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supernaturallyobsessedchic · 4 years ago

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The Musician Next Door

[Close enough for me, Gif credit to @jensenacklescious]

Square: Vancouver ( @supernatural-jackles tell a story bingo)

Pairing: Jensen x Reader

Summary: The reader is an extra on Supernatural, and has a musical talent. But little did she know her music attracted the attention of her neighbor.

Warnings: Nothing bad, just fluff, sweet music (I recommend searching on YouTube to listen to while reading), and some comedy.

Word Count: 1,860

Main Masterlist

Bingo Masterlist

Mobile Masterlist

A/N: A small teaser of a possible series I have in mind thanks to Jensen’s recent Instagram post. But this is not going to be the series, it’s something similar. But still, I hope you like it. :3

She’s always wanted to come to this city. Well she’s always wanted to go to Canada, Vancouver was just the plus side.

And, an ever more plus side was the job she managed to grab. An extra on her favorite show. Supernatural.

Sure it was its last and final season and they were finishing up but with having a limited number of extras due to the pandemic she was one of the few they needed.

She drove down the towns streets, seeing it’s lights shimmer in the night. Making her smile softly at the scenery. Another reason she loved Vancouver. It was such a beautiful city.

She got to her apartment complex, the same one her friend lived in. And she learns quickly who her neighbors are.

After getting rather bored on day 3 into quarantine, she looked at her music set. She knew how to play piano and guitar.

She turns on the electric piano, picking the grand piano setting she begins to play with a few keys. Playing nonsense sounds, but a pleasant melody.

She then began leading into one of her favorites. Her favorite anime show, Inuyasha, playing his lullaby piano song.

Playing at the pace of the song, relaxing as she continued to play. After finishing one verse she began singing lightly with the music.

She began to slow the music as it came to a close. She paused for a brief second before playing more.

She began to play Beethoven’s Moonlight Sentra first movement. And blending the end of it with Supernatural’s Dean’s Family Dedication Theme song.

A tear slipping down her cheek as she remembers this is the last time the show will air. She knows how it will end. They all knew. She doesn’t like it, but she didn’t voice it.

She finished the song with a nice peaceful and gentle end. Till her phone buzzed.

“That was beautiful sweetheart, can I make a request?”

The number belonging to Jensen Ackles. Her heart fluttered in her chest. Turns out he was her neighbor. Who would have thought she had an audience of one listening.

“Sure, what would you like to listen to me play…or attempt to play?” she texts back.

She saw him read it quickly before seeing the jumping three dots, showing he’s typing something.

“I am working on a song for my second album, if I send you a sample of it, could you try to bring it to life on the piano?”

Her heart rate skyrocketed. A song that hasn’t even been released yet, but also still in the works she was going to listen to.

“Sure, let me see what you got.” She texts.

He sent her the audio file to her phone promptly, playing it on her headphones, she can hear the notes coming to her.

Giving it a few play throughs, listening intently to the notes on the guitar, his words being sung. She looked at her keys on her piano and began playing around. Until she found the right notes.

Learning the piano, she didn’t learn the traditional way. She taught herself. Just messing around on the family’s grand piano, she learned the simple twinkle little star. Then an armature Amazing Grace. She had an ear for music, she let the music flow through her like wind blowing through her hair. The way the breeze felt on her skin. Making music felt like that to her.

She began playing the song, even singing the song to help her timing with the next verse and the next verse after that.

Once finished, she noticed it had gotten late.

“It was nice playing for you Jay, but I need to head to bed.”

“Okay, goodnight. Sleep well.”

All throughout quarantine she had been playing with her instruments. Entertaining Jensen mostly, but it also relaxes her.

But on their first day on set, after being tested and gotten the okay to head on the sound stage for blocking she went to see Jensen.

Seeing him and Jared walking together to the sound stage, she couldn’t help but chuckle to herself at how much like brothers they were.

“There she is the little musician next door.” Jensen says, coming to her, wrapping an arm around her.

“He told me you play piano, do you really?” Jared asked.

“I do a little bit; it’s been a while.”

“Well, it’s like riding a bike. You never forget. You were so good.” Jensen comments.

“Aw, thanks Jay.”

“Got any new songs to play tonight or…can I make a request again?”

“You can always make a request. Besides, I was writing this song and I just need to get the notes right, the words right and then I’m posting it to my YouTube Channel.”

“Doing YouTube now, huh?”

“Yeah, I’m trying it out. I can’t seem to enjoy a single day job I get. I enjoy jobs like this. Acting, where I can tell a story. Writing, where I can create the story. Music, just creating good sounding, relaxing and calming music.”

“You are such an amazing creator; I think you’ll do great as a YouTube creator.”

“You think so?”

“Totally, right Jare?”

“For sure, hey, do vlogging, give us a behind the scenes.”

“I’m not sure about vlogging, that requires being in front of the camera. And I’m so camera shy.”

“Yet you’re an extra on Supernatural.” Jensen smirks.

“Okay, maybe…I don’t know what it is. But I just don’t want to vlog, okay.”

“It’s okay.” Jared says.

Later that day, she can’t get her thoughts together back at the apartment. She paced back and forth. From the kitchen to the balcony and back around. She was beyond distracted.

“Jay, are you available for hanging out for a little. I can’t focus.” She texts him.

A moment passes when she thought he might have been busy.

“Yeah, just had to get a pizza out of the oven. Want to come over and just chill for a bit?”

“Sure, I just can’t focus on my music right now.”

“It’s fine. Come on over.”

Putting on her shoes she walks over next door to Jensen’s apartment.

Knocking on the door she hears his dog barking.

“Quiet Icarus.” She could hear him beyond the door shushing his dog. Making her chuckle.

“Hey,” he says opening the door. “Come on in.”

She enters, taking her shoes off at his door.

“Want some pizza?”

“Sure,”

Jensen grabs two plates out, giving each two slices of pizza. And walking over to the couch. Turning on his apple tv.

He turns it onto Netflix, Orange is the new black.

But halfway through his second slice he notices she’s not paying attention to the tv. But instead is looking outside. Eating in silence.

“What’s on your mind?” he asks kindly.

“A lot. Stuff going on at home. This whole YouTube thing being real, I just don’t know what I’m doing anymore. It just seems like I’m just going with it.”

“Nothing wrong with going with the flow. But, this stuff at home, how bad is it?”

“It’s nothing bad, I can handle it. it just takes a lot of mental power to get myself past it. You know.”

“For sure.”

They sat back in silence.

“Here, how about we go for a little walk on the town. That should help relax you a bit.” Jensen suggests, as he finishes his pizza. Y/N not even halfway through her first slice.

“Where to?”

“Nowhere, just out for a little relaxing walk. Come on, and grab a jacket it’s supposed to be a little chilly.”

Jensen may not have had a destination in mind, but he knew one place that would help her relax.

The ports, anywhere where there was ocean. He noticed in her posts on Instagram, when she’s at a tropical beach she looks relaxed and at peace with everything. And she knew deep down, once she saw the sun setting by the waters and seeing what they were walking up towards, she knew that he knew.

She felt herself calm at the sight.

“See, you look relaxed already.”

“Thanks Jay, I really appreciated this.”

“It’s not a problem.” he says. Leaning kissing her atop her head with an arm wrapped around her shoulder.

“That jacket’s not warm enough, is it?”

“No, not really.”

A small shiver shook through her as she said that.

He chuckles. “Lets get you home and warm you up.” he says, leaning in, pecking a sweet kiss on her cheek. A centimeter too close to her lips.

Y/N looked up at him with a smirk.

“What was that?”

“It was a kiss, why…”

“You were a bit close to my lips Jay…are you trying to tell me something?” she gives him a playful smirk.

“Okay,” he rubs the back of his neck. “I may like you, since the first day you and I met on set. You kind of took my breath away.”

Her heart pounded in her chest as her face heated up at the comment. Making Jensen smile with a chuckle.

“I, uh…I like you too Jay. I thought it might be a crush thing but, it just wouldn’t shake. I really, really like you.”

Jensen had a smile that went from ear to ear. He brought her in a tight embrace, holding her close.

“I know what you’ve been through. And I want to be there for you, to help you through it all.” He says.

“Thank you Jay, I want to be there for you too.” She says.

She pulls away slightly to look up at him. She could see his eyes glide down from her eyes to her lips as he slowly leans in. Planting a soft kiss fully on her lips.

Their lips moving in a soft dance with each other, his tongue grazing her bottom lip silently asking for permission. She parts her lips at the right moment to allow him in and dominate her mouth in the kiss.

Just when their kiss grew hungry, and their skin began to heat up at the attraction and arousal.

“Finally!”

They pulled away, stunned at the exclamation. Seeing Jared walking down the sidewalk, facetime on revealing Misha.

“It’s about time you two got together!” Misha shouted on the phone.

Y/N’s face heated up once again, hiding against Jensen’s chest. Jensen chuckling.

“Yeah, finally you two can stop with the longing stares and the…does she like me? Does he like me?” Jared says.

“How’d you know we came down here?”

“I didn’t, I saw you and I saw her, and I couldn’t help myself.” Jared smiled.

The couple chuckling.

“You two were being such idiots.”

“Well, we can be idiots together, now, do you mind?” Jensen says.

“Oh, right, get back to making out with your girl. See you two on set, you better have hickey’s to show for it!” Jared shouts as he walks away.

Jensen and Y/N just rolling their eyes, giving each other a quick chaste kiss before walking back to the apartment.

Only he walked back with her to her apartment and sat with her as she played her music, even joining in turning it into a sweet duet.

a/n: What’d you think? Let me know, feedback is always appreciated.

Dean/Jensen Girls:

@pandazombie69, @luci-in-trenchcoats, @supernatural-jackles, @becs-bunker, @jayankles, @winchesters-favorite-girl, @mlovesstories, @akshi8278, @flamencodiva, @megzdoodle, @anotherspnfanfic, @misfit0118, @shawnie74, @missmemoire09, @racetrackheart, @spnbaby-67, @moonlight-on-her-skin, @backseat-of-deans-67chevy, @salt-n-burn-em-all, @lyarr24

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she-toadmask · 4 years ago

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An Open Letter to the DSMP Fandom

Hello there! If you're seeing this post, I'm assuming you're a fan of DSMP and either create or consume fan content about it.

I am operating under the assumption that many of you are new to Tumblr, fandom, or both. I would rather assume ignorance than malice, as I can see myself making the same mistakes.

Creating content about the DSMP is great! Exploring ideas and creating things about them is something I really appreciate. However, there are a few issues that have come up. For one, fandom tagging.

If you look through the dsmp tag with regularity, you'll be familiar with this. Tagging your posts and creations with the dsmp tag is a great way to share it with other fans! But there are a few tags you should avoid using. While DSMP members may be Minecraft YouTubers, or MCYT, most people looking through the MCYT tag aren't looking for DSMP content. They would look in the DSMP tag for that. Same thing with Minecraft as a whole. People looking in the Minecraft tag aren't looking to consume content about the DSMP, they want content about builds and public servers, or about characters associated with Minecraft who aren't part of a series, like Steve and Alex. Additionally, some people don't want to see DSMP content, for whatever reason. This is valid. Please remember to tag your DSMP-related posts with DSMP so people can blacklist the tag and avoid content.

There is another, more serious issue related to tagging: trigger warnings. Some subjects can cause people to remember traumatic experiences, such as ab*se. This is especially important to remember given the current events on the DSMP. I will use cats as an example of how to tag things. If you're discussing cats in detail, like how they act, you would tag your post or content with tw cats. If cats are mentioned, but not talked about with much depth, you may tag it with tw cats mention or tw cats. It's always better to over-tag a post than under-tag it. Ab*se is something that a lot of real people have experience with, and while it is your right to discuss that with your peers, if you don't tag it appropriately, you could really hurt someone.

Note that this goes for both text and art posts. It's also common courtesy to put art that may trigger someone, like if it portrays violence or blood/gore, below a 'read more' so nobody sees it when they don't want to.

I understand that you may not be aware of this, or not have understood how tagging works prior to now, but it is very important to do this as to not hurt people.

I will add my conclusion here. I understand you aren't doing this to be malicious. I don't want to talk down to you, and if it feels that way, I am genuinely very sorry. I just want you to understand that other people do not have the same experiences as you, and I know when I was younger I definitely did not respect 'peers' the way I should have. It doesn't take a lot of effort to tag, and it could really help someone.

Now below the cut I go on a tangent about a personal suggestion: If you don't consume much other content outside DSMP, I highly suggest consuming at least a bit of other content, either as a point for comparison as to how harsh DSMP is compared to most other content or just as a breath of fresh air.

If you have the time for another series, many people here will suggest Hermitcraft (Season 7 specifically, since it's the current one). It's another series where people play Minecraft on a server together and have different interactions, but the tone is much lighter. If you don't have the energy for something that long and involved, it has been going on for a year after all and even the creators who don't upload as frequently have lots of episodes (they're usually 30 minutes or less instead of stream vods but still), there are still lots of other creators to watch.

If you still want another SMP (these are all names I've heard from friends so I can't give solid information), there is FruitSMP, EpicSMP, Shady Oaks SMP (I know this one is a server with some older YouTubers, hence the retirement-home name, I know CaptainSparklez is on there but not sure who else), One Life SMP, and certainly lots of others I'm not aware of. If you want a series, Naked and Scared is a long-running series where in every 'season', two people start a hardcore world and have specific restrictions on what they can do but they have a goal to achieve. I believe season 12 is the one I watched part of. You can watch it on ImpulseSV's channel, and as far as I'm aware all the seasons are independent, you just pick one and enjoy.

If you just want some lighthearted solo content, I'm not too familiar with most of the current creators, but LogDotZip seems to still be making some good content and CaptainSparklez, who I mentioned earlier, uploads fairly often. Lighthearted group content that isn't a long-running series, I again am not too familiar with current groups, but if you're willing to watch some old content, I (completely unbiased /j) suggest watching old SkyDoesMinecraft collab videos like Cops n Robbers. They're recorded with friends and are a lot of fun, though I haven't watched them in a while so they may have some problems.

It also might be a good idea to consume some content that isn't Minecraft-related. I don't consume much that isn't vaguely informative these days, but I'm certain you can find someone who can give you a recommendation.

Just find something to give yourself a breather.

Note that I would talk this way to someone of any age who I didn't think knew better. If you know better already and choose not to tag, I would no longer be nice.

#dsmp #dreamsmp #important

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leakgaming457 · 4 years ago

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frenchibi · 4 years ago

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hey, so i thought maybe you could tell us a little what you're currently interested in? ♥ like, what have you been doing during quarantine, are there any new shows you watched that you enjoyed a lot, did you maybe take up a new hobby or something? :)

Hello!! I did not forget this lovely message, I was just in no state to answer (who’d have thought that recovery from surgery is, y’know, taxing) BUT I’M BACK NOW and ohhhh do you know what you’ve unlocked by asking me this question...?? I cannot give you a comprehensive list but I can tell you a couple of the things that I got into during quarantine, and the things I am currently super passionate about! My memory is, uh, not great but thankfully I do journal and write down things so I am confident I can answer this for you :D (plus I do always love recommending things so - aaa??? Thank you for this ask????)

Putting things under a cut because I physically cannot chill but if tl;dr I want you to take away one thing from this it’s that everyone should read Gideon the Ninth by Tamsyn Muir. Thoughts below.

(Also. I would love to go off about my interests more on here but am not sure what... shape that should ideally take? Text posts? IDK pls give me suggestions, help me out?? dfhasjkldf)

Movies

I have not seen many, but I can and will scream about The Old Guard over and over because... it was everything I never knew I needed in an action movie?? I don’t reblog many things about it anymore but I love love LOVED it!!

Also, upon recommendation by one of my friends from India, I have been delving into the world of Bollywood movies and WOW Zindagi Na Milegi Dobara was so fucking good??? idk if it’s on Netflix in every country but it is in mine and I highly recommend it. It’s thoughtful, honest, emotional and shot absolutely gorgeously, and it also has that cheesiness that is just... so good... sometimes you just need the cheese y’know???

(Side note, 2020 was the year I saw Pride and Prejudice (2005) for the first time and I am a changed woman. It is now my ultimate comfort movie. Please see it if you have not, I cannot believe it took me this long. I saw it for the first time on an airplane (in january... a lifetime ago) and have seen it many, many times since.)

TV Shows

So, to everyone’s shock but especially my own, I have not really been into TV lately? I watched The Boys because my brother recommended it (it’s good, but gorey and pulls no punches, the R rating is deserved), and recently started watching Jujutsu Kaisen because my sister recommended it (I haven’t watched a new anime in like a year which is kinda wild to me? But I am enjoying this one - the opening SLAPS and what I’ve seen so far has been fun! Plus I’m watching it with my sister and I like sending her reactions xD),,, and that’s pretty much it for this category?? I am aware there is a LOT of good shit out there I just.. .don’t seem to have the attention span for multiple episodes of a Thing these days. Meh. I’m sure it’ll come back to me eventually ^^

Musical Theater

One of the main reasons I think I haven’t been big into TV is because my Musical Passion is in FULL SWING (haha get it). Probably because the only thing that has remained for me during this quarantine is my singing lessons (and lemme tell you... over skype, that shit is ROUGH but still better than not singing at all) and I have been obsessing over learning new songs and finding shows through recommendations and compilation videos on youtube... So.

Shows I listen to a lot these days include Starry, Anastasia, The Guy Who Didn’t Like Musicals, Come From Away (I made a post recently specifically about musicals, you should be able to find it under #French speaks) - specific songs in my range that I am currently learning and obsessing over include “Bring on the men” from Jekyll and Hyde, “The Mad Hatter” from Wonderland, “Show Yourself” from Frozen 2 (I liked it ok I DID), and “Go Tonight” from The Mad Ones (this one makes me cry... I’m making my sister duet it with me bc I can’t stop thinking about it).

Also, if you’re interested in hearing me sing things, head over to my instagram where I post covers (and also art)!!

(Musical people, I am curious to hear opinions about Great Comet, and also The Count of Monte Cristo - two shows I’ve been meaning to check out!)

Video Games

Listen. Animal Crossing New Horizons is awesome and I’m glad I have it (...give me Brewster back, Nintendo, or I WILL RIOT), but I have been branching out into other games for the Switch (might as well make this purchase worth it amirite) - current faves include Celeste (which is SO HARD but also SO FUCKING FUN) and Spiritfarer which I specifically bought to play at the hospital bc I knew I was going to be there for a few days, and let me tell you - best decision of 2020. Please watch the trailer if you haven’t heard of it, it’s GORGEOUS and beautiful and emotional and I loved every second of it. Both of these can also be purchased for PC and I think they are definitely worth the investment!!

In other news I’m back on my Stardew Valley bullshit. It’s just so calming.I revisit it a lot lmao

Books

So... I have been reading. A LOT. I read over 70 books this year, which for me is... average tbh? I have had some less productive reading months but overall I have torn through stuff and BOY do I have recommendations if you want them?? For the sake of brevity I will only mention a few here:

Gideon the Ninth by Tamsyn Muir “Lesbian necromancers explore a haunted gothic palace in space”. That is all. This was my first five star fiction book of the year and I will never be done screaming about it. There is a dedicated but smallish fandom here on tumblr and it deserves SO MUCH MORE. Please, please please. Everyone should read this damn book. It’s confusing in the beginning but I promise it’s worth it IT’S SO GOOD!! And also the sequel is out and it’s also confusing and SO GOOD!!!

Educated by Tara Westover. This is an autobiography and it’s one of those books that like. Stick in your mind for months after you’ve read it. It’s about how this woman escaped an abusive household that was religiously oppressive and also like... survivalist (prepping for the apocalypse) and avidly believed in conspiracy theories - by educating herself, working her way up to going to Harvard. Nothing I say could do the emotional impact of this book justice - and also just, the perspective this book gave me?? Incredible. Education is the most powerful tool and this woman grabbed it by the hair and did not let go and I was FLOORED. Everyone should read this. I don’t even usually read biographies but DAMN.

The Winternight trilogy by Katherine Arden.(Book 1 is called The Bear and the Nightingale). This is a bit of a slow burn type deal - it’s a retelling of a Russian fairy tale (I think?? Or like a folk... story? Something like that) and it is just. So magical. It’s not fast paced but it works up to FANTASTIC moments, the focus is on family and magic and change and “making your own way” and all three of these books were wonderful. It reminded me of Naomi Novic’s Uprooted and Spinning Silver (both of which I also loved back in 2019 and would highly recommend) and they are PERFECT winter reads if you’re looking for something to get cozy with. I liked book 1 well enough but books 2 and 3 knocked it out of the park. Fantastic. Loved them.

I have many more recs but this will do for now hahah

Music

Gonna keep this brief too - my music taste is all over the place, but here are some songs I have been obsessed with recently!! Beware of genre whiplash though because these are Very Different from one another (and different from the musical theater stuff above)

Factories - Autoheart (that bridge gets me every time, idk why. This is one I could have on repeat for hours and not get tired of it either. Something about it just gets me!!)

History Read - The Altogether (The lyrics!! Tbh the entire Silo album is GREAT, but this one is my fave. Their music is so... mellow, in the best way??)

Weather Man - Valley of Wolves (ok this one is just a banger. I’m a sucker for a good sing-along-able hook (that’s not a word. you get me though right) and this fucking DELIVERS. I also just think “I make these dark skies blue, I make these mountains move, let the rain come down, I’m pushing through.... [pause] ... ‘cause I’m the weather man” is such good execution of a concept?? That PAUSE GETS ME it’s just SO FUN?!?! idk man I like a good upbeat banger and this is that.)

I believe (get over yourself) - Nico Vega (this one is just a callout at myself tbh?? “you’re a fool” I AM and I needed to hear it?? It’s also SO FUN to sing!!! We love a banger.)

Kiss me you animal - Burn the Ballroom (mentioning this mainly because it reminded me, lyrically, of Gideon the Ninth and I need someone to confirm this for me before I go insane?? “everybody knows that home is where your teeth sink, love” - I mean c’mon??? Also it’s a banger. I do like some rock from time to time... and this also has a killer driving bassline. This is super fun to drive to, too!!)

((If we have overlap and anyone wants to exchange playlists with me - I am SO here for it. Always looking for new music!!! I mean it!!))

Youtube

Last and certainly not least... meet my newest hyperfixation!!! I have always loved watching video essays, and booktube videos, and arttube videos - and my current niche of favorite creators is the Polygon video team!! They made videos about video games and board games and anything gaming-related and I just. I’m only peripherally a “gamer(TM)” but I love anything and everything they create. (Also you don’t have to know much about video games to enjoy all of their content!! A lot of it is still accessible to Non-Gamers(TM) or casual gamers!) BDG is my new favorite creator, the Unraveled series he does on the channel is a work of genius - but I have also started watching their streams and older series and I am enjoying myself SO MUCH! I love boardgames so their series on them, Overboard, is so fun and entertaining (and I already know a bunch of games I want to buy based on seeing the gameplay), and it also made me invested in the other creators - particularly Simone, I would die for Simone?? And Pat? And Jenna? They each have their niche and they work really well together too and their videos are my Main Serotonin Machine in these trying times(TM), thank you for coming to my TED talk.

Also. If you’re already following me here and you are familiar with Polygon things I BEG YOU TO COME AND TALK TO ME ABOUT THEM because I am like, bursting, but I also don’t want to flood my dash with stuff that 99% of my followers are unfamiliar with y’know??

...I think I’m going to leave it at this - it’s already a lot!

But thank you once again for asking and for letting me Go Off about things I am interested in!! I just... I very often wish I could do this more, but I’m not sure how to go about it? Should I just do text posts about things?? Would that be interesting to anyone?? Or is that like, annoying? Should I start a review blog or something? dhfajkldhf I just want to talk about things that excite me, but whenever I’m here I often just stick to reblogging other people’s stuff... help?? What do y’all want to see??

#French speaks #rec #media recs #book rec #thank you so much for this seriously

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qm-vox · 4 years ago

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So You Want To Play Hades

I spent six hours coming up with that title because I have problems in my mind which I refuse to either examine or resolve.

So, Hades! The latest work from Supergiant Games, who brought you the interactive soundtracks to Bastion, Transistor, and Pyre, all superb games in their own rights known for their intuitive gameplay, build-your-own-hard-mode difficulty style, incredible atmosphere and characterization, thought-provoking stories, and that sexy, sexy fuckin’ music.

Like, listen to this sometime it’s amazing (all of their soundtracks are available from them on Youtube, by the by, though if you like ‘em you can support the creators by buying the music from them directly too):

https://www.youtube.com/watch?v=uH3Aoj1nw58

You’re likely asking, quite reasonably, why in the infinite and undying fuck I’m writing this post right now, and the long and short of it is I want more people to talk Hades with so now y’all are gonna get hit with the sales pitch and what I hope will be a helpful beginner’s guide if you decide to get into the game. Let’s get into that first part, shall we?

Thou Shalt Subject Your Gods To Market Forces

(Image sourced from Supergiant’s website)

Hades is an action-roguelike/lite that places you in the role of Prince Zagreus, secret son of Hades. Zag is trying to move out of his father’s house and live somewhere else for awhile and, well, Dad’s just being an entire dick about the whole thing. Hades challenges you to face down the endless ranks of the dead one chamber at a time, gathering the resources you need to breach upward through the Greek underworld and open the mighty gates into the living world. You can acquire it on Steam or on the Epic Store.

How do you know if Hades is or isn’t for you? If you like action games with tight controls and widely varied playstyles, we’ve got you covered here (if you’re thinking in terms of previous Supergiant offerings, Bastion has the most bones in). Hades also offers a great character-focused narrative, centering around the relationships Zagreus has and develops with the people around him - from legendary shades like Achilles and Sisyphus, to the gods of Olympus, to the cthonic gods of the underworld like Charon, Nyx, and the Furies - which fully incorporates the conceits of the genre. Unlike many roguelikes which sorta quietly elide failed runs or deaths, Zag’s defeats are part of his journey. After all, he’s already in the underworld. Where the fuck else is he going to go when he dies? Connecticut?

Though I can gush about the characters and narrative all day (and I’ll do it a bit more later), don’t get me wrong: Hades expects you to perform some pretty tight mechanics. Since dying is just the end of this run and not the game, the game feels pretty free to take brutal measures; the environments you move in are full of deadly traps, the seething ranks of the dead outnumber you to vast degrees, and you’ll fight a dizzying mix of opponents who do not hesitate to catch you in cross-fires, push you into lava, or drop bombs when you kill them because fuck you for succeeding you weird godling bastard. If you get easily frustrated or flustered, Hades may be quite stressful for you; before it’s anything else, it’s an action game with a heavy focus on combat, and if you decide to ride this train that’s the price of the ticket. If you relish the challenge and especially if you like the satisfaction of watching your play improve, though, it’s one hell of a ride.

In terms of accessibility features, Hades is a mixed bag. It has subtitles and aim assistance available, as well as a variety of supported languages and control adjustments which can alter how you do things like dash or attack, but it’s missing, for instance, a colorblind mode (and that’s gonna be important here in a minute), and many enemy behaviors & traps have audio cues which are not part of the current subtitle support. A rumble feature for controllers that have it is supported; Hades strongly suggests the use of a controller, but I know several players who choose to use a mouse & keyboard and seem to prefer it. Semi-recently, a God Mode option was added which empowers you when it’s turned on and does so further every time you die; it’s the closest Hades comes to an ‘easy’ mode, and while reception of it from my fellow players has been highly positive I’ve not tried it for myself.

If you’ve liked action games in the past, I’d highly endorse giving Hades a try as long as it’s accessible for you. The current build of the game (just before formal release) is selling at $24.99 USD on Steam right now, and like...I am not a highly skilled Gaming Individual(tm). I lose at games a lot. I play most of my games on Easy or maybe Normal if I’m really feeling like my dick is big - and with that in mind, I loved this one enough to buy it twice. I love the tight feeling of the combat, the way the mechanics feel, its gorgeous environments and its captivating characters. Hell, that’s why I’m out here writing a whole-ass article.

Stealth, Guile, Subtlety, And Other Things You Will Not Need - Getting Started In Hades

(Artwork sourced from the Hades wiki)

So you’ve decided to acquire Hades, you already own it, or the first part of this article was intriguing enough for you to look at the advice portion and see what sort of game you could be dealing with. Hades can be intimidating at first; it throws a lot of stuff at you, very quickly, and while it gives you some strong guidance on what to do with many of the resources you’ll acquire not all of those uses are immediately intuitive. The following is a guide to help your first few runs go a bit more smoothly and work on the fundamentals that will help you through your entire experience.

Let’s start with some General Tips that will help you out with every run and every weapon:

- Relax. No, seriously: relax. You haven’t ‘failed’ a run if you don’t beat the final boss. Hell, you probably haven’t even ‘failed’ a run if you die in Tartarus. If you learned something or got any permanent resource - gemstones, darkness, nectar, keys, blood, diamonds, ambrosia - then that run was a success. Even if the game wasn’t currently early access and thus without a proper ‘end’ at the moment, it’s supposed to be fun. Don’t castigate yourself for dying, just dive screaming back in and rip your vengeance from the spectral chest of your slayer.

- Always Be Moving. You only have so many hit points (you start a save file with a max of 50 and the most you can start a given run with is 200) and healing is limited over the course of a run. If you’re standing still, you’re getting hit. Zag’s quick on his feet - keep him moving and use your dash liberally. Once you’ve dealt some damage, leave and let your enemies swing at empty air, then dash back in and bully them back into their graves. When you start a dash you’re invulnerable until the dash finishes, which can make for some real cheeky dodges once you’ve had time to learn enemy timing.

- Watch And Learn. Early on in the game you’ll be learning about new enemies every chamber, especially when you start transferring to new zones and all of the enemies you’ve been facing just stop being a thing. Take the chance to know your foe! You’re not on a clock: don’t leap into the fight immediately. Dash around and watch how your enemies move and attack. What’s the limitations of their tactics? The reach on their attacks? How fast do they swing and move? If you’d like to watch some of that stuff ahead of time, I’d like to suggest amber_cxc’s Twitch channel: she’s been doing a lot of runs and speedruns of Hades of late, among the other games she plays.

- Manipulate Your Rewards. Certain things in Hades can only be offered a limited number of times per run, and once you’ve hit your quota they stop appearing. You can take advantage of this to get more Boons, Centaur Hearts, and Poms of Power. Specifically, you can only have up to two Daedelus Hammers and up to three Hermes Boons. If you can knock these out early I highly endorse doing so; they’re never bad to have, and even if somehow you want none of what they have to offer getting them off the RNG will help you later. Additionally, you can use Keepsakes (more on these in a minute) to manipulate who you get Boons from, when, by changing in and out of them at each biome. In this way you can control the shape of your build for the run.

- Accept That Your Dick Energy Is Fucking Huge. A lot of games try to keep you humble. Dark Souls is infamous for it, of course, and others in this genre such as Crypt of the Necrodancer and Enter the Gungeon do not reward haste at all. That is not this game. Walk into Hades like you’re the lord god of the Big Dick Dimension even if you know you’re not; take risks and learn from experience how you can mitigate, manipulate, or cancel out those risks. That unearned confidence won’t just help you with tip one (Relax), it’ll help you practice in those high-pressure situations which will occur more and more as your Heat rises.

- A Brief Note On Projectiles. This game has a few kinds of projectiles that you’ll need to learn to identify. Balls and Arrows can be broken - hit them with an Attack and they pop and won’t hurt you. Waves cannot be broken; they travel fast along the ground and have to be dodged or deflected. Lasers can neither be broken nor deflected. Traps can’t be broken, and deflecting them doesn’t always make them safe for you; these include the lava balls in Asphodel, Inferno Bombs, and the shit spit out by Bothers and Pests. Know your foe and always be moving.

In terms of the resources you’re offered, there are broadly two kinds: in-run resources, and out-of-run resources. Let’s talk briefly about in-run ones.

- Boons: Boons are the powerful gifts of your Olympian relatives. They change how you play during your run by augmenting your abilities (like your Attack, Special, or Dash) or by offering passive benefits. In general, look at Aphrodite, Athena, or Dionysus if you want powerful defenses, Ares, Artemis, or Zeus for powerful attacks, and Poseidon and Demeter for a combination of damage and utility. Different gods will be good with different weapons, and we’ll get into that later. Boons have a Rarity and a Level; Rarity determines their starting power and how well they scale if they do scale, and Level is that scaling.

- Centaur Hearts: +25 max and current HP for this run. Do you like not dying?

- Poms of Power: Poms increase the Level of a Boon by 1, which generally makes it better at doing whatever it does. Not all Boons will level up, but the ones that you can attach to your Attack, Special, Cast, Dash, or Call always do. You do eventually hit diminishing returns with these, so you’ll generally want to spread the love around if you keep picking up Poms.

- Obols: DOLLAH DOLLAH BILLS Y’ALL. Obols are the coins preferred by Charon, the Ferryman, who will take them from you for goods and services. Obols can be turned into all other resources - even out-of-run resources. They’re almost always a great choice of investment.

These in-run resources are presented as potential rewards when you’re selecting chambers. I tend to run heavy on Boons and Obols myself, but your own play style is likely to differ! Experiment with the feel of acquiring various rewards and see what you like to invest in. After all, they’re only for the run you’re on; you literally can’t take it with you.

Out-of-run resources are used to permanently advance Zagreus’s power, his relationships, or both. They are as follows:

- Cthonic Keys: Used to unlock new weapons and new parts of the Mirror of Night. Once your weapons and Mirror are wholly unlocked these keys stop being useful more or less instantly, and can be safely traded at the Wretched Broker between runs to acquire Nectar (but see Gemstones, below).

- Gemstones: Early in the game, Gemstones can be traded in at the House Contractor between runs in order to enhance the underworld; in particular, they can be used to install fountain rooms, to open up access to Chaos and Erebus, to give you access to Infernal Troves (and upgrade said troves), and to add in-run resources to Keys, Nectar, and Gemstones. These services are in the first tab of the House Contractor and you should buy them out as soon as possible so that your runs can springboard off of these powerful additions. Once that’s taken care of, Gemstones can be used to renovate the House of Hades, including Zag’s bedroom and the lounge, again at the House Contractor.

- Nectar: The nectar of the gods is in short supply in the underworld, and is a treasured gift that Zagreus can offer to his friends. In most cases, the first time you give a character Nectar they will trade you a powerful Keepsake in return; these are run-altering tools you select at the start of each run and change how you play. Early on, spread the love, but once you’re full up on Keepsakes you can feel free to develop relationships through gift-giving however you see fit.

- Darkness: The power of Night is used to give permanent, powerful passive benefits to Zagreus via the Mirror of Night in his bedroom. I would suggest using Darkness to get your extra Dash and extra hit points before anything else, but once you’ve got those tools kinda fuck around and find out. Eventually a dialogue option with Nyx will unlock the flip side of the Mirror’s talents, which must be developed separately and cost even more Darkness; you’ll want lots of this and you’ll want it for a very long time. Oh, and try to save aside 8,888 Darkness for a rainy day. You’ll need it.

- Titan Blood: Offered by the first and last bosses at each level of Heat (more on Heat later). Titan Blood is used to upgrade your weapons, making them better at doing all of the things they do, as well as to unlock Aspects of those weapons. We’re still shy one Aspect as of the latest patch, so ah, don’t stop collecting this. You’ll always have a use for it.

- Diamonds: Offered by the second boss at each level of Heat. Diamonds are used to buy plot-relevant renovations to the House of Hades, to advance certain relationships, and to acquire the fishing minigame and in-game access to the soundtrack within the House. Like Blood, you’ll have a use for these for a long, long time.

- Ambrosia: Offered by the third boss at each level of Heat. When you reach the point at which you can no longer offer people Nectar, genuine Ambrosia from Olympus becomes the princely gesture by which you can show your gratitude. You may be tempted to trade this for Blood early on. Don’t.

When you’re starting out, Darkness and Gemstones will be the gods of your new world, followed closely by Cthonic Keys You’ll run out of immediate need for Gemstones faster than you will for Darkness, but by that time you’ll either be comfortable with Hades or you’ll have determined it’s not for you. Focus on unlocking access to your new weapons, upgrading the underworld itself, and paying off your talents; at this stage, escaping the underworld isn’t really a priority so much as setting up for your eventual triumph is.

And When You Can No Longer Lay Waste - Infernal Arms And Heat

(Artwork sourced from the Hades Wiki)

The assault rifle with under-slung mortar launcher is definitely my favorite ancient Greek weapon.

So I’ve mentioned unlocking weapons, and I’ve mentioned that Hades offers varied play styles, so I suppose I ought to talk about them. Zagreus’s weapons - his Infernal Arms - form the first layer of your play style choices, which will be augmented by your in-run choices, and the second layer comes in the form of the Pact of Punishment and its Heat. Each weapon has differing values for its attacks and behaves very differently. I’m not gonna give you the specific numbers here - we have a wiki for that - and will instead make some general statements on how they play and what might pair well with them.

- Stygius, the Blade of the Underworld: You start each save file with this bad boy. Stygius is a generalist weapon that leans somewhat towards speed; its Attack is a three-hit combo that ends in a Thrust with knockback, while its Dash Attack (note: these are not the same with ANY weapon) is solely the Thrust, still with knockback. Its Special, slower than the Attack, is a high-damage shockwave that breaks enemy projectiles and knocks them back. You might be asking yourself, Vox, why would I Special when it makes people leave sword range, at which point I will direct you back to Always Be Moving; your Special makes your enemies Go Away, which saves you hit points. Stygius can build into almost anything, though its Attack benefits the least from Zeus and Poseidon, and is notable for having the most wild fucking Hammer options. Some of them do little things like make your Special bigger, but then you get stuff like Hoarding Slash (deal extra damage equal to 5% of your Obols), World Splitter (you do one big swing with a base damage of 80) and motherfucking CURSED SLASH, which is where Stygius rips a line of cocaine off of a mirror, cuts your health by 60%, and then heals you for 2 every time you hit something. My advice for this is whatever you start down, commit. Stygius might build into anything, but it can’t build into everything: once you choose a boon path, pick things to compliment that and go fucking ham.

- Varatha, the Eternal Spear: The forgotten child of Hades’ weapons, Varatha is a versatile weapon that, like Stygius, does a bit of everything - and unlike Stygius, does it all at the same time. Varatha’s base attack is a series of three long-range thrusts with low damage, and its Special throws the spear in a straight line, at which point it hovers in the air until you Special again; it follows a straight line from its position to your current one, damaging anything in that line. Last, but not least, you can perform a powerful Spin Attack by holding down the Attack button and charging up. Spin is one of the strongest single hits in the game, but you do have to stop moving to charge it up. However, you can dash out of the charge - even better, dashing releases the Spin at the end of your dash. This means that once you learn the timings of your charges, you can use Spin to attack and dodge at the same time, in a wide circle around yourself. Unlike Stygius, Varatha benefits to an extent from splitting your build up; its Attack wants big hitters like Aphrodite, Artemis, or Poseidon, whose high multipliers pair amazingly with the spin, while its Special can mount debuffs or stranger forms of damage like those offered by Dionysus and Ares. If you start building into one thing, but then Hammer into an alternate focus, the end result is still going to be pretty cohesive. Like Generic Goodstuff, or want a weapon to use while building up many divine relationships? Varatha does it all.

- Aegis, the Shield of Chaos: Just because this thing has the only block function in the game doesn’t mean it’s a defensive weapon. Aegis is a fast-moving melee weapon whose hits cause native knockback, slamming foes into walls, up against cliffs, and through traps & magma. Since Aegis throws people around it’s great for a highly aggressive style; dash in, hit them, and watch them slide away before they can do damage back to you. Its Special throws the shield Captain America style, where it ricochets off of opponents and obstacles before eventually returning. Use this with care; you can’t attack or block while your Special is out. Holding down the Attack button begins to charge a Bull Rush; while you’re charging, you’re immune to damage in the direction the shield is facing, and then when you release you dash to the end of the indicated line, damaging anything you hit. Despite how sexy that sounds, Bull Rush is honestly kinda slow and can be hard to build for specifically; instead, Bull Rush is best used to get out of bad situations, or to outlast big long boss combos, especially those used by the first and second bosses who are known to spit out absolute STREAMS of projectiles. Aegis hits fast and gets lots of bonus damage against normal enemies by bullying them against walls for that sweet, sweet Wall Slam damage, but it craves big damage multipliers less than some other weapons; consider using Zeus, Dionysus, or Demeter for your Attack, saving big damage choices for if you can get a Dash Attack build going. Special is great for mounting utility like Aphrodite or Poseidon that let you control the engagement further, just remember to think before you hit the yeet button.

- Coronacht, the Heart-Seeking Bow: Meet your first ranged weapon! Coronacht deals damage in a straight line by charging up a shot; when your line flashes, release the shot for a Power Shot that deals extra damage. Its Special is...bad, I’m gonna be real; it’s a wide-sweeping volley of arrows that deal individually low damage and will rarely, if ever, hit the same target. Still, it has its uses. Coronacht benefits from either high damage or battlefield control on its Attack; look into Artemis, Aphrodite, Demeter, and Poseidon. Its Special is harder to build for, but Ares and Zeus both do well on it since they can cause damage out of proportion with the range and/or area of your volley. Play keep-away and use distance to get off those charge shots, and remember that you can break projectiles and hit multiple enemies with each attack. Avoid mounting odd damage (Ares or Dionysus) or utility (Athena) on your Attack; it’s not going to come out fast enough to take meaningful advantage of those tools.

- Malphon, the Twin Fists: Easily the angriest weapon in all of Hades, Malphon is a pair of massive fuck-off gauntlets that are used for fast-moving combos at extremely short range. It is unique in that its Attack has a Dash Attack, and its Special - a massive uppercut - has a dash upper, letting you sweep in and deal big damage in a tight area immediately. Though each of Malphon’s hits are individually small, it throws out so fucking many of them that you can put almost anything on your Attack and it’ll work out. Athena Attack? Why not, you’ll be swinging when the enemy is. Dionysus Attack? Poison stacking has never been easier! Artemis Attack? Sure, you don’t do a lot of base damage, but you swing so often that you’ll crit constantly and take advantage of passives like Support Fire. Your Special has much higher base damage and can easily become the focus of your build, and because it moves slower it wants bigger damage multipliers like Artemis or Aphrodite if it’s your focus. If it’s not your focus, consider Poseidon in its slot (to get enemies to Go Away) or a god that will combo with your Attack (for instance, if you’re doing Demeter Attack, consider Zeus Special so you can potentially pick up the Cold Fusion boon and get 10 seconds of free damage every time you tap the Special button). You pay a price for this ease of use: Malphon’s range is directly inside the enemy’s ass, which means you need to have razor-thin timing to dash out of the way of attacks and keep your combos going, especially if you get swarmed. Since Malphon can mount and build literally fucking anything, it’s the ideal weapon to use if you want to power-level Keepsakes; slap something on at the start of a run and then just never take it off. Sure, you’re letting the Three Fates decide your build, but fuck it, it all just works!

- The Adamant Rail: What if you invaded the underworld with a fucking machine gun. The Adamant Rail has an ammo counter; each Attack takes 1 bullet (and Dash Attack takes and fires 2), and you reload by pressing the right-hand stick in. Its Special is a slow-moving mortar that hits in a wide area. The Rail is a powerful and versatile weapon capable of engaging at great range, which tends to build either Attack or Special. If you’re building Special, look for big hits like Aphrodite, Artemis, or even Poseidon, and any Special upgrade at all from the Hammers. Attack usually wants utility or stacks - stuff like Poseidon, Demeter, Dionysus, or Zeus - but certain Hammer upgrades like Spread Shot might make it more worthwhile to invest in big hits for it if you get them early. However! Just because you’ve decided on a focus doesn’t mean you should neglect the other half of your weapon. For instance, an Attack-focused build might still entertain the Targeting System upgrade so that you can more easily land your hits and avoid the enemy, while a Special-focused one benefits from mounting debuffs like Weak or Chill on its Attack.

For any weapon, once you settle into a play style you enjoy, find ways to be rewarded for what you’re already going to do. If you enjoy, say, the Chiron Aspect for the bow which makes it into a Special-focused weapon, mount benefits like Doom or Weak on its Attack since you still have to use that to make your shit go-go. This applies more broadly too; if you’re saving up Gemstones for something, for instance, use the extra money you get during your run to visit the shops earlier and more often. Let Hades reward you for doing the things you already want to do.

To close this guide out I’m going to briefly touch on Heat, which is how Supergiant Games has manifested their signature build-your-own-hard-mode approach. After you clear the game with any weapon for the first time, you acquire access to the Pact of Punishment. This Pact lets you turn on hostile modifiers to your run, which each have a Heat value; once you clear the game with a weapon at any given level of Heat (0, 1, 2, etc) you can only get Titan’s Blood, Diamonds, and Ambrosia with that weapon by advancing to the next level of Heat. In this way the game gradually gets harder on a weapon-by-weapon basis.

So, what modifiers to turn on? Depends on what you’re good at and bad at, but I would highly, highly suggest that you get used to Extreme Measures, Middle Management, and Benefits Package as soon as possible. Not only are they sources of big Heat by themselves that don’t change too much of the run by themselves, but their primary difficulty is knowledge-based; once you know them, they’re practically free real estate. Since Heat is tracked per-weapon and not in total, you can also always go back to weapons you’re not as good with and use practice with them as an excuse to get more permanent resources that you can pour into the ones you prefer.

Obviously this guide is not comprehensive! I’ve left out a lot of things you might want to know, like boss patterns, enemy types, and a whole lot of stuff about characters. Some of these things I’ve not talked about because I don’t want to give spoilers; others I haven’t talked about because I’m, again, actually pretty bad at games and the Hades community has talented folks whose guides on Steam, on the Reddit, and on the wiki can provide you with thorough breakdowns of the math that makes the game work. Still, it’s my hope that this can ease your entry into the world of Hades and help guide you in those early runs when it can feel like you’re spinning your wheels. I look forward to hearing from you; reblogs and commentary are welcome!

See you all in Hell.

#hades #hades supergiant #supergiant games #roguelike #action #guide #Greek Mythology #video games

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ahiijny · 5 years ago

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First impressions of Symphogear XDU Global

... from someone who’s never played gacha and in fact didn’t even own a phone until as of 2 months ago

Oh, the screen’s in landscape aspect ratio, okay.

“The latest game data will be downloaded (110 MB). Wi-Fi connection is recommended.” I’m on Wi-Fi, that’s fine.

Hm, my phone only has 32 GB of storage and it’s already more than half full, will I be okay?

The Japanese dialogue audio is still in this, noice.

Oh, so this basically the first episode of season 1.

“Croitzal ronzell Gungnir zizzl...” Kanade transformation :)

“Superb Song”. Personally, I’m fine with this choice of translation; I’m pretty sure it’s what the creators originally intended, too. But “Swan Song” still sounds much cooler, doesn’t it :P Also, this song. Goosebumps, every time...

“The latest game data (130 MB) will beIn the background downloaded” More downloads? Also, that “beIn” isn’t a typo, the words were weirdly mushed up against each other in the app for some reason.

Symphogear XDU OP! Noice. I’ve seen this before on YouTube, but it’s still really awesome. And it contains a few minor spoilers for GX (Carol and Elfnein and the Autoscorers), noting that for future reference.

Miku in this OP is just so cool! A scenario where Miku became a main Gear user, that would’ve been nice. Alas, canon, it was not to be...

Kanade and Serena are active Gear users in this too, noice. But there are two Gungnirs and two Airgetlams now?...

“Gjallarhorn” Oh, so this is the parallel dimensions relic I’ve heard so much about.

“Please enter player name / *Player names can be changed later / *Names can be up to 10 characters long”. Okay.

Oh nice, Ryouko’s explaining the app.

“6 kinds of quests: Main Quests, Hexa Quests, Event Quests, XD Quests, Side Quests, and SP quests” Uhhhhh that’s a lot.

“You can choose one friend who will follow you into battle.” Oh, is this like the pair system in Touhou 11?

This quest is called “Diva of the Battlefield”.

Ohhhh this is the very familiar general everyday life memoria OST (I don’t know the name) that I’ve heard on the YameteTomete site before. You know, that one.

They translate Andou’s nickname for Hibiki as “Bikky”

"Custodian”? Is... is this foreshadowing? Or just a translation quirk? Do Japanese schools even have custodians? (I thought the students do all of the cleaning)

“Imyuteus amenohabakiri tron...” (looks like they mashed it all up into one word)

Okay, battle start.

Waaaaaaait what why are Chris and Hibiki here?? This is too early in the plot!

I am plot confus

Is this just one of those things where you have to be like “it’s part of the game mechanic” and try not think too hard about it?

Huh, and the Gear users and the Noise exchange attacks automatically?

Like... I barely need to do anything?

This reminds me a bit of the game mechanic in Mega Man Battle Chip Challenge, where the battle is mostly automatic based on your arrangement of chips in your “program deck” beforehand, and the only interactivity is your ability to slot in a special attack at any point during the battle (but you can only use your L and R chip slots for this, and you can only use them once).

Yay, battle won.

“MA1-1: Diva of the Battlefield”. I like numbering schemes.

“So she’s the Valkyrie of the Special Disaster Response Team Section 2... The only one who can stand up to the Noise?” Huh, so they do use the word “Valkyrie” in these translations, interesting

“Soldier A: "Whoa, I suggest you stop right there, soldier. You saw nothing and heard nothing. Is that clear?"” Heh :) Ah right, it’s supposed to be confidential.

According to Hibiki, the day one bonuses are amazing.

This onomatopoeia just looks kinda funny for some reason :P

Bikki pls

(Also, sorry about the volume bar, I’m still not used to taking screenshots on a phone)

The little girl calls Hibiki “Missy”.

"Balwisyall nescell gungnir tron…" Hibiki’s first transformation is just not the same without Synchrogazer :/

Got Song Stone x5, owo neat. I don’t know what these are though

Looks like that’s the end of the tutorial!

Ack so many unread notifications

Oh right, there’s some Attack on Titan crossover event going on, I’ll have to check that out later

Reading some of the news posts. Dunno what limit breaking is.

Hm okay, let’s try some of these free gacha rolls.

Why is a gacha roll so fancy graphics

“AME NO HABAKIRI DATTO” Noice

Wow why so flash

Let’s try more of these

“Ayumu Takasaka” Ah, a person whose name I don’t remember. iirc she’s one of Tsubasa’s classmates.

“WARUKUNAI WA NE” Yes, thank you Maria :P

Drop rates, Song Stone log, hmmm

Reading through the FAQ

“A: You may only upload game content for non-profit purposes (including personal use as a hobby.” I wonder if this excludes monetized YouTube channels. Not really relevant to me in any case though, my channel has 4 subscribers.

“Q: I want to learn more about the Symphogear anime and merchandise.” “A: We are not able to respond to any inquiries outside the scope of the Symphogear XD Unlimited app.” wat

Okay, let’s read through some of these "Rights and Agreements” pages.

Skimming through the terms of service. Lots of this reads as generic lawyer boilerplate, not tailor-made for this app, but rather feels like it was adapted from some very standard and thoroughly vetted template. Like, there’s stuff in here talking about using a robot/spider/site search/analysis application, but doesn’t that only apply to websites? Can you robot crawl an app server?

And it talks about it being prohibited “posting photographs or the like of nudity with a high degree of exposure” but is it even possible to post photos in this app?

“a. a. Posting or sending messages for the purpose of buying, selling, or exchanging...” there are two a’s here :P

Oh here we go, more topically specific ToC stuff. “Use of in-app currency” “Song Stone” hm okay.

Heh, the music changes to the XDU OP if I open the "Credit” page.

Hm, what’s this “Rights” section?

Oh, here we go, a bunch of software licenses. Mostly Apache, some MIT as well. And some without a specific name.

Interesting...

Anyway, hopefully I don’t get too addicted to this, I have a lot of other work that I still need to be doing.

But it’s nice finally starting to have a vague inkling about what all the Japanese XDU players were talking about :P

#symphogear #symphogear xdu #ahi's ramblings #long post #they say 'global' but it doesn't include europe #:/#fortunately I'm not in europe #but I hear there's qooapp to get around region things

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sveasauvageon · 4 years ago

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Ce qu'il a donné Un an, deux ans, cent ans de bonheur Puis la vie te cueille comme une fleur || GW

☾♔; March 5, 2018 ☾♔; sotd: Котик by Alexander Rybak ☾♔; comedian otd: JOHN OLIVER ☾♔; GW To do list ☾♔; {G} https://goo.gl/XSTtMc ☾♔; mod(s): @themadmonarchist @maybones et moi

Title: lyrics from "Requiem" by Alma

--featured not-mine oc's - Eloise Avery | @themadmonarchist - Minah Delacroix | @maybones (see what I did there with the Serena and Blair positioning? -eyebrow wriggle thing-)

- - - x - - -

Updated GW to-do list: - Division of labour (we should really start saying when one of us starts working on something because otherwise we'll end up with redundancies since we think disturbingly alike) - the "chuck" problem: okay, tbh, it's more of an Ed Westwick problem than a chuck one. I don't know how you guys have reacted to the me too and time's up movements, but mine has been to cut all those men out of my sphere of entertainment, I even cut out "witch hunt", "not all men" type dudes, and "only fondled their breasts on tv and apologized for it" men (aka Ben Affleck), because time is up for all of you! Soz, not point, but since last October, Ed Westwick has been caught up in this, and thus far 3 women have accused him of ra.pe and a fourth of sexual misconduct. Now, I know it's not Chuck's fault that his portrayer is a ra.pist (allegedly), but there is still an issue with including his face, etc in aesthetics and gossip girl material because his face is that of a ra.pist's (allegedly). Tbh, I wanna leave him (Ed Westwick) out of material and only discuss Chuck and avoid showing his face or use a dreamcast instead, but like, I dunno what you guys wanna do. Chuck is a great character, although, early on, he was quite rap.ey, the character, and it does not help that his portrayer has since been revealed to be a ra.pist. Allegedly.

- also, going back up to the redundancy issues, I love both of your aesthetic collections and playlists, so for those, I was thinking for playlist, we should make one big playlist on spotify that's collaborative, so that everyone can add their music and it'll kind of be a huge explosion of musical tastes. But also, maybe have a collection that has a link on the group info for individual playlists for characters, and the group made by us and/or others. For aesthetic collections, basically the same idea with one big collaborative collection, and then that collection will have links to other collections (yes, I'm a little ocd).

- also, also, this is completely unrelated, but I was watching trevor noah's show and he made a joke about how much trump's male employees snitch and gossip like sht, but the woman haven't revealed squat. (https://www.youtube.com/watch?v=CpmlVWFTW8A) It's really funny, and honestly, stupid people fcking up in trump's circle very publically is basically what's keeping me alive. It's just hilarious how stupid some of these people are. ___________________________ Another Update (I'll leave those up until @maybones weighs in on them)

I was working on a draft of the group description to show you guys, and I was using a template of one of my old groups and rewriting stuff and changing it to suit our purposes and I realized how many freaking rules I have (I'm so picky), anyway, some of this stuff obvs won't be applicable (like, there's one about characters dying and I don't think we were planning on going that dark. although, serena was an accessory and chuck kind of killed his dad, so meh, maybe?) anyway, I wanted your opinions on what rules to keep and/or change:

✠ RULES AND GUIDELINES {GENERAL} ✠

I. Please be kind to each other. Your characters can be total jerks, but let us, the creators and/or writers be kind, polite, and respectful (aka, channel your inner Canadian guys). There will be absolutely ZERO tolerance of discrimination. You will be immediately removed from the group, and your actions will be documented and reported. PM me immediately if someone harasses you or you notice harassment between members. ⠀⠀Ia. If you want to be anonymous, for any reason, you can send in your complaints here {https://goo.gl/kbTXeU}, it's a google form, and it doesn't ask you verify your email, and the username option, is just an option, it's not required. If I need to make further contact/information from you regarding your concern, I'll make a group announcement vaguely describing your issue, and you can send in further information anonymously again. I'll be checking the form at least once a week.

⠀II. I'm not giving this any specific rating, however, I will say, you're free to include whatever "adult" content you want, whether it be swears, gore, or the dirty stuff (I'm totally a mature, grown up adult guys). However, do be careful of polyvore's stupid censors, use workarounds like writing your story in google docs, or accents for swear words.

⠀III. This is a non-elimination group, but characters can die. It may be used for inactive members, or if you wanna kill 'em off or maybe revive as a ghost or something else. Permission will always be asked of the creator first (with the exception of characters belonging to inactive members, whose characters may be killed off as penalty).

⠀IV. If you miss 3 consecutive contests (without informing me), you'll receive an "x", "|" will be used to break up non-consecutively missed contests, anyway, if you miss 3 in a row, that will open your character to be killed by either myself or other group members. You will be notified, but your permission will not be asked. If you wish to rejoin at a later date, and you character has not been killed off, simply pm me and continue with whatever contest is in progress. If your character has been killed off, you can re-audition with a new one, and I will transfer your points to your new character.

⠀V. Always pm me, your vodka aunt mod, if you feel you'll be unable to enter a contest, your reason doesn't matter. Just let me know you can't get your entry in, that way you won't receive an "X".

⠀VI. Plotting will be left open throughout the group, however, please establish a few of these before contests begin, and always ask permission when using someone else's character(s) and be sure to tag them in your sets. Please, PLEASE work with others, I hate when people just do their own thing in oc battle groups, this is a collaborative story, everyone's stories and ideas matter. I will call you out if I notice something that contradicts the connected story, and I will always, ALWAYS incorporate the stories of group members into the overall narrative. ⠀⠀VIa. Narrative precedence will always be given to the person who completely finishes the description of their set first.

⠀VII. There is not a list of roles to pick from, you can create whatever roles you want, however, I may ask you to change it if I feel your character may become "villager number 6" and not fit in with the action. Rules, regulations, and suggestions for roles can be found here: [placeholder].

⠀VIII. Always be sure to tag the member's when you use their characters and give credit where credit is due.

⠀IX. Plagiarism will not be tolerated and you will be removed and reported. If you're inspired by someone else's work, credit them, otherwise you're stealing.

⠀X. Sets unrelated to the group will be removed.

⠀XI. You will NOT be required to write out a full story. Story portions can be answered in paragraphs, but full stories are always welcome and appreciated.

⠀XII. Do not use templates for contest entries unless otherwise stated.

⠀XIII. Always feel free to contact me with any and all questions, and/or suggestions. You can also send them through the anonymous complaints form, found here: https://goo.gl/kbTXeU

_________________________________

✠ RULES AND REGULATIONS {FACECLAIMS} ✠

I'm quite picky about these, but I'm not gonna be pedantic about it this time. You do you. Having said that, there are still some rules and regulations, as well as a challenge.

⠀I. All faceclaims must be above the age of majority (that's 18+ nearly universally on the planet), there is an exception for child characters but all main OCs must be at least 18.

⠀II. All faceclaims MUST be professionals. They can be actors, models, even singers. However, they must be singers of some note signed onto a label company, like Taylor Swift, or my beloved Dima Bilan (who's also an actor. a good one. yes, I'm bragging). Your faceclaim CANNOT be someone insta-famous, youtubers, or tumblr tweens.

⠀III. Whilst I'm not going to reject any faceclaim on the pedantic basis of "I don't like them", there are some faceclaims that I will and for one reason, and one reason only. Sexual misconduct of any and all kinds. Hollywood and the media are finally cleaning house, and I don't want those dicks in my nerd sht either. To be clear, I don't care whether the misconduct was simply groping a woman's breasts on camera and apologizing about 10 years later, I am going to reject everyone who's been accused. Examples include; Ben Affleck, Casey Affleck, Ed Westwick, Jeffrey Tambor, Danny Masterson, Andy Dick, Dustin Hoffman, and fcking Mel Gibson. (Side note, these are just actors, for a wider list of men who have fallen since the Harvey Weinstein story broke in October 2017, I recommend you check out this article {https://goo.gl/Uq65Qv} by the NY Times) ⠀⠀IIIa. If you notice I have accepted someone who has been accused of sexual misconduct/harassment/assault please inform me right away, and ideally with a link to a news source from where you learned about (I will google it myself, but the ready-to-go link would be much appreciated.) ⠀⠀IIIb. Also, Alec Baldwin is on my list of rejected faceclaims. He's not been accused of anything, yet, but I'm not liking his defensive attitude of alleged rapists. Fúck off. Matt Damon also falls under subsection B, for a slightly different reason, but fúck him too. In this watershed moment, I have no time for defensive d i c k s and "not all men" a s s h o l e s.

⠀IV. The Challenge: a lot of us have certain fave fc's we use over and over again (I'm certainly guilty of that), so my challenge is for you to use a faceclaim you have never used before as your primary oc. This is gonna be based on the honour system, some of you guys I may know well, so I'll know if you're using your fave again, but others I may not, and I can't aggressively stalk everyone, so I won't call out anyone for not doing it. It's just a fun little challenge, worth 10 bonus points, if you opt to do it. But again, it's based on the honour system, I'm not gonna stalk anyone, but if I know you and you lie to me on the audition form. First, I'll be hurt, and second, I'll say sorry and tell you you're not getting those bonus points.

(I know, two sets of rules makes me such a di.ck, it's why I need your help guys!)

#polyvore #gw #eloise avery #Svea Sauvageon #minah delacroix #doll set #mine #anna #may

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saintmachina · 5 years ago

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Do you have any resources or book recommendations for someone who is attempting to "brand" or market themselves effectively? You do it so well and effortlessly, and I've never been comfortable or good at it.

Hello! Thanks for saying that; I’ve worked really hard and long to get to a point where I feel like I present myself well, and while I still have plenty of growing up to do, I’m proud of myself. I’m going to repost an answer I gave to a similar ask here that outlines my personal philosophy of branding, particularly on how creators can present themselves on social media!

Cultural Context

Let me start by saying that “personal brand” is a concept that is being pushed hard right now on people, even very young ones. We live in a society where its not only possible but encouraged to curate your online presence into a recognizable essence, often with the unspoken aim of getting people to like and trust you so that someday they can invest in you financially or pick you out of the crowd for a job or project. This is not an inherently bad thing, and can be very fun and useful if leveraged in a healthy way, but it’s easy to fall into the trap of feeling like you need to brand yourself to exist and that you need to live up to the color-coded, curated, narratively unified version of yourself that exists online.

Suggested Reading

Before I continue I want to direct you to two amazing video essays about this issue, Lindsay Ellis’ essay on the way creators manufacture authenticity, and Natalie Wynn’s Ted Talk on how performing a hyper-stylized versions of different philosophical opinions on her Youtube channel have helped her protect herself from as much harm as possible. They’re both kind of heady but they’ve both been really helpful to me in A.) branding myself and B.) learning to see myself as separate from my “brand”. Let’s continue.

Creator Identity

I am a creator in the age of the internet. To be specific, I am a writer and a poet and occasionally a public theologian. For me, my ~aesthetic~ is yes, a way to express myself, but it’s also the way I let potential readers get to know me, my vibe, and my writing, so that when I announce I have a new book out, they already like and trust me enough to buy it. I hope this doesn’t sound callous; I have a very meaningful intimate relationship with my readers that I see as having spiritual value, but I also know what I’m doing when I post selfies or chat posts that go with the witch-saint-loving aunt thing I have going on here. And I think that people who aren’t trying to connect the right people with what they have to sell, artistically or in terms of services or otherwise, have to worry about branding a lot less.

I’ve been maintaining a social media presence as a writer for almost ten years now, and my brand has become more streamlined as I have grown into myself as an adult woman. I love this woman and respect her enough to know that she may change tastes and change her voice as she ages, and that’s fine too, but one thing that I’ve been moving towards in my mid-twenties is having what I call a “partially opaque” brand.

Opacity

A non-opaque brand is one of total messy off-the-cuff realness with almost no boundaries between creator and fan (Amanda Palmer does this well) and a totally opaque brand is put forward by a person who seems so unified, so separate, so enigmatic, that the lines between creator and fans are quite stark (think Donna Tartt). I used to have pretty much the same aesthetic that I have now but a brand that was almost entirely non-opaque; I posted my feelings and opinions on everything, talked openly about every single update to my religious, mental health, sex, and social life, and was 100% accessible at all times to readers. In an effort to protect my time, energy, privacy, and art as I’ve grown, I’ve learned to have more boundaries, but I still post selfies and life updates (generally with a bit of an ~aesthetic~ veneer but not always) and encourage people to ask me whatever questions they have, because being warm and accessible is important to me. 100% opacity is not right for me because I want to be able to show up at book cons and hug fans and answer life advice asks and be honest about things like burnout or spiritual doubt or personal branding (how’s that for meta). I think if you are a creator on the internet it is very important to decide from the get go how opaque you want your brand to be.

For me, adding more opacity helped me distinguish my own life and value from what people on the internet thought of my work or my opinons, and it helped me to stop giving an excess of energy to places where I wasn’t getting it back. Being a bit more of a mystery at times has opened up space in my life for Sabbath and leisure. It’s also allowed me to gett back in touch with who I am when the lights go down and I am no longer on a virtual stage.

The Fragmented Self

No one out here, not even the most deliriously aesthetic dark academia blogger with a watertight color scheme, is just one thing. When we brand ourselves (and yes it can be a holy act of connection and self-revelation when done right) we bring forward things about ourselves that are important to us and have narrative cohesion, and we present those things in a beautiful way. When I do personal branding for small businesses like Fratres Dei spiritual direction, we do long self-exploratory sessions to determine which facets to bring into the light. But all of us contain multitudes and oftetimes our lives don’t have the sense of narrative cohesion the internet thrives on. Sometimes we can leverage that (I learned early on that there was no hiding my love of the Bible and of esoterica, my heavily religious life and my wildly doubtful faith. They were already so present in my writing that I stopped trying to hide it and Lo and behold I found the right readers) and sometimes we can’t, and that’s okay.

I suggest locking on to the things about yourself that you feel are most essential and have the most vitality. Then, put them into conversation with each other and try to find connections. If there are ones that don’t connect to the others, that’s perfectly fine, but it may not belong in your online personal branding. Maybe that’s a private thing for now to be enjoyed between you and loved ones, to germinate until it can find a place in your public life, or to stay blessedly secret.

My advice? Always leave a part of yourself at the end of the day for yourself. You don’t own this blue hellscape every ounce of you.

Tl;dr A successful brand is an authentic version of yourself, just a little bit more tailored, and part of that success is deciding up front how much of yourself you want to share with others.

#personal branding #creator identidy #content marketing #branding

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loreweaver-universe · 6 years ago

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WHAT ARE YOU SERIOUS YOU CAN’T JUST CUT ME OFF LIKE THAT NOOOOOOO COME OOOOOOON

AAAAAGH THAT WAS SO GOOD THOUGH

I am really enjoying this show. It kinda feels like starting Steven Universe all over again--stylistically and aesthetically it’s fun to watch, it’s funny, the characters are entertaining and likable, it’s fun to tease and makes great material for alt dialogue skits. I’m really looking forward to seeing more of it as soon as I can.

That won't necessarily be happening immediately, though. The patron who had me do She-Ra has ended their participation in that tier, so unless someone else picks it as their patronage pick (there’s a fresh slot open for that, if anyone’s interested) it'll be a while.

Or!

We actually still need to pick a replacement for Madoka Magica, which as I said will be on hiatus indefinitely!

As always, my patrons get to suggest shows and then vote on a list I provide, so if you’re pledged then get suggesting, but I'm gonna be adding She-Ra to the list of shows you get to vote on. There’s a post up on my Patreon where you can suggest shows, so feel free to post ideas without actually casting a final vote, but I want you guys to know that this one's on the table.

Again, there’s a free slot in the “pick a show” patron tier on my Patreon! If you’ve got a show you want me to watch, click this link and pledge! People have asked me to post publicly when slots open up, and there’s only one open right now, so go snag it if you want it.

IN OTHER NEWS:

I am very unwell.

At this point it’s harmful to myself for me to pretend otherwise. I am having the worst couple months I’ve had in years. My Seasonal Affective Disorder is going haywire, one of my medicines isn’t helping as well as it should, I haven’t been able to afford to get the other one for a bit. I’m suffering from insomnia, daily anxiety attacks, horrible self-worth issues. I’m behind on bills. My phone’s been off for weeks. I’ve been dealing with Patreon disappearing some of my payout money all month and desperately trying to get the Minecraft server host to respond to my customer service tickets at all. I’m stressed out of my mind. I’m a mess. I’m in the worst mental health state I’ve been in a long, long time.

The content I’ve been putting out for you guys has been suffering for quite a while because of my issues but those issues have really risen to a fever pitch of shittiness in the last couple months. I’m working on the less tangible stuff in my life that you guys can’t really help me with, but...seriously, if anyone can help me monetarily, please, please drop by my donation box. I need help, guys. I’ve tried looking for work, but this tiny town’s dead, and even after brute-force applying everywhere in this town and the next one over (which I can only get to via a 45 minute bike ride) the only place that even called me back was a friend’s family-owned restaurant, which I didn’t do well at. (It isn’t helping my state of mind that my parents keep telling me to just get a job in spite of the aforementioned job application saturation, let me tell you.)

Anyways, I won’t rant more about the state of my life; I let this go on too long as it is. Things are tight all around, too--I won’t blame anyone for not throwing money at me if they need it themselves, but, please, if you can spare a few dollars, it’d help me a lot in digging myself out of the hole I’m in. Whether any of you donate or not, though, I want you all to know how much getting to do this for you all means to me. I have no higher purpose in life than to make people smile, and the fact I can entertain so many of you warms me up on the coldest nights.

Thank you.

IN OTHER OTHER NEWS:

I’ve recently reuploaded the movie commentary tracks I did with a friend in 2017! Check them out here!

You should also go pledge to Gio, our Discord server maintenance tech, creator of Rubybot, and community Minecraft server overlord. He deserves far more than I can afford to give him.

In the meantime, if you’d like more of me:

My Discord server, where you can come hang out with other fans!

My Twitch channel, where I stream Minecraft and miscellaneous games!

My Youtube channel, where you can check out past streams!

Our community also has a guild in Path of Exile, which launched their newest free expansion a month and a half ago! Go check the game out, it’s a fantasy horror game that’s basically Diablo II with Materia and a Sphere grid. If you want to join the guild, get in touch via the Discord server! (The game’s completely free and survives off cosmetics, you really should try it!)

If you’d like to help support me financially (yes please, I’m stilling hurting from all the Patreon snafus of the past year) you can use my direct donation link to put some food on my shelf, or pledge to my Patreon if you want to support me per episode completed, which not only allows you to vote on what shows I do next, but also grants access to the Minecraft server I stream from to $5 patrons or higher!

It’s your kindness and support that lets me do this stuff, and I wouldn’t be where I am without all of you to do it for. Thank you all so much for your support, and for tuning in every episode!

OTHER PEOPLE YOU MAY ENJOY:

I may have been one of the earlier Steven Universe liveblogs, but a whole community of livebloggers has sprung up over the last two years! I linked to a bunch individually for a few wrap-ups, but honestly, this end-slate is already eight billion miles long, so I’m just gonna link to my links page. Click here if you want recommendations of other livebloggers, or other neat people, or webcomics and podcasts that I recommend.

#shebloggin #bloggin #shera02 #she ra episode 1 #episode wrap up

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mateov1rtuoso-blog · 5 years ago

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No, this isn't what they

No, this isn't what they want to do forever. Granted, there might be some cam models who want to do this for life, but she says that's not the case for her. She finished her degree while being a cam girl and was also accepted into grad school. Camming helped her pay her bills so she didn't need to take out a loan, but she says "I realise [sic] I wont be in my twenties forever. I'll need to work a 'real' job. And I will :) Wearing clothes.Domino has it pretty good — an American with ample property and a cushy career based on sex she enjoys. Not everyone is Domino.If you've looked at porn online (which we pretty much all have), you've likely been propositioned by advertisements for cam girl networks. They invade your peripheral vision; they pop up behind your window. The women wait for you to start staring, and, just when you're interested, they hit you up for money. You've seen them sitting at their keyboards, wearing barely anything, winking at you, typing to nobody in particular with thin, lethargic arms: bored and conventionally beautiful. The ads, with flirty video that might be live or recorded years ago, shout at you with promises of "Live Sex Chat" and "Sex Shows", with both amateurs and "pornstars" alike. It's a web red light district, and unlike some gaudy Dutch strip or seedy sidewalk, you're completely anonymous. The sex comes to you.One thing that I admittedly dont have control over, proven by the phone conversation that spurred me to write this piece, is the judgment that others will cast on my when they know that I do for money. Even those who know that as well as dancing, I am a student and hold a day job in retail. Its a shame that women are continuously told not to express themselves for fear of judgment and labeling. Why are we told that there are good girls and there are whores? In my life, I want to embrace every aspect that comes with being a woman. I want to be sexy and intelligent. I want to be passionate and headstrong but I want others to know that I feel too.

To this end, Studio 20 employs trainers, a psychologist and an English teacher. Most of the clients are North American and European, so it is essential the models can communicate with them.Today, things are different. After saving money and learning enough savvy to avoid continued exploitation, Anna is done with money-sucking studios, and so she works only about five days a month, from her own home. Five days of camming per month allow her to match the Romanian per capita income of roughly $US12,000 per year with a minuscule fraction of the labour. If she wants more money, she works more days.Even so, it’s clear that Ona Artist really likes her job. People get into sex work for various reasons, but I think that what’s left out of the conversation around sex work a lot of the time is that some girls get into sex work autonomously because they want to, because they enjoy it, and because the money is good. Ona Artist got into camming because a photo of her butt went viral and she realized she could capitalize off of it.I get a mixture of emotions. Mostly people react positively because of the way I speak about it. It's so different if you're really shy and timid and quiet about it. It immediately gives off this idea of ‘oh they're not completely ok with it.' But if anyone ever asks me, I'd be like ‘fuck yeah I webcam, I love it!' I get to mess around at home all day and I get to be as open and as genuine to myself as I can possibly be, and there's a lot of people who aren't ok with that because I'm into some very unusual things myself. I don't have to hide and pretend that I'm someone else; I can really be my true self.

This comes off as somewhere between cynicism and naive denial, but the fact that she knows of any girls at all who've raped and beaten suggests that it is, at the very least, a real occupational hazard.The massive LiveJasmin would have you believe it's owned by "Gestao e Investimentos, Lda", a company based in an autonomous region of Portugal — and has a host of fraud complaints lodged against one of its subsidiaries. But a recent tax bust against LiveJasmin's Hungarian CEO Gattyán György — one of the richest men in Hungary — and his corporation, Dolcer Holdings, shows just how muddled the corporate picture is. No doubt deliberately.Not all models work from a studio. Sandy Bell - a graduate with two university degrees - is one of a small army of women who webcam from home. She makes about 100 euros (£90) a day when she goes online to supplement her income as an interior designer. One advantage of being independent - and dealing directly with a web-hosting company - is that she earns a larger percentage of members' fees.Model, producer and co-creator of YouTube channel ComeCurious, Reed is essentially the physical embodiment of sex positivity, which she defines as trying to make people feel like what theyre doing and what theyre into isnt wrong, its normal and its absolutely fine. Shes a huge advocate for removing stigma and taboos around sex, and we caught up with her to learn more about webcamming, a line of sex work that is seldom talked about.

CONTINUED BELOW...

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comingupforblair · 5 years ago

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There’s something I see a lot in relation to DC films and their critical opinions and it annoys me so I wanted to comment on it

I should preface this by saying that, while I understand the strong feelings people have on the subject, I am completely and unambiguously opposed to actions such as harassing people off social media, sending death threats or generally acting in a repulsive manner towards critics or fans in any given situation and that includes these films. Now that that’s out of the way, let’s begin...

The history of critics’ opinions (for the purposes of this post, I’ll be using this to refer to professionals, amateurs, bloggers, people with YT channels, etc) on the franchise are well documented so I don’t feel a need to go back over them here but, suffice it to say, it hasn’t been a positive one and fans such as myself have been vocal about calling out what we see as unfair or overly negative reviews, critical opinions and expectations for how the films are expected to improve in the eyes of detractors.

This has been seen as a misplaced move in the eyes of detractors who will say that we should be grateful for the presence of critical opinions in order to encourage the film makers to do better and that any and all blame should be put on the creators themselves.

It’s clear that people critical of these films have a lofty view of their behavior and goals, seeing themselves as compassionate critics who are only acting in the best interest of the films and who would love nothing more than to enjoy the franchise but are unable to and are bravely fighting the good fight for better cinema, however much it hurts them to act as they do.

It’s a nice story.

The problem is that it isn’t true.

Or, at least, it’s not as true as they keep insisting.

If you’ve spent any amount of time among people critical of these films, you have likely noticed that a lot of them are extremely abrasive about it. Personal insults towards the creators and fans, hyperbolic statements about the franchise’s future and the future of DC adaptations in general, unflattering comparisons to Marvel and a tendency to treat the films as something closer to a personal affront than they should are all common and certainly don’t play into the image of reluctant negativity they are so keen to cite when called out.

This isn’t even limited to online trolls or bloggers (more on them later). Respectable publications have joined in. There are articles written on the Guardian, a news site I genuinely respect and frequent, that wouldn’t be out of place on an independent site run by the stereotypical angry nerds we have been seeing too much of recently where Zack Snyder is characterized not as a filmmaker whose work they dislike but as an active detriment to DC who needs to be stopped and others where the films are treated with the usual nonsense.

The common response that people generally have when DCEU fans push back against criticism is to assume that we want a world where no one says anything negative about anything ever and the films are never called out when they make a mistake but that’s not it.

Criticism is necessary. It’s how people are given feedback to improve and I’m not going to say these films don’t have flaws to be called out or that Warner Bros haven’t made mistakes. But there’s a responsibility on the people delivering their criticism to do respectfully and fairly and without indulging in disproportionate harshness and unnecessary cruelty and to do so without being personal and realizing when you overstep as well as acknowledging progress and a lot of people criticizing these films haven’t been doing that over the years.

They still hold those earlier films over the newer ones more to their liking in a manner that suggests they have little, if any, intention of allowing the studio to move on or regarding any genuine improvement with little more than a dismissive, backhanded acknowledgement.

Even people who dislike the films have said they’re put off by just how vicious some of the negativity towards them and Zack Snyder personally has been.

Your criticism may be intended to encourage improvement but that doesn’t spare you from being called out on your execution or behavior in doing so, any more than a film makers’ sincere desire to make a good film means they can’t be criticized if they don’t live up to that goal in your eyes.

There’s also the issue of intent.

I have no doubt that people saying they’re critical because they want the films to improve are sincere about it. But it’s their definition of what would qualify as an improvement that needs to be question and scrutinized far more than it has been.

Many people’s definition of an improvement would involve completely annexing the films entirely and starting over from scratch. Others would be content with them merely getting rid of the ones they personally didn’t like or abandoning the idea entirely and just focusing on films and animation. Others would rather see Disney acquire the characters in the belief that any films they make would be worth the trade off (it wouldn’t be).

Others want the films to completely remove any trace of Zack Snyder’s vision, down to recasting actors still loyal to him as well as seeing the films adopt a tone virtually identical to that of the MCU. Others want to see Bruce Timm or Greg Berlanti put in charge while others are wondering why they didn’t bring Christian Bale or Michael Keaton back.

You can see the issue at hand. Every person saying this is doing so out of a sincere desire to see the films improve and that’s the problem. It’s their definition of what would qualify as an improvement that DCEU fans are so adamantly against.

You can’t just attribute good intentions to your actions and expect to be free from criticism from there on out.

That’s not even getting into how a lot of the criticism doesn’t serve a purpose other than to kick a franchise while it’s already down, to say nothing of how often it’s just blatantly inaccurate, and how many are the usual toxic fans who are just venting their anger at these films being made in a manner that differs from what they would have liked and whose manner of criticizing them is skewed more towards negativity.

I almost forgot about them. For every respectable critic out there, there are a dozen or so who take pleasure in going after these films and have no interest in seeing them improve. They just enjoy giving them shit and doing so in a very cruel and needlessly personal manner. Anyone can be a critic now and a lot of the ones doing so are, to put it bluntly, horrible people.

There’s also the fact that critics, fans and bloggers who have been doing this are being championed, being seen and seeing themselves as the victors in this conflict.

Their words and actions are certainly having an effect and not necessarily a positive one. Films have been drastically altered to better suit the expectations of such critics, directors have left due to the changes, arcs have been abandoned and some actors have left and others may follow due to how the franchise has changed.

Needless to say, fans have not been happy about this and are open about saying as much and have been vocal about blaming those with such intensely negative views for what they see as the loss of the franchise we could have had.

You can counter that they wouldn’t have faced that issue if they had done what was expected of them from the start but that’s besides the point.

If you’re a critic with an audience, wheter it’s writing or running a Youtube channel or whatever, you have power. People listen to you, even if it’s only a few dozen people, and that includes the creators. So it’s on you to use that power responsibly and that’s what a lot of people haven’t been doing in relation to these films so it falls to people like me and other fans to call them out when we see them as not living up to the lofty image and ideals they have outlined and assigned to themselves.

In short, fans are treating critics the same way critics have been treating these films and the fact that they are so against being held to such a standard only proves that they need it.

Those with negative views of the films have seen this and similar claims as fans putting the blame for the state of the franchise on someone other than the creators but really it’s the logical conclusion of the justification so quickly and frequently used of their behavior.

You can’t have it both ways. You can’t position yourself as someone whose actions are designed to incur change on a major level with these films and then distance yourself from the negative consequences that arise from your words or the actions you have been calling for, even if you didn’t intend it.

On a side note, one of the themes of BvS, the film that started all this, was how sincerely good intentions can have unintended negative consequences. Fate, it seems, is not without a sense of irony.

I wasn’t bullshitting when I said that criticism is necessary and I have no desire to see a world without film critics or where they are only seen as valid if they write what I agree with. I have read and encountered people who didn’t like these films but were still respectful, fair and even-minded about it as well as people who saw potential but felt it wasn’t being lived up to. It is possible to be critical of this franchise without engaging in the behavior I’ve mentioned so many times so I know it’s possible to achieve that which is why I’m annoyed at the behavior I outlined being so commonplace and being dismissed as an unavoidable side effect.

As with fandom, I want film criticism to improve and that will never happen if the people doing all of the stuff I mentioned are just invoking their good intentions as a way to beat away any kind of criticism of their behavior or refusing to ever reflect in a way that is absolutely necessary for improvement.

#dceu #zack snyder #man of steel #batman v superman #Wonder Woman #aquaman #shazam

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mermaidylluria · 6 years ago

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Warning to all you mers on Tumblr out there: The purge has officially begun. My account just got flagged, and the only things I have on here are my own event photos (which are all family-friendly & fully clothed), and mermaid art (both classical and new, some of which has an LGBTQ focus- and may, at times, *gasp* in some cases feature kissing). So.. just as a heads-up, the whole Tumblog censorship hubub is a real thing. My hope was that in a page FULL of mermaids, it would be obvious what the space was about- that it was absent of pornographic or ANY kind of child-endangering content, n’ be subsequently left alone. But it appears that’s not the case. So now that we know mer art is going to be targeted (after all, “NEKKIT BEWBIES, ER MAH GURD!!”), I suggest we all get ready to either defend our posts (via disputing flagged content), participate in some kind of (peaceful, preferably meaningful & artful) protest, or just leave the platform all together. 'Cause this tells me that they're not only flagging classical art, they're also trying to eradicate LGBTQ content, and NONE of that is okay. Personally, I’m going to do all 3. Fight and dispute, while making preparations to move my space elsewhere. Where that’ll be I’m not sure yet, but if we loose, I want a place for my mermaid stuff to go, and the demigods at Tumblr better be aware, I’m taking my decently-well-known bellydance n’ other blogs w/me too, if I’m forced to leave.

And just for my personal 2 cents on the matter? Dear gods, not ALL of the internet has to be child friendly. XP Censorship like that happening on YouTube, Facebook & now Tumblr stifles creativity (look at channels like Glam&Gore, who can’t barely do SFX makeup anymore because she keeps getting demonetized), silences valuable artistic and minority voices, removes audiences for burgeoning creators (who, btw, may NOT be engaging in pornographic content in ANY way), and forces narrow-minded, puritanical standards of "decency" (which are by FAR the minority), over others' ability to operate successfully in that medium. This smothers decent, AWESOME things like art, science, expression and SO much more. XS See, it’s not about the p0rn. It’s about the CENSORSHIP. This is the internet. It was designed to dispense and SHARE information, ideas, inspiration, fun, etc. Not be a surrogate nanny for your kids. XS

ANNNNYWAY, if you want to read more about what is and is not allowed on Tumblr now, you can visit: https://tumblr.zendesk.com/hc/en-us/articles/231885248. (And be sure to read to the bottom, where users can find out how to appeal post & entire blog flags under the last 2 questions.) And if you have a mermaid blog where ANY kind of toplessness is involved, note that "female presenting nipples" is distinctly mentioned, which, as I'm sure lots of you already know, directly impacts classical AND modern art- one of the few things on Tumblr that can be shared WITHOUT a copyright, as well as a TON of mermaid art, classical and otherwise. XP

What does this mean? Well.. in simple terms, it means that stuff like Botticelli and Picasso are no longer welcome on Tumblr. It means that Reubens, Waterhouse and Rodin, if they have artistic interpretations of naked women in their work, cannot be shared on Tumblr. Even though their works are featured in international museums of the highest callibur, lauded all over the world as legends of innovation, vision, unparalleled beauty, & precision, expression & creativity, and world-famed for their social and economic value. Those.. are not welcome here now, apparently. Meanwhile, images & videos stolen from present-day & other modern hard-working artists, photographers, cartoonists, writers and other creators from allll over the world arrre hunky-dory. XP DaFUQ, Tumblr??? (At -least- they mention mis-attribution & non-attribution on their new guidelines now. That at least, is an improvement. X*)

But now.. let’s see how that’s directly affected my blog, shall we..? ‘Cause, as I mentioned before, I figured surely since I didn’t actually have any pr0n on my pages, I & other mer pages should be safe, right? BZZZZZZZT, WRONG. After getting this e-mail (pictured above), I went through my whole blog and found the 4 posts that were "flagged" as having adult content. *rolls eyes*

3 of them were reblogs &1 was an original post.

2 of those posts were queer-positive modern art.

1 was a photographic collection of pieces FEATURED IN "W" MAGAZINE,

And the last is a piece of classical style, queer-positive art. XS

One of the modern pieces doesn't even show nipples, just saggy bewbies COVERED with small seashells.

The other modern-style piece was a Rackham style drawing, where the tatas are but a mere suggestion of simple lines and dots.

One was shown in a INTERNATIONAL FRICKING FASHION MAGAZINE SPREAD, which was apparently suitable for SOMEONES' interpretation of public consumption,

and the last only shows suggestions & curvatures of breasts! (Showing the side and outer portions of the female chest, with no nipples. XP)

-And WHY AM I HAVING TO JUSTIFY THIS???? THIS IS ART. THIS IS NOT P0RN. Again I say "WTF, Tumblr????" XS

As you can see, 3 of my posts were reblogs, so I had no means of disputing those posts. (According to their new guidelines, the owner of the original post has to do that, and if they are found as having “inappropriate content,” there’s no further means of appeal.) But one of them, one of the very first posts I ever made in this blog, was an original, so I was able to refute its being deemed as inappropriate. FIrst, you have to go through allll of your posts to find.. whatever it is someone’s had issue with. (Whether it’s a person who’s flagged it or something chosen by Tumblr’s algorithms/keyword alert systems, I have no idea.) But they don't even bother to link you in your notification e-mail, so first you’ve gotta FIND what’s being flagged before you can repeal it. (I didn’t even know what I was looking for at first. They never specify. Would it be a tiny new icon near the Edit and Share buttons at the bottom? A wee little flag pointer, outside of the post itself..? Do I got to my posted page n’ try to find it? Or will it be in my Posts stream, & the whole post be red..? Who knows?) But eventually, after enough scrolling, I found what I was looking for. A big red bar across the affected posts. -And if it’s a post you can do something about, they give you a button to push on the designated "flagged" work, at the top right. After you hit the "dispute" button, you’re given a largely blank page. In the center, you get to choose between Dispute, Cancel or Learn More. No “tell us why you feel this should not be flagged, why it doesn’t violate our rules,” nothing. Nowhere to speak your peace. You just hit a button, and you’re done. You get no say, other than “I object, your honor!” NOT COOL, people. NOT COOL. You clearly don’t wanna hear the voices of your content creators, or, at least, enough to allow them to speak for the work they felt appropriate enough to post..

Reading this from another media source? Please don’t discount this issue if you don’t personally have a Tumblog. It doesn't really matter whether you use tumble or not, whether you think it's lame or not, etc. The problem is much, much larger than that, and it’s growing. This is another very large, social media platform that's being affected by censorship in the name of marketing- and thus, be child-friendly. They want the whole family to be able to come and see all the ads they wanna put here, and without that, they don’t make their money. So anything not child-friendly, even vaguely PERCEIVED as not child-friendly (by God only knows whose standards), is being wiped out from the whole platform. Don’t believe me? It’s happened on YouTube, on Facebook, and likely, many others. Do some googling and check it out for yourself. YouTube is a platform that’s being strangled by this phenomenon right this very second. There are videos on it. Go see. Now. ‘Cause if we don’t educate ourselves about this n’ do something to fight it, what’s happening to YouTube is our future. Not just here on Tumblr, but EVERYWHERE.

Big Brother isn't just watching, guys, he's stealing your open arenas for personal and creative expression, so he can better market to you & yer kids. He wants EVERYONE to buy his Stuff. And if the kids can’t see it here, they won’t ask mommy and daddy to go get it for them. So out classical art, and LGBTQ content, and mermaids go. Out the door. (Meanwhile, who do kids love?? UM.. MERMAIDS. HELLO!!! What should be educating them about history and the arts? UMM.. FINE ART, HELLO. Who teaches them about tolerance and diversity and SO MUCH MORE? Umm.. THE LGBTQ community! Who teaches them about what human bodies look like, and that it’s okay to have ANY kind of body? UM.. BODY POSITIVE ART, THANK YOU.)

We need to put the kaibosh on this somehow, now. Not just for Tumblr, or Facebook, or YouTube. We've got to find SOME way of letting the Big Boys know this is not activity we will tolerate. 'Cause the places to freely express ourselves are going to continue to diminish, get scarcer, and fewer.. until they're all.. gone.

ART =/= PORN, YOU IGNORANT, PURITANICAL, MONEY-GRUBBING FISHTITS. LEARN TO POLICE YOUR OWN CHILDREN, MORE EFFECTIVELY POLICE GENUINE CRIMINALS, AND LEAVE THE REST OF THE INTERNET ALONE. Please.

♥

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michaelandy101-blog · 3 years ago

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Learn how to Construct and Scale a Excessive-Efficiency Advertising and marketing Group, In line with Leaders Who've Accomplished It

New Post has been published on http://tiptopreview.com/how-to-build-and-scale-a-high-performance-marketing-team-according-to-leaders-whove-done-it/

Learn how to Construct and Scale a Excessive-Efficiency Advertising and marketing Group, In line with Leaders Who've Accomplished It

In 2020, I began utilizing Headspace.

And, because it seems, so did everybody else.

The meditation app, which was first launched again in 2012, initially generated roughly $30 million in income and, as of 2017, had 40,000 subscribers.

At present, the app has over 2 million customers, and is valued at $320 million dollars. How’s that for progress?

However, when any firm scales that rapidly, it begs the query: Will the enterprise survive, and even thrive underneath its newfound success? Or will it crumble?

Maybe your organization is experiencing related progress, and your marketing group is feeling the rising pains. Or, perhaps what you are promoting is model new, and also you’re targeted on successfully constructing a robust marketing group for the primary time.

Whichever the case, the challenges that come together with constructing or scaling a marketing group could be detrimental to a company if dealt with poorly. Which is why I sat down with marketing leaders at Google, Microsoft, Wistia, Canva, and Typeform to study their ideas for efficiently constructing or scaling a group — so that you just’re prepared when it is your time to develop.

Let’s dive in.

Suggestions for Constructing an Efficient Advertising and marketing Group

1. Rent with variety, fairness, and inclusion in thoughts.

There are numerous advantages to variety within the office – as an illustration, do you know organizations with a various management group have 19% greater income on common than firms with much less various leaders?

Or, how about the truth that diverse teams can solve problems quicker than cognitively related individuals?

Suffice to say, variety issues.

When constructing an efficient marketing group, it is important to think about variety, fairness, and inclusion from the very starting.

As Google’s World Head of SMB Partnerships Advertising and marketing, Elana Chan, instructed me, “Hiring is the most important thing you’ll do as a leader — and that also means you need to think about DEI. It’s easy when we’re running fast to just ask people in our own networks to apply for open positions, but it’s worth it to diversify. Every study and even my own experience has proven that diversification and different points of view are important.”

Chan provides, “It takes longer to hire people who are outside of your natural network, but it’s worth it. You’ll get the right people for the job and also set the right tone across your organization. It’s important to walk the talk when it comes to DEI, not just when it’s convenient.”

While you’re first constructing out your group, you may wish to make sure you incorporate DEI into your recruitment plans. To do that, think about writing inclusive job descriptions, promote roles by means of various channels, and standardize your interview course of.

You may also strive utilizing recruitment expertise like Greenhouse Inclusion to scale back the dangers of unconscious bias when interviewing.

2. Rent people who find themselves hungry sufficient to strive something.

In the event you’re simply beginning out, you do not have limitless price range to rent a slew of entrepreneurs who concentrate on varied marketing actions. As an alternative, you probably solely have the price range for a handful of entrepreneurs — or even perhaps only one.

So … how do you make that one rent rely?

Above all else, Wistia co-founder and CEO Chris Savage believes it is necessary to think about how pushed your first marketing rent is.

He instructed me, “You want to find someone who is extremely hungry, and can make their own things — whether that is video, written content, or audio. Whichever assets your team needs, if you can find someone who can be both the creator and manager of those assets, then you unlock the ability to try things much more easily.”

“At Wistia,” he provides, “I hired a lot of misfits who were so hungry that they were willing to try anything. Maybe on paper it didn’t make sense, but in reality, it was incredible.”

For example, maybe your marketing group has recognized YouTube as a viable alternative to achieve new audiences and convert these customers into leads. If that is the case, think about hiring somebody with expertise creating video — together with a robust need to study rapidly, and take a look at new issues.

three. Rent a marketing buyer expertise (CX) chief.

When requested what probably the most essential early rent on a marketing group is, John Cosley, Senior Director of World Model Advertising and marketing at Microsoft Advertising, instructed me: “Two years ago, I would have said a marketing data scientist — someone who can analyze datasets and help their organizations better understand their customers and identify future opportunities, as well as advise on marketing tactics and analysis methodologies.”

“Fast forward to today,” He provides, “And I would say that the marketing customer experience (CX) leader is the most crucial early hire in scaling a marketing team. Consumer journeys have increasingly become digital and multi-modal and expectations have increased around privacy and trust, personalization, and quality.”

In the event you’re eager about making a buyer expertise technique for what you are promoting, check out Learn how to Outline a Buyer Expertise (CX) Technique.

Finally, a buyer expertise is about placing the client first. As Cosley instructed me, “Shoppers usually tend to worth a model that values them, so it has develop into crucial for manufacturers at present to prioritize the client expertise right through the buying funnel.”

four. Rent early.

Hiring as you are scaling could be a bit like attempting to construct a airplane when you’re flying it.

It may be troublesome and messy to get new hires up-to-speed on the identical time you want them to carry out optimally so your customers do not feel the friction. To reduce these challenges, think about hiring months forward of if you’ll want sure roles crammed.

As Francois Bondiguel, Canva’s World Head of B2B Advertising and marketing & Progress, instructed me, “A big challenge that many face as they scale is getting the organizational structure and strategy right. This includes hiring the right people, and ensuring they have leaders in place to guide them through this transformative phase and help them remove roadblocks so they can move fast.”

“On that note,” Bondiguel provides, “it’s important for key hires to be brought in early to ensure they are properly onboarded prior to projects ramping up. This helps avoid placing unrealistic pressure on new team members as well as the broader group.”

To do that successfully, check out your group’s long-term imaginative and prescient, and brainstorm which function(s) will must be crammed to get your group to the following stage.

5. Use one knowledge set to information your total division.

While you’re first beginning out, I am prepared to wager your lean startup group understands the significance of creating data-based choices … however they probably additionally work in silos.

Perhaps you’ve two content material strategists who concentrate on lead era numbers. Then, maybe you’ve one other social media marketer who focuses on cost-per-acquisition.

The problem? “While you’re working in silos, there are additionally knowledge silos,” Chan tells me. “Which means you can never pull the same number across teams. That’s a mistake. If you start off providing your team with a unified data set, then it’s easier to grow together. It’s much harder to merge data sets later, and then it becomes politics to determine the right numbers to use.”

To repair this, guarantee you’ve a unified system for accumulating and analyzing knowledge even when your group is small. Think about using a CRM to retailer your knowledge in a single place, or making a division dashboard in Google Analytics.

Regardless of the case, it is vital you present your group with a centralized location so your knowledge processes can develop with you as you scale.

6. Deal with buyer retention at first, reasonably than simply buyer acquisition.

While you begin to see your record of shoppers rising, it may be tempting to need extra, extra, extra.

However as a startup, you must watch out. In the event you focus completely on buying new prospects, you overlook certainly one of your strongest weapons — your present prospects.

As Typeform’s VP of Progress, Jim Kim, instructed me, “Many SaaS-based startups … focus exclusively on customer acquisition and tend to neglect customer retention until they see issues with the customer base size growing.”

Kim provides, “By focusing early on efforts to engage and retain the base of customers already acquired, the startup develops a more holistic understanding of the customers they serve, and can gain insights into the things customers really care about that can then be added to the acquisition activities.”

To forestall buyer churn, you may wish to construct out an unimaginable buyer help technique that allows your present prospects to get their wants met. Moreover, think about the way you may present worth past the acquisition, or create a customized buyer expertise so your prospects know you care about them.

As Kim factors out, “It’s an obvious point, but in my experience, it’s hard to remember that retention can actually be a faster way to grow the customer base than new acquisition and usually has a higher marketing ROI, since it’s (generally) cheaper to keep a customer than find a new one.”

Suggestions for Scaling Your Advertising and marketing Group

1. Do not stifle the power of a startup.

As you start to scale, the office inevitably adjustments. Earlier than, conversations occurred casually throughout workplace desks, or when grabbing a cup of espresso — now, there are formal conferences with agendas.

And, when you might beforehand take a look at out a brand new thought with out essentially requiring buy-in from management, now you are anticipated to comply with stricter processes, which limits the experiments you may strive.

And but, one factor should not change as you scale.

As Chan places it, “It’s important not to stifle the energy of a startup. That’s the exciting part of being where you are, and I think the acknowledgement that you’re building the car as you’re driving it is okay — and fun.”

Chan provides, “At Google we have a saying: ‘Operating at the edge of chaos’. If you imagine a frontier, one side is not enough chaos, and the other side is too much chaos. If there’s too much chaos, no one knows what’s happening, and nothing gets done. But if there’s not enough chaos, then there’s no innovation and you’re not moving forward.”

“It’s your job as a leader to operate as closely to this frontier as possible, and I think in a startup that’s even more true.”

While you start to scale, you are going to have to implement extra formal processes. However these processes should not limit your staff from taking dangers, testing out new concepts, and pushing the boundaries of your marketing efforts.

Think about, as you scale, how one can defend that “startup energy” in any respect prices.

2. Stick to what’s working.

As you start to scale, you are in all probability on the lookout for new progress alternatives. And, at this level, it would really feel just like the sky is the restrict — what you are promoting is quickly rising, so why not take some dangers?

However, whereas sure dangers are inevitable, it is not a good suggestion to increase too far past what’s already working.

As Savage instructed me, “In the event you’re a startup that is making progress when it comes to bringing in prospects and getting them to make use of your services or products, then it is easy to suppose, ‘Okay, I’ve one channel that is working … now let’s add a channel on prime of that, and one other channel on prime, and that is how I am going to scale.’ Like, PR is working, why not add paid promoting on prime?”

The error, Savage says, is that there are sometimes one or two channels you find yourself underestimating when it comes to progress potential. In case your content material is performing exceedingly effectively and driving leads for the enterprise, it is not essentially a good suggestion to pivot away from content material. As an alternative, you wish to ask your self — How rather more can we increase with our content material?

“There’s good advice in personal finance,” Savage says, “which states that most wealth is built through a concentration of risk, and it’s maintained through a distribution of risk — so, basically, if you want to become wealthy, you need to take just a few big risks.”

“It’s the same thing when scaling customer acquisition … There are a few big things you can do. It’s very important to go big on the things that are already working.”

Somewhat than investing in social media, digital marketing, video, PR, and running a blog suddenly, think about which channels drive probably the most leads for what you are promoting. These are the channels that acquired you this far, and people are probably the identical channels that may get you even additional if you happen to focus your efforts.

three. Deal with your tradition as a enterprise precedence.

It is easy sufficient to foster and keep a robust tradition if you’re a small group. However, as you scale and increase your group, it could get tougher to guard the tradition that attracted staff to your workplace within the first place.

And whereas tradition may simply sound like a buzzword used to switch beer backyard and yearly ski journeys, it is not.

In actuality, tradition is important to what you are promoting’ success — in actual fact, firms with robust cultures are 1.5X more likely to report average revenue growth of greater than 15% over three years.

As Cosley instructed me: “In any growing organization, the key to success is embracing and honoring the culture to which you aspire. It’s likely what made your company a great place to work and attracted the high-quality talent that is driving your growth.”

Cosley provides, “It isn’t arduous for core values and cultural priorities to erode and even get misplaced throughout growth if that work will not be made a precedence. As you scale, you may wish to suppose and act deliberately about how your tradition grows with you, the way you outline and memorialize it, the way it impacts your hiring and onboarding, the way you prepare your management, and the way you consider efficiency.”

Consider — whether or not or not you’ve got actively fostered it, your organization already has a tradition … it simply won’t be a robust one. And powerful cultures can each entice and retain staff for the long-run, so it is an necessary enterprise initiative to take the time to create one which aligns together with your values and objective.

Moreover, Cosley notes, “Culture is not one-dimensional. You need to consider it across areas such as retention and hiring, diversity and inclusion, and employee engagement. And culture is contagious. Not only does it deliver more positive outcomes and business results, it helps with critical talent retention, and can lower the cost and time to acquire new talent.”

“Treating your culture as a business priority is essential. Without doing so, it could be detrimental to your organization’s potential.”

To make sure your tradition grows together with your group as you scale, check out HubSpot’s Final Information to Firm Tradition.

four. Institutionalize key values in your group.

To construct a robust group tradition, Chan recommends institutionalizing key values.

For example, maybe you worth autonomy, empathy, adaptability, or mental progress. As a pacesetter, it is vital you utilize these values as foundational constructing blocks on which your group can develop.

Chan instructed me, “For me, learning and intellectual curiosity are really important, so I say to my team, ‘You’re responsible for making the person next to you smarter’. And that creates the onus on bringing your own best game because everyone around you is so incredibly talented — so how are you being additive, collaborative, and innovative from within that culture? You owe it to each other to be your best.”

5. Reward what’s proper … and punish what’s mistaken.

As soon as you’ve got recognized the values that matter to your group, it is vital you encourage these values in every of your staff.

When offering efficiency critiques, as an illustration, take the time to establish the place staff have demonstrated key group values, and the place they may nonetheless be missing.

As Savage instructed me, “The way you scale it is, you praise the right stuff and punish the wrong stuff. It’s that simple — most culture is modeled. You need the most senior people to act the way you believe you should be acting, and if you do that, it permeates the building.”

For example, to illustrate you worth risk-taking in your group. If that is the case, you may wish to reward your group after they take dangers, and even reward the failure that may outcome from these dangers.

Alternatively, if you happen to’re in a mode the place you are risk-averse and on the lookout for optimization of processes, you’d wish to reward actions that exhibit threat administration.

6. Rent for the longer term — not simply at present.

Lastly, if you’re scaling, you wish to think about who you may rent at present that may proceed to fulfill the wants of what you are promoting whilst these wants change over time.

For example, after I was first employed at a startup, I used to be employed to create weblog content material. Quick-forward six months, and I used to be moreover tasked with making a podcast, and rising the subscriptions to an electronic mail publication. Because the enterprise scaled, my function modified rapidly. So it is vital you rent with the longer term in-mind.

When requested concerning the largest problem leaders face when scaling, Kim instructed me, “[It’s] the problem to steadiness long-term and short-term hiring. For a bigger, extra established enterprise, scaling a group will not be as difficult. The roles are already clearly outlined, and there’s probably already somebody doing that job. It is easy to rent for a task like this.

“But,” Kim provides, “when the team is trying to scale, the roles may be less clear and transitory. What you think you need today could be wildly different tomorrow. Balancing the needs of today, while keeping an eye out on how things might change in the future is something that’s extremely hard to do.”

Hiring and recruiting is not a simple activity, however to make sure you’re hiring for the longer term, you may wish to take the time to find out somebody’s work ethic, flexibility, and skill to shift roles because the wants change. And, as talked about above, you may wish to discover somebody who’s hungry to be there.

7. Create processes for efficient communication.

As your group scales, it turns into much more necessary to make sure you have processes in-place to make sure truthful, efficient cross-team communication.

For example, maybe you’ve got observed your conferences have develop into alternatives in your most extroverted staff to share their successes, whereas nearly all of your group stays silent.

To fight this, think about creating a gathering agenda or slide deck, so individuals know what they should share, and when.

As Bondiguel places it, “Another challenge is communication. You need to put good processes in place (access to documents, meeting cadence, etc.) to ensure the entire team has all the information and context they need to perform and do their best work. This has never been more important as teams adapt to hybrid work environments.”

And there you’ve it. Whether or not you are formally within the scaling section or nonetheless within the startup section, the following pointers ought to allow you to make sure you’re constructing a robust basis for the longer term.

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shirlleycoyle · 3 years ago

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My Life as a Meme: ‘I Can’t Believe You’ve Done This’ Revisited

In November 2007, an entirely contextless video of me being punched in the face went viral. You might have seen it. It still does the rounds every couple of months, often when something notably bad happens that warrants a response of disbelief. In these strange times, it’s managed to remain endlessly prescient.

For the uninitiated, the video in question is an 11-second clip in which, aged 16, I appear wearing a dressing gown cord around my head, a chain necklace, some children’s sunglasses and a black T-shirt. I sit down and address the camera, ostensibly about to tell the viewer what I was thinking. I am immediately interrupted by my friend Tim, who appears stage left and lamps me. Rather than react in pain or anger, I err more towards disappointment and dismay, bewildered that something like this could happen. “Ah fuck. I can’t believe you’ve done this,” I said. End scene.

It’s been nearly 14 years since I uploaded the original video and to this day it still prompts questions. Who was the guy who got punched? Why did he get punched? Who punched him? What was he thinking? Why did he react that way? Why did he leave YouTube?

In recent years I’ve come to appreciate and even enjoy its bizarre status as an enduring piece of internet history, but my relationship with the clip in the decade that followed its inexorable rise hasn’t always been easy. To understand why, it’s useful to remember that the internet in 2007 was, for better or worse, a very different place.

Having spent the best part of my school years filming stupid skits with mates instead of studying, there was something semi-appealing about the prospect of being able to put videos online to share with friends. It began in mid-2003, when myself and a group of friends would have been in our early teens. Inspired by the likes of Jackass and Bam Margera’s CKY movies, our impressionable young selves set about ignoring all relevant safety warnings, hurling ourselves out of trees, riding scooters into curbs, and racing tyres down hills on skateboards.

At the age of 14 or so, I had envisaged cutting the footage into a chaotic feature-length video of “stunts.” I’d probably have soundtracked it with music from the Tony Hawk games, alongside countless other homemade skate videos people made circa 2003 that probably featured a mix of Ace of Spades or Guerilla Radio. I still have a box full of VHS-C tapes kicking around somewhere, which can only be viewed on one of those absolutely insane VHS adapters. Having not watched any of it in well over a decade, I can safely say that the content contained within those tapes is unequivocally shit.

All of a sudden you're everywhere and it's out of your control. You either try to fight it and get destroyed, or embrace it and try to cash in.

Looking back, the whole endeavour was entirely aimless, but aside from coming away with mild head injuries from time to time it was an innocuous way to spend my childhood. At the very least it also means I have a bizarre, tangible record of my youth that I’ll be able to laugh at one day when I’m old and wizened.

By summer 2004, we had started filming on Mini-DV, which opened up a whole new world of editing possibilities. Plugging a video camera into a computer and capturing footage directly to editing software is pretty much a given for today’s generation of content creators, but back in the early 2000s, this was revolutionary.

We’d eventually gravitate away from ‘stunts’ towards more structured skits and sketches. Nothing was ever scripted per se, but we’d usually start out with a rough idea of something and see how it played out.

There was an ambitiously misguided 'silent horror' short, soundtracked by Mike Oldfield’s Tubular Bells, in which someone chopped off ‘my cock’ (a banana) with a garden shear. We considered this to be the absolute pinnacle of comedy.

There was an ill-advised 'Ballers' skit in which we ventured out in sports gear to make a mock training video taking the piss out of a guy at school who fancied himself as a bit of a gangster; this painfully middle-class white kid who listened to rap metal and liked basketball. He obviously never saw it and there's no question that we looked like idiots filming it at the local park. It’s probably quite offensive in hindsight.

The author at the Bristol Climate Change Protests in September 2019. Image: Shanya Buultjens

There was a James Bond 'spoof' that involved misquoting portions of dialogue from that scene in GoldenEye where Q gives Bond an exploding pen. It was funny to about three people. One of them was my mum.

One time a mate of mine fell out of a tree when he tried to swing from a branch. He landed on his back and ended up coughing up blood. He didn’t go to the hospital even though he probably should have. He’s now a doctor and a father.

Mercifully, none of this stuff ever made it online, but I did sell a couple of DVDs to people at school who rightly/probably/hopefully never watched them. In an ideal world, I'd own the only copies. I'm also fully aware that writing about this now only makes it more likely that one of the four people that still have a copy will dig theirs out. Please do not do that.

In 2005 and 2006, YouTube was very much in its infancy. This was the time when clips were limited to about 100mb and you could only upload about 30 seconds worth of footage at a time, which basically made it perfect for bursts of frenetic, inane content. As the platform grew, it became a dumping ground for skits and footage that we’d accumulated over the preceding years. Much of it went completely unnoticed until late 2007, at which point things started to get a bit weird.

The truth is that, nearly a decade and a half later, I’m still processing it.

The clip that people have come to know started out as an aimless skit filmed in Summer 2006. We hadn’t planned anything, least of all me being punched. In the footage building up to the event, I pushed Tim off the chair, he fell and hit his head on a filing cabinet off-camera. Rather than react to Tim, I sat down and proceeded to ad lib something that I’d venture to guess would have been considerably less funny than the act of violence that followed. Unprompted, Tim upsided me and I reacted with an inexplicable, completely incredulous response, which has followed me online ever since.

The footage sat on a tape until July 2007 when I decided to upload a brief segment under an ambiguous title. Fast forward to November and the video had somehow blown up, had its comments section relentlessly spammed, been ripped countless times and had offensive Wiki pages written about it. I also received a few direct messages which could at best have been described as ‘worrying’ and at worst ‘threatening,’ which was nice.

To this day, I’m none the wiser as to how it blew up in the way it did. I originally uploaded the video under the title ‘ ___________’ but the video somehow found its way onto 4chan where it spread like wildfire. The earliest mirrored link I could find was from January 2008, by which time it had been re-uploaded by multiple accounts, the most prominent of which had already clocked up almost double the number of views compared to my original upload.

At the time, going viral wasn't really comparable to any other experience and it certainly wasn't something I could discuss in solidarity with my friends. All of a sudden you're everywhere and it's out of your control. You either try to fight it and get destroyed, or embrace it and try to cash in. After yanking down several other videos on my YouTube channel, I opted for the latter.

When the video blew up, I got a call from a friend who informed me that the video had made the front page of Break.com. I peripherally knew what that meant: they offered a buyout scheme for videos that made the front page, which meant that I could make some money from it.

As it transpired, this wasn’t such a great idea. After signing a release form with some pretty appalling terms, over the following months I had several unnerving interactions with researchers for various TV shows looking to license the clip. Each offered far more favourable terms than those of Break. One of them harassed a bunch of my mates on Facebook. I think he even offered to pay one of them for my contact details.

By that point, it was all too apparent that I had completely fucked it. Break had the rights and I couldn't do anything with it even if I wanted to. At just 18 years old, I had sold out. In the short term, I used the money to buy a TV, which was great, but I soon started to get the creeping feeling that this was a decision that would come to haunt me. At that point, it was easier to disassociate myself from the clip, abandon YouTube, and move on with my life.

And yet, for the best part of 14 years the questions have kept coming: no, it wasn’t staged or scripted, it wasn’t a set-up, I didn’t know it was coming and, yes, it hurt. It was also very funny, which is presumably why I felt the need to upload it in isolation in the first place. Incidentally, Tim and I are still friends and contrary to some of the absolutely insane comments people leave on YouTube I can confirm that neither of us are in prison, the punch wasn’t a reaction to some sort of disagreement and he’s a lovely bloke.

To be clear, the lack of context wasn’t a deliberate choice to add intrigue either. I’d never even considered the possibility that anyone outside my circle of friends would see it. To me it was just another daft clip that a few mates would find funny.

Around the time I’d started to make peace with the issues around ownership, in 2018 it came to my attention that Break had shut down and its owner Defy Media had gone bust. The site was subsequently purchased by Yeah1 Network, but to this day I have no clarity whatsoever on my legal rights to the video. Any attempts to receive guidance have either turned up dead ends, or led to suggestions that I speak to IP lawyers, whom I have neither the means nor the time to deal with. Incidentally, if anyone has any insights in that area, I’d love to hear them.

Having said this, there’s something quite empowering in taking something embarrassing and admitting to it before someone else can point it out to you—a bit like taking ownership of an amusing surname. I’ll leave it to you to figure out what gags can be made from the name ‘Weedon,’ but I learned quite early on that if you make the jokes yourself and beat others to it, no one can fucking touch you. It’s much easier nowadays to hold my hands up and admit that I shouldn’t have sold the rights, make a joke of it and move on. At the very least, it makes for a good anecdote at parties.

As I suspect is probably the case for old content creators, if you can even call us that, the real story about I Can’t Believe You’ve Done This isn’t in how it’s aged and endured, or even how it’s impacted my life. For me, it’s tied up in issues of rights, ownership, and monetisation. As mercenary as it might be, I’d be lying if I said that I didn’t regret missing out on a slice of the pie when it came to YouTubers being able to monetise their content sooner. On the one hand, that's probably a very cynical view for something that was created by a bunch of teenagers who were fooling around making videos for fun in the noughties, but on the other, that's just the world we live in now.

Perhaps the strangest thing about my experience with it nowadays is the way people engage with it on a day-to-day basis. The comments vary from young people discovering its origins for the first time, surprised to discover that it is in fact a 14 year old video and not a recent creation filmed for Vine or TikTok. At the other end of the spectrum are those who are incredulous that someone with a video that has 9.2 million views and an account that’s amassed over 15,000 followers without really trying would step away from the platform and not want to make content.

The truth is that, nearly a decade and a half later, I’m still processing it. I love seeing how it’s been re-interpreted in modern mediums and that positive association has made it easier to accept. Charles Cornell turned it into a sad song. It got sampled in a KIll The Noise track. I had a nice interaction with The Sidemen about it. Will Smith even featured it in an insane Instagram post during the pandemic. I DM’d him to say thanks and he obviously didn’t reply.

To that end, a small group of us have recently started work on a film project exploring the nature of the meme, how it grew, its impact on my life and my relationship with the internet at large. In doing so, the hope is that, while answering some of the burning questions that other people still seem to have, I’ll ultimately be able to make peace with the whole thing.

@Twotafkap

My Life as a Meme: ‘I Can’t Believe You’ve Done This’ Revisited syndicated from https://triviaqaweb.wordpress.com/feed/

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