#I MUST GET BETTER ABOUT USING THEM I MUST I MUST I MUST
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kirislovelygf · 2 days ago
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self-care night (sevika x fem! reader)
contents: after the battle and after losing jinx and isha, you take it upon yourself to take care of sevika, giving her a much needed quiet night. total fluff, you and sevika are married, post seaosn 2 finale, sevika is finally taken care of like she deserves <3
wrd count: 1.6k
a few mornings ago, sevika had her first day on the job as a councilwoman. 
caitlyn gave up her seat on the council to give sevika the opportunity to speak up for zaun. 
she came home that evening angry as anything. the other councilpeople acted like she didn't even exist. 
and when she was able to speak up, her requests went in one ear and out the other. 
when she received the opportunity to have a seat on the council, we were thrilled. but after that day, she's been trying hard not to blow up on everyone and confirm their suspicions of what would happen with a zaunite on the council. 
tonight, i made her a warm and filling meal and set up the bathroom with candles and pleasant soaps so she can take a relaxing bath. 
i was sitting on the couch reading a book when she came home. 
she closes the door and looks up at me. "hi." she mutters. 
"hey. another long day?" i ask her gently. 
"tch.. you tell me." she joked. she sat down at the kitchen table that was just beside the front door to yank her boots off her feet. 
i close my book and placed it aside before walking over to her. as she struggled to untie the laces of her boots, i cupped her face so she could look up at me. 
"sorry, honey." i muttered before i kissed her. "at least you get the weekend off." i said as i looked at her face. she smiled gently before i crouched to untie the laces of her boots. 
"hey, i was doing that." she chuckled as i threw them on the doormat. "i'm not helpless." 
"just let me take care of you." i smiled. i look at her once more. "why don't you wash up for dinner. i was able to make your favorite tonight." i said to her as i stepped away to check on the food on the stove. 
i hear her come up beside me and take a look at the food that's simmering. 
"damn.. all this for just us?" she said. 
"yeah. i know you skipped out on lunch, so you must be starving." i said as i stirred the meat on the saucepan. 
"how'd you know i skipped lunch?" she asks me. i looked up at her. "i always do. now, go. wash your hands." she laughs softly before washing her hands in the sink. 
i quickly plate everything for her and place ehr food at the table just as she sits down. once i set everything down, i went to plate my own food. 
i turned to go sit down and i saw she hadn't touched anything in front of her. didn’t even move to pick up her fork. "what are you waiting for? eat." i chuckled. 
"i'm waiting for you, dummy." she chuckled, picking up her fork. i smiled at her as i settled into my seat. 
dinner was quiet but nice. i left music playing on the radio as i watched her enjoy her meal like she hasn't had one in forever. 
"this is.. amazing, honey. shit, i was starving." she said after slamming her cup of water down. i chuckled lightly. 
"i can tell." she smiles softly at me. after she got some food in her system, she talked to me about her stressful day as she waited for me to finish my meal. 
"they don't know.. anything about what life is like down here. hell, half of them think we've grown up in sewer pipes." she said quickly. 
"they cannot be serious." i shook my head lightly. "you would think they're stupid at first glance." she jokes. 
"maybe once they have someone with common sense on the council, they'll make better decisions." 
"yeah.. it's gonna take a while though." she hums. i watch her soft expression that is rarely ever seen. i love my wife. 
after washing dishes and cleaning the kitchen, i went nad ran the bath for her while she was occupied in our room, cleaning her mechanical arm. 
once i lit the last candle and turned off the lights, i went to our room to see her at her desk tinkering with the screws and nooks and crannies of her arm. 
"hey, vika?" i said softly. 
"hm?" she looks up at me from her device. "i ran you a bath. come on." i muttered
she smirks over her shoulder. "oh yeah?" 
"don't be gross. it's not like that." i chuckled. 
"oh.. damn.." she grumbled. "come on." i laugh. she follows me to the bathroom and i stand, leaning on the doorway
"you can stay there for however long you want. just relax, alright?" 
"whoa.." she gasped lightly at the acne in the bathroom. 
she looks down at me. "i- you didn't have to do all this." she hummed. 
i shrugged. "you're right. but i wanted to." 
she smiles. she wraps her arm around me while i do the same with both of mine. 
"i don't deserve you. seriously." she hummed after planting a kiss on my head. 
"yeah, you do." i said softly. 
i sat in our room while sevika took her bath. as i was flipping through the pages of my book, i remembered i had gone out and bought a scrub. at a shop up on topside, so it's bound to be good. 
i found it and went to the bathroom to give it to her. i knocked before walking into the dimly lit bathroom. she was sitting in the bath with her hair guarding her eyes from being seen at the side. 
"i bought this scrub today and thought you might like it." i said softly. “you did? why?” 
i sat on my knees as i unscrewed the top of the bottle. “it reminded me of you. here, smell." i said to her. 
i held it up to her nose and she took a quick whiff before humming. "it's nice.. like pine." she said. 
she went to grab it but i pulled it away. "let me." i said. 
"come on, honey. i can clean myself just fine." she chuckled softly. "no one's saying you can't. i just wanna do it for you." 
i look at her eyes before moving her strands aside. "you can't get your back anyway." i said. 
she rolled her eyes. "alright.." she hummed. i got up to find a stool and sat on it as i took a seat beside the tub, sitting behind her. 
the smell of snowy pine trees quickly invaded our noses as i massaged the scrub into her scarred back. 
looking at her muscles and scars, i imagined what it must be like to be her. to experience her life. 
her mother died at birth, father died even later. no siblings to mourn with her.
a best friend turned boss. now dead also.  
two young girls that were like her daughters, dead too. 
i feel like if i followed that same fate, she would end up offing herself. 
so much loss in her life. and she still stood strong every day without fail. 
"why are you doing all this?" she spoke up quietly. 
"hm?" i said as i rinsed off the soap crystals. 
"the dinner... the bath, everything you did tonight." she said. 
"i'm your wife, vika. it's what i enjoy doing." i said softly. 
there was a beat of silence. 
"it feels strange being taken care of like this. " she admitted. 
i poured water over her back again, watching the tiny crystals fall into the water. 
“i know..” i said softly. 
she shifts in the water, bringing her knees up to her chest. 
"sevika, you've devoted your entire life to bringing justice to our people. i've watched you take care of others, put their lives over your own.." i said, glancing over at her scarred stub that used to carry her left arm. 
i gently massaged the scrub over it, letting the scent sink into her skin. 
"it's like that's all you know how to do." i hummed. 
"after a while, you forget how to do anything else." she said quietly. 
"that's why i want to take care of you. while you learn how to pick yourself up again." i said, pouring water over her shoulder.
i’ve reminded her of this since we first got married. while she tells me she believes me, sometimes it slips. 
“you know, people look at you and see a terrifying old woman who can kill them with just a look.. and you are.” i said, to which she laughed softly. 
“but when i look in your eyes. when you hug me in the night when ere sleeping, all i see is a sweet girl who’s in need of love. and i want to give it to her.”
“so, while you're out there looking after the lanes… i’ll be here at the end of every day to take care of you.” i said. 
i rinse off the last of the soap from her shoulders and leaned back slightly. 
“okay?” 
she’s quiet for a second but turns her head slightly. “yeah.. okay.” she hums. 
i moved from my seat and sat next to her. i reached out to her chin and turned her head slightly to kiss her cheek. “i love you, you old softie.” i muttered. 
she looks at me with tears welling up in her eyes. 
“i love you. so much.” she said quietly. 
i held her face in my palm as i scanned her face before i kissed her lips. i pull away from her and smile softly. “you finish up here, alright?” 
i left her int he bathroom and waited for her in our bed. 
it was slightly cold, i just put on the freshly washed sheets, a new fuzzy blanket, and lit a candle that made the room smell like sugar cookies. 
she was dead asleep in seconds. 
a/n: i need to put sevika in my pocket, i love her and she deserves the world.
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covenofagatha · 2 days ago
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A dance with death (and her wife) (Part 1)
@lanfear-is-my-darkmistress
You are a profiler for the FBI when you get called to help catch a serial killer in Westview. (Killing Eve/Hannibal AU)
Word count: 4200
Warnings: descriptions of violence, fear
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The phone rings at 7:30 in the morning on your day off and you want to throw it against the wall. 
You had been sleeping – having a very good dream, actually – when the harsh ringtone roughly jolts you out of your slumber. 
“Hello?” you answer groggily, rubbing your face with your hand. If it’s a spam call, you think you might lose your mind. 
“Is this Agent Y/L/N?” A gruff voice asks and you shoot up out of bed into the sitting position. 
You clear your throat and try to sound professional. “Um, yes, this is she. Who am I speaking with?”
“This is Director Hayward,” the man says, and your eyes widen. The head of the FBI is calling you. “Have you heard of the town of Westview?” 
Your forehead wrinkles while you rack your brain for anything that sounds familiar. “No, sir, I don’t think so.” 
There’s muffled sounds from the other side of the phone and then you can hear Director Hayward clearly. “It’s a small town in New Jersey. Nothing special, nothing too out of the ordinary.” He pauses like you’re supposed to recognize it, but after a moment of silence he sighs and continues. “About seven months ago, we believe a pair of serial killers moved into town. Bodies started piling up, seemingly no rhyme or reason to who was killed, only that the victims were all female.” 
“Okay,” you say slowly, trying to wrap your head around all this. If it’s been going on for this long, why haven’t you heard about it? “Are we sure they’re connected if there’s no pattern of victim? Usually men have a type when they do this kind of thing; the women usually look like an ex-lover who broke their heart, or their mom.” 
You can practically hear him roll his eyes through the phone. “They were all killed the same way: poison to sedate them and then their hearts were carved out. And there was a purple azalea left in every single one of the victims’ chest cavities. So we’re pretty sure they’re connected.” Sarcasm drips copiously from his tone and you wince. Way to make a good first impression on the director of the FBI. “And it’s not a man. It’s a woman.” 
This makes you perk up with interest. “Oh?” As a profiler for a branch of the FBI in Miami, you’ve handled your fair share of serial killers. It may make you sound insensitive, but you were only really interested in the female ones. Men were so boring and predictable. Women knew how to make it a challenge, and there was always some deep, underlying motive for why they did it. There was nothing you enjoyed more than piecing together that puzzle. 
“They’re calling her The Witch. The poison used on the victims is like nothing we’ve ever seen before, so we think she must be making it herself. But since female serial killers are kind of your thing–” 
You cut him off before you can think twice, thoughts whirling through your head. “How do you know it’s a woman? Cutting out a heart, that takes a lot of strength. Most female serial killers tend to use gentler methods, like poison, so it makes sense that there’s at least one woman involved. Are you sure she isn’t working with someone though? Lavinia Fisher would poison her victims and then her husband would finish the job.” 
“How quickly can you get to Westview?” He asks, completely ignoring your question. 
“Oh, you want me to go there?” 
He scoffs. “Yes, Agent, we want you to go there. I’ve already informed your boss and he’s given his approval. No one has been better at catching the female killers than you, so we really need you on this. You can take the Miami jet as soon as you’re ready, but they want you there as soon as possible.” 
“Will I be working with the Trenton branch?” 
“Just the Westview PD for now. They’ve assured us that they have their best detectives on the case. But if you need backup, let us know and we can send in some more profilers. Whatever it takes to bring this woman to justice.” He hangs up without another word and you grab your to-go suitcase that you keep packed for times like these. You throw in a few extra sets of clothes just in case it takes longer than expected, and then you’re out the door, driving to Headquarters. 
You walk into your boss’s office and knock on the door. The director of the Miami branch, Tony Stark, looks up at you. “Hope you packed some warm clothes,” he says and you chuckle. You definitely did not.
“Hayward said I could take the jet?”
Tony nods. “It’s out back and already fueled up. Good luck, kid. Be careful, okay?” 
You scoff. “Careful? I’m always careful.” He fixes you with a stern look and you acquiesce. “I promise.” 
“I don’t need to remind you what happened last time you worked on a case like this, do I?” 
It hits you like a punch to the gut and you shake your head. “No, sir, you do not.” But you know he’s going to tell you anyway. 
“That woman destroyed you,” he hisses. “You got so focused on finding her that you stopped eating and sleeping. The obsession completely consumed you.” 
“I caught her, didn’t I?” You mutter, knowing full well that isn’t his point. He slams his hands down on his desk and you jump. 
“She almost killed you,” he almost yells and your face twists at the memory. 
The Scarlet Killer terrorized Miami about three years ago before you finally brought her down. At first, she would sneak into houses of families with twins and slit the parents’ throats and kidnap the kids, but the twins would always resist so she would end up killing them too. 
After a while, she stopped caring about the twin aspect and started killing anyone with children. 
You had spent days in the office, pacing and pouring over the evidence board, trying to make sense of it. There was no DNA anywhere, but there was also no sign of forced entry, so you figured that she was invited into the house somehow. The hunt for children made you think she had lost her own, or had some sort of abusive childhood that made her want to protect kids. She was possibly a twin as well, and very amicable if people were having her over willingly. 
It took two months before you figured out the perimeter of her murders. She was making a hexagon shape with the houses of the victims. Hexagons can represent balance, so you figured she felt as if she was balancing out some score with the universe for something that had happened to her. 
And then one fateful night, you realized where her next target was. A family had just moved into a house perfectly on the border of the hex, as people around the office started calling it, and they had twins. 
You spent almost an entire week camped out in front of their house waiting for the Scarlet Killer to strike. You think during that time, you slept a total of ten hours. Hallucinations plagued you and you would doze off and then wake up babbling something about catching her. Agents would bring food by your car and beg you to take a break, but you kept your eyes strained on the house, determined that you wouldn’t let her get away with it again, determined to prove that you were right about where she’d be.
And you were. 
Except the knocking that should’ve been on the front door of the house, the knocking that would inevitably lead to more death, was on your car window. 
You had jolted awake to find a redheaded woman standing there, looking worried. You opened the door and got out to help her when she had pulled a knife out and stabbed you in the stomach. 
Thank god she didn’t go for her usual M.O. of slitting throats. 
You were able to weakly unholster your gun and take a shot at her as she was running away and by the yelp, you knew you had hit her. A consolation prize as your vision faded to black. 
Somehow, you woke up two days later in a hospital room, Director Tony Stark by your bedside. They had caught the killer a block away thanks to the appendix your bullet had ruptured that rendered her unconscious, a woman named Wanda Maximoff, who had lost her twins in a horrible house fire, and made it a mission to try and replace them.
And her knife had missed anything important, and all you had was a nasty scar and the weariness from everyone else whenever there was a new female serial killer to catch. 
“She didn’t kill me though,” you tell Tony, who rolls his eyes. “I’ll be careful. I won’t get too involved this time.”
He slides open a drawer and takes out a file and a business card that he holds out to you. You reach across the desk to grab the two and you scan the card. 
Rio Vidal, Therapist, Westview. With an email and phone number. 
You hold it up and raise an eyebrow. “You want me to see a shrink?” You already completed your mandated fifteen hours of therapy after the Maximoff incident and you weren’t eager to go back. 
“You don’t have to, it’s just so you have an option. In case you feel yourself becoming too ‘involved.’” 
You purse your lips but you slip it into your pocket and tighten your grip on the file. “Guess I’ll see you whenever we catch her.” 
He salutes you and you make your way to the jet out back. 
It’s a three hour flight and you spend your entire time pouring over the case file. You know there’s still some information that you’ll have to get from the Westview PD, like witness statements and exclusive photos that haven’t been released yet, but what you do have is brutal. 
Photos of shriveled up bodies with barely any skin still on their bones, their cheeks hollowed out, like something sucked the life out of them. Not to be sexist, but you can tell why Director Hayward thought it was a woman. 
Although there’s a gaping hole in their chests where a heart used to be, the cuts are neat, precise. And the blood has been completely cleaned up. What should be the bloodiest crime scene you’ve ever seen is void of any fluid, like the killer methodically mopped and bleached and cleansed the scene of everything. But this also means that the victims are dead before the heart is cut out, from the poison. 
The most chilling thing is the singular, perfect flower placed in the cavity of their chest.
You flip through the toxicology reports but can’t really make sense of anything. One report says one chemical was the cause of death, another report says another. The levels of chemicals in the bloodstream are also different from victim to victim. 
It reminds you of Jolly Jane Toppan, who would experiment with different medicines and chemicals to murder patients at hospitals. 
Is the killer a nurse? A chemist? You’re able to figure out why she’s called The Witch, because it’s like she’s brewing up potions of sorts, but you have no idea why she would bother cutting their hearts out if she’s killing them with poison. 
The precision of the blade also means that her hands are steady. Another reason she could be a nurse. 
You flip through the pictures of all the victims – eleven, so far – and the first victim’s cut is just as accurate as the last victim. This woman is either a natural, or this isn’t the first time she’s killed. 
Pulling out your computer, you search the database for any serial killer cases that match this same type of crime, male or female. You’re still not entirely convinced she’s working alone. 
But there’s nothing. No cold cases, no open cases. She has truly shown up out of nowhere. 
You tap your fingers to the tray table, your mind trying to make sense of the details for the rest of the flight. 
When the plane lands, you’re ushered into an uber and taken to the motel where you’ll be staying. Your rental car is already in the parking lot. Even though Westview is a small town, it means a lot that they’re giving you all these accommodations. 
Your room is complete with a kitchenette, a queen sized bed, and a good sized bathroom. You drop the files on the table, throw your suitcase in the bedroom, and grab your work bag before locking the door behind you. 
The rental car is a small sedan that has a strange smell, but it does the job and you drive through the quaint twisting roads to get to the police station. You park up front, take a deep breath, and walk in. 
No one stops you or asks what you’re doing here (no wonder this case hasn’t been solved yet) so you make your way to the back where you find the Chief’s office. 
He’s a skinny man with a mustache, spots of something that looks like mustard on his shirt, talking to a woman with her back to you. All you can tell is that she has long, dark hair that flows down your back.
“Hi, excuse me?” You say, knocking on the glass door. The Chief stops and the woman turns around to face you and you’re momentarily struck by how attractive she is. “I’m Agent Y/N? The, uh, criminal profiler from Miami? The FBI sent me to help with The Witch case.” 
“Oh, shoot, that’s right,” the man says, wiping his hands on his jacket before standing up. “Chief Phil Jones. This is Detective Agatha Harkness–” He motions to the woman standing there who smiles knowingly, raking her eyes up and down your body. “– our best. She’s been working this case day and night.” 
“Any leads so far?” You ask her. 
“Why don’t I show you what we have so far?” She offers and you nod, following her out of the office and trying not to look at her ass. She takes you into  a different room with a bulletin board filled with pictures and string and post-it notes. You squint at it, trying to take everything in, while you hear more people enter the room behind you. 
“So, Miami, what do you think?” A man taunts and a few others snicker at him. You ignore him, you’ve been used to this your entire career. 
You’re still scanning the board when something catches your eye. The witness statements. They don’t corroborate with each other. From the six people that have seen something, they all agree that the killer had dark hair. But some say it was long, others say just past her shoulders. Some think she was taller and lean, others say shorter and just a little more filled out. There’s a detail from two witnesses that gives you pause though: they say the woman had a mask of sorts on the bottom of her face, almost like a skeleton. The other witnesses make no mention of not being able to see the killer’s entire face. 
You tap the papers. “Why don’t the statements line up?” 
“Surely you know how unreliable eyewitness testimony is,” Agatha drawls, and when you turn around, she’s watching you carefully. 
You frown. “I do know, but it seems like there’s two different people here. So either we have a copycat, which would be unlikely due to there being no change in the level of detailedness from murder to murder, or–” You trail off, chewing on your lip. You’re waiting for someone, Agatha maybe, to finish the sentence, or to tell you you’re being crazy. 
“Or?” She prompts like she’s daring you to go on. There’s a look in her eyes, a look you don’t quite recognize. 
You give the men in the room a glance. Will they laugh? “I really think we’re dealing with two killers here. Working together. One poisons the victims, the other cuts out the heart. I thought it was a man and a woman, but it seems like two women. They’re obviously very close to each other, and they’ve got it down to an easy routine.” 
“Why hasn’t anyone seen two women then?” Agatha asks, but you feel like she’s just guiding you to a realization, rather than criticizing your theory. 
You hum, tossing the question around in your head. “Maybe…maybe because they want us to think there’s only one killer? They’ve fooled everyone, even the FBI. Easy to chalk it up to faulty witness statements.” 
“Why wouldn’t they try to look alike then?” Agatha presses, and your brow furrows. It’s a good point. 
The pictures of the mutilated victims on the board stare back at you while you look for anything you could’ve missed. “Are they toying with us? Do they want us confused? The poison, the cut-out heart, the flower left behind, the different descriptions, it’s like this is a game to them. They’re cocky, they feel confident that they can’t get caught. Maybe both of them are narcissists, but definitely are on the Antisocial Personality Disorder spectrum.” 
“Why do you think they do it?” Agatha says in a hushed voice. You can’t help but notice that she seems excited. 
Is that because she finally might be getting a break in her case? 
“I don’t know,” you admit and she looks disappointed. You spin to face the board again. “There’s no obvious connection or pattern between the victims, so it doesn’t seem like there’s a personal vendetta against them. Nothing stands out about the locations either. It seems like they’re just killing for fun, right now.” 
“That’s pretty dangerous,” she says, and you can feel the front of her body brush against your back. You’ve been so entranced that you didn’t even hear her notice her coming over. “That means anyone could be next.” 
Goosebumps spread over your body at her hot breath on your neck, but her words sober you up. She’s right. You’re not able to rule out potential victims based on how many kids they have or don’t have, like with Wanda, or what they look like or don’t look like. 
“Okay,” you say, nodding your head. “We need to send out a BOLO for two women with dark hair now. Put these descriptions out, tell them to keep an eye out for a skeleton mask? Hopefully we can get some tips and put a stop to this before anyone else gets hurt.” 
“What should we call the other woman?” One of the male officers speaks up and you’re surprised that it’s an actual question. 
Agatha watches you with interest while you think about it. “How about…Lady Death?” You offer and she gives a nod of approval. “Put a BOLO out for Lady Death and The Witch.” 
You make copies of everything that’s on the board and paper clip them together to put in your bag. As you’re packing everything up to go back and leave to the motel (Tony would be proud of you for leaving the station at an acceptable time), Agatha comes over and leans on the table. 
“What do you think their relationship is? Lady Death and The Witch,” she says, amusement lacing her tone when she says their nicknames. 
You shrug. “Sisters, friends, wives? Maybe they’re just two crazy people who met each other and want to kill people.” She chuckles and studies you curiously. 
“You know, we’ve had some other profilers come in, but none of them have been like you. You know your stuff.” 
“Female serial killers are kind of my thing,” you say. “There’s just something about untangling the mystery that’s so much sweeter. Makes me feel…alive. Which I know sounds bad, because so many people have died, and I’m sorry.” 
Agatha looks like she knows exactly what you’re talking about. “No, don’t apologize. It’s exciting, isn’t it? The exhilaration, the moment when you finally get what you want, what you’ve been working toward.” Her voice is low and you nod, leaning in before you can realize what you’re doing. Your gaze drops down to her smirk and then back to her blown-out pupils. “Do you think you’ll be able to find them?” 
“Yeah, I do,” you breathe, and she looks positively delighted. Out of nowhere, the scar on your stomach stings and you grimace. Agatha looks at you, concerned but you brush it off. “I guess I’ll see you tomorrow then?” You ask, standing up and slinging your bag onto your shoulder. 
“See you then, superstar,” she says with a grin and watches you leave. 
When you get back to the motel, you spread all the pictures and notes out, trying to connect some dots. You scribble down Friends? Sisters? Lovers? on a sticky note and press it to the wall. 
Why do you think they do it? Agatha’s question still haunts you. You don’t want to believe that it’s just for fun, there has to be some meaning, some motive for poisoning and then physically removing hearts. There has to be some significance to the flower left behind. 
But what is it? 
Your stomach grumbles so you decide to take a step back and go pick up food from a restaurant in town. As you’re pulling out of the parking lot to come back to the motel with wings and french fries, you get a call from Tony Stark. You accept it, taking a sip from your cup quickly. 
“Hey, Director,” you say. 
“There she is! How’s it going?” 
You shrug even though he can’t see you. “Not too bad. Just went and got dinner. See, I’m taking care of myself.” 
He laughs like it’s the funniest joke he’s heard. “Glad to hear it. Any new leads in the case?” 
“There’s two women, not one. They’re working together.” There’s silence on his end of the line for a second and you wonder if he heard you. “Did you–?
“Yeah, I got that. Shit, so you think you’re looking for partners? I don’t like this,” he says. 
“I’m okay, I promise. What happened with Wanda won’t happen this time,” you reassure him as you turn back into the motel lot. “I’ll check in with you whenever you want. I’ll go see that shrink. I’ll be careful.” You’re worried that he’ll pull you off the case if he thinks you’re too obsessed. Your hyperfixation tendencies almost cost you your life, and you know Tony doesn’t want that to happen to you again. He’s become somewhat of a father figure to you since you started working there, and it’s touching how much he cares.
He hums in satisfaction. “I expect you to eat three meals a day and get at least five hours of sleep.” Before you can protest, he continues. “And I want you to make an appointment with that therapist. Just get ahead of your spiral, maybe talking about the case with someone removed will help you be more level-headed.” 
“I will,” you vow. “Okay, just got back to the motel, I’ll talk to you later.” He says goodbye and hangs up. When you get out of the car with your food, the hair on the back of your neck stands up and your scar tingles. 
Something feels off. 
You get to your door to find it slightly ajar and you frown. You remember locking it. Maybe room service cleans at night? 
“Hello?” You call, pushing it open. Taking a few cautious steps into the room, you scan from wall to wall looking for anything or anyone.
There’s no one there, nothing seems out of place except for your suitcase that is now on your bed. You tentatively walk over to it and unzip it, jumping back like you’re expecting something to pop out. Inside, you find all the clothes you packed gone, and entirely replaced by a new wardrobe. Pulling them out, you gasp when you find cashmere sweaters and silky blouses and comfortable but professional looking pants. There’s a bottle of perfume with the word “Thanatos” printed in perfect calligraphy and you take a whiff. It smells like flowers and wood at the same time and it makes you think of a forest. 
So someone broke into your motel room just to give you some new clothes and perfume? You rustle through the rest of the suitcase and a piece of paper flutters to the floor. 
Heart pounding, you lean down to pick it up. It’s the same sticky note that you put on your wall before you left to get food. 
Friends? Sisters? Lovers? 
Only now, the word ‘lovers’ is circled, with a small heart drawn. You drop the paper like you’ve been burned and run over to where all your case information is and you feel nauseous. 
Nothing has been touched. Nothing is out of place. 
Except for the single purple azalea resting on the middle of the table. 
They were here. 
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murdockcastleslut · 2 days ago
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meddle about
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an outerbanks band au! | a jj maybank and rafe cameron smau
synopsis: after competing and winning the battle of the bands, the sirens were offered a record deal, launching them into stardom. when they are about to go on their first world tour, the band is faced with the decision of who they will open for them. they choose the swell, their runner-up in the battle of bands two years prior. with a rocky past with some members of the swell, y/n, the leader singer of the sirens, must tread carefully not cause anymore problems during this choatic tour.
intros | prologue | part one
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tw: mentions of depression, anxiety, adhd, addiction, child abuse (emotionally and mentally), alcohol, weed, cocaine, homophobia, and sex.
word count: 2.1k
author's note: finals week kicked my ass but we slay and i put out a new chapter of something finally
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thursday, august 15th, 2024
You took one last puff from your cigarette before throwing it down to the ground and smothering it with your sneaker. You let out a loud sigh before grabbing the handle of the door and walking back into the first stop of The Lie to Girls Tour. 
As you walk in you notice how the venue has come to life with roadies sending everything up for later that night. You start walking towards your dressing room when someone calls out your name. 
You turn my head and see Ward Cameron making a B-line for me. You roll my eyes and stop in front of him. 
“What do you want, Ward?” You ask the manager of The Swell and Sarah’s father. 
He gives you a sneer and folds his arms to assert dominance over you. 
“Where is Sarah?” He asks with a stern look on his face. 
I let out a chuckle. 
“I don’t know where she is, Ward, but I can be damn sure she doesn’t wanna talk to you.” You say before walking away from the older man. 
You walk towards your dressing room and look around yourself diligently hoping you don’t see him. You make it to your dressing room and open the door to see Sarah getting her hair done by the band’s hair stylist, Aubree, and Cleo getting her make-up done by the band’s make-up artist, Kimora. You walk in, letting the door close behind you, and go straight for the couch that Kie is sitting on and lay your head on her lap.
“Your dad’s a dick, Sarah,” I say with my eyes closed enjoying the atmosphere of the room. Kite lets out a muted snort. 
“I know he is, but what did he do now?” She asks, twisting to look behind her at you on the couch. 
“Nothin, just asked where you were. But I guess he didn’t even bother to look because anyone else could have told him that you were here.” 
“Did you tell him where I was ?”
“Fuck no, that would mean I would have to spend five minutes walking with him here. I would rather spend the night in whatever torture chamber Satan's got prepared for that man.” 
The whole room laughs but you. You weren’t joking, you were serious. 
“How’d you even bump into him girlie?” Cleo asks? 
“Went for a smoke out on the side.” You reply nonchalantly. 
Everyone in the room this time groans. 
“I don’t like this judgment I’m getting from everyone. I hardly smoke cigs anymore! We are Texas and I’m not tryna get arrested before we have even gotten on stage.” I defend. 
“I guess that’s acceptable,” Kie says, tapping your nose. 
You scrunch your face at her. 
“So how are you girls feeling? The first night of your basically sold-out tour.” Aubree asks as she finishes the final curls on Sarah’s hair. 
“So excited, man. I have a good feeling about tonight.” Cleo smiles. 
“Oh my god, knock on wood right now, Cleo! You’re gonna jinx us!” You exclaim sitting up from Kie’s lap. 
“I don't think it’s…”
“I swear to god, you better knock.” 
Cleo doesn’t say anything but rolls her eyes and knocks on the ledge of the vanity in front of her. 
Kie looks at you and sighs. 
“Babe I mean this in the nicest way possible, did you take your meds today?” She questions. 
“Yes, I did.” You roll your eyes at her question. 
“So excited and nervous.” Aubree takes it away. 
“She’s just nervous about interacting with JJ.” Sarah spills.
“What the fuck! No, I am not! I could care less what the dipshit thinks.” You refute. 
Just as you finish, the band stylist, Jess, walks into the dressing room holding everyone’s outfit. 
“So you didn’t text me saying you literally have to look sexier than sexy this whole tour to show JJ he’s an idiot.” Jess chimes in.
You let out a loud groan. 
“Damn it, Jess. You just fucked my whole I don’t care vibe.” You whine. 
Everyone lets out a chuckle at your reaction. 
“Well, I’ll have you know that the outfit I picked up is killer.” Jess smiles. 
“Lemme see!” You sit up excited like a child at Christmas. 
She puts all the outfits on the rack and pulls out yours. 
Everyone in the room, oohs and ahhs. 
“Oh Jess, you are a magic baby!” You laugh. 
She smiles and shakes her head and walks over to you to give you the hanger. 
“Get changed, I wanna see how it looks on you.” She demands. 
“Yes, ma’am.” You smile and get up off the couch. You go behind the divider and get undressed and put on the outfit that she had chosen for you. 
You get changed into a faux leather corset and a black faux leather skirt. 
When you step out from behind the divider, everyone in the room whoops and whistles. 
“Get in my chair now,” Aubree exclaims. “I have the best idea.” 
You giggle and nod excited to see what she had in store for your hair. As Aubree works on your hair, Kimora starts on your make-up. 
The room is filled with laughter, music, and singing. Aubree is done with your hair pulled into a slick back 90’s spiky bun when there’s a knock on the door. She gives your hair one more spritz of hairspray before going to grab the door. 
When she opens the door, the once loud and obvious room is now dead silent. JJ Maybank is standing in front of the door. 
He looks around uneasily and then looks at you. He is in awe of the way you look. 
“Is there a reason you’re here?” Aubree sneers at him in an unkind tone. 
“Uh-uh i-uh..” He keeps staring at you. 
“Yo pervert, either say something or get out.” Kimora scolds him.
“Yeah- uh sorry,” he keeps his eyes on you. “Ward sent me to get you, says Minerva is looking for you.”
You scrunch your eyebrows in confusion. What the fuck? You think to yourself. 
“Anything else?” Kimora questions, their tone suggesting he’d leave. 
“He said I had to walk you there…” He hesitates. 
“She’ll be out in a minute.” She says before shutting the door in his face.
You turn to the other girls with your eyes widened in confusion. They all shrug at you not knowing what is going on. You look at Sarah and mouth Your dad’s a dick. She sighs heavily and nods. 
You look around the floor and put on your Doc Martens. 
“Fucking bastard.” You mumble to yourself about Ward before opening the door. 
You look at JJ with a sneer and wait for him to lead you to Minnie. 
“So uh- I’m…” He stutters out and you cut him off with a glare. 
The rest of the way to Minnie was silent. He did not try to utter another word to you. 
When you find her, she is surrounded by roadies asking her questions about the final touches on the venue. 
When she sees you and JJ together she gives you a strained smile. She knows that this is not a situation you want to be in. 
“Thank you, Jackson. You can leave us.” She says coldly and wraps her arm around your shoulder. You giggle when she calls him his legal name and wrap your arm around her waist. 
“You look like a good kid, everyone did you up real pretty.” She smiles down at you. 
“They did, this team might be my favorite.” You smile up at her. 
“Good, good…” She says as the two of you walk. “I gotta ask you a favor and I know you don’t wanna do it but Ward Cameron is up my ass and if I know if we make a fuss, which I want to, things will get leaked to the press and none of you kids need that right now.” 
“What do you need, Minnie?” You furrow your brow. 
“I need you, specifically, to sing a song with one of the members of The Swell. Ward wants it to be JJ for publicity to say there is no bad blood between the two of you, but he can kiss my ass. That is up to you to forgive him and only you, hun.” 
“Jesus Min, this man is gonna be a pain in our asses all tour isn’t he?”
Minnie nods and that is all you need to know that it is going to be a long tour. 
“Alright, I’ll do it. And I’m choosing the song.” You say. 
“Sounds good to me. Break a leg, you’re gonna kill out there.” She offers a kind smile before reaching five steps away from you and she is surrounded by people who need to ask her questions. 
You turn around and go back towards the dressing rooms. You look around looking for the name you need. You go up to the door and knock. 
The door opens and you have a smirk up at him. 
“How would you like to piss off your dad tonight.” You ask. 
He doesn’t respond with words but instead, a sly smirk spreads across his face and he opens the door wider so that you can step inside. 
The crowd was electric tonight. Even though most of The Swell’s songs were unknown to the crowd, they enjoyed it very much and it definitely helped that all the members were attractive. 
You stand backstage getting mixed up as you watch from the sidelines. As the last song comes to an end JJ goes up to the middle mic. 
“How’d y’all like that one?” He asks the crowd. They cheer and scream to show their enthusiasm. 
“Good, good,” He chuckles into the mic. “Now I’m gonna hand this over to Rafe.” 
Rafe is up from his drum set and someone is already taking his place. He runs up and daps up JJ before taking his place in front of the mic. 
“Now, if you’re a fan of The Swell, you’ll know I don’t sing up in the front often but I wanted to treat y’all for the first show. And as for something extra special, I have a guest. But your hands together for Y/N L/N of The Sirens, everybody!” He exclaims. 
The crowd goes while as your name is said and you step out on the stage. You give the band members a wave except JJ and head on over to Rafe. 
“Hey, everyone, are these guys treating you well?” You ask into the mic. The crowd cheers in response. You smile seeing everyone enjoying themselves. 
“I'm glad, so I have a question,” You look at the crowd. “Do y’all know Perfect by One Direction?” 
The crowd erupts in total chaos. 
“Seems like they know it, pretty girl.” Rafe flirts. You give him a smirk and move in closer. 
“Seems like it, so y’all are gonna sing along with us?” The crowd erupts once again in cheers. “Alright let’s do it.” You smile at the crowd. 
The music starts playing and you sway your body to the music coming from your ears. Rafe brings the mic to his lips and winks at you before he sings. 
“I might never be your knight in shining' armor, I might never be the home you take home to Mother,” He sings to the audience. “And I might never be the one who brings you flowers,” He turns to you while pointing at himself and sings “I can be the one, be the one tonight.” 
The crowd screams loving the chemistry the two of you are displaying 
“ When I first saw you from across the room I could tell that you were curious,” You sing, looking up at him and checking him out. 
“Oh, yeah,” The whole band harmonizes with you. 
“Boy, I hope you’re sure what you’re looking for ‘cause I’m not good at making promises” You riff. 
You and the whole band sing the chorus. But as you sing your eyes are locked on Rafe and his eyes are locked with yours. 
When everyone gets to the line, “If you like to do the things we shouldn’t do,” you and Rafe are close. He has one hand on the mic and the other on your waist. You have two arms around his shoulders sharing the mic he was sharing. His gaze is locked with yours not daring to look away. 
For the rest of the song the two of you are never less than a foot apart and when you are close one of you is touching the other. It was like you were the only people on stage even though you were performing in front of thousands.
Although you never looked away from the audience or Rafe, the one thing you could feel was JJ’s burning jealous gaze on your back. 
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after the concert...
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taglist: @ivysprophecy @kimoralov3 @arkofblake @eddsthemunson @zyafics @papercranesandinkstains @jjslaybank @isnt-itstrange @ayy1234567 @upsidedownjill @mads-writes-vibes @shincidios @hittmeandtellmeyouremine @mattslutiolo @xoxo-ada @mariamsdison6-blog @eternallovers65 @smootbrainchicken @starsval @writer-who-rarely-writes @whorelaud @ame1le @me-ig1 @marleymarleymarleymarley @cassiewritessalot @everinlove @robinsgrl
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autolenaphilia · 13 hours ago
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I’ve talked in a post years before about how male/female socialization is a myth, especially if you argue transfems are “male socialized.” But I’ve read and learned since then, so let’s have another go at it.
Of course what I must recognize is that claims that transfems are male socialized are not good faith arguments, it’s a transmisogynistic canard wielded as a cudgel against transfems. What it is is an accusation that transfems are lacking in the feminine virtues, it’s the old accusation that queer women are too mannish to be proper women. Most often “male socialization” is a claim that we are not demure and submissive enough. It’s a club that taken out whenever we dare disagree with our betters, tme people, or dare assert ourselves in any way. It’s then said that we are “talking over people”, “taking up too much space” or even have “male energy.” This is ubiquitous even in supposedly transfem-inclusive spaces. Even cis women are often falsely perceived as talking too much, due to misogynistic biases, and transmisogynistic biases make this effect even worse for transfems.
But let’s humor the argument for awhile, because I’ve seen transfems internalize the transmisogyny of “male socialization.” And socialization is a real sociological concept, which can be use to lend respectability to the claim that transfems are male socialized.
However actually looking at how socialization is defined reveals the problem with the “male socialization” myth.
Socialization as concept is not simply something that is done to the individual, but actually refers to how the individual internalizes the norms and ideology of the society in which they are raised, “the process beginning during childhood by which individuals acquire the values, habits, and attitudes of a society” as merriam-webster helpfully describes it.
This means the individual’s response to society’s norms defines socialization. It’s not just how people treat you, how you are raised, it’s how you react to how they treat you. And this is equally true if we are to speak of gendered socialization, where a person’s internal gender identity and preferred gender expression, not just their assigned sex by their environnment, defines that person’s gendered socialization.
And it’s obvious that any attempt to “male socialize” transfems failed. If “male socialization” has any meaning it must include that it results in the male individual adopting a male identity. And for transfems, the results speak for themselves. A transfem saying “I was not male socialized, because I’m a woman and not a man” is in itself a valid argument.
The fact that transfems prior to transition can for a long time believe themselves to be male doesn’t mean they were “male socialized” either. Because again, the individual’s own response, both in thought and behaviour to how others treat and teach them is part of socialization. It’s not just the end result that is different from cis men, it’s how we get there too. That’s why some transfems speak of “transfem socialization” because even when we are treated like boys, we have different responses to that than boys and men do, and that is it’s own form of socialization.
The thing is, transfems tend to experience their assigned sex and the masculinity socially expected by them long before their trans realization, as deeply unpleasant. It’s gender dysphoria, but we are not given the words to articulate those feelings. We don’t know that gender dysphoria exists, that transition are an option, or even that trans people exist, except possibly as deluded and perverted men in dresses. So these feelings are instead repressed. This results in dissociation from emotions that are distressing and difficult to understand.
It can often be difficult for us to act according to the norms of masculinity and we are often abused by parents, schools and other children for our femininity.
Now of course there are many boys and men, who are effeminate and gender non-conforming, and are often uncomfortable with the masculinity they are expected to perform. But that just further proves the point that to speak of a monolithic “male socialization” is wrong, because even boys and men vary widely in their responses.
And a central problem with neatly divided male/female socialization, is that while expectations are different depending on assigned sex, we aren’t given separate messages about gender. Basically all children in the same culture are taught the same things about masculinity and femininity, and the misogyny that comes with it. Children who are supposed to be boys are taught what girls are like, and supposed girls are taught what boys are like (and the message is, broadly speaking, girls are inferior to boys).
Trans girls can therefore often internalize the message about femininity, what girls are like, and apply it to themselves, even long before we view ourselves as women. Long before we realize we are trans, that transition is an option, we often feel a painful longing for womanhood, and femininity, tinged with unrecognized dysphoria. The unrealistic beauty standards imposed on women can be especially devastating for trans girls who have internalized transmisogyny. We hold our own bodies to standards that are cisnormative and which are so unrealistic that even cis women can rarely reach them, and it’s used as a tool of repression and self-harm, to tell ourselves why we never could be women. Eating disorders are common among trans women even before transition.
This description of pre-transition transfem lives probably seems surprising to people who never listened to transfems describe their own lives, and this includes other kinds of queer people.
The double standard of how transfems pre-transition lives are described and how basically every other queer group’s closeted lives are described is stark. Like it’s now widely recognized that cis gay people who were closeted and didn’t believe themselves to be gay were suffering in that closet from the self-denial that belief involved. Claims that cis gay people were “heterosexually socialized” and that they enjoyed heterosexual privilege by self-denying in the closet are never made because they are obviously absurd and offensive. But not so for trans women’s own experience of repression and the closet. This is of course rooted in transmisogyny. As Julia Serano pointed out, “AMAB trans people are denied the closet”
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chancloud8 · 2 days ago
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CHAPTER 1
series masterlist
Pairing: OT8 x reader
Word Count: 3,9k
Tags: Intro, bodyguard!ot8, idol!reader
Summery: Meeting your new bodyguards doesn't go as smoothly as everyone hoped..
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‘I don’t need a group of bodyguards,’ you repeat for what feels like the hundredth time. 
Your manager Yoona doesn’t even look at you anymore and you fight the urge to stamp your feet like a little child to get her attention. You won’t stoop that low though, so instead you place your hands on your hips and glare at the woman who’s been by your side since you debuted about two years ago. 
‘We’re not having this discussion again, y/n,’ Yoona says, her eyes still fixed on her phone screen. ‘Your popularity is growing by the day, you’ve received multiple death threats in the last few months and in case you forgot, last week someone tried to break into your home.’ 
Your shoulders deflate and your hands fall down beside your body. You can’t really argue with that, but you’ve grown so accustomed to having Faris at your side as your one and only bodyguard, that the thought of eight men taking his place makes you shiver. Who the hell needed eight freaking bodyguards? You weren’t a princess for fuck’s sake. 
Yoona finally looks at you then. ‘It’s very important to us to keep you safe, darling. I know it will be an adjustment, but you’ll get used to it.’ 
‘But eight?’ you argue, trying once more. ‘Do I really need eight men following my every move?’ 
‘That’s why we’re placing some of them around you with other jobs as well, kind of like undercover bodyguards,’ Yoona smiles at you like that makes it any better. 
You slump down in the chair across from Yoona and frown at her. What could bodyguards possibly go undercover as in your team? Woman, sure, no problem, but a muscled man? They’d stand out immediately. 
‘What do you mean?’ you ask carefully, not sure if you even want to know. 
‘They all have multiple skill sets, but we decided on adding three of them as your dancers and one will probably step in as a personal assistant of sorts,’ Yoona explains, her eyes once more on her phone screen. 
‘Why?’ you blurt out. ‘I don’t even need new dancers? We’re not firing anyone are we?’ 
You were perfectly happy with your team as it was and it would kill you to let any of them go because Yoona decided you needed eight freaking men to watch you. 
Yoona sighed and put down her phone. ‘We’re not firing anyone, but Dohyun is still recovering from his injury and Ju-won has asked for a few months off to visit his family. As for why, it will allow them to be around you more casually.’ 
Damnit. That actually made sense. 
‘And you’re sure they can dance?’ you ask, already knowing the answer. Yoona would never suggest something like this if they couldn’t. 
‘Yes, y/n, they can dance. I think you’ll be impressed actually.’ 
That makes you curious. Yoona isn’t easily impressed, so if she thinks you’ll approve, they must be good. Maybe you should give them a chance, or just be such a brat they run away screaming. 
‘Fine,’ you sigh. ‘When will I meet them?’ 
Yoona looks at her watch and your eyes widen at the movement. She wouldn’t do this to you, would she? 
‘They’ll be here in an hour to meet you,’ Yoona says and you let out a relieved breath. ‘You better be back here by then or I will let one of them drag you here by your ear.’ 
‘Bossy much,’ you whisper, but you don’t really mean it. You luckily have a very good relationship with your manager and even though she drives you up a wall sometimes, you know she has your best interest at heart. 
Yoona rolls her eyes at you and waves her hand at the door. ‘Go be bratty somewhere else, I’ll see you in an hour.’ 
You bark out a laugh and jump up from the chair. ‘As you wish, my Queen,’ you say, doing a little courtesy. 
Your current bodyguard Faris is waiting for you in the hallway, a smile on his handsome face as he spots you. 
‘Good talk?’ he asks, following one step behind you. 
‘You knew about this, didn’t you?’ you ask, glaring at him over your shoulder. 
‘I’m the one who recommended them actually,’ Faris says and only his quick reflexes stop him from walking straight into your back as you stop walking immediately at his words. 
‘What?’ you turn around to frown at him. ‘Why would you do that to me?’ 
Faris raises his eyebrows and stares down at you with a knowing look, his arms crossing over his chest. 
‘Fine,’ you roll your eyes at him. ‘I know why, Yoona was so kind to remind me, but I still don’t get why it has to be eight.’ 
‘It might seem excessive to you Nabi,’ Faris says, addressing you with your stage name which he knows usually softens you. ‘But you don’t see all that we see and trust me when I say that once you’re on tour, you’ll be happy to have them by your side. It gets crazy out there.’ 
‘I know that, but undercover bodyguards?’ you make a face. ‘I’m not royalty.’ 
Faris chuckles and with a gentle push on your shoulder, he guides you further through the hallway and towards the studio you were working at before Yoona called you to her office. It was one of the things you really liked about your agency. Nearly everything you needed was in the same building. 
‘You may as well be and I trust Chan and his guys to keep you safe,’ Faris says as he holds a door open for you. 
‘So you really know them?’ you ask, sitting down at the desk you were working at before. Your laptop is still open on the editing program you work with and there are multiple notebooks, paper coffee cups and empty candy wrappers spread all around it. ‘Did you work with them before?’ 
‘I trained 3RACHA actually,’ Faris nods. ‘Chan and I had multiple gigs together after that and I’ve only heard good things about the others as well. I’m confident I’m leaving you in good hands.’ 
‘You shouldn’t be leaving me at all,’ you groan, throwing your head back against your chair. ‘But I understand and I hope that when I have a husband one day, he'll do the same for me.’ 
Faris just smiles at that and gets comfortable on the couch facing the door. He knows better than to get into this conversation with you again. Last time you ended up facetiming his wife in tears and he ended up having to calm down two crying women. 
‘Wait, did you just say sriracha?’ you sit up in your chair when your brain suddenly realizes what he had just said. ‘As in the hot sauce?’
‘No, I said 3RACHA, that’s what they called themselves back then,’ Faris replies, glancing at you. ‘I think they made music together in their free time, before they started their own company.’ 
Huh. Interesting. Why on earth would they go from making music together to becoming bodyguards? 
‘So all eight of them made music together?’ you ask curiously. 
‘No, just Chan, Jisung and Changbin. I think they mostly rapped, but if you’re interested in knowing more, you can always ask. It could break the ice when you meet them,’ Faris suggests, winking at you. 
‘I’ll pass, I don’t want them to think I’m happy about this arrangement,’ you murmur, turning your chair so your back is to Faris. ‘Will you tell me when it’s time to go?’ 
‘Don’t I always?’ he chuckles. 
You flip him off without looking and put on your headphones. Time to edit some more music. 
****
You’re so engrossed in your music, that it takes Faris multiple tries to get you to put down your headphones. He even goes as far as opening the blinds to let the light in, making you whimper and flinch by the intrusion of it. 
‘Alright, alright,’ you yell, your eyes scrunched close. ‘I beg for mercy, I’ll come with you.’ 
Faris laughs and closes the blinds, once again developing the room in darkness, just how you like it. He has scolded you many times before about how bad it is for your eyes to squint at your screen in a dark room, but you rarely listen to him about it. 
‘If you think about telling my new watch dogs this trick of yours, I’ll haunt you,’ you warn Faris when the two of you walk towards Yoona’s office. 
Faris makes a movement with his hands as if he’s zipping his lips closed and you nod happily at him, trusting him to keep his word. 
‘How late are we?’ you ask, having forgotten your phone in the studio when Faris basically dragged you out by your arm. 
‘About five minutes too early,’ he smiles proudly. 
Of fucking course. He’s been working with you for two years so he knows all your annoying traits by now, including having a habit of being late because you simply forget the time when you’re working. 
‘What will I do without you,’ you pout at him, ignoring the nervous butterflies in your stomach as you near Yoona’s office. 
‘You’ll be just fine, Nabi,’ Faris says and you’re not sure if he means it as a reply to what you just said or as a reassurance before meeting your new team of bodyguards. 
Taking a deep breath, you turn towards Faris. ‘How do I look?’ 
‘I thought you didn’t care?’ he grins, but he reaches out to flatten a few wild strands of your hair. 
You blow him a kiss, put on a straight face and turn around to knock on the door before pushing it open. The first thing you’re greeted with is the silhouette of 4 men standing with their back to you. Each of them have broad muscular shoulders that are clearly visible under the black suit jacket they’re wearing, the fabric straining like they’re wearing a size too small. 
The man on the right turns around when you enter and you nearly gasp at his beauty. His hair is styled to show a little v of his forehead and the black strands nearly reach his eyes. Jesus. He could be a model if he wanted too. He raises his eyebrows at you when you just stare at him for a moment, before he nudges the man next to him. 
‘Are you fucking kidding me,’ you mutter under your breathe when the other man turns around and piercing eyes meet yours. 
Of course he’s beautiful as well. What the hell was Yoona thinking? 
‘Ah, Y/N, there you are,’ Yoona says when she notices you. ‘On time, even.’ 
You roll your eyes and stroll forward to her desk, ignoring the four men as you make your way around them. In that little moment you forget there’s supposed to be more of them and when you turn to stand next to Yoona and see the chairs in front of her desk filled with four more gorgeous men, you nearly stumble. 
Yoona grins at you and you narrow your eyes at the woman. 
‘You think this is funny, don’t you?’ you grumble at her. ‘Where did you even find them? heaven?’ 
One of the men snorts before trying to cover it up with a cough. 
‘Don’t mind her gentleman, she’s in a mood today,’ Yoona smiles. 
‘I wonder why,’ you mutter, sending a fake smile in the direction of the bodyguards. 
‘That’s alright, it must be a lot to take in,’ one of them says with such a deep voice that your eyes widen. 
It must look comical, cause the same man that snorted earlier, lets out a giggle. ‘Don’t worry, Miss, it’s how everyone reacts to first hearing Felix’s voice,’ 
You want to focus on him calling you Miss, but the urge to see which face belongs to the deep voice is stronger.
‘Who’s Felix?’ you ask, your eyes searching the men in front of you. 
‘I am,’ the only blonde man of the group says, lifting his hand to show you where he is. He’s absolutely stunning with freckles sprinkled over his nose and cheeks. 
‘Holy shit, is that your real voice?’ you ask without thinking, slapping your hand in front of your mouth as soon as the words come out. 
He laughs and a few of the other men chuckle as well. 
‘It is, sometimes it gets even deeper,’ he says. 
‘Yeah, Lix actually has like three different voices,’ the man who called you Miss grins. 
It’s getting annoying not to know his name, but you don’t want to ask and seem interested. Luckily one of the men at the back seems to read your mind somehow. 
‘Why don’t we all introduce ourselves, my name is Bang Chan, but you can call me Chan. I’m the leader and head of your security team as of now. So if you experience any problems with our service in any way, I’m the one you can come to.’ 
‘Noted,’ you mumble, ignoring Yoona’s glare at your rudeness. 
So that’s Chan. Faris forgot to mention how beautiful his trainee was and you were so going to punch his arm for that later. 
‘I’m Lee Minho,’ the one with the piercing stare says. ‘I’ll be joining your dance team.’ 
Fuck. Of course he is. 
‘So will I,’ Felix smiles. ‘Lee Felix.’
‘And me, Hwang Hyunjin,’ the man closest to you winks. 
Great. They were absolutely going to kill you. In more ways than one. 
Biting your lip you wait for the last four to introduce themselves and pray to all the gods that Miss guy is going to be your assistant. He already feels like the most easy going out of all eight and if you need to work with one of them closely, you’d rather it be him than anyone else. 
‘Kim Seungmin, I’ll be one of your bodyguards’ the one who noticed you first says, his eyes flicking up and down your body as if he’s calculating how much of a flight risk you are. 
Oh just you wait and see buddy. 
‘I’m Yang Jeongin, but you can call me Innie or Ayen,’ the very cute man in front of Seungmin smiles and you nearly smile back at him. 
Finally the man you’ve been waiting for speaks up. ‘I’m Han Jisung, your new assistant.’ 
You cheer in your head, keeping a straight face as you look at the last man. He’s definitely the most buff of them all, his biceps really testing the fabric of his suit jacket. 
‘And I’m Seo Changbin, also part of your daily bodyguard squad.’ 
‘You’re all way too beautiful to be bodyguards,’ you say, crossing your arms with a frown while tapping your foot on the ground. 
Yoona makes a noise beside you and you don’t dare to look at her. She’ll definitely lecture you later, but this is all on her anyways. 
‘Worried your fans will fawn over us?’ Jisung jokes, winking at you. 
Your lips tip up in a tiny smile, but you quickly straighten your face. It was going to be hard to be a brat to them, but you were nothing if you weren’t stubborn. You’re not going to just warm up to them because they were hot and funny. Nope. Not going to happen. 
‘More like you’d be too busy worrying about your good looks to protect me,’ you say, raising your eyebrows at them. 
‘Aren’t you a ray of sunshine,’ Minho grumbles, placing his hand on Jisung’s shoulder as if to comfort him. ‘You won’t have to worry about that, looking this good doesn’t cost us much.’
You open your mouth to reply, but Yoona gets up and goes to stand next to you. 
‘That’s enough Y/N,’ she hisses before smiling her million dollar smile to the men. ‘As you can see Y/N hasn’t really warmed up to the idea of having this many eyes on her all the time.’ 
‘Don’t you have that all the time though,’ Seungmin says directly to you. 
You glare at him. ‘That’s not the same. 
He just shrugs. ‘We don’t want anything from you like your fans or stalkers. We’re not here to be your friends, we’re just here to keep you safe. That’s all that should matter.’ 
His words hit you harder than they should and you can’t help but flinch. The idol life isn't great for maintaining friendships and since you weren’t in a group, the only people you really had around you to talk to were your bodyguard Faris, Yoona and your dancers. You didn’t have a best friend, or even really friends in general, not since high school ended. 
‘Min!’ Chan calls out, glaring at the man. 
You square your shoulders and tilt your head, putting another fake smile on your face. ‘It’s fine, he’s right isn’t he.’ 
‘No, he’s not,’ Chan shakes his head. ‘Listen-’ 
‘It’s fine,’ you repeat, interrupting him. ‘How about I’ll show Jisung his office and we can go over the schedule for next week?’ 
Chan frowns down at you, sharing a look with Jisung and Yoona, but then he nods. You give him a nod back in thanks and without looking at any of the other guys you make a beeline for the door, hoping Jisung will follow you. 
‘Well, that went great,’ you hear someone say before you step outside. 
Faris frowns when he sees the look on your face, but he doesn’t say anything and falls into step behind you like he always does. It’s one of the things you love about him, he always knows when to not ask questions. You can hear him and Jisung quietly talking behind you, but you don’t mind, they know each other after all. 
‘Well, here we are,’ you say, opening the door of the small office area next to the studio you usually work at. ‘You can arrange everything how you like and if you need anything you can ask Yoona.’ 
‘I wasn’t expecting an office,’ Jisung smiles at you, stepping inside the room to take a look. 
It’s not much. Just a desk with a comfortable chair and a computer, a two person couch and in the corner there’s a bookcase that so far only houses a cactus, your first three albums and a box with documents your last assistant left behind. 
‘Of course you get an office, can’t have you shacking up with me in the studio,’ you say, trying to joke with him. 
‘Hey, about what Seungmin said,’ Jisung starts, sitting down in his desk chair and twirling around. ‘He’s just very serious about his job, he didn’t really mean the part about us not being your friends.’ 
‘It’s fine,’ you shrug. ‘You’re not really meant to be my friends anyways, you’re hired to protect me.’ 
‘Yeah, you don’t look too happy about that. Why is that?’ Jisung asks and he sounds genuinely curious. ‘I mean, sure we’re a whole lot, but isn’t it nice to know you’ll be safe?’ 
‘Safe? Yes. Watched by eight, I repeat, eight men? No thank you, I don’t need that.’ 
Jisung tilts his head and purses his lips in thought, like he’s actually trying to see this from your side. ‘I get it, I do, I’ve lived with most of them for the last few years and like I said, we can be a lot.’ 
‘But?’ you ask, falling down on the couch in front of Jisung’s new desk. ‘I feel there’s a but there.’ 
‘You really have no idea, do you?’ Jisung leans his chin on his palm as he looks at you. ‘We’ve seen the threats Y/N, we’ve seen the video’s of handsy fans, we’ve seen the footage of that dude trying to break into your house. It’s a miracle really that nothing has happened to you so far with only Faris by your side.’ 
‘He’s right, Nabi,’ Faris says from his spot by the door. 
‘Okay, maybe more than one bodyguard would be better,’ you say slowly. ‘But eight? I still think it’s a bit much, especially the undercover bit.’ 
Jisung shrugs and leans back in his chair, folding his hands behind his head. ‘Maybe so, but at least you’ll know you will be safe.’ 
‘I guess,’ you mumble. 
‘Wanna go over the schedule for next week with me?’ Jisung asks. ‘Get your mind off all this for a bit?’ 
You jump up from the couch immediately and walk around the desk to stand next to him while he starts up the computer. 
****
About half an hour later you’re fairly confident Jisung will make a good assistant. He’s written down your interviews and gigs for the coming month and made a list of all the things he wanted to take care of before that. It was cute how he wanted to do it right. 
‘Knock, knock,’ a voice called out from the door and when you looked up you saw Chan and Changbin hugging Faris. 
‘How’s it going here?’ Chan smiles at you as he walks inside, his hands in his pocket. He probably tried to come off less intimidating like that, but it didn’t really work. 
‘Fine,’ you say, looking at the computer screen again. 
If you kept your eyes on him you’d probably drool all over your favorite studio outfit. That man was way too fine. 
‘It’s going great, Channie,’ Jisung says. ‘We’ve been getting along perfectly without the ice kings here.’ 
‘Don’t let them hear you call them that,’ Chan chuckles, moving to sit on the couch. ‘I hope we’ll be able to make this work, Y/N. I take great pride in my work and I’ll do anything I can to make you feel comfortable around us.’ 
Ugh. Why did he have to be so kind too? 
‘Thank you,’ you mutter, your eyes still on the screen. 
‘We’ll promise not to impose your privacy too much when we move in, but–’ 
Your head snaps up to look at him then and from the corner of your eyes you notice Jisung covering his face with his hands. 
‘What did you just say?’ you ask, standing up. ‘Please tell me I didn’t just hear you say the words moving in?’ 
‘Uhm,’ Chan tilts his head in confusion. ‘I thought you knew?’ 
‘Knew. What?’ you growl, your fingers balling up in fists. 
‘Oh boy,’ Jisung whispers and you turn to glare at him. 
‘You knew about this?’ 
‘Uhm, we all did? And we figured so would you,’ he shrugs, looking at you with big innocent eyes. 
You close your eyes, not at all immune to those brown doe eyes. If you keep looking at him you will stop being angry and you can’t do that. Not now. 
‘If somebody doesn’t tell me very soon what exactly this thing I’m supposed to know is, I will scream,’ you clench your jaw and take a shaky breath. 
This can’t be happening. They are not moving into your house with you. Yoona won’t do that to you, not after your talk this morning. Right? You close your eyes in frustration, already knowing the answer to your own question. She will. 
‘Such a drama queen,’ a new voice speaks up from the door and when you turn your head, already seeing red, you see Minho smirking at you. 
Changbin and Faris look concerned and when you look back at Chan, he actually looks like he’s pitying you. Fuck. 
‘Just say it already.’
‘Well, we’re supposed to move into your new house with you,’ Chan says, confirming it. 
Oh hell no. 
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a/n: eeeeeeekkk I'm so excited for this series you have no idea!! I wasn't going to upload till tomorrow, but @staylovesmiley made me flip a coin and here I am at midnight, feeding you the first chapter.
Please let me know your thoughts <3
taglist: @jaeminie-cricket @jeonginsbaee @staylovesmiley @newbbystay @cashtonsbetch @mariahxrrera @kaleigh-2002 @silencionyx @smileykiddie08 @my-neurodivergent-world @yaorzu-blog @yoongiismylove2018 @staytinyluv @bookswillfindyouaway @queen-thiccness @notastraykid @ateez-atiny380 @estella-novella @furfoxsake22 @hyunjinhoexxx @insomnjen @hannahisnotblue @vivilovesuu @velvetmoonlght @skz8love @eastjonowhere @stellmeiv @bookishcaptain @flylis @deadpool15 @0325ale @thatgirlangelb @iknow-uknow-leeknow @nchhuhi @shycreationdreamland @readr1221 @beewilko
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boysbeware2 · 2 days ago
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all the old tptm girl journal entries w the new (if anyone wants to see them again and compare them)
please proceed with caution as many of these could be upsetting to read
disposable girl (jordyn)
(old)
i cant fucking stand this. i try so goddamn hard to make friends, to be attractive to people, to be even somewhat appealing to them etc etc. it never works. i thought it would get better the older i get. thats what i was told. guess what! i was fucking lied to!!! im alwasy left out of EVERYTHING i never get invited to shit and my own friends ignore me all the time. everyone looks at me weird. i cant go in public anymore im so fucking terrified of everyone. nobody fuckinf wants me, man. im so close to doing something stupid i feel so gross and ugly and dumb i should actually just die id be doing everyone a favor LOL
(new)
man, i havent been on here in forever. the internet is kind of dumb. what is there to say? my friend group celebrated our outpatient graduation anniversary the other day, that was pretty nice. we’re all trying to figure out housing stuff, nora’s been helping with that. freyja + mayra + kairi found a place already (how are they so responsible??) and the rest of us are trying to find places near them so we can visit more often. i never expected to have such a big group of friends. if you told me 2 years ago that i’d be living like this, i wouldn’t believe you. it’s still surreal to me. i’m not sure what i did to deserve them. same goes for my girlfriends. i don’t wanna say who just yet, we’re still figuring things out, but i’m just so thankful for them. i feel so lucky to have a second chance at life. i really didn’t believe people when they said it would get better, and then it did. how funny…..
irreverent girl (kairi)
(old)
I do not want God to see me anymore. I do not want anymore eyes on me. This is near unbearable. I have no one to turn to. My mother is in the church. Many of my friends are in the church. They would tell me to find hope through Christ. They would tell me to pray to Him. They would tell me that He will save me. He must not remember He made me, and if He does, He simply does not care. I know this is unbecoming of me, and I don't mean to be dramatic. I am simply depressed, nervous, and I cannot tell what's real and what isn't anymore. I know I'm supposed to hear God speaking to me, but I do not, and I am tired of straining my ears. I just want to see a doctor. I want some kind of tangible solution. I do not want to pray anymore. Praying hurts. I only do it when I am afraid, but I am afraid much of the time. I don't want to be unheard anymore. I do not want to hold out hope for someone who does not act like they're there. I am hurting. I am hurting. I am hurting. Belief is hurting me. The idea of God is hurting me. I need an out. I am hurting.
(new)
When I have a job and money and I can move away from my shitty Mormon parents
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splitter girl (tahira)
(old)
theres something so broken in me thats beyond saving. so i dont know why i keep trying to be saved. i meant to kill myself when i was 18. i didnt. all ive wanted to do lately is kill someone or something. i havent. im too much of a pussy to plan anything concrete, no matter how much i hate everyone around me. no matter how much i get off to videos of people dying or how much i love cutting myself i cant actually take action against other people. i am fucking purposeless. i was born from evil and i will always be evil and i cant even live up to that. i hate myself i hate myself i HATE myself and the universe hates me too. i dont know what to fucking do at this point. i talked to one of my friends about wantingto die and they said smthn about hospitalizing myself. maybe. i dunno. i dont know what else there is for me/. my eyes are fucking burning from lookign at my computer for so long adn not getting any goddamn sleep. i am not a good person. i dont think i can be helped but i just dont wanna fucking keep goign to school and being around people and pretending like everything is norma;l. i cant keep doing it. what the fuck is wrong with me whagt happened. why cant i be loved or feel love for other people when did something change in me that switched the aggression and affection parts of my brain. im hyperventilating ill be back. maybe
(new)
getting myself onigiri from this one good boba place 2nite bc im 8 months clean…… its the little things~ ^^
fainéant girl (freyja)
(old)
i know i dont hate being disabled... i just hate being disabled in a society that makes existing difficult... but sometimes i really just dont want to be disabled anymore. i dont want my family to lecture me about how i could be helping out more, or how i should get a job. i dont want teachers to keep asking me whats wrong or the fuckin uni counselor to try to get me hospitalized. i dont want to be in so much pain anymore, to feel so exhausted that i cant even do so much as prepare food for myself, let alone do anything meaningful or fulfilling. its not fair. i shouldnt have to stay inside and sit in the dark all day,. i should be able to have friends. to talk to people and to go out with them and to feel like i am alive. its lonely and traumatic to suffer through this and on top of that no one around me understands, and they never fully will. i am tired of trying to justify my existence to everyone, to explain the pain that i am in and why i shouldnt have to experience it. i know the problem isnt me. i know i live in a world that isnt built for me. but if the world cant change then sometimes i truly feel that i should just stop living in it. my lifespan is already shorter than everyone else's anyways. what difference does it make
(new)
my qpps didnt seem to appreciate me playing Alien Kids Alien Rap for them. Do they even love me
caliber girl (nora)
(old)
唉~It is 3 AM and I should go to sleep but I can’t. I have a work zoom meeting early in the morning and I gotta hit the gym also because I haven’t done leg day in like… weeks. Oh well, it doesn’t even matter. My value is depleting but I don’t think I care anymore. The turnaround date for my code is also in a couple of days and I haven’t made any progress. I keep getting the same error and I’m too tired to figure out what’s wrong. I might get fired at this rate LOL(笑). If that happens, I think I’ll just consider ending it all. Not that anybody will miss me. God I sound so weak and pathetic right now. When did it get like this. How did it get like this. I’m sure I’ll be fine. I’ve been through worse before and this is nothing. Ugh, why is it so hard to breathe? My chest hurts and I feel like something is wrong but I don’t know how to make it go away. Should I call someone about this? No. No one is awake or around to help. I’ll be fine. I’ll just sleep it off. Shake it off… shake it off…
(new)
My Tamagotchi beeped during a meeting fml
chocolate box girl (morgan)
(old)
i thought i was doing better but i cant stop thinking about them. their touch, their interests, their smile, everything. the worst part is that i miss them, after all of what they've done to me. i was 13. i dont even feel justified calling it rape since our relationship was so muddy... they never yelled at me or was angry at me, they just got so sad when i tried to speak my mind, and got all my friends to hate me when we finally broke up. i never said no so i feel like im insulting actual survivors by feeling violated. i wasnt even trying to get into a relationship with them, it just happened... i feel like everyone around me wants me in the same way they did, even though im an adult now and i dont even try to make myself appealing. i wish i could trust people not to take advantage of me, and i feel disgusting and selfish for feeling like everyone has ulterior motives of getting me to fall in love with them, or worse. that's so self centered of me. i dont know how long i can keep doing this
(new)
girl help i cant stop looking at anime figures on japan yahoo auctions !!!!!
taxidermy girl (mayra)
(old)
I don't remember ever not having a sex drive, is that normal ? I was born and then it was all downhill from there, something happened to me sexually i think, I don't know what happened, because I don't remember much, but something happened and I was beaten for it and yelled at and my mother hated me, and now I am an adult and I try to have sex, and I'm not there mentally, even if my body is participating, I feel like I am in the past again, being beaten and yelled at . I want to keep trying, I want to have fun, to feel safe in someone else's arms, to reach the heights of pleasure, but my mind scares me so much, I haven't been able to eat anything today because I feel so horrified by my body . If I was good I would have been born as a nonsexual being, no parts, no desires, no instincts, a blank slate, too empty to be enjoyed . Do you know what it feels like, to have your mother tell you people want to sexually abuse you when you are a child, and then to be made fun of by your peers for being so ugly, to have your middle school and high school classmates joke about how much they don't want to have sex with you ? I am illicit and undesirable at the same time, I am everyone's last option, I am nothing and still too much, rotting deer meat on the side of the road . I wish I had been born as something beautiful and pure, I wish I could start over, that whatever that initial sin was had never been committed .. I want to start over
(new)
Went to a kink event the other night and everyone was so nice … The low lights were fucking with my vision so one of the hosts helped me navigate the place . I ❤️ you random disabled ally with a pup mask on
chemical girl (joy)
(old)
LMAOOOOO im too angry and miserable to be around. i think i just need to give up at this point because theres clearly like. something broken inside me that cant be fixed. that has 2 be it because i try to talk and i just sound cold, i try to make a joke and it comes out overly edgy and unfunny, i try to be like everyone else but its too much. i cant even be a collection of the positive traits i see in others, i try to replicate it and it comes out warped and wrong. im either fucking enraged or in abject misery or way too happy and nobody can keep up with me. the thing is i dont even blame them. i wouldnt want to be around me either. do u know what thats like? being someone you wouldnt want to know? i keep hoping that one day ill wake up and suddenly be normal, the mood swings will be gone and everyone will like me and i wont do stupid shit that pisses them off. but i know that day isnt coming. theres no hope for me and i want to say sorry to everyone who has ever had the misfortune of knowing me but i know it wouldnt do anything. theres nothing i could ever do to make myself right
(new)
i need to convince my gf to take me to Round One again soon
refraction girl (nataana)
(old)
i don't want to do this anymore. i'm going somewhere better
(new)
talked with my psych and i’ll be starting TMS soon, it’s some thing where they put magnets to ur brain and it’s supposed to treat depression.. trying to temper my expectations bc i’ve tried so many treatments that just do nothing for me, but i’d be lying if i said my hopes weren’t riding on this. i want to confidently say i’m glad to be alive. i feel like i’m getting closer to that
nurse parallel/machine girl (xiomara)
(old)
I am so excited... Tomorrow my experimental outpatient treatment plan begins!!! I'm beyond delighted. I have complicated feelings about my DID being in remission, but it's nice to feel stable enough to be in charge of something this big, and to not have terrible gaps in my memory anymore. I still don't remember everything that happened to me, but maybe I don't need to. At this stage of my life, I feel content. I can confidently say everything was worth it. I want to help others feel that way, too. I think I can.
(new)
I’m meeting up with a new friend tomorrow… I feel nervous, but it’s a good nervousness, I think!
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instantpansies · 14 hours ago
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oh my word THANK YOU!!! i've been trying to say this since the wicked movie repopularized all of the "wicked is canon" stuff, but you've put it in a way i wasn't able to. YES. certainly wicked is allowed to be a derivative work that recontextualizes Oz. assuming that whatever is in wicked retroactively and automatically changes details about the story (ie, that the scarecrow and the tin woodman knew each other before the events of Wonderful Wizard and/or the MGM film) is simply incorrect.
i'm all for incorporating a body of work that may not be fully compatible into a coherent canon that works as an alternative parallel to the original. i think it's completely fine and understandable that people are hooked on wicked and will want to understand some characters through the lens of wicked. but assuming that wicked's popularity makes it truly canon, or assuming that the history it presents is accurate to Baum's Oz, is ignorant to both the original context of the Baum books and the long history of Oz adaptation.
i'm also a bit of a hater, as i personally believe that understanding Wonderful Wizard characters through a lens of wicked, especially the musical but also the book, is a less interesting way of analyzing the text and symbolism present in that story than either the Baum novel or the MGM film presents as each stands alone.
wicked is, certainly, its own thing. of course it exists in the context of over a hundred years of adaptation before it, but that context is simply not known by most people. it must be able to stand on its own, and i believe it does. but when this retroactive wicked lens is applied to that context and history uncritically, we will run into problems.
i almost want to blame the seemingly recent, but really just more visible shift in fandom to a need for everything to be canon and confirmed? like, it can be difficult to reconcile in our minds that so many different versions of oz are allowed to exist and don't have to be compatible. wicked "confirms" things viewers are left wondering about after the mgm film, so therefore it must be canon, and therefore it's appropriate to correct people on facts they "get wrong" when they contradict wicked canon. that's how the thinking seems to work, at least in my observation. and that way of thinking seeps its way into the secondary or deeper oz fandom, which has led to (in my view) a sort of soft shift from Baum-centric understanding of oz as a whole to a binary star system where Baum and Maguire are seen as co-creators of a more true or real world and story. i'm exaggerating, certainly, but i've seen this shift occur over time. i hesitate to bring this up bc it sounds like i'm whining about the fandom's natural changes and how things aren't the way they used to be, and i guess i am. i digress.
anyways, your original point. yes!!! while oz became baum's most profitable endeavor, and throughout the series you can see him sort of wishing his other books were more profitable so he could expand in different directions, that doesn't mean he didn't care about continuity or cohesion at all. i'd argue he cared more about cohesion and telling a story that made sense and continued to make sense as it was expanded, than he cared about maintaining particular canon details through the whole series. oz changed as baum's tastes, needs, and audience changed, and that is just as important as the changes that would be added by adaptation later on. (hell, many oz fans don't think of the 1902 musical or the silent films as canon, despite them being created by Baum, both because they're less well-known and because they do change things up to better fit their respective media and contexts). this sense of inconsistency, whether overblown or minimized, doesn't mean that wicked is canon compliant with the baum novels. wicked directly contradicts baum's work in some cases--which again, is completely fine. it's a derivative work that takes certain aspects of the original books and the mgm film, synthesizes them in a grimdark expansion on especially the political aspects of the world, and seeks to tell a unique story that allows you to think about Wonderful Wizard and MGM in a different way. but it is not itself an explanation for Baum's supposedly undercooked or unfinished world. it is not itself a part of the original story (i mean this in the context of canonicity of baum's work. oz fans know how complicated oz canon is.) but instead is--as it claims to be--another branch on the complex tree of oz adaptations.
tldr. wicked does not "explain" anyone's actions in Wonderful Wizard or MGM. it seeks to provide an alternative context, or an alternative explanation, certainly. but it does not retroactively "fix" the story. it's perfectly fine to think about the original story or the mgm film in the context of wicked, if you like the alternative history it provides. policing others' adaptations and understandings of the story, or implying or directly stating that wicked should be incorporated into others' headcanons or interpretations or adaptations, or claiming that wicked is canon simply because baum didn't care about canon so everything is canon, is not helpful or productive or good. in fact, that actively makes oz analysis less fun, in my opinion. i hope my point is made here i've been trying to say this for months but as usual i was completely unable to get my thoughts across until acted on by an outside force (seeing this post). so thanks!!
I've seen a lot of people lately harping about how "Wicked isn't canon to the Oz universe", "it's just glorified fanfiction", etc., and I can't express how silly that is, and how annoyed it makes me every time I hear it, lol. Baum's original Oz books were never meant to be some canonical series — they contradict each other constantly; Baum called it a "fairy story" with loose cohesion at best; and it only became a series at all because the first one got popular enough that Baum felt a duty to the fandom to keep making more (even after he had wanted to end it). And the 1939 film is every bit as much "fanfiction" as Wicked — it changes the story in both major and minor ways, including a complete shift of framing (i.e., making Oz into a dream rather than a real place).
Maguire's great contribution to the overarching legacy and lore of Oz was to harmonize the very weak "canon" of the older works with a different shift in framing: recontextualizing all of the prior Oz material as a revisionist history (going off of Baum's own idea framing of himself as a "Royal Historian of Oz"), and attempting to tell "the true story" behind the other works (fictively of course — we're never meant to literally think Maguire's version preceded Baum's, irl). In literary studies, this is called an urtext. The Wicked Years and its adaptations are as much "fanfiction" as the 1939 film: it's just self-aware of that fact in a way that earlier works weren't, and uses that perspective to deconstruct the material and explore deeper (and darker) themes — not simply adapting or reimagining the original text (as the 1939 movie did), but actively challenging it; interrogating it. It's not meant to be "canon" as such: it asks you to ask whether (and why) there is such a thing, and what that might say about the stories that we are meant to literally believe in, in real life.
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dreamerimpossible · 3 days ago
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Slasher Jealousy Scale
Warnings: Unhealthy relationships, in certain cases yandere tendencies, +18 content.
Michael Myers 3/10
Not too jealous. He usually doesn't understand the reason for those feelings. Furthermore, no one would be able to touch what he marked for him, his superhuman strength and imposing figure would be on top of anyone who dared to look in your direction. So, he would never get jealous. There's just no need.
Chucky 8/10
Completely canonical that he's a jealous bastard. Just tell him he's not man enough for you and he'll get on top of you without thinking twice forcing you to back off. The person who set his sights on you doesn't have a good destiny, obviously. In reality, it's not good to play with him, his pride as a man is too strong.
Billy Loomis 9/10
Abandonment issues become too present. He doesn't like you getting close to too many guys. If his partner knows his true nature, he will be overly controlling and possessive, he would not like his partner to get too close to friends who could be a threat to their relationship. He is quite manipulative and will use such tactics to get you to stay away from those he doesn't like.
Stu Macher 6/10
Medium level of jealousy. He doesn't like being replaced by someone else, but he won't show much of a reaction if you talk to friends who like you. Anyway, he is also popular and will interact with all types of people. However, if he sees something very noticeable, he will pull the strings underneath and that person who made him jealous will magically disappear. For the sake of the relationship, don't talk about it.
Patrick Bateman 10/10
All your attention should be directed at him. The more genuine your interest and compliments, the more he will seek your attention, so making him jealous and paying attention to someone else would be the end of it. He needs complete devotion. He won't tolerate distractions and could take care of them. Making him feel insecure indirectly is not the best option you could take. It is better to dedicate everything to him.
Jason Vorhees 10/10
He literally keeps you locked up, that is the most representative indication of the matter. He does not like those people standing over you looking at you with lust. He is the only one you need. Yes, he will take care of you and protect you. You should be calm.
Leatherface 10/10
Too insecure with himself, so he expects you to have impeccable behavior. Although luckily for you, you will not have too many moments in which he will get jealous because your only environment is his family. So you must treat them with respect and with certain limits and distance. If not, he will get frustrated. And we know his way of dealing with that.
Art The Clown 2/10
He is not jealous, everything for him is a violent game. If someone flirts with you, he will laugh and do his thing with the same energy as always. Although he won't tolerate you ridiculing him, if you flirt with someone, you will pay, but not because he gets jealous, but because he is the one who makes the rules, not you.
Jason Dean 10/10
Dependent, possessive and obsessive. He's literally a warning in and of himself. Seriously, don't flirt or let yourself be flirted with. Don't break up with him, don't walk away from him, don't stop paying attention to him. Just don't leave him, he's very jealous and won't let you go for any reason. Oh, he's also manipulative, so he'll definitely get you to walk away from that harmless guy in your class.
Alex DeLarge 2/10
He doesn't formally qualify as a slasher, but I'm including him anyway. I don't really see him as jealous, he's more of a controlling guy. He doesn't like having his first choice role in other people's lives taken away from him, he is the leader and the one who commands, but he won't get jealous of anyone, because he thinks highly of himself and is charming when he wants to be. He probably has you wrapped around his finger, so…why get jealous?
Brahms 15/10
He won't let you leave the house for that reason. He doesn't want you to leave him, any outsider is a threat. You are only his, you must accept that. However, even if you accept it, he will still be jealous, because he can't help it. If you want to go out somewhere, he will wonder if it is because you want to see someone.
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bewaryofpity · 2 days ago
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jack's sooooo clingy he follows you everywhere like a lost puppy, especially after a long day of not seeing you.
jack has been following you around since you came back from work, yapping about anything and everything that has happened to him since you left this morning. and you’re not surprised because he has the habit of lingering close to you when you’ve been gone for a while, especially on his rare days off. today is no different.
he does follow you everywhere like a very grown and very loyal puppy, today more than ever as he followed you to the bathroom where you're trying to get ready for your night routine. he’s sitting on top of the toilet seat, babbling about his day out with nico that obviously consisted of hockey related things.
you snicker to yourself when jack doesn't realize that you're taking longer than usual to get unready, or that he’s talking for this long, but you know how much he hates boredom so you let him be. it’s just that you weren’t expecting this.
it’s cute, yes, but now you’re more interested in seeing how long he’ll yap for or rather how long he’ll stay here with you. so you finish taking your makeup off before pulling the shower curtain back and twisting the knob to turn on the water and adjusting it to the right temperature. the idea that he could easily stalk you into the shower makes you smile so you play along to his not so little rant.
“and then nico lured me to the rink because apparently the kids were practicing and he wanted to surprise them. not that i didn’t like that but then their coach didn’t look too pleased, the kids were distracted for the rest of the practice, obviously.”
you hum, “is it because they took nico’s attention off you?”
“Uh, n-no. i mean i was the one hanging out with him first, so.” he mumbles “but that’s not the point!”
jack huffs, changing into a criss cross position on top of the toilet. and it’s taking everything in you to not laugh at him because he looks like a child, pout on his lips and looking so small in this position.
“well then, was it fun at least?”
“duh, baby.” hands flailing around him. “the kids loved it, they kept asking us questions and some didn’t make sense –they were like four years old, you know– and like, we had to stop for even longer because they wanted us to sign some of their stuff.”
that must be why he also took longer to text you throughout his day.
“i bet, love.” you nod along, pulling your hair up in a bun so it doesn’t get wet in the shower, finally at the right hot temperature. “i’ll shower now if you don’t mind.”
“oh, now?” eyes wide like you told a child you’ll leave him in the parking lot.
“i mean, we’re in the bathroom, and i’m in a towel, and it’s been a long day. so yes, now.”
and jack’s cheeks have a faint pink tint as he shamelessly watches you unravel your towel and step in the shower. totally not because he saw you naked for a split second, it’s just the steam from the really hot shower, right?
“uh yeah, okay” he says as he stand up. “i’ll get unready too before i go then.”
you hum in reply as you go on about your shower, but you’re actually simply standing under the water, trying to keep an ear out for his movements and words.
suddenly he’s taking his sweet time to wash his face and you think he might start brushing his teeth soon too for the hell of it.
but his talking doesn’t stop at all. he blurts out random thoughts in between before going on to ramble about some hockey plays he’s been looking over, asks you what you had for lunch. he even asks you which body wash you’re currently using –which is none yet because trying not to laugh is revealing to be harder than you thought. he’s truly finding the most random topics to fill the silence.
and the talking does finally stop, but it’s replaced by jack’s whistling, clearly out of things to say. yet you know your boyfriend better than he thinks so you know very well what he’s thinking about.
“you still there, jacky?” you call wittingly. you can see his blurry figure through the shower curtain, an excited nod coming from his silhouette.
and you bite your lip as one of his hands reaches to scratch at the back of his neck. “i guess i’ll go now. uhm… i’ll wait for you to come out. i’ll get us take out, anything you’re craving? because if you want there’s a new italian place down the street that luke suggested to me and he says it's really good, so i think maybe–”
omg he’s so cute.
you pull the curtain back, just with your head peeping out to find jack with one hand hovering the door handle, still lingering around.
“jacky?”
“yeah baby, what’s up?”
“do you want to shower with me?”
and like a kid opening presents on christmas morning, his eyes light up so quickly. his head shakes with an overly enthusiastic nod, and he’s already clumsy in pulling off his clothes that he almost trips getting his sweatpants off. you’re not surprised at all, the lack of grace and coordination are not exclusive to when he’s on the ice.
a stupid, wide, boyish grin spreads over his lips when he finally steps into the shower in front of you. 
“hi, baby,” he grins, leaning forward to hold your face in his hands and peck your nose.
“you know, if you wanted to join me, you could’ve just asked.” your smile now matching his. jack squishes your cheeks between his palms, “well, where’s the fun in that?”
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talon-dragonbeast · 12 hours ago
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okay, ive seen way too many posts on the community tags talking about the tiktok ban and saying stuff like "i hope tiktok therians dont come in here theyre so awful and i hate them lol". and... i dont know what to tell you guys, i think thats mean as hell.
imagine, just for a second, that youre a therian on tiktok. at 13 years old, youve found a friendly community where people express themselves with masks, tails, and a type of movement called quadrobics. they seem to be having fun, so you decide to join in. and for a while, youre having fun too! you start practicing quadrobics, which is tough at first but you work hard to get better. you ask your parents for some cat masks, which you decorate with paint and faux fur. you make videos of yourself and your friends, wearing cat masks and dancing on all fours to some bland indie song.
then, out of nowhere, one of your posts goes viral. and suddenly, youre not having fun anymore.
"therians are crazy", "if you identify as a dog you should be chained and made to sleep naked outside", "my little brother came out as a therian and i bullied him until he stopped lol", "if i see a therian in the woods im shooting them", "if you want to be an animal, ill treat you like one".
again, YOURE 13. so you get defensive, because people you dont know are attacking you online and as a young teen, you dont know what to do to make it stop. so instead of confronting them, you try to please them instead. "im not crazy, im just having fun" turns into "i dont identify as an animal, only crazy people do that!" and then to "therians dont actually think were animals; thats lycanthropy and its wrong". this is what others in your community are saying, so it must be true, right? it helps slow down the criticism at least, if only for a little while; even if it never fully goes away. so you keep saying it, even to others in your community, because if it protects you from judgment, why not?
but now youre dealing with the possibility of your platform disappearing. youll lose your friends, the community youve worked so hard to be a part of. you heard some friends say they might switch to instagram if tiktok gets banned, while others prefer reddit or tumblr. Feeling curious (you didnt realize there were therians on other sites!), you decide to check out tumblr to see what that community is like there. the first post you come across at the top of the tag? "i hope tiktok therians dont come here theyre so awful and i hate them lol".
so yeah. thats the problem with making blanket statements like these; it only pushes away members of our own community. shame is not a motivator, and your aggressiveness gets us nowhere. remember, one catches more flies with honey than with vinegar. so be kind.
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dammit-tazmuir · 21 hours ago
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@grievingbovine I am always happy to gush about Paul ;w;
Also I feel like... I'm not sure if it's more "codependency isn't always bad" or "codependency is a term we've grown to use too liberally when what should actually be the defining factor isn't the behaviors involved but whether or not those are actually hurting the people involved" or something in between or adjacent to that. It also feels like there might be kinda two definitions people use interchangeably? One being the more medical term and the other a looser thing of like, deeply dependent on each other.
But semantics aside I know what you mean, and yeah.
It is, generally speaking, unhealthy to be SO dependent on a SPECIFIC person that you can't live without them. Cam and Pal post-explosion had a very unique situation, whereas for most cases in real life, it's better to at least like... need SOMEONE, a purpose, a cause, but also be capable of seeking a new one if you lose that, after time to process and grief. A Camilla whose whole life revolved around Palamedes but didn't get him back learning to live again for Nona, as a hypothetical, or Harrow who would not let herself survive alone but can live for God and for Gideon and for Alecto and for the memory of those lost to conceive her and who may find other purposes still. Ofc no one is arguing Harrow is healthy about that, but like, if you CAN'T find an internal sense of worth, a purely external one is still infinitely better and healthier than none!
It feels very silly but a straight up life-changing thing for me as someone who does the same shit was the anime Gurren Lagann throwing around the phrase, "believe in the me who believes in you." Over time it morphed into "believe in the you that I believe in", and ultimately into having genuinely self-assurance, but taking even one or two of those steps is like... YEAH? Yeah! You know? External validation can be so meaningful and powerful, and isn't antithetical to internal by any means. If you can find it in even a handful of different sources, even better. A thing I try to tell people a lot when it comes to mental health too is you don't have to Get Better to get BETTER. It's not "you're unhealthy and must be fixed" or "you're 100% healthy in all ways". Less unhealthy and more functional than you were is amazing and to be celebrated actually!!!
But at the same time?
Ya know, no, I agree, I DON'T think it's a bad thing to need to NOT be ALONE. I understand the importance of being capable of surviving alone, at least long enough to seek new connections. And living for a person or cause is always easier than dying for them ("you could have lived for her, but you didn't know how"...), especially if you're living for their memory after they're gone, but people should try to do it anyway! But to just..... want to be devoted to someone? To thrive on supporting or caring for other people???
That's not what I'd call "toxic codependency", that's humans being a social species. Hell, that's looking at stories and seeing how many supporting characters are vital to helping a hero succeed and deciding "that sounds awesome actually! Not everyone needs to be the hero, I would love to be a supporting character!" Especially when you're not losing sight of your own needs in the process.
Like... Sacrifice and martyr mentality can be horrible destructive things that do more harm than good, but sacrifice is also objectively a major way people show love. Parents doing without a little more to make sure their kids get something nice, someone doing a chore they don't like because they know their partner hates it more, etc. The difference between "my needs aren't important, I'm not important, I'll always prioritize others because I don't take care of myself in general" and "I have weighed the pros and cons and decided that I can handle this and wish to put someone else first in this situation" is not always apparent from the outside but it's an extremely important distinction. There's a difference between being needlessly reckless and hard on yourself versus making a decision to achieve an end you want even though it costs you something.
Cam trying to hide how rough carrying Pal was on her wasn't her being needlessly reckless, it was her being a stubborn bitch who knows she's tough as hell. If anything people have more grounds to criticize her going against Pal's interests and wishes by not giving him information he needed to make properly informed decisions! To think that he was in any way taking advantage of her when she'd have found a way to kick his ass if he'd tried to force her to stop is wild lmao. (Not to mention Pal literally killing himself— he was still Around but objectively dead all the same!— in the "dying for someone is the cruelest thing you could do to them" book. Like he ain't making big sacrifices fueled by his love for and trust in her too smh.)
And honestly? Yeah that does sound like the kind of thing that could save the world. Our world would be a better place with less people striving to be main characters and more people eager to support each other. More people should be saying "No you will let me help you, you son of a bitch. Don't you dare tell me it's Too Much." >:( So many people are afraid of Being A Burden but more people need to understand— from the perspective of the person with that fear and as friends wishing to help someone who has that fear— that only the person offering help can decide what is A Burden to them! It's not the other person's decision to make!
Palamades didn't have a right to tell Camilla not to push herself to keep him around when that was her choice, and anyone fearing their loved ones sacrifice too much for them don't have a right to tell them to love them less, either. Sometimes— often, really— the alternative is worse. And part of me has to wonder if some people are averse to acknowledging that because if they did, then they'd have to acknowledge that letting someone else help you can be actively beneficial to them, and constantly refusing to ask for or accept help is in turn actively depriving them of something that would help them too. <.< Too bad everyone, gotta let people love you.
Locked tomb hot takes:
Insisting that the birth of Paul is only a tragedy because of the uneven power dynamics between Palamedes and Camilla as Necro and Cav invalidates Camillas autonomy and undermines her as a character capable of making her own decisions. It also undermines Palamedes constantly checking for consent. He understands more than most that there is an uneven power dynamic and actively works to respect her autonomy as much as he can while also respecting their bond/positions as necro and cav.
In a world where those who identify as men have no natural power over those who identify as women or neither, we can not apply the same cisheteronormative expectations of male behavior to male characters.
Camilla made every. Single. Choice. Willingly. She had reasons for it, and Palamedes respected that more than readers seem to. We get plenty of examples.
"What would you do if you discovered Camilla was a murderer?”
“Help her bury the body,” said Palamedes promptly.
“Sextus.”
“I mean it. If Camilla wants someone dead,” he said, “then far be it from me to stand in her way. All I can do at that point is watch the bloodshed and look for a mop. One flesh, one end, and all that.”
GtN chapter 30
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NtN chapter 17
The relationship between these two may be codependent, but it's predicated on trust and consent. The whole way through. This is the life Cam wants to live. Becoming Paul was what *she wanted*.
I find it strange that some people think they know what's best for her more than she does, just because she's a cavalier.
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bonbonly · 10 hours ago
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If you are such a hore for charles rn, maybe we could get more sugar daddy charles? Maybe him punishing you for some reason?
you're spoiling me so badly right now PUHLEASE
bon's thoughts (18+)
sugardaddy!charles had specifically told you to get back home at 8:00 because he was going to take you out for dinner. you should've known your friends had different plans for you, though. they knew about your arrangement with the older man, and they couldn't stop giggling. you had asked charles to buy you some expensive purses, and he was happy that you were asking him to indulge you so he bought them. only problem was that you had gotten them for your friends who kept pestering you in between classes for those items. every time you’d sneak a new gucci bag for your best friend, you’d grow more worried that charles would one day ask you where all the bags he bought for you were. his money was only for you, not for your friends.
you received a text from charles at 6:30, asking you to finish your last class and head over to his place so you could wear an elegant red dress he bought you, and the gucci bag. you freak out, turning to your friend and begging her to give the bag back just for tonight but she frowned, telling you the bag was all the way back at her house 500 miles from the university. you nearly fainted at her words. charles was going to punish you for this, you were sure of it. so, you decided to do what you always did - ignore his texts because truth be told, you did like the angry sex that followed - but it was better than him not gifting you anything if he found out you’d been giving them to your friends, little miss saint.
“where’s the bag?” was the first question charles asked you when you finally returned home, “i searched all over your closet, mon chérie, i cannot find any of your bags.”
you gulp, awkwardly laughing, “a-about that actually…”
charles is laughing at the dinner table with some of his colleagues. he had been laughing this entire time, which you thought was a good sign but then again, he was never this cheerful. some of the people at the table stand up to grab some extra food, and you turn to face charles, leaning in to whisper into his ear,
"y-you're not mad at me?" you ask.
"mad? no," he responds, and you let out a sigh in relief, "no, i'm fuming, my love."
your jaw drops, and you feel him squeeze your thigh harshly, enough for it to hurt just a tiny bit. your eyes snap down to where his thumb is caressing the fat of your skin before he snickers under his breath, "my money is for your benefit. if i wanted to give money to your friends, i'd be a charity foundation, not your sugar daddy, is that clear?"
you nod your head, "i-i'm sorry, i kept trying to tell them no but they wouldn't listen! i would never try to go against you like that, you know-" your words are cut off as his fingers trail up your thigh, cupping your heat. you stiffen in your seat, making sure no one was looking to see what was happening under the table. charles' fingertips drag along your clothed cunt, and he smiles at the way you're squirming in your seat, begging him to stop, "no, not now. what if someone sees?"
"let everyone see how i use you, how you're mine and only mine. i must fuck you too hard because your brain just can't seem to understand it, hm? ma chérie, you're on the thinnest of ice as we speak right now. you're going to take my fingers for the rest of the night, and not a word out of you. not one sound." charles kisses your cheek, fingers pushing your panties to the side before collecting your arousal around your slick folds. you bite your tongue, trying not to whimper when his fingers push into your entrance, teasing you mercilessly. when the guests start coming back, you squish your thighs together as an effort to stop him but he glares at you, using his free hand to hold your thigh open as his fingers curl inside you.
"dinner's really good, right?" a woman asks you and you moan out loud,
"mhm, so good," you force a smile, narrowing your eyes at charles who's pumping his fingers faster inside you, a proud look on his face,
"my baby loves restaurants like this, i would take her to each one if she didn't want to waste my money so much," his eyes flicker at you, loving the way you're clearly struggling to hold it together. no noise, no sound, those words echo in your mind and you take massive bites of your food to occupy your mouth so you won't accidentally slip out another moan. thankfully, a performance in the background had just ended as the audience roars into applause, you let out a guttural moan that's disguised. you slump against your chair, chest heaving as charles pulls his fingers out and sucks your juices off, licking them clean before staring at you,
"if they ask, i'll tell them you're in the bathroom. they'll leave in a few minutes to the bar anyway," he instructs and you open your mouth to argue but he's quickly shoving you under the table. you want to use his money for your friends, wasting his time and energy to buy whatever you want? you can wait and do what he wants now, he doesn't care. he unbuckles his belt carefully, eyes flickering to his friends whose backs face him. they're too busy watching the singer on stage pour her heart out into a verse. he chuckles as he wraps the table's cloth around your face, only your mouth visible to him and he pulls out his throbbing member, shoving it down your throat without warning. your gags are silenced instantly and charles grips the back of your head, thrusting ruthlessly into your mouth as tears slip your eyes,
"you like it when i use you like this, right?" charles whispers, crouching down to make it look like he's on his phone, "fuck, using my money for your friends? how sweet, so sweet of you, mon chérie. so kind and helpful! i didn't know my little girl was this sweet to her friends at the expense of my money." he hisses, hands going under the table to yank your hair so that your mouth could open even wider for him. his balls slap against your chin, and he has to quiet his grunts as his thrusts become more erratic.
"fuck, i cannot wait to take you back home and fuck you properly. make sure you cannot walk for days so you won't come up with something stupid like this again." he scoffs, groaning under his breath as he shoots ropes of his cum down your throat. when he pulls out, he admires the sight of his cum dribbilng down your neck, dropping onto your full breasts that almost spill out of your dress.
"stay there for 5 minutes." charles says, "in the meantime, make yourself useful for me," and he sticks his thumb in your mouth, watching you suck diligently as he waits for his friends to leave.
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dumbification · 1 day ago
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PONYBOY ft. boothill
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( synopsis ) it's pretty unprofessional to mess around with your work partner on the job—but a single ride, just for fun, wouldn't hurt.. ..right? (。•̀ᴗ-)
( tags ) boothill x fem!reader, nsfw, co-workers, alcohol, oral sex ( m receiving ) cowgirl position, tit play, spanking, clothed sex, photography of said sex, under the influence
( wc ) 2.2k
( toni's note ) i literally wrote this at night on a cup of matcha and a benadryl pill to help me sleep. but anyway AAA!! sorry for being suuuper inactive, since my life is pretty much active!! i hope my friends are still here.. .·°՞(¯□¯)՞°·.
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“you can’t just boss me around!” he cackles. “then can you do me one last favor, pumpkin?” 
“fine.”
you step outside to leave the cockpit, in search of something boothill had assigned you to look for. it was said to be inside a red crate, so it must have been inside the storage room, right? you eventually find the said crate after about ten minutes running around looking for it. the phrase ‘special supplies’ is plastered all around it. After taking a look at what’s inside, you find nothing but a flimsy looking camera. well, you thought it was flimsy. you boot it up, introduced to a high quality opening animation on the screen. not knowing how to navigate the camera, you press and play around the countless buttons on it, and one of them initiates a flash. a small film prints out the image you just took. this must be what boothill was looking for, so you take it back to him.
“perfect, we’ll be using this for the.. documentation of our mission.” he smiles as he gently handles the camera, careful not to break it. “we’re not gonna.. fight anyone?” boothill shakes his head. “come on. I was prepared.” “better luck next time! hah!” he cackles. “well, look at that,” you look through the window. “we’re here.” brushing the dust off of your pants as the gates of the ship open, a ramp slowly settles into the ground. “alright, where to?” “nowhere but forward.”
so you may have gotten lost in the middle of nowhere. it felt like days on end, days of you and boothill searching for the town you were supposed to look after. the eternal scorching heat of the sun pricked at your skin, covered in a thin coat of sweat. you looked like you’ve seen the end of it all, while boothill barely broke a single sweat, he looked untouched–unscathed. “don’t you have some GPS device installed inside of you?” your brows furrow and eyes squint. “I’m a cyborg, not some multifunctional home device.” you groaned, but momentarily let out a small gasp. “i can see it.” your hand grasped at what seemed to be nothing as you collapsed to the ground in victory. “see what, the light?” you wheeze a simple no, he turns to see whatever your hand could possibly be pointing to. “holy shirt. we’re actually here.” a cluster of buildings could be seen in the distance. “finally!” you almost sobbed.
“that feels amazing..” your parched throat cleared up after a few desperate gulps of water. “just what i needed.” boothill heaved, placing a now empty whiskey glass back on the bar’s counter. “boothill,” he looked in your direction. “we should be settled in a hotel by now.” you yawned. “come on! let’s have a little fun. you drink, don’t you?” he said, handing over a glass of whiskey. you hesitatingly took his offer, taking the shot. you eventually loosen up and get into it,
It was hours and hours of talking, full of random conversations, and small talk. you would mention whatever crazy thing you thought of, paying no mind to what your sober self would say about these decisions. It was until you acted out one of these crazy thoughts of yours. “and then i–hey, sugar, what are you doin’?” his eyes were open wide in genuine curiosity and shock, at what you were doing right now, and what he knew you were about to do. you leaned forward to feel around his chest, one hand tugging at the zipper of his jacket, and the other leading up to take his hat. you slowly take the hat and place it on your head–all while keeping your eyes on the cowboy. “sugar, i don’t think you know what you’re doin’. you know what this means, right?” he looked eager himself to grant what you wanted–but now and here was definitely not the time and place to do it. “oh, trust me,” you bring your face closer to his. “i know. please.” boothill’s eyes soften, bringing himself to whisper in your ear. “not here. come with me.” your eyes widen as he sweeps you off of your seat with a single arm, carrying you bridal style. “here’s the money, sir. keep the change, thank you kindly.” 
he grabbed your things with his free hand, and took you to a small, local inn in the town. you grew impatient at boothill, who did his best to be as quick as possible–practically throwing money at people instead of paying them properly, like the bartender or hotel concierge, without a care in the world. he had one thing in mind, and it was to get the two of you some privacy–for what was to come. the door behind boothill–who was still carrying you–had closed shut. “boothill–” you yelped as he dropped you on the bed. “eager, aren’t we?” your words slur. he turns to you with a dark look in his eyes. “you made the move, don’t you want this more than i do?” well, he was right. the two of you have been waiting for this for a while, but it was mostly you who subtly pushed the idea onto him. he always played around it, but now was truly the moment for him to take action on it. 
his eyes flicker down to your lips, giving you a hint of what he’d do next. he hesitates for a moment, but soon gets into the sensation of kissing you. It was slow and sensual, tongue massaging the other as lips crash into one another. you break away to catch your breath.
despite being so eager and hungry like some dog moments ago, he surprisingly took things slowly. he kneeled down and folded his body to meet yours. feeling around your clothed body, his hands patiently explored the planes of your abdomen. little shivers would send down your spine when his fingers would brush against the more ticklish parts of you–particularly near your already wet heat. he’d bring his hand to play with one of your tits, as he kissed around where he pleased, palms kneading the flesh and fingers toying with your hardened nipples. they were sensitive, and you knew that. but you didnt know they could get this sensitive–especially when they’re not even bare. “i need more..” you bite your lip, rubbing your thighs together to compensate for the lack of friction between them. 
while he mindlessly grinds the mattress beside you, he slips his hand underneath your blouse, to have his cold metal thumb to play with your stiffening bud. boothill’s eyes blow wise after a moan slips out of you. wanting to hear more, he climbs on top of you to rut into you instead.“may i?” you nod, and he slips his other hand to play with your other, neglected breast. as you pant and mewl, he nudges you to the edge, grinding his hips into yours fervently, brushing his fingers against your nipples with a steadily quick pace, and lips travelling down from your mouth to suckle at the crook of your neck. 
you whine as he sucks harder and harder, leaving small, dark bruises. “h-hey.. stop. it hurts.” and he does. he pulls away and licks his lips, thumb brushing them right after. “sorry, sugarplum.” his words start to slur as well, his southern drawl thickening. “wait, did you really–”
“i did. because i care, hon.” your heart pounds and melts into mush at his small but meaningful words. but well, now you didn’t want to stop. you pull him up by the collar of his jacket to turn him around and push him back down. “may i?” he pleads a yes, and you then hurriedly unbuckle his belt to slip it out, and pull his tight leather pants down to reveal the very evident tent in his boxers. It was soaked in his arousal, which you knew was synthetic–but it still amazed you, knowing how detailed his anatomy was constructed to be. you slip his boxers away to see his erection spring up. you felt a wave of fear crash through you. how is this thing gonna fit? you shake away those useless thoughts and test the waters.
you experiment things you’ve thought about on him, starting by lightly stroking his dick. he brought his palm to cover his mouth, and squeezed his eyes shut–to prepare himself for whatever you had in store for him. “what, do you not like it?” you ask with genuineness. “n-no. i love it..” his face flares up in arousal, a deep blue appearing on his cheeks. his sensitivity settings must be high. your tongue flicks at his tip, then swirling your tongue around it.  you attempt to take him in his entirety in your mouth, just to further lubricate him. but to be honest, it was pretty difficult to take more than half of his cock inside. 
his dick reached the back of your throat by now. your head sloppily bobbed up and down, wrapping everything around him until you reached the base. he groaned and covered his mouth again, to suppress his whimpers and moans. “oh fork me.” you pull away with a pop, and start to unbuckle your own pants. 
“whatever you say.” hearts practically carved into your eyes, your face showing a newfound kind of love for him. your trousers are pulled down, with your panties pulled to the side. you drag his cold and hard tip along your folds, teasing boothill. “do you like it like this?” you ask, continuing to rub your pussy along his tip. “as long as it’s you.” he would always sweet talk you just for the sake of sweet talk, but now it feels full of love and genuine care, it was like sugar. “stay still, sugarplum.” he fixes his hat on your head as it threatened to fall off.
“now, i think you should stay still.” you drop your hips without warning and snuggly wrap his dick with your warm walls. you groan in unison holding onto each other for dear life. his hands reach to grab your ass, smacking it firmly seconds later. you squeak. “ride like there’s no tomorrow, baby.” boothill glares with lust and love in his eyes, staring you down. you slowly move around his cock, grinding against his hips to get into motion. slowly but surely, you began to bounce on it, a wet smacking sound filling the room. with each thrust after trust of yours, he bucks up his hips to hit that spongy spot inside you. your arousal squirts everywhere as you  squeal and scream his name endlessly. “that’s it, babygirl. keep going.” he spanks your ass again, having you squeak and throw your head back.
he pulls the camera from earlier out to take a shot. “smile!” the camera’s flash lights up the dimly lit room for a second, and reflects on your skin–which was coated in a thin sheen of sweat. boothill took a few more pictures, of your fucked out expressions, or crazy angles of you bouncing on his cock.
“i’m–i’m gonna come.” tears roll down your face, which are soon wiped away by boothill’s thumb. he hums lowly, telling you to go ahead. you yell out his name as you cream all over his dick, cum slowly dribbling out. his own climax follows after yours, and babbles your name drunkly. as you both come down from your highs, he comforts you as you sob and cry through it, waves and bolts of pleasure crashing and striking through you. all this tension between you two had finally been broken, and this might have been your best orgasm yet.
you languidly grind your hips against his, riding out your high. “ready for round two?” his hand rakes through your hair. your eyes light up. “hell yeah..” you were ready for another go, but your body said otherwise. you plop down on top of him in defeat. he lets out a soft laugh. “It’s alright, sugar. don’t sweat it.” 
you raise your hips up for his still hard cock to pop out. boothill turns you around to pepper you–and especially your neck, in small pecks and kisses. you pull the hat on your head to cover your flushed face, but he pushes it back up to see you again. “I might just give this to you, you look good with it on.”
“you know,” he says in between kisses. “i’ve been waiting to do this with you for a while.” “really?” you coo. he hums in response, continuing to adorn your neck in loving marks. “i’ve just been.. waiting for you. I want to respect you and your decisions as much as i can.” “are you serious?” he paused to look at you, waiting for what else you had to say. “I’ve been hinting this at you for months..” nonetheless, your heart practically melted at those sweet words of his. he chuckles softly. “well, we both get want we want now.” “yeah.” you gently cup his cheeks as your forehead touches his. you both giggle. 
“by the way, can i see the photos?” you’re curious about the shots he took.
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mossangelll · 2 days ago
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yandere!viktor x reader
machine herald controlling you you to the point of infantilisation⁉️
this is probably on the fringe for a lot of people but the idea of a yandere going to such extremes because they “know what’s best for you” and experiencing such a dehumanising loss of agency scratches an itch for me
tw: forced age regression, uncomfortable dynamics, forced drugging, toxic behaviour
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“Do you want the crayons or the storybook, hm?” he holds them up to you in either hand, “Speak up for me. I know my darling can do it.” If you didn’t know any better about him and the horrific things he’s capable of, you would honestly believe the gentle cadence paired with his own unique twang was calming and paternal.
What a sick fuck.
He had that smarmy grin plastered to his face as he watched you in silence, waiting for a response that obviously would never come. After all, he made you a makeshift pacifier that was strapped inside your mouth using soft fabric that also wrapped around your hands. He took your voice and mobility all in one fell swoop and you were helpless against him.
“Aw, poor little thing. You must be tired, eh?” His cold metal hand comes to press against your forehead, thumb easing away the tension etched there.
He hoists you up with ease from where you were sat at your miniature table and carries you over to a large mattress in the corner of your room, what he’s lovingly dubbed your “crib” due to the child-friendly gates surrounding it, and places you amongst the sea of soft plushies and pillows.
He sits down next to you on the edge of the bed and smooths the stray hairs that have come out out your immaculate hair do, one he did for you, of course. He wants to be a reassuring presence for you but as you lay before him, you feel bile rise in your throat.
The frustration continues to well up and your eyes burn with unshed tears until you can’t hold them back anymore and you sob. But even your cries come out muffled and you’re not able to truly express the anguish that rages inside of you, a freedom that is your birthright.
Why, out of everyone, did you end up with this psycho that treats you like a child?
Viktor lets out a soft gasp and immediately crouches down by your side. “Shh darling, everything will be ok. Seeing you like this makes me very upset, you know.” He coos but the wide smile he doesn’t even bother to hide tells a different story.
He leaves you for just a moment, fearful of what kind of accidents you could get into in his absence, he once said. You rolled your eyes at the time, still fighting for your independence with venomous words and sharp rebuttals, and was promptly punished for your disobedience. It wasn’t the first time and definitely won’t the last, but now you’re more accepting of your position with Viktor’s - better to make your life easier by giving into his unusual desires than be punished again and again and again until you finally learn your lesson.
He comes back with a steaming mug of hot chocolate, cooled just enough that it wouldn’t burn your mouth.
He pulls a vial full of a pale yellow liquid out of his pocket and drops two splashes of it into your drunk before giving it a good stir. He does this in plain view of you, knowing that there’s nothing you can do to stop him. Though your untrusting gaze cuts right through him, he continues on not caring about what you think is “moral”. He scoffs at such black and white thinking; you don’t have the knowledge and power he does, so how could you ever care for yourself the way he can?
“Drink up, darling. You’ll feel right as rain in no time.” He doesn’t give you the option of declining as he’s quick to pull out your pacifier and press the mug against your lips, cradling your head forwards so you don’t choke.
The hot chocolate is rich and velvety, smooth and indulgent with a slight edge you’re not quite able to place. Something of his invention, no doubt. Viktor often forbade you from eating too many sweets so this was clearly his way of placating you, baiting you into being on your best behaviour.
It’s unnerving, the way his curious amber eyes stare into yours with no intention of looking away, as if you were a perplexing equation he needed to find the solution to. You were simply something he needed to fix, a small stepping stone that meant nothing in his greater plan to solve humanity’s suffering.
Your head feels cloudy as you slowly fall into a smaller version of yourself, one that’s scared of the dark and cries whenever Viktor leaves.
You hate that he’s reduced you to a shadow of your former self, forcing you to act like a child while you frantically grip onto the disintegrating remnants of your past life. You hate the way your eyes start to flicker as drowsiness engulfs each of your senses - you especially hate feeling like you’re rolling over and simply allowing him do as he pleases, but as much as you wish to protest and scream you’re rendered still by whatever concoction he spiked your drink with.
Either way, he would probably get some depraved enjoyment out of you having a tantrum, since it only goes to prove that you need him to look after you and you’d rather not supply him with more fodder for the fire.
Viktor begins to hum a childhood song from the undercity but when the melody reaches your ears, it’s dampened like your head is submerged deep underwater.
He reaches for your hand which you limply grab onto with what little strength you have left, “There, there, little one. Close your eyes and sleep. You’re safe here.”
And sleep you do.
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eyelinerpal · 1 day ago
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I gotta talk about this more because I'm seeing even more posts about how "The Substance is sexist it reinforces that older women are disposable" or "The Substance is sexualizing women it's just the male gaze" and like we don't all have to have the same takeaway from a movie things aren't totally black and white and the movie wasn't perfect but it's just like... did you watch Breaking Bad and think the message was "selling meth is cool"?
Depicting something =/= endorsing it. Society *does* view older women as disposable, and The Substance showed that reality and then showed the harm it causes. Elizabeth seemed fine with herself until her gross chews-with-his-mouth-open male boss tells her she's too old and needs to be replaced by someone younger and more "perfect" and then she's so obsessed with obtaining that she literally let's it kill her and it's *still* not enough.
Like we do not all need to have the same view of the movie, we don't all need to think it's feminist, there are a lot of different angles and ways to view something. But the fact that media literacy is at a point where a movie that simply *shows* older women being discarded, or women killing themselves in a futile attempt to be "enough" by society's standards is critized because having those things on screen must mean the movie is agreeing with them is...frankly kind of scary actually.
Yeah you might feel like the sexualized visuals of Sue were overdone, that's a valid way to feel, that kind of thing can evoke different reactions in different people. But personally those scenes felt uncomfortable. They were so over produced and over the top and mixed in between scenes of just gross yucky stuff it felt so...fake. and yeah she was objectified, the point was she wasn't seen/treated as a person just an object.
I just really think we need to move way way past the idea that feminist media is only "#GirlPower" and the only way to have a feminist lense is for the story to be "woman pushes back against beauty standards and sexism because she knows better." These systems exist in society and many many girls and women are indoctrinated into them. Analyzing them is also feminist. Showing them as the evil monstrous things they are is also feminist. Movies do not need to have a clear villain to have a message. There is no single villain in sexism. It's not one studio head, it's not even "men" in general. Women can and do uphold these misogynistic structures as well! Often, like Elizabeth, even at their own detriment.
People are certainly free to have differing views and not everyone has to like the things I like but I really think those kinds of reviews and complaints are so so shallow and frankly feminism will get us nowhere if we can't go beyond the surface of "this movie showed sexism its sexist" or "Men bad women good."
And like, it may also just not be your type of movie! That's totally fine, and does not mean you need to think it's harmful. It's a psychological body horror, that will never appeal to everyone.
Anyway
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why is it that movies directed by women about beauty standards and/or the state of being valued as a woman only for your looks/appearances are ALWAYS criticized for “not being feminist enough” (ex. barbie, etc.)
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windvexer · 1 day ago
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Do you know if there's a chance that someone just... Can't do magic? I feel like none of my spells work despite trying different methods and advice, I've never been chosen by a deity like most practicioners seem to be, I feel like there's something I'm missing fundamentally that means I just can't make magic. How can I check, so I stop giving myself hope and then having it crushed?
Perhaps a bad faith take, but I doubt most practitioners have been chosen by deities. I am of the opinion that many people believe they are supposed to be chosen and then use very lax systems of omen reading to justify that such-and-such god is claiming them.
Over the years, many people have asked me for help getting their spells to work, or solving such-and-such magical blockage.
And unfortunately, just about every time, the end result is that the person really has not done as much work as they think they have done, and they are still more or less on square one (or square zero) of practice.
Here are the sorts of questions I would ask you if we were chatting about this:
Focus
What specific school of magic are you trying to learn? "Witchcraft" and "magic" are not schools. Are you trying to learn Traditional Witchcraft? Lodge Magic? Chaos Magick? Appalachian Folk Magic? Dianic Wicca?
Out of the school of magic you are trying to learn, how many books have you read about it?
Out of those books, how many of them focused on actual technique and theory? As in, explaining the magical theories as to why this system works the way it does.
Do you have a clear understanding of why this magical system works the way it does? Can you describe it to me?
Within the magical system you have chosen to study, is there a clearly laid groundwork for what practitioners are supposed to have to do before they are valid/initiated/adept within this system? If so, have you achieved all of those requirements?
How many months of ongoing study and practice do you think is reasonable until you are ready to move to a new school of focus?
Learning Plan
Witchcraft is a complex and variable skill that, like writing a novel, requires a working knowledge of many diverse skillsets.
What is the specific goal you are working towards at this time? "Getting a spell to work" is not specific enough. "Casting a prosperity spell that is able to generate small amounts of cash, gifts, or benefits within a 2 week period" is the type of thing I mean.
What is your lesson plan to achieve that goal? An example might be, 1) read a book on prosperity magic, 2) study and research 5 accessible plants related to prosperity, 3) learn an energy raising technique, 4) learn how to charge correspondences, 5) learn how to add correspondences to candle spell, 6) learn magical timing techniques.
Even if you do not have a lesson plan, can you name the top 3 things you have been actively practicing to try and become a better practitioner? Examples might be energy raising, visualizing techniques, talking to spirits.
Once you formulate a lesson plan, ask yourself how many hours you think is reasonable to spend on each step. If you don't think you've ever successfully raised energy before, do you think it's fair that you might require 10 hours of practice learning your first energy raising technique before you can do it?
Could you explain to me the steps you believe are required to perform magic? Include how many hours you've spent practicing techniques applicable to each step.
Practice
Think of magic as being like learning to close a restaurant by yourself. You must be experienced in all of the stations, and have in-depth knowledge about the standards required. Do you also have such experience and understanding when it comes to your own craft?
Outside of reading and study, since the start of your practice, how many hours of concerted effort have you put in trying to perform magical techniques? This includes energy work, casting spells, sensing energies, divination, talking to spirits.
Write a list of each specific magical technique you have tried to learn. Not just "energy work" but, "Earth-roots grounding visualization to raise or balance energy into the planet." "Gathering energy into the lungs and exhaling to release excess energy." "Trying to contact the spirits of tarot cards." Be very specific. Next, write down how many hours you think you have spent practicing each technique. Which techniques have you spent more than 10 hours practicing, even if that practice is across years?
Write down every spell you ever remember trying to cast. How many are there?
Of all the spells you've tried to cast, are they from a wide variety of intents (such as prosperity, protection, luck, binding, conjuring), or are they mostly one type (e.g., prosperity)? Write down how many different kinds of spells you've tried to cast, based on intent. Have you practiced at least 5-10 spells in each category?
Technique
You've asked me, so given the way I do things:
How long does it take you to cast simple spells? Do you think it might be reasonable to expect that casting even a simple spell could take 30 minutes or more?
When you work spells, how long does it take you to raise energy? This can also include hours/days spent finding objects/ingredients of natural power. Would you say that you spend at least 10-15 minutes raising magical power for every spell that you cast?
When you work spells, how do you imprint/program energy? How do you stamp it with your intent so you know it's going to do what you want it to do?
When you work spells, how do you deliver them to their target? What techniques and methods do you employ to make sure they can get to where they need to go?
Before you cast spells, how much divination or investigation do you perform to make sure the spell will be effective for your purposes? Even a perfect screwdriver will fail where a hammer is required.
Do you use traditional techniques like aligning your spells to planetary timing, gathering taglocks, casting circles, or calling quarters?
Hygiene
How often do you perform self-cleansing? Otherworldly grime can obfuscate magical power.
Have you ever cast, or had others cast for you, unblocking or unbinding spells to help open the roads of your power?
How often do you engage in managing your personal energy? For example, centering/reclaiming exercises to pull escaped energy back into yourself, or energy gathering exercises to build up personal power.
Resources
Of the people you are asking for magical help, are they all a part of the same group who carry similar worldviews and would tend to suggest the same advice?
Of the people you are asking for magical help, how many of them are able to affirm that they are mentors, teachers, spirit doctors, or consultants qualified to help people with the problem you have?
Do you have a group you can work with to practice skills, such as energy charging and energy reading?
When you cast spells, do you have someone you can send photos of the spellwork to, so they can try to perform readings or diagnosis on what's actually going on?
Reality
Have you chosen a start date for your practice (such as, "I've been a practitioner for 2 years,") but in reality you have only tried to practice magic for a very limited time (say, 1 or 2 months out of that period)? If so, is it possible that you are comparing yourself to the success of a practitioner of 2 years, instead of a practitioner of 2 months?
Does the kind of magic you believe in dictate that rigor and technique are required to achieve results? Or are you more working in the "visualize and believe" arena?
Are you comparing your successes to people who are telling the truth about their practice? Is it possible people you are comparing yourself to are not using rigorous self-assessment when they calculate their own wins?
Are you comparing your successes to people who may have been practicing for decades or more on intensive paths, or who have spent thousands of hours honing their practice within a single area?
Are you being realistic about what actual success looks like? For example, casting a protection spell, something not protected against happens, and then deciding that because something bad in general happened, the entire protection failed.
Anyway Anon, to actually answer your question: no, I don't believe some people just "can't do magic." In very rare circumstances, some people may have serious blockages or entanglements going on that must be resolved before they can do magic. Others may require less intensive spellwork like unblocking to clear the way (like idk, maybe granny prayed over you in the crib that you'd never get involved with all this evil occult stuff).
It's my experience that almost everyone who thinks they can't do magic, if they were being very honest with themselves, would have a hard time coming up with actual lists of things they have done to try to be better at magic; they have perhaps practiced for a handful of hours across several months; they are not learning core skills (like energy work, divination, or trancework); and they are not working off of tried-and-true systems, but are rather setting up camp at the intersection of every possible shortcut (clear quartz, rosemary, and roses are universal substitutes; you don't have to use any physical tools or ingredients; visualization is the same as energy raising; intent is all you need; traditional methods of targeting such as obtaining taglocks are irrelevant; casting a circle is irrelevant; magical headspace is irrelevant; building and consecrating of holy areas such as altars is irrelevant; astrological timing and places of power are irrelevant; going to great lengths to obtain or preserve power is irrelevant).
The other 3% of people pissed on a fairy tree when they were kids and need to spend a couple of months working with a mediator to rectify their relationship with the spirit world.
Do feel free to DM me, if you like.
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