#I also recognise that on some level this reads like “Wont anyone think of the children”

[richardsphere]

So there's a strange "defense" of Miraculous I've seen crop up on occasion. The idea that everything wrong about the Lovesquare powerdynamic is deliberate and will all be explored next season (lets put aside that this defense has been cropping up for 3 seasons now). The claim that Soon(TM), the writers are gonna make the characters face the concequences and explore the fallout of the entire jenga-tower of BS they've been "carefully" setting up all along... Which... isnt a defense I vibe with, cause it fundamentally boils down to "its not a Kids Rolemodel Show, its a deconstruction of a Kids Rolemodel Show". It's a defence that would place Marinette alongside Tyler Durden, Walter White and Rick Sanchez in the "you werent supposed to relate to them" pantheon. And while i think there are plenty of reasons that deconstruction is a usefull tool (even if i hate the dime-a-dozen "Childrens Fairytale but its depression" and "Superman, but psycho"' decon-stories out there). I'd argue 'Kids Rolemodel Show' is the one genre that should never be deconstructed, or at least not in the slow-burn,long-form way the people arguing this claim the show to be doing. And i hold that stance for one simple two-part reason: Poe's law, and the fact that the deconstructed genre is aimed at an audience with absolute zero media-literacy. (reminder: "5-6 year old kids" is the one audience where that is not an insult, simply a statement of fact.) A show aimed deconstructing a genre with an audience for whom it may actually be their first big piece of media is legitimately dangerous. Because there is no way a 5 year old can be expected to tell "deconstruction of a formulaic kids cartoon" from "Formulaic kids cartoon". The idea that "they've been making Marinette into a bad example deliberately and are going to reveal the entire show to have been a carefull ruse in season 6/7" is supposed to be a defense? Its frankly absurd. A 6 year kid who watched the show when it first aired and idolised Ladybug, could be old enough to drink by the time S6 reveals she was supposed to be a bad example. A little girl who based her relationships on the way Mari pursues romance would have a restraining order by the time the show indends to pull this twist. And some of y'all are claiming that "actually its a long-form deconstruction" is a defense? I legit don't get y'all.

[theuniversitychallengereview]

UC 50.28 - Imperial vs Warwick

I began last week’s blog by making a convoluted analogy which relied on the assumption that Imperial College London was a constituent institution of the University of London. In the next paragraph I realised that I was wrong, and sought to correct myself while still leaving the original, incorrect, assertion intact. If that sounds needlessly complicated it was deliberately so (you can read last week’s post if you like, here, for a better understanding).

However, in an absolute bombshell (I’m never exactly sure how to use bombshell in this context - is it ‘on a bombshell’, ‘with a bombshell’, ‘in what is a bombshell’. Are they all right? All I know at this point is that if you write out bombshell enough times it stops looking like a word and you become incredibly suspicious of the second letter b...) I was actually right the first time!

Michael Kohn, captain of the Imperial team, tweeted me to say that Imperial isn’t a member of the UoL any longer. And a quick gander of the Wikipedia page reveals that yes, in 2007, upon the centenary of its creation, Imperial became fully independent of the University of London! So, whatever nonsense I was saying last week (to be honest I’ve forgotten myself at this point) was perfectly factual. Kohn and his team are playing Warwick tonight, an institution which has never in its history (so far as I’m aware) been a member college of The University of London.

Anyway, that’s enough of that; here’s your first starter for ten.

Imperial come into this match in fearsome post-lockdown form, having revived their campaign with victories over Exeter in the play-off round and St Andrews last time out, following their opening loss to Strathclyde. Aforementioned Captain Kohn has spearheaded their attack with a frightening number of starters, but he’ll probably need some more help from his teammates against a strong Warwick side who have averaged over 220 points so far.

Braid kicks things off for Warwick, recognising various ‘quarters’ in different cities, and they struggle very little on their first bonus set, taking an easy hat-trick. Rahman hits back for Imperial, identifying kevlar before anyone else (though not me), and the Londoners took a perfect three too, to tie the game. 

A neg from Marrow untied the game like an expert scout, but Warwick couldn’t take advantage, and an inspired guess from Kohn gave his side the lead on the next starter. Another good guess, this time from Braid (I was going to say something about a braid being another form of knot here, but I couldn’t think of a way to say it without over-explanation, so thats where we find ourselves) to level (or, braid...) the game once again.

Paxo warns the teams to have all three of the answer countries ready when they buzz in for the first picture starter, and Wong follows these instructions to the letter, rattling off Peru, Ecuador and Colombia with nary a milisecond gap between them for yet another lead change. 

Neither side knows which letters are used to signify the sex chromosomes of birds, and you can see them losing interest in the question, as we viewers are wont to do, but the question wasn’t yet over, and it became a race to the buzzer between the two captains when Paxo mentioned that the letters were also used in a physics context. Rout won the race, but a second set of bonus blanks in a row meant that they could only extend their lead by the minimum margin.

Superfast operatic knowledge from Kohn brought Imperial back into the fold, and they had a grand old time answering the bonuses, taking two. However, these would be their last points for some time. A combination of excellent buzzing from he and his colleagues, and brilliant bonuswork from Rout himself, saw Warwick charge off into the distance. 

By the time Kohn made a chaotically early buzz of trumpet, after about two words of a starter question, the match was over. Kohn knew as much, with his smile a rueful one after he’d won the points. Marrow also allows herself a pair of fist pumps as she gets Tipperary on a starter and then Tromso on a bonus, but like her captain, these are not euphoric displays of delight. 

Final Score: Imperial 120-200 Warwick

This was another impressive performance from Warwick, who blew Imperial out of the water when they got going, but the London quartet should not be ruled out of a comeback in the elimination round - they’ve already been to the brink once in this tournament. 

Thanks for reading, and if you’re feeling starved of UC content in the run up to next week’s episode, why not sign up to my Patreon, where you can read retro reviews of the 2015/16 series. See you next week.

https://www.patreon.com/user?u=16447756&fan_landing=true

[sworntoprotect]

THE MEGA RP PLOTTING SHEET / MEME.

First and foremost, recall that no one is perfect, we all had witnessed some plotting once which did not went too well, be it because of us or our partner. So here have this, which may help for future plotting. It’s a lot! Yes, but perhaps give your partners some insight? Anyway BOLD what fully applies, italicize if only somewhat. Long post!

MUN NAME: Pie     AGE: +25       CONTACT: IM, Ask, Discord (mutuals only, by request)

CHARACTER(S): Cullen

CURRENT FANDOM(S): Dragon Age

FANDOM(S) YOU HAVE AN AU FOR:  I have a modern verse for everything not Dragon Age, but I might add some actual alt verses for other fandoms

MY LANGUAGE(S): English (native), Spanish (intermediate), Korean (baby lol beginner), bits and bobs of other languages (namely French and French Patois)

THEMES I’M INTERESTED IN FOR RP: FANTASY / SCIENCE FICTION / HORROR / WESTERN / ROMANCE / THRILLER / MYSTERY / DYSTOPIA / ADVENTURE / MODERN / EROTIC / CRIME / MYTHOLOGY / CLASSIC / HISTORY / RENAISSANCE / MEDIEVAL / ANCIENT / WAR / FAMILY / POLITICS / RELIGION / SCHOOL / ADULTHOOD / CHILDHOOD / APOCALYPTIC / GODS / SPORT / MUSIC / SCIENCE / FIGHTS / ANGST / SMUT / DRAMA / ETC. (I started this and realised I’d be bolding almost everything, so: EVERYTHING)

PREFERRED THREAD LENGTH: ONE-LINER / 1 PARA / 2 PARA / 3+ PARA / NOVELLA. / ALL

ASKS CAN BE SEND BY: MUTUALS / NON-MUTUALS / PERSONALS / ANONS.

CAN ASKS BE CONTINUED?: YES / NO / OCCASIONALLY   - only by Mutuals?:  YES / NO

PREFERRED THREAD TYPE: CRACK / CASUAL / SERIOUS / DEEP AS HECK. / ALL

IS REALISM / RESEARCH IMPORTANT FOR YOU IN CERTAIN THEMES?:   YES / NO.

ARE YOU ATM OPEN FOR NEW PLOTS?:  YES / NO / DEPENDS. (after my paper is submitted, yeah sure)

DO YOU HANDLE YOUR DRAFT / ASK - COUNT WELL?:  YES / NO / SOMEWHAT. (irl makes coping difficult sometimes)

HOW LONG DO YOU USUALLY TAKE TO REPLY?: 24H / 1 WEEK / 2 WEEKS / 3+ WEEKS / MONTHS / YEARS. / DEPENDS ON MOOD AND INSPIRATION, AND IF I’M BUSY 

I’M OKAY INTERACTING WITH: ORIGINAL CHARACTERS / A RELATIVE OF MY CHARACTER (AN OC) / DUPLICATES / CROSSOVERS / MULTI-MUSES / SELF-INSERTS / PEOPLE WITH NO AU VERSE FOR MY FANDOM / CANON-DIVERGENT PORTRAYALS / AU-VERSIONS.

DO YOU POST MORE IC OR OOC?: IC / OOC. (I strive for more IC over OOC, but my queue does a lot of work too)

ARE YOU SELECTIVE WITH FOLLOWING OTHERS?: YES / NO / DEPENDS.  

BEST WAYS TO APPROACH YOU FOR RP/PLOTTING:  Talk with me over IM, asks, or Disco. I’m down for almost anything as long as I see it’s feasible.

WHAT EXPECTATIONS DO YOU HOLD TOWARDS YOUR PLOTTING PARTNER:  Transparency. If you have an idea, let me know! If you’re stuck, let me know! If you want to start something new or scrap something or whatever...LET ME KNOW! I promise I don’t bite and I understand.

WHEN YOU NOTICE THE PLOTTING IS RATHER ONE-SIDED, WHAT DO YOU DO?:  I’m not very good with coming up with plots myself, so I’m typically the weak link when it comes to that. Sorry! But you bet I’ll pull up a plot generator and start throwing things down to see what sticks haha.

HOW DO YOU USUALLY PLOT WITH OTHERS, DO YOU GIVE INPUT OR LEAVE MOST WORK TOWARDS YOUR PARTNER?:  I’m all about equal opportunity, so I try not to leave the plotting work to my partner. Let’s negotiate and find something that makes both of us happy. That’s the point after all.

WHEN A PARTNER DROPS THE THREAD, DO YOU WISH TO KNOW?:   YES / NO / DEPENDS. - AND WHY?: If you want to drop a thread, I’m completely fine with it. I want to know so that I don’t end up replying to something you have no interest in anymore. Saves both of us the time.

WHAT COULD POSSIBLY LEAD YOU TO DROP A THREAD?:  If drafts eat it (as they are wont to do these days) or if I feel it has reached a natural conclusion. I rarely, if ever, drop a thread in the middle. I’ll just let you know I’m going to finish it on my side and allow you a chance to finish on yours if you’d like.

WILL YOU TELL YOUR PARTNER?:   YES / NO / DEPENDS.

IS COMMUNICATION IN THE RPC IMPORTANT TO YOU? YES / NO. - AND WHY?: You don’t need to chat with me every minute of every day, but I like knowing the people I’m writing with. Discerning your personality and your approach to your muse gives me a much stronger understanding of how to write with you, and what vibes between us. Plus, it’s easier to remember different people’s boundaries if I talk with them a lot, too.

ARE YOU OKAY WITH ABSOLUTE HONESTY, EVEN IF IT MAY MEANS HEARING SOMETHING NEGATIVE ABOUT YOU AND/OR PORTRAYAL?: I am all for constructive criticism. Even if you think it’s nitpicky, it’s going to be a great help. Good crit allows us grow as writers and as people in general. However, I am not for baseless accusations, childish name-calling, or outright insults under the name of “constructive crit”. Remember the “constructive” part: we need to build each other up. 

DO YOU THINK YOU CAN HANDLE SUCH SITUATION IN A MATURE WAY? YES / NO.

WHY DO YOU RP AGAIN, IS THERE A GOAL?: I love a good story. While I don’t agree with everything Cullen does (and no one should, for anyone real or imagined), his story is intriguing. He’s a deeply flawed, deeply broken man. I love to take on a character, toss them in every situation I can think of, and watch them evolve and grow.

WISHLIST, BE IT PLOTS OR SCENARIOS:  A real redemption arc, for one. A realistic struggle with substance abuse and recovery. A future of happiness.

THEMES I WON’T EVER RP / EXPLORE:   Rape or sexual assault, unless being spoken about as a past event (as I truly believe that Cullen was sexually assaulted at Kinloch along with the other psychological and physical torture he endured). In-game racism is baked in, unfortunately, but it’s not something I seek out to roleplay as a PoC myself. Finally, while I play Cullen as canon-straight, I will not play out homophobia and most definitely not transphobia. If he rejects your muse for hitting on him, it’s not because he’s being homophobic: he’s just not interested. That also doesn’t mean he’ll never be interested; people can and do change, and I ship chemistry overall. He doesn’t hate your muse for their gender, orientation, or sexual preferences. I feel like I really have to spell this out for people who don’t understand. If you feel personally insulted by this somehow, feel free to address me directly, off anon. It’s probably an issue of fuzzy wording that I’m 500% willing to fix and talk about.

WHAT TYPE OF STARTERS DO YOU PREFER / DISLIKE, CAN’T WORK WITH?: I love starters that set the scene and provide plenty to work with, be it in terms of interacting with the environment or with the other person. If your muse shows immediate disinterest in communicating (and I don’t mean argumentative, which is perfectly fine), I am not going to respond. I might politely ask for more if I feel like it’s a salvageable interaction.

WHAT TYPE OF CHARACTERS CATCH YOUR INTEREST THE MOST?:  Stoic soldier types, bubbly short girls, and semi-mad scientists.

WHAT TYPE OF CHARACTERS CATCH YOUR INTEREST THE LEAST?:  Characters that come across as Mary-Sue / Gary-Stu types. No flaws and barely any room to grow. 

WHAT ARE YOUR STRONG ASPECTS AS RP PARTNER?: I'm very easy-going and I have an unearthly level of tolerance for almost everything. I try to provide partners with as much to work with as possible IC, and will pretty much support your very existence OOC. I believe in open communication so you’ll know what’s going on with me and/or our threads. Also, I typically reply within a week or two. Currently I’m tethered to finishing a big paper so I’m not a good example of that right now.

WHAT ARE YOUR WEAK ASPECTS AS RP PARTNER?: I can get overwhelmed by too much which slows my pace down considerably. I’m also a bit distant and do shut down on occasion; that’s usually no fault of my partners, though. Just my brain being a dick.

DO YOU RP SMUT?:  YES / NO / DEPENDS. (the closer we are OOC, the easier getting here will be)

DO YOU PREFER TO GO INTO DETAIL?: YES / NO / DEPENDS. (it’s not going to be XXX but it will be descriptive)

ARE YOU OKAY WITH BLACK CURTAIN, FADE TO BLACK?: YES / NO.

WHEN DO YOU RP SMUT? MORE OUT OF FUN OR CHARACTER DEVELOPMENT?: I prefer to write smut for character development and to mark a progression in a relationship. Plus Cullen is not a “one and done” guy so getting to the smut stage will take a bit of build-up.

ANYTHING YOU WOULD NOT WANT TO RP THERE?:  Hmmm things that he personally wouldn’t go for I guess? Honestly I don’t know. And obviously, no rape/animal abuse/predator nonsense.

ARE SHIPS IMPORTANT TO YOU?:   YES / NO Ships are a great way to further explore a character and their motivations. People do not exist in pure isolation, so I don’t believe characters should, either.

WOULD YOU SAY YOUR BLOG IS SHIP-FOCUSED?: YES / NO. I bolded both because the focus of the blog isn’t ships, but this thirst trap guy is really easy to ship with other people I tell ya hwat. I am severely picky with romantic ships for Reasons, but I don’t eschew any other types of ships. I encourage them!

DO YOU USE READ MORE?:  YES / NO / SOMETIMES WHEN I WRITE LONG STUFF.

ARE YOU:  MULTI-SHIP / SINGLE-SHIP / DUAL-SHIP  —  MULTIVERSE / SINGLEVERSE.

WHAT DO YOU LOVE TO EXPLORE THE MOST IN YOUR SHIPS?: Characters who challenge Cullen into revising his point of view and force him to be a better person. Also, characters who understand his past and they are in no ways obligated to forgive it, but do recognise that he’s struggling very hard to mend whatever mistakes he can and is willing to pay the price for his decisions.

ARE YOU OKAY WITH PRE-ESTABLISHED RELATIONSHIPS?: YES / NO / DEPENDS.  - Be a good salesperson and I might buy it.

► SECTION ABOUT YOUR MUSE.

- WHAT COULD POSSIBLY MAKE YOUR MUSE INTERESTING TOWARDS OTHERS, WHY SHOULD THEY RP WITH THIS PARTICULAR CHARACTER OF YOURS NOW, WHAT POSSIBLE PLOTS DO THEY OFFER?: Cullen is a massive stick in the mud, which means it’s incredibly easy to taunt him and get him flustered all at the same time. He’s loyal, he’s intelligent, and he’s largely self-aware. He likes swords and using them. Anything your character hates about him, he most likely hates about himself 100 times more.

WITH WHAT TYPE OF MUSES DO YOU USUALLY STRUGGLE TO RP WITH?:  Those from the start that show absolutely no interest in speaking with/interacting with him. Mun and muse are going to struggle to stick around. I’m not going to fight for attention and neither is he.

WHAT DO THEY DESIRE, WHAT IS THEIR GOAL?:  Redemption. He wants to be a better person and make up for the past as much as he can.

WHAT CATCHES THEIR INTEREST FIRST WHEN MEETING SOMEONE NEW?:  He can sniff out a fellow Templar a mile away (or several miles, in the case of Samson). 

WHAT DO THEY VALUE IN A PERSON?:  Honesty, a strong will, devotion (not necessarily to the Maker or the Chantry, but to a just cause that focuses on protecting others).

WHAT THEMES DO THEY LIKE TALKING ABOUT?:  War stuff, chess, books, trebuchets, dogs.

WHICH THEMES BORE THEM?:  Lectures about anything. He did his time in Azkaban in the Circles. No more. Please no more.

DID THEY EVER WENT THROUGH SOMETHING TRAUMATIC?:  His parents died trying to escape the Blight, he was tortured for weeks/months on end by blood mages, almost all of his friends died because of it, he was manipulated and brainwashed by his superior, he was forced into a near-debilitating substance addiction by his workplace... yeah just a few things.

WHAT COULD LEAD TO AN INSTANT KILL?:  Darkspawn and abominations. 

IS THERE SOMEONE /-THING THEY HATE?:  Darkspawn and abominations. Blood mages on principle. Regular mages (but he’s working hard to remedy this extremely bad and prejudiced thinking). Himself.

IS YOUR MUSE EASY TO APPROACH?: YES / NO.    - BEST WAY TO APPROACH THEM?:  Just be polite and he won’t turn you away. He’s guarded, yes, but not impossible to talk to.

SOMETHING YOU MAY STILL WANT TO POINT OUT ABOUT YOUR MUSE?: You’ll find out by writing together! ;D

CONGRATS!!! You managed it, now tag your mutuals! ♥

tagged by: pirated tagging: anyone who actually read this

[archiveddvrpg]

Congratulations, HONEY! You’ve been accepted for the role of PARIS with a faceclaim change to Luke Pasqualino. Admin Jen: I had high expectations for Priam as he’s such a nuanced, multi-faceted character but you exceeded them by leaps and bounds, Honey! You captured all the concepts that I was hoping to see someone explore and unravel such as his identity, search for purpose and moral ambiguity and you added all these little details that built off of that but also made the characterization wholly yours. My favorite one was the detail regarding his knack for fixing up cars and the backstory you built off of that in terms of his family’s corporation. I can honestly keep going for hours because there was just too much to love about your app. It’s left me absolutely thrilled to see how you’ll develop him on the dash! Please read over the checklist and send in your blog within 24 hours.

WELCOME TO THE MOB.

Out of Character

Alias | Honey

Age | 22

Preferred Pronouns | She/Her

Activity Level | I’m a final year college student who’s doing a short film as my final project, which might take up some time. But I’m taking less classes this semester so that kind of evens out the workload a little. I’d place my activity level at about a 6 (maybe even 7 if I’m feeling particularly inspired) out of 10.

Timezone | GMT +8

Current/Past RP Accounts | apcstasies.tumblr.com

In Character

Character | PARIS ; Priam Taravella (FC: Luke Pasqualino)

What drew you to this character?

The fact that everything about Priam is manufactured, a carefully curated collection of personality traits and mannerisms that he can turn on and off at will whenever it suits his purpose. By all intents and purposes – be it business or personal – Priam is a self-made man. But even though his perfectly-crafted veneer is his greatest strength, paradoxically, it is also his biggest weakness. There is a void inside him, a hollow point that eats away at him. It is a slow decay, but it consumes nonetheless. Personally, I feel that this emptiness he feels is a lack of human connection, and for all his ambition and apparent desire to rise to power, what he truly seeks is a sense of belonging. Priam wants so badly to be seen, but ironically the way he makes himself visible is by putting on a mask.

I feel like he probably struggles a lot with his upbringing and his resentment towards his parents. On the one hand, he’s very aware that as far as childhoods go, his isn’t terrible. He grew up extremely privileged and never wanted for anything (besides his parents’ affection, but that’s besides the point). Sure, it sucked that his parents were distant and that he’s had all these expectations placed on his shoulders from such a young age, but Priam is very aware of the fact that there are many people who would give anything to trade lives with him. He was deeply unhappy with his life growing up, and when he was younger he had been more inclined to complain about how much he hated his life, as children are wont to do, but then everyone around him constantly reminded him how lucky he was and so he learned to bury his discontentment. He carried his unhappiness inside him like a cancer, letting it fester until he was sick with it.

I also find his potential struggles with self-identity to be a compelling part of his character. At what point does the mask become the man? When does the line between the part he plays and his true self start to blur? Does he ever catch himself in the middle of a moment and think–– am I still pretending, or is this truly the man that I have become?

+ Bonus: I just find it amusing that he’s named Priam.

What is a future plot idea you have in mind for the character?

TENDER LIKE A BRUISE

Love is an abstract concept that Priam can’t quite grasp and it shows. Still, there is a part of Priam that believes in love. Perhaps it is because he’s never had it that he wants it this badly, or perhaps it is the way he’s heard Julianna speak of love. Romantics talk about all-encompassing love, the kind of love that consumes you until you can think of nothing else except your dearly beloved and being with them. Priam is no stranger to being consumed, except it is poison that fills his veins and a monster within that eats at him inside out. As a teen, he’d thought that he could fill the void inside of him with love, only he never quite understood what love meant. He’d confused love with lust and, sleeping with girls, and boys, and girls and boys, but even if it kept the hunger at bay for a little while, the emptiness alwayscrept back in. Whether Priam realises it or not, he wants Juliana to be the one who might finally be able to carve a home in his ribs. Maybe they’re not in love, but when he’s with her, something in his chest settles, and maybe, maybe, maybe, that will be enough.

WE MUST BE KILLERS

Priam’s never had much of an appetite for violence, but if there’s anything he’s learned from his parents, it’s that the means are always justified by the ends. And if that’s the case, then what’s a little bit of spilt blood in the grand scheme of things? But just because he can understand the necessity for violence doesn’t mean he’s any more willing to be an active participant. He’s a hypocrite and a coward; he may not ever be the one pulling the trigger, but he is the one who looks away and lets it happen. It makes the ugly parts of the job easier to stomach, soothes his conscience some. But things are changing, tensions are rising, to remain passive is to bare your neck your enemy and pray they won’t tear your throat out. Priam is a survivor, and if it comes down to killing someone or being killed, he knows which side of the line he wants to fall on. He’s a liar, he’s manipulative, he’s ruthless –– he’s never been a killer, but perhaps it’s time to change that.

SHIFTING IN THE LIGHT

Despite being neck-deep in the corruption of Verona, he likes to think that he has some morals, or at least a sort of ethical code that he follows. People like him are the worst, criminals who refuse to acknowledge themselves as such. For Priam, part of the reason is pride, but fear is a factor as well, even if he won’t admit it. He had been the one to go to Cosimo, and the man has always treated him as something of a son, but sometimes he does wonder if he’s sold his soul to the devil and it’s days like those that he can’t bear to look himself in the eyes. But Priam can’t run from the person he’s become forever. One day he’s going to look in the mirror and not recognise himself, and he’ll wonder if maybe the mask is stuck, or if he’s just become the mask. He’s grown into a man, hardly recognisable as the little boy he used to be, and only time will tell whether that’s a good or bad change.

Are you comfortable with killing off your character?

Wouldn’t be the first time I’ve killed off one of my characters : )))

(That means yes, please feel free to kill Priam.)

In Depth

In-Character Interview:

• What is your favourite place in Verona?

“My favourite place?” Priam echoes. The slight twist of his lips hints at amusement, but it is the sort of indulgent humour one might direct at a particularly precocious two-year-old. It’s an expression that borders on condescension, but the reporter is either oblivious to it or doesn’t much care, continuing to watch him with expectant eyes. Over the years Priam has found that people are usually too enamoured by his pretty face to really notice the ugly parts of him that lurk underneath the surface, and it feels like a challenge, almost –– sometimes he toes the line just to see how much he can get away with by virtue of being young and beautiful.

“You’re standing in it,” he finally answers, the words accompanied by a vague sweeping gesture of his hand, inviting the reporter to take a proper look at the garage they’re currently in. This is the first time anyone other than him has been in there, and a part of Priam tingles with the wrongness of a stranger in a space that had before this been only for him. Still, it’s a small sacrifice he has to make. People love to be reminded that the rich are regular people with regular hobbies behind the glamour of wealth, and if Priam throws them a bone now, it’ll keep them from digger further into other truths he’d rather not divulge. “I apologise for the mess, by the way,” he adds, allowing a sheepishness he doesn’t actually feel to seep into his voice, “I probably should have cleaned up a little, but it slipped my mind. Don’t usually let people in here, y’know?” Hook, line, and sinker, Priam thinks, watching the man flush slightly at the implication that he’s the exception.

• What does your typical day look like?

“A lot of paperwork,” he answers with a laugh, and then, “No, really. I left Taravella Corporation because I got tired of sitting around in an office all day. Albeit it was a very nice office, but I’ve always been more of a hands-on kind of guy.” He pauses to pick up a wrench from his worktable, pretending not to notice the double entendre, or the way the reporter’s gaze catches on his fingers as they wrap around the shaft of the wrench.

“I traded aerospace for automotive, thinking with a smaller company I’d get to be more involved with the actual manufacturing process, but I still spend most of my day signing papers.” He looks up from the car then, sharing a wry smile with the reporter before adding, almost cheekily, “Except now I get to do it in a smaller office.” Despite the reporter being the only other person in the room, Priam lowers his voice anyway, letting the reduced volume provide the illusion of candour. “Some might say it’s a downgrade, but it’s nice to have a space that finally feels like it’s mine. It sounds silly, but back at T-Corp, I always felt like I was just messing around in my old man’s chair.”

“Anyway,” he says, talking normally once more, “After work I like to grab some drinks with my friends, maybe dinner with my fiancée if I end early enough. I’m really not all that different from other guys in their twenties.” If other guys his age routinely met up with members of one of Verona’s most well-known mobs, of course, but he decides to leave that last bit off the record.

• What has been your biggest mistake thus far?

“I accidentally wore mismatched socks to work once,” he deadpans, and then more seriously, “I suppose it depends on how one defines ‘mistake’, but to me, a mistake is something you wish you could undo.” He ducks under the open hood even as he continues to talk despite previously having made it a point to make eye contact whenever he answered a question, knowing that the reporter will interpret it as him feeling more comfortable being honest when he’s not actually looking at the person he’s talking to.

“For a while, I had wondered if leaving the family business had been a mistake,” he admits, sounding genuine even as he lies through his teeth. Priam had never been more sure of anything, determined to forge his own path to the top without the burden of his family’s legacy weighing him down. “But that worked out pretty well for me, I’d say, so no regrets there.”

• What has been the most difficult task asked of you?

“Picture this––” he starts, “You’re five years old and your father brings you to work.” It’s perhaps his earliest memory of his father. Before that, the man had been a mere spectre in Priam’s life, the bogeyman that his nannies had used to keep him in line. Your father wouldn’t want you to use that word, or keep your voice down, your father’s resting in his office. That day at Taravella Corporation’s main office had been the first time they’d spent more than half an hour in the same room. Back then, Priam had thought it had been some sort of a father-son bonding experience, but he knows better now.

“He showed me around, brought me to all the different departments before he took me to his personal office. There, he said to me: this will all be yours someday.” On some nights, he can still hear his father’s voice, still remembers grappling with the realisation that he’s not so much a son as he is the heir to an empire he never asked for. It’s not a happy memory, but he recounts the tale with a carefully calculated smile that’s just this side of sheepish and a half-shrug, proud and self-deprecating all at once, “That’s quite a lot to ask of a young boy, don’t you think?”

• What are your thoughts on the war between the Capulets and the Montagues?

War. It’s such an ugly word, but there’s hardly any point debating the reporter’s choice of words when it’s the truth. Priam is under no illusions –– while the interview might have been disguised as a spread on one of Verona’s most successful young entrepreneurs, this one question is the true crux of it all. But he wouldn’t be such an invaluable piece on the Capulets’ chessboard if he hadn’t been well-versed in the art of lies and half-truths, and that ability is sure to serve him well now.

“If you think that I have anything profound to say just because I’m engaged to Juliana, then I’m afraid you’re mistaken.” He places his wrench back down, walking away from the open hood of the car to lean against the passenger side door instead, allowing the reporter an unobstructed view of him. His stance is carefully neutral, arms at his side, nothing in his posture to suggest that he has anything to hide. “I’m a businessman, I make and sell cars,” he starts, but knows that there’s no way he can get away with not commenting on the issue at all. “That being said, my family has always been close to the Capulets, so. Whatever Cosimo and Juliana are doing, I trust that they’re doing the right thing.”

“Speaking of my fiancée––” Priam straightens up suddenly, his tone returning to it’s earlier light-heartedness as his lips pull into a grin. “I’m supposed to meet her for lunch today, and I should probably wash off all this grease before I do that. I assume we’re done here?” It’s phrased as a question, but combined with the slight raise of a single eyebrow, it’s clear that it’s a dismissal more than anything else. The reporter’s smart enough to catch on, nodding in agreement as he thanks Priam for his time.

Extras:

Taravella Corporation is an aerospace engineering company, mostly dealing with the manufacturing of commercial planes, but they have the occasional military contract as well as an R&D department that’s looking into space travel

After leaving T-Corp, Priam went and set up Argentum, an automotive engineering company that produces some of the most innovative luxury cars in the world

In his youth, Priam had a brief stint with street racing. It had been an attempt to distract himself from the gnawing emptiness inside of him, and for a while it worked. Now, occasionally he’ll drive over the speed limit, but he’s not nearly as reckless anymore

Really good at poker but we’ll probably never actually get to see this in a thread (besides maybe a passing mention) because I have no idea how to play poker despite having been taught multiple times

Sexy and he knows it !

I wish I could end this app on a more coherent and/or profound note but it’s 4 in the morning and I just want to write a fake ass hoe whose entire existence can be boiled down to: was unloved as a child and now has no idea how basic human emotions work

He tries though, really