost disturbing.

'That was horrifying.'

'That was three hours of professional training.'

'I'm concerned about your profession.'

'Join the club.' She relaxes back into her natural posture. 'We have meetings every Tuesday. Bring your own triangle.'

The bartender slides over the check with a knowing look. Last call came and went without either of you noticing.

'Well,' you say, reaching for your wallet. 'I suppose this is—'

'Wait.' She puts her hand on your arm. 'I have a confession.'

'Another one? The green hair wasn't enough?'

'I read your book.'

'Which one?'

'The one about the ballet dancer who quit to become a motorcycle mechanic.'

'Ah.' You sit back. 'And?'

'And I maybe, possibly, completely changed my mind about this whole interview when I read it.'

'Because?'

'Because...' She fidgets with her empty glass. 'You made her sound so... human.'

'As opposed to?'

'A story. A headline.' She traces a pattern on the bar top. 'Most people would've written about the scandal, the career she "threw away." But you wrote about how she names each motorcycle she fixes. How she still dances in her garage at midnight.'

'Ah. That.'

'That.' She looks up. 'Is that why you haven't asked me about any of it?'

'Any of what?'

'Don't play dumb. The headlines. The speculation. The—'

'The triangle-approved responses you've probably rehearsed?'

She laughs, caught. 'Something like that.'

'Here's the thing about headlines.' You start gathering your things. 'They're usually more interesting than the truth.'

'And what's the truth?'

'That sometimes people just want to eat blue gelato and tell embarrassing stories in a bar and talk a biographer’s ears off.'

She kicks your chair again, barely noticeable. 'Even if those stories end up in a book?'

'Especially then.' You stand, offering her jacket. 'Though I might need you to sign a waiver about the grape juice incident.'

'I knew it! You are using it!'

'Chapter title: "The Perils of Amateur Chemistry: A Cautionary Tale."'

She shrugs on her jacket, shaking her head. 'You're impossible. That AI flair was so intentional'

'Says the woman who legitimately attended a laughing seminar.'

'I'm never living that down, am I?'

'Not as long as I have a functioning memory and a publishing contract.'

The Roman night is warm as you both step out of the bar. She stumbles slightly on the cobblestones.

You offer a hand which she quickly grabs.

'Don't you dare put that in the book,' she warns.

'Put what? The graceful interpretation of contemporary dance you just performed?'

'These streets are rigged.' She steadies herself. 'Also, your hotel's this way.'

'How do you know where my hotel is?' You’re not exactly one to remember locations, probably the reason you were able to gain such a repository of ridiculous stories.

'Because it's my hotel.' She grins at your expression. 'What? You think you're the only one who does research?'

'I'm concerned about your stalking tendencies.'

'Says the person who somehow knew about the Busan incident.'

'Professional hazard.'

'You really need new catchphrases.'

The walk is quiet, comfortable. Rome at night feels like a different city—all golden lights and shadow play. A cat watches you pass from its perch on a window sill.

'Don't even think about it,' she says.

'About what?'

'Making some poetic comparison between me and that cat.'

'Please. I'm a much better writer than that.'

'Sure you are, shark whisperer.'

You reach the hotel entrance. She pauses.

'Well,' she says. 'This has been...'

'Professionally catastrophic?'

'I was going to say enlightening.'

'That too.'

The hotel lobby is all marble and soft lighting. Your footsteps echo slightly.

'I have a balcony,' she says suddenly. 'And a really pretentious coffee machine I can't figure out.'

'Is this a cry for help with appliances?' 

'This is...' She fidgets with her room key. 'This is me not wanting the interview to end yet.'

'The interview ended somewhere between blue gelato and the triangle story.'

'Then what's this?'

‘Believe or not, some people just like having fun on their Italian vacation.’

‘Haha. Very funny.’

'This is...' You pretend to consider. 'Two people who might be friends if one of them wasn't writing a book about the other.'

'Complicated.'

'Professional hazard.'

'There's that phrase again.' She presses the elevator button. 'Come on. I'll teach you how to laugh properly.'

'With or without the triangle?'

She steps into the elevator. 'Depends on how good you are at making coffee.'

'Now who's the impossible one?'

The doors start to close. She holds them.

'Coming?'

You join her in the elevator. 'For the record, I'm excellent at coffee.'

'For the record,' she mimics your tone, 'that's going in the book.'

Her room is on the top floor, with a view that makes you understand why people write poetry about Rome.

'So,' she says, fighting with the coffee machine. 'This button makes it angry, and this one makes it hiss.'

'Move over, amateur.' You reach around her to press a combination of buttons. The machine purrs to life.

'Show off.' But she's smiling as she heads for the balcony. 'Bring your coffee wizardry out here when it's ready.'

The balcony is small, just enough room for two chairs and all of Rome spread out below. She's curled up in one chair, shoes off, looking more real than she has all day.

'Your professional opinion,' she says as you hand her a cup. 'Is this going to be a good book?'

'Depends.'

'On?'

'On whether you let me keep the shark metaphors.'

She laughs into her coffee. 'You're never letting that go.'

'Never.' You take the other chair. 'Though I might be willing to negotiate.'

'Terms?'

'Tell me something nobody knows. Something that won't make the book.'

She's quiet for a moment, looking out at the city lights. 'I sing in the shower.'

'Everybody knows that.'

'No, I mean...' She turns to face you. 'I sing the old songs. The ones I used to practice when I was just some kid in Bundang with a dream too big for my voice.'

'And?'

'And sometimes I still feel like her. That kid. Especially at night, in foreign hotels, when the city feels like it belongs to someone else.'

'Especially at night, in foreign hotels, when the city feels like it belongs to someone else.'

'Wow.' You let out a low whistle. 'That was incredibly profound.'

She groans, covering her face. 'I know. I'm sorry. That was straight out of a drama script.'

'I was thinking more indie movie. You know, the kind where people have deep conversations on balconies in Rome at—' you check your watch, '—one in the morning.'

'Oh god, we're living a cliché.'

'Complete with coffee and two chairs overlooking Rome.'

'Quick,' she straightens up, 'say something unprofound. Save us from ourselves.'

'My tongue is still kind of blue.'

She peeks at you over her coffee cup. 'Mine too.'

'Better?'

'Much better.' She slouches back in her chair. 'Though now I'm thinking about how this would look in your book. "Two idiots with blue tongues have existential crisis on expensive balcony."'

'Don't forget the part where one of them somehow charmed a coffee machine.'

'And the other one used to sing in her shower.'

'Still,' you correct. 'Present tense.'

'Still,' she admits. 'But if you put that in your book, I'll have to tell everyone about your fountain incident.'

'Mutually assured destruction. I like it.'

She yawns, then looks embarrassed. 'Sorry. It's not the company, it's—'

'The five Aperol Spritzes?'

'That. And the emotional toll of remembering Mrs. Kim's triangle.'

'Tragic backstory,' you nod solemnly. 'Very character-building.'

'Speaking of character-building...' She sets down her empty cup, turns to face you fully. 'This is usually the part in your books where something significant happens.'

'Is it?'

'Mm. Chapter twelve. Always a turning point.'

'You really did read my books.'

'I told you that already.' She's closer now, somehow. 'What I didn't mention was that I figured out your pattern.'

'My pattern?'

'The way you write moments like this.' Her voice is soft. 'When everything gets quiet, and the city's just background noise, and someone's about to do something...'

'Inadvisable?'

'I was going to say brave.'

'Brave is just inadvisable with better PR.'

She laughs, barely a whisper. 'You're deflecting again.'

'Professional—'

'If you say "hazard" right now,' she cuts in, 'I'm going to throw you off this balcony.'

'That would be...'

'Inadvisable?'

'I was going to say "terrible for my book sales."'

She's definitely closer now. 'Your book sales are about to be the least of your problems.'

'Because you're going to kiss me or throw me off the balcony?'

'I haven't decided yet.'

'Well,' you murmur, 'for what it's worth, one of those options would make a much better chapter twelve.'

She closes the distance between you, smiling against your lips. 'Professional hazard.'

You and Karina shared an instant spark that neither of you had experienced. Ever. The moment that first tease left your mouth, it was over.

—

[1] The sentiment of grape juice being able to eliminate green tones turned out to be completely unfounded. Despite this, wine sommeliers around the world have complained about Koreans with their distinct accent asking about grape juice’s ability to change colors.

—

The kiss tastes like coffee and Aperol and something sweet—probably the remnants of that ridiculous blue gelato. It's soft and quiet and perfect, the kind of moment that would sound made up in a book.

She pulls back slightly. 'Your editor's going to hate this.'

'Definitely.' You tuck a strand of hair behind her ear. 'Completely unprofessional.'

'Thoroughly inadvisable.'

'Absolutely perfect for chapter twelve.'

She kisses you again, and Rome keeps existing below, indifferent to your small moment of magic. Somewhere in the distance, a church bell chimes twice.

'You know,' she whispers, 'this is usually where you'd write something profound about the city of love.'

'That's Paris.'

'Now who's deflecting?'

'Still you. But I'm starting not to mind.'

She laughs, soft and real—definitely not triangle-approved—and rests her forehead against yours, your breaths intermixing, plenty of intimate eye contact. 'Is this going in the book?'

'What do you think?'

'I think...' Her fingers find yours. 'I think some stories we get to keep for ourselves.'

'I think some stories we get to keep for ourselves.'

'Even after I charmed your coffee machine? That's cold.'

She makes a face. 'You're really bringing up coffee machine prowess right after—'

'Right after you thoroughly compromised my journalistic integrity? Yes.'

'Your journalistic integrity was compromised the moment you let me eat blue gelato.'

'My journalistic integrity was compromised the moment I saw you.' You run your thumb across her knuckles.

Her eye contact wavers and her voice falters, ‘Gosh, you’re such a player.’

‘Flirting has never come so easily before.’ You whisper against her mouth.

'Oh really?'

'Obviously.'

'Which was?'

'Stare at that blue tongue some more.’'

She shoves you lightly. 'You're terrible.'

'And yet.'

'And yet.' She settles on your lap, the forehead to forehead more natural now. 'So what happens now?'

'Well, traditionally, this is where I'd write something about dawn breaking over the eternal city—'

'Please don't.'

'—with golden light catching on ancient stones—'

'I'm begging you to stop.'

'—as two souls find each other under the Roman sky—'

She claps a hand over your mouth. 'I will literally pay you to not finish that sentence.'

You kiss her palm before she pulls it away. 'Isn't that technically bribery?'

'Add it to the list. Right after "compromised journalistic integrity" and "suspicious coffee machine expertise."'

'Speaking of compromising situations...' You glance at your watch. 'It's almost three AM.'

'Worried about your reputation?'

'Worried about your triangle-approved schedule.'

'Bold of you to assume I ever sleep.' She stands, stretching. 'Want to order terrible room service and you can tell me about all the other journalists you've scandalized?'

'That's a very short list. Very enticing regardless.’ 

'Good.' She holds out her hand.

The night air has turned cooler, carrying the faint scent of jasmine from somewhere below. Her fingers trace the collar of your shirt, hesitant but deliberate.

'What happened to room service?' you murmur.

'It can wait.' Her eyes meet yours, playful but wanting. 'I'm conducting my own interview first.'

This kiss is different from the first. Slower, more certain. The city hums below, a distant lullaby of late-night cars and echoing footsteps. When she sighs into the kiss, it's the softest sound you've ever heard. When she falters against your forceful touches, it’s the softest you’ve ever felt a woman.

She pulls back just enough to breathe, her forehead resting against yours. Her heartbeat is quick under your palm.

'Better than chapter twelve?' she whispers.

You catch her lips again in answer, feeling her smile. The wind stirs her hair, sending strands brushing against your cheek. Everything smells like jasmine and coffee and her perfume—something subtle and expensive that you'll probably spend the rest of your life over-romanticizing.

Because that’s what Karina deserves.

Rome stretches out endless and ancient around you, but all you can focus on is how perfectly she fits against you, how real she feels away from cameras and crowds.

Your lips find hers in the dark, soft and certain now. Her fingers trail up your neck, threading through your hair, pulling you closer. There's an art to the way she kisses—deliberate yet desperate, like she's trying to memorize the moment. Your hands settle at her waist, and she makes a small sound that you know you'll remember forever.

Her lips part against yours, deepening the kiss until you're both breathless. The balcony railing presses into your back—when did that happen?—and her body is warm against yours, fitting perfectly in all the spaces between.

Her teeth graze your bottom lip, teasing. You respond by trailing kisses along her jaw, feeling her pulse jump under your lips. When you find that sensitive spot just below her ear, her sharp intake of breath makes you smile against her skin.

She pulls back just enough to meet your eyes. Her lips are slightly swollen, her careful composure beautifully undone––hair spread everywhere, but just so that she looks ethereal rather than messy. You brush your thumb across her lower lip, and she catches it with her teeth, playful even now.

‘Still planning to put this in chapter twelve?’ she whispers, breathless.

Your answer gets lost somewhere between her lips and… her lips.

Her laugh vibrates against your lips when you finally break apart. ‘We should probably—’

‘Go inside?’ Your lips find the curve of her neck again.

‘I was going to say breathe.’ But her head tilts back, giving you better access. Her pulse flutters under your kiss like a trapped bird. ‘Though inside works too.’

You pull back just enough to look at her. Hair mussed, eyes bright, that perfect composure completely undone. She's never looked more beautiful than she does right now, with the city lights catching in her eyes and her professional smile nowhere to be found.

‘What?’ she asks, suddenly self-conscious.

‘Just thinking.’

‘About?’

‘How this definitely isn't going in the book.’

Her smile turns mischievous. ‘No?’ Her fingers trace patterns on your chest. ‘Not even a little mention of how you completely forgot about journalistic integrity the moment I—’

‘Then chapter 12 would entirely consist of me betraying my profession in order to catch your lips with my teeth.’

‘Wow. You’re bad. Like, real bad.’

‘You have no idea.’

You cut her off with another kiss, swallowing her laugh. Her hands slide up your chest, around your neck, pulling you impossibly closer. The world narrows to just this: her lips on yours, her body pressed against you, the soft sounds she makes when you run your fingers down her spine.

‘Inside,’ she murmurs against your mouth. ‘Before we really give Rome something to talk about.’

You let her lead you through the balcony doors, both of you stumbling slightly, unwilling to break contact. She tastes like promises now, like stories yet to be written. Her hands are everywhere—your hair, your chest, your face – like she's trying to read you by touch alone.

‘Wait,’ you manage, as her lips find that spot below your ear that makes thinking difficult. ‘What about—’

‘If you mention room service right now,’ she warns, ‘I'm going back to my original plan of throwing you off the balcony.’

‘I was going to say 'what about your triangle-approved image?'’

She pulls back, eyes dancing. ‘Oh, that?’ Her lips brush yours, teasing. ‘I think we thoroughly compromised that at the first meeting.’

"Professional hazard?"

"Shut up," she whispers, and kisses you again.

She sighs into your mouth, a soft, vulnerable sound that makes your heart stutter.

Her fingers tangle in your hair, nails scraping lightly against your scalp, sending shivers down your spine. You walk her backward until she's pressed against the wall, her body arching into yours.

You trail kisses down her neck, learning her— the spot beneath her jaw that makes her gasp, the curve where neck meets shoulder that makes her fingers tighten in your hair. Her pulse races under your lips, a rapid drumbeat that matches your own. When you find a particularly sensitive spot, her sharp intake of breath is the sweetest sound you've ever heard.

She tugs you back up to her mouth, kissing you like she's trying to tell you something words can't capture. Her lips are soft but insistent, moving against yours with a rhythm that makes you dizzy. One of her legs hooks around yours, pulling you even closer, and you groan into her mouth.

Her hands frame your face now, thumbs stroking your cheeks as she kisses you deeper, slower, like she's trying to memorize every second. You respond in kind, pouring everything you can't say into the kiss—how beautiful she is like this, how real, how perfectly she fits against you.

When you finally break apart, you're both breathing hard. Her lips are swollen. You rest your forehead against hers, sharing the same air, neither of you willing to move away.

"Still thinking about the book?" she murmurs, voice husky.

You answer by catching her lower lip between your teeth, gentle but playful, and feel her smile against your mouth.

Her smile against your mouth turns into a soft laugh. "I'll take that as a no."

‘Take it as whatever you want.’ Your lips find her temple, her cheek, the corner of her mouth. ‘I stopped thinking about the book long ago.’

She hums contentedly, her fingers tracing patterns on the nape of your neck. ‘Good.’ Her other hand is still tangled in your shirt, keeping you close. ‘Because I have a confession.’

‘Another one?’

Instead of answering, she kisses you again, slow and deep. Her tongue traces your lower lip, and you respond by pressing her further into the wall, swallowing the small sound she makes. One of her legs is still hooked around yours, and when she shifts slightly, the new angle makes you both gasp.

‘That wasn't a confession,’ you murmur against her lips.

‘No?’ Her teeth graze your earlobe. ‘I thought I was being pretty clear.’

Your hands slide to her waist, steadying her. She's intoxicating like this, all careful control abandoned, her public persona nowhere to be found.

‘Jimin,’ you breathe, and feel her shiver at the sound of her real name.

Her response is to pull you closer, kissing you like she's trying to say everything without words. Her lips are soft but certain against yours, and you lose yourself in the feeling—the warmth of her body, the subtle scent of her perfume.

The city continues its nighttime symphony outside, but in here, the only sound is your shared breathing and the soft, desperate noises she makes when you find that sensitive spot on her neck again.

She pulls back slightly, just enough to meet your eyes. In the dim light, her gaze is soft, unguarded. Her thumb traces your lower lip.

‘What?’ you ask, voice rough.

‘I'm trying to decide something.’

"Whether to throw me off the balcony? Because I thought we moved past—"

She cuts you off with another kiss. Her hands cup your face, holding you there as she explores your mouth with a thoroughness that makes you dizzy. You respond by feeling her firm and perky ass.

‘No—,’ she moans when you break apart for air. ‘I'm trying to decide if this is real.’

Instead of answering, you trail kisses down her neck, feeling her pulse jump under your lips. Her head falls back against the wall, giving you better access. When you reach her collarbone, she makes a sound that's half-sigh, half-moan.

‘Feels real enough,’ you murmur against her skin.

Her laugh is breathy, unsteady. ‘I meant—’ She gasps as you find a particularly sensitive spot. ‘I meant this. Us. This whole night.’

You lift your head to look at her. Her lips are swollen from kissing, her carefully styled hair a mess from your fingers. She's never looked more beautiful.

‘If you think I did all of this for the fun of it, you’re clearly missing something.’

‘A gear in the head?’

‘Definitely—’

‘Gosh, how do I allow this sort of petulance?’

‘Because it’s me.’

‘You’re a player.’

‘Only for you.’ You catch her lips, even more wanting—and she forfeits it all. 

You pick her up, mussing up her perfect outfit, mussing up her perfect lips. And you finally throw her against the bed.

‘You’re really roughing up Prada’s global ambassador.’

‘And ambassador to a dozen other brands worth billions—couldn’t care less.’’ 

She smirks, and her arms open, waiting, pliant, obedient.

You rip off your buttoned shirt, tear off your pants; now, there’s truly no way of going back.

‘Wow. That scar is a lot larger than I imagined.’ She’s referring back to the scar that you received during that drunk haze of a night.

‘It was dark. Might’ve even been a lion.’ 

‘Mm. Heroic. Come here.’

Now, who could ever resist that?

You rip off her clothes, each layer even more decadent than the other. And then, she was there. bra barely containing her breasts, and a layer of dampness along her sexy panties.

‘That was expensive, by the way.’

‘I’ve got a payment plan on course.’

‘Mm. Enlighten me.’

You pull her panties to the side.

She’s dripping wet, nectar spooling right on her pink core. A glorious sheen that makes you stare far longer than you should’ve. She’s red-faced at this point, and her forearms cover most of her sight, and yet, she doesn’t move, doesn’t retreat. 

The first lick you place, just a brush against her engorged clit, crumbles every self-regulated triangle-approved behavior she has. Two pants turn fifty, one lick crumbles everything. Her hips coax you in ways gymnasts can’t even replicate, and of course, you oblige.

Soft licks, teases around her outer lips, swollen from all the anticipation and arousal; tonguing at her inner lips, just at the crux of her clit, gets her screaming in ways her deep voice would never register; and above all, she’s orgasming, squirting, losing every pretense in favor of her built up lust. 

‘Oh~fuck—’

Her fingers find purchase in your hair, and she softly pulls you in—rides your face like it was all that she ever desired: her eternal wish.

‘Ohmygod! Imcumming!’ Her voice turns mousy, and her pupils go back in pure pleasure, coupled with hip movements thought impossible: this was the greatest pleasure of her life.

You grab her chin, squeeze softly, her cheeks molding to your grasp, and you press a soft kiss right on her kiss-bruised lips. You let her taste herself on your tongue.

‘Good. Right?’

And she nods. A complete personality switch from the playfulness she displayed earlier. Delicate.

Her hands land on your boxers as she melted into your kiss. Once you felt her palm your cock, you groaned right in her ear. She starts softly, stroking. But her strokes grow more all-encompassing as you press harder into the kiss.

‘Fuck. You’re so good for me.’

She mewls back, on the gradient slide of unadulterated pleasure.

Softly, you release your shaft from the boxer. And you press your cock right on her core. Feeling the wet heat, the sticky nectar that pooled to a mindbreaking degree. 

‘It goes without saying.’

‘That I’m head over heels for you?’

You grin, ‘Well, that too, but you’re hopeless.’

‘Maybe if we weren’t so compatible.’

You grab a breast, palming it, ‘Well that, that too, goes without saying.’

She smiles, so warmly, every trace of everything else melted off her face––the sort of smile you’d never forget, and the sort of smile you’d want to wake up to… forever.

Finally, you press into her, and her wet heat envelops you, enough to make you groan, enough to make her moan like there’s no greater pleasure––because really, there’s nothing else.

Her pussy clings onto you, a wet suction that is immeasurably soft and yet, a vacuum-seal-like tightness that gets you groaning after every thrust.

Her arms cling to you, and her eyebrows knit, her small face full of emotion—all of it processing how good you fuck her.

‘Oh god. Would it be bad that I want you to declare to the world that you own me?”

‘Chapter 12—’

She cuts you off, ‘Something along the lines of: “Chapter 12: Karina is my fuckslut”’ 

‘I don’t tolerate Karina disrespect.’ You say, truthfully.

‘Even if it’s by myself?’

‘Especially for that case, sweetheart.’

‘Oh… you’re too good.’

‘You’re blind.’

Most popular idol in the world, and… she’s hopelessly down bad for you.

‘If I’m blind. Then you don’t have eyes—complete darkness.’

‘We’re two of the same.’

‘I’m your biggest fan.’

‘We’re two of the same.’

‘I love you.’

‘You have a way with words, Karina.’ You reply, pressing soft kisses along her jaw, whispering sweet nothings into her ear, thrusting into her harder, sharing breaths.

‘You’ve inspired me.’

And you lock lips with her, the thrusts were becoming a blur, and her moans music to your ears—it was all just… heaven.

There was no technique. Nothing too purposeful. It was all just pure affection, pure love guiding all your actions. And the fact that she’s cumming again was no coincidence.

‘Oh. My. Fucking. God!’ Her head goes back deep into the pillow and you follow suit. Pressing soft kisses that covered every square centimeter of her beauty, kisses that made her giggle even in her most orgasmic moment of her life. 

‘If I knew anything that felt like this… I’d be doing it constantly.’

‘Well—’

‘That’s right,’ Karina gives a soft peck, ‘I have you now.’ 

You could feel her heartbeat, her skin precipitate, and her cunt pulse—it’s just heaven at this point. 

‘Are you trying to convince me to follow you?’

‘2 years, finest in New York.’

‘Deal. Though you overbid a little.’

‘Meaning?’

‘Means anything you want, dear.’

The soft slick of her cunt made it nearly frictionless, just pure pleasure for both parties. Her hips gave way every time, an identity of its own, retreating when you thrust too hard, giving in when softer.’

‘Is this like a sugar mommy situation?’

‘Two words I never expected you to say.’ You both share a laugh.

‘I mean that’s what it is right?’

‘A power imbalance? Please. I can get you to buy a New York penthouse for me at this point.’

‘Well. You’re right. But—’

You bring your cock to the hilt inside of her, whilst stealing her lips for a deep kiss. She moans and mewls and gasps—music to your ears. You change positions. You bring her legs to your shoulders, and you begin kissing along her ankle while thrusting inside of her.

This time, you can see the full view. How her breasts bounce against the thrusts, how her slick has completely covered your entire length at this point, and how beautifully her face is framed between it all. 

Her mouth’s agape, moaning, giggling intermittently with the jokes shared through eye contact. You bite softly at her ankle then down her legs, to her calves, then releasing her legs altogether to kiss her again.

She fits perfectly against you, small and delicate but the perfect puzzle piece under you. She’s absorbent, aware of your needs, placing soft kisses along the ridges of your eyebrows, rubbing away the day’s fatigue along your jaw and temple. 

‘I love you.’

‘I love you too.’

‘I didn’t hear.’

You press against her, feeling her breasts spool against your chest, bring your thrust to the hilt, the wetness of her loins pressed against yours, all of them vividly apparent. ‘I love your beauty. I love your humor. I love how clever you are. I love how authentic you are. And I could continue on and on but I’m about to cum.’

Karina sniffled, ‘God, I was about to cry and then you say that.’ She softly smacks your shoulder, ‘just cum inside me and let’s cuddle.’

You oblige, the thrusts turn into a haze of pure pleasure, a desperate moment chasing the local maxima, and finally, you burst inside of her. Cum spooled, all inside her, and she moaned so gracefully, staring at you with all the affection in the world.

‘We can worry about this tomorrow.’ She palmed your jaw.

‘Of course.’ You fall onto her, cuddling her.

Both of you are a mess, gross, bodily fluid spread everywhere, and yet, the both of you fell into a deep slumber.

A/N: I'd like to apologize for switching up styles so much (But if you enjoyed this dialogue-heavy work, then lmk!)

[theforestknowsmydreams]

there was even really big good stuff! it got a bit way too long, but it's also very happy, so i'm leaving it below

context: my family is messed up. i grew up with my mother, and she eventually forbid me from contacting my father (who then passed) and would never miss an opportunity to talk bad about his side of the family. before 2024, the last time i saw them was 2016.

i gathered all my courage, and sent them all an email. my dad's siblings, and his step-mom (my godmother). that email was also how i came out as trans to them all. i was terrified. not long after, they all responded. how they were so so happy to hear from me, how they would of course love to meet up someday, what a question, and using my correct name and pronouns.

we set the date for our first ever family reunion. late march, my father's birthday. it was so scary. i hadn't been to the city we were meeting in since 2018, when i (unsuccessfully) tried to locate my father's grave on my own. i was also going to share a hostel room with strangers, so you can imagine the sheer dread i felt.

coincidentally, a (at the time new) beloved mutual was going to be in the same city about a week prior, to go to see a band we both like live. he encouraged me to also go to the concert, and we shared a room in the same hostel i was gonna be in after he left the city again, so i got a chance to check out the vibes and get used to it.

the concert was absolutely amazing, i made a lot of new friends and acquaintances, just, 10/10. can't wait to do it again. it also gave me the confidence to later hit up my older brother, who lives in the same city and who i also had not seen since 2018.

my brother and i met, and it was perfect. now that we were both adults we could talk about topics he previously avoided, like our childhoods, things we went through, relationships, etc. we talked for over 6 hours until i went back to the hostel. both of us are still using the photo we took together as our whatsapp profile picture.

meeting my dad's family was a little more daunting, but the fear quickly disappeared. my godmother had brought an old photo album of me that my late grandfather had kept, and we went through the pictures together. there was a lot of pictures of me with my dad i had never seen, and they shared stories of my childhood with me that i didn't remember. we went to their graves (dad and grandpa are buried in the same plot) and i didn't have a breakdown. and for once i felt like they would be proud of me. we had food, and we talked, and my godmother gave me a book written by a trans person that she had found and read after i came out. it was great.

in october, i got an email. they were planning another family reunion because they liked the first one so much. this time it was only my father's siblings, because we were going to my late grandmother's home city (and my godmother is not in best health to travel). and, somehow, this one was even happier than the first one.

i was less scared, i guess. most of us stayed at the same hotel because it was only one night and not too expensive, but one of my aunts and her boyfriend (who i hadn't seen since i was a child) have a small camper so they didn't need to. we visited the old family grave and they taught me a lot about our family history, we walked about the city together, had dinner, all the good stuff.

and i felt... at home.

maybe not in that city, but with the people i was sharing this time with. i finally know what family is supposed to feel like. my mother's side of the family and i don't talk anymore, and while i deeply love my older brother, he moved out when i was 3, and we both got issues that make it harder for us to connect.

they asked about my transition, but avoided invasive questions. one time i commented on a mushroom growing in the park we were walking through and my aunt sighed and said "all the men in this family are obsessed with foraging". when i say or do something that reminds them of my father, they will stop and tell me, and ask if i want to hear a story about it.

one email. one email and countless hours or being too scared to send it, that's all it took. i am learning about my childhood, my heritage, my family, and what my future could be. this filled with love.

since then, i've made an effort to do scary things more often. at least when it comes to relationships. message my younger step-siblings that i haven't talked to since breaking all contact with my mother. say "i love you" more. ask friends to hang out more often (i'm still working on that one tbh). i emailed my paternal family for the new year and they said that "we are absolutely meeting again next year. maybe march again?"

it was scary but it was so worth it.

hey honest question, did anybody have GOOD stuff happen to them in 2024? cause it was really bad for me and for most people i know, so it would be nice to hear about anything that's been going WELL for any of you. even if it's small stuff. just to know there's light out there.

[cressidagrey]

Such A Mystery - Part 7

Pairing: Max Verstappen x Colette Leclerc (Original Character)

Summary:

Max Verstappen fell in love at the ripe old age of 12 and never looked back.

Colette Leclerc really regrets posting that particular Taylor Swift Lyric to her private Instagram account, because it made George Russell go insane.  

The rest of the world has absolutely no idea that the Dutch Lion and Charles Leclerc’s twin sister have been a couple for 15 years and are expecting a baby. 

Warnings: 

Pregnancy, Mention of multiple miscarriages, Pregnancy complications, George Russell Bashing (he's probably really nice in real life but in this, he's the bad guy, sorry), Jos Verstappen

Author Notes: Huge thanks to @llirawolf for holding my hand through this. Happy New Year! Chapter count is continuing to go up, because I need to halve this chapter after hitting 6k. Should be 10 parts. Hopefully.

Arthur did eventually show up with enough McDonald’s in tow to feed an army. 

Fries, Nuggets and even including apology milkshakes.

“I am really sorry,” her little brother apologised to her, looking distraught.

Colette exhaled slowly, trying her hardest not to laugh at the sheepish look on Arthur's face.

"The next time, maybe you should think before you post. But then I clearly didn’t do that either,” she said drily.

“I mean, karma is the guy in the car coming straight home to me, did amuse me very much,” Vic said brightly.

Arthur blushed deeply, and ducked his head in embarrassment. He set down the bags of takeout on the counter, and then looked up to her to apologize again, his eyes wide like a puppy begging for forgiveness.

"Come here," Colette said with a sigh, holding out her arms for him. "I love you, ma petite puce."

"Colette!" Arthur complained with a grimace, but she just grinned.

"Oh you'll always be my little flea," she teased her younger brother.

"Oh god, don't call me that," Arthur complained, letting her pull him into a tight hug. He let out a long suffering sigh. "I said I was sorry!"

"I know you are," she said, patting the top of his brown hair, even when that meant that she needed to stand on her tiptoes to reach. "But the fact remains that you were an idiot before."

Arthur groaned in embarrassment and dropped his head to her shoulder in defeat.

"Eat your fries," his voice was muffled. "And please tell me you have some salad or something in the fridge so Max doesn't kill me for feeding you nothing but junk food."

"I do have some salad in the fridge," Colette said and ruffled his hair. "I'll eat lots of veggies, I promise. And I’ll even tell Maxie that I blackmailed you into getting me fries, if you want,” she suggested brightly.  

Vic just snorted. "Let's just get that back in the living room and we can put on Sky News and bitch about the commentators."

"You guys are awful," Arthur protested, but he was already gathering their food and following along obediently. "The comments on Sky Sports are not nearly as bad as you make them out to be..."

Colette rolled her eyes and instead collapsed onto the couch, wriggling to get comfortable, because her back was still killing her.

Arthur was also very wrong. Danica Patricks definitively was that bad. Colette could just stare at the train wreck in front of her.

"Vic. Why in the world has Sky Jos on there to talk about Maxie's anger issues. What anger issues?" she demanded. Max didn’t have anger issues. Who in the world had come up with that? This was utterly ridiculous!

Victoria stared at her. "You don't know?!" she asked, sounding shocked.

"Know what?" Colette demanded. "Enzo deleted every social media app in existence from my phone. Why do people think that Max of all people has anger issues?!"

"George Russell," Arthur mumbled. "He said some...things."

Things. George Russell had said some things. 

Colette sat up a little straight at that, her eyes widening in disbelief. "What things?" she demanded. "What did he say?"

Victoria and Arthur exchange a look.

"He may have said that he wouldn't want Max to date his sister because he is sure that his girlfriend is the one dealing with his anger issues?" Arthur offered.

"He. Said. What?" Colette bit out.

No wonder there had been this tone in Max's voice when they had talked this morning...No wonder he had sounded upset, when that George fucking Russell had pretty much accused him of hurting her. And of course, he hadn't wanted to worry her, so of course, he hadn't told her.

Victoria reached out and grasped her elbow, as if she worried Colette would jump up and attack the screen.

"You need to stay calm," Vic said firmly. "You can't get worked up, it's not good for you, and it's not good for the baby," she warned her.

"I will murder George Russell," Colette growled in response.

"No murder," Victoria said in a no-nonsense voice. "You can't kill him, he's not worth it. And you can't have this stress, for your health. And the baby."

Colette huffed but she was still seething.

Only to then have Danica Patrick pipe up from the TV Screen: "What are your thoughts on your son’s supposed anger issues?"

"He doesn't have anger issues!" Colette snapped. "I have anger issues right now! I am going to find George Russell and punch him in the face!"

Arthur stared at her with an ill-hidden combination of horror and fascination.

Victoria laughed again, but it was mostly out of surprise and disbelief. "Well, at least we know that your temper is firmly intact," she said dryly.

"I'm sure Max is going to loooove seeing you this worked up over this," Arthur grumbled.

Colette had a lot of problems with Max's father, but at least for once she actually agreed with him:

"On the circuit…as soon as Max lowers his visor, he turns into a lion. He is really motivated and the only thing that matters is winning. It was always in him. What I see in Max now, I saw in karting," Jos answered Danica's question. "But that’s not the same Max you see when he is at home. On the race track, he is a lion, but at home, he’s a teddy bear. He got that from Sophie. He’s very sweet, very gentle…Incredible protective of the people he cares about."

For the first time in recent history, Colette found herself agreeing wholeheartedly with Jos Verstappen.

"He is a teddy bear," she mumbled in agreement. "The sweetest thing on earth. And that bastard has no idea what he's talking about," she bit out.

"Of course Max is a lion on the track," Arthur said with a scoff. "We've witnessed that ourselves. Everyone in the paddock knows that Max is a machine when he's in his race car, but George has his head up his ass if he thinks that Max is aggressive off the circuit."

"We all know that Maxie is the gentlest, most generous person out there," Victoria agreed, shaking her head. "George Russell is clearly jealous and is making stuff up just to get attention."

Colette just huffed.

"So you don't think he has anger issues?" Danica Patrick pushed.

"What kind of a stupid question is that?" Colette grumbled in response, her shoulders taut with anger.

Arthur laughed and Victoria squeezed her arm.

"No," Jos answered flatly.

Danica Patrick, who was clearly fishing for a different reply, seemed a little thrown by the firm response. But she rallied quickly enough to pivot: "And what can you tell us about your son’s relationship with Colette Leclerc?"

"Oh, come on!" Colette snapped.

"They have been together for a very long time," Jos replied simply, his accent strong as ever. "…since back in Karting. I don’t think anybody believed that that relationship would last, but they did prove everybody wrong."

The answer was unexpectedly charming and sincere.

Colette found herself blinking at that, surprised at how fond he sounded when talking about her and Max. Even Arthur was gaping stupidly, and it looked like Victoria was struggling not to choke on her drink from surprise.

"I think the great thing about Colette is that she understands his life, his career. She has a brother who does the same job as Max, so she was always incredibly supportive of him," Jos continued. "She is there for him. She supports him completely, and she’s been there for him through the good times and the bad. I don’t think Max would be the man he is today without her."

Arthur and Victoria stared at the screen with dropped jaws, stunned into silence.

"Is that Jos actually giving a heartfelt compliment?" Arthur muttered in disbelief.

“I think he is?” Victoria responded questioningly. This was certainly a new experience for everyone.

On the screen, Jos continued: "I have been watching their relationship for over half of Max's life, and Max really did pick the right girl."

"Your son hasn’t talked a lot about his relationship," Danica said leadingly.

"Oh, you won’t get anything from him," Jos said with a snort. "He’s very protective over her, always has been. Especially with her in her current condition."

Colette’s eyes widened and she immediately put a hand over her stomach in a protective gesture. 

"Fuck," Victoria cursed.

“Did he seriously just do that?” Arthur croaked. “Did he just tell all of F1 - no, all of the world - that Colette is pregnant?”

All three of them just gaped at the TV.

Danica Patricks looked like a vampire that had just tasted blood. "Her current condition?" she asked, her voice honeyed sweet.

"Yes," Jos confirmed simply. "The baby is supposed to come any day now. We’re all incredibly excited for the new addition to the family. I mean, it took them long enough, they definitely practiced enough."

He said like it was a joke. Like it hadn't taken them the better part of 3 years and 2 miscarriages.

Colette’s whole body had tensed, her heart clenching painfully in her chest as the words echoed in her mind: It took them long enough, they definitely practiced enough. Those words felt like a punch to the gut - like a mockery of all the pain and disappointment and suffering.

All the stress and anxiety and anguish that they had gone through. All the tears and the desperation and prayers for a miracle.

And all of it reduced to a cheap, dirty joke.

"I am going to throttle him," Victoria said, her voice shaking.

"Get in line," Arthur grumbled, looking equally enraged.

Colette just sat there staring fixedly at the screen, feeling like her whole mind had gone numb.

It was one thing when Jos made his snide little comments to them, but it was quite another when he decided to talk about that on international TV. He made it sound like their troubles to conceive had only been a matter of not trying hard enough.

It felt like a gut punch. Colette had always known that Jos had no idea how hard the last couple of years had been for them, but now, in light of his comment, it sounded like he somehow assumed it had all been their own fault.

They had kept both miscarriages quiet...had only shared it with a handful of people. She knew that Max had told Vic about it, but he had never told his father.

Her hands were shaking with anger. The urge to throw something - anything - was almost overwhelming as the words echoed in her head over and over: It took them long enough, they definitely practiced enough.

How could he have been so cruel? How could he go and announce it on international television and make it sound like it hadn’t been the hardest thing that either of them had ever been through?

It felt like a betrayal. Colette had never expected much out of Max’s father, but this? This felt like twisting the knife in a still-healing wound and pouring salt into it.

It felt like a stab to the back. Jos had no idea. No idea how hard it had been to keep the hope up. No idea how much it had hurt with every failed test and every lost dream. And no idea how much they both had longed for the baby that was growing within her.

And now he was just treating it like it had been a matter of not working hard enough, as if it had been an easy task and they had simply taken their sweet time to do something that came naturally to most people.

Her mind would have continued to turn into circles...if there hadn't been a sudden stabbing pain low in her abdomen.

Colette winced as the pain flared. It was a shock, and her hands immediately flew down to press against the source of the pain.

"Are you alright?" Victoria asked immediately. Colette clenched her teeth as the cramping pain seemed to grow even worse, before easing.

"Just...just a cramp," Colette managed to breathe out. "It's fine. It's fine. I just- it just startled me, that's all."

She tried to assure herself that it was nothing. Just Braxton Hicks - just the body preparing for the labor, the pain sometimes got intense. But something about it felt...off.

"Is that the first one today?" Victoria asked her. "You winced a few times this morning."

Colette thought back to this morning, recalling how she had woken up with a stabbing pain in her lower back. She hadn’t thought much of it then, since her muscles hadn’t been happy with her in a long time at this point - and it had passed pretty quickly after a few minutes.

"I'm not sure, I-" she started, her breath catching.

There was pain again, another stabbing contraction.

"Are they getting stronger?" Victoria asked, her voice sharpening.

The pain receded after a few seconds, and Colette had to force down the urge to curl up on the couch with her hands on her stomach as she tried to take deep breaths."It's nothing. I still have 4 weeks," Colette said with a shake of her head.

The words sounded like a prayer. Because she wasn’t due for at least another month, after all. This was just the Braxton Hicks contractions that her doctor had warned her about. The practice contractions that were supposed to help get her body ready for labor, nothing to worry about.

It was just her body preparing for the birth, that was all.

But the pain came back again, and this time, Colette couldn't quite suppress the gasp as she closed her eyes and tried to breathe through it.

"Colette," Victoria said, her voice sharp. "I don’t think they’re just practice contractions. The way you’re tensing and wincing...this is the real deal. I think you’re going into actual labor."

“No,” Colette said, her heart lurching in her chest. “No, no, I’m not…I’m not supposed to go into labor until January, this is- this is not supposed to happen.”

She had just hit her 36th week, and she was due at the start of January. It was far too early for the labor to start.

"I don't think the baby cares about that," Victoria said with a laugh. "Come on, we'll need to get you to the hospital."

"No, I can't be in labour. Max isn't here," she disagreed.

Colette felt a fresh wave of panic wash over her. The very last thing she wanted to do was start labor without Max there, and Max was currently in the middle of a race on the opposite end of the world.

“Where’s your hospital bag?“ Victoria asked her, all business. “Where’s are the car keys? Arthur is driving.“

“What, no!“ Arthur squeaked. Arthur clearly looked terrified, his eyes growing like saucers as he stared at them. "No - no, I don’t think I can-"

But Victoria was already rounding on him. "Oh yes,  you can. Just get the keys and get the damn car ready. I‘ll help Colette get her things, and you'll drive us."

The authority in her voice was intimidating enough that Arthur didn’t dare to disagree with her, and he nodded mutely and hurried away to look for the car keys.

Colette was torn between laughing at her brother’s expression and panicking over the fact that her labor was actually starting.

Just like that, she felt frozen in place a few moments longer, before Victoria snapped her fingers in front of her face. "Hey, no freezing up. We need to get moving. We need to get to the hospital, and your kid doesn’t care that it still needs 4 more weeks. So come on, come on, get your things."

It snapped her out of her temporary daze, and she managed to focus back to the present again. "Right, yeah," Colette mumbled, and she quickly went to get her hospital bag.

She had already packed it, just in case - but she had definitely not expected to actually use it.

Her hands were shaking as she picked it up, the whole situation still not entirely sinking in yet. Max was not here. She was going to have her baby without him here - that wasn’t how it was supposed to be!

But the pain came back again, and her body seemed to agree that there was no time left to waste.

She winced through the contraction, and Vic’s face tensed as she saw it.

"How are you doing?" she asked, watching her worriedly. Colette had to take a deep breath, trying to keep breathing as the pain faded out again. "I’m-” she started, but that was the same second that Arthur appeared again with the keys.

"The car is ready," he said, sounding very much like he’d rather bolt.

"Right," Victoria said, and she looked at Colette. "We gotta go. You good to go?"

Colette felt a surge of panic as the truth of leaving to go to the hospital finally sank in - she felt very much like her entire body had seized up. But Arthur was already waiting at the door with an expectant look on his face that did not look at all reassuring, and Victoria had picked up her hospital bag and was ushering Colette’s towards the hallway.

The contractions didn’t seem to care about any of her feelings, anyway.

"Come on," Victoria told her quietly. "We're gonna go and have a beautiful birth, and when you're done, there’ll be a healthy baby in your arms, okay?"

Colette was sure that her face had gone pale, and her hands were shaking as she slowly made her way through the hallway. Victoria led her the entire time, supporting her as they moved.

She was more than grateful to slip into the backseat of the Audi and her hands could claw themselves into the buttery soft leather interior.

“Are you sure we can’t wait for an adult?“ Arthur asked weakly.

“You are an adult. You literally drive race cars for a living,“ Victoria snapped.

Colette would have laughed at Arthur’s terrified expression in any other situation, but at the moment, she really wasn’t up to find anything funny.

“Just drive the damn car, Arthur!“ Victoria snapped, and Arthur flinched, his eyes wide as saucers.

A whimper escaped Colette as another contraction gripped her, and she curled up in the back seat, both hands clawed in the seat as the wave of pain ebbed away again. Her breathing was ragged, and she felt like she was slowly coming apart at the seams.

"Keep breathing," Victoria’s sharp voice came from her left side, and she felt a cool, smooth hand on her forehead. "Just keep breathing. You're doing great."

The words managed to cut through the panic, and Colette managed to gasp out a shuddering breath. “I-” she choked out, “I can’t…I can’t do this without Max, I-”

"You are doing it," Victoria cut in, her voice steady and sharp like a blade. "You are doing it, and you are going to be fine. Max will be by your side the moment he can, but you will make it until then. Just keep breathing and keep talking, you’re doing great."

[misayani]

I LOVED UR SE-MI FIC! i was wondering if u could do another where the reader is homesick and has nightmares/ dreams about her friends and her home life and just going to se-mi's bed for comfort? (I hope this isn't too much trouble!!)

LOVE, MY WORLD IS FULL — SE-MI (PLAYER 380)

◜ pairing ... se-mi / player 380 x  fem reader

◜you wouldn't know what to do without se-mi. 

𔗨 author's note — had so much fun writing this <3 kinda unleashed my inner william shakespeareness in this one [lowercase intended]

♡ upcoming fic — g!p no-eul + reader

— comfort

you thought the games were harmless—bright colors, cheerful instructions, and an unassuming entry form. yet underneath all that promised fun lay a rather horrifying truth. you were blinded, not by sight but by your own naivety. 

how could you be so dumb? you should've known this game was sketchy ever since from the start, where they somehow made you all unconcious to bring to this place. where even are you? 

life is full of shit, you were fully aware of that, but you didn't expect it to be this shitty. tears started to form in your eyes as you thought of your dog, sparks, who's the reason why you're here. you didn't have any owe anyone money, you don't drag yourself to shit like that. but sparks was the dog your grandmother left you before she died, and unfortunately, sparks was recently diagnosed with congestive heart failure— he needed medical help. 

if someone can hear your thoughts right now, they'd probably laugh and tell you that it's just a dog, stop overreacting. but sparks wasn't just a dog. he grew up with you, he is family. he was the reason you kept going after your grandmother died, you could remember it—you locking yourself inside your room and not coming out for days, until you heard whines outside your door. shit, the dog. it annoyed you that you still needed to feed that dog. what's the point? he's gonna die anyways. just like everyone. 

a quiet sob escapes your mouth as your tears finally fall, from your eyes and onto the white sheets underneath you. you couldn't sleep, you were too bothered as to how so many people voted to stay in this game. you couldn't even even consider it a game, games were supposed to be fun. 

you voted to go home right after the first game, the staying team won. this night was after everyone voted for the second time, once again, the majority voted to stay. you find it funny— how money can have such an affect on people, but also at the same time, you couldn't blame the people who wanted to stay. maybe staying here was somehow better than their lives outside. they just had voted for their own 'lesser evil.' 

you needed someone right now. after being alone for 14 years, living independently, it was hard for you to bottle your feelings to yourself. the first person you can think of right now was se-mi. you had started talking to her before any of these games started, when the masked men just started explaining the rules and regulations. 

she was different, she understood you. she had asked you your reason to be here, you hesitantly told her, slightly embarassed but she didn't laugh or anything like that. she, in fact, smiled at your eagerness to win this game so you'd finally have some finance for your dog. well, that was before the games happened and before shit went down. 

you sniffle as you sit up and slip out of bed, every footstep quiet to not bother anyone sleeping. se-mi was just stairs ahead from you and you were surprised but relieved to see her still awake. she was laying on her back, staring towards the ceiling before she notices you and sits up to make room for you to sit down.

"hi," you start, gently sitting yourself down on her bed. 

"hi." she repeats, her eyes softening at the sight of your puffy eyes, "sparks?" 

you glanced at her, eyes wide as she managed to immediately caught onto whatever you were thinking. you nod, "i'm sorry for bothering you, just needed someone. and i thought you're the right person to approach."

se-mi's heart swells, she never had anyone tell her that before. you trusted her enough to see you vulnerable like this? she clears her throat before reassuring you, "it's no worries. i like talking to you anyways."

she scoots closer to sit beside you, planting her feet on the stairs beside the bunk bed. you fiddled with your fingers as you look down, before you hear her speak up. "i'm sorry for voting to stay."

you snap your head to look at her as you shake your head, "no, no. i don't— you don't have to say sorry for having freedom to choose whatever you want." you mutter.

"still, it was shitty for me to do that. i knew about your situation but i still vo—" you cut her off, "stop. it's not your fault. it's nobody's." she locks eyes with you as her lips part as if wanting to say something, until it closes again.

you sigh, "who cares if you were shitty. everything is shitty. life is shitty." you murmured, "life is shitty." she agrees, staring at your side profile. you noticed her in your peripheral vision and you get flustered, tipping your head down.

"it's hard." you glance at her again, seeing her eyes now staring forward as she spoke, "life outside. it's no different from here. some people say that life outside of here is easier, since you're not trapped in some unknown place. but i don't see how that is any different, aren't you still somehow trapped? not literally but figuratively." you hum, prompting her to continue.

"it's ironic how the ones with the heavy debts say that, as if they're not trapped in their own mistakes." se-mi chuckles beside you as you carefully listen to every word she's saying. talking to someone have always made you feel at peace— something that you don't feel often since you've never really communicated with anyone until now. 

"it's not about being physically imprisoned, but about feeling constrained in many ways, whether by circumstances, expectations, or some shit you dragged yourself into. in the end, no matter where you are, you can still feel confined. that's how i see it, atleast." she finishes.

you grab her hand that was closest to you, and started fidgeting with it instead of fiddling with your own fingers. her hand was warm but rough, in contrast to yours which was cold, but soft. "i understand." you murmur.

you both understood each other, and that alone was enough to provide you comfort. you admired her mindset, not just how  she thinks but how she embraces her own perspective with peace— her ability to see things from a different angle, yet still find peace in it. 

even if you both had casted your votings to two opposing things, there was an underspoken understanding between the two of you. despite the differences, se-mi and you shared a mutual respect, and that makes you so close to her. 

"thank you." you whispered, se-mi snaps her head to look at you, "for what?" 

"talking to me." you reply, "it feels nice to talk to someone like you, understanding but aren't scared to state their own opinion. i appreciate that so much. i haven't felt so understood in years." you feel tears well up in your eyes from getting emotional.

se-mi's lips form into a smile, "well i guess thank you too. you somehow make this place even more tolerable." she squeezes your hand that was holding hers. 

"cmon, stay with me tonight. i don't want to make you go back to bed like this." she tugs at your hand before leading you under her blanket—which started to smell like her— lifting the cloth over the both of you. 

you wanted to cuddle with her, but were too shy to initiate anything. lucky for you, se-mi opens her arms, pulling you towards her. your body relaxes as you feel her warm body spoon yours. you heard her mutter something on top of your head, "keep on being brave." she pauses before continuing,  "for sparks and me."

your once empty heart started to feel full again after this.

@misayani

[tizeline]

So, in canon rise all of the turtles growing up know about how having Donnie's shell unprotected, probably from some childhood incident. And we can see in the show anytime Donnie's shell is bare; they all rush to protect him. How would they react to Donnie getting hurt because of his shell in this AU? What do they think of his battle shell? I assume they don't even really register Donnie as a softshell turtle because of his battle shell. Would this add to Raph's whole overprotective big brother instinct thing he gets because he catastrophizes Donnie's whole situation.

Also during the finale, we see that the lair gets trashed and has a huge cave in. So obviously Splinter, Donnie, and Sheldon would need to find a new place to live. Would the Drax fam help them build a new home? Are we going to see Donnie's reaction later to his home being destroyed, because losing your childhood home and your safe space must be awful. So, to maybe add a cute little twist, would Donnie, Splinter, and Sheldon live with the Drax fam for a little while?

Another thing, since Leo is obsessed with Sonic, Donnie should totally be obsessed with Wicked the musical. Another green person who sings on Broadway with similar themes of being outcasted and caring about how other people perceive them and using that perception to base their own self-worth, and she's also ostracized from society? Elphaba is written for Donnie. Donnie's theatre kid heart is an Elphaba stan and no one can convince me otherwise.

Donnie's brothers are very protective of him in this AU largely because he was separated from them for such a long time and they're afraid of losing him again. That being said, I think him having a soft shell also fuels this overprotectiveness. They do know that he is a spiny softshell before reuniting with him, Draxum told them about it, and that very much reinforced the whole "helpess victim in need of saving" type view they already made up in their imaginations of Donnie. (Not only is he in the clutches of the evil humans, but he's even more vulnerable than his hard shell brothers!) And remember that Donnie's battle shell in the AU isn't really armour the way it is in canon, it's main function is as a jetpack and maybe, like, a backpack (it has storage space). It doesn't cover the lower half of his back, so his soft shell is still visable and as such vulnurable. Donne getting hurt because of his lack of armour (biological or technological) would definitely freak his brothers out even more, but they're already pretty careful with him honestly.

Anyway, you are completely right about Donnie, Splinter and Shelldon moving in with the Draxums when their home in the sewers is destroyed XD It's kinda awkward, but at that point the Draxums and the Hamatos have learned to get along a lot better. But yeah, losing his home is very hard for Donnie, he's definitely the type of person who doesn't deal well with sudden big changes like that. I do wanna depict this part of the story eventually, but it's probably gonna be a while until then.

And god yeah, Donnie is ABSOLUTELY a huge fan of musicals lmaooo! He acts so overdramatic and theatrical all the time and the show makes it clear several times that he loves music so yeah, total theater kid. I haven't actually seen Wicked so I can't really meaningfully comment on the concept of him being a fan of that specific musical, other than omg yes Elpheba being an outcast and also GREEN he totally projects onto her.

[zodiac-blood]

Like as someone who would definitely fall under the category of "is asexual with no sexual attraction but still does it anyway" I completely understand the notion of "hey it's nice to understand that not all ace people are sex repulsed" but also as someone who also considers themself gay (in a mlm way) (in a tertiary attraction kinda way) and has a girlfriend its like. But I've never seen anyone say any of the gay men in media I relate to can also date women without feeling attracted to them. Its like.... So??? Give me a reason aroaces are the only time there are exceptions that are respected that ISN'T just the the amatonormative idea of ""dating & sex is just natural"" and that allowing this exception means people can still center their stories around dating and sex.

This probably is because allo queers, even if being queer, can still abide by the amatonormative idea of "everyone needs to want/pursue a relationship and (romantic&sexual) love is the most important feeling", so even if yes, a gay man is not abiding by the cishet standards of attraction he can still have a "normal" love story of falling in love and pursuing that interest. Also additionally that aroaces fall outside of the "sexuality binary" (the weird idea that the only sexualities are "exclusive attraction to men" and "exclusive attraction to women" and that anything outside of that is not valid) A romance & sex repulsed Aroace cannot fufil any part of the amatonormative expectation and so exceptions are only allowed in the case that it makes the most important thing about their life still center around romance and sexuality. (Of course- exceptions aren't normally allowed like the fact no one gets I can be gay and have a girlfriend but that exceptions not accepted because it doesn't fit the sexuality binary)

Cause like. Most Allos can understand/relate to the concept of not feeling attracted to a certain gender (like het men don't feel attracted to men but can understand the concept of a gay man not feeling attracted to women under the basis of "its like me but reversed") but they don't have any point of easy reference to relate to no attraction at all so they don't really even try. If they can't relate to it then they don't feel the need to change their worldview to allow it.

Anyway as I said; I would fall under the category of "aroace that is in a relationship" (and not even because of the tertiary attraction) so I totally understand there are people who are like me. And yes I think having that sort of relationship is valid- I mean I'm literally living in one- but its very telling that every aroace character always has this same exact debate but you don't see ANY discussion about biromantic homosexuals or any form of split attraction and dating without attraction in allo characters.

Unfortunately I don't know that many canonically aroace characters- other than Percy (canon ace and Jello said she may also be aro) & Howie (aroace) from Epithet Erased and Lilith (aroace) from the Owl House. Didn't get into toh fan spaces so idk about that but I know I definitely have seen posts about shipping Howie and Percy (sometimes together bc of their rivalry - but other ships are more common.) And yeah Percy is only stated to be ace and "potentially aro" and not explicitly aroace- still definitely have seen many a Percy x Howie or explicitly sexual Ramsey x Percy / Zora x Percy going around so :v

Even if I am in a relationship the way I go about my relationship is a lot different than what allos go through- yet every time in fiction an aroace character is in a relationship its written exactly how allo relationships are. (Though I tend to be romance repulsed so I don't read much of that anyway lol). I do love that other aros who are more romance favourable than me like to write/draw relationships that fit how they live- but when allos write/draw it a lot of time they don't take care in actually considering how that would absolutely affect the dynamic or that there are some characters that just don't want any sort of romantic or sexual relationship at all.

I'm probably going to end up writing my own post abt this further so I don't derail but; also the whole idea of "split attraction and the ability to be not sexually attracted but not sex repulsed in a relationship is only an asexual thing" and not just like. A broad attraction thing that anyone can experience. Definitely is also aided by &/ partially the cause of these exceptions only being applied to aroace folk.

-Toby (they/them) & Bias (he/they)

the way fandoms are desperate to make all aroace characters romance and sex positive but then dont do anything remotely similar to any other identity is astounding. hmm i wonder why

PLEASE dont derail this about shipping characters of other identities please let this one post be about an aroace struggle

[justluxy]

Hot Roommate Extended

Hot Roommate x Bottom Male Reader

Tw: Mentions of Sex, Alcohol, reader is a bit immature, dub-con (i think since reader is drunk and can't think straight?)

Word count: 1.7k

↻ ◁ II ▷ ↺ 1:35 ───ㅇ───── 3:47

You recently moved to an apartment in a new city, but who would have thought it was so expensive to live there? You couldn’t afford to pay for the apartment and groceries. So, you decided to look for a roommate! You had two rooms so it wouldn’t be that bad. You made a post and someone answered, he seemed nice so you agreed to share with him, his name was Owen Palacios but damn… he was hot… I mean really hot…

↻ ◁ II ▷ ↺ 1:35 ───ㅇ───── 3:47

The first thought that came to your mind Owen was damn… how can a man be so hot? Literally he looked like a fucking model! He was muscular and tall. Even his personality was hot, he was nice, kind, and living with him was NOT easy for you I mean, he always walked around in just shorts! You could even see his dick through the shorts and man… that made you pop a boner a couple of times

“Heeey [name]!~” Owen said with his usual sweet tone while grabbing your waist with his big, manly hands and resting his head on your shoulder

“What do you want?” You said coldly, you sometimes hated the way he acted with you because he was so flirty like he liked you but at the same time didn’t! He was playing with your feelings and you hated it

“Sooo I have something to tell you!” He said with the same tone, “I’m having a girl over tonight so I was asking for your permission and thank you!” He said before leaving the apartment and he didn’t even let you answer… What a jerk!

“Son of a bitch” You said before going to your room and started studying for college, usual boring activities but you didn’t complain, you actually liked having a normal, boring life

↻ ◁ II ▷ ↺ 1:35 ───ㅇ───── 3:47

Fuck… you hated this. You could hear a loud, annoying girl moaning from Owen’s room and you hated it! That girl was so fucking loud and annoying you could not even sleep! You hated the annoying girl and you hated Owen… but lowkey you wanted to be the girl… I mean what?

You couldn’t handle it anymore so you went to the living room and turned the tv on and try to ignore the girl. That was becoming common for Owen, always bringing girls over and being loud… you really needed to talk to him about it

Finally you saw the girl leaving, her legs shaking like jelly and you just sighed and then Owen got out of the room, his clothes and hair messy and with a blush and dumb smile

“Well that was fun…” He said with his dumb smile and sat next to you at the couch while trying to fix his hair since it was all messy from the previous event with the random girl

“I don’t wanna hear about it” You said annoyed and it was true, you didn't want to hear your hot roommate talking about his sexual life in front of you!

“Aww why? You’re jealous?” He said teasing you with his usual smirk that you secretly loved but would never tell him

“Ew never” You said annoyed before going to your room while Owen only chuckled

↻ ◁ II ▷ ↺ 1:35 ───ㅇ───── 3:47

It was the next day and both you and Owen were in the apartment, the tv was on and you were scrolling through your phone while he was cooking, his food was perfect as always, was there something that man was bad at!?

“Heey [Name] I have a question!” He said while turning the stove off

“What” You said not interested while scrolling through your phone

“My friend is hosting a party and I’m invited so I was wondering if you want to go with me?” He said smiling and sitting next to you on the couch

“Why would I want to go? I don't like getting drunk and loud people” You said still scrolling through your phone but then you felt his big hand around your shoulder 

“C’mon [nameee]! It will be fun! There will be a lot of girls there! And I promise if you go, I won't bring a girl tonight!” He said with his face terribly close to yours

“You promise?” You said with your eyebrow raised and he nodded happily, “fine i’ll go with you” you said before sighing

“Yay! Let’s go!” He said before grabbing your hand and practically running to the door and then his car, “Hey I didn't change my clothes!” You said annoyed, “It doesn't matter, it’s a casual party and we are a bit late anyway” He said before turning the car on and driving to the party… you just hoped nothing crazy happened… oh how wrong you were

↻ ◁ II ▷ ↺ 1:35 ───ㅇ───── 3:47

You didn't like it, no, YOU HATED IT! You were seeing your semi-crush dancing with every single girl in the party! You were… jealous? Why would you be jealous of the annoying guy… right?

You wanted to kill him and the girl! They were so annoying! You didn't want to see them anymore so you went and grabbed some drinks to try and forget him

After three drinks you were ALREADY super drunk and you couldn't even speak properly or think properly so you went and talked to Owen and the annoying girl he was dancing with

“Oh hey [na-”, he said before you cut him off, “Be… q-quiet and let’s go home!”, you said trying to speak properly but it was hard, even walking up to them was hard 

“But-” He tried to protest, “Now!” You said creating a scene where every single guest looked at you two, “Sorry cutie, i have to leave okay? Ciao~” He said to the girl as you clung on Owen and giving the girl a mean glance 

“Okay let’s go my boy…” He said while carrying you in bridal style to his car and placed and buckled your seat belt and started driving to the apartment, every few minutes Owen looked at you to see if you were okay

Then when you guys got home, and, he carried you to your room and placed you in your bed. He was about to leave when you grabbed his arm with your hand and pulled him down your bed so he was on top of you

“D-Don’t leave…” You said, still drunk and not thinking straight. Then you grabbed him and mare him lay on the bed while you got on top of him while he looked at you surprised

“What are y-” He said but you put your finger on his lips, preventing him from speaking. “You said you’re not bringing any girl tonight… let me satisfy you tonight” you said moving your hips on his crotch, still a bit drunk and not thinking straight

“Mmm… it’s finally happening then~” He said with a smirk as he took off your pants and underwear as you moaned as you felt his hands on your ass

↻ ◁ II ▷ ↺ 1:35 ───ㅇ───── 3:47

You woke up feeling sore… now you remember why you stopped drinking and going to parties. You looked around and you realized you were in your room but wait… your pillow felt hard and it moved, god did you sleep with someone?

You looked up and you saw… OWEN!? Did you have sex with him? No no this was not good! So you pushed him out of your bed

“What the hell Owen!?” You screamed as you threw a pillow at him

“Shit…” He said rubbing his eye and standing up

“PUT SOME CLOTHES ON!” You said as you threw another pillow at him while he tried to put his boxers on

“I can't believe we had sex!” You said while you covered your face of embarrassment with your hands

“If it makes you feel better, it was amazing! Did you know you’re pretty intense at sex?” He said happily but stopped smiling when you gave him a mad look

“Get out of my room!” You said as you tried to walk up to him but failed as your legs felt like jelly and you fell

“Are you okay?” He asked worriedly but when he got close to you, you punched his balls, “Ahh!” He yelled before sitting on the bed while holding his balls with his hands with a pain expression 

“Get out!” You said and he ran away, not wanting to get punched by you again

This was bad… really bad. You felt good that you finally slept with him but you felt bad and sad that you were drunk and that he will probably forget it and act like nothing happened when it meant a lot to him… you didn't want to be just a fuck buddy

↻ ◁ II ▷ ↺ 1:35 ───ㅇ───── 3:47

Finally when you calmed down you decided to talk to Owen and finally get this over with. He was sitting on the couch doing nothing when you sat down next to him

“We need to talk…” You said seriously while looking at him

“Yeah… listen… I’m sorry okay? I know I messed up… I should not have done that… I knew you were drunk and I still did it… and I understand if you’re mad…” he said with a sincere tone

“It’s just… I like you a lot… but I don't want to just forget it and pretend it didn't happen…” you said looking at him

“You like me? Actually? Wow… I like you too, you know?” He said with a surprised tone

“Actually?” You said surprised too, “Then why the hell you bring girls every single night!?” You asked

“Hehe just to tease you” he said with his usual smirk, “So… [Name] do you wanna be my boyfriend?” He asked while holding your much smaller hand

“Tsk fine…” you said embarrassed and looking away with a blush all over your face

“Then… now you will be the only one making noises at night… no more girls” he said smirking while you could only blush and hide your face in your hands

[nonranghaes]

heads up: reader sucks at prioritizing their own well-being lol (also mentions of reader wearing nail polish/couple's jewelry). very light hints of reader having trauma.

seungmin, despite knowing that his snarky sarcasm was one of the reasons you fell for him, knows when you need him to be gentle. he's already settling down in the couch beside you, taking one of your hands into both of his own as he idly plays with you fingers to try and distract you. you look up at him for a moment, that same caution in your eyes you'd had for hours. he knows you. he knows you debated about doing something you called selfish (he doesn't agree, but that's not the point right this second) in what's ultimately prioritizing yourself and your own mental health. life is hard enough as it is, in his opinion. you shouldn't feel guilty for deciding on something that makes it all a little kinder.

"i'm proud of you." is what he settles on saying first. your nail polish is chipped, and he just toys with one half of your matching couple's rings rather than pick at the little flake of nail polish that's sticking up and taunting him. "i know this is hard for you."

"i just feel guilty." you frown a little, leaning your body against his own. "i mean. it wasn't that big of a deal. and it feels mean to--"

"it wasn't just making you unhappy, you told me you had a panic attack over it once. just because you have good days where it doesn't bother you doesn't mean the bad ones don't still hurt." he pauses for a moment, always feeling a little shyer when it comes to saying the things that matter most to you. "i don't like seeing you hurt. it hurts me, too."

your gaze softens as you look at him, as if the thought never crossed your mind before that the people who love you don't want to see you suffer, either. for so long, it felt like everything was only ever on your shoulders. dating seungmin has been a quiet change of pace for you. your friends care too, but something about having seungmin outright tell you the things you need to hear (even when it's hard) helps. the two of you are growing together.

he pulls the side of your hand to his lips so that he can kiss it for just a second. "i know you're still going to feel guilty... but i'm glad you did something for yourself." you deserve to be happy.

"can i be selfish again, then?"

you aren't being selfish, he wants to say. but he smiles a little, squeezing your hand. "it depends."

"i know it's cold... but i wouldn't mind going on a walk with you. or by myself if you don't--"

he wants to laugh: you're so bad at being selfish, always so mindful of him and everyone else in the world every time you try to do something for yourself. but he steals a quick peck from you before you can get carried away in your thoughts, and moves to get up so that he can bundle up for the winter weather. "let's go for a walk, then."

[l0v3r666]

Hii, i read your childhood friend!Azul thing, and i thought it was adorable! If i can, I'd like to request the same thing but for Idia? I love my guy so much, and I think it'd be cute (you don't have to if you don't want to, obviously.)

Tysm!! This was sooooo nice to write

Childhood crush!Idia is tragic no matter how you spin it. As a kid in the Jupiter conglomerate, there’s a very small pool of people your age and of “appropriate status”. It’s not simple to make friends with Idia, but you learn to understand him well enough to love the company.

So you keep doing it. For all the times in your childhood you can’t remember, there’s NO explanation. Your family and staff can’t fill in the blanks either, apparently you were with foreign friends.. But it’s normal, isn’t it? Doesn’t everyone forget things from time to time? “Anyone who comes in contact with STYX goes into the river lethe. No exceptions.”

Attending NRC is one of the most popular teenage dreams, and you’re killing it! You don’t know the housewarden that well (considering you’re his vice), but it’s whatever- he’s a massive shut in, and you’ve done your part emailing him updates.

Childhood crush!Idia that’s fully marinated in the feeling of you in his life, and it makes it so much worse to tear you out of it. He watches as as you make NPC friends that’ll never compare to the “great anime binge” post middle school grad, or the 100% co-op completion achievement on “biggy littly planet” that you can’t recall. He insists to be the one to put you through the process. Just enough for a full data wipe. It’s a reminder to never get close to you again, but he can’t ever stay away.

Childhood crush!Idia loves you. And it’s not weird to say that because he’s known you for years, I promise!! He’d never get bored of getting to know you, but it’s scary to see you change. One moment he’s totally confident on what to say, but his input ≠ output! Atleast not anymore (what teenager is still into doing wall pushups while your friend ignores you?), sometimes he wishes he could preserve you like Ortho, then you’d never have to leave.

But childhood crush!Idia needs to get used to change- because before he knows it everything is flipped on its head. He overblots, even if nobody thought it’d be possible and you take the effort to nurse him back to health! No matter how much he flinches from your touch, you stay with him. It’s almost impossible to believe you remember,, Not the years you spent together, but he doesn’t have to break the “big news” anymore, and he’s so excited to make new memories together. Just like old times <3

[tleeaves]

@aayakashii love your tags always, darling. Literally I agree so much.

Bear with me as I go on a nonsensical ramble.

Some people read and ship certain things for escapism/excitement since they don't have certain dynamics IRL. Personally, I yearn for friendship and close platonic bonds even as someone with genuinely a lot of friends. It's not always about escapism for me. Storytelling is an art and in art we make things beautiful and try to emphasise or articulate a beauty we already see in our daily lives. The buttery morning sunlight across the wooden grain your coffee mug sits on, the crinkle and affectionate gleam in someone's eye across the table as they laugh at something you said, the simple familiarity and friendliness of organising to hangout with a close friend and going back to their place after 'cause the cafe kicked you out for staying too long and you have so much to talk about. Then you sit in relative quiet for hours just soaking in each other's presence. And it's not romantic, not in the typical sense of romantic love, but it is a romanticised vision of the beautiful close relationships we can have with people that aren't overcomplicated by familial bonds or romantic love. And platonic love is not lesser for being more (in my mind for my personal experience) simple - it's just another form of love and can be just as strong and even stronger depending on what relationships you have in your life.

Obviously, my experience is not everybody's. Some people crave different things and that's okay. I do still crave other relationships, but I'm also a simple gal with a simple want for good friends at the end of the day. If I ever fall in love romantically, I want it to be with someone who will always be a friend, first and foremost. Friends are one of the greatest treasures in life. They don't need to become found family. They don't need to become the romantic love of your life. Sometimes it means more that there's someone out there who just wants you around and to help you out just 'cause they know you and like you. There's no selfishness in it, except only for company. And I find that sweet.

I'd really like to see more of that in fiction and in fandom spaces. We don't need to ship everybody with somebody. This isn't some great social season in a period drama where every eligible person has to be married off. Characters can be allowed to be friends.

forcing every character into romance or found family ruins character discussion imo

[littlelamy]

𝓲𝓷𝓽𝓻𝓸𝓭𝓾𝓬𝓲𝓷𝓰 𝓱𝓸𝓵𝓵𝔂!𝓻𝓮𝓪𝓭𝓮𝓻

author's note: so excited to show introduce you guys to holly!reader. also HUGE credits to @rafesplaymate for inspiration. i read her glamourmodel AU and became obsessed to say the least.

holly!reader has everything the kook life offers—money, power, designer everything—but honestly? she can't stop thinking about the pogue life. it's messy, it's chaotic, and it's fucking free. she loves the way they don’t give a shit about all the fake crap she’s surrounded by. she craves the simplicity of living in the moment, without having to worry about her daddy’s expectations or some fancy-ass gala. the pogues are wild, and that's exactly what she wants. it's her dirty little secret, but she's obsessed with it.

whenever holly!reader’s old man is off doing his bullshit corporate stuff, she knows it’s her time to escape. she doesn’t need anyone else but jj. he's always ready to ditch whatever he's doing just to pick her up, and she loves that. no questions, no bullshit—just him, her, and a car ride to wherever the hell they feel like going. she doesn’t have to play the perfect kook when she’s with him. it’s just fun, no strings attached. and let’s be real, jj’s exactly the kind of guy she needs to get out of her head. sure, it’s john b’s beat-up van, and the thing probably smells like a mix of saltwater, beer, and whatever they dragged in from their latest adventure, but it’s still the best fucking ride. it doesn’t matter if it’s not a shiny sports car—whenever jj’s driving, everything else fades away. he’s the only one who can make her forget about her fake-ass world, even if it’s just for a little while.

though the kook is very popular on the island, she has a special place in her heart for the pogues. holly might be the golden girl in figure eight—always smiling, always looking flawless—but deep down? she's tired of the fake ass smiles and shallow conversations. yeah, she’s got a crowd, but it’s the pogues who really get her. they don't care about appearances or how much money she’s got. they just... live. no masks, no games. she’d trade all the glitz and glam for a night spent with them in a heartbeat. but of course, she'd never admit that to anyone, 'cause that’d be a hell of a confession.

holly!reader is a definite tease. let's be real—holly knows exactly what she’s doing. whether it’s that flirty little smile or the way she twirls her hair when she’s talking to someone, she’s always got people on edge. she’s got the looks, the charm, and the attitude that drives people insane. but she’s not dumb—she knows how to use it. keep them hanging, keep them wanting more, but never give them what they want. it's all a game to her, and she’s winning.

holly!reader gained the nickname ‘playmate.’ it didn’t take long for everyone to start calling her 'playmate.' it's that mix of innocence and sex appeal, that perfect balance between the girl next door and the one you wanna fuck. holly owns it. she’s got that glamour look down to an art, posting sultry shots of herself in the most random spots—like, by the marina, on the beach, or even in her daddy’s mansion, just looking effortlessly hot. people talk about it, but hell, she’s the one getting all the attention. it's not her fault they can’t stop staring.

holly!reader is known for her glamour photos. you know the deal—holly!reader is always posting something. she's the queen of Instagram on the island, with every photo making people want to drop everything and come meet her. she's got the glamour shots, the beach shots, the “casual” shots of her looking like a fucking goddess no matter what she’s doing. you know she’s not just posting for fun—each shot is her way of saying, "look at me, fuckers." and honestly? it works. the Cut’s her playground, and she's the star of it all.

taglist: @namelesslosers @maybanksangel @averyoceanblvd @iknowdatsrightbih @rafesheaven @anamiad00msday @ivysprophecy @wearemadeofstardust0 @rafesangelita @sstargirln @rafedaddy01 @soldesole @bakugouswaif @skywalker0809 @vanessa-rafesgirl @evermorx89 @outerhills @ditzyzombiesblog @slavicangelmuah @alivinggirl @auroramadelyn

[respectthepetty]

12 Anticipated Thai BLs for 2025

As usual, I'm excited for ALL the GLs (Cranium, Only You, 3 Minutes 2 Love, Reverse with You, Buy My Boss, Let's Kick this Love, No Romeo, and so many more!), but I'm making my annual list of the BLs I'm excited for this year with brief reasons why I'm looking forward to them, and it includes some I've previously mentioned in my GMMTV 2025 Hot Tops. However, I must first look back at my 2024 list and see if those BLs were worth my anticipation:

The Next Prince - I still haven't gotten it, so 2025 better be the year!

Jack & Joker: U Steal My Heart - Great! Amazing! Loved it!

Spare Me Your Mercy - We don't talk about her.

Wandee Goodday - I have my issues, but it was a fun ride. *wink*

Choco Milk Shake 2 - The production team said it was never planned, you know, like a liar.

Time of Fever - Beautiful! Astounding! I NEED MORE!

My Doctor/Mr. Doctor - I'm probably never getting it. I need a moment to collect myself.

Live in Love - I was only showing up for the colors, and it delivered them plus a lot more crazy nonsense.

Red Peafowl - It was all a lie, and apparently we are never getting it.

Love Upon a Time - I don't want to talk about what happened, but I better get it this year!

Love Puzzle - Probably not getting it, and I'm not okay about it.

Peaceful Property - Fantastic! Divine! Best thing I watched this year!

Sunset x Vibes - I showed up for MosBank, and I got MosBank, so I was thrilled!

The Heart Killers - I'm having the time of my life!

Bonus: Your Dear Daddy - WHERE IS MY MAN FLUKE?! GIVE HIM TO ME RIGHT NOW!

Now time for this year's list!

Honorable Mention: MosBank & JoongDunk

I will show up every year excited about the same thing — my ships! I'm getting Joong and Dunk in Dare You to Death if they don't get divorced before then, and I'm getting Mos and Bank in Be My (Soul)Mate if they aren't busy planning a wedding by then. I know JoongDunk's piece is about murders and making out which are two of my favorite things, but I don't even know what the plot is for MosBank's series because all I know is it isn't Big Dragon 2, but it doesn't matter anyway since I'm always happy to see my favorites!

A Dog and a Plane

2024 came for my throat and my heart with some really heavy shows, and in comparison to the rest of this list, I'm banking on this show to be my one bright spot in 2025. I need at least one show to make me laugh while it's ripping out my heart, and I think this is the show for the job.

Goddess Bless You From Death

This show scares me, and it might give me nightmares, but it involves murders and making out, so I'm effing with los espookys for this one. Y'all can have Khemjira though. I ain't that brave.

My Sweetheart Jom

Saint, in a BL again. That's it. That's the reason.

Memoir of Rati

I expect only happy endings from GMMTV, but I'm worried about this one's ending, yet I must see what happens. It has history, politics, and class dynamics, so as much as I'm happy to see Great, Inn, Aou, and Boom in this, I'm also very nervous.

Love Carved in the Moonlight

It seemed like poly was a possibility, which I know is a lie, but also, this looked beautiful, and I'm not just referring to the men. It's another period piece, so I might just be in for a Thai history lesson in 2025.

I'm the Most Beautiful Count

People are upset that the pilot trailer seemed to make light of the source material, but I have faith this adaptation will do justice to the webtoon and give us a leading man worth fighting for.

Interminable

I sense a lengthy series brewing from Idol Factory for this one, so I think we might not see it until later this year or 2026, but I also think it will be worth the wait since there's no way Billy and Babe won't make me teary-eyed with a plot like this.

Ticket to Heaven

It involves Catholicism; therefore, it will hurt me. However, as a Catholic, the Church has instilled in me that if it isn't painful, then it isn't good for me, so if the show makes me cry every episode, I think the Church would approve.

Knock Out

It's Gym Bros BL adjacent meaning men will be in a gym, half-naked, and working out, which is good enough for me! Also, they're color coded, so who am I to deny small blessings?

The Wicked Game

We are getting two GLs and a BL about bodyguards falling in love with their clients, but just like all the vampire series we were supposed to get in 2024 yet only got two, I'm wondering who will be first and how they will turn out. I think all of them will be great, but I am especially looking forward to Daou getting bruised up for love.

Love of Silom

Up and Poom were a surprise for me in 2024 with My Stand-In, so from what I know about the plot dealing with a cop and a single dad, I think they will do just as great with their second series as they did with the first. I am patently waiting to be in my feels again because of them.

Me & Who

I need to watch Big kiss men like I need air. I need to watch Big gently place his hand on another man's neck like I need water. I need this show. Now.

Bonus: Mandate

Did anyone watch 2012's Political Animals with Sebastain Stan who played TJ Hammond, the bisexual son of the former President of the United States and the current Secretary of State, who had a secret affair with an older married and closeted US Senator?

Anyone? No?

Well, can I get something similar, Thailand? Is that too much to ask? I don't know, but I'm going to ask for it anyway! Let me have it! Give me what I deserve.

[oediex]

I agree largely with what you're saying, things aren't as easy as I put them in the tags (I mean, they are tags). Supply and demand interact with each other in various ways.

What you are describing I suppose could be described as "supply driving demand" but what is actually happening is the creation of demand through, largely, marketing strategies. That's what those campaigns you are describing are doing, that's what advertising does, etc. Is that supply driving demand? I don't know. I guess, in a roundabout way. It's more companies and lobbying groups driving demand, who are the people providing the supply.

What that shows is that supply cannot go without demand. If there is supply but no demand, those companies are in trouble. That's why they try so hard to create the demand. So it seems demand still has a part to play.

What you're describing in the last few paragraphs is just the law of demand. If prices increase, because subsidies are removed, then demand will decrease. That's basic economics. I think you're going to have a hard time finding a vegan who is not in favour of this. Most of us very much want these subsidies to be moved away from animal products, and instead moved over to plant-based products, whether that is fresh fruits and vegetables; staples like lentils, beans, tofu; or alternatives of animal products like plant-based milk. We want systemic change. We are constantly talking about the need for systemic change. We know that this will have a bigger impact than convincing people to go vegan individually.

But that systemic change clearly isn't happening, and you're completely right that lobbying and marketing strategies are to blame for that. They keep the demand high by creating the demand and by artificially keeping prices low. Because how else are they going to get rid of their supply and get rich?

How do you propose we create that systemic change? Because now we're not just in economics anymore, we're in politics. Which politician is going to remove subsidies from animal products? Who is going to stick out their necks like that? Most environmental organisations don't even dare mention the cost of animal agriculture on the environment and the need to move away from animal products, for fear of losing funding; let alone political parties, especially when they're in the pockets of lobbying machines. Some green parties do talk about "ethical" and "organic" animal farming, but who do you think will vote for them and their policies if they knew what that would do not only to the supply but also the price of animal products?

People don't want to give up these products, and yeah, sure, that's largely a created demand, but if it was created, it can be broken down. Veganism is trying to do that, by inserting a third factor into the mix: ethics.

Maybe you think that won't be strong enough to convince the masses, and you might be right, but for most vegans I know, ethics is the driving force behind their commitment. So when you say that "the meat industry will just bring [demand for meat consumption] back" in the case of individuals choosing to change their consumption - well, you're certainly right for some cases (e.g. people going plant-based for "health" reasons), but the meat industry is going to have a harder time doing this when it comes to principled vegans.

And sure, I'd love to break that created demand for animal products down in a more systemic way, in a way that makes quicker progress, because oh boy do we need it. But I haven't found it, and neither have other animal rights and environmental activists, or we wouldn't be where we are now. Have you? Because the second person in this post was right they said that "the only sustained voices arguing for a decrease in the size of the meat industry are vegans, some indigenous groups, and particularly principled environmentalists." (my emphasis) And we are the minority and not equally matched against the meat industry lobby. We desperately need to be larger in number.

Please, tell me what systemic change we can aim for without decreasing consumer demand for animal products first/as well so that 1) possibly, as per the law of demand, prices lower and supply does too, and 2) more effectively and probably more importantly, political parties and environmental organisations have the bravery to make bolder choices because they're no longer in fear of losing their supporters. I would love to hear your ideas. Genuinely.

discussions about sustainability largely have to be in the realm of production, not consumption. while curbing wasteful consumption habits is important, issues of unsustainable goods can only be solved by literally producing less of them. this approach immediately resolves most issues with individualist, moral 'consumer activism' - for instance, it doesn't matter if you personally eat meat or not, but, factually, we need to significantly reduce the size of the animal agriculture industry if we want the earth to remain habitable. whenever you discuss this, a million scratched satisfascists start acting as though we intend to just take away their treats and replace them with nothing - as if the removal of personal automobiles doesn't go hand in hand with the redesigning of cities around walking and public transit, as if the removal of one method of production doesn't mean its replacement by another. the two main errors here, of the treatlerites, and of those who forget that socialism is supported by the people only because it improves their real conditions, should both be avoided.

[marsbutterfly]

MECHANIC BADDIE HANJI WHO FIXES UP READERS CAR. SHES ALL LIKE I CAN TAKE CARE OF IT DARLING. YOU JUST SIT THERE AND LOOK PRETTY. (IDK SHIT ABOUT CARS) JUST NEED AN ACTS OF SERVICE HANJI

I'll Fix It All

a/n: omg happy new year!! this turned out way longer than I originally intended for it to be. i was hoping to post it before the year turned but i'll also accept the first day of the year lol. enjoy.

warnings: fem!reader (she/her), nb! hanji zoe (they/them), modern au, anxiety, panic attacks, kissing, fluff, comfort. also like, i don't know much about cars or car repair so pls bear with me. tagging: @wizzy21 wc: 2.5k | wattpad! | ao3!

"No, no, no, no, NO!" You cry out as your car slowly begins to lose speed. This isn't the first time this week, nor the second, nor the third. You couldn't even count on one hand the amount of times the engine had been making that weird noise and the light had been blinking at you like a malevolent eye.

But you thought you could put it off, that you could easily ignore it, and that it would fix itself like it had many times before. Maybe you just needed to check the coolant or add some more water to the radiator, except you continuously forgot to do so. And it finally came back to bite you in the ass.

As the smoke comes out of the hood, you grip the steering wheel tightly, a loud grunt escaping your lips as your forehead presses against the horn, the loud noise filling the air all around you. Still, you are lucky enough to be in a somewhat empty area so the least amount of people will be disturbed.

Your first instinct is to panic. You can feel the blood rushing through your body, your face getting warmer as a few tears begin to prickle in your eyes. You let out a shaky exhale, cursing yourself for allowing this situation to happen in the first place. Before you can even begin to cry, you feel your phone vibrating in the cup holder next to you, the caller's name showing up on the screen attached to the dashboard. ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ‎‎‎"Sunshine ☼"

With a sniffle, you wipe the tears before they even have the chance to roll down your cheeks and pick up your phone, pressing the green button on the screen as you try your best to sound like you are composed and not entirely freaking out at the moment.

"Hello, my most beloved," you say, trying your best to sound like your playful self. Though it has no sound, you can almost hear the smile dropping off Hanji's face. It was not out of the ordinary for them to quickly pick up on the slightest change in your tone of voice.

"What happened?" They ask without missing a beat, the tone of their voice filled with love and concern, almost as if they were already expecting you to be in some sort of distress. "I was doing the dishes and accidentally broke a glass because I got such a bad feeling that my hand started shaking."

You sniffle but a small giggle exits your chest, the idea that the two of you are so intertwined that they can even sense when you are in some sort of distress, "Yeah, I'm fine… My car just finally gave out on me and I'm in the middle of a random neighborhood because I decided today, out of all days, to take a random shortcut!"

"Send me your location, and I'll get my tools and meet you over there," they say and you can already hear them moving around on the other end of the line. You wish you could protest but, the more you look at your car, the more panic fills your body. So you simply let out a quiet "okay" before hanging up.

Though your hands nervously shake, you can open your text messages and send Hanji a pin of your exact location. It isn't too far from your house, maybe five minutes if you speed up, and that knowledge only adds more fuel to your frustration. "Why now? I could have easily pulled into my driveway before you gave out!" You can't help the angry grunt that leaves your throat as you slam your hand against the steering wheel.

The waiting time seems like an eternity, an eerie feeling in the back of your mind like you are being watched. Your eyes dart to your phone, half convinced that maybe you should just call a toll truck when you see the headlights of Hanji's motorcycle as they speed down the road.

The light from the post shines above them and you can barely distinguish if they are an angel or a real person. As soon as their bike is parked behind your car, you exit the vehicle, running towards their embrace.

Their hair is still messy from having a helmet on and they hold a small toolbox with their left hand, but that does not stop them from hugging you as tightly as they possibly can. Their lips press against your head as the two of you remain like that for a while.

"Shhh, it's ok, my love," you can feel the smile in their voice, a gentleness like nothing you have ever experienced before, "Hanji is here to fix your problems."

"I truly appreciate you coming this fast," you whisper against their chest, "I genuinely thought my car would be able to handle the journey today but… I guess I was wrong."

"Did you have any trouble starting it this morning?" They pull back, their arm still wrapped around your frame. You think for a second, having trouble focusing on anything other than this panicky feeling in your chest.

Slowly, you begin to remember your day: you left work and the car started. You left for lunch and the car started. Clearly, it had started when you left home that morning… Didn't it?

"Oh shit…" You whisper while an embarrassed expression takes over your features. Your eyes shift towards the ground as you pull slightly further away to create a bigger distance between your bodies, too self-conscious to even look at them. "I couldn't get the engine to turn this morning. I had to start it, put it in neutral, and then start it again."

They nod, kissing your forehead once more as they stand in front of the hood of your car. You are still too embarrassed to look but you can hear the moment their toolbox touches the ground and as their hands pop it open. A few seconds go by as they begin tinkering with the metal inside, though your knowledge of cars isn't deep enough for you to fully understand what is going on.

You cross one arm against your chest while the other rests above your hand, your index finger tapping on your cheek while you can't help but take small nibbles on your thumb's nail. The anxiety inside of your chest never dissipates, nor the shame.

The morning had been nothing but a blur. You woke up late for work, forgot to eat or even bring anything to snack on until you had time to go to lunch, spilled water all over your car, and, to top it all off, it was raining in the morning. The engine not starting was just one of the many, many things that had gone wrong. You meant to text Hanji about it so they could meet you during your work hours and fix it but, of course, you forgot to charge your phone the night before.

You close your eyes and exhale, leaning against the car. Before you can get yourself into a frenzy, you hear Hanji's gentle voice pulling you out of the dark spiral you were about to send yourself into, "Okay, good news and bad news."

"Please explain it to me like I'm five," you say, shooting them an exhausted look and it causes them to chuckle quietly. "Bad news first."

"The alternator, or thing that charges your car battery, isn't properly working for some reason. Maybe because it's old, maybe it's faulty, but it for sure will not start working again, like, that thing is dead."

You nod, surprisingly following along with what they are telling you. You realize that all this knowledge comes from the previous times they have come to your aid or maybe from all the times they would check under the hood of your car before you left their house while the two of you still lived in separate households. Regardless, you turn your attention to them once more.

"I checked the fluid and the coolant and everything seems to be full and working ok. I ran some codes and nothing out of the ordinary popped up and lastly, I checked your oil." They say, wiping the grime out of their hands with a bleached towel, their face slightly sweaty, especially around the area where their glasses sit on their nose.

"Fuck… And the good news?" You ask, biting your nails even more, almost to the point of blood. With a gentle and concerned expression, Hanji takes a few steps forward, wrapping their dirty digits around your trembling palms, and only then do you notice just how short your nails have become.

"I can easily fix it. The last one we bought still has a warranty, so I can just change them." They whisper, placing a kiss against your fingers. A sense of despair fills your body again as tears prickle at the corners of your eyes, your lip trembling as you speak in a quiet yet pathetic voice.

"Please, don't leave me alone."

They sigh, running their hand over their messy hair. They look over to the open hood of your car and around the neighborhood, trying to think about what the best choice would be in this situation.

"The store is fifteen minutes away, on my bike, I'll be back in - "

"Please, don't leave me alone!!" You beg desperately, whatever is left of your fingernails now digging into the skin of their biceps, your eyes are wide open as tears stream down. You weren't that upset about the car breaking down, but just the intensity of all the feelings you had been holding back finally caught up to you the moment you realized you would have to be without them for even a second.

Hanji is taken aback by how sudden your response is, and how desolate you sound. They can see the anxiety written all over your features and it causes their heart to ache in their chest. That's the moment in which they realize just how many feelings you have been bottling, just how bad your week has been, and just how you have refused to talk to them about it.

Almost like they gain consciousness, their arms wrap around your frame, pulling you closer to their body. In exchange, you bury your head on their chest, not carrying that their shirt is now covered in grime and sweat, even if it is chilly outside. "Is there anything you want to talk about?" They whisper, their lips pressed against the top of your head.

You want to shake your head, to put your walls up once more and brush it off as "just a bad day", but it was more than that. It had been a bad week, a bad month, and you had gone through it all by yourself, in silence. Crying in the shower but still putting on a smile when around them, your appetite barely exists but you still eat all of their cooking. But before you can deny anything, the tears begin pouring down your face once more, you cling to them like they are the last life vest on a sinking ship.

“I d-don’t know what is going on with me…” You gasp, hiding your face in a mixture of shame and search for comfort. “I just… I just want to be close to you at all times, I just never want to be alone and I just… Everything is too much and not enough, everything is going wrong. I…”

“My love,” they whisper, holding you slightly tighter with one arm. With their free hand, they prop up your chin, a gentle and warm smile taking over their lips once your eyes meet. “You don’t have to suffer alone, ok? I am here for you, no matter what, when, or where. I will always be by your side.”

“Good and bad?” You sniffle and they chuckle softly, brushing a strand of hair away from your eyes as they lean down so their forehead is touching yours. They nod.

“Good and bad, my angel…” They whisper, their eyes closing as your noses brush together. You lean closer, your lips brushing against theirs so lightly that it nearly feels like a paint-filled brush against a canvas, working its way through a halfway-painted masterpiece.

Hanji gently presses your body against the car door, their grip on your waist is tight as they make sure to keep you safely in place. Your lips are half-open, temptingly wet in the dim light of the street pole, your face is stained with silent tears and the only thought going through their head? “I really need to kiss her.”

And so they do. They lean forward ever so slightly until there is no more room between the two of you. When your lips collide, you can’t help the quiet gasp that exists in your body, your hand gently resting on their cheek while your thumb brushes against the softness of their skin. 

You get lost in the warmth of their body, in how comforting it feels to have them pressed against you like this. Your nose brushes against theirs as your head tilts slightly to the side, the faint smell of coffee and menthol cigarettes still lingering on their breath as it mixes with the scent of the gum you had in your mouth earlier.

They nibble on your tongue gently, sometimes brushing the tip of their own against it and it’s enough to cause you to nearly melt in their arms. If it wasn’t for their strong arms holding you in place, you would have fallen to the ground into a puddle underneath their feet.

Neither of you wants to pull away, but the need to breathe is becoming stronger by the second. When you separate, your forehead rests against theirs, and your eyes remain closed as you enjoy the smell of their skin. Even if it isn’t a pleasant smell, it brings you too much comfort in this moment for you to care.

“I’ll call Moblit and he can come to help, ok?” They whisper, tucking a loose strand of hair behind your ear. You nod, lacing your fingers with the ones on their left hand while they pull their phone out of their pocket with the other. "I'll send him to the store and I will stay with you. You won't be alone, I promise."

As they speak to the man on the other end of the line, you can’t help but allow a small smile to form on your lips as you think about how lucky you are to have someone like them in your life. Someone willing to stop everything at the drop of a hat to come to rescue you when you need them most. 

As they blow you a kiss, you find yourself thinking about that one specific sentence once more, realizing that no truer words had ever been spoken:

“Hanji is here to fix all your problems.”

[yourlocalsmutwriter]

This year, I want to be a wetter, I mean better person - Mark Webber x reader

cws: age gaps (reader is in her 20s, Mark is in his 40s), perv! Mark, semi-public, squirting, dirty talk, author loves dilfs and hopes that one day dilfs will love her too

Whichever spirit possessed your parents to decide to move to the middle of nowhere, England was a hidden blessing. It may not have seemed that way when you had to endure their company for the 4 hour drive from the airport or when you knew that there was no one fuckable for miles. Not that you could get down and dirty under a family roof, whether it was somebody else's or your own. Nothing more haunting than staring down at the lone poster of Fernando Alonso from his Renaut era on your hideously painted walls while cumming. Or, more accurately faking an orgasm. So you spent a nice, festive Christmas Eve and Christmas in your new family home. Catalogued everything that went wrong in your life to land you in this position from the 26th onwards. Actually explored the town and found that at least 1 bar (as if it would have more than that not on the main street) was open on New Years.

Your parents were not party people. By 8, they had tucked in on the couch and were yawning through a holiday concert of some Dutch guy. You shimmied into the one presentable dress they had seemed to pack from your childhood home. "Conveniently," your cute clothes were in storage, and the owner was somewhere in Dubai at the moment. So you have to make do with this black piece. It's not your first choice. But at least the fact that you had grown some tits since being 18 a few years ago was comforting. You pass your parents by with a promise to not be long now. Being met with a sleepy "Don't worry, sweetheart." you know that they're going to sleep through the fireworks anyway.

To nobody's surprise, the bar isn't crowded. The raging bull is in a pathetic state. Some top 40 hits radio station is playing. The floor is sticky. The bartender looks like he's your parents' age, and it doesn't seem like he knows just what goes into your favorite Long Island iced tea. You sit down and ask him to keep pouring you rum and cokes until either he runs out or your wallet is empty. You sip his very boozy concoction slowly, as you're texting your friends. Complimenting their party fits. Asking details about potential hookups. Looking at pictures of their pets in ugly sweaters. As midnight draws near, someone else actually gets inside the bar. You look up and see a pair of green eyes and holy shit, it's a holiday miracle. It's Mark Webber. 9 time GP winner. Manager of your current favorite driver on the grid. Ultimate celebrity crush, Mark Webber. With the grace of a newborn giraffe, you slide out of your chair. You don't want him to see you, but at the same time, you need it to survive. There goes your cover of not knowing who he is. Now, the bar name makes sense. It all aligns like a jigsaw puzzle. The car themed coasters. The signed cocktail napkin framed on the wall. The only “fancy” drink on the menu being named the Aussie grit.

After you not so subtly go to the bathroom to reapply your lipstick and try to work wonders with a mascara wand, you go back to your place at the bar. Only Mark is next to you, bendy black straw into his namesake cocktail.

"Look, I don't know how much they paid you to tail me here, but I can double it." he says, and you're confused.

"You're some kind of journalist or something.” You shake your head, still too stunned that he's here, talking to you.

“Don't tell me you're just some big city girl whose boyfriend brought her to meet the parents, and now you're single because you found him groping his cousin. Because, believe me, that romcom's more of a staple than you think." He continues.

"Wow, how bad is this town that a young woman in a bar on NYE is news. My parents moved here in April. I'm visiting them for the first time. And so far, I haven't encountered any guys, much less the ones that think the best part of waking up is Folgers in their cup." You explain.

"Are your folks the couple who hate each other but are always bragging about their daughter's graduation in March?" Mark guesses, and you are once again stunned by just much this small town gets to people. Not only does a man that's starred into many of your wet dreams know your parents. No, that's not enough, he also knows they're not the perfect relationship role models. You can't help but wonder if it's hereditary and also the reason you haven't brought home a partner. Pushing that to the side, you reply to him with

"Just the ones.”

"You know your dad thinks we're best friends, and your mom keeps asking if I can hire you at Porsche or McLaren." He says and suddenly all the facetimes with your parents come back to you. The man with a very nice house who they invite over for tea sometimes. The one that's been a little under the weather lately. The one who drives a sports car to the center.

"You're motorsport Mark? Of course you are. Be grateful that you don't have any kids my age because I'd practically be your daughter in law too." You speak before you think, momentarily forgetting about the man's wife and kid. Then you wonder why he's out here with you and not back at home. You're inching to ask, but there is no way to say “are you divorced, and if yes, can I ride you into next year, please?"”. Especially after he hits you with a reminder of why that's a bad idea.

"You should be happy that your parents are proud of you, sweetheart. And that they want you to stick around with them here." He says.

"If I was, wouldn't I be about to watch the fireworks with them?" You ask.

"Still some time until that, isn't it? Wanna make it count?" He replies to your question with a question.

You agree, and there's two more Aussie Grits on the bar. The bar tender also places two laminated sheets of paper and two markers in front of you. The comic sans text on top says "New Years Resolutions" and the neat little lines give you 5 rows to write in.

"Sick of hearing us talk, aren't you?" Mark asks the other man, and the latter just grunts.

"Bet I can write mine before you finish your drink." The former driver says, clearly still a speed fiend. You shake on it, and you start chugging the strong drink. Meanwhile, he's adding chicken scratch sentences to the A4.

He beats you, and to his credit, all his resolutions are thought out and personal. You're happy to see that he's put "do more for Oscar" in there and giggle at the "post more on Instagram?". While you're still reading, he's busy gloating, making fun of you for not learning the most important thing in college - how to hold your liquor.

"What, like you could do any better. Mark, I'm surprised you're standing after the drinks you already had. I bet that I'll have to see you get locked in here till the morning for your own sake." You say, both posing a challenge and remembering the "beauty" of some more traditional British pubs. You hope that the one booth you see is at least comfortable. He doesn't back down, and you're on the clock, writing down what you want to accomplish in 2025. But your brain is buzzing from the drinks, from the way liquid is dripping down Mark's chin and onto his pants, by the fact that you're a horny drunk and the unavailable dilf next to you is too delicious to pass on. You lose, unsurprisingly. Handing over the list, you absent mindedly say

"You know I wouldn't mind your help with the last one, I'm sure you can make it happen, wink wink, nudge nudge.". You're referring to the item "attend my first grand prix," a dream of yours since getting into the sport. But apparently, in the rush, you had added a more nsfw goal under it. Because the item on your list that ended it prematurely was, in fact, "squirt for the first time.".

"You wanna double-check your work before saying things, sweetheart. " he asks, and you're mortified when you do. You start apologizing and gathering your things to leave. Mark places a strong hand on your bare thigh to stop you.

"I never said I wasn't going to do it. I'd be glad to. I'm just making sure that here and now is the place you want to bring this up." He says. Your jaw drops, and you're like a fish out of water.

"Aren't you married?" You ask. It's not the first that you thought would come out of your mouth. Yet, you have to hear him say it.

"Divorced. Technically, in the process of, but no ring. Empty house, and a cold bed. Only my left hand for relief." He says and you're picturing Mark pumping his cock in his fist. You cross your legs and clench your thighs slightly, which doesn't go unnoticed by the older man. He moves his hand and spreads them.

"And you, sweetheart? Do you have some secret boy toy to make your switch into adulthood more fun? Or a nice pretty girl like yourself that you've been shaking up with since your dorm days?" He asks.

"No. Same as you, but I use my right hand. My clit's too sensitive if I switch up my technique." You say, hellbent on making that man go crazy for you.

Mark looks around and tips a crisp 50-pound note from his wallet. You can't help but notice the little blue wrapper peeking out of the Italian leather. He calls over the bartender and asks for "2 coffees when we come back." You think the Aussie's going to take you to his car. Have you ruin his custom leather seats and make you lick up your mess as punishment? You guess he might even take you to his house, not that you have any idea where it is exactly. Ask you to hold on tight as the headboard to his once marital bed slams against the wall. Makes sure your sensitive little clit humps against the pillow as he's fucking you from behind.

But Mark drags you to the men's room instead. Spreads your legs and makes you grab the sink.

"You know I'm a man of few words. And as much as I'd love to start you off with a hands-on approach, I think you haven't earned it yet. So let's show you some videos first, huh?". He pulls out his phone and opens his Google drive. He's got a folder titled xxx and in it is maliciously organized subfolders by years.

"I can click any of them? And I'll see you making a woman squirt?" You say, impressed.

"Never met a girl whose pussy I couldn't make gush. Although I'd stick to the pre-retirement years." He says and you settle on a 2012 video. You know the later ones probably feature his ex. But this one stars a faceless blonde, all curves and moans. You squirm when Mark smacks her ass, watching it jiggle. You keep your eyes on how his tongue slides between her folds. You try to ignore how he's rolled up your dress and is just staring at your underwear. Watching it get wetter and wetter. You're too preoccupied with younger him to ask for his touch now.

The next video is a brunette, with pierced nipples and a possible disdain for Mark. That's gone when he slides into her, fingers pinching her clit. He makes her come too, and the next one and the one after that. You've seen enough. You turn and find him eye level with your cunt, long legs bent into a squat. He may be more than a decade older than in the video, but an old dog doesn't stop learning new tricks.

"Mark, I need you, please." You beg, beyond ready to be treated like one of his "little starlets" from the spank bank. You wonder if he'd film you too. Have your pussy soaking his cock in your juices as a memento of your time together.

"How do you want me, sweetheart?" He asks.

"Need you to fuck me, want to feel your cock inside of me, please." You moan out. And he's a perfect gentleman, because he promises he'll give it to you.

But first he slides his fingers to the front of your underwear and two of them are on your clit, rubbing. Maybe it's because of his height, that the length has spread even to his limbs. Maybe it's the dexterity, the sheer speed of his movements. Usually you'd prefer it starting slow, and building up. But with Mark, it was all climbing, starting at a 100 and moving towards 200 and above. Your hips are bucking against him, searching more. He slows just for a second in order to thrust two fingers inside of you.

"Look at you, already a mess. Did I get you so rilled up, sweetheart. Does this old man do it so much for you?" He asks and smiles as you can only groan and beg for more. He's not someone who draws out things, so he tells you to keep it up for him as he opens the condom package. He watches you whine that your fingers don't feel as good, that they aren't enough.

"Oh sweetheart, just you wait. You're going to be ruined." Mark says as he feeds you just the tip. He makes you take your hands off, replacing them with his. He thrusts up, matching his movements on your clit.

"It's too big, please." You say. Were you asking him for more or to stop? Your body seemed to favour the latter , because you were practically dripping on the bathroom floor. Mark uses his other hand to bring you closer to himself, his shallow thrusts pumping deeper and deeper. He's hitting that spot in your body, the one which you didn't even know existed.

"Be good and cum for me, will you, sweetheart? I don't have all night. So unless you want me to drag you out like this and fuck you on the town square under the fireworks, you better let go." Mark says. He does miss how tight you get around him when he talks like this. He continues, telling you how good you make him feel and how he can't wait to see your pretty orgasm face.That's what tips you over the edge. They're tears coming out of your eyes, you're pretty sure you're drooling and Mark's cock is indeed soaked with your juices. You can hear the obnoxious squelching of his last few thrusts, before he also comes.

He's still inside you when your alarm rings, the sound coming from your purse, long forgotten on the floor. You scramble to turn it off.

"One minute to midnight. Well, it's more like 20 seconds now." You announce. Mark takes your face in his hands (still slick with you) and kisses you gently. He doesn't have the heart to tell you that this is the first kiss he's had all year. You don't have the heart to tell him the same. All you know is that your return flight might be rebooked to a later date. You finally found something interesting to do in your parent's new town.

[saveourskinship]

All of this and also to add...

Fandom now increasingly requires admin, work, and sometimes legal recourse.

Fandom works are being stolen, scraped, put behind pay walls without permission and the authors have to do the work to take them down, often having to expose their real names, phone numbers, email addresses and home addresses to prove they are 'real' and that they own the work in question.

And yes an author owns their fanfic. They don't own the intellectual property it came from but the copyright is still there, protecting what the author created.

Also a reminder that one permission does not beget another. Having an author agree, for example, that one personal bind of their fic can be made does not mean the binder can then sell other binds because the author is 'okay' with it.

Taking someone's fic and putting it anywhere they haven't is theft. Goodreads, storygraph, scribd, wattpad, whatever. If you *YOU*, not the author, added it to that place, you have committed theft.

And you have added admin, stress and sometimes legal fees to the author you claim to love. Time they could have spent writing the next chapter is now tied up filling out forms with copyright infringement notices attached.

It's annoying. Stressful. And sometimes very expensive.

I'm tired. I write because I love it but I'm so tired of having to wrangle all the extra stuff for a hobby that supposed to be fun and free. And I'm not even a BNF so I can't imagine what it must be like for people with larger hits on their works.

So yeah. Enshittification sucks. Go tell your favourite author you love them - they likely need it.

feedback and fic in fandom (3 f's of our own)

This conversation about feedback on fic says everything I’ve been wanting to say better than I could say it. But I’ll go ahead and try anyway.

Over the last five years or so there have been some great discussions around the rise of commodification of fanworks and decline of fandom community. This commodification looks a bit like enshittification of the internet: a cool site exists; its popularity makes someone realize they can get money from it; it has more and more ads; the site adds features to drive engagement, including The Algorithm; the things that made the site cool start to fall away. The site exists now as a vehicle purely to get clicks, and the people on it are on it solely to get clicks—to make money, to be successful, for some kind of social cachet.

AO3 doesn’t have advertisements. It’s not making money. But what is happening to fandom is proof of concept that enshittification changes the way we as humans engage. A cool website in 2004 was often a community space where you could meet people, have conversations, find cool things, and make cool things. A cool website in 2024 is either a content farm that will continually feed you enough content to hold your attention, or a social media site where your participation will come with stats to show you whether you are holding the attention of others.

AO3 wasn’t built to be a community space. It doesn’t have great functions for meeting people and having conversations. The idea was that, because fandom community spaces already existed, AO3 would serve the part of that community where you can find the cool things and store the cool things you made. It was meant to be a library in a city, not the whole city itself.

But it was also never meant to be a website in 2024, a content farm constantly generating content solely for your clicks and eyeballs and ad revenue, or a social media site where the content creators themselves vie for your clicks and eyeballs.

The most common talking point when people discuss the enshittification of fandom is the folks out there who are treating AO3 as that first kind of enshittified website: the content farm. This discussion is about how people treat fanfic as a product for consumption.

The post that kicked off the discussion on @sitp-recs’s blog was about someone who wasn’t getting very many kudos or comments on their fic, and was feeling pretty demoralized about it, then joined a discord server and found an entire channel dedicated to people loving their fic. But those on that server had never come to share that love with the author, which the author found really discouraging.

There are more and more stories like this. Someone on tiktok pulls a quote from a fic on AO3 and makes a 10-second video with them staring at a wall, the quote pasted at the bottom, music playing over it. It has 100,000 hearts, and 100 comments with people gushing over the fic, which has 80 kudos on AO3. Overall, people notice more and more hits on their fics, but fewer and fewer comments or even kudos. Fewer and fewer people seem to feel the need to interact with the author, instead treating the fic like a product to be used and discarded—which the enshittified internet (a stunning feature of late-stage capitalism!) encourages. The fandom community is dying, these stories conclude.

I agree. 100%. Both of the stories above have happened to me—viral tiktoks about my fic, secret discord channels to follow and discuss my fic—and let me tell you, it fucking sucks.

But from these observations about fandom enshittification, the discussion continues in a very odd direction. The solution to the death of fandom community is our favorite enshittification buzzword: engagement. We should engage the authors. They’re producing these products for free. We consume them at no cost. We must demonstrate our gratitude by paying them back.

It’s as though the capitalist consumption that the enshittified web encourages is so ingrained within us that we must think in terms of payment, in terms of exchange, transaction. Or as though, by forgoing payment, authors are some kind of martyrs defying capitalism, and the only way to honor their great sacrifice is comments and kudos.

Indeed, the discourse around this sometimes does veer away from capitalist rhetoric into something that smells almost religious in desperation. Authors are gods who bestow us mere mortals with the fruits of their labor benevolently, through love; the least we can do is worship them. Meanwhile the authors adopt the groveling sentiment of starving artists: I produce great art; I only humbly ask that you feed me in return.

These kinds of entreaties make my skin crawl for a number of reasons. I’m not a god. I’m not writing because I love you. I don’t expect your worship or even your praise.

I think the thing that disturbs me the most about it is that it suggests that authors (or, if the OP is feeling generous fan work creators) are the most important people in fandom. I’ve even seen posts stating that without creators, fandom wouldn’t exist—as though readers aren’t just as important. As though conversations where people discuss characterizations and plot points and randomly spin out interpretations and ideas and thoughts related to canon are meaningless. I’ve even seen people scramble to include folks having these discussions as “creators,” as though realizing that these people are necessary and integral to fandom communities but unable to drop the idea that the producers are the ones who are important. As though that person who just lurks can never count.

Is this what community is? When you join the queer community, are you expected to produce a product of your queerness? If not, must you actively participate and give back to the queer community in order to be considered a part of it? Or is it enough that you are queer, that you exist as a queer person and want to be around others who are queer, you want to be a part of something? What is community, anyway?

The problem with people raising the authors above everyone else in the community and demanding that tribute be paid is that they are decrying the “content farm” style of 2024 website out of one side of their mouth, but out of the other side are instead demanding that AO3 become a 2024-style social media website. Authors are influencers. “Engagement” and clicks are the things that really matter. They are in fact suggesting that the way to solve the commodification of fanfic is by “paying authors back” with stats.

Before anyone comes at me with the idea that comments aren’t just “stats,” I will clarify what I mean. There are literally hundreds of posts on tumblr alone claiming that any comment “helps” the author. Someone replies that they are shy to comment. Someone else replies that incoherent keyboard smashes, a single emoji, or the comment “kudos” are all that is required to satisfy the author, all that is required as tribute—all that is required as payment to keep this economy healthy.

I’m not condemning the comments that are keyboard smashes or emojis or a single kind word. I receive them. They make me happy. If anyone wants to leave such a comment on my fics, I’m really grateful for it. But this is not community-building. This is a transaction. In @yiiiiiiiikes25’s excellent response in the post linked at the beginning, they point out that “you have a cool hat” is something that is “perfectly nice” to hear from someone—and it is! We all want to be told we have a cool hat! But as they go on to say, what builds community is interactions that are deep and specific, interactions that are rich in quality, not in quantity. A kudos or a comment that says only ❤️are lovely things to receive, but they don’t build community.

My reaction, when I see people begging for kudos and comments as the only means by which to keep fandom community alive, is very close to @eleadore's. I want to say, “No. Readers do not need to comment or kudos. Believe not these hucksters who claim to know the appropriate method of fandom participation. Participate as you feel able, or not at all; nothing is required of you.”

I’ve been told before (several times) that I’m not qualified to participate in such discussions because I am an established author who has some fics with very high stats. It doesn’t matter that I have also been a new writer with almost no one reading my fics. It doesn’t matter that I still write in new fandoms where no one in that fandom knows me. It doesn’t matter that I, like any human being, still care about receiving recognition and attention and praise.

And maybe that’s correct. I personally don’t think that billionaires have a place in deciding the direction of the economy, and--if we're really going to consider fandom an economy--in fandom terms, if I’m not a billionaire, or even a millionaire, I’m definitely in the infamous “one percent.” So, just as no one wants to hear Elon Musk say “money isn’t everything,” maybe it’s not my place to say “kudos isn’t required, actually.”

That said, I’m not the only one who has a problem with the stats-based discourse around fandom community. However, the main counter-response to this discussion I see goes something like this: you shouldn’t be writing fic for validation. If you’re writing for attention, you’re doing it for the wrong reason. Authors should write fic because they love it without any expectation of return.

This is, in my opinion, missing the point of what is meant by fandom community.

I wrote fanfic before I knew that fanfic, as a concept, existed. I read books; I wanted them to be different; I wrote little stories for myself with new endings, with self-inserts, with cross-overs, with alternate universes. I did it for myself in the 90s. It never occurred to me that anyone else would do this, much less that people would share.

As @faiell points out—creating and sharing are two different things. I created fics for myself, but I decided to share them in the early 2000s because other people might like them, too. And of course, I wanted to hear whether other people liked them. How could I not? I might decorate my home just for me and not for anyone else’s preferences, but when people come over and say my house is nice, how can I not enjoy that? And if a lot of people think my house is nice, which encourages me to post pictures of it online, isn’t it understandable I might do so with the hope that more people will say my house is nice? And, honestly, if no one is appreciating my pictures, I probably won’t continue to go through the trouble of taking them and posting them. I’ll just enjoy my house that I decorated without sharing, the end.

When I found out there were whole fannish communities where people discussed canon and tossed ideas around about it, made theories and prompts and insights into the characters, fics they had written and recs for other fics and analyses of fics and art based on fics and fics based on art—I wanted to be a part of that, too. Now, sometimes, I write fic not out of an internal need to do so but out of a desire to participate in that community.

The idea that we write fic only for the love of it, then post it only because we possess it, is a process entirely centered on the self. It’s fandom in a vacuum. The idea that we share this thing, that we feel pleasure if someone likes it but feel nothing at all if no one says anything about it, that it’s completely okay to be ignored and unseen—that’s not what a community is either. That’s some weird sort of self-aggrandizement through self-effacement—because yes, there is often a weird kind of virtue-signaling in this kind of discourse.

I say this as someone who has virtue-signaled in that way: “some people write for stats, but I write for myself.” It’s bullshit. Sure, I write for myself, but why post it on the internet? Honestly, said virtue has a whiff of the capitalist machine, which would like you to produce for the sake of production, work for the sake of work. The noblest among us expect no recompense for that which they give!

The reason that I’m bringing this back around to capitalism is that capitalism actively works to dismantle community. The reason that folks are out here pleading for “engagement” in order to “pay back” authors for the products they give us “for free” is because people no longer even have the language to discuss how to participate in meaningful community. And frankly, how to build back fandom community, in the face of enshittification, is getting harder and harder to see.

But I do think that if we value fanfic and the fanfic community, it’s really, really not constructive to judge whether someone’s reasons for writing fanfic are valid. It’s also weird to me that it would be considered wrong that someone’s reason for sharing fanfic is because they would like to receive some recognition for it, when in fact that seems to be the most natural reason in the world for sharing something so private and vulnerable with the world.

Let’s go back to that idea of how hurtful it is to find out your fanfic is trending on tiktok without anyone from tiktok saying anything to you about your fic, or how it can be painful to find out there’s a secret discord channel dedicated to your fic. The people who respond to that with, “Ah, but you shouldn’t be writing to get attention!” are missing the point. The fic did get attention. It got lots. Attention obviously wasn't why the writer was writing--they were writing to participate, and they didn't get to. At all.

However, if your conclusion is that the author was upset because these particular stats were not accruing under this author’s profile, thereby preventing them from achieving the vaunted status of BNF and influencer—I don’t know, maybe you’re right. But I don’t think that’s why I, personally, have been hurt by these things, and I doubt it’s what hurt the people in these posts either. They’re hurt because they want to participate, and they have been systematically excluded by the very people they thought were part of the community they thought they could participate in.

Sure, if those folks from tiktok and the discord server all came and showered the author with kudos and comments that said “kudos,” the author might have felt satisfied enough with the quantity of this recognition that they would continue writing. But in the end, this still does nothing to address the problem of fandom community, in which the deep, meaningful recognition, interactions, and relationships in fandom are getting harder and harder to have and to build, as a result of how people now expect to engage in online spaces.

So, how to address the problem of fandom community? You probably read this long, long post hoping that I had an answer, and for that I must apologize. I don’t have solutions. My intent was to be descriptive, rather than prescriptive. I wished to outline the problems that I’m seeing in what was hopefully a slightly new or at least thought-provoking way, rather than offer solutions.

But, now that I’m talking about being prescriptive, maybe I can offer one suggestion, which is—maybe the solution to this isn’t about prescribing behavior. I do understand the irony in writing a prescription saying we shouldn’t prescribe people, but I’m going to write it anyway:

Maybe we shouldn’t be telling anyone the appropriate reasons for writing fanfic or for sharing it. Maybe we shouldn’t be telling readers they need to kudos or need to comment. If we’re going to go pointing fingers, we should be pointing at the institutions of capitalism that have made the internet what it is today—but I don’t think that’s going to solve the problem either.

But I do think that describing this problem, understanding what it actually is, not blaming readers for it and not blaming authors for it—I do think that helps. The discussion I linked at the beginning of this post is what I think of as the fandom I miss, the fandom that's now harder and harder to access, the fandom that is dying. That fandom was a social space where people had opinions and disagreed and went back and forth and gazed at their navels and then talked about Buffy the Vampire Slayer.

In the words of @yiiiiiiiikes25, it was a fuckin’ discussion about hats. And we’re hungry for it.