#I THOUGHT THE FANDOM WAS PROJECTING WHAT IS THIS??

[thankskenpenders]

Today we got some news regarding a big change for the Ian Flynn's Q&A podcast, the BumbleKast. As outlined in a blog post by Ian, starting in 2025, all Sonic-related questions submitted to the show will first need to be screened by Sega. (I have to assume this is also why Ian announced they'll no longer be doing live Q&As starting next year.)

Frankly, I can't say this is particularly surprising.

While the BumbleKast is ostensibly a podcast about Ian's work as a freelance writer for all sorts of things, and also just a place for him to shoot the shit about stuff he likes, he's still predominantly seen as The Sonic Guy. Sure, he also does a bunch of other freelance work for other series, and original comics like Drogune, and he's also the narrative mastermind for the whole Rivals of Aether franchise these days, but it's his insights into what goes on behind the scenes with Sonic that people really care about. Your average Sonic fan can't just go up to Iizuka or whoever and ask him a question about the current state of the lore, but Ian's inbox is always open.

Because of this, I've thought a lot about the BumbleKast's place in the fandom and The Discourse in recent years. Ian wants to be as open and honest as he can about his work, and I think that's admirable. To me, hearing about creators' struggles and the shit they go through just to get a story out the door tends to make me sympathize with them more. Sometimes a story just doesn't turn out as well as you'd hoped, but you're on a tight deadline and all you can do is move on to the next project. I've even softened a bit on Penders over the years as he's shared more about the absurd situations and odd creative demands made behind the scenes at Archie. Unfortunately, not everyone has that mindset.

Ian's basically always had obsessive haters who were eager to take everything he says out of context to try and stir up shit, but that used to be contained by the niche nature of the Archie comics. Most of the fandom didn't give a shit about what Ian was doing with Sonic and Sally's love life or whatever. Most of the fandom wasn't even reading those comics. But Ian's gone from being a writer for a non-canon spinoff comic, to being the initial lead writer for the first ever canon Sonic comic series, to being the new main writer for the games themselves as part of the official Sonic Lore Team. Way more Sonic fans care about his work now, and when he's so open about his work that makes him an easy scapegoat.

It feels like damn near every week on Twitter Ian's personal trolls have posted yet another BumbleKast clip out of context to rile up the fandom and make it look like he has no idea what he's talking about or like he has some kind of agenda. And, unfortunately, people often fall for this. Of course, it also goes the other way, with people more sympathetic towards Ian taking things he says about Sega and framing them as proof that Sega has no idea what they're doing with the brand. Which, well, let's be real, isn't always the most unreasonable thing to think, given Sonic's rocky history. But I'm surprised it took this long for Sega to start paying more attention to what gets said on the BumbleKast when fans use it so regularly as a source of drama.

I've also often felt that they just need to be WAY more selective about what messages they respond to on the show. Questions Ian can't actually answer due to NDAs, questions that are borderline incomprehensible, "questions" that are really just fan ideas. And the haters, oh, the haters. Ian does not need to put up with angry rants about how he should make SonAmy canon or what the fuck ever. Even if Ian's willing to put up with it, as a listener it can make the show just super unpleasant at times when someone aggressive pops up with an inflammatory question. There have been entire BumbleKast Mini episodes I had to skip because they were just obsessive critics of Ian's paying to grill him on a dozen different things and treat him like an idiot.

But at the same time, I get why the show got to be this way. It's become a part-time job for Ian with multiple new episode a week. Given how piss poor the pay tends to be for freelance writers, I can't really blame him for wanting to keep this secondary stream of income open, and to not have to refund people left and right for rejecting their questions. The man's got bills to pay. (And so does Kyle, for whom managing the BumbleKast seems to have become a full-time job.)

I dunno. The man's got the patience of a fucking saint. I would've quit the franchise if I was in his shoes, with people wishing he would die for shit like minor disagreements over Sonic's characterization or him misremembering an obscure old lore thing. While I do hope that Sega doesn't keep too tight of a leash on him moving forward, and I hope that he's still able to speak his mind about his work, part of me also hopes that having to be much more selective about Sonic questions results in less bullshit like this.

[thoughfullovercreator]

Sorry not sorry. But some people need to read this.

Tw: when I am employing the word «��delusional » I am not referring to the medical definition of it.

What I am going to be saying is going to be disliked by some. But I don’t care.

I am going to be talking right now about a phenomenon that I’ve been seeing ever since I started reading mangas and watching anime’s and it has always bothered me.

And guess what ? I am not the only one being bothered by that, which reassures me.

The problem is the following:

Each time there’s a genuine friendship between two male characters or even two females in a manga/anime, people dirty it by gluing on it, their own fantasies and making it somewhat romantic/sexual, by inventing a « sexual tension » between these protagonists.

Always happens in the anime/manga universe.

…and I am going to tell you why it’s a problem/bothersome situation for many :

The problem is that it renders the story less deep and genuine and more people are influenced in thinking that, a male character, by being nice to another male (same for females), is romantic or whatever.

Like some of y’all are sexualising everything. Get it together !

This is, most of the time (actually 99% of the time but okay), LITTERALY delusion because the authors have never, ever meant for their characters to be viewed as anything but genuine friends/acquaintances..

It distorts the story for nothing and, in my opinion, it is disrespectful to the creators of the manga, to just take their characters and create a quiproquo on it. Sorry not sorry to say it.

As an example, let me take the « Dazai x Chuuya » fans.

The readers go as far as to totally disregard the fact that, Dazai, since literally the first episode, has implied that he was not attracted to guys. On top of that, he’s kinda depicted as the guy who likes women. Never ever was anything that would make him attracted to Chuuya as a male.

(It also happens for JJK and others… )

Therefore, you’re disregarding the genuine and complex aspects of a potential friendship and understanding between them, to glue on it what you would have wished it to be : a romantic or sexual attraction. It’s a projection of what YOU would have WANTED it to be.

It is actually immoral to distort a character’s sexuality like what ?! It becomes a habit and people do it also for celebrities. It’s kinda going too far.

It’s not for you to decide.

When it’s « not a big deal » for some, it could actually represent a big deal for many. And make many people uncomfortable.

Respectfully :

You wanna do your fanfics ? NO PROBLEM really ! be our guests ! but do it in the context of a fanfic, after putting on a disclaimer, as a respectful gesture for the creators behind mangas !

(On the other hand, when people write « character x reader », it doesn’t distorts the original story cuz Y/N just doesn’t exist).

BUT rubbing it down our throats without any context as if it was a general truth provided by the creators, that « these characters are in love/sexually attracted to one another » NO. Keep it for yourself or your group of friends if y’all agree on it.

Again, many many people feel as uncomfortable as me regarding this. It’s kinda also getting out of hands.

It’s getting out of hands especially when I see fandoms like the Black butler fandom where they imagine a « sexual tension » between Sebastian that is an adult and Ciel that is 13 !

Like it or not. I am not sorry for being respectful and realistic.

Some decency is needed :

Not everything is okay with what people are doing on the internet. You can have your « dirty thoughts » but don’t expose them, not everyone wishes to hear about it. Some things have to stay between you and yourself.

Kids/ teens :

And kids/teens (all those below 18) y all need to get off your phone a little and go play outside or meet your friends (for teens ig) if you don’t wanna end up in depression at an early age or with extremely poor social skills.

At least take a real book like ones at the school library and learn things. Instead of learning how to .. by reading explicit content cuz you never listen when we tell you that a certain one shot is +18.

Again, I am not sorry. I am pissed.

[the-technorats]

ok ive been wanting to post abt this for a while. i think a part of the reason that i started to grow away from the 1d fandom recently (and more into 5sos, actually, which will be relevant later) is for these exact realizations. it became pretty clear, during the band's lifetime but mostly once the band went on hiatus, explicitly and implicitly, that being in one direction was extremely unhealthy for the talent involved.

and so not only did it become a kind of moral dilemma, bc how do you support and love something that you know is abusive, but it ruined the mirage of the essence of the band, which was, as louis put it, about having fun and being normal guys but terrible, terrible dancers, because you knew that under the surface of their silly, goofy live shows they were probably not having that much fun all the time and were definitely at points in either physical or mental anguish or both at once.

it feels so disillusioning because their primary appeal to their fanbase wasn't that they were like, hot or whatever (though they were and that was definitely part of it (but also their fanbase was so fucking queer that that metric could only do so much)), but it was that they were friends. the explicit marketing was sex appeal, sure, but the implicit marketing was community.

we wanted to think they were having as much fun as we were, that they loved being in the band with each other as much as we loved them. and once they broke up ("went on hiatus") and people started realizing they weren't quite as good of friends as we all thought they were, that they were coworkers, that they don't even have each other's phone numbers, that's when it didn't feel as good.

which is interesting. we all wanted so badly to be convinced that what we all knew was happening wasn't.

i think we desperately want that. as 1d put it: to be loved and to be in love. and we want to think that friendship and community and love can withstand anything, no matter how abusive and oppressive. because we want the hope that in our own abusive and oppressive life, our community can carry us through it. we're like, fantasizing about unionization and collectivization in a way that feels safe. and no one wants to hear this, but this IS a weapon of which we (and your faves) are victims.

like, god, if the success of capitalism isn't that it makes you think you want it. people want community? people are realizing that collective action is what overturns oppressive systems? give them this. this band of boys from working class backgrounds who love each other and made it to superstardom through nothing but the power friendship and love and art. give them that experience through an artificial projection of community that only ever makes you complicit in the commodification of yourself and your artists. the strongest sedative is the one you already want to take.

and if that isn't the reason 1d were doomed to fail. because they were created by the exact power that people want to push back against. you can't eat your young and have them too.

if being in one direction was all sunshine and rainbows, the boys would have come back after that hiatus and zayn would have never left.

behind closed doors, those boys were suffering.

it kills me that i never saw that because all i saw was that they made me happy and surely they were happy too.

that couldn't have been farther from the truth.

this is killing me

[azuriiarts]

If there is one thing that I wish the entirety of gravity falls' fandom all knew is that Ford was not trying to separate Dipper and Mabel before weirdmageddon. Especially not for a dumb reason like "He's self projecting onto them too hard"

Because

1) Mabel resembling Stan??? Not only is every cannon interaction between them positive, but even if Mabel reminds him of Stan, she would remind him of the version of Stan that didn't ruin his future, just the version that liked fun and cared. The version he very dearly misses.

2) Where in the show does it indicate he doesn't apprentice her for such a reason?? Is it just headcannon?

Because one thing the show makes abundantly clear is that Ford has major trust issues due to his trauma. I wouldn't blame him, as his main and really only support system after Fiddleford's portal incident ended up wanting to tear his world apart due to their strong denial. That is a tangent I won't be getting into. BUT the show could not make it clearer he has difficulty trusting.

The reason he would want to apprentice Dipper is because he showed him a deep paranoia that he also shared, and since Ford learned that paranoia is good as it keeps you alive from Bill, this is a great thing. That's why he praises Dipper for almost memory wiping him, as he saw Dipper capable of defending himself against Bill Cypher's manipulation. Also, in the episode that Ford proposes that Dipper should be his apprentice, Dipper also proved he could handle highly dangerous situations, meaning he could handle some of the things Ford learned to handle. Dipper showed Ford he could be trusted as he wouldn't get manipulated by Bill or be killed by the environment.

Mabel, while he really likes that kid, is very emotional and empathetic. One thought I could very easily see Ford thinking is "Mabel could very easily be manipulated by Bill Cypher" She might have the physical might (refer to the mabelcorn episode) but it alone cannot protect her from Bill, as he is a MANIPULATOR. What if he reveals information to her that could be fuel to Bill's manipulation? Being Ford's apprentice would mean that you are likely to deal with Bill too because he just won't stop tormenting him, and saw that Dipper was the only one that could truly handle the dangers of Bill Cypher. If Bill somehow possesses him, he knows Dipper would do the right thing, and he knows Mabel would hesitate.

Separating them was a consequence he didn't forsee as his reasoning for offering apprenticeship to Dipper had nothing to do with the twins' relationship, and it would make Mabel trusting BlendinBill because Ford told nothing to Mabel that much more thematically better. The show is about trust, and due to Ford's lack of trust in his family, it ended up endangering them.

Tell me, what is more satisfying? Ford maliciously trying to create a gap between the twins for no good reason or a traumatised Ford with trust issues learning to trust? THE ENTIRETY OF THE WEIRDMAGEDDON TRILOGY IS ABOUT TRUST, WHY WOULD IT BE KICK-STARTED BY ANYTHING THAT ISN'T TRUST RELATED?????

[songbvrd]

Rating: Mature Archive Warning: No Archive Warnings Apply Category: M/M Fandom: 9-1-1 (TV) Relationships: Evan "Buck" Buckley/Eddie Diaz (9-1-1 TV) Words: 25,010 Chapters: 1/1

Snippet:

“Okay, I know we kind of all had an unspoken rule not to talk about it, but…” “Buck and Eddie are being weird as hell?” Chim asked, sucking in a breath like he'd been holding back from letting the same thought out for far too long. “Yes!” Hen hissed, relieved that she wasn't the only to see the weirdness in the room. “Now, look, they're my friends and so obviously I want them to be happy, but it's also just throwing the team vibe way off.” Bobby took a long, tired breath. “Okay. So what did you have in mind?” Several things, as it turned out. Between them, they managed to come up with the very vague outline of a plan. Or a few plans, really, depending on how many failed. OR - When Buck and Eddie aren't speaking, Hen decides to take matters into her own hands.

[cantareincminor]

Round 2: Fandom Wrapped (Writer Edition) 2024!

Thanks again to @kattyelf for the template. A blank one can be found at @twiyorbase for anyone who wants to do their own!

Detailed reflections under the cut.

This is a long, introspective post. Forgive me if I sound self-absorbed in all this reflection.

The past year has been a unique one. The last long fic I completed was more than ten years ago in the Aladdin fandom. I dabbled in shorter, more stream-of-consciousness fics after that, but hadn’t written or posted a fic since 2016. Then I got into Spy x Family in 2022, devoured tons of fics, and slowly, nervously considered writing again.

There were many reasons I stopped writing. Being busy with real life responsibilities, naturally. I got married and had kids. I had a highly stressful career. With so little time on my hands, I feared that if I tried to write after such a long hiatus, the result would be stilted and disappointing, and I would have “wasted” my precious free time feeling shittier about myself. I’ve had some version of this mindset my entire life: if I can’t do something well, then I shouldn’t bother.

I have @whateversawesome to thank for encouraging me to try my hand at writing again. After the mole hunt arc was published, an idea struck me quite suddenly—what if Yuri had died or been critically injured in Shellbury? How would Twilight deal with that guilt and how would the identity reveals unfurl in such an extreme scenario? Could Yor ever forgive him? 

For months I shied away from writing it. To do the idea justice, I knew it would have to be a long, complex fic. And I continued to have mixed feelings about my last long fic in the Aladdin fandom—regretting parts of the premise and the ship dynamics and the characterizations and just overall feeling ashamed about my writing. I didn’t want to fail—write myself into a corner and abandon the fic or something like that. Right now, on the other end, I still look back on Orpheus sometimes and wonder how the hell I managed to write it. I reread my favorite passages and wonder how I came up with those exact words.

If it may help any writers, I would be happy to share a copy of my brainstorming doc and outline of Orpheus, where I kept track of unresolved plot points, options to resolve those plot points, notes to self to go back and add foreshadowing, and calling out unexpected events in each chapter that I did not plan ahead for. It is a very long doc. But I wanted to remember everything I was thinking at the time as a gift to my future self, in case I ever attempt a big project like this again and feel paralyzed.

Orpheus allowed me to explore themes and beliefs I suppose have been marinating in my heart for years. For anyone who is still interested, below are some of my thoughts and personal experiences around the main themes.

Forgiveness

Forgiveness and redemption are always what I reach for in my serious fics. I think I fumbled it in my Aladdin fic (or didn’t really get to the redemption part), but I was able to explore it more thoroughly and with more integrity in Orpheus, with an additional decade of life experience. 

I think forgiveness is a difficult and fascinating theme to handle because it is so highly personal and often carries memories of deep hurt for ‘victims’ or shame for ‘perpetrators’. I was grateful when readers sometimes shared their personal beliefs and experiences with it in their comments. In order to treat this theme with respect, I wanted to convey that forgiveness should not come cheaply. That is not to say it’s bad to be merciful and quick to forgive—those are amazing virtues. But the act of forgiveness comes at a cost and can be incredibly painful. The cost does not simply vanish due to good feelings or an act of the will.

Someone can either withhold forgiveness and make the other person pay the cost—in Orpheus, this would have been Yor rejecting or taking revenge on Twilight and leaving him to feel horribly guilty about Yuri’s injury for the rest of his life. Or they can choose to forgive and pay the cost themselves. In my own experience it feels physically painful. It feels like extreme grief. This is what I wanted to portray, the devastation to the spirit, as well as the catharsis that can follow. Because after the cost is paid, what we gain is healing. The ability to move on and no longer feel like we’ve swallowed glass. And the mending of a relationship, if both sides are willing. In the case of Yor and Twilight, it makes their relationship even stronger, like a broken bone healing stronger than before. And it adds weight to the trials they would face together after that moment.

Forgiveness of self / Perfectionism

Of all the conflicts in the fic, “Twilight vs. himself” is the last one to be resolved. Even after the man has been forgiven by the people he loves, he still struggles not to hate himself. To find his life to hold any value outside of being a highly competent spy. I think many people go through some version of this struggle. I certainly did and still do sometimes, with regards to work and career.

I chose Orpheus as the title to illustrate the journey of someone who carries an enormous burden on their shoulders. Trying to save the person they love and having to follow a strict rule of never turning around or they will lose it all. All the while, the temptation to look back is incredibly powerful. Twilight bears the burden of WISE’s expectations as their top spy, the hero who has stopped nuclear missile launches, who will supposedly prevent the next war from breaking out. He also carries the expectations of his newfound family which call him to turn away from the ruthlessness of his mission. To look back at them, and not abandon them for the sake of world peace. And finally he carries the guilt of what happened to Yuri, and the pain of keeping all the secrets resulting from Shellbury.

In Orpheus, Twilight harbors both a very low sense of self-worth as well as a highly inflated sense of self-importance. He sees himself as a discardable tool who has done unforgivable things for his missions, with no right to love and be loved. But at the same time he sees himself as the lynchpin to maintaining the fragile geopolitical peace. Responsible for never screwing up, ever. Responsible for the fact Yuri was shot, even though he tried his best to spare him. He’s an unreliable, self-absorbed narrator, and the other characters around him also parrot his guilt back at him throughout most of the fic. Until the end, where I try to address the illusion of control and how a good portion of his guilt is unrealistic and undeserved. 

Unfortunately for many people who carry this kind of burden, no one tells us that it’s okay to turn around. That we are indeed not responsible for more than our own choices, and we certainly cannot be responsible for circumstances outside of our control. I’ve worked jobs where I’ve been asked to do the impossible. My first job out of college, the expectations were incredibly high. I got no training and was thrown into a project in a foreign language and an unfamiliar industry. I pulled so many late nights that in the second week I fainted on the way to the office. And I was told this was normal. That in order to succeed like everyone else, I would figure out a way to solve each problem thrown at me, no matter how impossible.

And what sucks is when you start succeeding. You pull off miracle after miracle and then people start expecting it of you like it’s normal. The reward for success isn’t a break. It’s more work. Harder work. And you buy into that unrealistic narrative that you should be able to do it or something must be wrong with you, you must be broken and can’t perform like you used to. And when you finally break, you get spit out and discarded like an outdated machine. They find the next, younger miracle worker to buy into the narrative.

Knowledge vs Wisdom

This is an easier one. Funny that Twilight’s agency is called WISE in canon. But what is wisdom? The ability to discern between right and wrong, to utilize knowledge effectively for the greater good, to know how to truly live life and live it well. 

Twilight strikes me as the kind of person who uses knowledge as a weapon, not too dissimilarly to Yuri who literally states “knowledge is power.” Twilight hoards knowledge like building an arsenal, so he can always be prepared for any problem. And this is how nations treat knowledge (intel) in the real world. Constantly trying to gain an information advantage on the enemy. 

But how does one know if one’s strategy to use all that knowledge is right? In Orpheus, the Ostanian state exhibits little wisdom in its pursuit of endless knowledge, experimenting on children and prisoners and animals to gain an edge over its rivals and amass more power for those at the top. At the same time the competition and backstabbing between the various arms of the state are almost childish in their motivations, the epitome of foolishness. Knowledge on its own does not build trust or confidence—but it can build hubris and confusion and distrust. 

One unexpectedly fun part of writing Orpheus was the dynamics between Garden and WISE. While there is distrust at the start, the leaders and members of both sides demonstrate wisdom in how they navigate the partnership and grant trust to each other bit by bit. And this feels very counterintuitive to spies who build careers off of lies and masks, as they find that truthfulness can unlock results so much faster than subterfuge. At least when it comes to dealing with Garden.

On a final note on this topic, I find it interesting that in canon Donovan Desmond claims it is impossible to know what other people are thinking and therefore human beings can never trust each other. And yet the highest form of knowledge (second only to knowing God), in my opinion, is to truly know another person to the depth of their soul. To know a person completely, and to trust and love them regardless. This is what all people yearn for, even people like Twilight who have made a fortress of masks around their true self. And this kind of knowledge is what requires deep wisdom to wield well.

Sigmund Authen’s gift of the Tree of Life plaque and the accompanying wisdom quote was an unexpected event I did not plan in my outline for Chapter 33. So was Barbara’s advice to Yor in Chapter 34, which I will end this long ramble with:

Before the two left, Barbara turned and patted Yor’s arm. “I know what it’s like to be married to a brilliant man, dear. Don’t feel discouraged. They don’t need their brilliance and worldly achievements so much as they need our love. I know it can be exhausting sometimes, but I’ve stuck by my Siggy this long through thick and thin. What he didn’t mention amidst all that blather about wisdom is that even wisdom isn’t the final goal of all of mankind’s striving. Love is. What is a life full of wisdom and philosophy if it doesn’t help you find love and keep it? In my simple little mind, that’s what wisdom is for. Goodnight, dear. Thank you for having us over.”

And that's a wrap for my 2024!

[mizuribbons]

i have three blorbos. but. i'm mainly voting yes because of...

this fucking guy.

this boy is so Issues

This request was sent to us and we made a poll in response to it. Send any Blorbo-related question you want to our inbox and we’ll make a poll on which people can vote with their own Blorbos in minds

[goldbug127]

Cringe is dead, here is my transformers OC

She's the prettiest girl in the world.

I got the idea of her when I made a random post about Megatron turning into a public bus for fun and then I couldn't get the idea of a bus alt mode out of my head.

Also, since I've been watching Transformers Prime, I've been thinking about how June Darby deserves an autobot friend like all the kids have so I also made her for that as well.

Bus alt mode gives her lots of space for human friends, which I think June would appreciate when she wants to feel close to the kids.

She's non-verbal for autism and PTSD reasons rather than physical injury (I'm absolutely projecting, not for the PTSD, just the autism). And she uses a mix of chirolinguistics/"speaking hand" (a Cybertronian language that is "spoken" through the use of hand contact) and sampled sounds (similar to how Soundwave communicates) to speak to everyone when she wants to.

She also uses a little sign language, but mostly just to call the others over so she can then use speaking hand. This is because one of her optics was damaged when she was younger and she struggles to see when other sign to her.

Some examples of names:

Even though Knightbus does have a sign for her nickname, it is very rarely used since she can hear just fine. I got the idea of Optimus's sign from the fic "A Bee's Last Sound" by Yuukirita. Let's be honest, if you're deep enough in the tf fandom that you're seeing my stuff, you've almost definitely already seen theirs but, if you haven't, what are you doing here? leave my silly little posts and go look at their stuff.

Anyway, Knightbus's very brief backstory because I haven't actually thought that much about it yet:

She was created when gladiators were becoming extremely popular locally and was actually very excited to become one. Originally, she was not too concerned with the strict caste system because of how much she enjoyed what she did.

Unfortunately, during one of her fights, she was severely injured. This is where she damaged her optic, making her partially blind. Due to this injury, it was too dangerous to continue being a gladiator and she was forced into becoming a construction worker - a job that is arguably just as dangerous with her disability but remained one of her only options.

This is when she started thinking more about how much the caste system limited her options. She also continued to watch gladiator fights, which is how she came across Megatron(us). She was deeply inspired by him and very quickly became a decepticon. However, as the revolution continued, she became more concerned about the indiscriminate violence the decepticons showed.

Early in the war, she escaped from the ranks of the decepticons to fight on the side of the autobots instead. She had heard of Optimus Prime through others that had been closer to Megatron and/or had attended the council meeting where he was deemed worthy to be a prime.

After the autobots are forced to scatter across space, she goes to search for Optimus, which is how she ends up on Earth with team prime. :)

I'm gonna make another post about my sibling's OC because this is already quite long. Also I'll definitely be drawing more of Knightbus because I love her already.

[littlemanthings]

Dear Fandom,

To say I am deeply disappointed in what this fandom has become is an understatement, but because I really don't want to start aggression by using vulgar language or to stress the VAs out anymore than they probably are; I'm going to try keep it at a certain level. But man, there are better ways to ask for a whole army to come after you with pitchforks like this was the fucking middle ages and without having all this damage being done.

And now we're losing a big part of this show because some people just had to cross the line over a hundred fucking times now. I'm so ever proud and impressed with Kat for dealing with this and for so long— and with three other jobs as well? All I can do is hope that she knows how important she and all the others who work with the shows is to us all.

I don't like getting personal, but if there is that small chance that any of them read this I just wanted to share this with you; about like two-three years ago I was very lonely, and my head space was not in the right place, but in that same year I also found the SAMS channel, and my heart kinda just made a nest there. Then Lunar and Earth started their own thing and things just felt better. For a while I really thought one of these years was going to be mark the end for me, but these characters, the writing, everything about it made me want to stay a little longer— just until I got to see how it ended, I would tell myself. And now I'm pretty sure I do want to be here long after the curtains fall.

So thank you, if I could say it a million times I would. Thank you for making Earth who she is. Thank you for representing the rest of us girls out there. Thank you for reigniting my love for writing. Thank you for unknowingly raising a young teenager who wants to live thanks to you and a lot of other people (you too Davis and Reed).

To clarify a few things; I am not in any way trying to convince Kat to not quit writing for the shows, I understand her decision and fully support it. I hope to god I didn't make things weird or project myself onto this situation, I really just wanted Kat to know she means a whole lot to us.

[crazysodomite]

what is it like to be kind of popular/getting people interested in your own ideas and not fan art?

I don't think I'm popular *looks behind my back fearfully* 😨

Here's the thing. A lot of people post things and just expect people to find them and interact with them. To some people it works. But a lot of the time there's no way for people to even find your stuff or engage with it.

A lot of people go into fandom tags to look for art and writing, but not a lot of people just scroll the "oc" or "art" or "writing" tags aimlessly.

I'm not like. A social media expert 😼 or whatever. I don't know anything about anything ♥️ I literally just do whatever weurd things i want and that's it

Here's some things I can advise:

If you have ocs.... Please feel free to actually talk about them in detail, share your thoughts on them in detail, write actual info and profiles on them. Don't be shy to do this bc there's no way for someone to engage with your ocs if they don't really understand who you're talking about except the names 😭... Feel free to like link their info in your pinned or their toyhouse profiles or whatever... !!!! A lot of the times I follow someone and they ask to engage with their ocs, and I want to, but I literally just don't understand who they're taking about... Or I see someone talking about their ocs in very vague terms but I can't actually find who they're talking about.... (Not that you have to do this do whatever you want ... I'm not the boss of you ♥️ it's just something id like to see) And also don't be shy to actually remind people who you're talking about bc people who haven't been following you for a long time won't know. I think this is simpler for me because my concepts/characters are very basic/shallow and easy to understand. Taur who is a bee, taur who is a bath, etc... Is Inherently understandable and doesn't have any deep lore

👆 this applies to everything in general not just ocs. Talk about art. Talk about your own art. Talk about what you love in the art of others. Talk about your plans and concepts and ideas. Talk about your projects. Share with the world 🌍 🌍 🌍

Don't be shy to talk about your things. I think some people are anxious about seeing people unfollowing them. I personally use xkit to hide my followers on pc and actively avoid looking at my follower count on mobile... Because idgaf ♥️. If someone doesn't like what I post they're Nothing to me. I post about taurs and weird things basically every day. What do I have to lose? My dignity as a Tumblr blogger? Genuinely like just share whatever thoughts or concepts or doodles or drawings you want without being like "aww nobody wants to see this". Honestly I also do this because I don't have friends to talk about concepts and stuff with so your mileage may vary. Maybe you don't want to post. Maybe you worldbuild with your friends. Then maybe you can share the results of that worldbuilding and thoughts, that's good too.

Self reblog your stuff 😭 even old stuff. Self reblog your stuff and then elaborate on it further with your thoughts. Dig up old concepts and do things with them. Its okay to do this. Not everyone sees your stuff when you first post it... !

Actually engage with others. Others are more likely to see you and engage with you when you do the same to them. If you never interact with anyone else's art why would others interact with yours. And unfortunately posting stuff and expecting people to just stumble upon it is not a very good strategy...

[kittenwriter]

Cure narratives: when fiction depicts a disability being cured. Because no one on the internet has nuance, it wound up getting overwhelmingly presented as "you should never depict curing disabilities because that's ableist." This rested on the fact that for neurodivergence-type disabilities, "curing" the disability means fundamentally changing the person; you're born neurodivergent and it's an integral part of who you are. (And also this slides really, really easily into eugenics.)

But disability is a broad umbrella! Even with the social model of disability (and if you want a beautiful fictional examination of the social model, look up The Fledging of Az Gabrielson; the author thought through every detail of what it would mean to not have wings in a world where everyone has wings), chronic pain is disabling no matter how well society accommodates it. The vast majority of people with chronic pain would like to not have chronic pain.

There are also some things that exist on a spectrum. I'm not qualified to give an expansive discourse on Deaf culture, but there is a schism between the people who are culturally Deaf and see that as worth preserving and the oralists who lean into cochlear implants and seeking to eliminate it. (For that matter, while it's highly taboo to talk about it and I don't think it's common, neurodivergent people who want a cure do exist. I'm not going to get into all the complications and controversies of John Elder Robison because that's an essay in itself, but look at his book Switched On for something adjacent to that perspective.)

So you wind up with a lengthy set of discussions about what is and isn't acceptable to depict-- and it's a lot like every other diversity discussion in that market-level generalizations wind up getting held against individual authors. It's a problem if every depiction of disability shows cures (and then you get the related things like the "not really blind" trope where you have characters who are supposedly blind but magic or technology allows them to function as though they weren't with no problems)-- but that got turned into (because no one on the internet has nuance) "you should never depict cures and if you do you're ableist," which in turn sparked backlash from the people for whom the cure narrative is wish fulfillment. (I have myself joked about being a Bad Disabled because my own desires as regards cure do not align with the "You must be proud of your ENTIRE DISABILITY" narrative.)

There's also the fact that even among the wish-fulfillment people, sometimes you want to read about someone who is suffering what you're suffering the way you're suffering it without it being magically cured at the end! Or what's desired is fantasy assistance devices that function like actual assistance devices in that they have drawbacks and trade-offs and assist without making the character functionally not disabled.

So I feel like the people in anon's fandoms probably got into the "it is ableist to depict cures" thing with the same level of nuance typical of People On The Internet (which is to say, none) and then mangled it even farther. There's probably also some influence here from a related conversation, that of using fantasy substitutes instead of giving your character real-life actual disabilities, but again, that's a spectrum and depends a lot on how well you do it, and I see it happening more frequently with people wanting to write Stereotype Neurodivergence without considering whether it has any resemblance to actual neurodivergence than I see it with physical disabilities. (See also Sheldon Cooper.)

So now that we've gotten to the end of my essay (this is probably a bit more than you thought you were getting when you asked the question), further reading if you're still so inclined:

"The Trope of Curing Disability" at Disability in Kid Lit

"Disability Tropes 101: The Magical Cure" at Dis(abled) Embodiment

Brilliant Imperfection by Eli Clare

The Disability Visibility Project

"The Complexities of Curing Disabilities" by Emily Ladeau

And finally, a bunch of people having a conversation on Reddit.

(And now we have proved once again that you can take the girl out of the library but you can't take the librarian out of the girl.)

Tagging question! In canon, a character has a magic-induced health problem. Basically, every so often, he has days moving his back in any way causes staggering amounts of pain and he has severe fatigue. He can't get upright under his own power during severe episodes. Painkillers do not work. The frequency of episodes starts off once every few months but by this point in canon has become a once or twice a week problem. It can hit right out of nowhere even if he was fine all day today or he can wake up with it.

Fandom wank being what it is, people keep insisting to me that this is not a disability. I tagged the fic with Disabled Character because since he's the main character of the fic and this... look, I'm not disabled? I could be wrong. But to me this feels like a disability. If I met someone with this IRL with a non-magical cause I would go, "I 100% believe this qualifies as a disability" without question. But oh, wow. The fandom does NOT agree with me on this. I've gotten several annoyed remarks by people informing me that this is belittling the pain actual disabled people have because disabilities, unlike curses, can't be lifted. And I can see that there's a difference. Thing is, he can't canonically afford to pay to have the curse lifted. He's stuck with it.

Because every single person in this conversation is abled, though, I feel like they're not who I should be listening to. OTNF, I know your readership includes disabled people. Do you/they have any suggestions? Does he qualify as disabled, or am I too attached to my headcanon-y idea of him as being a metaphor for disability?

--

I don't think that's a metaphor. I think that's a canonically (magically) disabled character.

What say you, readers?

[raven-at-the-writing-desk]

heyyy I'm the anon who was kind of freaking out about the yuus in the anime 😭😭😭

you're right, I should probably just focus on my enjoyment and not the fandom- it's smth I've always struggled with. but I just saw ppl who clearly never had heard of twst saying "reverse harem" stuff and that's why i started panicking 😭

but yeah... I guess we'll have to wait and see. thank you for ur opinion and for your advice 🫂

[Referencing this post!]

Hello and welcome back!! Thanks for checking in. I hope that my response helped to ground anyone who might have been having similar thoughts or feelings. I know I can come off as stern or even disappointed in my advice posts, so 💦 if you got something out of it, then that makes me glad.

I think it's safe to say that fandom is a double-edged sword. It offers a community of people with the same interest to talk, interact, and create with--but in fostering that community, we can sometimes become so obsessed with defending it or caring about that community's opinions. It's important to draw the distinction between yourself and the fandom you engage with so you can still enjoy Twst on your own terms, separate of fandom. Otherwise, we may take things too personally and react very emotionally when we perceive others as treating Twst or its community in a way we don't approve of. Again, you should definitely prioritize yourself because ultimately we're not in fandom to argue with people, we're in fandom to have fun.

I've said this before, but I'll say it again because it might be helpful for those moments when panic strikes again. When you see someone making a claim about your fandom or related projects that makes you upset:

Stop yourself before you say or type something you might regret later.

Take a deep breath. Maybe sip some water.

Ask yourself questions like:

"Is what I'm about to say/write based on evidence or is it based on a gut feeling or a strong emotional reaction I'm having?"

"Am I expressing my opinion in a way that may be perceived as unfriendly or hostile?"

"How would I feel if I saw someone else assuming this about something I care about or was considering getting into?"

"Do I know the person misinterpreting my fandom? Whether yes/no, do I, on an individual level, care what they think? Why?"

"Does the person misinterpreting my fandom alter my own enjoyment or understanding of it? If not, what might the source of my anger and upset be?"

"The block and mute buttons exist. Is this an issue using one of those might resolve, or is it something that must be said or interacted with?"

Of course, I don't mean to police how you act and react in this space. These are only suggestions based on what I like to do. These strategies may not work for you, or you may not be interested in them at all. And that's okay! The only takeaway I'll ask of you is that you continue to navigate the Twst fandom in a mindful manner :>

[introverting-rn]

TWO LINES

klav said two FUCKING lines and started flirting i m m e d i a t e l y what the shit klav

like

like i’ve seen that screenshot before i just assumed he waited one more fucking minute before saying it? klavier. klav. bae please have you no self control 😭 what a day to be alive

[kettlefire]

Age is but a Number (DPxDC)

Daniel Fenton was only thirteen months old when he took his first steps. Only fifteen months old when he said his first words. He was two years old when he uttered his first sentence.

Danny could walk back his whole timeline from the moment he opened his eyes into this world. Except, none of those moments counted. They held no true weight for Danny's life.

No, there were certain moments that mattered. That had a clear shift to his life. Not every moment, not every milestone mattered.

Danny was five years old when he first felt the sting of disappointment at his parents missing a school event. He was six years old when the lab door was closed in his face for the first time, but not the last time.

He was eight when his young mind realized who was the one raising him. The one feeding him, waking him up, getting him dressed, and dealing with his tantrums.

Danny was ten when he learned to love and hate his parents for the true first time. Seeing both the good and the bad in them, and still loving them despite it.

He was eleven when he watched his sister crack under the pressure. Stood teary-eyed in the doorframe of her bedroom as he watched her cry and sob. He was twelve when he got into his first real fight with his mother, hiding away at Tucker's place for a few nights.

Danny was fourteen years old when he stepped into his parents' portal. When he accidentally hit the on switch. When a combination of ectoplasm and electricity ruined his life.

He was only fourteen when he experienced death for himself. Felt his life force leave him, and flood him at the same time.

Danny was still only fourteen when his world changed. New powers and abilities appear out of thin air. When a crazed billionaire latched on to him. When Danny had taken the mantel of a hero without meaning to.

He was still just fourteen when his life was filled with constant fighting. Both ghostly and human. Things got more tense between Danny and his mother. School was a weight that Danny wasn't sure he could handle.

Danny was fifteen when he had an existential crisis. The weight of a looming crown he was meant to take on the moment he turned eighteen or died fully. Having witnessed timelines where his family was gone. Having recognized a pattern of repetition in a life that Danny didn't want.

He was still fifteen when he made an impulsive decision. It was stupid and rash. Something expected from an angsty teenage boy, and not from an heir to a throne and a town to protect.

There had been no big fight. No big showdown. His parents still didn't know his secret. Danny hadn't bothered telling Tucker, Sam, or Jazz about his great plan. One moment, Daniel Fenton was in Amity Park. The next moment, he was gone without a trace.

Danny is just a fifteen year old boy, perched on a hill miles away from home. He didn't know what he was doing or what he was going to do. He didn't even know what state he was in.

He had just flown through the sky, a bag of emergency supplies slung over his shoulder. Danny had no intentions of stopping. That was until he stumbled cross a state line, and felt it.

A strong sense of caring and love. A feeling that Danny could only compare to the love he felt from Jazz. There was a strangeness in the air, but also a feeling of home. It drew Danny in like a moth to a flame.

Danny was just fifteen, curled up on a damp hill. Staring up into the night sky, and wishing for things to be different.

Not completely different. He didn't want to get rid of Phantom. Didn't want his life to go back to how it had been. Danny wanted things to get better. He wanted to feel like a kid again, something he realized he hadn't felt in a long time. Despite Jazz's best efforts to shield him.

The first tear had left Danny before he even realized it. A shaking hand wiped the tear away, silently cursing at himself for being such a baby.

Except that wasn't the only tear. It was like a dam, he never knew was there, had broken. Tears streaked down Danny's cheeks faster than he could wipe them away. Choked muffled sounds quickly turned to harsh gasping sobs.

Danny was only fifteen when he finally broke. Curled up on a random hill in a random state in the middle of nowhere. A glowing young teenager whose glow only seemed to dull with each gut-wrenching sob. Yet the stars seemed to twinkle even brighter than ever on this countryside.

So lost in the whirlwind of emotions that Danny was too young to fully decipher, he never noticed the approaching vehicle. Didn't so much as flinch when it came to a stop near him.

Danny's pain radiated with each sound he made. With each tear that left his toxic eyes. There was seemingly no end to it all. Until a single voice managed to pierce through Danny's bubble.

"Oh, dear... It's just a boy. Quick, grab a blanket!"

A small, frail voice was all it took. A voice weathered with age, and a tremble to it. Danny's whole body froze, head lifting to look at the speaker.

Except his vision had been quickly covered for a brief moment as an old flannel blanket was suddenly wrapped around Danny's shoulders. It smelt of dirt, hay, and warmth.

A kind old woman quickly followed to take a seat beside the glowing teenager. A warm, loving smile on her lips as she brought a thermos to Danny. An equally old and warm man seemed to follow behind her.

Danny's sobbing had quieted as quickly as it had started. The teen was completely bewildered, stunned to silence. This old couple, the embodiment of the American dream, didn't so much as blink at the sight a glowing boy crying on their land.

She had called him a boy. She had called him a boy. Danny was just a boy to her. His hands trembled as he accepted the thermos, taking a drink from the still hot coco inside.

Danny's stunned silence must have spoken volumes. The old man had given out a chuckle, moving to stand beside his wife.

"Don't worry, bud. Our son is just as strange as you."

Danny was just fifteen years old when he stumbled onto the Kent farm. When John and Martha Kent stumbled upon a crying glowing boy. When a sweet old couple hadn't cowered in fear but instead embraced Danny. Offering kindness and comfort with no strings attached.

He was only fifteen when he found himself a new home. A new life. One where he didn't have to be anything more than a teenage trying his best. When his powers weren't needed, only appreciated. Never expected.

A life where a warm home-cooked meal and a mother's kiss seemed to greet him every morning and night. Where a father's touch seemed to linger in every tractor lesson, every game of catch, and every time Danny learned more about the farmer lifestyle.

Danny was fifteen when he found his family. When he met the equally kind son of an amazing couple. When he had someone willing to teach him how to handle his powers, but never expected him to.

But Danny was seventeen when his past came back. When a town and people he cared about, all came flooding back in. When the guilt and shame of abandoning them came flooding back in.

When his new picture, perfect life started to crumble around the edges. When he realized life never went well for a Fenton and Fenton-adjacent. The perfect safe bubble had to burst eventual.

And well, that's a story for another day.

[secretmellowblog]

As someone who has seen 500000000 Les mis adaptations: It depends on what your friend is into, and what kind of media they generally like!

It also depends on your focus: are you looking to introduce your friend primarily to Les Amis, to Jean Valjean and Javert, or to Les Mis as a whole? (Also: consider how you got into Les Mis, and what your first adaptation was!)

my recs:

1. The 2012 film is the easiest and most accessible adaptation for a general audience, in my opinion, even for someone who isn’t a huge musical fan. (In fact, the movie kinda suffers as an adaptation for trying so hard to appeal to people don’t like musicals haha XD.)

Having tried to introduce people with other adaptations, I’ve found 2012 is the one that always grabs the people who aren’t already fans, even if they’re not super into musicals XD. The stage musical recordings are confusing to people who don’t already know the plot, even though the music is handled better. Other nonmusical adaptations are either Terrible, like the 2018 miniseries …..or they’re sadly often kind of boring to people who aren’t already huge fans of the story. Saying “72 is interesting for focusing on Marius” or “82 is interesting for featuring more of Les Amis” doesn’t interest the kind of person who doesn’t know who Marius or Les Amis are. I’ve noticed that while I can say things like “the 8 hour long 1925 silent film is the superior adaptation that captures the novel better” it’s only because I’m already emotionally invested in the story.

2012 isn’t the best adaptation but it is one of the most accessible to new viewers imho. It’s short short and conveys the emotional beats the most clearly for someone who has no pre existing familiarity with the plot of the novel. The settings are clear, the characters are clear, the general emotional thrust of the plot is clear— and there are enough fun weird choices (some good some hilariously bad) to keep people entertained even if they’re not familiar with Les Mis at all. The problem is that uhhhhh it has a lot of serious goofy flaws, mainly the director’s inability to understand how music works and the baffling cinematography choices. However the flaws are funny and it fun to talk about them during a watch party.

You say your friend doesn’t like musicals, which is fair— but If she’s willing to try 2012, try going with the “this is a very awkward goofy flawed imperfect adaptation, but it kickstarted a lot of fandom stuff and can give you a general idea of what the emotional thrust of the story is like.”

I also think 2012 is unique becayse most Les mis adaptations start out with a decent first half then fall apart after the convent time-skip, but 2012 starts out pretty meh and then gets really energized after the time-skip when the story moves to Paris.

The stage musical and recordings are what I recommend for “musical theater snobs” (affectionate) who care a lot about music being done well in a way that it isn’t in the 2012 film, and are willing to use Wikipedia or something to help themselves follow the plot. It doesn’t sound like your friend is super into musicals tho XD.

The Takahiro Arai Manga is an excellent excellent manga adaptation that everybody should read, a great loving thoughtful take on the story that deeply understands its messages and characters, and is a passion project of its writer. While it can be very over-the-top sometimes, and makes some of its own dubious changes, its probably the next best thing to reading the brick! Its really good!!! It’s split into four volumes though and will take longer to read.

(Just make sure you’re getting the Takahiro Arai manga specifically, not the other American “classics for Kidz” manga that are much poorer in quality. XD)

I think you should also show your friend 82 and watch it while explaining why you’re passionate about it— even if it’s not the first adaptation you guys check out together.

Anyway, these are my hot takes! Also if your friend is interested in trying to tackle the novel in bite-sized pieces, the @lesmisletters readalong of Les Mis is happening again next year! ^_^

What is the best adaptation to introduce my friend to Les mis?

So like the title said I want to introduce one of my friends to Les mis bc I know she will really like it and loves the themes of the story, she agreed to let me show her an adaptation to get her into it, but idk with which adaptation I should choose to get her into it

I've heard the shoujo cousette is good and complete (I've only watched the first episode for now) but I worry it might be too long for someone completely new to Les mis? Ik the musical is probably also a solid entry point but my friend also isn't really into Musicals so I'm not sure it's the best to get her into it but I could convince her to watch it she's not that much against them, but if there's a better entry point I'll take it

My favorite adaptation is the 1982 one but it's also very strange and I'm not sure how book accurate it is compared to other adaptations so idk if it'd be a good adaptation

So I'm not sure what adaptation to show her first and would appreciate any input to with what adaptation to introduce her to Les mis!

[oceanwithouthermoon]

"they dont have any chemistry in canon-" WHAT HAPPENED TO SHIPPING CHARACTERS JUST BECAUSE YOU THOUGHT OF A SCENARIO THEY WOULD FIT INTO ONCE? what happened to "i saw it in a dream"? what happened to "i just like them so i put them together"? huh? huh? make shipping fun again