#I can admit that okay? I'm self aware.

[maraguanabana]

as a Ferrari fan since 1996, an italian woman, and former professional Ferrari delusional apologist, I think the way to proceed after Las V*gas includes a visit to one of my homeland's most famous places, a lighter, a get away car, a plane ticket and a new fake identity. who's with me. I'll give you a cookie and a caprisun.

[tealvenetianmask]

I want to think a little about Blitz's self-perception with regard to his lack of education/sophistication. In my opinion, HB gives us a very accurate portrayal of what it feels like to navigate relationships when you're a person with a long history of feeling like you're never good enough ("I can always do better").

Let's start with his friendship with Moxxie, though like a lot of my posts, it will find its way back to stolitz.

Moxxie doesn't necessarily have more formal education than Blitz. I mean . . . he likely had the economic resources growing up, but I don't think Crimson seems like the kind of parent to prioritize education. Besides an education in violence. I assume that both Blitz and Moxxie had some basic education as kids, but the difference is that Moxxie likes "high culture(ish)" things like musicals and bow ties, enjoys knowing details about history, and probably reads for fun. He's also the kind of ". . . um actually . . ." friend who can make even a secure person feel a little stupid. Not that Blitz doesn't sometimes need to be called out, but Moxxie does seem to take some joy in correcting him.

And yes, Blitz bullies Moxx and calls his junk tiny and tells him to eat a salad, but like . . . it's pretty obvious that to some extent, Blitz is covering up for feeling inferior to Moxxie on some level.

We see how Blitz really feels about this in Truth Seekers.

Borrowed observation from excellent reaction youtuber Omn1media: When Blitz hallucinates Moxxie lecturing him, Moxxie goes really hard specifically on the insults to Blitz's intelligence. Moxxie's speech is also much more rambly/laced with figurative language than it is in their real (non-imagined) interactions.

We can see from Blitz's face in these scenes that these comments really get to him. Of course they do- he's making them up in his own nightmare.

"Foolish flights of fancy" is the rest of the caption there . . ."

He's very upset by the idea that he's really inferior to Moxxie- under all of the bravado, he's deeply insecure. It probably doesn't help that the truth gas made him admit that he didn't like the musical that Moxx recommended. Yes, I know that was a Cats joke, but also, Blitz bothered to lie, and he doesn't seem allergic to hurting Moxxie's feelings, so I think he wanted to pretend to "get" the "higher art" that Moxxie likes.

Okay so if Moxxie (with an essentially equivalent status and education) manages to unintentionally make Blitz feel stupid and uncultured, how does this translate when Blitz falls in love with Stolas, who IS objectively very high status and very well educated and DOES speak in "fancy rich people" language?

Oh. Right. The pedestal, the impossibility, and all of that.

I'm not saying that Hell's strict hierarchy doesn't have a lot to do with how Blitz perceives a real relationship between himself and Stolas as impossible- it absolutely does. And so does his history of failed relationships and heaping backpack of trauma. But also, the education/sophistication piece is there, and it's major.

I'm on the fence about whether Blitz actually sees himself as stupid or is just worried about being perceived that way by others. He obviously knows he's very good at the work he does, and that takes both a certain level of strategic thinking AND some very brilliant improvisation. I think he knows this. But he also knows he'll never . . . let's say, be the best read person in the room (if you want to know my thoughts on Blitz and literacy, click here- but short answer, I think he's quite literate but also dyslexic).

I think that like many real people who are kind of out of the box in this way (disrupted education and/or neurodivergence) he's simultaneously aware that he's very intelligent AND deeply insecure about being stupid or having others devalue his kind of intelligence.

[eightstarr]

what's mine — ellie williams.

summary: the day you left for this assignment, ellie remembers thinking it would be okay— or maybe it was you who said it, your hands over her tense shoulders, her fingers tugging at your shirt, “you’ll be okay.” she goes home and knows it to be true, like words from a god. she’ll be okay and you’ll be back. what’s left to do but count the hours?

warnings: descriptions of violence (not very detailed), suggestive content near the end!

notes: uhhh i love being dramatic and i think it shows here. all i think about is the action of coming home to someone who loves you and how it is as meaningful now as it was a thousand years ago and as it will be in a hundred years but whatever haha sorry about that guys. if you read this i love you btw

don't support zionist neil druckmann.

daily click. learn about palestine. donate and share!

・。.・゜✧・. ────

Being without Ellie is disorienting. The first week feels like walking alone in a dark room, feeling the walls for a light switch, running into sharp corners that stab your sides. You miss her like it's a sickness, less a longing and more a threat to whatever you’re made of.

There's a small community way outside of Jackson offering a trade. Maria makes it sound simple, like everything else. “They know us, it’ll be quick. You pick up the supplies, drop off our part of the deal, and come back.”

It takes 26 days. The exchange is simple but the journey less so, you and three others have to carry home the much needed medical supplies through herds of infected and a heavy storm that slows you down and cuts off your communication for three terrifying nights.

Ellie wanders the house and feels like a stranger, sickly, a sleepless corpse searching for living blood. The light coming through the windows feels too bright and her skin abnormally cold. She knows, or thinks, that if she’s not careful she could get lost in it— merge every wall together until there’s nothing left to see but a stark flatness, an unfamiliar box. The space is not huge. It's not a tall castle or a manor in the countryside or anything fitting to the theatricality of loneliness, but it’s your home. So much of you is in it. Ellie finds herself focusing on a different thing each passing day, clinging to them with a nauseating desperation, a hundred random pieces of you scattered like breadcrumbs to keep her sane. A book with a folded corner somewhere along the first half of the story, your favorite mug next to the sink, an old pair of jeans ripped at the knee on your side of the drawer. Too many things for you not to come back.

“Do you think I'm losing my mind?” she asks, a soft wrinkle between her furrowed brows, her eyes focused on a random spot ahead. “I mean, it’s been two weeks,” she’s trying to sound like it's not as bad as it looks, like she finds any of it funny or interesting instead of plainly horrifying. The sole of her shoes hits the floor in an anxious rhythm, mocking her— tap, tap, tap, tap. “Isn’t that fucked up?”

Dina curses at the lighter until it flickers back to life with a weak orange flame, holding it near the end of the half finished blunt. She inhales and passes it over, breathing out, “You’re not crazy.”

A pause. Ellie lets the comment comfort her for a single second before it flies right through her head, sounding more quiet than usual when she admits, “...I have this feeling like someone took something from me.”

Dina raises her eyebrows, her chuckle cut off by a short cough, smoke itching her throat. “You mean, like… what’s her name?” she squints her eyes and tries to remember. 

The name worms around Ellie’s head like it has been for days, bold letters, clear as day. She makes no attempt to let it pass through her lips, self aware and unrelenting at the same time, maybe finding some indefensible satisfaction in the fact that it can be forgotten. Cruel, you'd tease, and Ellie would smirk a lot like she tries not to now.

Dina gives up a second later, “Whatever— the girl that volunteered to go with them before you could. You're blaming her?”

“I guess.”

“Hm. That’s a little…”

“Don’t say crazy—”

“Crazy.”

“Fuck you,” she rolls her eyes. “It’s not like that.”

“So you’re not jealous?”

Ellie scoffs, tongue pressed against the inside of her cheek. Dina argues unlike anyone else. She’s confident, her goal clear and her strategy already lined up before you get a word in, loaded like a gun. But her strongest contender, perhaps the only one, might be Ellie’s simple stubbornness. “I’m concerned. She got picked over me even though I've studied that route a hundred fucking times. I could've done a better job,” she says, steady and tireless like bulletproof glass.

“At getting the supplies or at taking care of your girlfriend?”

“You’re starting to sound like Maria.”

Dina pauses for a short moment before she shrugs. “Maria makes good points.”

Ellie takes one last hit of the blunt and flicks it across the room to die out somewhere on the permanently damp floor. She tries to believe it. No one took you, she thinks, you left dutifully like anyone else in Jackson would've, like Ellie would've. It’s a dangerous trip but a job like any other, the same risk of deadly infection that comes with any of them. She should be used to it by now. Does it not also exist every other day of the year?

Still, she can't remember the last time she didn't see your face for this long. You’ve been dating for a little over three years, living together for half of that— it's a terrifyingly meaningful chunk of your young lives, months and months of seeing you everyday, of falling asleep with her face on the crook of your neck and waking up with your fingers pressing into her waist. You've built a world where things like this don’t happen, where all Ellie can think about as she leaves home is the way you hum in the mornings, soft and sleepy and so fucking cute, when you wake up to her back against your chest and her hair on your face. She thinks about her own laugh, how shy it sounds, how your lips press to her head before she turns around to claim a proper kiss.

But now you’re not here, and she’s too terrified to even utter the words out loud, and there's a hole in her chest where you should be that makes her feel insane everywhere she goes. It's an open wound leaving a hazardous trail of shame and memories, humming in her ears like a boiling kettle, who took what's mine?

Ellie has never considered herself to be the jealous type, but she never was the type to sleep with her back turned to someone this comfortably, either. It’s different with you. It's theatricality, it’s the coldness of that bed at night, it’s your legs tangled with hers like growing roots now disjointed. It’s a thing, breathing and alive, screaming at nothing— I miss you, I miss you, I miss you.

Is that girl you went with hanging from your every word in that way she always does? Is that a shameful thought to have? Ellie wipes it clean in a second and finds it immediately there again, at the front of her mind like a message on a cloudy mirror. She can't think about anything else. Is the storm keeping the two of you awake? Does a part of you find the girl brave for volunteering? Is she turning to look at you and asking, just loud enough, are you asleep? That fall earlier was rough, how are you feeling? Is she looking at your wounds like they matter more than doing a good job? Is your blood, warm and red and yours, on her hands now?

The last of the smoke spills past her lips in a sigh. Ellie pulls her knees closer to her chest and tugs at the loose thread on your ripped jeans.

─────✧･ﾟ: *✧･

There’s a comfortable weight that keeps you under, the loving press of her arm resting over your chest, her thumb brushing your chin. The sun feels warm where it’s draped across Ellie’s back, white tank top wrinkled slightly up her waist.

She watches you until you let out a little sigh, squint one eye open and then slowly the next, a smile stretching your lips as soon as your sight focuses on her. She looks beautiful. She looks just like she did before you left, your girl.

It’s weird— you’ve showered, scrubbed your hands clean and raw, changed clothes. And still you feel like you’ve brought in something dirty, like it’ll be stuck on you for a while, the grime, the guns, the storm. Your muddy shoes must still be sitting by the front door. Something in your head screams that you should get rid of them, burn them like an evidence of guilt. Do you look anything like you did before you left? You feel like a worn version of yourself, sticky and darkened. It’s a ridiculous worry to have, but the thought comes hand in hand with embarrassment and you can feel it crawling up your neck. You cover your face with your hands and groan tiredly, shy.

Ellie laughs, warm like musk, salve on a wound.

"Are you watching me sleep?" you mutter, voice ridden with exhaustion and joy all at once. The thing, love, obsession, both— breathes along with you. "Freak."

"Yeah, I was,” she shifts to sit on your lap, one knee on either side of you, spilling her confession easily. Ellie leans over to push your hands away from your face and press her lips to yours, passionate but short lived, still softly brushing against each other when she says, "I missed this face."

You chuckle, eyes tracing over her freckled cheeks, hands squeezing her thighs, feeling strangely like you’re being washed clean. “I missed you.”

Ellie closes her eyes and rests her forehead against yours, her fingers caressing your cheeks, looking at you again when her thumb brushes against the ridge of a scar. It’s a warped line that almost follows the shape of your cheekbone, from your hairline to somewhere near the corner of your lips. She'd seen it last night, nauseous with worry and relief to have you back, her vision clouded. The morning reveals it in a different, heartbreaking light. It’s okay, you’d said during the night, your hands on either side of her face much like hers are on you now, didn't even need stitches. Ellie tries to let that sink in, make the guilt feel any better. But it can't. Maybe you’d been saved the prick of a needle, but she knows it still hurt, she knows it bled and stung. It feels like a betrayal. If I can't save you the pain, she thinks, I owe you the witnessing, the chance to clean its wry edges, pat it dry. "How'd you get this one?" she asks, as softly as she can.

You’d been prepared for the question but not the devastation in her eyes. It falls over you like a ton of bricks, her love making your chest ache and sinking you back into the memory.

There was an empty house, or what looked like one. Pieces of broken glass scattered over the rotting wood of an old, wobbly table. A man's hand placed forcefully on your head. The side of your face rammed into the table with a thud when he pushed you down, the faint pain of something slicing into your cheek made worse by your struggle to get free. A kick and he stumbled back. A slice of your knife and he fell dead. You don't think the fact will do much to comfort Ellie. So, in hopes of sparing her, you hum and shake your head. "Come here," you say, or beg, a hand on the back of her neck like fond guidance. "Let me kiss your pretty face."

She feels soft like satin on your lips, tastes like honey and black tea. Ellie kisses like she argues, experienced and unruly all at once, with a point to make— I need you and I want you to know it. Her tongue slips past your parted lips and brings a muffled sound from your throat that almost makes her pull slightly away, if it weren't for the feeling of your fingers tightening on her neck to have her closer. A faint thought crosses Ellie’s mind, a feeling like pity for the person she was before you, whoever that was, an old self who couldn't know what it's like to be devoured so caringly.

She brushes her nose against yours and you let out a sigh that sounds painfully like a prayer, her short hair a dark veil over your eyes when she turns her head to press kisses on your cheek. "You can't leave me like that again," she breathes out.

You swallow her words, a confused wrinkle between your eyebrows. “Ellie—”

A kiss cuts you off. You slide your hands up her thighs to her waist, a surprised hum vibrating against her lips when she wraps her fingers around your wrists and squeezes, as if to keep them there. She leans back and stares into you, and for the first time since you’ve known Ellie, you can't tell if she's commanding you or begging. “I won’t let you.”

It’s a gesture. It goes beyond the reality of your lives, the fact that any day either one of you could be made to leave again, that any day either one of you could die. It means I missed you. It means I need it to be me who looks after you. It means I love you.

Your stomach flutters, hungry with an urgent craving. And like you have every day since you’ve known Ellie, you find yourself unable to deny her love or the indulging promise of a different world— but maybe those mean the same thing. "I'm not leaving you," you say, breathless, and it might as well be true.

Ellie makes a sound in response that feels painfully close to a moan, a soft mmhm that clouds your head of anything that may or may not exist outside of this room. The tip of her nose brushes against your neck and then continues its way down, her fingers sneaking inside your shirt, pulling up the fabric and pressing kisses over the skin that’s revealed. "I love you," she says, almost near the band of your underwear, her blushed lips parted. You feel her breath against the burning fire in your lower stomach, reaching out to cradle her cheek against your hand. She feels hot, flushed pink under her freckles, and you’re not sure if she hears you say I love you, Ellie as much as she watches you mouth the words. She presses her face further into your hand, wetting her lips with the tip of her tongue, begging as if she’d ever have to, “Baby, I need— please.”

You don't hear yourself say yes, but the look in her eyes says you must have.

[umeqii]

-⠀⠀⠀⠀⠀YOU'RE FUCKING CRAZY ⠀⠀⠀. . . ⠀⠀⠀but you're lowkey cool .

fandom ; class of 09

character ; nicole

gender ; female reader (lesbian nicole real)

creator ; umeqii

QUICK A/N - so like idk i'm a nicole kinnie and so like i might (i will) self project but yk ^_^ and uh idk i js wanted to post smth abt co09 bc like all i saw was mf jeffery ones and no one likes jeffery he's a fucking wierdo anyways!!

TW - like it's co09, so mentions of pedophilia, drugs, dark humor, sh, suicide jokes, things like that :P

─── WHAT IT'S LIKE DATING NICOLE !!

okay so it's quite clear that nicole is a sociopath, and she's aware of it and she payed VERY little attention to you at first

i guess you were just like, that one girl who just sits in class n minds her business and overhears alot of weirdass drama like that one blonde bitch kelly being inlove with her cousin or something

but you had a new student, and you gotta admit, she was really pretty ≥∇≤ !!

her personality; not so much (real though)

anyways, you grew up to read people really easily from the way you were raised n shit so when you first spoke to nicole in class, you realised she was faking to smile; or just faking to be nice in general

so you kept that in mind, but didn't say anything because you were loekwy afraid :P

one time, you guys had science together n this kid jeffery kept tryna talk to nicole and it's not like you were mad at her for tryna make new friends, it was jeffery you were mad at

he didn't even acknowledge you one bit ☠️☠️

so you just end up standing next to them saying nothing and looking like a random stranger

when nicole sat in her seat, with jeffery rambling about anime girls or something, you saw how she looked REAALLLYYY pissed so you were gonna sit in your seat (which was opposite hers) and ask her

UNTIL THAT BITCH JEFFERY LIKE SAT IN IT ☠️☠️😭😭

you just ended up staring at him with a slightly open mouth when he ignored your soft askings of "can you please move?"

that's when our favourite toxic lesbian said something!! (i'm delusional)

" oh my FUCKING god, next time i hear anything about your stupidass anime cat girls, i will actually hang myself from this light. like who the fuck even asked?? i know damn fuckin' well i didn't. and get your greasy and filthy ass out of y/n's seat, you bitch. "

😨

that was jeffery's face (and lowkey yours' too)

he got out of your seat and mumbled an apology to you and sat somewhere else leaving you and an annoyed nicole sitting in silence

" oh uh...are you? "

" do you have any meth. "

" ah fuck sorry, i don't do.. uh yeah "

" you look like you do, you seem fucking crazy "

" oh. "

so like after that, and you, being the sapphic you are, ended up falling inlove with nicole !!

she was lowkey a bitch and you won't lie, toxic as fuck but she was your only friend and she stuck up for you so that's good??

she treats everyone with no respect at all, but for you, you can see the SLIGHT change in attitude

like you see her with jeffery, then people like jecka and emily, and you!!

she would always say things about you guys making out or having sex in the bathrooms and you couldn't tell if they were jokes or not

but like i lowkey cba to say how ym got together so all ik is that yu asked her out, she made out with yu and yh

so like now HEADCANONS time

nicole is an insecure girl deep, deep down so that's why she acts the way she does.

but yeah, those insecurities make her REALLY jealous 😭😭

it's sometimes concerning .

like one time you were approached by emily and she was asking you if you wanted some drugs or something, which you declined, and you ended up complimenting her hair and saying how it brings out her eyes and she ended up hugging you

then nicole stormed over and started going fucking crazy mode at emily saying how " don't you have like a 30 year old boyfriend you can give head right now? so fuck off and let me give this bitch head instead, you cokewhore!! "

something along the lines of that

like i guess showing affection makes her pretty vulnerable, so when ym are in public she's a bitch

she's really controlling or whatever the word is (toxic)

"y/n, you know how much of a fucking pathetic loser you are? just think how fucked up you would be without me, then. like no offense babe, but you're really fucking deranged in the head but i guess that's something that makes you hot."

okay that's all i can think of but yeah i also hate parental controls like why are only 5 of my apps unlocked like let me go on discord ://

you guys should add me on discord, my user is umeqii yiu bitches /affectionately /nf

[perfinn]

you're out of touch, i'm out of time

aegon ii targaryen x reader

wc: 3.3k

summary: you have a tendency to pick up strays, but when you pick up the king of westeros (who was supposed to have died hundreds of years ago), things begin to get a little complicated

cw: NSFW, f!reader, aegon being a creep (shocker), aegon being deeply pathetic (also shocker), aegon is drunk or possibly hung over, attempted sex (aegon begs for a handjob but doesn't get one)

masterlist, read on ao3, divider by saradika

You’ve always been too nice. You’re aware of this unfortunate fact, though you staunchly refuse to admit it’s a weakness. Has this trait left you without necessities from time to time because you gave them to someone who needed them more? Yes, but you sleep better at night knowing that that homeless girl had sturdy new shoes, even if you had to walk home barefoot. You can always handle a bit of discomfort if it means improving someone’s day marginally. It’s not as though you’re without any sense of self preservation– you know when to say no, or when to walk away. When someone is out for their own self interest, or just plain dangerous. 

You’re smart about it. Mostly. Sometimes, though, your sympathy gene takes over, and you approach the danger because you feel there’s more beneath the surface. So far, it hasn’t put you in any troubling positions. Still, first time for everything. And as you stand on the edge of the pavement, toes of your shoes swinging down into the gutter as you sway back and forth, you wonder if you’re about to break your successful streak.

There’s a man in the busy city street, raving and desperately trying to get someone’s attention. Usually, he’s the type you’d regretfully ignore for your own safety, but he seems different. He doesn’t seem like the usual King’s Landing crackheads. He’s dressed too nice, for starters. Strange, yes, but still nice. In fact, it looks to be better quality than anything you own. And he’s young– which isn't uncommon in this situation, but it always makes your heart ache when they’re young. 

He looks desperate, terrified, and as another person ducks their head and walks past him, you feel yourself moving toward him. You don't know why. Maybe because you know if you leave now, you’ll not sleep tonight for the sheer guilt of passing him by. He spots you making your way over and turns to you, seeming to hope against hope that you’re going to acknowledge him. 

“Hi,” you say in a calm, even voice. It's a tone you’ve gotten quite good at. You’re not professionally trained by any means, but these things generally come with the territory. “Let's get you out of the road, okay? You could get hurt.”

“What the fuck are those things?” He demands of you as a car stops to let you take him across. You wave your thanks to the driver, who looks mildly disgruntled, and take the young man gently by the arms to get him onto the pavement. “Where are the horses?”

You know he must be confused, so you’re gentle with him. “There's no horses,” you say, still holding his arms as he finally looks away from the disappearing car and into your eyes. He looks so deeply afraid, but you notice he does take a moment to look you over. You let him, trying to see the best in him and hoping it's just curiosity. It doesn't matter right now anyway, you tell yourself. “Are you okay?”

“No!” He snaps. “Course I’m not bloody okay! Where am I?!”

“You’re in King’s Landing,” you say. “Let's get you somewhere quiet, okay? Are you hungry?”

“This,” he laughs in disbelief, looking around. “Is not King’s Landing, I know what King’s Landing looks like!”

“Okay,” you nod. “I believe you. Let's go sit down, I’ll buy you something to eat.”

The man looks at you with what you think is an offended scowl, but the offer of food does seem to intrigue him. “And wine?”

“No,” you say, and he deflates. 

He scratches at his chin, but nods in agreement. “Yes, fine.”

You smile, a bit of relief easing the worry in your ribs. Sometimes people won't cooperate, or they’ll turn you away when you say you won't buy them booze or give them money outright. This young man seems to be content enough without wine, so you wave your hand and lead him down the road toward the nearest fast food joint. 

He follows behind you, panicked eyes still looking around as though he's never seen the world before. It's not wonder, but something close to anger, indignation maybe. You make it to a diner you like, opening the door for him. He's clearly astounded by the ugly cacophony of colours inside, but you can't blame him. You don't come here for the aesthetics. 

“Go sit down?” You tell him gently, framing it like a suggestion as you point to your favourite booth. He scowls, but does as bid. 

The teen behind the counter takes little notice of your strange company. It's King’s Landing, he's probably seen something ten times as strange already today. Once you’ve paid, you join your new stray, sitting down across from him and folding your hands on the table. 

“So, what's your name?” You ask him, and he looks away from the bustling street outside the window to stare at you in what you assume is disbelief. 

“What’s my name?” He echoes, leaning slightly over the table. “Are you serious?”

You blink. That’s… not a question anyone’s ever been mad at you for. You learned quickly which questions to steer clear of to avoid pissing people off.

He scoffs, leaning back in his seat and tapping a dirtied fingernail against the peeling surface of the table. “Aegon,” he says, almost experimentally. Like he's testing the waters. 

You nod politely, and tell him yours.

He stares at you. “Nothing? Aegon? You’ve not heard the name Aegon?”

“Well, of course I have,” you say, confused smile pulling at your lips. “It's a common enough name. I think I knew a guy in school named Aegon–”

“You have been to school?” Aegon asks, eyebrows shooting up and a laugh spilling from his mouth. He leans back, dragging his hands over his clammy face. “Have I been drugged?!”

You’d put serious money on that being a resounding yes. 

“This is crazy,” he says, leaning forward again. He says your name slowly, glancing around before his eyes land on you. “Can you tell me what's going on?”

You bite your lip, thankful when the cashier calls out your order number. You rush to get up and get it, fearing you may be way out of your depth this time. He talks like he’s never seen the world before, and his comment about you having gone to school… none of it makes any sense. You’ve never even had the thought of dropping someone off with someone who’s better equipped to handle problems of this magnitude, but Aegon has you really considering it. When you return with the tray of food and set it down, Aegon has the specials menu in hand and is squinting at it. 

“I got you what I usually get,” you say, setting the tray down and placing his wrapped burger in front of him, leaving the fries on the tray. “Aegon, I want to help you, but I’m at a bit of a loss.”

“That certainly makes two of us,” Aegon says, unwrapping the burger curiously. “What meat is this?”

“It’s beef,” you tell him, unwrapping your own. He watches as you take a bite of yours, and he nods as though in satisfaction before taking a hefty bite of his. “Aegon, I want to understand what’s going on in your head. Can you just…”

You’re not sure how to say it, really. It’s invasive, and you don’t want him to feel like you believe he’s crazy, or lying.

“What’s your deal?”

He chews slowly on his burger, eyeing you suspiciously. “My deal,” he echoes, lips turned down in a scowl. “Is that I’m the King of Westeros.”

You nod slowly, biting into your burger so you don’t have to answer right away. You hope if you stay silent long enough, he’ll feel compelled to keep talking. 

“King Aegon,” he says slowly, like you’re the deluded one. “Aegon Targaryen, Second of His Name, Protector of the Realm, all the rest. Are you serious?”

You swallow your mouthful and nod. You’re not particularly well versed in history, but the titles ring a bell. It’s some sort of messiah complex, you’d wager. Trying your best not to seem dismissive, you pull out your phone. “Let me see,” you say. 

“What’s that?” He asks, leaning forward and trying to snatch it from you. You move it out of his way, yelping softly in contrition. 

“My phone!” You say. “I’m just looking you up, Aegon.”

“You’re what?” He says, looking horrified. “Give me that!”

“Dude, no! Let me just–” You stand up from your seat to be out of his reach, hurriedly typing the name he’d told you into the search bar. “Look, I know the name Targaryen, that’s the Conqueror's name!”

“Yes! Aegon the Conqueror!” He cries. “You’re finally making sense!”

“What? No, I mean Daenerys!”

“Who!?”

“Aegon, sit back down!” You snap, and he pauses in his pursuit of your phone, stunned into silence by your firm tone. Slowly, he returns to his seat, picking up a fry to eat it. 

“Only because I want to,” he says childishly. 

You frown at him, shaking your head before looking back at your phone as it pulls up the results for your search. 

‘Aegon II Targaryen, also known as Aegon the Elder, was the sixth Targaryen king to sit the Iron Throne, succeeding his father, Viserys I Targaryen, as Lord of the Seven Kingdoms.’

The search pulls up a picture as well, one of those terribly done paintings from the dark ages. It’s hard to say whether the Aegon in front of you looks much like the one in the painting, but he does have the same pale blonde hair and violet eyes. He’s a lot more pathetic than the portrait, too. He has the qualities of a wet cat, and you hate that it’s somewhat endearing. When you keep scrolling, you find a painting that can’t have been contemporary. This is a more detailed portrait, likely from half a century ago, where Aegon is covered in burns and lies dead in a carriage. 

You look up, meeting the wary eyes of the confused but un-burned man before you, and slowly sit back down. You know that he isn’t actually the king from nearly a millennium ago, but there’s an uncanny quality about him that makes you want to doubt the logical truth. His clothes, for one. You don’t know many homeless guys with such fine embroidery on their clothes. And there’s his features… you know them to be Valyrian, but rarely does anyone still pop up with the stark blond and violet irises. You remember well enough from your high school history classes that the Targaryen dynasty had those features.

“What does your little brick do?”

You blink, looking down at it and pulling up the contemporary portrait – part of you tells you not to show him the other. He scowls at it, but nods. “Seven hells, that’s not flattering. Where did you get this miniature? You have this and yet claim not to know me? What game do you play?”

You sigh. He truly doesn’t understand, does he? 

“Aegon, what year do you think it is?”

He rears back and regards you with more suspicion. “129 AC,” he says.

“And what were you doing before this?” 

“I will not tell you that,” he says. “You’re one of Rhaenyra’s spies, aren’t you?”

“I don’t know who Rhaenyra is,” you say softly. “I’m sorry, Aegon, I’m not a history buff.”

“History–” He stops, and goes deathly silent for a long moment, as though the whole situation is finally processing for him. You wonder if it’s the stench of wine that hangs off him explains his slow processing. “What year do you think it is?”

You tell him the year, even tack today’s date on for him. He stares are you, and you can see his brain buffering yet again. 

“Seven hells,” he murmurs. You find you share a similar sentiment. 

He picks up his burger and begins to eat it slowly. He’s silent for a long while, eyes seeming far away as he contemplates. You try not to stare at him, but it's no easy task. 

“This is going to sound crazy,” he says after a long while. “But I believe I may have travelled… through time.”

“I’d say so, yeah,” you respond. At this point, it's the only explanation. You’d usually say something about eliminating all the impossible options, but that just doesn't work here. Time travel is impossible, or it should be. And it's possible Aegon is just suffering from a deeply intense messiah complex. But that doesn't seem right. Your instincts haven't led you wrong before, you’re not about to ignore them now. 

“What am I going to do?” asks Aegon.

You want to tell him you’re going to try to find a way to get him back to his own time, but you’re struck once more with the image of him burned and twisted, dead in a carriage. How can you send him back to his fate knowing his grisly end?

You take in the man in front of you, this historical figure you’d never heard of until five minutes ago, and bite your lip. “We’ll figure it out,” you promise him. “You… can stay with me until we do.”

That’s probably dumb, and you’ll probably regret it. But not more than you would regret leaving him out on the streets.

“I suppose,” sighs Aegon like he’s spoiled for choice. You get up to ask for a bag for your food, glancing back as Aegon chews sadly on his burger. 

You get Aegon back to your place, and he wanders into the flat ahead of you. You watch him go with a soft huff, rolling your eyes. If everything else hadn’t convinced you, his attitude is proof positive that he’s from the past. He has all the entitlement of a prince and none of the consideration of those around him that modern men have (sometimes) gained. 

Your flat isn't much, two bedrooms and mostly paid for by your university. You had a flatmate for a time, but their sudden withdrawal left you without anyone and the school doesn’t seem to have noticed. Aegon can stay in the empty room until you figure him out. 

Aegon’s standing in your living room, staring in wonder at the decor you’ve collected over the course of your degree, at your television, maybe he’s just looking at all of it. He’s turning in a slow circle, eyes narrowed. 

“This is very nice for a commoner. Very strange, but it is not… disgusting.” He pauses in his assessing, looking between you and the ridiculous tapestry you purchased one night after far too many drinks. “Who is this man?”

“Oh, he’s this guy from a movie,” you say, not really processing that he won’t understand what a movie is. He stands there, dumbstruck, while you go to put your leftover food in the fridge. 

“A what?”

“Just… don’t worry about it. There’s going to be a lot for you to take in, but with any luck you won’t be here too long.” You come back over to him, taking him in. He looks out of place standing here in his king’s threads. “Let me get you something to wear.”

“There’s nothing wrong with this,” he says, shifting and taking in your clothes. “Where is your father? Your husband?”

“My father is in my hometown, and I don’t have a husband.”

“You live without a man?” He eyes you suspiciously. “A whore?”

“Okay,” you say, gently grabbing him by the shoulders and walking him over to the sofa. “Sit here, I have some men’s clothes lying around. Do not move.”

Aegon huffs, rolling his eyes and sitting back with folded arms. You wonder, as you go into your room to find something for him, if he’s heard the word ‘no’ very much in his life. It wouldn’t seem that way, but sometimes the way he reacts to you telling him off leaves you thinking otherwise. He’s a bigger mystery than you’ve ever faced, but something tells you he’s worth it.

You emerge after a while to see him flicking through the book you’d left on your coffee table, frowning. He looks up when you enter, setting the book down. “Your home is peculiar,” he informs you. 

“I know,” you say, handing him the soft clothes you’d found. “Student housing is kind of a lottery. You can get changed in the spare room, if you want. I’m going to go shower. If you get hungry, your leftovers are in that big white box there, okay?”

“Yes, yes, whatever.” 

You watch him enter the near-empty bedroom and shut the door, heaving a heavy sigh before you go off to your own room. You don't shower. Instead, you pull out your computer and set out to learn all that you possibly can about Aegon. 

What you learn twists your stomach into knots so tight you feel that they would trap the nausea that grips your throat from escaping. Aegon was no saint, no, but what you find is that his life is steeped in tragedy. If he believes himself to be king now but remains unburned by his cousin’s dragon, he must be near the end of his life; but the worst of his troubles have yet to begin. 

It is strange to think of the pathetic and bratty man in your flat as growing into the role of a king, if one could say he ever did. He seems nothing but a lost young man, unloved but for the power he afforded his Hightower family. 

The reports on him are so extensive and exhaustive that an hour has passed before you realise you haven’t been disturbed. You get up from your desk, wondering if Aegon has somehow wandered out of your flat and back onto the street.

When you open the door, you’re greeted by the sight of your kitchen cabinets strewn open, and your cheap bottle of vodka now empty on the counter. Aegon is sprawled on your sofa, cradling a novelty ceramic beer mug you won in a pub quiz in your first year. 

“Seven hells,” you mumble, going over to him and snatching the cup from him to be met with his whining protests. You sniff the cup, nose scrunching in disgust at the acetone-y smell. “Not even a mixer…”

Aegon looks up at you, trying to reach for the cup and whining your name. At least he changed into the sweats. The King’s Landing University jumper rather suits him, actually. 

“Please,” he says, looking even more closely akin to a wet cat. He seems on the verge of tears. “You’re pretty, do you know?”

“I’ve heard,” you say, setting the cup down on the coffee table and turning to him.

He grabs your wrist, tugging you closer with surprising strength considering how sloshed he is. “You’re so pretty,” he whispers. He almost sings your name. “Will you get me off?”

“Wh- Aegon!” You snap, tearing your wrist away. “No!”

“Please! Just your hand, you’ve got such soft hands!”

“Aegon,” you hiss. “No. You’re drunk. Even if I wanted to, that wouldn't be okay. You don't know what you're saying.”

Aegon pouts at you, falling back against the sofa and letting out a soft hiccup. “That doesn't make sense.”

“Maybe not in your time,” you say, grabbing him a blanket and laying it over him. “Gods- just- just try to get some sleep, okay? We’ll talk in the morning when you're fully sober.”

“I’ll die before that,” he says, snuggling up to the soft blanket with a ridiculous cartoon of a wolf on it. Another of your decor purchases you thought would be hilarious in the moment. You grab his cup and pour what’s left of the vodka into the sink before gathering up your remaining bottles and vowing to take them to the cabinet in your room with a lock. 

“Maybe. But if you vomit on my carpet, you’ll be paying the cleaning bill, your grace.”

part ii

[funkynumaki]

Could I request something for Naib and Norton? Maybe them expecting they'll be the dom during their first time with you (just because they're seen as tough/manly and that's the role they usually took when it comes to sex before they met you) but then you turn the tables on them and top them and them surprisingly loving it?

Turning table

Summary; they're usually the one who's in charge or take the lead in sex, so what happen if they have a partner who's more dominant than them?

Characters included: Norton Campbell and Naib Subedar

Warning: Dom!reader x Sub: character(s), handjob (G), slight blood mentioned in Norton's (like just one line).

A/N: sorry for not posting, something caught up and I lost motivation. But I'm back! I can't really promise if I'll be back long though. For now I'm trying to clear my draft <3.

(NOT PROOFREAD)

_________________________________________

_________________________________________

|| Norton Campbell

- when you both start dating Norton always thought that he'll be the one who'll take in charge of intimate moment, credit to him it was an almost logical thinking of his. I mean, he's way bigger than you, so in his mind it's supposed to be him who's in charge, right?

- so it was a bit surprising to him when you prove him wrong. And more surprising that he ironically enjoy being in that position, even as much as sometimes he'd not like to admit.

"How is it?" You ask, looking at the man underneath you. Watching as groan and breathy moan slipped from his throat. "Fuckin-nh good..-" He manage to answer your question with little or no self control, especially in the state he's currently in. Your fingers move instinctively, teasing the tip of his dick, Tracing your nail slightly on it. "O-ohh shit-!Pl-ngh..!" His words barely coherent anymore. The prospector's back arched slighty at the sudden pace. "What's that..? You doesn't look like someone who's usually in charge right now.." You cooe in his ear, which he answer with a strangled moan. Your finger stop stimulating his tip, changing its main focus on the base. "Fuck! Ga-ahh..!" He throw his head back from the sudden pleasure that is now mainly on the base of his dick. His hand nails digging your back almost hard enough to drew blood. "Sensitive much, hm?" You chuckle as he try to suppress his noise by nipping on your neck, though it's a bit useless since his breathing is still labored. "Answer me, love. Let me hear how much you love it." You said, slightly threatening him by slowing your pace.

"Mnh..hh-! N-no-dont-fhuck!pl-ease..! I need it..-please-Ahngh! I love it-lo..veit so-much..!"

_________________________________________

_________________________________________

|| Naib Subedar

- being a mercenary he is used to bring in charge, well mostly because he usually hold more power in the relationship. Trust is something important in naib's relationship, so even if he's already aware that you can switch and take in charge, he still needs sometimes to think. He trust you, just not sure at first about the idea.

- when the time arrives, it's best to be gentle with him. And let him get comfortable with being the one's bottoming. At first he thinks it feels a bit weird, but gradually enjoy it with each passing second.

You notice how he hides his slightly flushed face on the crook of your neck, trying to prevent any noise slipping out of his throat. "You okay..?" You ask, waiting for him to confirm that he's okay. Since the least that you want is accidentally hurting him when he finally show you his vulnerable side. ".. Yes.. J.. Just continue..-" Nodding at his confirmation, your hand slightly fasten its pace. "Ng-ahh-" A choked moan slipped down his tongue, his eyes trying to focus on your fingers as they wrapped around his throbbing dick. "No need to hold it, love. I want to hear you moan" You whisper in his ear, brushing a strand of his hair back. Naib let out a groan, eyes still focused on your fingers. His face still slightly flushed. Your nail trace the tip of his dick, he trashes his head back at the sudden stimulation against his tip. "Doing so good..." You cooe.

"A-ahh! Fuc-hh..please. S'good.."

_____________________________

I might post my art in this acc :0

[shepherds-of-haven]

How would the ROs rate their own attractiveness? Like do they consider themselves attractive?

Huh, good question!

Blade: he is distantly aware that other people/society in general considers him to be good-looking in some capacity. (By Ket standards, he and Gladius both are considered to be blessed with markedly good looks, but almost in a 'pretty boy' kind of way. Gladius is considered like stunningly beautiful while Blade has more of 'effortlessly hot' aura). So he would say other people probably think he's "above-average" in looks (but he also believes it to be more of a muscularity/strength thing than things like his facial features. Like women, if they do find him attractive, probably think so because he looks like a strong provider LMAO). But he himself doesn't think about his own attractiveness or appearance beyond what good hygiene and proper presentation dictate... he hardly spares himself a glance in the mirror most days. As you can tell by his haircut choices

Trouble: he considers himself to be average in looks, neither particularly handsome or particularly ugly, just exactly in the middle of the road! If asked to describe his own attractiveness in more detail, he'd probably say something like, "I clean up okay. I'm a decent-looking working-class guy? *shrug* I don't think anyone would be mad if I showed up at their doorstep with a bouquet of flowers, but artists aren't swooning over my cheekbones, either"

Tallys: Tallys considers herself to be a good-looking woman, probably an 8 if we're using a scale, a 9 if she put more effort into being conventionally beautiful (doing things like growing out her hair (!), using makeup or perfume, dressing well, etc.). She's confident in her own attractiveness and doesn't find much fault with her own features or body, but she also knows that doesn't mean she's everyone's specific cup of tea, either! She just believes that, according to a general standard, she rates highly in most areas, and no one could sincerely call her ugly. It helps that she's an Elf, since most of them have a high standard of confidence when it comes to their natural beauty!

Shery: before she joined the Shepherds, she believed herself to be average or below-average, and believed herself to be "mousy": hiding behind her bangs and spectacles was not something she ever saw conventionally beautiful people doing, so she grew up thinking she was forgettable or unremarkable, though not necessarily ugly or outright unattractive. Just sort of "plain." However, since joining and noticing that there are people who seem to compliment or even crush on her, she's since come to tentatively revise that opinion and thinks she could probably be considered "cute" by some people's standards, but she still thinks that her personality makes it hard for anyone to really notice her or become completely enthralled by her... so she would say she's probably like a 6 or 7 by looks alone, which she's content with!

Riel: as like a work of art or a painting (so judging by pure aesthetics alone, devoid of other considerations), he believes he rates around an 8 just going by the symmetry of his facial features, his taste in clothes, the fact that he's well-groomed, but he's a bit self-conscious of how he rates in terms of desirability or sexual appeal, which is a different thing entirely (in his own mind). Like, you can admit a painting is beautiful, but you don't want to fuck a painting? In those terms, he believes he falls well below the standards of the masculine ideal, probably resting at a 5, though he believes he makes up for it in other areas (wealth, intellect, uniqueness, etc). It doesn't bother him that much, but it is something that he is aware of at the back of his mind!

Chase: He thinks he's pretty good-looking (🙄), but that the effect is best felt and supplemented by his in-person charisma, charm, aura, and general personality. This is an extremely topical/dated example, but it's sort of like how a lot of people were largely indifferent to Glen Powell going strictly by looks alone, but then they saw him acting in Twisters or Top Gun or whatever and saw his chemistry with his co-stars and were suddenly like "oh 😳" Like he needs to be seen in action to really feel attracted to him?? Anyway, Chase thinks that if you were to see a perfect painting of him in a gallery, he's good-looking enough alone to make you stop and admire him, so probably like an 8... but his magnetism in person brings that to a 10 LOL

Red: He "doesn't really think about it" (🙄)--he more spends time grooming and styling himself to his own standards rather than really fretting over what other people would perceive or rate him as, but if you really pressed up, I think he'd say he's an 8 on a good day, potentially a 9 if he were to try very hard, but he'd sort of vaguely look around at everyone else to confirm if this was an arrogant thing for him to say lol, so he's definitely not totally sure about it! There aren't too many things he finds fault with when it comes to his physical appearance or body--he's generally satisfied and content in that department--but he also would never argue he's some great show-stopping beauty or gorgeous model: he just quietly lives with the idea that most people think he's a naturally pretty handsome guy!

Ayla: this is sad, but she probably rates herself a 3, maybe a 4 on a good day. 😕 Ayla thought she dispensed with thinking about her own appearance or attractiveness long ago, having accepted the fact that most people perceived her as this ragged, scrappy loner who mostly lived on the road and was lucky if she could find a stream to wash her hair in. She never possessed a mirror and, the rare times she stayed in a room that had one, she used it to check herself over for hidden injuries or things on her back and then went on her way... and none of this really mattered to her because she spent so much of her time alone. No one was really looking at her, she wasn't looking at herself, so who cared if she looked like a half-drowned rat with her hair growing into her eyes while she shook sand out of her clothes? Since joining the Shepherds, however, her private consciousness of her appearance has naturally increased, and sometimes she can feel quite down about it (especially when faced with the elegant grace of Tallys, the feminine cuteness of Shery, or the show-stopping beauty of Lavinet). Part of being in a group that she avoided was the vulnerability of natural comparison: no one's comparing you to anyone if you stand alone, but with the Shepherds, of course that's going to happen, even if only in her own mind... Anyway, this is a lot to say that she considers herself to be below-average in attractiveness, but is filled with a sullen self-loathing and pride when she considers doing anything to try to change that fact, so she just... resigns herself to feeling that way forever, if that makes any sense!

Briony: she thinks she's cute and can edge over into pretty when she tries really hard, so she'd probably say she hovers between a 6 and a 7 on an average day? While she thinks she has advantages like her striking hair color and eyes, she has areas that she privately feels a bit insecure about: she feels her face is too round, her nose is too short, feels like she's a bit short and compact and boyish in body when she's rather be tall and leggy like Tallys or buxom and curvaceous like Lavinet, etc. etc. It's not something that really bothers her--she figures that everybody feels that way about themselves--so she's happy with being "above-average" on most days. It's only when she's crushing on somebody and isn't sure of how they perceive her that she gets really unsure and self-conscious about it, and then she really obviously throws herself into styling herself to appear more feminine!

Lavinet: don't hate her, but she definitely thinks she's a 10 LOL. This is partly due to the fact that, by Blest beauty standards, she pretty much is a paragon of desirability, and everyone in her life has treated her as if she were a 10 or even outright said so... so there's really no reason for her to think otherwise! There are always small things she would tweak if she gave any thought to it, but in general she's been very happy with her appearance and how she's been able to use it as a tool to accomplish her goals in life!

Halek: he is well aware that he's gorgeous... he wouldn't say this out loud because he knows he'd get endlessly ragged on, but he'd probably say he's a 10 LMAO, maybe 9 so as to give the appearance of some humility... It's not even something he's arrogant about, he's just like aware of general beauty standards and is like 'yeah by no choice of my own and by complete accident of birth, i happen to fit these really well? *shrug*" It's nbd... and it's part of where his bde comes from, I'm sure

[xxgoblin-dumplingxx]

jason trying to flirt and reader freaking out gives me life. (dw jason i bet she wants to kiss you too (if she doesnt i might))

When you hesitated to name a book, afraid of being mocked maybe. Or afraid to be vulnerable, Jason took a shot in the dark. Looking up at the shelves. Looking for something well loved. Something you'd keep where you could reach it whenever you wanted comfort. Something you held close to your heart. That you'd read and reread. Worn but not destroyed. Venerated. It would almost feel like something sacred.

Every lonely kid had that book.

And when he locked eyes on it, he smiled. He got up off the floor and walked across the room, aware that he was being watched. He could feel a prickle of warning. A crackle of anxiety tugging at him. And he forced himself to breathe. Yeah, it was a kiddie book. A whole set of them. But, you liked books with happy endings.

"Convert me?" Jason hummed, "I never really liked fairy tales."

"No?"

"It's kinda hard to worry about chivalry when you live like I did," he said sitting back down- suppressing a pang with difficulty. He hadn't thought about his mom and dad in a long time. He kept them buried. It was easier. To not remember the way cancer had a smell. And the way that without insurance drugs just managed the pain. And his dad drank because it hurt. And because it hurt and he drank he couldn't hold a job. And because he couldn't hold a job he just kept doing crimes.

Books had to have a point. Fairy tales and delicate little "girl books" felt ephemeral and frivolous. Austen. Shelley. Poe. Homer. Christie. All that had a point.

"I'm sorry-"

"It's alright," he said exhaling roughly. It wasn't about him. And when he felt you try to pull back, trembling from the strain he shook his head and sank to the floor. "Don't worry about me, okay. Not right now anyway."

"It hurts-"

"Sometimes," he admitted. "But if I read this for a while maybe I'll forget-"

"You can borrow-"

"I was going to read it to you," he mumbled, cheeks heating. He meant to just come in and start doing it. He'd hoped you'd just curl up with him and doze off.

"Oh."

"Is that okay?" he asked, not sure what to make of your reaction. Or your feelings. They're still a snarl- and mostly self-hatred.

"Yeah," you murmur. "Your voice is nice when you're not being mean."

[melodic-haze]

Personally how touched starved do you think Arlecchino and Furina are? Like one has been alone for 500 years and the other killed her best friend and probably doesn’t think she deserves love.

☆ — DEMO TRACK: Arlecchino x Reader, Furina x Reader

☆ — TYPE: SFW

☆ — CONTENT WARNINGS: N/A

Oh I think they'd be VERY fucking touch starved, except the two are like. On two different sides of the scale

On one end, you've got Furina. On the other end, you've got Arlecchino. What they're on a scale of? How "vocal" they would be in terms of it

Furina would be on the VERY vocal side, and by that I mean she WILL monologue to you about how she needs your touch or else she will PERISH from a lack of you-contact

Furina puts the back of her hand on her forehead, "My beloved wants to leave me be! Oh, you torture me..."

"Babe, I'm literally only going to get a glass of water."

"You forget my domain over the element!" She moves to throw herself onto you, wrapping her arms around your neck and causing you to laugh as you caught her, "I can satisfy your needs easily!"

"At that rate I'll be better off taking a shower!"

"It gets the job done!"

But she's not vocal for no reason :((( 500 years spent in self-isolation in order to save her people takes a HUGE toll on you so the moment Furina had realised that she doesn't have to do the whole song and dance all over again, she just can't help the want—the need—to basically be attached to you

It's not just because she wants to make up for lost time after FINALLY being able to do so, but also because she's scared that one day it'll all just go poof and disappear in a distant dream. She doesn't speak of her troubles until either she decides it herself that she should or one of the members of her Salon Solitaire (Crabaletta lol) decides to conk her for it

Sometimes she'll ask if she's being a pain in the ass bc she IS aware that she's constantly wanting for you to at LEAST be near her which. If you say she is then I need to sit you down personally and slap you in NOT a fun way

Meanwhile, Arlecchino on the other hand, is VERY quiet about it. She won't say anything, nevermind doing anything. She'd restrict herself from clinging onto you as much as she'd like to

You were a vision to her, a lovely sight to see and a lovely voice to hear as you recounted your day's events. Even when you did something so mundane, something that isn't necessarily something special, Arlecchino still looked at you with such adoration.

She almost didn't notice her hand inching closer towards yours from her warm daze.

Almost.

Before she could draw it back unnoticed, however, you turned your head at just the right (or wrong) time.

"Arlecchino? Is there.. something wrong?"

..She shakes her head instead of admitting her desires, "No, my apologies, darling. I was rather captivated by your tale. Do tell me more about your friend's predicament."

And so you do, but you couldn't help but notice the longing look in her eyes.

It takes a while before she starts warming up to the idea of letting herself actually do SOMETHING. And that'll take a lot of time, patience and encouragement from her❗️❗️❗️ But trust when I say it's worth it bc she practically treats you with so much more affection and devotion than the literal archon she serves HAHA

She doesn't thinks she deserves to show physical affection, to touch you, to truly worship you and your body in every way she can—not when she has the power to hurt you, not when she's killed off the person she had cherished the most all those years ago :(

You gotta reassure her that everything's okay and that you won't disappear bc once you've done that? She's SO TOUCHY she will NOT go through the day without havign some form of contact with you

She won't do it as much in work though she has a reputation she wants to keep lmao

[copperbadge]

Hi Sam! I wanted to ask if you feel lately like you've been getting anything positive out of your therapy, because a lot of your initial thoughts about it kind of mirror mine. I'm very logical (except when I'm upset at myself) and very skeptical, so I feel like a therapist either isn't going to tell me anything new, or that I'm going to just disregard it because I can't trick myself into believing things that I just plain don't believe.

But I'm also starting to come to a realization, two years after my ADHD diagnosis and letting go (without therapy!) of most of the executive dysfunction-fueled self worth issues I was having, that I'm kind of Not Okay in other ways. I'm safe —going to work every day and doing my job so I won't lose my livelihood and have never had a self harm urge in my life— But I'm not really okay. I'm having major self esteem issues related to my personality separate from the executive dysfunction that are putting me in a bad place. I don't want to take antidepressants for reasons I won't go into but that means my other option is therapy and... I don't know if I'm a person that therapy will actually work on. I found a lot of validation in some of your perspectives, about affirmations being bullshit and "mindfulness" exercises feeling impossible and useless, about not having an inner monologue and how that might be causing issues with traditional methods. So I was just wondering, do you feel like therapy is working now that you've been in it longer?

I've wasted a lot of money on "elective" (and ultimately useless, back to square one) medical nonsense this year and I'm not eager to waste more, but I've also met my insurance deductible so it's the best time to try it if I'm going to.

I mean, it depends on the modality a little but I don't think trying basic talk therapy can hurt, as long as you find a decent therapist. And it's better to try it now when you're feeling Mostly Okay than waiting until you are Really Not Okay. But this entire paragraph comes with a lot of context so....

A lot of what I talked about in terms of struggling with mindfulness, etc. was less related to the therapy I am still in than it was to the DBT class I took at Therapist's suggestion. We were both aware that she was basically throwing stuff at the wall to see what stuck, and while it was an interesting class I don't think for me it was helpful. As you mention, I struggled with affirmations and visualization since neurologically I'm not really set up for those; I don't think they're objectively bullshit but I do think there's an assumption within the mental health industry that they will have function for everyone and that's simply untrue, and the expectation that it will is very damaging. I also struggled with the physical-intervention aspects (called TIPP usually) which didn't work at all for me and felt frankly like doctor-approved self harm. DBT can get very culty, which set off a ton of red flags for me -- possibly false flags, but they still waved real big.

And that's because I also have a lot of trust issues surrounding therapy. To the point where, the minute one of the people running the DBT class made actually quite gentle fun of me for asking a question he couldn't answer, I checked out on anything he said. We were learning about a DBT concept called Wise Mind and I asked, "If wise mind is an identifiable mental state, how do we know if we're in it?" and when he couldn't quite answer beyond "It's different for everyone" I said, "But if we know it's real there must be some kind of common denominator, a measurable data point," and he said "Well, Sam, you're not going to levitate" and the rest of the class laughed. Sorry bud, this is almost certainly an over-reaction, but I'm me and you lost me when you came at me instead of just admitting you didn't know. (Also it turns out I just live in Wise Mind like 80% of the time which is one reason I couldn't tell.)

But basic talk therapy outside of DBT is just...you talk at someone about your problems and come up with ways to try and solve them, which is a lot more straightforward and way less frustrating. You have to be an active participant, you have to both have a goal and be willing to discuss reaching it, but that goal can be as simple as just "figure out what my mental health goals should be" at first. You don't have to learn like, vocabulary for it.

The thing is, while I have seen some improvement in regulation issues, I also struggle with basic talk therapy. Most people, and this blew my mind, see measurable improvement in nine to eighteen therapy sessions. A lot of people don't go long-term, they just are having a moment and get help getting through the moment and then can disengage, with their therapist's approval.

I was in therapy consistently from the age of nine to eighteen and only stopped because I reached legal majority and physically refused to go.

Not one minute of those nine years did I want to be there. And, because none of the three therapists I saw across those years actually explained to me why I was there or how therapy worked, for me it felt like "Your punishment for having feelings is to speedrun every feeling you had this week in an hour, to a stranger." There was also what my current therapist believes to be some extremely unethical behavior going on, which didn't help.

So it has taken actually a lot of time to get to a place where I would even allow her to understand what help I need. I've been in therapy for about a year (generally weekly but there have been some gaps) and it has only recently gotten deeper than very basic interpersonal problem-solving.

Like, two weeks ago I told her, "I had a thought this week that I couldn't tell you about something I was doing because then you'd have material on me" (meaning blackmail material) "and that's a fucked-up thing to think." And once I'd actually identified it as fucked up I had zero issue telling her about it, wasn't even nervous as I did so. Who's she going to tell? She's literally legally constrained from telling.

I think well over half of what she does is either validate that whatever emotion I'm having is normal, affirm my reactions so I don't keep believing I behaved weirdly, or praise something I've done that was a positive act. Does this work? Not always, because I'm unfortunately very aware that it's part of her job to do those things. But yeah, sometimes. Even if you don't fully believe it, "Hey that was a really smart move" is nice to hear. Sometimes she helps me come up with a plan for stressful future events or (rarely) behavior modification, and sometimes she either provides me with research or points me towards research I can do on my own. We don't do meditation or affirmations or stuff like that.

Like, last week I brought up the fact that I hadn't really ever thought about how if I have a disability that causes emotional dysregulation and I got it from my parents, they also likely had undiagnosed emotional dysregulation when raising me. So she said I should look into research on children with emotionally dysregulated parents. I was pretty annoyed by what I found (the ONE TIME adults are the focus instead of the kids is the ONE TIME I needed to learn about the kids, really?) but it led to something that was both informative and upsetting, so we discussed that. And when I was stumped about how to move forward with the information, she suggested that my general coping mechanism of writing about it was probably a good plan.

(At which point I just silently advanced my powerpoint presentation to the next slide, where I had a series of quotes from the Shivadh novels where Michaelis, acting as a parent, repeatedly does the exact opposite of the upsetting thing, because I realized even before the meeting that it's an ongoing theme in my work whenever I deal with people being parents. It's a good thing she has a sense of humor and also that I do.)

So yeah. Going into therapy you have to be ready to reject a therapist if you don't like them or if they get weird and pushy, you have to be ready to be a self-advocate, but you are the client; it shouldn't be super difficult to find someone who can at least walk you through what you want from it and agree not to do the stuff you don't want, and if you want to stop going you just...stop going.

Good luck, in any case! I hope you get what you need, whether or not that ends up being therapy.

[jerreeeeeee]

i don't think taako's voice is really all that high most of the time. it's higher than justin's normal voice a little, but idk, the defining quality of it isn't its pitch to me, there's something else that i don't really have the words for. but anyway i do notice that his voice gets lower and less exaggerated when he's being serious. which is interesting bc it sort of implies that the usual "taako voice" is something he puts on.

i don't really think of taako as a habitual performer. his charisma modifier is a -1, he's not this ultra smooth charming actor, and although he does tend to hide behind humor and is slow to build connections, he's also very frank with what he's about and what he wants. he goes on an entire tirade about wanting to talk about his feelings (he's multidimensional!), he never acts embarrassed or hesitant about big moments of vulnerability and caring for others (arms outstretched, "i'm not going fucking anywhere," admitting a deep fear to kravitz on their first date, spilling his tragic backstory to angus, not to mention several serious moments with lup) (and not all of these can be chalked up to "forgotten connections," either. he does have a foundation of growth with magnus and merle, even forgotten, and his conversations with lup are of course all with memories intact, but he does not have that with kravitz and angus). he's just slow to reveal all of his hidden depths, because of (understandable) trust issues. but all in all he's not nearly as closed off as i think fandom tends to portray him (which is not to say he's open, either), nor is he someone who wears a lot of masks and obscures himself. i don't think he hides his "true self."

sizzle it up was successful because of his intelligence, not his charisma. he's a natural teacher who's knowledgeable and passionate, and that was what made the show great, not his personality or performance (though i don't think those were bad. just not the primary appeal of the show. the only fan we see is ren, and she loved sizzle it up because it inspired her and taught her to cook, not because she thought taako was awesome or whatever). bc that's the thing, he's not a performer, but he is extremely adaptable. so when he's set up with a stagecoach and a show lined up, sure, he'll have a TV persona, he'll learn to be charming, he'll learn to be showy, when he's on stage. when he gets famous, he learns to like being famous, but i don't think it was really a dream of his before then. or at least not in the way people think of it. i don't think he ever wanted to be a celebrity as much as a celebrity chef or celebrity wizard. he doesn't care if people think he's pretty. he doesn't want people to adore him (before the voidfish, anyway. afterwards is a different story. there's a void where love used to be that he's desperate to fill, and adoration almost feels like it works). really what he wants is for people to appreciate his skill and intelligence and depth (and he's also very afraid of actually displaying those things. he's multidimensional).

but most of the time, when he's not literally performing for an audience, i just don't think he's putting on a show, desperate for people to like him and think he's charming. he'll do what he needs to do, say what he needs to say, be who he needs to be in any given circumstance, with strangers and antagonists, but he also drops the act when it's not necessary. or at least his performance is subtler. he performs stupidity, he performs nonchalance, he makes efforts to be funny (because he is always funny, but that's something you have to work for and always be thinking about, even when the humor is dry), he carefully does just enough to be useful, but not enough to raise expectations. he's very aware of how other people view him, but he's also perfectly okay with people thinking negatively about him—as long as they're the negative traits he wants people to see. but, he only does all those things in the beginning of the show; after a little while with magnus and merle, after a little while with the bob, he drops the act. so i guess that's the difference to me. he's adaptable out of necessity, it doesn't bleed into his entire life. i don't even really think i'd qualify it as a performance. it's more of an invisibility. he's not performing charisma to get people to like him, he's trying to lay low. but then when he actually wants people to like him, he's himself, fairly unapologetically. with the people who matter, lup, magnus and merle, kravitz, the other bob members, the other ipre crew, he's pretty comfortable with himself.

one last interesting point is that while he doesn’t seem to hesitate when it comes to actions, he does shy away from verbal displays of affection, trust, vulnerability. and the best two scenes to show that play out almost exactly the same: lup’s best day ever dinner, and dropping his disguise self with kravitz. in each, taako does something meaningful for both npcs, who then verbalize their affection for him, which taako immediately deflects with a joke.

taako drops his disguise spell for kravitz, totally honest with him, (although… i don’t tend to think the beauty sacrifice was as meaningful to taako as fandom tends to portray, i think most of his vanity is an exaggeration he intentionally cultivates, but still, it’s a vulnerable moment, he clearly cares what kravitz thinks), and kravitz tells him he loves him. to which taako replies with a joke. he does not return the words.

taako doesn’t hesitate to construct the best day ever for lup, never even questions why she’d ask. he puts it all together, cooks for her, shows her he knows her, he loves her—and then when she bears her heart to him, tells him he is her heart, all he says is, “i know,” and pulls out a bottle of vodka. of course lup knows he loves her, the whole day was an elaborate demonstration of it, but he doesn’t say anything. to be fair, it’s not exactly a typical interaction between them, taako is textually scared shitless, lup did just tell him she’s going to turn herself into an undead abomination, so he’s not exactly at his best here. but anyway.

i don’t really have anything to add to this observation, it’s just very consistent and interesting to me. taako is fairly comfortable with grand gestures, but sidesteps around words. which ties in perfectly with his identity as a chef, to me. cooking is an action, work, intention, cooking for people is an act of love, an act of connection, an act of caring, and taako’s character doesn’t fit the bill for that—except, he kinda really does.

[piratecaptainscaptainpirates]

Alright while we're on the topic. A huge pet peeve of mine is when Ed's arc in s2 is described as a "redemption arc" because I think that MASSIVELY misses the point.

Ed did not need a redemption arc. That implies that he'd need to learn that his behavior was wrong. The huge misread in this take is that Ed is perfectly aware how shitty his behavior is, and that's the point. Ed knows that his actions during the kraken spiral are wrong, and he's doing them explicitly as a form of self-harm because he believes he's only capable of that kind of behavior; that there is something fundamentally broken in him that means this kind of behavior is innate to him and defines him.

Also - it's such a cruel take, I think. Ed isn't a badly-behaving child who needs to learn he's been bad. He was a deeply traumatized man in the middle of an intense suicidal ideation spiral that culminated in a suicide attempt that Ed has framed as needing to be put down, like the wild dog Izzy says he is. I'm not saying that this is an excuse; the crew are justified in being fucking pissed with Ed, but you just can't judge it in the same way as if he'd been acting like that for fun. OFMD dares to offer up the apparently scorching hot take that people who hurt others during an active suicide attempt still deserve compassion, healing, and community.

There's a reason why the crew forgive Ed so quickly. There's a reason that the Kraken crew, who are not blind, watched Ed sail the ship directly into a storm minutes after they can probably only assume, having only heard the noises, that he's shot Izzy, and they're still debating if he's getting better unti the mutiny. There's a reason Jim takes so fucking long to do anything, even with Ed stalling and stalling. There's a reason why we're shown the crew's guilt - they're right to be angry with Ed, of course, but Ed is also someone who they care about who was hurting so, so badly, and they weren't able to get through to him and help him. It's complicated and nuanced and there's a reason that Jim gives Ed a hard time to his face during his YouTuber apology but then is immediately saying afterwards they're fine and they thought his apology was pretty good.

Within the context of OFMD, up until the mutiny, Ed's behavior is "a bit much." Archie's there specifically to show us that, and of course Ed never lays a hand on any crew member (Izzy, who admitted on his deathbed that he's been emotionally abusing Ed knowingly for years, is an outlier adn should not be counted). And the crew all know that Ed's just...not like that normally. Throughout s1, Ed's shown to be supportive, easy and genuine with praise, genuinely caring about the crew's safety...the crew never even mention mutiny until Ed forces their hand because they know what he's like when he's okay, and they know he's not okay.

Ed didn't need redemption. He needed support to heal and to get to see himself for who he is outside of the caricature he felt forced into.

[shadowshrike]

Interfering with Halsin's Portal

It's pretty well known that there are a few situations you can get in where Halsin is well and truly angry rather than disappointed or worried, but I don't think a lot of folks know one of those situations is if you mess with his portal to the Shadowfell. It's a heartwrenching bit of acting. It's also fundamental to the plot of my in-progress fic Girdled Roots, so I figured I might share it with the other Halsin-lovers out there who have never seen it.

EDIT: Please be aware this is datamined dialog and may not be visible in game. It appears to be intended to trigger if the player attempts to enter the portal, which I don't believe is possible in the final game, or at least I couldn't find a way in the most recent version. Sharing this is simply to enjoy the incredible acting and get some plot bunnies moving, not to make any commentary about the game's canon.

Halsin's Initial Reaction

Halsin: No! Stop! Halsin: It's gone... that was our one chance. You've doomed this place to darkness! Halsin: I warned you - told you this was my burden to carry. Why didn't you listen?

The pure rage and despair is visceral. Prior to this, Halsin mentions this portal has been a century in the making, but he's so calm and measured (even upon success) that it is easy to dismiss just how much agony has plagued him as he hoped to make things right. This chance is everything to him. It has guided his every action for a century. It is a hundred years of work, prayer, and guilt to rectify the horrific fate of both land and people that came to nothing because a stranger he trusted refused to listen to him.

The portal breaking is the only time we hear Halsin speak the truth of its importance to him without a hint of emotional regulation. He is wild with pain. This man who is always thoughtful and slow to anger in the face of horror with the wisdom of age and suffering to guide him has become too overwhelmed to show any kindness.

Player response

The player is given several different ways to respond, and Halsin's reaction varies a surprising amount depending on how understandable their reason is. In most cases, he states that he needs to be alone afterward.

Option 1: I'm sorry - I acted on instinct. Halsin: Words won't repair what's been done to this land. Nothing will... I need to be alone.

You can hear the ache in Halsin's voice, but he's somewhat understanding of this response. He projects more sadness than unchecked rage. The player has admitted to making a mistake, and Halsin isn't the type of person who hold onto vengeance when an apology has been made, but he's not naive or people-pleasing enough to say "it's okay" or offer comfort either. The safest thing for everyone is for him to step away to grieve when there is nothing more to be done.

Option 2: I did all the work here - I couldn't just let you take the glory. Halsin: Glory?! There's no glory here. Now there's nothing here - only shadows and the total absence of hope. Halsin:  There is nothing more to be said... I need to be alone.

Pure fury radiates from Halsin's response if the player focuses on the idea of being some grand hero rather than actually caring for the outcome. What the player did was an unforgiveable act, dooming everything that Halsin holds dear, and you have the audacity to complain about not getting glory from it. Again, he steps away, but this feels more like he's doing it because he believes you're worthless to reason with rather than because he needs a moment.

Option 3: I saved your grove - I figured it'd be best if I handled this as well. Halsin: We were this close to healing these lands. Now your arrogance has torn open the wounds once more. Halsin:  There is nothing more to be said... I need to be alone.

Halsin is still frustrated with this response and unmistakably angry, but it's significantly toned down from the idea of wanting to go through the portal for glory. More like he thinks you're a self-important idiot than a truly terrible person.

Specialized player responses

There are also three special responses you can give if you have a particular class or diety.

Druid: I thought my powers were equal to yours. Halsin: It wasn't just power this needed - it was wisdom, understanding. I suffered along with this place for years trying to understand the curse... and it seems I will continue to do so. Halsin:  There is nothing more to be said... I need to be alone.

Interestingly, he responds much more intensely to a druid than some of the other player choices. It might be in part because he feels like a druid should know better. He lectures the player like an Archdruid would initiates in his Grove, alternating between angry and explanatory, trying to get the player to understand why they were wrong and the sheer magnitude of their error. He ultimately ends in a much more resigned place here rather than personally resentful. Like a father-figure being forced through further life trials because of a child's foolish indiscretion. Frustrating, but inevitable.

Selunite: I trusted in Selûne to guide me through the shadows. Halsin: My friend - I wish you had trusted in me.

This is probably Halsin's most simple response with the least vitriol. He fully understands this answer, even if he's disappointed by it. The fact he calls the player 'friend' suggests a certain tired acceptance of this being a natural behavior for a Selunite trying to do good. We don't see this calm in other responses where Halsin was surprised by the player's choice.

Sharran: The Shadowfell is no place for non-believers - I couldn't allow you to soil it. Halsin: I should never have trusted an ally of the Dark Lady.

If you've ever taken Halsin along with Shadowheart in Act 2, then you know he is absolutely scathing toward her and her faith. He likely isn't as angry if a Sharran breaks the portal because it is utterly predictable. It merely confirms a truth he already knew and talked himself out of. That Sharrans cannot be fully trusted in matters of their goddess, even if one was good enough to rescue his people from the goblins.

[lillian-gallows]

Kinktober Day 28: Size Difference with Simon "Ghost" Riley

Pairing: Simone "Ghost" Riley X Fem!Reader Word Count: 1436 Warnings: Size kink, Body worship, Oral (F Receiving), Fingering (F Receiving), Soft!Simon, Squirting, Chair sex (Does this count as chair sex if there's no P in V? I'm gonna say yes), Pet names.

Kinktober 2024 Master(sub)list.

Minors DNI

Simon can’t help but stare.

You’re not even doing anything out the ordinary, nothing odd or even unique.

Seated in his recliner in a little ball, knees curled under yourself, in one of his t-shirts and your comfortable panties, simple white cotton, with a book in one hand and a mug of tea in the other.

The thing that has his staring is that fact that you’re swimming in that chair and shirt because they’re so massive compared to you.

And it makes something in his chest preen and makes something low in his belly feral.

The knowledge that he can throw you over his shoulder without even breaking a sweat? It makes him want to scream with how much it turns him on.

And the fact that you feed into it without knowing, or he’s pretty sure you’re not aware, is one of the best parts to him.

You’re just being you, and it’s all he needs in life.

As if sensing his gaze on you, your eyes flick up to look at him, head still tilted down toward your book, causing your gaze to come through your lashes.

“Si? You okay?” Your sweet voice drifted to his ears and had him feeling like one of those old cartoon characters that float toward their lover on a cloud of hearts as he approached you.

“I’m fine, Love.” He answered as he came to crouch next to you, putting him lower than you where you sat.

Your book was closed in an instant, and the mug discarded to the side. “You sure? You’re being awful stare-y.” You teased lightly, the kind of teasing that’s meant to gauge mood, lest something be wrong and he’s too scared to admit to it yet.

God, he loves how you show your love.

Sitting forward a bit, your soft hand brushed through his blond locks as it came to hold his cheek, the smallest bit of stubble scratching your palm, no need to hold to regs when on leave, and you loved it when he got scruffy.

Leaning into the soft touch, Simon eyes held your gaze. “Just wondering what a bastard like me could have possibly done to deserve an angel like you…” He whispered into the small space between you.

You let out a sigh as your brows furrowed slightly. He knew you hated it when he talked about himself like that, but also understood where it came from. “Simon…” You started like you always did, like you were going to scold him for his negative self-talk.

“It’s not that, not this time.” He said, stopping you in your tracks. “Even the best man doesn’t deserve you.” He continued, watching your face flush a little. “Can I show you?”

“Show me?” You questioned.

“How much I love you…” He clarified, brown eyes flickering between your own and your lips, which were pulling up into a smile.

Rather than speak, you nodded and leaned in, meeting him halfway in a sweet kiss that turned heated so fast it made your head spin.

His massive hands slipped under you to pull your legs forward, so he could settle on his knees between them, where they moved up to your thighs, squeezing the soft flesh as they slid up and down.

Your own finger threaded through his hair before settling at the space where the back of his neck met his head, holding him to you as you nipped at his lower lip, a polite request for more than just lips in your kisses.

And Christ above, who was he to deny you anything?

His lips parted, tongue meeting yours in a dance that pulled a pleased sigh from you.

Your bum scooted closer to the edge of the chair, and he met the movement, pressing his body to yours, his belly right up against the apex of your thighs, allowing you to roll them against the solid plains of his body unconsciously.

His own desire for you pulled his lips from yours to kiss down your neck, the temptation to leave marks was loud, but he resisted, this time he wanted to be soft, not claiming.

The little sounds you made had his cock jumping in his sweatpants, craving to hear more, more, more of those sweet sounds.

As his worked his way down, he bypassed what he knew was under his shirt, instead his hands slipped under the material to your hips to carefully slip your panties down your legs, tossing them aside like they’d offended him, which got that beautiful bell-like laugh from you.

That laugh morphed in his ears into a soft moan as his touch shifted to the space between your beautiful legs, thumb tentatively finding your clit, not wanting to overwhelm you too quickly.

He was already going from zero to a hundred, no reason to rush your body to catch up to his.

“Simon…” You breathed against his lips, eyes having drifted close long ago, body leaning into his touch like you needed it to survive.

“I got ya, Dove.” He murmured back, his own eyes watching your expressions, half for any signs of discomfort and half just because he loved to watch your pleasure displayed there.

One of your hands left his neck to try and drift lower, but his free hand caught your wrist, pressing his lips to your pulse point. “Don’t worry about me. This is about you.” He said before returning it to where it had previously been.

You pouted but he was quick to kiss the expression from your lips. “Next time.” He promised.

“Next time.” You confirmed, asserting that you’d hold him to that.

And knowing you, it would be when he was doing something equally mundane as how he’s found you.

Returning to the task at hand, his calloused fingers ran up and down your quickly dampening slit, then he guided you to lay back in the chair a bit, pushing his shirt up your tummy to press his lips to the soft part of your belly, then another a little lower.

The muscles in your belly twitched in anticipation but then he jumped down to press his lips to your inner thigh, then another to the crease of your hip.

Even he could admit he was teasing you, so when you let out a slightly frustrated sigh he chuckled and gave in, pressing his lips to your clit, the tip of his tongue flicking out to make a little circle around the pretty bud.

Your body reacted immediately, trying to seek more, but his hold on your hips kept you in place as he ran his tongue up the whole length of your pussy, dipping into your hole for only a moment before returning to your clit to lightly suck, earning him a squeal and a tug at his hair.

But he didn’t budge, instead his fingers returned, but this time rather than circle your clit with his thumb, he pressed one into your cunt while his tongue worked your bud until he felt like you could take a second finger.

That was when he zeroed in on your G-spot with curling digits, smirking when you once more tried to buck up into his touch, but his superior strength once more won out, keeping you right where he wanted you.

Soon enough he felt your legs begin to shake, pussy twitching and flexing with your impending orgasm, and he was relentless, intent to see you come apart on his fingers and mouth.

And come apart you did.

With a broken cry of his name, your body clenched down on his fingers as wave after wave of pleasure coursed through you.

Normally he would stop there, let you come down a little before you kept going, but this time he decided to try something new.

Continuing to bully your G-spot and clit, he watched as a second more intense orgasm built and crashed over you, soaking his fingers, face, and the chair under you.

He nearly came in his pants like a teenager at the sight, and it was all the proof he needed that you had to be an angel because that was damn near a religious experience.

Finally letting up on you, he ran his hands up and down your body as you panted, soothing you softly.

“I…Didn’t know…I could do that…” You managed as your eyes managed to open.

Before you could think any further, he had you in his arms, standing with his hands under your ass as he carried you toward the bedroom. “Then let’s see if you can do it again.”

[braxlrose]

request: bill kaulitz x self-destruct reader hcs😌 I mean, she knows she's hurting herself but she doesn't care? doesn't sleep (and even if she does, she goes to bed very late and then gets up very late, so she's usually restless, tired and barely alive/ barely in touch with reality), barely eats (and even if she eats little , I drink too much energy drinks and takes tranquilizer pills), probably does sh and takes drugs (cigarettes, alcohol and drugs) and it all makes her look practically zombie but she likes this lifestyle?

cw: self harm, alcoholic tendencies, drugs, slight ED, toxic relationship, tons of angst, swearing, NOT PROOFREAD.

bill kaulitz x self-destruct reader

• when you two first met, it was at a party and you guys ended up sleeping together that night. you fell asleep right after so he ended up staying the night at your hotel room.

• when you woke up in the morning, you brushed your teeth and then went over to your drawer to get on new clothes when you felt hands on your hips.

• you turned around to see bill smiling at you. "Sooo, how long do I have to wait before I can ask you out on a date, hmm?" you rolled your eyes and pushed his hands away.

• "Uhmm, never? You don't wanna have to deal with my shit." you said as you pulled your jeans up.

• "Oh come on, everybody has shit."

• "Not like me. So, you should just go." you pulled on your shirt and turned back to him. He was just staring at you, smiling for God-knows-what. you had to admit, he looked amazing. he only had his boxers on, and he looked great shirtless.

• "I'll get you one day, y/n y/l/n." he smiled at you and pulled on his clothes. you rolled your eyes as he kissed you on the forehead and left.

• then you two met again at a music festival and that's when you finally decides to give him a chance after the hours of flirting he spent on you. you weren't scared though, you were sure he'd leave after he saw what you were really like. and you had accepted that.

That was a couple weeks ago. Bill became very aware of the "shit" you were talking about pretty quickly.

• whenever you were at a party with bill you'd always drink too much to the point where you couldn't see straight and your head was pounding like no tomorrow. Bill would take you back to your hotel room and lay you down on your bed and tuck you in. Then he'd sit with you until you finally fell asleep since he knew you'd just stay awake if he didnt.

• one night, you were completely wasted and he had to carry you back to your hotel. again.

"Mmm... Billy I want you soooo bad. pretty pleaaaasee?" you whispered in his ear, giggling and pouting as he unlocked your door and dragged you inside.

"You're drunk. That's not happening, okay?" He said, setting you down on your bed and beginning to wipe your makeup off.

"But Billy..." You'd whine and pout, while he'd just sit there and comb through your hair till you fell fast asleep.

"Goodnight, Schatzi." He'd whisper to you and place a kiss on your forehead.

• you'd also get angry a lot. you were in your hotel room, bawling your eyes out on the bathroom floor. It was 11 PM. your wrists were bleeding a bit from you scratching at them for so long, and your cheeks were bright red from the crying.

• you just wanted to sit there forever and wallow in your own self pity when you heard the door to your hotel open.

"Y/n! You in here?" Bill yelled to you, as you did your best to stand up and wipe your tears away. You gazed at your eyes in the mirror and there were streaks of mascara running down your face. You wiped them off your cheeks and opened the bathroom door to greet him.

"Hey! What're you doing here?" He turned around to see you but you saw his face drop.

"Are you okay? Were you crying in there?" He pointed to the bathroom. You scoffed and rolled your eyes as you closed the door. You pushed the inner part of your arms against yourself so he didn't notice.

"What? God no, I'm just tired. You should probably go." You said as you walked past him and started to change your clothes. He walked over to you and slightly grabbed your chin with his hand. He tilted his head at you and ran his fingers through your hair.

"Come on, just tell me what's wrong." You slapped his hand away and pulled on some shorts.

"I said I'm just fucking tired! Will you back the fuck off?!" You pushed him away and went to grab a new shirt to sleep him. He was bringing up emotions you didn't want to feel. You wiped away a couple tears when you felt his arms wrap around you. He placed some kisses on your shoulders and rubbed his cheek against you.

"I'm here for you, okay? Let me help you.." You could feel anger boiling up inside you. Your eye twitched. He's acting like you needed to be fixed or something. Why would he say shit like this?! You turned yourself around and pushed your hands against his shoulders trying to push his away.

"Can you get the fuck off of me! I don't need your fucking with anything just get the fuck away!" you yelled at him, tears pouring down your cheeks now. You slammed your hand against his shoulder trying to push him away.

"You don't need to push me away, y/n! It's okay!" He wrapped his arms tightly around you as more and more tears came flooding from you.

Your finger nails dug into his shoulders, harder and harder with every word. You could see him wincing in pain but he only hugged you tighter. Why would he want this?

• you hated that he stayed around. you didn't understand why he'd wanna be with someone like you? you set yourself on a path of destruction and ruined everything in your path, why would he take his chances like this?

• you were laying down in your bed when bill came around again. like before, tears were running down your cheeks and mascara was wiped all over your face but you were just laying there. not feeling anything. you had taken a couple different kinds of drugs so you were basically emotionless at this point.

• when bill walked in, he dropped everything and ran to your aid. he sat on the bed and cupped your cheek in his hand to make you look up at him.

• when you turned over at him, he couldn't see anything in your eyes. nothing. all you could remember is how sad you looked.

• he laid down next to you and wrapped his arms around you and kissed your shoulders.

"do you want me to stay?" He asked, brushing your hair off of your face and pulling you closer to his body.

you just nodded and laid down against the pillows as bill whispered sweet nothings in your ear and rubbed your sides with his hands.

• it was about a month into your relationship when bill realized how little you ate.

• at first, he just thought you didn't eat breakfast but over time he noticed you didn't really eat anything unless you were offered something.

• bill also took notice when all you ate was slim jims and energy drinks. Thats when he started bringing you food.

• in the mornings, he'd come in with breakfast and give you a little kiss on the forehead. "Wakey, wakey, baby." He'd say to you and place a bunch of little kisses on your face until you wake up.

"Mmm...what are you doing here?" You said to him groggily, wiping your eyes.

"I brought you breakfast. Come on, geeet up." He'd lift you up by your arms and place the food in front of you, then he'd sit down next to you and wrap his arms around you to make sure you're eating.

"I'm not hungry, Bill." You'd say to him, resting your cheek on his arm.

"Too bad, eat up." He would take your fork and cut into your waffle and place it in front of your mouth until you opened up to eat it.

You eventually would give up and just start eating.

"Why are you doing all of this? I'm just a burden, y'know?" You say to him with your mouth full and your eyes looking up at him all cute and widened.

" 'cause I like you. And I think you're cute." You rolled your eyes and continued eating but bill would have a big, fat smile on his face.

• during the day you'd be like a zombie. your eyes would be dull and half open. Big, dark circles under your eyes and you wouldn't do much. But bill didn't mind. He would lay down with you on the couch and give you massages and kisses on your temples to relax you.

• when bill found out that you hurt yourself, he kissed up and down your body for hours. Whether it was your arms or your thighs, he'd be kissing it. He told you how much he loved you and didn't want you to hurt yourself.

• he didn't want you to feel pressured about talking about your feelings but once you did he would just hold you and listen to you talk, getting everything out. and he would never judge you for anything.

• you told him that you'd stop hurting yourself and you did. for a few days. But that changed once you got away from bill for a little while and you got high at a club.

Bill wanted the best for you but you werent good for him. You knew that, you tried to change yourself for him because you loved him so much. But in the process of being with you, he got hurt too much. You tried to tell him, but he couldn't help but love you. In his eyes, you were perfect.

taglist: @hearts4kaulitz @burntb4bydoll @spelaelamela @bored0writer @fishinaband @billsleftnutt @tokiiohot @bluepoptartwithsprinkles @saumspam @5hyslv7 @killed-kiss @memog1rl @80s-tingz @billybabeskaulitz @victryzvv9 @banshailey

[andy-15-07]

Can you do a fic where Y/n and Drew have to do an intimate scene, and she is stressed about this and Drew calms her down, friends to lovers.😘😘

Stage of Love

Paring(s): Drew Starkey x reader

masterlist / Outer Banks Masterlist

The set buzzed with energy as Y/n and Drew prepared for their upcoming scene. They had been friends for years, but today marked a new chapter in their relationship as they were about to film their first intimate scene together. Y/n couldn't help but feel a knot of nerves tightening in her stomach as she went over the script one last time.

"Drew, I'm really nervous about this," she admitted, her voice trembling slightly.

Drew turned to her, his eyes filled with understanding. "Hey, it's okay to be nervous. But trust me, we've got this. We're professionals."

Y/n forced a smile, grateful for Drew's calming presence. "I know, it's just... it feels different with you. I don't want things to be awkward between us."

Drew reached out and took her hand in his, his touch sending a shiver down her spine. "Y/n, look at me," he said softly, his gaze locking with hers. "We've known each other for years. We trust each other. We can get through this together, okay?"

Y/n felt a wave of reassurance wash over her as she looked into Drew's warm brown eyes. He was right – they had been through so much together, and she trusted him more than anyone else in the world.

"Okay," she said, squeezing his hand tightly. "Let's do this."

As they stepped onto the set, Y/n felt a surge of adrenaline coursing through her veins. This was it – the moment they had been preparing for. She took a deep breath, trying to calm her racing heart as they began to rehearse their lines.

But as they started to act out the scene, Y/n couldn't help but feel self-conscious. She was acutely aware of Drew's presence beside her, his body inches away from hers. Every touch, every word felt like it was magnified a thousand times over.

"Drew, I'm sorry, I just can't do this," she whispered, her voice barely above a whisper.

Drew turned to her, concern etched on his face. "What's wrong, Y/n? Are you okay?"

Y/n shook her head, tears pricking at the corners of her eyes. "I'm sorry, I'm just so nervous. I don't know if I can go through with this."

Drew reached out and gently brushed away her tears, his touch sending a jolt of electricity through her body. "Hey, it's okay. We don't have to do this if you're not comfortable. Your well-being is more important than any scene."

Y/n felt a rush of gratitude towards Drew, his words washing away her fears like a gentle tide. She knew that she could always count on him to be there for her, no matter what.

"Thank you," she whispered, leaning into his touch. "I don't know what I would do without you."

Drew smiled, his eyes crinkling at the corners. "You'll never have to find out. We're in this together, remember?"

And with Drew by her side, Y/n knew that she could conquer anything – even the most daunting of scenes. As they prepared to try again, she felt a newfound sense of confidence coursing through her veins.

Together, they would create magic onscreen, their friendship blossoming into something more beautiful than they could have ever imagined. And as they lost themselves in the world of make-believe, Y/n couldn't help but feel grateful for the love and support of her dear friend, Drew.