#I FEEL EMPTY WITH IT BEING OVER

[jazzminricepot]

i just finished adventure time, the distant land specials, and fionna and cake.. I need more.. 💔

i’m sorry adventure time i wasn’t familiar with your game back in the early 2010’s i take back all i said back then you truly are one of the greatest shows i’ve ever seen 🥺 whether it’s your more silly moments in the earlier seasons or the gut wrenching drama in the later seasons i couldn’t put you down, what an incredible show 💙🤍💛

now i need something to fill the void while i wait for fionna and cake season 2 🥲

[poorly-drawn-mdzs]

MDZS Severance AU: Get me out of here.

[kerizaret]

Sketches based on my FAVOURITE project sekai concept EVER by @the-one-that-weeps that when the characters enter their SEKAIs, their bodies adapt to the worlds as well! I also took some inspiration from the notes and my own concepts :DD

Thought it'd fit the Halloween spirit a lot!

[ruby-red-inky-blue]

So, uh, to recap on the ladies of Andor, the pinnacle of progressive writing according to internet consensus:

Bix: After her character consisting only of "good at mechanics", formerly crafty (in the first Ferrix arc) and "traumatised", Bix gains a new character trait this arc - helpless rage and ✨✨✨drug addiction✨✨✨! Goodie. I'm so mad at this arc for her. We never see this woman happy independent of her trauma. We see her make happy for men - the shopkeep, Cassian occasionally, Brasso and co. in the first arc - but the only time we get an unobserved smile is when she gets her big Girlboss Yay Feminism revenge. And the featurette has everyone going "oh this is her moment", "this scene is about her" - IT'S NOT!! It's about Gorst! It's more trauma porn! Her happiness and functionality once again are dependent on men! She couldn't save herself from her trauma - she needed Cassian to help her get the drop on Gorst (and let's ignore how fucking improbable all that is for a moment, how does he even know where Gorst is???), and her happiness is fully dependent on Gorst living or dying. Her character does not EXIST without him this season. Why do we only ever see her take charge of her life to kill her abusers? The only other positive thing she's done for her life this whole season is to clean up the apartment, and she was doing that to *checks notes* hide her drug habit from her overprotective boyfriend. Feminism!! Please don't read this as an indictment of people struggling to cope with trauma, or substance abuse - I'm just so tired of everyone acting like this is such an uplifting, empowering narrative for this character, because I really, really, really don't see it.

Bringing up Maarva and Kerri as people Cassian failed to protect and nothing else is so telling. That's not even what happened! He was abducted as a child, he didn't abandon his sister, and what was he going to save Maarva from? Old age?? But that's their whole narrative purpose to the writers I guess...

Mothma: Well, I know the constant political downward trajectory is her whole thing, but we really spend the whole arc seeing her do nothing but failing to convince other politicians (mostly men) of anything and being made to look like a fool for even bothering. So far all we've given her this season is being too soft and emotional (which, by the way, is why it's a little odd to me they're pinning the same thing on Cassian - why do we need this narrative redundancy here?). And her one "big moment" (read: over thirty seconds of uninterrupted talking) she gets to have this arc is either a front for Kleya's and Luthen's business or a pointless and reckless lashing out at Krennic's overt imperialism and propaganda.

Dedra: Yeah, she's holding all the strings, but in a weird way, her whole narrative is dependent on Syril now, and I have a bad feeling this is all leading up to him being butthurt about being used. It's a great spy storyline, but just like Mothma's part, great as it is, in combo with the deeply uncool treatment of Bix, it starts to feel like an unfortunate pattern.

Cinta: I actually liked her scenes a lot! Especially the scene in the café - it had an interesting ambiguity, for a moment there I was wondering if Cinta was running Vel, getting back with her to keep her on track on someone's orders. I think I may be giving the script too much credit here, given how weirdly stilted the other two romances were handled this arc it might have rather been a case of "the writer really thinks lovers talk that way". But even if it was an accident, I think that would be an interesting feature in the show, because they're the one couple who genuinely seem to be compatible and on the same page about what they want! And I get that they were making a point to get her killed so uselessly, by friendly fire, on accident. But man, this show refuses to give a woman happiness, even for the span of a timeskip. Whenever any of the ladies seems happy or get something she wants for herself, you can already be sure she's about to die or have something incredibly heinous happen to her immediately after. And the execution of that scene pissed me off, because if that scuffle had even just been relocated to the tunnel entrance, I would have bought it. But no, they're in a really wide, mostly empty alleyway, the blaster was mostly pointed at a wall and trapped between the two men wrestling for it, and you don't even see anyone being close behind them, and yet Cinta not only manages to get hit but instantly killed - what are the fucking chances? And yes, it's a metaphor, but again, with the overall bad aftertaste, it feels targeted and cruel at this point. With how little we got to see of Cinta, it really made her death seem like an afterthought. Like Brasso, this could have packed a punch, but we knew so little about her and had seen her even less, so it just fell flat.

My only positives(ish):

Vel: Her character is really growing on me! She has such a nice, well-executed, subtle development compared to most other characters on this show. She's clearly learned from Aldhani, and she's learning from Mothma and Luthen, too, and her resentment at the life she's leading is so beautifully expressed by her last scene: The greatest punishment she can imagine is recruitment to her cause. Because that's what she's doing to this guy. Recruitment. This is on you forever, this is all your life is now, you owe me and everyone whatever you have to make up for this. That's so heartbreaking, and so real. Am I pissed that Vel is constantly and pointedly denied happiness at absolutely every turn? Yeah! But at least for her, it feels like there is a little more agency, because she chose this life, even though she clearly has options. For her, it feels a little more tragic and narratively weighty, and less like a pointless onslaught of misery.

Kleya: I love her so much. And I could (and should) point out that it feels a little shallow to have her be completely reduced to "being the only competent person among men who are losing their shit at all times". We know nothing else about her, other than that she is Girlboss(TM). But, unlike with Bix, we actually see her be outstandingly competent completely on her own merit all the time, and even though the script neglects her, too, there is an implication that she has actively and deliberately sacrificed the rest of herself to be this spymaster - instead of the writers simply forgetting to give her anything more. And I just think Elizabeth Dulau is KILLING IT. In a weird way, Kleya is giving me the power fantasy that most Star Wars gave to little boys. It's not exactly a win for feminism - it's yet another flavour of "women can either be competent and powerful OR express their emotions and be vulnerable with people" - but I do have a soft spot for her, and her moment at the exhibition was the tensest shit I've seen this whole season. Nothing more gripping so far than watching this woman attempt to turn a screw.

[ivanttakethis]

So like………………. what was the point of Round 6?? 🤨

[skumhuu]

some of you think you're allowed to treat other living human beings like garbage and not have any consequences for it

[xxplastic-cubexx]

i’m so glad you brought up that bit in excalibur where magneto’s ideal prison is him getting to be a husband and father again, because it’s so relevant to the idea that the house of m reality isn’t actually everyone’s ideal life, but just wanda’s idea of what everyone’s ideal life would be. all the time i see x-fans condemn magneto for house of m because his ideal world is him becoming exactly like his oppressors, but house of m isn’t actually the life magnus wants! any time magnus gets to become a political leader, he hates it. he hated ruling genosha. he hated ruling krakoa. deep down, he doesn’t want to be superior. he just wants to live in peace with the family he lost.

also, shoutout to magda and anya, who never get to be anything other than magneto’s women in refrigerators. i wish they got to be more important than that. i love it every time we see them in comics, but it’s so rare. and shoutout to magda in particular since she’s been almost completely erased from the narrative by the maximoff retcon. really hope we get a reveal that natalya maximoff was magda all along when we inevitably make wanda and pietro magneto’s mutant children again.

i honestly didnt know excalibur was a predecessor to HoM when i heard about both runs so when i saw that set of panels for the first time it really had me reconsider HoM and the 'ideal reality' bit, im surprised i dont see it mentioned more often

i really wish there were more appearances of mags, magda, and anya; if there are stories focused on them i barely see them talked about... ive heard magda is mags' best-written partner from some but i also very rarely see stories that feature her directly named, so i never get to see her beyond the few fleeting instances i just so happen to catch her. id very much like to see more of her and mags' domestic life....

i think if we find out that natalya was magda all along i'll howl: this family really Can get more complicated contrary to popular belief 💀

[realtapiocafan]

🥺 i just let out the softest whimper

[elderwisp]

hey moon, it's just you and me tonight everyone else is asleep

[solasfenheral]

vg is a game where there a lot of parts I enjoy on paper and then you have to reckon w execution that keeps like. keeps immediately killing narrative tension before it can build

[skrunksthatwunk]

(nanako voice): dear brother, i am being haunted by visions of starnge and beaudiful goirls

[opens-up-4-nobody]

...

[duskstarskies]

subz sees the void/end as his safe place, and vitalasy is void himself. holding vitalasy’s hands brings subz comfort <333

[shadowduel]

getting into persona in this day and age so embarrassing, i hope u all have found it in your hearts to forgive me

[triglycercule]

the downside of getting cool new horror sans red walls is reorganizing your room and realizing GODDAMN IT I HAVE SO MUCH USELESS SHIT IN HERE

[ganondoodle]

ok so i saw a post (not mentioning it here directly bc no hate to the op of it, but im so annoyed by that plotpoint that i gotta rant) about the scene were they undragonfy zelda and it was all like

- no actually the people that are upset that both zelda and link returned fully perfectly intact dont get that it makes so much sense and is so cool actually bc its sonias time power amplified and reverseing both zelda and links arm so that she was never a dragon to begin with (thats why she doesnt retain any of its features) and link never lost his arm and its such a cool callback to when sonia amplified raurus light laser thing and the reason sonia didnt do it earlier is bc ghost cant be everywhere i guess :) -

i talked about this once before so i wont go super into detail but ... yeah that doesnt make that any less unsatisfying imo

aside from it just feeling like a thinly veiled excuse to return everyone to perfect and unblemished status quo more than a 'cool callback' it also annoys me on a game design level bc (as i mentioned in that older post too) why would you not include ANY of the signifiers of the time power when they do it? like the TÖK sound that goes off when you activate it, the world going black and white with that wave animation, and zelda actually transforming back like a reverse tp link wolf thing, ANYTHING? no its just sparkly light beam in ghost dimension town and sparkly poof everyones back :)))

also the implications of that even being possible is just .. making everything even more messy imo like if you can time reverse not just a persons body, or just PART of a body but also a SOUL being lost, over such a long time too.... that raises so many questions, if sonias able to do something like THAT how come she cant send someone back in time bc that tbh sounds way less complicated (on a sidenote is it jsut me or did anyone else feel like sonia talking to zelda -lol i cant help you control your powers you just gotta vibe with it and figure it out yourself bro- was a lead up to zelda .. actually getting control of her suddendly revealed time powers? or was that meant as in oh look she reversed a few weapons once :) bc it felt like it was meant to be she has to find out how to return to her own time USING HER POWERS .. and then its jsut kinda dropped, like so many more things and oh look a dragon :) )

but overall i just .... ok you can find a flimsy excuse for that scene but it still feels ... bad? like oh cool bad guys deaded once again for sure totally this time and everyones back to normal like nothing ever happened and also it even reversed even zeldas memory i guess so she literally cant remember anything and why anything like that was never done before that is bc of reasons(tm)

it just feels so meaningless, sure you can find some wobbly explanation for why something went like that instead of all the other possibilites but its just ... unsatisfying

am i meant to feel whole having returned everythign as if nothing ever happened? bc i just feel empty, especially on top of all the things that left me with such an empty feeling in the game it just puts the cardboard cherry on top of a cardboard cake, pretty to look at but shallow like cardboard and just as tasteless