#I LOVE THIS SONG WTH

[imolyhollowcold]

Watch "[BLOOD WARNING] Harpy Hare (ANIMATIC) - 3rd Life //Martyn, Grian// | Flipaclip" on YouTube

LOVE LOVE LOVE LOVE.

I LOVE THEIR WORK, AND THIS IS STILL NEW SO GIVE THEM LIKE AND SUPPORT.

[everythingsbetterunderthestars]

TIMEBOMB SHIPPERS IVE GOT YOU!! The brainrot is too strong I need non French speakers to suffer with me so here’s a translation I made (instead of doing my homework) of Ma meilleure ennemie by Stromae and Pomme (the song that plays when Ekko and Powder are dancing in arcane s2 ep7)

[Intro]

I love you, I’m waiting for you, I love you, I’m waiting for you

I love you, I’m waiting for you, I love you, I’m waiting for you

I love you, I’m waiting for you, I love you, I’m waiting for you

I love you, I’m waiting for you, I love you, I’m waiting for you

[Verse 1: Stromae]

You’re the best thing that’s happened to me

But also the worst thing that’s happened to me

That day where I met you, I would maybe have preferred

That that day had never happened (happened)

The worst of benedictions

The most beautiful of maledictions

From you, I should get away

But as the saying goes:

“Rather than be alone, better to be in bad company”

[Pre-chorus: Stromae, Stromae & Pomme, Pomme]

You know what they say

Be close to your dearest friends

But also

Even closer to your opponents

[Chorus: Stromae, Pomme]

But my best enemy is you

Run away from me, the worst is you and me

But if you’re still looking for my voice

Forget me, the worst is you and me

[Verse 2: Pomme]

Why does your name hurt me

When it hides right there in space?

Which emotion is it, hate

Or softness, when I hear your name?

[Pre-chorus: Pomme]

I told you: “Don’t look back”

The past that follows you makes war on you

[Chorus: Stromae & Pomme]

But my best enemy is you

Run away from me, the worst is you and me

But my best enemy is you

Run away from me, the worst is you and me

[Outro]

I love you, I’m waiting for you, I love you, I’m waiting for you

I love you, I’m waiting for you, I love you, I’m waiting for you

I love you, I’m waiting for you, I love you, I’m waiting for you

I love you, I’m waiting for you, I love you, I’m waiting for you

I love you, I’m waiting for you, I love you, I’m waiting for you

I love you, I’m waiting for you, I love you, I’m waiting for you

I love you, I’m waiting for you, I love you, I’m waiting for you

I love you, I’m waiting for you, I love you, I’m waiting for you

EDIT: The loop in the intro and outro actually says “I love you, I’m leaving you” (according to the lyrics in the description of the official riot games music YouTube video), but I put “I love you, I’m waiting for you” because that’s what the lyrics were according to Genius (which is where I looked them up before I found out about the official video), and it’s also noteworthy that upon first listening to it I heard “I love you, I hate you” because the fact that the only part we can hear clearly is the I love you, but the second part of the lyric is too distorted to fully make out, so really it could be either one of the three options (thematically, all of them work) but what matters is most is the love… I will never be okay again thanks for asking

[flayedintheusa]

Eventually, you give in to the things you want.

You fall, you take, you need,

You call and beg and plead.

You find that thing that feels like ease—

Don’t you dare pin this all on me.

Steve knew from the moment he saw him.

Billy knew from the moment he saw him.

There’s only one way this can go.

Searching Steve out for personal gain was only so fruitful— making him stagger. Making him blush. Making him need.

And it was cathartic, but eventually he snaps. The teasing, the taunting, it’s had undesired effects. It’s just as awful, leaving feeling like it was left unfinished.

He has to finish it.

And Steve— he’s thought about it. Thought about pushing Billy up against every surface of his room. Against the front door, the back door, the couch, the stairwell. It’s eating him alive, the imagining.

He indiscreetly makes a time and place. It’s now or never.

He has to finish it.

And it’s good. It’s more than good. It’s everything. He holds him down, just like he imagined. Breathes hot and heavy into his ear. Groans and pants and whispers dirty honesty like the thing that needed taming. Lights up his body like fireworks are just sparklers before the real deal.

And when he leaves, Steve thinks that’s it. It’s done. It shouldn’t feel so heavy. He has no reason to imagine, to need, anymore.

But when he comes back, he can only imagine all over again. And this time, it’s worse. He can remember.

The promise of it is dangerous. Of again. Of more. And they both know what it means, this time.

There’s no one to blame but themselves.

And something about that is important. It makes it easy, to ease. Makes it easier, to need. To call, and beg, and plead, when it’s a promise instead of a tease.

[hyunpic]

BREAKING ‼️ the weather surprised hyunjin ‼️

[inkameswetrust]

ummmmmmmmmm heffron drive nightcore and kames gif anyone?

[choccymilkblehhh]

pov: your data got stolen

[sketchyracoon]

Marcel, @dogmouthhorse's oc for artfight!

[pain-is-too-tired]

Okay, but-

Jason to Drift Away

Here in the garden Let's play a game I'll show you how it's done Here in the garden Stand very still

Happily wondering, night after night Is this how it works? Am I doing it right?

Finally something Finally news About how the story ends She doesn't exist now Survived by her son

Just-

[aaabatteryy]

the song a human's touch but it's one of those old, abandoned furbys in a millennial's childhood closet harping about a kid they didn't know grew up without them and longing to see the light of day again

[mount-everwhite]

Dongfang Qingcang has one of the most epic theme songs I've ever heard for any character

(full credit to Lan_Lan for capturing the bgm)

[good-beans]

Goodnight wonderful people who live in my phone!!!

[tindove]

The presentation of music in season two, and season one, of Good Omens is so important to me. But I find it hard to put into words just how so. So instead of losing my mind trying to figure out how to do all of that, I want to express my feelings over specifically “Everyday” and “A Nightingale Sang in Berkeley Square” and how they are used.

A huge emphasis was put on music this season. And a lot of the music defied my expectations of how it would be used having listened to the soundtrack before watching the season (And honestly I think part of why GOFLB specifically was included in the soundtrack was because, not just a nod to fans, the fandom had dubbed that THEIR song— or maybe just specifically Crowleys song for them…) And before was had s2, a lot of people assumed “Everyday” would again, be Crowley and Aziraphales song. Music surrounds them of course, and very often it defines them. So I had assumed the same for “Everyday”. Bringing them closer, everyday, fast paced notions leading to love. But it wasn’t their song. It was Gabriel and Beezlebubs. That song is the demonstration of their love for each other. More important than any other demonstration of love that could have been shown. That song is the most important thing to them. It makes them happy. And represents them at their best and most caring, especially toward eachother. That song is their triumph, their peace, and their beginning.

So no. Everyday is not Crowley and Aziraphales song. Because they already have their own song. That being, “A Nightingale Sang in Berkeley Square” of course.

That song is important to them. It’s practically about them, made for them, without it actually being so. It is what played while they dined together after the near end of the world, the thing that solidified the fact they didn’t have to hide anymore. They heard it play, and decided it was theirs— or at least Crowley did— but the fact Crowley brought it up at all makes me think it’s both of theirs. He knows how important this song is to the both of them. And knows that Aziraphales knows exactly what he’s saying, and what he means by it. Then and now.

The impossible had happened, an angel and demon won together against all of heaven and hell, they stopped the apocalypse (more or less) and they lived together, and a nightingale did sing.

It’s their song. Something sweet to be an outward representation of them. And it makes what comes hurt so much fucking more. It hurts after watching Gabriel and Beelzebub sing their song together, as they go off to live their lives, just themselves— and then Crowley takes that song that is theirs. That represents their triumph. Their love. And he says that it is gone. That there is nothing left there. That that’s the point. That silence is the point, and it’s been the defining point for both of them for four unresolved years of silence.

Because that’s what it feels like, right? Contrasting this ending to the end of s1, to what they could have compared to the other angel and demon. What they’re both trying to do (though Crowleys trying to say specifically what Aziraphale wants to do) isn’t a victory. It isn’t good, it’s not truly wanted, and it isn’t that same care that led them to the ritz after the last dangerous game they played with heaven and hell. There is no ritz, there is no nightingale, there is no song.

It’s quiet. And it’s not a good quiet. Because their lives are a constant lively dance. And the dance is over. And they’ve stepped out (and then Crowley doubly steps out after the kiss, after the “I forgive you”) That silence hurts.

That moment after the almost apocalypse, I would say, is the most on page they have ever been outside of simply trying to save the world, outside of simply trying to live. That was most peaceful with (almost) nothing to hide or lie about. No danger to worry for, not yet. The danger is momentarily gone.

That music being gone highlights how wrong everything with them has been. It’s been gone. At least the music they needed wasn’t there anymore. Nothing is light, or peaceful, or perfect. Because they can’t have that impossible happiness. Because they both want different things. Their approaches are so different that it leads to this break.

And when the music does come back (it comes back strong with the kiss specifically before it dies out back to defeated suffering silence again) it isn’t a good thing then either. Because it’s already been distorted.

The song plays for Crowley as soon as he starts the car. To start his own descent, away, to where? Who knows. Just not the bookshop. Whether that was because that was the Bentleys attempt at comfort, because he had the song cued up for them both— because it’s their song as they were to head to the ritz— like he wanted, or because his emotions are fucked and the song playing was the embodiment of that hurt. it all ends with him choosing to turn it off. It states that a nightingale sang, and he rejects that. He shuts it off. Because it can’t just be his song. It’s supposed to be their song. And it’s supposed to be their song of triumph, of personal choice. Of choosing eachother. But that didn’t happen. And now it’s just him. And so he leaves in silence.

No nightingales indeed.

[leenaur143]

LEE MINHO THIS IS MY LITERAL FAVOURITE JAPANESE SONG DHFHEJDHD

[starsandwriting]

Boys i'm afraid it really is sad boy winter

[strayklds]

haven't listened to much day6 (other than the songs seungmin has talked about) but now im finally sitting down to listen to their stuff and i must say. i am about 2 songs away from falling in love with how this band sounds

[mayoiayasep]

ichika...(<- reading live with memories)