#I actually had high hopes in the first half of the Alicization arc

[classyhatsvt]

Just finished season one of BOFURI, and OH MY GOD I LOVE THIS

I love how even though Maple finds these crazy OP skills, it's not as if she's the only one who can acquire them. She's just better at finding them because she wanders off the beaten path and tries things that a normal player wouldn't, like laying down and getting hit by monsters to raise resistance or straight up trying to eat monsters. It's not like other people don't have skills like hers, the other top players also have some crazy skills too, which makes sense because they'd also be hunting around for skills, just in a different way. It's like Kirito's dual wielding in SAO, but EVERY player could possibly learn it as well as countless other busted skills, it's great XD

I also like how lax everyone is compared to how people acted in SAO, even in the other arcs like Alfheim or GGO where real life death isn't a threat. It's just a game, and while things can get a little heated during the fights there's nothing stopping Maple from trying to befriend her "enemies" after the fact. There's even characters like Mii, who seems like a charismatic leader who's always making great speeches, but it turns out they're actually just roleplaying! There's also the little text chats that you see every episode between Kuromu and his friends, where there's a mix of complaining about the balance issues of the game, cheering on Maple, and just laughing at the absurdity of it all.

[reginaofdoctorwho]

if anyone wants to recommend musicals to me I would fucking adore that. Until then, here are some suggestions:

Love in Hate Nation-- LET’S GO LESBIANS! 1960s sapphic love story taking place in a girls’ reformatory. Also, trans girl played by trans actress!!! Some of the amazing songs are “I Hope” and “Oh Well”. Susannah Son wants to be a singer, her performative activist boyfriend is gross and also wants her to marry him so he’ll have better options politically. Sheila Nail is so fucking cool and I love everyone in this. My brain cuts out about this I’m so sorry babes. There is not a cast recording but there IS an original cast bootleg on youtube.

Holy Musical B@man!-- If you liked the goofiness of 1960s Batman and Robin, but think “man, these guys should’ve been able to swear! And also should have had a candy themed villain!” this is the musical for you. Also if you’ve heard of the very queer Harry Potter musical that JK herself tried to sue over, it’s made by the same group <3. As usual with Team Starkid, whole thing is up for free on youtube by the creators.

Firebringer-- Speaking of the same group... Cave people sapphics who I think are bi or pan. I love them and they’re all so dumb. Also, if you’ve seen the “I don’t really wanna do the work today” vine, that comes from this. I do not remember any of the second half other than one of them taking the ring the other is proposing with... to propose. And the “*blows kiss*” “fuck no, Zazz” “duly noted”. Kind of like a shitpost musical. Once again, free by creators. Actually, check out any of their musicals.

The Prom-- In Indiana, Emma just wants to take her girlfriend to the prom, and in response, the PTA cancels it. With some help from some broadway actors looking for good publicity, they manage to pull it off. So, to summarize, teen lesbian gets gay uncle who knows what she’s going through!! This musical makes me cry every goddamn time. There is a movie now, and I’m very happy about that because *high profile gay rep on netflix*, but I personally did not like the direction they took with it. They put a weird amount of emphasis on biological rather than found family in the movie, and were a little too forgiving when it came to trauma from family for being gay. Also, they took away Emma being butch. This was sadly (loosely) based on a recent true story from I think 2012. Also, was the first gay kiss in the Macy’s parade. You know those movie musicals the straight girls in theater like? The music is similar, but gayer, and for some reason that makes me so fuckng happy. I think it’s because non-queer people have had musicals for so long, and those normally have a 60s vibe, and the music in this does too and it feels more classic?? Sapphic promposal song (het at the beginning). “Unruly Heart” and the end of Act 1 will break you. Please ignore the bad wigs.

Spies Are Forever-- GAY SPIES GAY SPIES GAY SPIES!! Curt Mega (played by... Curt Mega) lost his partner Owen during a mission. Now, he’s just trying to get back into spying like Owen would want. I fucking weep every time. Also, a song about comphet (at 6:36)!! And here is a video essay on how it relates to the Lavender Scare. I want you all to know that everyone also headcanons the femme fatale spy in it as either a lesbian or aroace, which uh, makes sense. Also high quality videos put up by creators. They had Jewish people making fun of Nazis while writing this, but “Not so Bad” is... kinda bad. “Torture Tango” has so much goddamn sexual tension and becomes devastating.

Hadestown--  If you know the myth of Orpheus and Eurydice, it’s like that, except capitalism part 1. Orpheus is a poor musician, Eurydice dies, just like the myth. Except, the Great Depression post-apocalyptic setting that works better than it probably should. There are actually 3 soundtracks: the concept album, off-Broadway, and Broadway. I personally don’t like the concept album purely based on vibe. Off-Broadway has an absolutely gorgeous sounding Orpheus, and if you’ve heard of the disaster that was Spiderman: Turn Out the Dark, then you’ve heard of surprisingly amazing Broadway Orpheus Reeve Carney. The Fates are gorgeous and I’ve decided they’re queer. Tony’s performance link here. Explores relationships, with Hades and Persephone’s aging relationship mirrored by Orpheus and Eurydice’s relatively new one. Anyway, unionize.

Jasper in Deadland-- If you know the myth of Orpheus and Eurydice, it’s like that, except capitalism part 2. Jasper is a teen who’s best friend Agnes is pretty much the one good thing left in his life. His mom left, he got kicked off the swim team (he’s manic pixie dream boy in this, especially for swimming), and Agnes dies at the beginning trying to show Jasper that she’s brave and he should be too. So, he bravely ventures into Deadland to find her, meeting Gretchen the tour guide along the way. He also finds out that since he’s still living, he can bring memories back to the dead. Songs like “Stroke by Stroke” (he’s uh, definitely a teen, guys) and “Living Dead” (I shared a prinxiety animatic of that on here a while ago).They blend Greek, Norse, Egyptian, Christian, and whatever Dante’s Inferno counts as together to create Deadland. Story’s kinda hard to follow from the soundtrack, so if u wanna learn how it all ties together message me.

Death Note Musical-- Okay babes, here’s where it gets tough. It was written originally in English, and there is a spectacular English concept album, but the only productions have been in South Korea, Japan, and I think Taiwan. Listen to it anyways, find a bootleg of it with english subtitles. It has so much gay tension and also a truly ethereal character who seems to be a lesbian who is also either demisexual or demiromantic. If any of y’all saw the anime like me, it kind of cuts out the arc after episode 26. I personally thought it was actually a better story for it.

Alice by Heart-- Okay, this one makes me fucking cry every goddamn time. In WW2, these poor goddamn kids are all alone in the Tube System (is that what y’all call it? genuinely asking here) with none of their parents but still some grownups. Alice’s best friend Alfred is dying of tuberculosis, and to try to have one last thing together they start reading Alice in Wonderland, only for Nurse Hart to rip it apart to try to separate healthy Alice from dying-from-TB Alfred. It doesn’t work, and Alice proclaims she “knows it all by heart”, She tries to linger in the story with Alfred to have more time with him, he keeps trying to move it along because he’s dying and wants to finish it one last time. Themes are growing up and grief I guess.

Last I checked, there is a bootleg for all of these on youtube. Have fun!

[thesimperiuscurse]

08.04

It’s The Kingston Legacy’s sixth anniversary, so here’s a throwback post to celebrate! Last month I forced myself to reread the entire legacy, and while I stopped, clicked off the tab, and emitted a soundless scream of pure cringe numerous times (I wish I was kidding)—the past generations are actually not as terrible as I remember. I think enough time has passed for me to detach myself from the childish storytelling and look back in nostalgia. 

Thank you to my fellow Wordpress writers who have come along the journey, some for many years now, through every high and low. It’s astounding how much has changed in the legacy from when I was 15, and 21. Follow me down the (very) long memory lane, as I reminiscence about each story and my perspective on them now ❤

Generation 1 — Fern (2015)

To my shock, I found myself genuinely enjoying Fern’s story. I think this was because the first generation was purely me commentating on gameplay, and not trying to write a story (that’s when the cringe began). I was inspired by one of the original stories, Alice and Kev, to make a homeless sim and document her struggle for a better life: Fern, a snobby aspiring writer. Reading this, a huge wave of nostalgia hit me, and it reminded me of how wonderful Sims 3 gameplay is. Although I’m long past it now, there’s real heart and life in the design. I think it speaks about the rich personalities and quirks that I could write a whole life story off it. It was super fun making Fern camp out at Old Pier Beach, stealing from townie picnics and roasting apples on the fire, finding little ways to scrounge money, giving her a makeover in the salon, watching the townie dramas unfold around her. Although she faced homelessness two times and a shitty first husband (yeah, fuck off, Xander), Fern grew into a strong and independent yet sweet and gentle character, in love with the ocean like her great-granddaughter comes to be.  

I never actually addressed this, but she (and her love Christopher) passed away in the story between the end of Gen 3 and start of Gen 4. It just felt weird to make it a big deal because they never died in game—still ‘alive’ and well, scattered across different backup saves and the bin.  

Generation 2 — Briar (2015)

Briar’s story was strange, because it was half gameplay and half story, which meant that there were things that just did not... make... sense. She was quite an ‘unreliable’ character to follow because of her Insane trait. The plot revolved around her as a fresh detective, investigating supernatural phenomena in Sunset Valley. Her character arc was almost the opposite to her mother’s: a naive, optimistic, silly girl hardening through trauma into a cold and ruthless police chief. Ash’s death was the one moment I felt true sadness in this legacy, because he did really die. Imagine me actually getting emotional over my characters, lmao. Wild. 

Also, Max is OP. To this day he is one of the best male characters in my legacy, a healthy and supportive best friend (to husband) in stark contrast to the following generation. 

Fallen Angels — Cherry (2016-2019)

Yes. It’s this generation. Square the fuck up, Cherry. I will fight her any day. Old readers will know of my pure hatred for this story. It’s been about two years since it thankfully ended. My verdict now?

It’s not quite as horrifically shitty, Gabriel and Lilith being a lot nicer than I remembered (Gabriel’s only a bit of a dick at the start), but it still has glaring problems, such as the pacing and clumsy handling of sensitive topics. The story would have been far nicer if it focused less on Cherry and Luc’s relationship and their respective issues, more on the found family and her relationship with Gabriel (which was rushed due to me despising the story by that point). During the first chapters, I was cringing spectacularly at the combination of Luc’s initial jackass behaviour and Cherry’s whining. Toxic as FUCK. I had to skip 3.8 and 3.9 entirely. These two (because of my own shameful mistake) tainted the generation in my eyes, and even though all of the characters grew from their toxicity, I can’t really see past that guilt to the better parts of the story. 

Jade has been telling me for years that this story isn’t all bad, and upon forcing myself to reread, I can see what you mean. I’m sorry LOL. Something that pleasantly surprised me was the writing quality (just the prose, not the actual story mechanics... lmfao), and Raphael, who made me smile every time he appeared. Every single careless, sarcastic line of his was a banger. The pictures are something else I like, too. Many of them stand up to the best ones in En Pointe—the fiery, gritty, industrial tones of Bridgeport just hits different. The world was rich and immersive, which is missing at the moment in En Pointe because of me being too lazy to build a proper Los Angeles world, but Act III is set in Boroughsburg so I’m excited to get back into the city scenes. 17 year old me wasn’t mature enough to tackle dark themes, but at least the visuals for them were nice, I guess. The atmosphere of the story I really enjoy. It’s just the toxic characters and way-too-angsty moments that ruin the whole thing for me. 

En Pointe — Evangeline (2019-)

And here we are now! The early chapters are kinda painful to read because 1) Mako looked so ugly and 2) the dialogue was so clumsy and generic. I sighed in relief when Chapter 5 came around, because it was then both of those aspects really began to improve. Eva’s voice was simple, with her punchy remarks, much less romantic and descriptive than Cherry, so it was interesting to see her voice becoming more complex and layered as I more understood her character. Also, me visibly struggling with the natural lighting and only getting a handle on it 7 chapters later has me shaking my head. 

I’m already beginning to identify issues with the story, mostly with character arcs and pacing. It’s a strange combination of fast pacing (spanning half a year in 8 chapters) and Eva becoming surprisingly comfortable with Mako’s touch due to their unusual pas de deux circumstances. It’s curious how real life time actually played into the pacing of the story—because of the slow publishing schedule, less time has passed in the story as real life, so it’s almost as if the time jumps were made up by real life time, making the jumps feel not too strange. Reading consecutively, however, Evako’s relationship growth doesn’t feel slow burn... a little underdeveloped, in a way, despite their lengthy conversations. I think that’s because of Mako being such a reserved and mysterious character, and that I’ve unconsciously come to rely on Tumblr to give more depth to the characters/relationships. Luckily, pretty much everyone who comments on the story also follows me here, so this dual-platform storytelling is okay, I suppose. I want to post more of #Mishako since there just isn’t enough time to explore their bromance in the story!

At the moment I’m not happy with the story, but it’s fine. I’m learning. There’s more than half the story to go, which means plenty of time to reflect upon the issues and improve. I’m really looking forward to Eva and Mako’s character arcs in Act III. At the moment their relationship is based on their natural chemistry and respect for each other, and since they are yet to face trials their bond isn’t super deep, but Evako are still my favourite couple in the legacy thus far, and feel much more real than any character I’ve written before. It’s been very interesting for my aro ass (and being way more logical than emotional) to figure out a dynamic that is actually compelling to me, because most of the time when I look at romance I’m just like 😐🤨 I’m liking it so far but we shall see how everything unfolds, because I have barely any idea what’s going to happen beyond Act II, lmfao. 

That’s it for my incredibly long throwback! I hope it was at least nice for the OG readers, and interesting for anyone else who managed to battle through this essay, haha. This family has been an integral part of me growing up, as a person and writer and artist (what I’ve developed in visuals I apply to architecture), learning a great deal of awareness about real life through story research, which is pretty cool now that I think about it. I’m aiming to finish En Pointe by the end of 2022. I’m excited for what unexpected changes are to come!

[lunarsaga]

EPISODE 5: The Band of Seven, Resurrected

WELCOME TO EPISODE 5! So far, episode 6 is up on my Patreon already, and episode 7 is in progress. Support me on Patreon to see stuff first!

IMPORTANT: I am starting to integrate the art into the story a little differently! Instead of just visualizing a moment in the scene, the image will replace the lines it's depicting. It'll work more like a hybrid graphic novel, that way it'll flow better. (So don't skip over the art, read it like you would a western comic!)

Reminder: [Dialogue like this is English!]

EPISODE 5, LESSGO! ☆*:.｡.o(≧▽≦)o.｡.:*☆

It was a bit of a long flight between the bone-eater’s well and the spot where Luna last left her sister and her friends.

They were still headed northeast, still trying to find Naraku. But Luna’s supply of ammunition only lasted so long, and she decided she probably needed more medical supplies if they were all gonna make it past this war with Naraku. So she’d gone back to the modern era for a few days, and called Alice to get her connections with other Hunters in Japan—so Luna could make more Sacred Salt rounds without having to explain to international customs why she was getting a bunch of empty shotgun shells, non-native herbs, and a few other assorted (weird) things she needed.

So she’d gone home for a few days. Thankfully, she didn’t have to walk; Airisu (who still objected to Luna calling her ‘Alice’, but agreed to the simple nickname ‘Ai’) in full demon form could fly pretty fast, but she ran out of steam after about an hour. It took them a full day (including rest time) to get back to the village, and the same on the way back.

But before they joined back up with their friends, Luna had a stop to make.

It ain’t hard to miss, she thought snarkily, he’s like a damn homing beacon.

Finally, among all the green of the forests, she spotted a speck of white. Easy. “There they are!”

Ai set them down just behind the little group of travelers—Rin, the little imp Jaken, the big horse-dragon (Ah-Un, Luna believed?), and heading the line was, of course, Lord Fussy Britches himself. Rin spotted them before they touched down, and greeted delightfully:

“Miss Luna!”

The Hunter’s arrival brought the others to a halt, and for some reason, Luna found a very smug satisfaction in the incredibly irritated, over-the-shoulder side eye she got from Sesshomaru. But she paid him no mind; she was here for Rin.

Luna held out her hand, unfolding her fingers to reveal three beautiful pearls, strung on a little leather cord. Each of them glinted with an odd pink sheen and were warm to the touch; anyone with any sort of spiritual senses might’ve picked up on the soft energy radiating from them.

Luna tied the cord tightly at the ends and moved to slip it over the little girl’s head.

“As if she would ever need such a ridiculous thing!”

Luna swore one of these days, she was gonna drop kick that little frog. “Look, dude—”

“It’s Jaken, insolent human!”

“—I’m just looking out for her. No need to burst a blood vessel.”

“What is she to you?”

Luna was actually shocked to be addressed by Sesshomaru himself. He was still giving her the side eye, but there was less irritation and more of… something Luna couldn’t place. Maybe she was flirting with death, but she couldn’t resist.

She stood tall, chin high, and responded: “What is she to you?”

There was the anger: contained, but frigid and harsh as the Arctic behind those amber eyes. Sesshomaru did not answer her, but Jaken sure did.

“How dare you, human! Your nerve is surpassed only by your stupidity to speak to Lord Sesshomaru that way! Surely you wish for death!”

Only sometimes. “Can it, Kermit!” She snapped at him, “I ask because he’s always leaving her alone, with nothing but you to protect her! You, who are half her size and don’t have much in the way of defense!” She moved her challenging gaze to Sesshomaru again, steadfast. “So I ask again, what is she to you, if you leave her with barely any protection so often? Because to me, she’s a friend and I care about her, so I brought her these as a last resort option, in case you’re not around and she needs help.”

There it was, that unreadable expression again. Sesshomaru was definitely incomparable at hiding his true emotions—something Luna could absolutely not stand. Tense silence hung in the air for a moment, before Luna shrugged, holding her hands up.

“Hey, think of it this way,” She said, trying a sly little smile, “You’re a busy guy. It’s one less thing you have to worry about. And if she never needs them, at least it’s a pretty necklace.”

Man, this guy was good at keeping quiet. But now, the icy glare was gone. Luna swore she could see just the tiniest arc of a silver eyebrow before the demon turned back around on the path they’d all been heading.

“Jaken, let’s go.”

Flabbergasted, Jaken tripped over himself trying to follow. “Y-yes milord!”

Grinning, Luna got back down to Rin’s level. “You take care, okay kid?”

“I will! And thank you so much for these— I don’t think I’ll need them because Lord Sesshomaru always comes to save me, but I’ll wear them anyway!”

“That’s all I ask,” This little angel was definitely gonna need it at some point. “But if you do need me, I’ll always be there for you, okay? I promise.”

The smile on Rin’s face could’ve melted the ice caps. “Thank you.”

Luna stopped her as she started to leave. “Hold on, one more thing. Each one only works once before it shatters, so you gotta save them for when you’re really in trouble, okay?”

“Okay, I will! Bye, Miss Luna!” Rin grinned, waving at her friend before hurrying after the demons.

Luna chuckled, turning back to Ai for a second before something occurred to her. “Hey, Sesshomaru!”

He didn’t turn to look at her this time, but he did pause in his walking.

Good enough. “I heard there was something going down in the Northeast—direction of the Ox and Tiger. Something to do with Naraku. Thought you might like to know.” She didn’t wait to see if he heard or registered what she said; she just hopped back on Ai’s back, and the two of them took off.

“I hope you know conflating bravery with stupid pride is more than likely to get you killed one of these days.” Ai said as she lifted into the sky.

“Oh most definitely,” Luna laughed. “But as much of a pompous man-child as he is, you can tell he cares for that girl more than he’s willing to admit.”

“That may be, but he’ll definitely kill you if you keep disrespecting him.”

“That’s a risk I’m willing to take, for Rin’s sake.” Luna’s voice was soft, carried off by the wind. “That little angel’s been through enough, she deserves someone in her corner.”

~    ~    ~

Finally catching sight of their friends again was a bit of a relief for both Luna and Ai. It had been a long couple of days, going all the way home and coming back. Part of Luna hoped they’d get just a little bit of rest before whatever shit hit the fan next, but another part knew the odds on that were pretty low. Still, it was nice to be back.

Kagome was the first to spot them as they flew in. “It’s Luna!”

“Luna’s back!” Shippo proclaimed joyfully.

“Hey, y’all,” Luna greeted as Ai touched down. She hopped off the demon’s back as her friends offered their greetings. “What’d I miss?” She asked.

Miroku was the one to answer. “Quite a lot. It seems that we may encounter a new enemy: the local villagers recently informed us of a group of mercenaries called the Band of Seven. The villagers believe these ruthless killers may have been brought back from the dead.”

With a grin on her face, Luna shrugged at the idea. “Undead mercs, huh? Nothin’ we can’t handle.” She held up her fist for her sister to bump it, and as Ai changed back to her human form, Luna noticed their little group was smaller than it should’ve been. “Where’s Sango?”

Kagome bumped fists with her sister, smiling at Luna’s nonchalant comment. “She went off with Kilala. I sensed a Jewel Shard nearby earlier… so I think she may have gone to look for Kohaku.”

Luna didn’t have time to respond. Off in the distance, she heard the distinctive echo of a sound she was all too familiar with.

Inuyasha hopped up onto a tree limb, hoping to get a look at what was happening. He couldn’t see it, but he sure as hell could smell it. “And it ain’t from just a handful of people, either.”

So much for a second to rest, Luna chuckled to herself as she tightened the straps on her backpack and immediately kicked into gear. “What’re we waiting for, then?”

And off they were, charging headlong into danger as always. Luna could sense something was up; more so than usual. The stench of blood was never a good sign in the first place, but there was something else setting off warning bells. Something she couldn’t put a finger on.

The smell got stronger and stronger, until… they reached its source. Despite the amount of nasty shit she’d seen in her ten years of hunting supernatural monsters, there were some things that still turned her stomach, and seeing a single human being standing in a veritable ring of blood and gore was definitely one of them. His black hair was pulled into a twist; his lips were painted red, he had blue tattoos like tear tracks under each eye, and one side of his kimono was tucked up under his belt. The dude was just squatting in the middle of the carnage, eyeballing the barrel of a matchlock gun like it was his first time seeing one (which, hell, it might be, she thought to herself; in this time, they would’ve only recently been invented). He seemed completely unbothered by the dozen and a half bodies of freshly murdered warriors and their horses surrounding him.

Inuyasha was the one to get to the scene just ahead of the others, calling back over his shoulder: “Stay back! Don’t come over here!”

Instinctively, Luna remained in front of her sister, her arm out to try and block her view. Her stomach was churning, and her hand was poised to pull her gun if needed. No way this guy could be human… right?

“Did… that one person do all this?” Kagome’s voice was a shocked whisper.

It was then that the guy in the middle noticed them. He stood, his sword over his shoulder and his head cocked slightly to the side.

“Are you the one I’ve been looking for?” He asked, a grin on his face as he shielded his eyes from the sun. “Are you Inuyasha?!”

“Got a bad feeling about this.” Luna mumbled, “That guy isn't a demon, is he?”

“I don’t think so,” Kagome uttered back to her, “I don’t sense a demonic aura….”

“How’d you know my name?!” Inuyasha demanded.

He got no answer out of the guy with the sword. Instead, the guy squealed: “You’re adorable!”

A dumbfounded silence fell over the group. Luna glanced around at the others to make sure she didn’t just lose her mind—but no, the general consensus among her friends was along the lines of ‘what the actual fuck?’

“I especially love those fuzzy ears of yours!” The guy continued, licking his lips. “I want them~”

Alright, so this guy was nuts. Luna had had enough of ignoring the bad vibe she was picking up from him. She dropped her bag next to Kagome’s bike and readied herself for a fight: detached the ammo bag and shotgun holster from her pack and slung them over her shoulder, slipped her short sword through one of the belt loops on her jeans, and pulled her shotgun to make sure it was in hand and loaded. She kept her eyes moving back and forth between Inuyasha and the dude with the sword during the next exchange:

“Who are you?” Inuyasha demanded, “What are you after? You don’t smell like a living person, you reek like corpses and graveyard soil!”

No answer.

“Inuyasha,” Miroku said in realization: “Could he be—?”

“Yep,” Inuyasha confirmed, before calling out to the guy with the sword again: “Some villagers were talking! They said some disgusting specter rose up from the grave. That’d be you, I presume!”

Right, zombies, Luna thought to herself; if he really is undead, the Sacred Salt won’t do as much as it would a demon… It’d sting, but what I really need is-… She smirked and holstered her gun again, grabbing a different weapon from the bottom of her bag.

“Are you one of the Band of Seven?!” Miroku asked of the specter as Luna was tuning back in. “Answer me!”

After a long pause as the specter seemed to size the monk up, his response was even worse than before. “Inuyasha really is good looking, but you’re pretty sexy yourself~”

Luna snorted so hard she thought she was gonna eject her brain through her nose. Ai whacked her in the arm as a warning.

“No one minds if I suck him up, do they?” Miroku grumbled.

“No.” Inuyasha said, flatly.

“Hold on!” Kagome said, “He’s got a Sacred Jewel Shard! He must’ve been revived with the power of the Shard!”

“So that was what I was sensing,” Luna mumbled, “but why does it feel off...?”

“Where’d you get the Jewel Shard?!” Inuyasha once again attempted to pose a question to their opponent, only to once again receive a weird, adoring response:

“You know, you’re cute when you’re angry~!”

“Shut up!” Inuyasha shouted, jumping forward and drawing his sword. “Alright, dead man, you’d better start talking to me, and I want real answers!”

The expression on the specter’s face shifted from one of reverence to one more sadistic as he regarded Tetsusaiga. “That’s an interesting sword you have there… let’s see whose is stronger.” He lifted his own sword, making an odd motion around his head and shoulders with it as if he were gearing up for something. “Yours or mine?!”

When he brought his arm down, something that looked almost like a bolt of silver lightning shot from his blade. Inuyasha barely had the chance to block it as it cut an arc through the air toward him.

“Inuyasha!” Kagome called out in surprise.

“Stay back!” Miroku threw his arm out in an attempt to shield the others. “It’s some kind of trick sword!”

“That’s my cue!” Ai shifted into full demon form, jerking her head at the sisters and the little fox. “All aboard!”

Kagome climbed on no issue, but Luna glanced at Miroku, who made no move to follow them. “You coming?”

“I’ll be alright, you keep them safe.” Miroku said, resolute. Not about to argue, Luna climbed on the demon’s back and Ai leapt into the air above the fight.

“You gonna be okay holding all of us after that long flight?” Luna asked her friend.

“I’m fine, it’s the same weight as you with your pack on.” Ai sassed back.

“Yeah well, fuck me for being prepared,” Luna laughed, starting to prep the other weapon she’d brought.

Kagome managed to tear her eyes from the confrontation below to try and see what her sister was doing. “What did you bring, Luna?”

Luna grinned as she clicked the last accessory into place, then turned back to show her sister. “This? This is my baby.” She held up her favorite weapon: it was a fully-customized folding compound crossbow as long as Luna’s arm. She pressed a release on the side, and the arms shot into place, making both Shippo and Kagome jump.

“Whoa!” The fox demon exclaimed, “What kind of a weapon is that?!”

“It’s a crossbow, Shippo,” Kagome explained, “It’s kind of like my bow, but the arrows are smaller and it’s easier to fire.”

“Self-loading, too,” Luna smirked as she strung it up, “The ‘arrows’ are called bolts or darts. This thing can shoot way faster than a longbow, and since we’re dealing with Zombie Harley Quinn down there—” She grabbed a bolt from her ammo bag to show it to them, “—we’re gonna need these. They’re tipped with pure silver. Great for dealing with Vampires, Werewolves, The Undead, and The Unholy.”

Shippo reached out to touch it, but Kagome stopped him, shaking her head rapidly. “It’s safe to assume you shouldn’t touch anything Luna has in her bag, Shippo.”

The kid swallowed nervously. “G-got it...”

Below them, the fight continued. Inuyasha could barely avoid each strike of the snakelike sword, and his opponent only seemed to be having more and more fun.

“What do you think of Jakotsu of the Band of Seven, huh?!” He shouted as he swung the sword once more.

“Not too much!” Inuyasha came back at him with Tetsusaiga, but to no avail.

Kagome gasped. “He needs help!”

“That’s what this baby’s for,” Luna grinned, patting her crossbow. “Ai, can you stay out of reach of the sword but get me close enough to shoot?!”

“It’ll take a miracle!”

“Better start praying, then,” Luna lined up the shot, finger still as stone on the trigger. There was a familiar voice in the back of her head; she could hear her father saying: “Aim for where they’re gonna be, not where they are.”

I know, dad. She tried not to sigh audibly as she managed to get Jakotsu’s head in her crosshairs and pulled the trigger, quick as a viper.

And… almost missed him.

The consecrated silver bolt seemed to burn through the air as it shot just centimeters shy of the specter’s nose and grazed his arm, burning a hole in his kimono. He whipped his attention to the woman who shot it.

“How dare you interfere?!” He snarled, rearing his arm back and whipping his blade toward them.

Luna felt her stomach drop.

“You idiot!” Ai snapped at her, trying to fly out of range of the sword as Kagome and Shippo both clung, screaming, to Luna’s back. Just as the sword arched toward them, there was a familiar cry of:

“HIRAIKOTSU!”

And Jakotsu’s blade was then tangled around the aforementioned boomerang. All three riding on Ai’s back sighed in relief when they saw Sango swoop in on Kilala. Ai touched down just as Kilala did, transforming into her human form and unceremoniously dumping the sisters on their asses.

“Are you all okay?” Sango called over to them.

“We’re fine!” Shippo answered.

“Perfect timing, Sango!” Kagome said.

“Some weapon, Luna!” Ai huffed in the Hunter’s direction. Luna just stuck her tongue at her.

Jakotsu was practically red in the face, shrieking in frustration: “What is with all you vile women?! Can’t you see I’m trying to battle Inuyasha?!” In the same breath, he whipped his sword again, toward Sango this time. The movement freed Hiraikotsu, and ended up leaving a small slice on Sango’s arm as Jakotsu pulled it back.

“Stay out of this!” He continued, “None of you will interfere!”

But their “interference” had served Inuyasha well enough: it gave him just the opportunity he needed to rear back and punch the specter in the face.

“Shut up! I’m tired of listening to your pointless babble!” Inuyasha growled.

Jakotsu grunted as he tumbled back, then rubbed his cheek and pouted like a kicked puppy. “That was cruel…”

“Oh, get over it!” Inuyasha snapped, “Now tell me who gave you the Sacred Jewel Shard before I have to seriously hurt you!”

Kagome and Miroku rushed to see if Sango was okay, but she assured them that it was just a graze; she was fine. Her attention was more on the subject at hand.

“I have a feeling that the shard came from Naraku,” She said, somberly. She looked at Kagome. “When you sensed a Jewel Shard earlier… it was Kohaku. I saw the Saimiyosho around him as well.”

“That means that your brother is still under Naraku’s control…” Miroku said. Sango nodded.

Luna had set her weapon down next to her backpack, and came back with a bandage for Sango’s arm. Her mind was going at a million miles an hour, trying to figure out how the hell they were gonna handle this—first an undead band of Ronin, now they have something to do with Naraku. What was Naraku playing at...?

“Gotta wonder what the hell is next…” Luna mumbled sarcastically.

Seconds later, she would regret asking. A cloud of black smoke poured over the cliffside, drifting right toward them.

Like he knew what was happening, Jakotsu got up and collected his sword. “Inuyasha! You should get out of here while you can! Bye!” And with that, he was just… gone.

“What the hell—” Inuyasha broke off with a startled yell when the cloud reached him. “Its poison!”

“But where’s it coming from?!” Miroku wondered.

“We need to move.” Luna reassembled her bag in less than thirty seconds—side effect of doing it so often. “We can figure out what the hell is going on when we’re safely away from here!”

Why do I feel like we stepped into something huge here? Luna thought to herself as the group of friends moved away from the cloud of gas.

[orangenfrottee]

Hey ho there, feel free to ignore this and I hope I'm not bugging you as I awkwardly slide in here, but I must ask: if you had full creative control of the show, how would you run season 5? You can pick and choose whatever leaks you want to include.

Ah!!! Thank you for your ask <3 I might have spent a couple nights typing out my answer, but in short: I'd cherry pick old story arcs, bring back everyone I like and who doesn't run when they hear Riverdale's calling.

I'd definitely get some decent writers (I'm partial to Jane Espenson, but no idea if she'd be a good fit) and definitely some diversity. I might accidentally fire all men and then play up all their shitty recurring themes for fun as a weird inside joke between me and the show.

I think if they ever gave me creative control of the show it would swerf hard to the crazy and not leave that lane because honestly, i think that's what Riverdale does best.

So, where would I start...

Instead of giving season four a decent ending, I would start with an extra long pilot with the title 'previously on' where the best and most important bits of the teens' school lives is shown with a heavy focus on Jason and the Farm. Parallely, we get to see the lovestory of Chic and Charles. The episode ends with a few very short scenes of the prom where everyone's happy and pretty.

Then we'd start on the real season five. It's been seven years and our characters are older and more grown up.

The show would at first only present the present lifesbof our characters and the barest bones structure to keep as much a little mysterious as possible (but here I tell you what happened during timeskip, too).

Archie is often considered the main character, so let's start with him:

Archie went to the Army after school (though he didn't actually pass his exams and thus didn't graduate, Mr Honey was quite amused). On his most recent tour he met someone special: Eric, his new friend.

Archie was wounded in battle with a... giant mutated elephant with sharp teeth and hallucinogenic venom. Or something. He isn't really sure what happened, but he's got a huge new scar all over his torso. The abs stayed in tact, but oh his pride. During recovery he met new wheelchair user (and on occasion crutches) Eric who has trouble walking since his legs are misshapen/he only has one. Archie thinks Eric got maimed by the same elephant he was, but thinks it rude to ask.

For Eric I'm picturing Sabrina's Ambrose.

With his hurt pride, Archie can't stay with the military and decides to go back to Riverdale.

Eric doesn't have a place to go, so Archie invites him along.

They need a job and since Eric has a calendar full of sexy half naked firefighters AND since they both have abs, Archie decides that type of uniform is the perfect fit for them and trades his newly renovated and well running boxing gym against the old fire station Penelope Blossom owns. (Literally, they even meet at Pop's to exchange keys and sign papers Penelope brought that Archie doesn't even skim.)

The fire station is quite out of everything, but it has a huge pool Eric likes to swim in and a fire truck. To make ends meet Archie sells his sperm to the Greendale sperm bank.

Archie is of course in love with Eric but unfamiliar with the concept of bisexuality and struggles to identify his attraction for what it is. Eric is a foreigner to Riverdale (or is he?) and unfamiliar with the town's culture and quirks. Still, something going on in Sweetwater River seems to be related to him.

Archie and Eric share the Andrews' House - and in the house next door... live Gladys Jones and Polly Cooper!

After Jughead and Betty left for College Alice' horrid mom impulses settled on Jellybean who didn't stand back, grind her teeth and took it but instead broke Alice' teeth. Her and FP were not amused (though FP was also angry at Alice for being too strict). Alice moves out but stays as a journalist in town.

FP gets in trouble for being a brutal gang leader without a gang beating up criminals behind the boxing gym on tape. Not wanting to go to an illegal fighting club prison, he hides with Canadian Serpents behind the border. (Joaquin's identical twin brother and Ricky live there, too. They're happy there.)

Maybe he'd call once or twice with misleading wrong snake facts that have nothing to do with the current mystery of the episode but fit into perfectly by chance.

Jellybean was invited along, but she chose to stay because she thinks Riverdale is rad and the old Cooper House is luxurious as hell. Also, her mom came back to become the new Sheriff!

Nearly seven years in, Gladys still holds the position because no one legally qualified wants it and she manages to keep gang violence at an all time low for Riverdale. Plus, she and Mary Andrews are not exactly friends but able to work well together. When there's another serial killer running wild in town she has no problem with having another girlfriend of Mary who happens to be a skilled professional in the most relevant field take over for a bit. If needed, the Riverdale gangs are usually willing to add muscle to good causes, too.

Jellybean has left Riverdale for university and will only be present for holidays and breaks. She'd still be played by Trinity because I love her and honestly, real nineteen year olds look like fourteen year olds everywhere in the world. Also this gives the viewers 'Archie vision': he will always see his best friend's toddling baby sister in the young woman which makes her the only undatable (legal) female on this planet for him.

While attending Riverdale High she lead the Andrews Boxing Gym and made it the most successful gym in the area. It won't be a plot point in the show (apart from her being angry at Archie for just trading it against trash) but there will be framed newspaper articlesband the like in Gladys' house.

Around the time everyone graduated, Polly was released from Shady Grooves and is back to her old smart self - and really missing her babies! As Choni leave for whatever private college Blossom women have always gone to, Polly takes them and goes home - just to learn on the porch that not only did her mother sell her childhood home more than a year ago without anyone ever telling her, the college fund she never had gotten legal access to and planned to use for the twins is gone too and her sister left town without saying goodbye.

Gladys has always taken care of all the stray kids she found no matter how tight the budget was and now there's this young desolate mother with twin toddlers in front of her posh murder house she'd gotten for cheap and she has this new gig as sheriff. Of course, she takes them in.

They stay in Betty's old room at first, but they soon get to remodel the attic to give Polly her own room. At present, Dagwood has Polly/Chic/JB's old room and Juniper the one facing Archie's. (When Archie sees her in the room, he actually has a flashback once to when he and Betty used to be so young, but then Juniper turns her gead, stares at him really creepily and smiles weirdly. Archie will be somewhat scared from then onwards and be reminded of when everyone thought Polly might gave killed Jason. Juniper would murder.)

At first, Polly's a full time, stay at home mom, but once the kids are older, she starts working part-time: for Gladys.

It turns out they work amazing together. Gladys tends to jump to convenient conclusions and threatens violence way to freely. Also, she is intimidating as fuck.

Polly is everything she isn't: level headed (to a point, in comparison at least), brilliant at combining clues and steering people (remember how she infiltrated Thornhill and made Cheryl unknowingly assist in her snooping plans?). On top of that, she has these stepford smiles and all the ways to appear unthreatening drillend into her head. Honestly, she and Betty are quite alike. While Betty has the lockpicking skills and knows her way around cars, Polly used to be really into fashion (or something) and, with all her experiences at the Sisters, the Farm and Shady Groves, Polly knows psychology.

She started solving some of Gladys' cases at the breakfast table, but now she's officially a deputy or an advisor or something. They're essentially like FP and Jughead, just that Polly is an adult (and that she wouldn't be in a gang beating suspects up regularly).

(These characters would all be mostly in the background though.)

Veronica finally gained perspective on her relationship to her father and grew up. Hiram's cut out of her life for good. They won't ever interact. (In fact, Hiram either moved to New York or he had a minor traffic accident where he lost all of his memory for good and now lives as Ram Rod and works as a trainer at Penelope's newly acquired boxing gym. Everyone is confused about it but doesn't care to ask.)

Veronica is successful at whatever she's doing and doesn't plan on ever moving back to Riverdale, but maybe something is up at Pop's that requires her checking up on in person and she just happens to cross paths with Betty who is also just there for the weekend. And they haven't had quality time together for years, because it's so hard to stay in contact sometimes even with people you love so much you'd die to keep them safe.

If I could come up with something meaningful for them to catch up on emotionally, I'd have them sitting together in a booth at Pop's for a whole episode just talking (but I'm not that deep).

Veronica might be engaged, but we see it fall through without really getting to meet the guy. She mostly just talks to Betty about him on occasion but in a somewhat messed up way. Ultimately, she realises how she treats him in some regards like Hiram treated her and her mother. She wants to grow up further and not be like her father anymore. Since the fiance was only a trophy pawn, she breaks it off and concentrates on introspection/ maybe therapy for a bit.

Later that season her sister comes back and surprise: Hermosa embraced becoming Daddy.

(These would have to be restricted to two half episodes only, she definitely deserves story arcs that aren't about her dad.)

Careerwise: she has a couple businesses, maybe a restaurant chain or a franchise and she seems to collect startups. She reinvests a lot and has to travel quite a bit but can work remotely too.

Everyone seems to want FBI agent Betty and if I'd go that route I'd have her demask Charles as the fraude fake FBI who hires guns for hire and fake emergency teams while making up fantasy horror stories about serial killer genes to scare his biological family into killing each other that I wholeheartedly believe he is. But I also like Betty's interest in mechanics and would love for her to have a career in mechanical engineering. Maybe she switched majors at uni and now works for a company developing prosthetics. Maybe she tries to get Eric into joining a study. (I mean, prosthetic legs would help his work as a fire fighter...).

She's in town to visit Polly and the twins but after talking to Veronica she spontaneously stays in town. She can do her work remotely, really. The two of them move into a two bedroom 'shared bnb' (or whatever it was called in season two) and we finally get to see their friendship on screen.

Betty isn't in a relationship at the moment abd she's so into her work, she isn't looking for one either.

Jughead had broken up with Betty seven years ago and never really had a well working relationship after. He's grown obsessed with finding a way to recreate what he had with Betty.

Not in a totally creepy psycho way, he's simply not understanding that he might be sex positive and he had been in love with Betty, but he is ace and quite aro, too. It doesn't help, that he finds people sexually attractive on their online profiles just to be repulsed by the tought of even kissing them goodbye in person.

(I don't think tv is generally a fitting medium for this, but I guess he can narrate for himself and make it work.)

I guess he has to be an author. Obsessed as he is about finding love again (he wouldn't call it like that) he figures it had either been the location or the constant fear for his life. He chooses to return to Riverdale. He probably instantly moves with everything he owns to Riverdale (not that it's much beside a modern laptop, the typewriter and his camera).

Archie gives the great advice how Jughead is obviously still innlove with Betty, duh.

He of course runs into Betty some day, they end up investigating some random murder together and find themselves in familiar positions and kiss - but it just isn't there anymore. Jughead feels nothing and Betty isn't really into it either.

Veronica later points him in the direction of maybe not being allo (because she used to question herself as aro).

Funfact: Jughead would have failed graduation with Archie if Mr Honey didn't forge some records that weren't actually submitted from Stonewall (they claim all records were deleted during a power outage). Jughead knows and is deeply shamed.

Thornhill has been renovated! Toni is pregnant! Choni will be raising their kids (surprise, it's going to be twins!) in Cheryl's ancestral home. Choni are married and happy.

Toni has reopened the White Worm with Fangs somewhere at the Southside and yes, let's make her the official Serpent Queen. Let her work lots of social causes (remember toys for tots?), grey area rule bending for good and of course she works well with Gladys. I've seen talk about her being a social worker floating around and honestly, I think that works amazing. She's working the local cases (and a few unofficial ones) and I think she and Cheryl are registered foster parents. On occasion (like once) they'd be shown taking care of a random kid.

Cheryl used her College time to study two things: business and Riverdale town history. Remember how in season two she took so much pride in her ancestors because she believed them to be good people? She might be disillusioned but she is the Blossom heiress and her and Toni's as well as Jason's kids will one day inherit a better family legacy. She'll invest in Southside rebuilding projects, advocate for new town memorials, maybe rebrand some of the Blossom product lines. Something like that

She won't run for mayor yet, but she's definitely invested in (local) politics.

Of course the pregnancy was with artificial insemination, the donor was either an unsuspecting red head from the Greendale Sperm Bank or they use some of Jason's that has surly been saved to guarantee the Blossom line when everywhere was scary talk about sperm counts going down due to mobile phones.

In addition: the maple factories need worker bees! Cheryl has a few programs with Toni to get Serpents/random Riverdalians newly released from prison or just with bad luck into a steady job and a cushy appartement overlooking the ex prison on the Southside. Pop's is also participating. Ethel works as a landlady for said appartement complex.

Also, why not add a second Blossom-Topaz lovestory to underline this incest-adjacent show and bring back Toni's grandpa and set him up with Nana Blossom. XD

Then during this season's arc, the Blossom uncle's corpse will be found in the river and the mistery is whether the FBI will figure out who the corpse us and what happened or not.

I love Reggie. Since Varchie is unlikely thanks to Eric, him and Veronica rekindling their relationship would definitely be a possibility I'm into, but he also seems to have an interesting connection with Kevin and Fangs that could be built on.

He would definitely have a car he'd love very much and I think it would still be Bella.

I'm not sure about his career, but it wouldn't include his father's car dealership. Maybe he'd be a successful movie star just in town between movie shootings.

Kevin was doing something with musicals on Katy Keene, I think? Writing or directing? He was trying to nake it big, but some plans fell through. Now he's back in Riverdale. Luckily, they are just about to open Riverdale's first theater in the relatively newly built but forever closed prison. Next to the Southside Theater the complex holds a mall and the White Worm.

Fangs works full time as the manager of the WW that he co-owns with Toni. He meets Kevin again once he's back in town.

Sweet-Pea somehow ended up as a junior doctor at the Riverdale hospital. He spends all of his scarce free time at the WW.

Some of the background Pretty Poisons officially work for the police now. Different than Gladys, they are actually ccccc for the positions they hold.

Peaches works as a manager for one of Cheryl's companies. She's happily married and has a kid (or something).

How long in prison do you get in the US for standing in as the head figure of a crazy pen and paper cult that has literal murders committed in his name? As a blond white dude probably just parole? So honestly, once they actually bring his case to court (and they have nothing against him because anyone could have been under the mask at any one time and people know of different gargoyle kings) he's released of all charges. No one in Riverdale actually knows though since his case took forever, Bughead had already left Riverdale and Alice didn't step up to follow the case. No one wrote about it, so no one knows. They just assume that of course the guy will be locked away forever, he's guilty.

In reality, he and Charles have bought a house somewhere in a different street of Riverdale where they aren't quite known and have adopted a couple kids.

Charles meets Alice regularly for lunch and she thinks he's this workaholic FBI agent only living for solving crime. They play a long con game I don't know the goal of.

(They have been behind the tapes even if that storyline gets totally ignored. They pretend FP being in exile is their doing, but the tape responsible was just a random security camera in the area.)

Josie's plans in New York sadly fell through (I haven't seen any Katy Keene but I want her back)

Lot's of bonding scenes with her brother Kevin who's also back in town. The two share a flat and on occasion burst into song together. Since I've already invented the Southside Theater, maybe she'd find a job there, too.

Val and Melody stayed in Riverdale aftee highschool and made careers in town for themselves. Maybe Melody at city hall and Val as a marketing specialist at the farm, Riverdale's most outstanding new grocery mart. Half of all Riverdalians don't get the controversy of the name, the others either think it's brilliant or tasteless. (Kevin for example has repressed the nemories so gard, he doesn't get it. Josie is very protective and angry at Val for working there.) The store belongs to the eccentric redhaired Eva Everafter or whatever pseudonym Evelyn can come up with to thinly hide her identity behind.

Somewhere in it I'd throw in a few lines vaguely referencing older happenings like "I still can't drink tap water" and the very first time Veronica sees Archie again after seven years she identifies him through his ab muscles.

So in short: Archie would be very dumb, everyone else is just there.

Also: Pop's would serve 50% vegan burgers and milkshakes so I could dig in with gusto.

[where-theres-smoak-2]

Riverdale 5x04 Review

Wow I loved this episode it was really really good. It definitely felt like a fresh start for the show. It was fun seeing the characters as adults and seeing what they have been up to in the last seven years some of their storylines were really heartbreaking and they’ve all had their strugglings but all the storylines caught my attention and I am excited to see them play out. So lets dive in and talk about the episode. The usual disclaimer stands these are just my own thoughts and opinions and of course there are spoilers so the rest is under the cut. 

Archie

So the episode jumps right into the action from the start where we see a dream or rather a nightmare that Archie is having. As predicted poor Archie has PTSD and is struggling with what he went through when at war. What was interesting is the dream gives us some details on what happened to Archie during the time he was in the war zone. It seems like he was part of a mission to rescue a fellow soldier who had fallen behind enemy lines. I am assuming that the soldier in question is Corporal Jackson. It also seems like Archie was definitely a hero in this scenario as his commanding officer says that the men in his unit are alive because of Archie giving the impression that he saved more than just Jackson’s life. It is also obvious that Archie feels alot of guilt about the ones that he couldn’t save. I do want to talk about the dream some more though as another interesting thing is that Archie subconciously melded his two worlds together to give us this surreal scene of a battle and a football game. I do think this dream could be symbolic of what is to come in the season. I could also be reading way too much into it but it is still interesting to explore. For example the first person to fall is Reggie and we see Archie pause and look back calling for him. When Archie arrives back in Riverdale it is to the news that Reggie now works for Hiram. So you could say that he was the first to fall under Hiram’s spell/ manipulation/ power or whatever you want ot call it. We don’t know yet why or how Hiram and Reggie came to be working together. The next person to fall is Jughead but unlike Reggie Jughead talks to Archie. But what he says I think is significant. He says ‘Archie, just a little help.’ I think this could indicate Jughead’s struggle with alcoholism. I do think Archie and Jughead could end up mirroring Fred and FP. When FP was struggling with alcoholism Fred was the one who tried to help him by giving him a job and later he took in Jughead when he found out Juggie was homeless and was willing to give FP a job again. I do think Archie will help Jughead get through these struggles in a similar way that Fred helped FP. However I also think some of this could be a representation of Archie’s guilt about how he betrayed Jughead when he kissed Betty and that maybe he feels some responsibility for the pain Jughead is going through now because of that. 

It is also worth noting that Archie also sees his friends, Veronica, Betty, Cheryl, Kevin, Fangs, Sweet Pea and Pop Tate cheering him on from the sidelines as he tries to rescue Jughead. I do think this will show that while Archie will be the most involved in helping Jughead heal all of their friends are going to surround them with support. We have to remember that Archie himself is struggling and so I think this might indicate how the whole group will support each other. I also think some of it sybolises what kept Archie going whilst he was at war. It was the memory of his friends and his desire to one day see them again. 

The last part of the dream is showing Hiram holding Archie at gun point as he tries to save Jughead and Archie freezing up. To me this scene did remind me a bit of the scene where the black hood holds Archie at gun point in Pop’s also that last gunshot before he wakes up reminded me of that gunshot going off in the season 1 finale when Fred got shot. I think in this moment Archie is confronted with what he fears the most, freezing up right when he is supposed to be saving someone he cares about. I also think its a foreshadow of the war that’s to come between Hiram and Archie. 

Anyway leaving the the dreamworld behind, Archie is told that he is being reassigned to restart the RROTC at Riverdale high. So that means Archie is heading home. He obviously isn’t happy about the orders wanting to head back out to the frontlines but I think he’s probably being reassigned because of his PTSD. This is a bit of a divergent but I couldn’t help but laugh a little when Archie’s soldier friend said Riverdale sounded nice. But Archie gave him his address so it looks like that poor guy will showing up later to discover how wrong that statement was. I am intrigued by his character so am looking forward to seeing him pop back up again in Riverdale.  

Once Archie gets back to Riverdale we get alot of information from Toni about what has been going on in Riverdale since they’ve all be gone. We learn that Hiram is stripping Riverdale’s budget to fund SoDale which caters to the rich. I have to say I’m ok with this storyline. When I saw the interview that Archie and Hiram were going up against each other again I was less than enthusiastic about it. But this makes sense to me, I can see why Hiram would do this and yes I do think it is very in character for Archie want to save Riverdale. Also I think because we know it won’t be just Archie but a whole collection of characters like Toni, Alice, Kevin and the rest of the core four going up against Hiram, it won’t feel too much like a rehash of the same storyline. Also this is a little silly but didn’t anyone else feel like Archie was more upset about the bus stops than he was with the fire station getting burned down. Like when he saw the fire station it was like hmm we should rebuild this but when he saw the bus stops he was all WHerE ArE PeOplE GoiNG To SiT!! I dunno maybe its just me but I found that kinda funny. Of course that did give us some more information, we learnt earlier that the Serpents now drive trucks and Toni says sometimes her trucks use the lonely highway. But they never go at night and that bad things happen at night on that highway. This is interesting because we see that girl at the end, who well its pretty obvious she was killed, get into a truck at night. So this tells us either its not a Serpent because Toni said they don’t travel at night or one of her serpents has gone rogue. 

Archie decides that if they are going to save Riverdale then they need reinforcements and so he calls the core four back. I must admit it was a little sad when he said to Toni could they go and see if any of them showed up because it shows that Archie had doubts whether they would or not. I mean that last scene with the core four to me reminded me of the scene in season 1 when Vee and Bee were sitting together at Pop’s and then Archie and Jughead come in and Betty invites them to join them and its shows them all laughing together, only this one was really sad because they weren’t laughing together in fact the atmosphere was very strained and tense. It was sad to think of that comparison. But that being said I do think it is a testament to their bond that they did all show up when Archie called. I also liked that he said Toni was as much a part of it as anyone, like thank you Archie speak that truth.     

Overall I liked Archie’s storyline this episode. I liked his new friendship with Toni and I hope that continues. I also feel like he has alot more maturity and seems more sure of himself, he seems alot more grounded than before. But whilst I think the Army helped him in many ways it has also led him to alot of trauma and pain. His PTSD I think will be a big part of his arc this season and I hope they do it justice. 

Betty

The next person we are shown is Betty and to be honest I don’t think it was a coincidence that they showed us Betty right after Archie. I think their storylines are very similar. Both have gone through something horrifying and traumatic and both are struggling with PTSD, both have had their seniors give them different roles in their jobs and both of them are struggling with this believing they can be more useful if they could go back to what they were doing before the trauma. It does seem like both of them are denying that they are struggling and are refusing to confront that trauma. I do think that Betty and Archie are going to be going on the same journey this season, I think they will turn to each other for comfort and over time they will encourage the other to face their trauma and heal together. 

We learn from Betty’s therapy sessions that she is still a trainee and also that she messed up on one of her investigations. It seems one of the villians this season is The Trash Bag Killer or TBK as they sometimes refer to them. I’m not going to lie when I first heard the name I half laughed and half rolled my eyes at how ridiculous a name it was. And then I found out why they are called that and that’s just horrifying, like suddenly that name didn’t seem so funny when its because he dismembers bodies and then wraps all the individual pieces up in trash bags. Like that legit freaked me out so I think we might get an actual real stakes scary ass villian this season which will be both terrifying and fun at the same time, I guess seriously though I am going to have nightmares about those trash bags tonight. We also find out that Betty was held captive by TBK for two weeks and that she hasn’t spoken about her captivity to the therapist. Obviously she has deep trauma resulting from that. Also to me Betty rushing in there without any back up is very in line with her character. When doing investigations in Riverdale she never waited for backup and I think this is one of the things she is struggling with adjusting to outside of Riverdale. I think she learned a hard lesson that she has to rely on help sometimes. Similarly to Archie I do think she has alot of survivors guilt she has to work through and is regretting not being able to save people that she feels like she should have saved like Teresa and the other victims of TBK.  

The other thing we learn about Betty is that she seems to be in some kind of relationship with her boss Glen. I legit got so excited when I saw Glen purely because I recognised the actor who played a very sexy werewolf in a show called Bitten that I watched years ago so when I first saw him I was like CLAYTON??!! But once I got over the initial shock I decided I’m not a huge fan of Glen mostly because I didn’t like that comment about Betty’s serial killer brother. I mean he knows Betty has been through some crap and is struggling and he is just casually throwing out the reminder of her brother. Also it does not seem like Betty is all that invested in the relationship which makes me wonder if it isn’t really a commited relationship but more of a FWB kind of thing. I do feel like he wants more with Betty than she is willing to give. Like he was offering for them to get pizza and hang out at his place and she lied about meeting with friends and just went home to her cat which not going to lie relatable (except for me its go home to my puppy dog who is the most loyal man I have ever had in my life). So I am unsure on what their relationship really is as it wasn’t really made that clear. I mean to me he seemed really jealous and insecure when she said she had plans which again makes me lean more towards its a casual thing. We really don’t know anything about them, have they been on dates? Have they been intimate together? How did it start? How long has it been going on? We don’t have answers to any of this. I did see on IMDB that Glen is only listed for this one episode. However the main cast are only listed until episode 7 so I don’t think IMDB have information past episode 7 so he might still make an appearence after that. Also I don’t know if IMDB if 100% accurate but so far for me it has been very accurate. The reason why I say this is because we know next episode that Betty is going to be in the shower with someone. I did wonder when I first heard that Betty had a special relationship with a collegue that it might be them in the shower with Betty but Glen has a beard for one thing so unless he shaves it can’t be him, the person in the shower is clean shaven. Also like I said he isn’t listed as being in episode 2 on IMDB so I’m fairly sure its not him in the shower, which again makes me feel like it is more of a casual thing. I mean we know Betty can cheat shes done it before but I’m not sure if they would go that route with her again but we’ll see. 

I again liked Betty’s set up. I am curious to see where this TBK plot is going. I also wonder if it will link up with the trucker killer I also wonder if TBK is someone we know already, maybe its Chic. I don’t think it would be Charles because although he is a killer I don’t think he would hurt any of his family. I know that they were in prison last we saw them but we don’t know if they still are so they could be a possibilty. I did hear that both actors were seen in the area where they film Riverdale so who knows. I really do hope that Betty does get some time to heal now that she has her friends around her again. 

Veronica        

Ok this one is not going to be a unpopular opinion I think, I haven’t been in the riverdale tag yet as I didn’t want to be spoiled before I saw the episode and then I started writing this review right away, so I don’t know what everyones opinion on it was but here it goes. I didn’t hate Veronica’s husband Chad. Like from the interviews I really thought I would hate him but to me he just came across as a husband who had seen his wife nearly die and was now being too protective of her. I know before the episode everyone was describing Chad as being a controlling abusive husband but I didn’t really get that from this episode. Now I do want to make it clear that I do feel like this might change. I mean the next synopsis says he is having her followed so I do feel like he is going to get worse and I’ll then end up hating him but from this episode alone not so much. I think its just that his reasons make sense. I also feel like the problems in the relationship are less to do with Chad being controlling and more to do with a break down in communication. For example the whole having a child thing. I think its perfectly natural for Chad to want to have a child with his wife, especially when they’ve just had a near death experience that might make Chad feel like they should sieze every opportunity before its gone. I also think its completely fine for Veronica not to want children and to focus on her career. But before we go painting Chad as the evil husband who is trying to force his wife into having children we need to remember that Veronica hasn’t told Chad she doesn’t want children right now. When Chad said he thought this would be the year Veronica replies ‘hopefully’. Now with that response it would seem to anyone like she too wants to have children. She might have told Hermione about her true feelings about the subject but she hasn’t told her husband. Even later when they are having an argument and Chad says ‘we’re suppose to be trying to have a baby’ she still doesn’t tell him that she doesn’t want a child. Also I was kinda on Chad’s side about Veronica lying about where she was working. Like I understand that Veronica wanted to avoid an argument but he is right that would have been very awkward and embarassing for Chad to show up at what he thinks is his wife’s place of work and talk to her friend and discover that his wife doesn’t work there anymore. But again that was a result of the lack of communication. On the flip side of all of that you’ve got Chad who is trying to bubble wrap his wife and its like Veronica said he has forgotten who is wife is, Veronica is a tough gal who doesn’t need to be bubble wrapped. I think all of the problems they are facing right now were brought on by the accident. Chad might have really struggled with seeing his fiery, strong and passionate wife in such a vulnerable position after the accident. Seeing her so fragile then made him want to protect her but he takes it too far wanting her to reduce how much she works and even where she works. Veronica also admits to giving into Chad to avoid arguments. I do think their conversation at the end was good it seemed like they were opening that communication back up. But then Chad gave Veronica that egg. Again I don’t necessarily think this is all Chad’s fault and I don’t necessarily think that because he has given Veronica the same gift her Father gave Hermione that means he is evil. It is obvious from the fact that he talks about how a new one comes out every year that he doesn’t know that connection. Once again Veronica doesn’t tell him that she doesn’t like the egg she just sells it. For some reason Veronica seems to feel like she can’t be open with her husband which is worrying, I do think they are both a bit at fault here and they are both making mistakes, it seems like they’ve both been walking on egg shells around each other since that helicopter crash. We know from an interview that Chad is going to be jealous of Archie and I do think alot of that is going to be because he will see that Veronica and Archie, because of their history together, have an honest and open communication with each other and his wife isn’t being honest or open with him, he and his wife don’t have that when really they should. Unfortunately I do think this will cause Chad to act more and more possessive and irrational which is likely what will then lead to me hating him.  

As for Veronica’s job I am a bit confused about what it is exactly that she does. It looked to me like she was running a kind of underground slightly shady jewellery shop. But whatever shes doing it looked like she was flourishing. I mean she previously worked on wall street and it does seem like she really misses that line of work so hopefully one day she’ll be able to get back to doing what she loves. I am glad that it looked like she was standing up to her husband and making it clear to him what she wanted. I do hope she addresses the baby thing soon though and tells him that she doesn’t want one right now. Again I am interested to see where this storyline goes and just how far to the dark side they will take Chad’s character. Whether they will go full blown he’s the new hiram lodge or whether they’ll have him go pretty far but then give him a redemption arc. I could unfortunately see them give him a redemption arc and then killing him off which I hope they don’t do because that’s a worn out troupe. 

Jughead

So last of the core four is Juggie. Again what is interesting to me is like Betty and Archie, Jughead follows from Veronica and their storylines too are similar. Both of them are dissatisfied with their careers and are having realtionship troubles. Juggie is not in the best of places lets be honest. He had one successful book but now he has writers block, is drinking too much, is in a toxic relationship with his girlfriend jessica and has debt collectors banging at the door and yet the thing I was most shocked by was his new tattoos. Like all the other characters to me this storyline for Jughead makes sense. He has always seemed to draw inspiration from Riverdale for his stories so I think he is struggling to write now that he is left. I do think once he starts investigating a good old Riverdale mystery those creative juices will start to flow once more. I would also like to point out how there was no Jughead narration throughout the episode until those last few moments when Jughead is back in Riverdale and he narrates over Squeaky getting into that truck which could be seen as reaffirming that Jughead will be able to write again once now he’s home. I do also feel like Jug is struggling with the Barchie cheating incident. I think it has left deep wounds for him and I’m hoping now that he is back in riverdale they can start to heal them. I do think its not just the cheating thing though but also because they all broke their promise to meet up a year later. I do wonder if Jug has any bitterness towards the fact they didn’t keep their promise to meet a year later but when Archie called everyone came running. I mean Jughead did not look happy to be there at all and there was definitely tension between them all. Though I would say there was less tension between Archie and Veronica and Archie and Betty.  But I did pick up tension between Jughead and Betty and Jughead and Archie and also a little between Betty and Veronica. 

Anyway going back to Juggie. His girlfriend eventually leaves him because at this point she is tired and feels like Jughead cares more about his book than about her. I do wonder if we might see her again later. Jughead gets over her seemingly pretty quick though when he meets Cora at the bar. I do find it kinda funny that the topic that gets brought up that leads to him getting laid is effectively his relationship with Betty. But we do learn from that conversation with Cora that Jughead’s book is called outcasts and seems to have been based on the serpents and his romance with Betty seems to have been included in it. I do wonder if Jughead wrote the book as a way to sort through his feelings about the break down of his relationship with Betty and ultimately that didn’t work because he still had that pain and that feeling of betrayal. One thing I will say is that I hope that they don’t do a similar thing they did in One Tree Hill where Jughead can suddenly write again and he writes a book about Betty because it would feel a bit too much like he is being saved by Betty and it creates this dependant relationship where he can only write if he’s with Betty. I don’t know I’d just rather he is able to write because he is creative and a good writer not because he is in a relationship with a particular person if that makes sense. I feel like maybe right now he doesn’t know how to function outside of his relationship with Betty which is why he is so quick to sleep with another woman right after Jessica leaves, I feel like he might have been using other women to fill that void, so I would like to see him learn how to be his own person outside of any relationship, I feel like he kind of needs to find himself again. 

In regards to Cora, I mean that girl knew what she wanted but it made me so uncomfortable the way she went about getting what she wanted, I mean she effectively stalked Jughead. Also from the way she said if she didn’t hear from him she would call the debt collectors I feel like maybe she might show up again a bit later. To be honest whilst I feel like Jessica could reappear in a flashback I think Cora could show up and cause trouble in present day. 

Toni 

I am so happy with how much screentime Toni got this episode. She seems to have done pretty well for herself, she’s Serpent Queen and she runs the new White Wyrm, she’s got that serpent trucking business and she’s got a baby on the way which it seems like she is happy about. I am very curious about who the father is going to be. I am still thinking it could be a surrogacy thing with Kevin and Fangs. Maybe that’s why she isn’t telling anyone who the father is yet because fro whatever reason Kangs aren’t ready for people to know. It could be that the three will raise the baby together. Another person I thought it could be is Sweet Pea because of that moment when he talked about how when Toni came back and Toni cuts across him talking about them restarting the serpents. I could be projecting here but it seemed to me like maybe Toni was worried about waht Sweet Pea was going to say like he might say when Toni came back we started a fling and now we’re having a baby together. I’m not completely sold on that though it was just a thought I had. Another thought I had is maybe it is Jugheads. Maybe he came back to town for some reason or Toni met him in new york and they hooked up leading to her getting pregnant. Again I don’t think its very likely but it would be shocking and I do feel like they are going to try and shock us with it. I also feel like it has to be a character we have seen before. 

I am a little worried about Toni  though mainly because of the storyline of her having tht trucking business going on. We know that Vanessa has gone on maternity leave and that they recorded her scenes in advance but I still feel like she’s going to have to be a little more absent. I could see a storyline where the Trucker killer feels like Toni is getting in their way and so they decide to do something about her maybe kidknap her. Or maybe they threaten her leading to Toni leaving for a little while to protect herself and her baby.  

Cheryl

Ok Cheryl’s storyline really hit home for me and I got emotional about it. The whole story line where she hasn’t left Thorn Hill in years was particularly moving for me because I suffer from a condition called agoraphobia which seems to be what Cheryl is struggling with on top of other issues. It’s a very complicated condition and alot of people misconcieve it as meanign you can’t go outside but actually its more complicated than that. It is a fear of spaces precieved as unsafe. As a result alot of the time it will result in those with the condition being unable to leave their homes because their home is typically where they will feel safest. However at the same time it can make your home feel like a prison because even thoguh you might want to you physsically can’t bring yourself to leave your home. Cheryl believes that she is cursed and so many terrible things have happened to her that I’m not surprised if she now precieves as anywhere outside of Thorn Hill as not safe. It was also sad when she compared herself to Sarah Winchester and how she feels she is cursed and that curse will one day consume her. Cheryl is clearly in pain and I think she is using the painting as a coping mechanism. I really hope she is able to get help and begin to heal. 

I do feel like something else might have happened to Cheryl that we aren’t aware of. I notived she was wearing one glove in all the scenes we saw her in which is similar to how Penelope wore a glove after she was burnt. So I wonder if Cheryl is wearing the glove as a reminder of her mother or whether it is because she herself has been injured in some way and is covering it up. It also seems like her Nana Rose might want her to start a Art fraud business which is odd. Maybe they are struggling for money?  But other than that we didn’t learn much about Cheryl so it’ll be interesting to see where they take her character. I mean we saw in the trailer that she does eventually leave Thorn Hill. 

Other Little Things

Ok so here I jsut want to talk about some things that were too brief to warrant a whole section to themselves but that I still think are important. 

I am so happy that Kangs stayed together, they are super cute together and I hope we get to see more screen time for them and Sweet Pea. 

I wonder why Hiram wants Cheryl’s maple groves. I am assuming its something to do with SoDale but I can’t think how its related. 

It is interesting that they have brought Stonewall back into the storyline. It does make me wonder what happened to Donna after seven years. Is she still running from Charles not knowing that it was him and not knowing that he’s been caught? 

Theories for the next episode.

So as I usually do I am going to finish off with theories for what I think will happen in the next episode. 

1) The promo for the next episode starts off with a girl running from a truck. I think this girl will be Polly but I think it’ll come at the very end of the episode. the shot that was in the season trailer of Betty with a gun at home is also in this promo. I actually think Betty will hear a noise and go investigating and it’ll turn out to be Polly arriving there. Part of the reason why I think it could be Polly is because she has surprised Betty a few times before so it would make a parallel to those other scenes where Polly has popped up in the house surprising Betty. I think they will reintroduce her in this episode and then the last scene will be her running from the truck which will explain the synopsis for episode 6 where is says Alice, Kevin and Betty think Polly is in trouble. 

2) Another person that could surpise Betty is Archie. A large part of this is because one of the writers released three emoji’s to describe Barchie which was a gun, a pizza and a key. I think this one could be the gun emoji.  Also in the promo there is a shot of Archie and Betty in her room looking out her window and Archie saying he is going to take the town back. I think maybe Arch comes to talk to her and when she doesn’t open the door he just comes in thinking something might be wrong. I do think they might be at the window to spy on the ghoulies is Archie’s house. It is also worth noting that Archie is in the same clothes that he was in at the end of ep 4 when they were at Pop’s so I think this scene happens early in the episode. It is also possible that Archie stays at Betty’s to do like surveillence on the ghoulies. 

3) There is also a shot of Veronica in the blonde wig and it looks like she is either buying or selling one of those eggs. In the synopsis in talks about how Veronica gets crafty when she finds out Chad is having her followed so I do think this scene is related to that. The egg to me looks just like the one she sold this episode so maybe she is buying one back for some reason. 

4) We can see Hiram telling someone that maybe he should teach them a lesson. I think he might be talking to Archie here. I could see Archie going straight to Hiram after meeting with the gang and then going to Betty after that and making that I am taking back the town speech. 

5) Another scene in the trailer is Betty saying when are we going to kick their asses. I think her and Archie are making a plan to get the Ghoulies out of Archie’s house. We do also get a shot of the ghoulies and it looks like there is alot of them in there. It also looks like they have trashed the place. I do think its possible this is where the pizza emoji will come in I could see them having pizza while they strategize and the key could be to do with getting access/ control of Archie’s home back. We do also see scenes of Betty and Archie beating up the ghoulies with baseball bats so I reckon they will be successful in driving the ghoulies out.

6) We see Jughead at one point hiding behind the counter at Pop’s. We know from the synopsis that he is hiding from debt collecters. We also know that he is getting a new job I could see him getting a job at Pop’s. Again I think Jughead is very much mirroring his father right now and this would be another parallel between them.  

7) Ok so the shower scene. I am pretty sure that it is Barchie in that shower. But the question is how do they end up in the shower together. Well someone else earlier when that scene first came out said they thought the shower looked like Archie’s and yeah it definitely could be there is a window in the right place. So if it is Archie’s shower that maybe their blodd is running a little hot after beating up the ghoulies and the adrenaline is still pumping and that leads to them hooking up. Now I am being a very greedy Barchie shipper here but what if it doesn’t start out in the shower. What if they start out in the bedroom for example and then after decide to take a shower together and thats when they hook up for a second time. I’m just not sure why else they would both be in the shower. Unless they spend the whole episode having moments and the tension builds and builds as the episode goes on, then the fight gets their blood pumping and when one of them goes to have a shower to clean up the other just thinks to hell with it and joins the other one in the shower. 

Well as I said earlier I really enjoyed this episode and I am looking forward to seeing where it will all go. So until next time.   

[rabdoidal]

are there any other podcasts youd recommend? im caught up on critical role & magnus archives and want more good fiction thats not rigidly hetero

as always ill shamelessly plug my gay podcast artificial ghost radio, but its not fiction based - these ones are! these are just from my personal library but theres plenty out there, but im mainly putting down ones you’d like based off CR and TMA

The Penumbra Podcast (sci-fi, fantasy)

There are two main universes with many different linear story arcs within each: Juno Steel and the Second Citadel. Juno Steel is a neo-noir set on Mars and focuses on Juno Steel, a private eye. If you like being sad, being gay and doing crimes, its for you. The Second Citadel is a fantasy setting following several different knights, trackers, scientists, and monsters and their experiences living in a not-so accepting world. If you like being sad, being gay and high fantasy bullshit, its for you.

Wolf 359 (comedy, drama, thriller, sci-fi)

Space crew full of unlikely characters trying their best to keep their ship from falling apart with a roll of tape and hope. Includes some horror and enough found family to kick your ass in half. Very emotionally distressing, but it’s the best in its genre - you can’t find a better space podcast that gets you like Wolf 359 does.

The Bright Sessions (sci-fi, drama, slice of life)

A therapist records parts of her sessions with super-powered people, helping them deal with mental illness, sexuality, and other problems while also helping with controlling their powers through mindfulness. It’s a super engaging and emotional podcast, and I only started it recently! 

EOS 10 (comedy, medical drama, sci-fi)

Another set in the future, another set in space. The podcast follows Ryan Dalias as he begins working as a doctor on a big-ass space hub, while also helping their head surgeon get sober. Oh, also there’s space pirates, bounty hunters, dimension and time travel, and evil organisations trying to fuck up Ryan’s day at every turn 

Welcome to Night Vale (comedy, horror)

A classic! My first podcast! It’s all a broadcast of a radio host (Cecil) in a small desert community somewhere in America that is full of the strange, cryptic and supernatural. It all reads more like poetry than prose in times - people die but they get better. Its almost like if a town actually existed like how a deranged conspiracy theorist thinks it does; all their theories are correct. 

Alice Isn’t Dead (thriller, horror, drama)

My favorite of the night vale presents podcasts; a woman quits her job to become a truck driver looking for her missing wife, who she assumed had died. Similarly to WTNV, it sounds very poetic and beautiful at times, but it is horrific, and terrifying, and beautiful. I can’t describe it any more or it’d spoil the whole thing.

Within the Wires (drama, sci-fi, dystopia)

Yes, half of these are night vale presents podcasts. Within the Wires has a few seasons now that are all different stories within the same universe; a society/world reformed after a big calamity/war that is supposed to be perfect, but the podcast follows the stories of those that can’t exist within the system (I’m being vague because everything is a spoiler). The first season is formatted like relaxation/meditation tapes found in an institution, the second is a series of guided museum tours. I highly recommend it if you like vague endings, being sad, but love being gay even more.

The Orbiting Human Circus of The Air (drama, comedy, magical but in a Christmas miracle way not in a Harry Potter way)

So the guy that wrote Hedwig and the Angry Inch and the lead singer/songwriter for the Music Tapes made a podcast set in turn of the century France about a janitor that dreams of being a radio host, but is painfully clumsy and awkward. The podcast features his dialogues as well as excerpts of the radio show The Orbiting Human Circus of The Air that is being broadcasted in a ballroom at the top of the Eiffel tower, where the janitor also works. It’s cheesy, its over the top, its theatrical, and its VERY holiday appropriate this month!

King Falls AM (comedy, sci-fi, found family)

I know we talk about found family a lot in this bitch but the two AM radio hosts in this podcast say “you’re like a brother to me, i love you” in almost every episode. It’s set in a small town, two people doing a radio show together and dealing with the weird people that live in King Falls. Ben is a local and Sammy just moved there, so he has trouble adjusting to the ghosts, werewolves and aliens.

[happymeishappylife]

DC CW Shows

I finally caught up on all the DC Universe shows. Quite an accomplishment for me considering I was 2 seasons behind. It feels good to finally get caught up to speed, but some of them are starting to feel like chores getting through them, rather than fun entertainment. A concern that gets amplified by the fact that the producers want to add on 2 more shows to the line up. So I felt like it was a good idea to breakdown my thoughts on each of the shows and what I liked/didn’t like. Plus then I will break down my thoughts on Crisis, because I have a lot of them. I’ll also rank these as I go as far as which ones I liked best, beginning with least to best. So let’s begin:

#7 - The Flash

I used to love this show so much. The first two seasons were a lot of fun and I loved all the characters so much. Thanks to the writing though, I can’t honestly say I don’t like this show much at all anymore and that’s kinda sad. Part of the reason is it became soooo angsty. Like the reason The Flash was great, was it was the antithesis to the angst on Arrow which made it so refreshing to watch. Now it’s like everyone must suffer some sort of pain over the tiniest things or worse, they become entrapped in characters and situations like its been haunting them for years when it only got introduced a couple episodes ago. At this point the only characters I care about are Caitlyn/Frost, Joe and Cecile West, Wally (when he’s on, which is like never), and Ralph. And that’s painful that Hartley won’t be returning to fill that role anymore because he was the only one who still could joke and laugh around like old Team Flash.

Season 5: Overall season 5 had a pretty solid storyline despite some of the angsty writing. After a while though I got pretty sick of fighting Chicada over and over again, especially Grace’s version. My one big pet peeve with it though was the relationship of Nora to Barry and Iris. I’m sorry. I can’t honestly picture any 20-30 something meeting their adult daughter and automatically assuming the role of an actual parent and treating her like a preteen. That always felt super weird and uncomfortable. Not to mention it happened almost automatically with little to no hang ups on ‘is this really our kid? Should we trust her?’ Plus then it created angst between Barry and Iris which I’m really over at this point in the series because their relationship was never my favorite to begin with.

Season 6: A hot mess. Granted, because of Crisis and Covid-19, the season probably didn’t get a fair chance to play out to it’s full potential. But cutting the season into two arcs didn’t do it any justice. Especially because instead of having character growth, I felt like a lot of the characters regressed. Take Barry for instance. The whole first part of the season is him prepping/training the team to take over for him after Crisis since he believes he is going to die. Only when he doesn’t, he assumes the role of leader still without actually leading. He stops telling his team members key details and putting aside the fact he killed the speed force, he stopped being a hero. The whole fight scene with Mirror-Iris, was so bizarre to watch. Yes, Barry would never hurt the real Iris, but she’s not and instead he just stands there and gets stabbed over and over, crying at the end that she’s not there. It’s really hard to watch.

#6 - Arrow

Arrow used to be in my top 3 slots as last I left it. The storylines were still on point. But leading up to Crisis and the show ending, there were some things that worked for me and some that didn’t. Still, kudos to the team for standing their ground and saying that we’ve told all we can tell, let’s put this show to bed and give it a close it deserves. It made the ending super emotional, but at the same time satisfying despite, Oliver’s death in the universe. My only complaint is the fact that the producers can’t put it fully to bed and now want to reboot Arrow all over again with Mia and the canaries. Don’t get me wrong watching strong women take more of the leading roles is awesome, but not to tell and retell the same storylines.

Season 7: The first half of the season when Oliver was in Iron Heights was not my favorite. Mainly because as it continues to develop it was like all the reasons he got put in Iron Heights to begin with no longer mattered. Diaz is still on the lose, he’s still playing his games in prison, and really what was the point? Now the second half of the season where we focus on his rehabilitation into society and working with the SCPD to track and take down his sister Emiko, was actually good. Too bad it got horribly overshadowed by a time travel flash-forward storyline to introduce and make us care about Mia.

Season 8: Obviously this season was the closeout season and the season leading up to Crisis. But I liked the way they treated it. They gave cameo spots and guest starring spots to former faces like Thea (she’s still freaking awesome), Tommy, Moira, and even Merlyn came back. My only complaint was that all of sudden we did have another time travel situation on our hands to meet our future kids. Thankfully I felt Arrow overall took that development better than the Flash, which since that was only a couple episodes and not a season, says something about the writing. Plus the post-Crisis pilot for the Green Arrow and Canaries felt a little out of place given everything that happened and a little insulting.

#5 - Supergirl

There’s parts of Supergirl I still absolutely love to pieces and the writing that are still doing it the justice that started the show by telling storylines of not only heroism, but commentary on today’s events to help push for progress. I love the whole cast of characters and think the acting has been great. My only complaint is with Season 5 and the fact that the show is beginning to find its tipping point of being less than stellar. I mean, I still enjoy it, but it’s beginning to show its where and tear so I’m worried what’s going to happen as it continues forward. Especially as it gets hyperfixated on Lex Luthor, who don’t get me wrong is a fabulous villain, but isn’t that Superman’s arch nemesis, not Supergirl’s?

Season 4: What a great commentary to tell throughout the season that parallels the feelings and conversations being had about immigration in our own world. I thought the idea of the Alien Amnesty Act squaring off against Ben Lockwood and his Agents of Liberty was not only great commentary but great story telling. I also loved that we got to introduce Nia Nall into the series because she’s fantastic and has become one of my favorite characters. I even love the twist reveal of how Ben Lockwood isn’t the enemy, it’s really Lex Luthor and his communist Supergirl clone. Plus Jon Crier plays an amazing Lex Luthor.

Season 5: Don’t get me wrong, the stakes and the storylines with Leviathan and Obsidian North, I do think are important and worth telling, but they detracted from the main storyline that developed at the end of last season which was Lena and Kara’s new relationship. Yes, it was still hit on and explored, but by far that was the storyline I was interested in seeing the most, not Ramah Khan or Virtual Reality horror stories. Also, while I like Lex, thanks to his antics during Crisis, the second half of the season felt hijacked and became this witch hunt. Don’t get me wrong, I can’t wait to see what he and Lillian are doing, but I wish it played out more in the shadows and less of the actual screen time. I’m also glad Lena is back on Kara’s side again. But Brainy better not be dead! He’s one of my favorites even if his motives during this season were hard to watch.

#4 - Batwoman

I actually really, really, really liked Batwoman’s first season. Getting to know the badass that is Kate Kane and watch the horror’s of Gotham play out week to week was such a refreshing change of pace. After all, The Flash and Supergirl are undeniably heroes and must carry those burdens(?) as they fight for truth and justice. And Oliver was a vigilante, but while he took down drug lords, weapons dealers, etc. the stakes of being a vigilante in Star City is nothing compared to wearing the cape in Gotham. I loved the cast and seeing the stories play out of their past and how they connect to each other and also how some of them discover who Batwoman is, was fantastic. Even as creepy as Alice is, I enjoyed seeing the performance of the completely unhinged and psychotic villain take the stage to play out her twisted fantasies. I also appreciate the openness that Kate brought to being an out and proud lesbian, even revealing her super identity to a teenager to prove that it does get better and lesbians can be awesome is super freaking powerful. I even like that with the shortened season, it didn’t feel like we got robbed of an awesome storyline, but now we get to why this ranks fourth on my list instead of higher: Ruby Rose left the show and we get a whole new Batwoman. I get that this is out of the hands of the producers and the writers and I am super sad to see her go. But its hard not to feel like we lost a whole season of introduction and development to just reset and begin again. I’m not sure how they will handle it, but I do hope that a lot of the cast stays and stays in their roles. Especially Luke and Mary who are a great team. Mary is also like my all time, instant-favorite character because not only is she super wicked smart, but she has so much humanity in her so I hope she still continues on the show.

#3 - Stargirl

 Yes, yes, this show is still airing which is why I can’t speak to the overall season arc in finality yet, but I absolutely have been loving this first season. Again, what a refreshing new reality to step into and what a great new storyline to pursue. This rag-tag group of teenagers becoming the new Justice Society of America is a fun telling and already, the stakes of the Injustice Society are so high! Like I was expecting that it was going to be like the other shows where slowly by slowly we meet all the bad guys in different seasons, but instead it feels a little flipped since we don’t have all our new heroes on the stage yet. Still I love Courtney and her relationship with Pat as she discovers these secrets of his past and their new home of Blue Valley. I love her recruiting reasoning to bring Yolanda and Rick into this crazy plan and even her acceptance of Beth becoming the new Doctor Midnight. Plus, the show keeps surprising me because on one hand, giving these teenagers these powers to help them redeem their self esteem is a great storyline, which is why I was expecting them to force us to like Cindy since the beginning of that episode was leading up to maybe becoming friends with her, but no. Turns out she is the super bitch and super villain of the show and that’s kinda awesome. Also I like how because their teenagers, their secret identities aren’t really that secret, which makes it’s kinda fun, but also dangerous. We’ll see how the last 3 episodes play out, but I can’t wait.

#2 - Black Lightening

Talk about real gritty, dark, and powerful storytelling. I enjoyed the first season, but these last two have been a real punch in the gut in good ways and the writers have been outdoing themselves to provide heartfelt, real, honest emotions and discussions to the world of superheroes, compared to the other shows. And it’s hard, but the gruesome nature of the show also highlights some of the real struggles going on in the Freeland Community which of course highlights the issues in our own world around the Black Community. The whole spinal chord ripping scene will haunt me forever and not only because they keep replaying it, but because of how insane that was. The cast is also great and I love that at the end of Season 3, it’s not just a family of super heroes, but a group of powerful metas squaring off against the government and the most dangerous threat of all so far: Gravedigger. Gives me goose bumps just thinking about it.

Season 2: Now that the whole family knows the stakes of what they have gotten themselves into with Tobias and revealing the girls have power, I love the way we got introduced to the ASA and the pod kids as a menial threat while still struggling to take down the perceived ‘bigger threat’ that is Tobias. Jennifer also having trouble coming to terms with her powers and how to use them I think was a great way to explore that not everyone wants to be a superhero, especially in antithesis to Nyssa who is a full on badass as Thunder and Blackbird. Watching Khalil’s story in this go from obedient lap dog to a runaway and finally a victim of Tobias’ violence was hard, but I felt was justified throughout and made him that character you want to root for, even when not everything he’s done has been great.

Season 3: What a harsh turn of direction. A full on occupation of Freeland, house arrest, killings on the street, and an underground railroad of metas or suspected metas completely changed the tune of this show. Watching each of the Peirces struggle to find out who the ASA is, what their doing, if their actions are justified and if the Marcovian threat was real was really fascinating to watch. The showdown with the Marcovians too with a whole team behind them was also a nice change of pace, even if their mission didn’t end the way they expected. I think the amplified stakes though of what happened and what’s to come will continue to develop into an incredible show, minus one now big problem I have, but I will detail that out below when we talk about Crisis.

#1 - Legends of Tomorrow

You can fight me, but Legends of Tomorrow is the best goddamn shown on this network for one simple fact: They don’t take themselves seriously. There is no real angst and because of that it makes the adventures so fun and so hilarious that its such a great break from all of the other shows. Plus, because they keep swapping new and old cast members into the show, it always feels new. Kinda that Doctor Who spirit, which I love. That and because there are hardly any rules to a time travelling group of heroes who don’t really want to be heroes, you get ridiculously themed episodes like Bollywood Musical or TV Crossovers. It is what makes the show a total blast.

Season 4: As the team gears up to track down magical creatures throughout history, you get the introduction of permanent team member, John Constantine who I freaking love for his cool, aloof character and yet sarcastic and sassy contrast to the sunshine and bro-squad that is Ray and Nate. I also love that the season not only was about capturing these magical creatures, but fully rehabilitating Norah Dhark into a good guy now accidentally turned fairy godmother. To be honest, I definitely did not see that one coming. I like that fighting the demon lord also helped transition the show from Season 4 to 5 to fight hell spawn creatures. Quite a leap from the original Legends concept, but again that’s what makes this show so fresh.

Season 5: Part of the other fun of Legends is getting to see old characters get reinvented. I loved the storyline with Charlie and her reveal to be Clothos, one of the 3 fate sisters and the reason the ancient loom got destroyed. I also loved Tala Ashe’s portrayal of Zari in a different timeline because the difference between tech-geek, super smart Zari and social influencer extraordinaire Zari were well done. Plus we got another awesome bro-squad member in Behrad who I hope sticks around for a while. The only bummer was saying goodbye to Ray Palmer. Ray has been one of my favorite characters in the Arrow-verse and seeing his exit was sad and partly because I think it could have been handled better. Like don’t get me wrong, seeing him have to get approval from Damian Dhark to marry Nora was entertaining and I’m glad he isn’t dead like Dr. Stein or Leonard Snart, but I just feel like the exit was a bit rushed. The good news is, it opens the door for Ray to return and I hope we get to seem in the future.

Alright...... To end this long spiel, let’s talk about Crisis on Infinite Earths and what that now means for all these shows. Because unfortunately.... it can’t be ignored. And I’m sorry to sound pessimistic, but to be honest, Crisis wasn’t my favorite story and was too hyped for the end result.

The only show who came out better for Crisis, in my opinion, was Arrow. Mainly because the story of Oliver’s last sacrifice to reboot the universe was the only one that made complete sense and doesn’t complicate the show after it happens. Granted it could be because it was used as the show’s exit, but still. I used to love crossover episodes and getting the whole team together, but now because there is soooo much going on in each show and such a large cast, these big multi-night and multi-universe shows just feel scattered because you are constantly hopping around and between each of the characters and all the individual storylines don’t matter. Like remember when Barry and Oliver would actually talk about what they were up against? Miss that. That and Oliver, Barry, and Kara stole the show even when it was other shows turn to shine. Like Kate was hardly in it, even in her own episode and the Legends weren’t in it at all. It was just Sara and Ray which was disappointing because as Crisis was their season opener, you missed a real chance to have the Legends save the day. Don’t get my wrong, there were some great moments during crisis and I liked the nod to past versions of the DC characters, including Brandon Routh getting to play Superman again, but overall it just made chaos for things that don’t make sense post-crisis.

Like yay, all our favorite heroes are in one place and created the justice league to help each other, but once Crisis is over, nope sorry, no one can be bothered to borrow a hero friend. Like that makes sense for some shows, Batwoman for instance isn’t that close to everyone and her storyline is so rooted in her own family drama, that ignoring the other supers made sense. The Flash’s stakes weren’t high enough to involve anyone else, so fine. And Legends of course travel through time and so aren’t around, fine. But Supergirl’s takedown of a longstanding secret group of people capable of bending Earth’s elements to create catastrophic events, isn’t enough to at least reach out to Cisco or Luke for help tracking them? That seems underwhelming. Plus where are the aliens in all the other cities now? Or the metas in National City? That’s a pet peeve, but more so because of the biggest twist in Crisis:

Pulling Black Lightening into the Arrowverse. Like the shows writers and producers, I think Black Lightening works better outside the Arrowverse which was the intent and goal from the get go. Pulling Jefferson Pierce’s family and world into the same Earth as all the other shows, no longer makes the shows storytelling as strong and maybe it was because this was a last minute decision, but there is just no justification post Crisis as to why they had to come in. I mean, The Flash and Black Lightening have metas related issues, you would think that alone would be a prime source of teaming up. Especially when Cisco goes out on a worldwide quest to document metas, you’re telling me skipped over Freeland? And where’s our favorite Kyrptonian to fight for truth, justice, and the American way as Freeland is being occupied by the ASA? Oh, what too busy going after Lex Luthor? Sorry, I’m not buying that Kara Danvers ignores racial injustice. Like I get that maybe it was a way to be able to use Black Lightening later in cross-over events, but the fallout from bringing them in this season with everything going on is a huge mistake in my opinion. And heck, having shows exist outside each other is probably a good thing. Too many and these crossover events don’t feel fun anymore, they just feel chaotic. I think I’m with the Legends on this one: the crossovers aren’t worth it anymore.

[nonbinaryhatboxghost]

Okay, today has been a quiet Saturday morning so far, I have some time, and I like lists. So here is my random (personal) ranking of Star Trek series and movies, out of what I’ve seen, which is everything but seasons 5-7 of Voyager, all of Enterprise, and all of Picard. I’m only counting shows with three or more seasons because it’s easier. But let the record show that I love Lower Decks so far and The Animated Series is actually a blast.

SPOILERS THROUGHOUT

Series Ranking

The Original Series - As influential of a show as it is, I constantly forget how much damn fun the original Trek is. There is an almost Community-like variance in tone and genre throughout the show. And I’m a sucker for a future that embraces primary colors. It is the Trek show I revisit the most so far, and it remains my favorite.

Deep Space Nine - This one comes close, though. It starts out as a solid spinoff with very well-defined characters, and then becomes a big, sprawling epic that had my eyes welling up by the end. It feels more like a sequel to The Original Series than The Next Generation did to me. It dealt with subject matter both different and darker than was expected for the time. It had characters at odds with each other. Religion was explored in a way that balanced brutal honesty with genuine respect. War and the various traumas it induces were acknowledged. And it had “Take Me Out to the Holosuite”. I only finished this one recently but I look forward to watching it again.

Discovery - I was rooting for this show to be good even as it went through so much behind-the-scenes drama during its first two seasons. Even with all of that going on, the show became a fascinating watch as you saw it change from its arguably-too-dark beginnings as a prequel, to the almost Doctor Who-like second season with its joyful embracing of classic Trek, and finally to its current iteration that at long last gives us a Trek show that’s not bound by prequel limitations. Michael Burnham is such a great character and getting to see her arc alone makes this one of my favorite Trek stories. The queer/nonbinary representation also warms my heart.

Voyager - I’m just starting the fifth season, but the show has settled into an interesting groove with its characters. And Voyager’s characters are so damn good that they counterbalance a lot of the show’s early problems. It takes a while for Voyager to realize that the Kazon do not work very well as villains. But once the show realizes that, it begins an upward trajectory in quality that reminds me of Deep Space Nine after it began doing Dominion plots. And Seven of Nine’s effect on the crew dynamic lives up to the hype. Any scene between her and Janeway demonstrates such a unique relationship between captain and crewmate that an episode plot can be meh and still worth it for a scene with those two. Also, Janeway is the best captain character. No other Trek show (that I’ve seen so far) comes close to showing us the weight of leadership like Voyager, and Mulgrew constantly brings it.

The Next Generation - This is my first Trek show. It’s the one that my dad watched. There are several standout episodes to me, but I find myself less drawn to revisiting TNG than the other Trek shows because ultimately it took me too long to understand and care about its cast of characters. If you were to ask me to describe any character from any other Trek show, I would be able to. Ask me to describe a TNG character and I would likely fail to give any good adjectives for any character besides Data and Worf. As iconic as the show is, and as great as it became, it doesn’t have the same pull on me as other Trek shows. But it was the template for the spinoffs that followed, and the portrayal of Picard’s trauma post-Borg assimilation earns its reputation as an all-timer for me.

Movie Ranking

VI: The Undiscovered Country - I’m surprised this one isn’t talked about as much as other Trek movies. It’s a very frank depiction of prejudices and learning to deal with them. It has one of the best Kirk/Spock scenes ever. Christopher Plummer as a Klingon. The ORIGINAL cast credits sign-off (yes, Avengers: Endgame borrowed from this). A score that carefully balances menace with eventual hope. A fun whodunit structure. I could go on and on. It’s just so damn great, and so far the only successful send-off to a Trek crew in any of the movies.

II: The Wrath of Khan - It’s a classic for a reason. I’ve probably rewatched this more than any other Trek movie. You got your great villain, your classic crew beginning to deal with their mortality, an all-timer death scene, a kickass early James Horner score. What more could you want?

The Motion Picture - This is an interesting one. When I first watched it as a teen, I hated it. I agreed with every critique of it being thinly plotted and having an excessive runtime. When I revisited it in my 20s, it became a favorite. It’s Star Trek’s exploration of existential dread, and the struggle to find agency and identity within that dread. It has possibly Jerry Goldsmith’s greatest score. It is the best that the Enterprise has ever looked. This movie envelopes you with eerie and epic imagery, culminating in a finale with interesting philosophical ramifications and a well-earned return to optimism from its crew. This one is criminally underrated.

First Contact - This one is just rock solid all around. The best-ever TNG villains, further exploration of Picard’s trauma from Borg assimilation, Alfre Woodard, Alice Krige, fun action, the genesis of the Federation. It has the best balance of darkness and fun out of all of the Trek movies. It also has a character actually say the words “star trek” in a way that never ceases to make me smile. I don’t know if it’s a good line, but it’s funny regardless.

Beyond - Like The Motion Picture, I initially disliked this upon first viewing. I was still in the middle of watching The Original Series and was in the wrong mindset for this mashup of TOS and Fast & Furious. But it’s one of the most underrated Treks because it’s a perfect balance of the more kinetic action found in the 2010s with a very well-done breakdown of the inherent point and value of Star Trek: learning to be better and move beyond fighting the same battles among ourselves.

IV: The Voyage Home - This one is such a satisfying culmination of the crew’s arc starting in The Wrath of Khan that the joy of the 1980s material is almost just a bonus to me. Nimoy does a good job of keeping things light without disregarding stakes. He gets the best portrayal of the crew’s camaraderie in this and The Search for Spock. And Spock’s reaction to the concept of “exact change” always makes me laugh.

III: The Search for Spock - I revisited this one recently and it held up better than I expected. Seeing the weight of Spock’s death on Kirk in the beginning hits hard. Christopher Lloyd as the Klingon villain is casually one of the best Trek movie villains. And seeing the crew uniting over trying to bring back Spock gives us some of the best on-screen moments of this cast.

Star Trek - One of the reasons I love Beyond so much is that it retroactively makes this one better. I was crazy for this movie when it came out. I was in high school, Star Trek in general was something I was only really aware of because of my dad. But this is the thing that got me into Trek. And as mixed of a bag as it now plays to me, ‘09 Star Trek being a gateway for me to general Trek, combined with the perfect casting of the crew, the excellent Giacchino score, and the emotion of the opening sequence, thankfully makes this one still a blast to revisit.

Nemesis - I have only seen this twice, and both of those times without having seen TNG in its entirety. This was also the very first Trek movie I ever saw. Nostalgia is a factor for why this is higher than the others on the list. Curiosity is another, as I was unaware of Tom Hardy when I watched this, and have no idea what my opinion will be on rewatch. But what I always remembered of this movie was its ending, which even to a novice like myself when I first saw it had an impact.

Generations - There are quite a few great scenes that Stewart gets in this movie. Malcolm McDowell is also great in it. But the whole plot feels too forced for me to get actually swept up in it. And as fun as it is to see Shatner and Stewart share the screen... it ultimately has no impact and leads to a strangely lame death for Kirk.

Insurrection - The idea of Enterprise going rogue against the Federation for forcibly relocating a population for a natural resource is such a good concept... which makes the goofiness and half-baked writing of this entry all the more confusing. All the elements are there, but it feels like the tone was forced to be lighter than the material warranted. It’s frustrating because Frakes’ directing chops that he showed off on First Contact are still visible here. But for whatever reason, this one just falls apart.

Into Darkness - This one is low on the list mainly because it represents almost all the negative traits of the modern blockbuster to me. Darkness without depth, franchise callbacks without substance, and no character development/change by the end. Another reason why Beyond works better as a sequel to ‘09 Star Trek than this one is that Into Darkness feels more like it’s trying to make Star Trek a bigger movie franchise rather than develop this iteration of the Enterprise crew. Nothing and no one is changed by the end of this story.

V: The Final Frontier - It is the most difficult Trek movie to sit through, and yet I can’t call it a disaster. For all of its misfirings on the comedy front (dancing Uhura, for instance), the camping material with Kirk, Spock and McCoy is genuinely great. The premise of its villain being on a quest to find God is ultimately a misfire, but it leads to a very engagingly ridiculous climax centered around the question “What does God need with a starship?” There are far too many undeveloped ideas in this one, but that scene is worth seeing this movie for. At least, now that we know it didn’t kill the franchise, as so many apparently feared when this came out.

[plum-pudding-and-honey]

MONTHLY RANGE : Eight & Charley & C’rizz (1/2)

Scherzo -  2.5/5 : So... I really don't know how to rate it. Because I recognise the brilliance of the thing (excellent way of using the audio medium, the sound creature was brilliantly creepy and the atmosphere is so cringy but in a good way? Also Paul McGann and India Fisher are excellent and they do have good chemistry together). But I'm not a fan of Eight/Charley so this was kinda … annoying? I liked how the Doctor/companion relationship is explored and I like the fact that companions are memento mori (a nicer way of saying "pets", the Master gets it) but I really hated the idea that Charley was the first one the Doctor really loved (lol no) because like Rose and Clara, Charley is supposed to be """special""" (the difference being that Rose and Clara actually believe that they are special, it's not the case for Charley which is why I don't hate her with all my guts like the other two) in her relationship to the Doctor. Each and every companion has a special relationship with the Doctor, no one is special and the Doctor (whatever the incarnation) loves them all. Period. So yeah, having them mopping for two hours about "You said you loved me, you didn't mean it", "But I love you", "No, I don't love but actually I do, I'm just trying to protect you." was annoying. Just say you love each other, kiss or whatever and move on, but don't linger on it for THREE episodes, thank you very much. And then in the last part, the Doctor admits that he loves all his companions, so yeah great, but what was the point of saying that Charley was the first one half an hour before except pissing me off greatly? Despite all this, this was still a good illustration of my Eight-treats-his-companions-like-shit thesis. (Also, forgot to mention, Eight at the beginning whining about loses his senses … annoyingly brillant and sent me huge Eleven vibes). So yeah, I love some of it and hate other bits, so I guess I'll settle for something in the middle, rating-wise.

The Creed of the Kromon -  2/5 : It was going well pretty much until the end first part. Then it became a huge disappointment. We have two female characters, Charley and L'da, and they're both reduced to being reproductive tools for the Big Bad Bugs of the week and despite saving L'da being C'rizz motivation from the beginning, he just shoots her when he finds her without even considering trying something else to help her, I mean it's not like she begged that bad. And then he's ready to do the same to Charley. Great. Way to go. I hope this trigger-happy tendency will be corrected soon because I do find him an interesting character - I mean he's rough around the edges but there's way for amazing character development so please don't screw this up. The chameleon concept is also great (and wouldn't work on visual medium, let's be honest). Consider me hooked up for the Kro'ka/C'rizz arc (which I don't remember at all btw so that will be like listening to it for the first time). Also, I have to add that Eight's laugh in this episode cleared my skin, watered my crops and all of this. Also! I’m glad to have a Doctor + two companions dynamic, I really love it

The Natural History of Fear -  4/5 : So this was weird. I mean most of Eight's adventures in the main range are weird but this is another level of weird. Like they're really taking meta to the next stage. I don't have much else to say to be honest, except that it was difficult to follow at times but that I obviously loved the 1984 vibes. THIS IS THE VOICE OF LIGHT CITY. WELCOME TO YOUR NEW WORK DAY. TODAY IS HIGH PRODUCTIVITY DAY. Also that end twist *shocked*

The Twilight Kingdom -  2.5/5 : That's not particularly memorable. It really struggles to keep us hooked up for two hours and it didn't really work for me : I've lost interest and let my mind drifted several times and I was still able-ish to understand what was going on. That's not a good sign, people. The interesting bit was at the end with the return of the Kro'ka and how the mystery thickens about this weird place. Also Eight yelling "RASSILLON" at the end … someone's mad at daddy. We get to know a bit more about C'rizz which is always good to take since last episode didn't offer us any insight on his person at all. There's something definitely shifty and not coherent at all about him, like he's supposed to be a pacifist monk and yet, he's a pretty violent lad (I mean, this episode doesn't really count, he was controlled, but in the Creed of the Kromon he's not particularly gentle), which he acknowledges himself (I mean it could just be that being enslaved by the Kromon changed the man that drastically, but still...)

Faith Stealer -  3.5/5 : Ah! Finally we learn a bit more about C'rizz and we address what the hell happened in the Creed of the Kromon. Although, did he just get brainwashed into getting rid of his guilt, just like that? Because if that's the case, I'm gonna be very disappointed. I mean, I don't want him to suffer or anything but it all seemed a bit easy. Also, yeah, poor C'rizz, easily manipulated and preyed on by pretty much anyone is this freaking universe - can anyone give him a break for a second please? (also, is strangling Charley going to be a recurring thing or what? Because that is NOT ok, writers, no matter how much Charley jokes about it afterwards). Anyway, the plot was ok, the multihaven (or whatever the name of this place was, I don't remember) is an interesting concept (even more relevant today) and I really liked the idea that it's completely ok for anyone to worship literally anything without judgement. 

The Last - 3/5 : Excelsior used a nuclear weapon to end a never-ending war and killed most of her people in the process? Excuse me? The unpredicted parallel with the Doctor and the Time War is up the roof people. And so I can't help thinking that this story would have been much better in a shorter version with a post Time War Doctor (can you see this with Nine, Rose and Jack? Because I definitely can and I'm not ok). Anyway. Charley doesn't get strangled this time but choked with a pillow. I don't know, do the writers have a kink about strangling/choking/killing women? And her death was the least credible possible with the Doctor moving on from it like twenty seconds after and absolutely not going into huge drama/self pity/extreme guilt mode, so you know she won't stay dead very long. I liked C'rizz very much here, he's actually growing on me much more than Charley. I like his loyalty and the fact that he has a much darker side, when it's actually well exploited.

Caerdroia - 5/5 : gfvbvgttybvgf THREE EIGHTS THREE EIGHTS T H R E E  E I G H T S it's more than I can take. Hmm. So, i love the first part where the Doctor takes a nap (he deserves it) and sass the Kro'ka into telling him where the TARDIS is. I love him. Then we gets three versions of Eight and that's when I completely lost it. I also quite liked the crazy vibe of this episode, which felt a bit like Alice in Wonderland (again). The labyrinth part (or is it a maze??) was quite well done and the fact that it feeds off the Doctor, Charley and C'rizz subconscious was a nice to get to know them a bit more (especially C'rizz, whose annoyance with Tigger!Eight was very relatable). Charley and Eeyore!Eight was also priceless to be honest. And finally, finally, we get the TARDIS back and yeeeah! Also the Kro'ka is a frog vbyvegbvfy I can't

The Next Life - 2/5 : Excuse me but did this thing need to be that sexist? I mean... even Eight was a bit borderline a couple of times. I hated Charley in this episode, I hated how quick she was to judge C'rizz and how jealous she is throughout this audio when she's never really struck me as being jealous, especially not of C'rizz of all people. And it's a shame, really, because I was starting to think that maybe, she was getting less annoying. And most of all I HATED how her interactions with Perfection were depicted, how they bicker about the Doctor and, like, I get that it makes sense with Perfection being Zagreus and all, but it was very poorly brought, and ... just no. Also Perfection's relationship with Kip ... brrrr. Again, no. The plot in itself was not particularly memorable. It ends the Divergent Universe arc properly, the idea of this universe being in a constant cycle was kinda interesting and made sense with everything we had learnt so far so that's that. It was also nice to get to know more about C'rizz and I really like him more than Charley, and I hope he'll have a proper chance to find out who he is now. I'm definitely disappointed with this audio, it was way too long and problematic. (Just kudos for the Grace reference ... and it's made me miss Grace so I might rewatch the movie as a treat)

Overall opinion : Well I’m glad this is over. The Divergent Universe was an interesting concept but the quality of the episodes overall wasn’t very good and the way women are treated/depicted here is just a big NO. Big kudos for Caerdroia which was a nice surprise. The Natural History of Fear and Faith Stealer are good too, not as much though, and the rest, I’ll probably forget very soon, just like I did the first time. The only good thing to come out of this is my boy C’rizz

[joanielspeak]

Hey, I love your writing! I really admire how precisely you write a character's feelings. I wanted to ask what your influences are writing-wise

Hello Anon, thanks so much, and I appreciate your ask! 

Influences. Geez. I take Ray Bradbury’s approach to writing and let everything I read or watch influence me, from classic literature to B movies to abandoned business cards found on a subway car. I don't know if that’s good or bad. It’s probably more confusing than anything.

I’m assuming you’ve read a little of Unhitched and that’s what you are wondering about. That ridiculous undertaking actually started as a writing exercise. I was trying to discover my own style and it was originally supposed to be crack. Unhitched gave me an outlet to explore the more artistic side of writing after I’d learned a lot of the technical aspects in the half a million words I wrote prior to starting it.

Over the course of the three (!) years I’ve been writing it, I’ve let a lot of authors influence my style, mainly as I was doing a lot of research, learning the “rules” of writing. You can’t break rules without learning them first and classics are classics for a reason. Since Hopper is a bibliophile, I had to read to keep up with him. He talks a lot about books – Alice in Wonderland, Sirens of Titan, Brave New World, even Peter Pan – and if you’ve read any Kurt Vonnegut, I call back to quite a few of Vonnegut’s books or characters in the early chapters. I can’t say anything in Unhitched is even remotely Vonnegut in style, but I do appreciate Vonnegut’s frank, brusque humor. It makes my heart cough and sing and cough again.

By about mid-2018, readers started commenting more often and some were comparing Unhitched to other novels they had read. From Anthony Burgess's A Clock Work Orange to Jack Kerouac’s On The Road. Someone mentioned a scene reminding them of a play and another mentioned a mystery author. 

After a bout with writer’s block, I ended up reading On The Road to get that traveling feeling again and it sent me on a Beat Generation binge. I read anything I could from William S Burroughs (whose influence will pop up later in Unhitched) and Ginsberg’s poems. That’s all mid-20th century American literature which plopped me back in Vonnegut territory and rummaging through stacks of old sci-fi. I really appreciate the original sci-fi greats – Shelley, Huxley, Orwell, H.G. Wells and Lovecraft; the sci-fi writers who were more atmosphere driven (Philip K Dick) or emotion driven (Ray Bradbury). All consumed with great haste. These authors have greatly influenced my next big project titled Charm City, which will be released (hopefully) in the coming year. It's already 180k words and what I have been working on while Unhitched is on hiatus.

So those are the authors who influence my style. But there is a whole host of other junk that weasels its way into my stories – art I see (I write about some of it in my chapter notes), or music I listen too. And for Hopper, I had to do a lot of research into philosophy. His whole arc is just a self flagellating circle jerk of sorts. Think Nietzsche or Kant. Philosophy sieved through the jumbled up grey matter of a sexually confused, rabid bunny rabbit with a budding hero complex.

Also, the whole fic is set in the 70s, of course, so I use a lot of crap Freud and Jung when Butcher speaks because A. I like making his character seem high and mighty when everything he says is just psychobabble; and B. that was what everyone was discussing in the field of psychology. We are talking the age of lithium and lobotomies. Sanitariums were still a thing, especially when Hop would have been growing up.

A lot of my best sections come from my own interpretation of old asylum stories either found online or told to me by the members of my family who spent time in sanitariums in the 50s, 60s or 70s. They were wild times. Anyway, I hope that even remotely answers your question. ❤️

[bellarxse]

Get to know: Cesca Joyce (TMOHB)

100 Questions (https://the-moon-dust-writings.tumblr.com/post/159843387908/100-oc-questions) to get to know Cesca Joyce, MC in The Motion of Heavenly Bodies

1.    How do they present themselves to others? Soft femme – she has had the importance of femininity and her appearance drilled into her from an early age by her mother, but she has withdrawn from the idea of high-maintenance femininity as much as she feels she can

2.    Do they like animals? Cats and marine life. She doesn’t like dogs.

3.    How do they dress? Often as casual as she can manage, and often in something which hides her chest.

4.    How many language do they know? Fluent in English and German. proficient in French. Likes to watch K-dramas with subs, so she can pick up on the odd phrase now.

5.    How big is their family? Parents divorced. Two full siblings, two paternal half-siblings.

6.    What is their purpose in the story? Uh..they’re the main character. Ha. No, Cesca’s “arc”, such as it is at this point, is going to be about the importance of recognising and pursuing your own desires rather than letting people tell you what you should want.

7.    Do they know how to fight? The extent of her knowledge is basically that you should tuck your thumb into your fist if you throw a punch. That’s basically it.

8.    What is their back story? Distant father (working in international finance), mother (thwarted model, pregnant too young and unable to cope) at home with children she never wanted in the first place. She wants them to be the successes she never was, to shine with radiance that blinds the world. Sarah, their first daughter, is genial and hard-working but painfully plain, and the youngest, Alice, is manipulative and cruel, and looks it. But sweet little Franze, with her angelic curls and innocent blue eyes? Yes, she will do nicely. But it isn’t long before she rebels. Skinned knees and grubby hands (“Mutti, look what I found!”), and a profound disinterest in how to make herself more beautiful. So Julia tries again, taking away her rocks and microscopes and replacing them with vanities and lotions and potions, until Franze is a dejected little doll – almost literally, listless and lifeless. A teacher at school flags up “Cesca’s” (Franze’s) behaviour as being a “concern”, and threatens to involve child protection services. But how could it possibly be a concern? This is what little girls are supposed to be like.

9.    Why is their name their name? Conceived on holiday in France – and it’s generally considered an upper middle-class name in both countries

10.Do they have any nicknames? Francesca (anglicised), Franze (German diminutive), Cesca (English diminutive – her favourite), C (school friends)

11.Do they have a romantic interest? …I mean, yeah, that’s the point – but that would be telling. So instead, let’s talk about her only other long-term relationship, Julian, when they were both 17. A son of Father’s friend—and Father is friends with some of the best society has to offer, he’s told her himself—he is sure of himself and charismatic enough to make Cesca believe it as well. She thinks he loves her, though he only ever really loved chasing her, and she cries when he breaks up with her, not one week after they had had sex for the first time.

12.How do they cope with struggles? At work, depends on the struggle. She tries to judge carefully what the best course of action would be – either she’ll take some time away to let it simmer; or she’ll keep at it until she finds another way in. In her personal life, she avoids whatever she can get away with.

13.Do they have anyone they can lean on? More than she knows – she’s never tested it with anyone else other than Sarah. She isn’t always sure how her friends feel about her, not truly, especially after she is selected to go on the show without them.

14.How do they react to someone dying? Lot of numbness. She can seem insensitive or uncaring, but it takes a while for it to sink in.

15.Can you name 5 personality traits they have? Reserved, analytical, emotionally perceptive, avoidant, sensitive

16.How did they become a character? Because I was fed-up of the S3 MC being just different flavours of the same bold, confident person. I mean, it’s a CYOA game, there aren’t exactly many opportunities to feed in complex hopes/wants/fears, but even the S2 MC could choose to be “cool and mysterious” or “all out”.

17.Do they get along with others? She often chooses the path of least resistance – so often people think they get on with her better than they actually do, because she isn’t always honest with how she feels about things or people

18.What flaws do they have? Arrogant (mostly at work), naïve, perfectionist, practical, rigorous/over-zealous

19.How do they influence the story? A little too spoiler-y for now…

20.What do they look like? Honey blonde curls (usually pinned back), blue eyes, 5’ 3”. Quite pale, even after weeks in the Spanish sun – it would take a lot more time and effort for her to tan. Some freckles, but not many. Looks delicate at first blush, but is deceptively strong for her build. Bottom hourglass.

21.What are their hobbies? Collecting and listening to old vinyl records. Swimming and free diving.

22.What are their ticks? She blushes at the drop of a hat, and she bites her lip. She doesn’t intend it to come off as sexual or flirty (quite the opposite) but people don’t believe her.

23.Do they like children? If you ask her, she’ll laugh and tell you no, loudly. But Sarah has just had twin boys, and Cesca thinks that she might just die for them anyway, even if they don’t need her to.

24.How do they react to being around wild animals? Aquatic animals – loves it, very affectionate/serene (even when she went cage diving with sharks). Land animals? More of a mixed reaction, depending on how physically large/imposing they are.

25.If they were given the task to prank someone, who would it be, what would they do and would it work? She doesn’t so much prank people as plot to ruin their lives, particularly careers.

26.Do they have survival skills? Not really – her mother didn’t think it was necessary for girls, and she has thrown herself into science since.

27.Are they more book smart or street smart? More socially savvy than she gives herself credit for, but mostly book smart

28.How do they get out of a difficult situation? Depends on the situation. In a dangerous situation, she will call for help. In a socially awkward position, she’s like to use her looks to get out of the situation (e.g. sending someone off to get her a drink from the bar and then disappearing into the crowd). In a romantic situation, she’d use her intellect and talk through in excruciating detail why they’re not compatible.

29.Do they use their body, mind, personality or force to get what they want? See 28

30.What music do they enjoy? Older music, from the 1960s-1980s (90s at a push). She does like some more modern things, but usually if they’re either drawing inspiration from older trends or europop. Trashy Europop is a guilty pleasure of hers.

31.How do they overcome obstacles? Grit and determination, mostly.

32.When faced with a difficult decision do they get stronger or break? At work, stronger. Emotionally, she’s never fully broken down but she’s come close a few times.

33.Do they have any special powers? Just her brain.

34.How do they change throughout the story? She gets a little more assertive in articulating what she wants – but there will still be some room for growth

35.Do they have any friends? If so, are they close knit? Two close friends from school, who would do anything she asked of them (in terms of emotional support), but she is too scared to ask them. So their friendship appears more superficial than it actually is, in terms of what they do together

36.How is their family life? She only really sees her older sister. She avoids Alice (younger full-sister) like the plague and doesn’t make an effort to see her father’s new family. Will basically shut down if she has to see her mother. Christmas is not a happy time for her.

37.Are they likable? I certainly think so, but she’s my ambitious little alien baby so…

38.Are they the hero, or anti-hero? Depends on your viewpoint – certainly some of her “competitors” wouldn’t see her as the hero…!

39.Do they make questionable choices? I mean, we’ll see.

40.How do they become who they are? Through putting her head down and ploughing on. Ultimately running away from…

41.How was their childhood? …being made to feel like the only thing that mattered were her looks. Her mother tried to enter her for pageants and the like, and it was actually one of the terms of the divorce – her father wouldn’t give her mother any alimony if she made Cesca compete in anything like that.

42.Are they close with anyone who is going to screw them over? Again, we’ll see, don’t want to get into plot elements too much…!

43.How do they adapt to different situations? Do they adapt at all? She adapts because she has to, but she’s not particularly good at it.

44.How do they speak? (e.g. soft-spoken, hot-headed, vulgar) Usually soft-spoken, which makes a genuine laugh all the more startling.

45.Are they opposed to violence? There’s something about having been raised to be a good girl and knowing how people should behave in polite society which makes taboos like violence more exciting.

46.When is their birthday? 1st January 1997

47.Are they quick to judge? She tries not to, but she can make snap judgements based on appearances or actions that she finds hard to shake

48.Do they have anything they are trying to hide from others? How she doesn’t like being complimented on her looks, because they just wouldn’t understand.

49.Do they act different around different people? She is much more confident around her work colleagues, because she feels like she can show off her processes, rather than dumb herself down for people. She is very reserved around people she doesn’t know well and most of her family.

50.Do they enjoy the arts? Not a huge fan of reading, unless it’s science-related. Loves music, especially on vinyl. Likes films, usually action/thriller/horror.

51.Do they like science? Loves it. There’s a kind of beauty about it, about how it lets her order the world, and how she can see the world reflected in her microscope.

52.Are they more emotional or logical? I mean I don’t agree with the premise of the question, because it’s a false dichotomy, but she would say she’s more logical. Make of that what you will.

53.How do they deal with their emotions? Distraction tactics. Which means that there’s some stuff that she’s just…never dealt with. Massive issues with her mother.

54.How do they cope with sadness? She’s almost constantly sad, and she’s never really let the weight lift from her shoulders. It doesn’t bother her personally – it only really bothers people that care about her.

55.What is something they care about? She cares about the environment – she tries to be as sustainable as her budget allows, and she’s almost fanatical about saving water. (So she’s clean but she showers only as often as she needs to)

56.Would they die for anyone/anything? Probably her nephews.

57.What do they do when they are happy? Being happy looks very like being sad – she behaves much the same way, but she might fidget less or smile slightly.

58.How would they come across to other characters? E.g. messy, lazy, caring, childish Calm, shy (especially in the context of Love Island, since she doesn’t cope well with being flirted with overtly), clinical

59.Do they have a phrase they use over and over? No? Not yet, anyway

60.In a crowded room are they in the corners, sides or middle? She would gravitate to the sides, so that she can see everyone more clearly. If she’s with friends she trusts (and particularly if she’s had some alcohol) she’s not averse to being in the middle of the room, but it’s not her first option.

61.Are they comfortable being in a crowded room? She can find it overwhelming.

62.How do they relax? Listen to records, watch TV. She usually needs to relax by herself and “de-person” for a bit.

63.Have they ever harmed anyone and regretted it? Verbally or physically? She is usually the one to break off any budding relationships, usually before they become sexual. So for some of these early relationships, they were hurt because they thought she was really into them, but they were usually at an early enough stage that it was fairly minor emotional pain.

64.Do they like to dance? Not unless she’s drunk some alcohol. She doesn’t feel like her body moves very naturally, she needs her inhibitions to be much reduced before she even considers it.

65.How do they get around their environment? (vehicle use) She cycles a lot. She learned to drive when she was 17, but she’s a nervous driver and she doesn’t like it.

66.What about pet peeves? Loud chewers. It’s a sensory thing, she really doesn’t like it. Linked to this – people who talk with their mouths full constantly (she’ll allow it if you’re surprised or if you didn’t expect to be asked a question but if it’s your default? Get in the bin)

67.Do they have a disability? No.

68.How do they react to getting flowers? It depends on the person – if they’re someone who she would like to receive flowers from, it can make her month. If it’s from someone she wasn’t expecting, she can be a bit unsure of how to react – are they are thank you? Are they a proposition? She really doesn’t like receiving flowers from a “secret admirer” or something like that.

69.Would they ever wear a flower crown? Not usually, maybe for something like a wedding? And definitely not if she’s the only one.

70.Do they like themselves? Sometimes. She likes herself when she’s at work and successful. She usually likes herself when she spends time with friends. If she’s left on her own for too long she can start to doubt herself.

71.Who do they dislike? People who aren’t genuine/honest. People who focus on their appearance too much.

72.What is their motto? When she read “If I look back, I am lost.” in the first ASOIAF novel, she had to take a few minutes.

73.Do they have any markings on their body? A few minor scratches from falling off her bike a couple of times. Some freckles, more on her arms than her face.

74.Have they ever been abused? Physically, not at all. Emotionally? Most of her interactions with her mother and her sister are hostile in some way or another, and her father’s attitude can best be described as neglectful.

75.What is their biggest fear? Not to get too body horror about this, but her recurring nightmare is that she makes someone (and the person changes depending on what’s happening in her life) and they push/hit her and she’s hollow, or she smashes to the ground like porcelain.

76.What are their goals? She wants to finish her research into biodegradable plastic, and ideally start a second study to see if the same desired results can be achieved with fewer/cheaper resources.

77.How do they go about achieving their goals? She keeps her head down and ploughs on.

78.Do they have a fight or flight response? Yes, but she almost exclusively chooses to flee.

79.Is there someone in their life that they care about more than themselves? Her sister and her nephews. I don’t necessarily think that her having fewer people she cares about more than herself indicates that she’s selfish or overly arrogant. It’s just that her feelings are a little more subdued, so she doesn’t necessarily think about most people in that way.

80.How would they fare in a zombie apocalypse? Pretty badly, probably – unless she was in an area that hadn’t been affected yet, and she was able to work on a cure/”silver bullet”.

81.Do they have any tattoos? If so, are they significant? No, but she’s not averse to getting them. But if she gets one, she wants it to be significant, and she doesn’t want it to be linked to something that she might regret (like a relationship)

82.Are they good at mental math? Frighteningly so.

83.Do they get along with others? Again, she often takes the path of least resistance, so she seems to get along with lots of people, but she can get quite resentful.

84.Are they lazy? No

85.Are they self-motivated? Yes

86.How do they cope with anger? Short answer, she doesn’t. She was told from an early age that girls don’t get angry, and that means she struggles now to pinpoint when she is feeling angry. She often experiences other symptoms, like headaches or nausea, which she will treat instead of expressing herself.

87.Have they ever been in a situation where they were helpless? Physically, no – she’s been lucky. Emotionally – she felt helpless for a lot of her childhood, and then worries now about letting someone else make her feel helpless again.

88.Are they organized or messy? Pathologically organised – think Monica from Friends.

89.Can they remember a lot of information at once? In the right context, yes. At work, she’s like a machine, remembering formulae and compounds. In her personal life, she often gets overloaded. But she picks up on a lot, and it’s a sign that she likes you if she notices or remembers little details about you.

90.What is their occupation? Environmental scientist (specialising in chemistry, but her degree is in biochemistry).

91.Do other characters respect them? Yes, I think so. Especially at work, she’s seen as one of the key members of the team. In her personal life, it depends – she chooses friends carefully, and her friends respect her. Her father and siblings (aside from Alice) respect her more than she’s willing to notice. Her mother doesn’t, and Alice (younger full sister) loathes her.

92.If they were given minutes to live, what would they do? Who would they want to see and say? She would want to spend time with her sister. She wouldn’t want to talk about her feelings, but she would be more physically affectionate.

93.How do they deal with stress? Burying herself in work. Also, free diving is a good stress-reliever for her, because it requires so much of her concentration that she cannot afford to think about what is stressing her out.

94.Do they have a more submissive or dominant personality type? Depends – very dominant at work, less so among family and friends. I’ll cover NSFW stuff in a different post, but the short answer is, “it’s complicated”

95.Do they have a pet? No – she would like a cat, but she feels bad about leaving it in a London flat all day.

96.Do they have a stash of weapons? …no?

97.Where do they live? Who do they live with? She used to live in Putney with Ellie and Tina; now she lives alone in a small one-bedroom flat in Westminster that’s really meant for students.

98.How do they calm themselves down? Listening to music, staring at a wall. I’m a little worried that I’m making her sound crazy, but she can feel the tension leak out of her, and she can move on, at least in the short term.

99.Are they co-dependent? She makes an effort not to be – she is so affection- and touch-starved, though, that she is in danger of seeing another person as a source of self-worth.

100.                 Are they a day or night person? Day person – she wakes up very early (probably at about 5am), even when she doesn’t need to, and so she struggles with late nights. She isn’t usually smug about being an early bird, but she will let herself be a little more overt if there’s a particularly annoying Morgenmuffel…!

[untapanimedraw]

Anime of the Decade 2017

So many shows! Time to jump into another year!

Winter:

KonoSuba S2 - The best of KonoSuba (excepting the movie). What can I say, it’s fantastic. 

Blue Exorcist S2 - This is the proper manga continuation from the first season. However because the first season had an anime original ending this retcons the end and continues from there. That said, this season was very very good and I hope to get more in the future. 

Miss Kobayashi’s Dragon Maid - This was THE show of the season. So adorable, wholesome, and fun. Just a laid-back show with low stakes that was a lot of fun. 

Youjo Senki - I got pretty busy during this season and put this show on hold for a few weeks before I got to it. When I did watch it, I binged 5 episodes in a row and was starving for more. There are a lot of stellar shows from this winter season but this one was fucking perfect. There was also the Movie that aired last year which was an absolute treat to watch in the theater. Between the large screen and the beautiful sound, it makes for a great experience. This takes my AOTS. 

Kuzu no Honkai - The “romance” of the season. There was so much fucked up teen drama and messiness in this show, it was a heart-wrenching experience. It’s one of those shows that you don’t watch to enjoy, you watch to follow the story and be sad with the characters. Also the OP and ED are absolutely perfect. 

LIttle Witch Academia - I love this show so much. Harry Potter meets anime girls. Also it’s studio Trigger so you knows there’s going to be some great animation. 

ACCA 13 - This was such a fun mystery/drama show. The setting is so unique, the music was fantastic, the characters are so good. Everything about this show is just really good. 

Spring:

My Hero Academia S2 - Tournament Arc!!!! Stain Arc!!! Holy shit this season was fantastic. It’s my AOTS.

Attack On Titan S2 - It’s back!! Finally get some more action after the crazy hiatus. Lots happens, but S3 part 2 is still better. 

Eromanga-sensei - This show was a firestorm of memes and jokes throughout the anime community during this season. It wasn’t even half-bad, just so ridiculous. 

Sword Oratoria - This was such a fucking dissapointment of a show. It promised us more DanMachi, more of the characters we’d like to see, from a new perspective, and we got that. Kinda. In like the most dissapointing way possible. From the perspective of the most annoying character. So bad. So far I’ve only included the best shows of the seasons that I appreciated, but this was such a disappointment that I felt it needed to be included. 

No picture, doesn’t deserve it. 

Re:Creators - This has got to be one of the most unique and ambitious original anime projects of the decade. So many characters, such an interesting plot, 2 cour! Well worth watching. 

Renai Boukun - Death Note, but with kisses. The shinigami is a cupid. It’s adorable. This show even has a likable yandere! Lots of fun

Alice & Zouroku - Found family, Alice and Wonderland, powers, this show has a whole lot to it and was the most wholesome and adorable show of the season. 

Tsugumomo - I have no idea how to describe this show. I’m just fucking stoked for season 2 in 2020!

Seikaisuru Kado - This original anime kinda shit the bed with the ending, but the buildup was fantastic, the ideas it presented were worth exploring, and most importantly it was a nearly fully 3D CG anime that looked really good! It’s worth watching if only for this technological advancement. 

Sakura Quest - I adore this Slice of Life show from P.A. Works. It ran for 2 cours, the OPs and EDs were great, there was a fun and varied selection of best girls, and the engrish and foreign languages spoken actually sounded pretty good!

Fukumenkei Noise - Music anime that was on Amazon. It wasn’t bad as a show, a little annoying with one repeated singing bit that happens like 100 times over the show, but the music was fantastic. I still listen to the OST today.

Summer:

Kakegurui - Gambling with arousal and orgasms. I think that’s as accurate as I can be in describing this show. It’s insanity in a great way. 

Gamers! - “Misunderstandings the anime” is what this was taken to being called. It’s just so straightforward in it’s earnestness and fun, that it’s hard not to love. 

Tsuredure Children - This is a short-form, multiple storied, anime about romance and the different forms it takes for different people. It’s really really good and I can guaranty you will be able to find someone to relate to. 

Aho Girl - Here we get to the stupidest comedy that I’ve seen. It’s so fucking stupid, and so hilarious at the same time. 

Princess Principal - This is an anime about alternate-history europe with high-school girls who are spies. It’s aired in a case-file format that is out of order. So the timeline flow is out of order and we continuously learn more about the characters and their relationships and how things came to be the way they are. It’s super unique, and made for a beautiful story. Also the OP is a fucking banger. It’s my AOTS. 

Fall:

Black Clover - Man, this show had such poor reception when it aired due to Asta’s screaming. There were 3 camps: The manga readers who knew it was a great story and kept watching, the people who couldn’t stand the voice, and my camp, the people who could mostly handle the voice and stuck it out. And I am so glad I did. Don’t get me wrong, this is no top of the line battle shounen, but it’s a very solid B+ that has a number of sakuga moments and a few experimental animation styles that were really dope. 

Net-juu no Susume - A tale of a gamer who lives online and has nearly given up on IRL. She comes to find romance, but more importantly, she comes to find a reason to keep living life and realization that maybe it’s not as bad as it seems. 

Imouto sae Ireba Ii - This show, hands down, has the best opening scene of any show I’ve ever seen. Often referred to as the normie filter, it’s so outrageous that any general passer-by will promptly shun you. But it’s fantastic, and the show is even better. Not in an outrageous way, but in a kind of simple, fairly calm journey through life and the relationships that come of it. Also they play board games in the show and that’s fantastic. I enjoyed it so much, it’s my AOTS. 

So we’ve got Youjo Senki, HeroAca S2, Princess Principal, and Imouto sae Ireba Ii. Four fantastic shows, but Youjo Senki takes AOTY for me. Everything about it is a pleasant surprise. 

[between-the-pages-ofa-book]

There’s been a lot of talk about series finales lately with so many shows having already ended, and quite a few shows ending soon, so of course there have been several memorable finales on my mind lately, so I decided to make a post about my thoughts on the most memorable ones.

I’m planning on tagging everything with proper anti tags, character names, and show names. If there’s something that I forget to tag, let me know and I’ll tag it correctly.

It gets lengthy so I’m putting it under a read more.

1. Game of Thrones

This will have probably the most polarizing of opinions, but I actually felt satisfied overall by what happened in this final season and series finale. I felt that there were things that could have been written better and things that I would have done differently, but overall, I enjoyed what happened.

Not everything that happened in this final season is what I would have chosen for the characters’ ends, and there are a few endings that I’m not satisfied with. Jaime Lannister being one of those. I felt that his storyline was going in a much different direction than dying with Cersei, and I’m still of the opinion that his ending should have been different. I’m not upset that he died because i expected him to, but I did expect a different death.

Sansa’s ending is my favorite ending and what I expected for her all along. Her becoming Queen in the North and outliving all of her abusers was so satisfying. Watching her being crowned queen brought a tear to my eye. Her story and character development from start to finish is one of my favorite character arcs to watch.

2. Teen Wolf

I’m not sure how much of an popular or unpopular opinion that this is, but I genuinely think that Teen Wolf’s series finale and the 2nd half of the final season is one of the most well written finales that I’ve seen in a long time.

The first half of the season was really leaving me with low expectations, and I didn’t like it at all, with there being so much focus on Stiles, a character who wasn’t even present for more than 2 episodes of the season. It’s not that I dislike Stiles; it’s that I wish that there was more focus on Scott.

The second half of the season really did focus on most of the characters in the way that I wanted it to. I really liked the emphasis put on Scott’s strength and leadership status. One of the most memorable scenes to me is Scott fighting the monster alone and literally gouging out his eyes so that he is able to defeat the monster.

My favorite moment of the finale was Derek’s return and his hug with Scott. It was such a sweet moment that really defined what Derek and Scott meant to one another.

I even liked the Scott and Malia ship. Although I hated how they wrote Kira out of the show and do still prefer Scott and Kira as a ship, Scott and Malia was well-written, and I did enjoy that they were endgame.

3. The Originals

I’m actually on a rewatch of this show now, so it’s been on my mind a lot. Overall, I didn’t hate this finale season. It wasn’t my favorite. This show is one of my favorite shows of all time. I enjoyed Klaus’s arc, and his desperation to save Hayley and to help his daughter. I liked watching Elijah become himself again after he was freed from the compulsion. I was happy that Davina and Kol were married and became endgame, that Rebekah and Marcel were going to get their happy ending.

I didn’t like that both Klaus and Elijah had to die. I didn’t like Hayley had to die. It’s not even the deaths of all three characters that bothered me about the final season; it’s the fact that I didn’t see that all three of them needed to happen. I can understand actors not wanting to be a part of the spinoff, but I feel that there were better ways to write these characters out than the endings that they were given. I do think that killing off both Klaus and Hayley was written so that Hope would have the challenge of being an orphan and having most of her family die be something that she has to overcome in Legacies. Afterall, I can’t think of a single main teenage character in The Vampire Diaries or The Originals that has either of their parents in their lives: Elena’s parents had died before the beginning of the show, Caroline’s parents were killed, Davina’s parents were killed before the beginning of the show, etc.

The sacrifices that were made by both Klaus and Hayley were absolutely beautiful. The scene that Hope meets Hayley in the afterlife made me cry and I wish that we would have gotten a scene of Jackson interacting with Hope.

I’m going to be a bit biased here and show that I don’t like the inclusion of Caroline in the final season. I’ve never liked Klaroline as a ship and didn’t particularly enjoy Caroline’s character in the final season of The Vampire Diaries. I felt that there were much better people for Klaus to have spent his final moments with and didn’t like that there was so much emphasis placed on Caroline during the episode that Hayley, the leading female of the show, dies.

Overall, I liked this show and its ending but have never felt truly satisfied by its ending. However, I do recognize that The Originals finale was meant to be the set up for Legacies and that it’s going to need to be critiqued on a different standard than a show that was meant to be a definitive ending for all of the characters.

4. Once Upon a Time

Once Upon a Time is one of my all-time favorite shows, even though there are several things throughout the show that I strong dislike. I’ll be honest, I’m going to be very petty about the actual final episode of the show because I really didn’t like it, despite enjoying the final season overall.

This is a show that I like to consider as having two series finales. The season 6 finale being the overall show’s finale. This was a perfect ending for the characters, in my opinion. Emma and Killian starting their life together. Regina and Emma co-parenting Henry. Snow White and Charming moving to their farmhouse. Even Belle and Rumple getting their happy ending. I do view season 7 as a spinoff rather than a continuation of the first six seasons; however, I’m going to talk about season 7 here.

I really enjoyed this season. I loved so many of the characters, and Henry’s arc was very well-written. Wish!Hook/Detective Rogers was my favorite part of the season, along with his relationship with Alice.

The series finale was a 2-part finale, and the first half was very strong. Seeing Charming and Snow again really made me happy. I had high hopes for the 2nd part of the finale that just weren’t met. This is where I get petty and like to pretend that part 2 doesn’t actually exist and was somehow erased because I disagree with a lot about it. This is where I start talking about what I wish would have happened as if it actually did.

I do dislike Regina, so of course this is biased against her. It’s also been a while since I watched the finale so some details may be muddled with part 1 details, so forgive me for that.

I really disliked that Regina is the one who inevitably turned Wish Henry to their side; she’s the one who he watched murder his grandparents and has blamed for his mother’s disappearance and destroying his life. I really think that it should have been Emma who was able to turn Henry to their side, and if not Emma, then adult Henry himself, as Henry knows what it’s like to feel hopeless and as if he has no family left.

I wished that baby Robin Hood would have been able to have the dream where she talks to Robin, her father, rather than Regina getting this moment. Robin, who has continued her father’s legacy and was never able to know her father, should have been given the moment of closure with her father that she never had before.

I also very much disliked the joining of all the realms. I would have been okay with it if it was just Storybrooke and the two Enchanted Forests or if there were doorways created so that travel between realms was made easier like the mermaids. I didn’t like joining all the realms because there were a lot of characters who I know wouldn’t have wanted this to happen. It took away titles of Queen and King from several characters: Elsa and Jasmine to be exact. It also invalidated Tiana’s arc from mere episodes before. Tiana had worked to feel as if she was worthy of Queen, and all the hardwork was nullified by crowing Regina the “Good Queen.” I didn’t only dislike this choice because of Regina but because of how many storylines were invalidated because of that choice.

Also, if we were going to crown someone “The Good Queen,” it’s not Regina. First of all, I really don’t like that title. Second of all, it should have been Snow White that was crowned Queen in the end, as she is the rightful queen of the Enchanted Forest.

5. Shadowhunters

Now, for the final noteable finale that I want to talk about, let’s talk about Shadowhunters. This list wasn’t made to be nice about these shows, and this is one that I always look back at and feel mad. Shadowhunters is a show that I have actually defended as a book to screen adaptation, but I can’t defend this final season or this finale.

Now, I do want to talk about what I enjoyed of this final season. I enjoyed Simon and Izzy’s relationship finally happening, even though it was rushed due to limited time because of the cancellation. Clary asking Isabelle to be her parabatai, which is something that I even wanted in the books, made me really happy. Clary continuing to be selfless and put everyone first was such a beautiful arc, even if I dislike how it ended for her.

And on to the things that I disliked--

Am I the only one who hated that they made Luke into a Shadowhunter again? Of course, being a werewolf doesn’t seem as if it was as important in the show as it was in the books, but it didn’t even feel as if Luke had any sort of feelings about being forced to be a shadowhunter against his consent.

I felt like this whole season was meant to be fanservice for Malec. It took a ship that I actually liked in the books, despite the issues that the relationship had, and liked in the beginning of the show and turned it into something that I strongly disliked. I felt like Alec didn’t understand a lot of what Magnus was feeling and didn’t understand what he needed. I’ve always felt like Alec was prioritized in this relationship to be honest. The wedding felt like it came too quickly and felt inorganic to me. Spoilers for the books: The wedding in the books is one of my favorite weddings in any type of media, and yes, I do compare the book wedding to the show wedding all the time, even if that is unfair of me. I still find it hard to believe that Alec would stay in New York when a crisis with Johnathan was happening at the LA Institute, where his father and younger brother were at the time. I can’t believe that the wedding was prioritized over every single thing that happened in that finale, and I will always dislike the wedding being prioritized so heavily.

The thing that I really hate about this finale is Clary’s ending. She spent the entire season battling between keeping her brother alive and doing what was right for the rest of the world. She ended up killing her own brother for the good of the world. Clary never put herself first once throughout this season, and there were still a lot of fans that heavily criticized her for everything that she did. In the end, her mother appearing to her to warn her not to use her powers that The Angels gave her solidified how much I hated this arc for her. She knew what using her powers to kill Johnathan would do and she did it anyway. She was punished for doing the right thing. Even worse, she suffered in silence while it was happening. She knew that she was losing her memories and her connection to the Shadow world but she didn’t want to ruin the wedding for her friends and walked out of the Institute without a word to anyone, to the love of her life, to her best friend, to her future Parabatai, to her father figure. She left Jace feeling like she left him, after he’s felt this way his entire life.

Worst of all, in the end, it seemed like no one other than Jace actually cared what she sacrificed. Her own father, Luke, didn’t seem to care and was happy with Maryse. Isabelle, who Clary chose to be her Parabatia, and Simon, her lifetime best friend, seemed to be more than happy. Magnus and Alec were perfectly content with everything. I can’t remember if any of these characters ever mentioned her name in the scenes at the end of finale. It was a great disservice to the relationship that these characters had with Clary.

Overall, I felt that Clary’s characterization and arc were consistent and on-point, but the ending left me dissatisfied and bitter toward this show as a whole. I’m not even sure that this is a show that I’m even willing to rewatch at some point.

[carrotwine4captainhops]

Major Character Death as a creative writing tool

I’ve always been interested in the craft of writing. I’ve been mulling over the way Major Character Death is used as a tool in fiction for awhile, and after watching the extremely problematic death of Quentin Coldwater, (and the self-congratulatory responses of the show’s producers who apparently believe they invented the concept) I thought I’d give you the the high school level compare and contrast MCD essay you didn’t really need or want.

Before I start, I want to be clear that MCD as a tool is not a bad thing by itself. Many, many fiction authors use it in a very calculated way, and as long as it serves the story well, they’re doing their job. Many essays and books about the craft of writing discuss its use because it is just another tool in the creative writer’s tool box. When done well, it makes you cry in a good way; when done badly, the death feels like a cheap gimmick to force an emotion without doing much work as a story teller. The latter is definitely what happened with the season finale of The Magicians.

If season 4 of the magicians had been a novel, it would have been sent back for major revisions before publication.

The first MCD that came to mind while watching the season 4 finale of The Magicians, wasn’t technically an MCD, but may as well be: the ending of the Golden Compass trilogy. The two protagonists have recently fallen in love, and make the difficult decision to return to never see each other again as a way to save the multiverse from the damage caused by traveling between worlds. They won’t even be able to contact each other, and will have to live out their lives as if the other had died.

It was incredibly painful to read (it’s the first book I cried over), but it was beautifully written and a very logical conclusion that the author set up from book one. The books are about (among many other things) the failures of adults and authority when they make selfish decisions, and by choosing to put the health of the universe above their own happiness, they made the bravest, most adult decision they could. It’s a message about the hope that younger generations can fix the things that their predecessors broke if they’re brave enough. The Magicians almost had a similar message.

The second MCD I thought of was that of “Wash” from Firefly. Like a lot of other fans of the show, I got angry at this death in the movie Serenity (essentially the series finale of the TV show). Wash was the comedic relief and voice of optimism in a dark and dystopic show. While Quentin was clinically depressed, and, in the words of Margo Hanson, ”moderately socially maladjusted”, he also acted as the voice of hope to his peers. Both characters were the emotional core of their shows, which was a big reason why they were chosen by their perspective creators as the deaths that would be most felt by the audience. They both got a funeral scene, to really drive home how much the other characters (and by extension, the audience) would be impacted by their death.

In Wash’s case, having his death be accidental impalement during a crash didn’t feel entirely satisfying or necessary. It felt like a lazy way to make the audience sad and motivate the rest of the characters to Really Get That Baddie… BUT, this cheapness is balanced by the symbolism of an outlaw pilot literally dying at the helm of the ship he loved while trying to save the world. It also didn’t send any problematic messages to the audience. Wash was not the protagonist or a “self-insert” the way Quentin was; he wasn’t suicidal or part of an underserved minority group (and make no mistake, by making Quentin sexually fluid/bisexual, the producers signed themselves up for a more thoughtful treatment of his death, if it had to happen.)

The message from Wash’s death is one that is very familiar to readers of genre fiction MCDs: simply: “not everyone lives” and “people who put themselves in high-risk situations sometimes die”. Both of which are painful but fair messages to absorb.

This same tactic was used again by Whedon with Agent Coulson in The Avengers. As an optimistic “plot-armor-free” side character who had become a fan favorite, he was given an entire arc in the movie that the audience wasn’t expecting, made to be even more loveable, and then killed off in a long emotional death scene which was then used in the third act turning point of the movie. Whedon made it clear in interviews that the whole death was coldly calculated to squeeze emotion from the audience, and up the stakes in a way that a large body count couldn’t. It upset a lot of fans, it wasn’t perfect, but it was well done and fitting for the narrative and made the movie stronger, and, again, he wasn’t a member of a minority group. (And as a side note, a different creative team knew how popular Coulson was and managed to resurrect him for his own TV show and managed to do it in a way that wasn’t flip-his resurrection had consequences that lasted at least until season 5, the current season).

There is no mitigating balance to Quentin’s death. He was suicidal  from day one of the series, and he left via (a purposefully plausible) suicide. His first question, once he realizes he’s dead, is not, “Did the plan work?” or “is Eliot OK?” (the friend he’d been working so hard all season to save) or even “is Julia/Alice/Josh/all my other friends ok?” These are questions that would be plausible and fitting in a character who’s journey has about helping friends and the world out of tough situations. But no, the first thing he asks is “did I finally kill myself?” 

With one sentence, his character returned to the self-centered, timid, low-confidence, suicidal mess he’d been established as within five minutes of the show’s pilot. He had no self-realization until after watching his own funeral, at which point he happily and peacefully goes to heaven. At best, that’s heavy-handed symbolism. At worst, it’s erasing all of his character growth and making his entire story pointless, while sending the very dangerous message to the audience. 

The writers stated in interviews that they made his death all about suicide on purpose, and now (as of this writing) they continue to refuse to grapple with how problematic that is.

Another MCD that seemed to do the same thing was Tris from the Divergent series. Like Quentin, she was the protagonist. Also similar to Quentin, her arc was almost too on the nose: she was born into a clan literally named “Abnegation” and indoctrinated from birth to sacrifice herself for her community. She wasn’t even allowed to look into mirrors in case she caught even a smidgen of self-regard. And how does her story end? By her sacrificing her life to get the “big baddie” and save her friends and family. 

Like Quentin’s death, a lot of her character growth appeared to be erased in the last few chapters of the book. Prior to Book 3, Tris had been learning to question her upbringing, to think for herself, that it’s ok to look for happiness for oneself, and that selfishness takes many forms, not all of them bad. When she makes the decision to kill herself in the end, it left a bad taste in my mouth. The plot didn’t require her death, (for example, there were other characters who could have gone in her place, and as a leader at that point, the more difficult decision probably would have been to send someone else on that mission and learn to live with the guilt). Her death and the manner of it, seemed to say, “just kidding, actually the only way to realize your self-worth is to is sacrifice your happiness and entire self for your community.”

Sound familiar?

Quentin Coldwater was just starting to learn (and because he had an audience, to teach) many of these same things. For three and a half seasons, we see him form strong friendships (when he thought he couldn’t); help people (when he thought he was useless), pursue romantic relationships (when he thought no one could love him); he lives an entire lifetime with Eliot during a quest on alternate timeline, where he’s shown having to make the difficult decision every day, to stay alive, to keep working on the tedious and almost hopeless task of completing the puzzle to finish a quest, and then it turns out that the answer to the puzzle all along WAS that daily struggle. Later, in season 4, he tells us that he hopes to be a dad (again) someday; he shows more and more confidence in his magical abilities every season. All of that was erased by the way his death was written.

Even with the uneven messaging of Tris’ death, there is at least lots of room for interpretation. I believe the author was trying to show her final sacrifice as a way of reclaiming part of her upbringing that wasn’t toxic. The character went through a rebellious phase during book one, during which she seems to reject all parts of her former life, even the good ones, right after leaving the Abnegation community for the hedonistic clan of Dauntless. It would definitely be good growth for her, as part of self-actualization, to accept the good parts of her upbringing. I don’t necessarily believe that’s the message we get at the end, but we at least have the possibility. Not everyone has reacted negatively to the way Quentin’s death was handled, so maybe there is more possibility of interpretation than what I see. I’m willing to be proven wrong, but nothing I’ve seen from critics or the showrunners statements has yet convinced me.

Another (highly speculative), parallel I couldn’t help but make over the last few days, is between the Magicians showrunners’s treatment of this MCD and Joss Whedon of a decade ago. His recent fall from grace has finally allowed more critical examination of his past works, but I remember how, at his peak, he could do no wrong. He was the voice of hollywood feminism. He was lauded by critics, peers, and fans. Any voice that questioned him was mocked, dismissed, and even harassed. Anyone else remember when critics call “Dollhouse” a feminist show? None of that has not aged well, has it?

The Magicians producers, riding high off of critical acclaim of Quentin’s homosexual romance in Season 3x05, had ample chance to make the braver choice: to allow a queer suicidal boy make the choice to keep fighting every day despite how hard it was; To break rank with 99% of other TV shows and allow his homosexual romance to be explored and given the same consideration as the hetersexual romances. Instead, they made him kill himself and be happy about it, literally saying in interviews that he had nothing left to live for. Without even addressing his feelings for Eliot. They buried yet another gay, all in the name of a shock-value gimmick, and they think they’re being “revolutionary” and that anyone critical of their choices is “just sad”.

There are about a thousand different ways season 4 could have gone that would have made the writers’ intended message less problematic, more impactful, and more satisfying, and none of them involve a MCD OR a trite “happily ever after”. Consider, for example, that Zelda could have completed her redemption arc in some kind of sacrifice similar to quentin’s. Everett was much more her “big baddie” than he was Quentin’s, it’s just strange that she never got to really confront her mentor-turned-enemy. Consider that, since Quentin’s main focus and motivation all season was to get Eliot back, that he actually succeeds, but, their reunion and relationship is strained. If we must push this idea that “magic comes from pain”, think how much more painful it would be to be to have Eliot finally confess his love to Quentin, but now Quentin is unable to pursue that relationship because of all the trauma he’s suffered at the hands of Eliot’s possessed body all season. Consider that he finally breaks under the strain and excuses himself from further questing, which would easily allow Julia, Kady, or Alice to get more screentime. (I mean, this is just stuff off the top of my head. For a hundred other ideas, check out Archive of Our Own).

They did just about everything wrong with this particular major character death, and I don’t think their choice is going to age well in the years to come.

[seasonsandcenturies]

fic: Alice and the Magicians (CCS, gen)

Summary: “She knows her family thinks she can’t do anything right. When she was young, they used to tell her she’d understand everything when she was older, but the older she gets the less they tell her.” Akiho Shinomoto has an unusual childhood. (Clear Card Arc, manga-based. 2,579 words.)

Notes: I haven’t read the latest Clear Card chapter yet but this was based on a few of my pet theories, like that Akiho isn’t her real name, and that Kaito and Momo have been connected for a long time. Quotes are from various Alice in Wonderland-related stories and other books featuring characters named Alice. :)

Read at AO3 or below the cut.

-

Alice moving under skies Never seen by waking eyes. 

-

One night she wakes up to find Auntie standing over her bed with a light in her hand. It must be a candle, even though she can’t see any wax. She knows it’s Auntie because she recognizes her soft voice as she says, “Wake up, darling. Would you like to come outside for a walk with me?”

She looks over at the clock on the wall. It’s very late.

“I’m not supposed to be out of bed now. Will I get in trouble?” she says doubtfully.

“Oh, no, darling. Not if you’re with me. It will be our little secret.” Auntie taps her hand to her face in a shushing motion even though her face is hidden under the hood of the robe, the flickering light staying perfectly still next to her even when she moves her hand away.

Auntie helps her put on her own robe and is impressed when she can do it up all by herself. She takes her hand and leads her over to the open window. Outside the moon is very bright and there are no clouds at all. The stars are all twinkling hello but one dances away from the others.

“Oh!” she gasps. “A shooting star!”

“And do you know the constellation the star came from?” Auntie asks.

She has to look very carefully but she does.

“Very good!” Auntie praises her. “Now, why don’t we go take a closer look?”

She thinks Auntie means they’re going to the observatory, but instead of sending her to get her telescope, Auntie tells her to climb onto the window sill. She shuts her eyes tight and tries not to look down, because the ground is very far away.

“Oh, no, we can’t have that,” Auntie tuts, climbing up next to her. “Hold my hand, please.”

The night air is cool on her face but her robe is warm, and with her hand safely in Auntie’s, she feels much better about standing outside on the ledge. She opens her eyes just in time to see another star streak across the sky.

But when she looks down, she suddenly realizes they aren’t standing on anything. The house looks very small below them. She feels herself slipping out of Auntie’s grip as the ground rushes towards her.

She wakes up with a start and finds herself in her own bed with the covers pulled up to her chin. Her robe is hanging up on its hook just like it always is. Auntie is sitting at the foot of her bed, the candle in her hands dripping wax down the side.

“I dreamed we were flying, Auntie,” she says sleepily.

“Don’t be silly, darling,” Auntie says. “You can’t fly.”

But she doesn’t sound very happy about it.

-

Alice replied, rather shyly, “I hardly know, sir, just at present-- at least I know who I was when I got up this morning, but I think I must have been changed several times since then.” 

-

Cousin invites her to tea. She can tell it’s Cousin because he slouches, his shoulders dropping forwards even under the robe. She thinks it’s because he takes care of so many small creatures, he’s always leaning over trying to see where they’ve gone.

She tries to scratch her legs under the table. Her new stockings are very itchy. She’d ripped her other pair that morning when she’d been trying to reach her books. She’d been scolded for not taking better care of her clothes and for climbing the furniture, although she hadn’t meant to, it was just that someone had moved everything to the very highest shelves and taken away the ladder. But when she’d explained why she’d done it she’d been told that she should have found a more creative solution.

He wants to know what books she’s read lately, so she tells him all about Alice in Wonderland as he cuts her another slice of cake.

“My, my. And how does Alice get to Wonderland?”

“She follows a rabbit!” she says.

“Do you like rabbits?”

“Oh, yes,” she says eagerly. Cousin let her pet one, once. She hopes he might let her see one again.

“What if we had one just here? Do you think you could make one? Imagine a nice, white rabbit, just popping up there –- with nice soft fur to pet — running around on its little legs–”

They imagine the rabbit. They imagine chasing a rabbit. She wishes very hard for a rabbit but none show up.

“I–” she falters. “I don’t think I can.”

“Are you quite sure?” Cousin says, sounding a little desperate. She nods, and he makes a thoughtful humming noise. “Well, would you like to be a rabbit?”

She thinks about wiggling her nose and her ears – she’d tried to do it lots of times in the mirror, but never as an actual rabbit. Then she thinks of Alice, knowing who she was at breakfast and being lots of things since then. The idea of not knowing who she really is makes her feel strange and her legs itch.

“Think how high you could jump!” Cousin prompts her.

“I’d rather just be a girl,” she says in a small voice.

There is a sudden noise. His robe drops to the ground, a flock of birds fly out the window, chattering angrily. Cousin is gone. A deer wanders through and picks up his robe on its antlers before walking back out of the room.

She puts her cup back on the tea tray and sees herself out.

-

‘Children do know some things without being taught.’    —ALICE.  

-

It’s half past noon and the doors to the big dining room are still closed, she can hear the quiet murmur of conversation so she knows the rest of the family must still be eating lunch. She takes her sketchbook to the parlor to work on her drawing, but she’s surprised to find that someone has already lit a fire and pulled one of the big armchairs closer to the hearth. They turn and motion for her to join them, so she drags an ottoman over.

She can’t tell who it is but they smell like spices and ink so she thinks they might be Uncle. He’s always traveling to interesting places and bringing back old scrolls and things like that for their collection. He produces a second teacup from his robe and pours her a cup of spiced tea. She drinks it even though he adds too much milk and sugar, because it would be rude not to.

He asks what she’s learned recently. A little, she tells him shyly; a little math, a little history, and then she shows him her sketchbook. She’s been trying to draw the sigils from their robes, but it’s harder than she thought it would be. He doesn’t seem impressed. She’s certain now that it’s Uncle, because he’s never impressed by anything.

“I suppose you aren’t completely empty headed after all,” Uncle grunts, which is probably the nicest thing he could say.

Uncle picks up his tea and sips it. The cup vanishes under his hood. She can’t see his mouth, although she knows it’s there, because everyone has mouths, of course. She thinks about Alice and the caterpillar, wreathed in smoke so thick you can’t even see his face, and bites back a smile.

-

“But I mean there’s nothing at all on them,” said Alice; “they’re only blank paper.” 

-

She’s just finishing up her breakfast when Great-Aunt comes in. Great-Aunt always pushes up the sleeves of her robe because she likes to have her hands free, even though the robe is supposed to cover your entire arm. But she’s an Elder so no one can tell her she isn’t allowed, even if they want to.

Today Great-Aunt is wearing white cotton gloves. She hands her another pair and tells her to put them on, so she knows they’ll be going to the Old Library. You always have to wear gloves in the Old Library because the books there are so fragile.

Great-Aunt takes her through the rows and into a storage cupboard in the back of the Old Library, pushing aside boxes of candles and a mop to pull an old, dusty book off a shelf. She wonders if they’re going to clean it but Great-Aunt tells her that this kind of book likes to have a little dust on it.

“Is that why it’s in the cupboard?” she wants to know.

“No, it’s just happier when it’s hidden,” Great-Aunt says, and she thinks that she likes the way Great-Aunt talks about books as if they have feelings.

The book is strange. It’s written with symbols in ink that’s faded and sometimes scribbled as if someone was in a hurry to write everything down, with larger letters painted at the beginning of each chapter like the illustrated manuscripts Uncle brought them last month. Some of the pages have pictures.

“Can you read it?” she asks.

Great-Aunt nods. “I learned when I was, hmm, about your age, I suppose. Turn to the front, please.”

The first page has much less writing than the rest of the book does and there’s a picture of water pouring out of a jug. Great-Aunt points to each symbol one by one and tells her what it means and how to say it until she can read the first paragraph all the way through.

Great-Aunt closes the book. “Now, can you remember the very first word?”

She repeats it back from memory.

“Good, good. Watch closely.”

Great-Aunt pulls a small pitcher and basin from a shelf. She holds the pitcher over the bowl and says the word again. When she tilts the pitcher, water pours out of it, just like in the illustration.

“I’m thinking of water,” Great-Aunt says. “Doesn’t matter which kind. Cold, hot, rivers, baths, tea. The point is it has to be water and has to move. Then you say the word and it’s there. Now, you try.”

Hesitantly, she takes the pitcher. It feels very light. She tries to look inside to see how much water is left because maybe there isn’t enough to pour, but Great-Aunt raps her knuckles on her head, just hard enough to startle her but not hard enough for it to hurt.

“Don’t look! Just say the word and pour.”

So she does, but nothing happens. Great-Aunt makes her try again and again but the pitcher is still empty, and finally she offers to go fill it with water but Great-Aunt just sighs like she’s done something disappointing again and tells her not to bother. She tells her to leave the pitcher and basin in the cupboard and puts the book back on the shelf, where it blends in with everything else and looks so ordinary she hates to leave it.

“Please, may I come back and read it again?” she blurts out.

Great-Aunt shrugs. “If you like. It won’t matter, anyway.”

-

They're changing guard at Buckingham Palace - Christopher Robin went down with Alice. They've great big parties inside the grounds. "I wouldn't be King for a hundred pounds,"                                                                   Says Alice. -

One night, Kaito finds his new charge in tears over Winnie the Pooh as Edward Bear comes down the stairs with a bump, bump, bump.

“The p-poor bear!” the little girl sobs. “I’d never treat a bear like that. Bears are so lovely and so friendly.”

It takes her a long time to calm down. He sits next to her bed and they read together until she’s satisfied that Christopher Robin does learn to take better care of Pooh.

The next day, Kaito takes her with him into town to run errands. They pass by the toy store on their way home and she gravitates to the window, staring longingly at the teddy bears on display. He realizes with a jolt of surprise that he’s never seen any toys in her room.

“Would you like to have a bear of your own, like Christopher Robin does?” he asks.

She smiles at him, but the smile doesn’t reach her eyes as she shakes her head no. “I don’t think I’m allowed to. It wouldn’t look very dignified.”

She’s right, of course. Frankly, he thinks her clan cares too much about how things look and not enough about how things are. Her parents may have been powerful magicians, but the girl is still just a child. Kaito decides he’ll have to do something.

So Kaito thinks and he thinks and he thinks, until he thinks up a small thing that’s just the right size for a little girl’s pocket, with long ears like the rabbits in the garden, with dark eyelashes and a beautiful muff and a golden crown.

“Hello,” he says politely, once he’s finished. “I’ve got a job for you. Are you ready?”

The rabbit yawns. “Oh, I suppose.”

Kaito gives her the little white rabbit and knows he’s done the right thing by the way her eyes light up with delight when she sees it.

“What shall we name her?” he asks.

She’d just read a story about a small person who lived inside of a peach so she has exactly the right name. She runs to fetch the book to show him all the illustrations and barely stumbles over the words as she reads aloud in Japanese, translating the tale of Momotaro on the spot. There’s an innocent magic in her storytelling that he suspects her clan will never be able to appreciate.

“You truly have a talent for words,” he praises, resting his hand on her head. She blushes and hides her face behind Momo, the small rabbit smiling serenely at them both.

-

“You see,” he went on before giving her time to reply, “it might mean ALICE MAYBE!” So perhaps it’s not for you after all. It might even be intended for me.” This was a rather disturbing thought, especially as, curiously enough, Alice could not for the life of her, at the moment, remember her full name.

-

She knows her family thinks she can’t do anything right. When she was young, they used to tell her she’d understand everything when she was older, but the older she gets the less they tell her.

Maybe that’s why she likes Kaito so much. He isn’t like the rest of them. Whenever he asks her questions, she always feels like it’s because he’s genuinely interested in what she has to say, not because he’s looking for an answer she can’t give.

Sometimes, when the family’s disappointment is too much to bear, she goes to her room and cries into Momo’s soft muff because she knows Momo won’t tell anyone. Momo is very good at keeping secrets. She isn’t allowed to tell her real name to anyone outside of the family, but she tells it to Momo, because while Momo isn’t family she isn’t not-family, either, because she’s just a toy.

“I wish I could be a more interesting Alice, like the Alice in books,” she confides, hugging Momo close. “I think they would like me more.”

Momo waits until Alice falls asleep to promise her that someday, things will be different; she strokes her hair and does what she can to take away the hurt and give her good dreams. After all, it’s her job to look after her.

“You’re better than all of them,” Momo tells her. “They don’t know what they’re missing.”

Sleeping peacefully, Alice smiles.

-