#I COULD HAVE DONE QUAKER THINGS AND THEN SLEPT OFF THE “JUST QUIT MY JOB” BLUES
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mangled-by-disuse · 24 days ago
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so funny story I offered to go to Oxford with the dance team I'm notionally part of (but not at ALL good enough to perform with so I'm strictly practice only) because I am 31 and have been driving for over a decade so I made a good extra driver for the 8-hour-each-way trip
EXCEPT
on the way down yesterday I took over driving for maybe 20 minutes at the outside and then got told to stop because big man doesn't like how I drive I guess?
(to be clear, I did not break any laws or do anything that would get me even a minor on a text, I'm just a slightly more aggressive driver than he's comfortable with and also I've never actually driven an automatic before so I was a bit uncertain about a couple of things?)
anyway about an hour ago we confirmed that I am also not driving on the way up and I'm just sitting in the back of a full people carrier in fucking floods of tears because I DID NOT PERFORM I DID NOT GO TO THE SOCIAL THINGS I AM LITERALLY ONLY HERE TO DRIVE AND YOU WON'T LET ME DRIVE
it has been a fucking pig of a week I was exhausted before this and THERE WERE OTHER THINGS I SKIPPED FOR THIS FUCKING WEEKEND. THINGS I COULD ACTUALLY HAVE MEANINGFULLY CONTRIBUTED TO. THINGS THAT DON'T MAKE ME FEEL LIKE A SMEAR ON SOMEONE'S SHOE.
but also I'm stuck in this fucking car for the next four hours and there's nothing to be done to help the situation at this point so I'm trying very hard not to Make A Fuss bc like the only thing worse than being stuck in this car until midnight is that, but people are Trying To Help. trying to help is, after all, what got me in this mess.
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stonecoldjerseyfox · 4 years ago
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Jersey on my mind (part 39)
“Okay, so… what’s the plan?” Mila looks at Daryl, while pulling the knitted cardigan over her shoulders. “You gonna interrogate him? Tie him up in a chair and go good cop bad cop on him?”
Daryl meets her eyes from the other side of the bed. 
“What, ya’ don’t think he’s gonna have to answer some questions?” He asks, while searching the floor for his shirt. 
The morning sun shines in through the windows in the bedroom and it looks like it’s gonna be another fine day.
Mila dozed off as soon as she laid down in bed next to Juri the night before; after she had a quick but violent shower to get rid of dirty gas station toilet-cooties, and didn’t wake up to Daryl coming to bed or to Jesus strolling into the house in the middle of the night. Baffled to say the least, Mila was therefore greatly surprised when she came out of the bedroom this morning, fifteen minutes prior around eight, and met Jesus who came out of the upstairs toilet.
“Good morning!” He said happily and disappeared down the stairs.
Mila, unable to speak, just gaped and waved back at him lazily, whereupon she closed the bedroom door again and turned to Daryl, who was in the process of turning his sleeveless shirt inside out.  
“Am I still sleeping or did Jesus just walk out of the bathroom?”
“Prolly.” Daryl said with a shrug. 
“Is he just-” Mila paused to find the right words, pointing at the closed bedroom door. “You know, walking around-”
“He escaped.”
“Oh.”  
How he’d freed himself from the townhouse basement no one could figure out, and he didn’t tell them either; Mila was sure they’d captured a wizard.
“I don’t get why everything has to be so hostile.”
“Ya’ gonna teach me ‘bout hostile?” Daryl raises his eyebrows at her.
“Okay fine-” Mila sputters, knowing very well what he refers to. “But this guy isn’t like that- that weird wolf guy. This guy is Houdini-weird, not dangerous.”
“Are ya’ some sort of expert now?”  
“Gut feeling.” Mila replies.
Daryl shakes his head at her words. Mila realizes that it doesn’t sound that convincing, but she gives him a steadfast look; she’s sure about her gut feeling. She looks at Daryl while he buttons the shirt. He must’ve taken a shower too before he went to bed. The brown hair looks tousled, as if he went to bed with it still damp. Her gaze wanders down to the unbuttoned, washed out jeans; he wears boxers underneath for once, something he probably started to do for the first time ever when he realized that there would be a snoring three and a half-year old in the bed too. Mila bites her lip as she rests her gaze at the edge of the boxers, right above his pelvic bone. Her sudden rush of desire, or blunt frantic horniness, is obviously visible, because Daryl frowns at her.
“Ain’t doin’ it in front of the kid.” He nods down at the bed, where Juri still lies asleep, bundled up in the sheets.
“We can put him on the bath rug in the bathroom.” Mila suggests half hearted. “It’s really soft. He’ll just think he’d sleepwalked.”
“Jersey-” Daryl walks around the bed and stops in front of her; softly he lets his fingers run down her hair, playing with it while contemplating under silence. “Fine.”
“About the rug or that you gonna go gently on him?”
“The latter.” Daryl mutters. “Dunno why you care-” He rests his cupped hand at her chin. “I won’t knock him, unless he’s being a-”
“Ap-ap, language.” Mila pulls his hand big to her mouth and gives his fingertips a featherlight kiss. “Thank you.” She places another kiss on his fingers. “I like you when you’re all soft and diplomatic.”
The slightly erotic gesture of tenderness is enough to turn the big man in front of her into water between her fingers. His breath becomes heavier, he exhales through his nostrils and the eyes become soft and the gaze deeper, lingering even.  
“Uhu?”
“Mhm.” She leans in, places her head under his chin and kisses his collarbone, while fingering on the half buttoned shirt. “You know- I’m a good rider, like… really-”
A knock on the door drags them both back to reality.  
“Son of a- what?” Daryl turns and looks at the door that opens slightly and Rick peeks into the bedroom. “Don’t ya’ fucking know how a door works either?!” Daryl mutters huskily.
On the other side of Daryl, Mila chokes a grin. Rick looks questioning, but says nothing about Daryl’s, to him, odd remark; of course he knows how a door works?
“We need to talk.” He just says.
He doesn’t even tell them about what; they already know. Reluctant, Daryl sighs and looks at her.
“Duty calls.” He says, while, discreetly, correcting the crotch on his jeans. 
“Be gentle.” Mila winks.
“Yes, ma’am.”
Daryl leaves the bedroom and follows Rick; to talk to him and Michonne about what to do about the ‘situation’ walking around freely in the house. Mila sighs; so much for that ‘ride’. Not even a quiet quickie in the bathroom. She turns, combs her fingers through her hair and looks at Juri, lying on the bed with his back against her. The blonde hair looks like a bird’s nest, the only thing missing is a couple of spotted round eggs. What a fun job I have in front of me to untangle that bundle of mess, she thinks to herself and kneels down on the bed. Softly she strokes the boy over the back; the pyjamas are so warm and soft and he smells cosy, a warm, sleepy scent mixed with fabric softener. 
“Prosypaysya, solnyshko.” She coos softly, tickles his warm neck. “Wake up, sunshine.”
Juri starts to move, softly pats his feet towards the covers and rolls over, to face her. He blinks, squints a little with his piercing blue eyes at her.
“It’s time to awake.” Mila says.
With the newly awakened boy in her arms, she then walks down to the kitchen, where she’s met by Jesus, sitting at the kitchen island.
“I’m not gonna ask how you got out.” Mila greets him and puts Juri down on the sofa, to awake at his own pace.
She doesn’t really believe in magic, but growing up in Russia, surrounded by ancient stories and with a grandmother who said she was a psychic and was convinced that she had seen both Baba Yaga and a vodnik, Mila’s quite versed in folklore; no sane Russian child disowned Baba Yaga. 
“Slept well?” Jesus replies with a polite, even hearty smile. 
Mila, still slightly bitter about the black eye and the cracked, aching lip he caused her, doesn’t answer at first; instead she puts a kettle with water on the stove and scoops up two abundant spoons of instant coffee in two mugs; the chances of her being in a better mood after she had some coffee is quite high. She needs that first sip of coffee to function. She throws a glance out of the window; where’s Carol? Her eyes are then drawn to a mint green tin can with a pattern of daisies around the brim. Smiling, Mila lifts the lid and peeks inside. Of course, Carol, she thinks with a smile. White chocolate chip cookies. She and Juri must have baked them the day before. She puts the lid back on and turns to the two cups with instant coffee. She awakes from her thoughts -mostly revolving around how unearthly tasty a really fucking strong, big salty caramel latte would be, instead of this sad, colored liquid that nowadays has to go under the name ‘coffee’- when she hears the water bubbling on the stove. 
“I think the water’s done.”
Mila peers at Jesus.
“Yeah I got ears-” She replies surly. “And eyes.”
“Not a morning person?” He asks. 
“I’m not super happy with you.” Mila peers at him as she pours the hot water into the cups and takes out two spoons from a drawer. “No offence, Houdini, but you gave me a black eye.” She hands him one of the cups and stirs around the coffee powder in the water. Not exactly a caramel latte with two extra shots, she thinks and sighs. 
“Sorry about that.” Jesus says. “You’ve ever thought about a career in wrestling?”
“I'm good at running, shooting and drinking-” Mila takes a sip of the blant coffee. “I haven’t got the muscles.”
“I’d say the opposite.” Jesus drinks and makes a grimace; there’s a pretty valid reason why everyone says no when she offers them coffee. According to everyone in Alexandria it’s like drinking tar. “At least you got the spirit.”
“Okay-” Mila sighs. “How did you get out?”
“Magic.” The man in front of her smiles. 
Over at the couch, Juri has finally awakened fully. He climbs down and hurries over to the kitchen and demands to be held; awake or not, he’s always in desperate need to be close by, just in case he needs a cuddle. Mila lifts him from the floor and puts him down on the counter.
“Ready for breakfast?” She asks and Juri nods eagerly. “Let me just finnish my coffee.” Mila looks at Jesus. “You can’t possibly be named Jesus.” She asks and raises her eyebrow at him. “I mean, I get why-” She nods towards his face, the beard and the long hair. “But-”
“Paul.” He smiles, a genuinely kind smile, and offers her his hand over the kitchen island. “Paul Rovia.” 
Mila looks at it, before taking it and giving it a firm shake; like a car dealer who’s just managed to sell a poor fellow an overpriced car. 
“Mila.” She replies and nods at Juri. “My son, Juri.”
With a bright smile Juri waves at Paul from where he sits on the kitchen counter in his pyjamas; Paul’s face bursts into a happy grin. Juri’s sunny demeanor usually has that effect on people.
“Any last name?” He then asks. “Just- you know. Formality.”
“Sergeyevna.” Mila says, takes the tin jar from the other counter, opens it and offers him a cookie; there, now they have put down the hatchet. “So, what should I call you? Sorry, but Jesus-” She grimaces and shakes her head. “Feels odd.”
“Paul’s fine.” He smiles as he takes a cookie and once again looks at Juri. “You’re a lil’ charmer, aren’t you?”
Juri nods and makes the ‘I know that’ sign with his hand, which makes Mila grin. Of course he knows he is, she thinks and takes out the big pack of Quaker oats from a cabinet. She pours the oats at random into a pot, covers them with water and puts the pot on the stove. It will be enough for both her and Juri. She looks up from the pot just in time to see Juri’s small hand being pulled away from the tin jar.
“No.” Mila says, takes the jar and puts it back on the other counter. “You get a cookie after you have breakfast.” 
Juri nods reluctantly, then gestures ‘okay’. 
“He’s mute?” She hears Paul ask behind her.
“He is.” Mila turns around in search of the salt. “Don’t need a voice to be the most charming rascal in the apocalypse though.” She smiles at Juri and winks.
“Is he the father?” Paul asks. “You know- the big guy?”
“Daryl?” Mila shakes her head as her eyes land on the pack of salt. “No, I don’t know who Juri’s father is.” She shrugs a little. “A happy accident.” She pauses and puts a pinch of salt into the pot. “Daryl’s-” 
Yeah, what exactly is Daryl? Mila doesn’t have to think for long. Juri tugs at Paul’s coat sleeve and places his thumb against his forehead, with his fingers outstretched. 
“Have you told Daryl?” Mila smiles at Juri while she opens a drawer and takes out a wooden spoon to stir the oats.
Before Paul can ask what Juri meant by his gesturing, the front door opens and Glenn, Maggie and Abraham enter. Mila greets them with a ‘morning’ and Juri waves frantically at everyone. From the stairs, Rick, Michonne, Daryl and Carl appear.
“Nice talking to you.” Paul winks at her, gets off the bar stool and walks over to the dining table, where they all sit down, looking at Paul.
Mila turns her attention back to her and Juri’s breakfast in the pot. Juri stirs the wooden spoon as she gets honey out of another cupboard and the home made oat milk from the fridge. She listens with half an ear to the conversation at the table while she portions the steaming oatmeal into bowls, puts a spoonful of creamy honey on top and then puts the oat milk over it. She places Juri at the counter next to the window, he likes to look out at the trees and the birds, and then starts to feed him; one spoon for Juri, then one spoon for her. He doesn’t need to hear the grown-up talk and Mila’s too tired to care, well, except for when Rick asks Paul how he got out.
“One guard can't cover two exits, or third floor windows. Knots untie and locks get picked.” Paul replies. “Entropy comes from order, right?”
Mila grins to herself while taking another spoon; it hurts to chew. Apparently he trudged around a lot during the night, peeking at their arsenal, their storage. Juri eats with a big appetite and has soon finished his breakfast.
“Bravo.” Mila praises and scrapes the last of her oats from her bowl. “How about-” She puts the bowls into the sink and turns back to Juri. “You and I hang out today, all day? I need to repay you for not bringing back those marshmallows.”
Excited beyond measure, Juri starts to clap his small hands, which causes the group at the table to pause and turn to look at them. Mila puts her hands around Juri’s and hushes softly, resting her forehead against his. 
“It’s a date.” She whispers and gives Juri a kiss on the nose. “Now- hurry upstairs, pick some clothes and pour a bath, I’ll join you in a minute.”
Smiling brighter than a sky full of stars, Juri scurries over the hardwood floors and starts to climb up the stairs while the group around the table gets up. Glenn, Maggie and Abraham leave, Abe gives her a cheeky wink and a ‘lookin’ sharp, lady’, probably referring to her ravaged face. Daryl gives the big, red haired guy’s back a squinting, dark gaze as he disappears out the door. For some reason she feels flattered about the ‘Dixon jealousy’ today; maybe because she feels anything but appealing. A confidence boost. 
“So?” Mila asks. “What’s been said?”
“He says he’s part of a community.” Daryl replies, referring to Paul. “Raises livestock and crops.”
“Okay. And?” 
“His job’s to find other communities to trade with.”
“That’s it?” Mila asks, slightly disappointed; given his Ninja-skills she’d at least thought he was part of a special force or something. “Okay. What’d you say then? We don’t have anything to trade?”
He thinks we may be in a position to help each other. They got livestock. Grows things.” Daryl pauses. “We’re gonna go back with him. To his community. Hilltop. See if he’s tellin’ the truth. If he does, we’ll see what they’ve got to offer. He also said they’re trading with other groups.”
Mila raises her eyebrows.
“They have contact with other communities?”
“At least that’s what he claims.”
“You think he’s lying?”
Daryl shrugs; apparently he doesn’t know what he thinks about it. On one hand; another community is something they, he and Rick, have talked about for a while. There had to be more people like them out there, other communities with survivors, they knew it. They had expected, or hoped, to be the ones who discovered the other group, not the other way around. The tables have turned and now they’re vigilant. Even though he doesn’t say anything, Mila sees exactly what he’s thinking. The thought has struck her as well. What if Paul Rovia belongs to the group they saw looting the arms deal?
“Does ya’ gut feeling say something ‘bout that?” Daryl asks with a wryly, barely noticeable smile upon his lips - sometimes it seems like they really can read each other’s minds.
“Shut it.” Mila shoves him softly. “No. No, he might fit in at that Harry Potter-school though. How else did he get out of the basement than by magic? I’m not convinced what he said before was the truth.”
“Magic ain’t real, Jersey.”
“At this point, I’m ready to believe it is. Living dead walking around, magic-” Mila shivers throughout her body; it’s as if her dead grandmother was in the room, taunting her for not believing in her wacko stories about trolls and other foul creatures. “You leaving soon?”
“As soon as possible.” 
She nods. 
“Ya’ coming?”
“I’ll pass.” Mila replies. She’s had it with adventures that, more often recently, ends with her getting bruises for a few days. Besides, she wants to spend the day with Juri. “Carol and I hold the positions here.”
“Good.” Daryl lightly strokes her arm. “Where’s she by the way?”
“Out, I believe.” Mila smiles. “You’re cute when you’re worried.”
“I ain’t.”
“Worried or cute?” She gets a light buff in reply to her cheeky question. “Carol’s fine on her own.” Mila ensures her big, worried archer. “Are you going to prepare for the trip?”
“Nah, I’m ready.”
Mila smiles faintly. Had she been Daryl, she would probably at least have changed her shirt to one with sleeves. He notices her smile, frowns a little.
“What?”
“I like that shirt.” 
“Ya’ flirting now?” 
“Yeah.” Mila nods. “Might be because of the concussion.”
“Ya’ didn’t have one last night.” Daryl says doubtfully.
“No, you’re right. But I am actually flirting with you.”
With an entertaining, barely visible, smile, Daryl takes her chin between his thumb and forefinger; a gesture that says more than he does verbally.
“Jersey-”
Mila sighs; she may well suppress the tingling in her body for a few more hours.
“Fine.” Mila pushes Daryl towards the door. “Off you go. Discover new civilizations, Dr. Dixon.” She proclaims theatrically.
In response, she gets a teasing middle finger over the broad shoulder, before Daryl disappears out the front door. Mila turns just as Rick scurries down from the upper floor, holding Judith in his arms. 
“You’re stayin’ behind?” He asks.
Mila holds out her arms; as if to show that her outfit says the most about the matter.
“Okay.” Rick nods. “Good.” He’s just about to say something, but Mila interrupts him:
“I’ll watch Carl too. Promise.”
“I think he’s sneakin’ out.” Rick says, while letting Judith chew on his finger. “He and Enid-”
“-Are teenagers.” Mila shrugs while putting the two coffee cups into the sink. “Be glad Carl’s not doing the shit I did when I was a teen.” She walks around the kitchen island and gives Rick an encouraging pat on the arm. “We’ll be alright.” She smiles overly excited at Judith. “Yes we aaare!”
As Rick closes the front door, Michonne comes down the stairs. As soon as their eyes meet, Mila grins broadly; her missing Jesus trotting into the house in the middle of the night was nothing compared to the disappointment she felt when she learned that he had stormed into Rick’s bedroom, only to discover that Rick and Michonne were lying naked in bed. Michonne raises a warning finger at her.
“Don’t-” She alerts. “Not a word.”
“Ohh I have a lot of words I want to say about it.” Mila chuckles. “How about; finally!”
Michonne says nothing, just smiles. As if Mila didn’t realize before that there was ‘something’ going on. They don’t have time to say anything else on the matter; they are interrupted by Paul, who emerges from the toilet.
“Ready?” Michonne asks him. 
“Yup.” Paul looks over at Mila. “Hey- I’m really sorry about the blackeye.” He looks sincerely sorry. “We friends?”
“Hm, fine.” Mila gives him a sharp gaze. “But I want my grumpy archer back. So no funny business while you’re gone. Then we’re friends.”
Paul nods gravely; hopefully, he doesn’t dare to pull any ugly tricks after yesterday’s haywire ride. In addition, Mila offered him both coffee and cake earlier, so he owes her. She follows them out of the house, still wearing her sleepwear; yoga pants, t-shirt and the knitted cardigan, to the motorhome. Maggie stands by and watches the motorhome. The young woman looks worried, deep into her own thoughts.
“See it as a honeymoon.” Mila suggests with a smile at Maggie as she approaches. “Minus the fancy hotel, the rose petals...” She continues jokingly, in an attempt to cheer her up.
Maggie smiles a little, but there’s obviously something on her mind.
 “Things don’t really go by the book ‘round here.” She replies. “I’m scared, Mila.” The green eyes look worried. “The crops, the baby, other people-” She sighs. Apparently she’s been pondering a lot lately.
“Hey-” Mila grabs Maggie by the hand. “Stop it. We all got days when everything feels like shit.” And those days you spend in bed getting jagged, Mila thinks to herself; that’s at least what she does. “But it’s gonna be alright.” She smiles. “We have made it this far. You’ve made it this far. See it as an- an adventure. And tomorrow is another day.”
Although Mila herself finds it difficult to absorb her own clichéd words, they seem to instill hope in Maggie; somehow Mila thinks that booze works better in her case. 
“Wow, where did the motivational speaker come from?” Maggie smiles, squeezes her hand warmly. “Thanks.” She looks down on her bump. “You know I’ll need all the help I can possibly get when this one pops out, right?”
“Yeah I know.” Mila replies. “But we’re not there yet, thankfully.” She winks. “I have to sober up until then. Well, off you go, adventurer.”
They part, Maggie walks over to Glenn and they get inside the motorhome. Daryl shuts the small hood and brushes off oil from his hands on his jeans. Mila wraps her cardigan tighter around her; she’s still in her tank top and yoga pants, standing bare feet on the hard asphalt.  
“Ya’ sure you’ll be alright?” Daryl asks.
“I’ll be fine.” Mila ensures. Honestly, she thinks, there’s not much that can go wrong when hanging out with a three and a half-year old. “Be careful.” She says and places a quick kiss on his lips. “Don’t punch people.”
Daryl gruffs in reply.
“Let’s chew up some asphalt!” Abraham hollers behind him.
“See ya’.” Daryl places a quick kiss on her mouth, before getting into the motorhome and shutting the door.
Mila and Carl, holding Judith in his arms, watch as the engine of the motorhome starts and it rolls away along the road, before disappearing. 
“Do you think it's safe?” Carl looks at her. “This other place?”
“Honestly, I don’t know.” Mila replies, while letting Judith grab on to her fingers and play with them. “But I hope so.” She meets Carl’s eyes, smiles and caresses his thick, brown hair. “Come on, let’s get inside. Juri’s having a bath-” Mila smiles at the girl on Carl’s arm. “You wanna bath too?”
Happily, Judith giggles; no sane toddler says no to a bath with rubber duckies and lots of bubbles.  
It turns into a peaceful, playful morning. Juri and Judith bathe for probably an hour under Mila’s supervision; over and over she has to push the floating rubber ducks under the water, for them to jump out of the water again. Judith laughs to the point of her getting hiccups. With one toddler on each arm, drenched in bath water from head to toe, Mila carries them both downstairs.
“Ah, great!” She exclaims just as Carl and Enid walk into the house. “Keep an eye on these two as I get dressed, will you?”
Mila disappears up the stairs before she gets an answer. In the bedroom she removes her wet clothes and drops them on the bathroom floor. She quickly puts on a pair of jeans, glances at the long scar that runs along her stomach, before hiding it with a t-shirt. At least that’s easier to hide than the blackeye. She puts on a pair of socks, sticks her feet into a pair of Birkenstocks and hurries back downstairs. Carl and Enid sit on the carpet in the living room with Judith, still wrapped up in a lilac towel with flowers, while Juri runs around, naked, wearing his towel as a cape.
“Come here you!” Mila sweeps the naked toddler from the floor. “What have I said about being naked Batman?”
Silently giggling, Juri tells her that she’s wrong; he’s not Batman, he’s Spiderman.
“Well, first of all, Spidey doesn’t have a cape-” Mila presses her mouth into his soft belly and makes a loud farting noise, while Juri cries with laughter, silently. “Secondly-” Mila says, while lifting her head. “We gotta find you some clothes.”
“There’s some folded stuff in the laundry room.” Carl gets up from the floor and takes Judith in his arms.
They help out to sort the folded laundry while finding clothes for the toddlers. Mila’s heart swells when she observes Carl with Judith; he’s so much more grown up, so wise and kind, than she ever would have been able to at that age. He dresses Judith, who sits still on top of the washer and calmly lets herself get dressed. Juri on the other hand is in a rowdy mood. Carol returns, stained with blood, in time to see Mila chasing a laughing Juri, dressed in underwear, socks and shirt, around the ground floor; she carries a bucket in her hand, filled with acorns. She catches Juri with her free arm, like a hook, and hands him over to Mila, who can finally put him in a pair of trousers. 
“Thanks.” Mila sighs and brushes her hair out of her face when she has closed the button in the small pair of jeans. “I hope he’s not this cheeky when he’s with you.” She looks at the acorns while Carol assures her that Juri’s usually very angelic when they hang out together; it’s probably just an extra exciting day. Mila nods towards the bucket. “What are the, the-” The english word seems to have disappeared from her vocabulary. “those for?”
Carol looks down at the bucket. 
“You’d be surprised what you could do with acorns.” She smiles, mysteriously. 
“And the blood?”
“An unpleasant surprise.”
“Ah.” Mila nods understanding; a walker. “The others left a while ago.”
While Carol puts the bucket down in the kitchen, Mila tells her about Paul Rovia and the others, Rick, Michonne, Abraham, Daryl, Glenn and Maggie, leaving with him to go to Hilltop. Carol receives the news with calm, a trait Mila loves about her; by now not much seems to surprise her. As Carol disappears to take a shower and change clothes, Juri wonders what they should do first during their extra special fun-day. Mila suggests crafting; Juri loved crafting when he went to daycare and always brought home necklaces, drawings and scrapbooking cards to her. When she was looking for new sheets in the house that belonged to Jessie one day, she found a whole lot of craft materials in a cupboard; Jessie wouldn't need it anymore, so Mila took it. 
They spread the material over the dining table, Mila picks out Capri Sun as snacks and starts to make beaded necklaces and bracelets while Carol returns back after a while, and starts to bake more cookies with the acorns. Deeply concentrated, Juri methodically places pearl after pearl on the small wire, with his tongue between his teeth. He makes necklaces and bracelets for his ‘big brother’ Carl, ‘auntie Carol’, Mila gets a necklace and for Daryl Juri makes a bracelet and a little pendant to hang on his crossbow.
“That will be very nice.” Carol assures as Juri holds up the pendant for her to see, made with beads in all sorts of shapes and colors. “Daryl will be very happy.” She smiles. “I will wear my necklace every day from now on, sweetie.”
While the cookies are in the oven, Carol quickly sweeps up a vegetable soup for lunch. Just in time for lunch, Aaron pops in and joins Mila, Juri, Carol and Judith around the table to eat. Mila sits in-between Juri and Judith and has a full time job making sure Judith doesn't play with her food and tells Juri to stop making another bracelet, this time for Aaron.
“You can finish it after lunch.” Mila says, for the fourth time, before Juri listens, but by then he’s already done and stretches over the table to hand Aaron the bracelet.
“Thank you.” Aaron looks tenderly at the bracelet. “The nicest gift I’ve ever received.” His genuine expression of gratitude makes Juri blush behind his second package of Capri Sun. “I’d love to have kids on my own.” Aaron looks at Juri with glistening eyes. “They’re amazing.” He sighs. “But these times-” He shakes his head.
“You can borrow mine whenever you’d like.” Mila suggests while scooping up the soup in her spoon, pouring it down her still aching mouth. “Besides, you’re already uncle Aaron.”
Juri nods at Aaron at the other side of the table; he’s got a lot of uncles and aunts all of a sudden. But only one big brother, he assures them through his gestures.
“Yeah, there’s only one Carl.” Mila agrees.
Juri points at Judith.
“And only one Judith.” Mila nods. “And since you’re older than Judith, you get to show how to behave at the dining table. Like, you’re not supposed to make bracelets while eating.”
After lunch, Aaron thanks Carol for the lunch and heads off to the construction site, Carol clears the table from bowls and spoons and leaves to go and hand out the still steaming warm cookies to the Alexandria residents. Mila takes on the mission to put Judith to sleep, while Juri finishes off his second portion of vegetable soup at the table, now fully occupied with his walkman. It’s apparently completely impossible to sit and eat without amusement; on the one hand, Mila understands him. She herself likes to have a book or a newspaper with her at the dining table. Before the outbreak, when they lived in Brooklyn, she loved to eat in front of the TV when she was alone; channel surfing until she found a channel with a program about 'tanks in the first world war', 'ancient sharks eating ships' or 'grown men running around in the dark looking for ghosts'. 
Softly Mila sings the girl to sleep while stroking the soft, light brown hair. She sings a Russian lullaby from her childhood, the one her mother used to sing to her when she’d had a nightmare; a heartbreaking song about a dying child. In hindsight, Mila’s surprised she could even fall asleep at all after hearing that song, but the way her mother sang it as they lied next to each other in Mila’s bed, was like being swept in a blanket of protection, a safe embrace from the bad dreams. Then it didn’t matter that Vanya died and was buried the next day. Mila softly strokes the now sleeping girl over her cheek, smiles and leaves the room. 
“Wow, two whole rounds of soup!” Mila exclaims, as she returns to the dining room and Juri, proud beyond measures, shows her two short, tubby fingers. “Bozhe moy, I gotta find you new clothes soon, you’ll grow like a sprout-” She says as she helps him down from the chair. “So, nap or no nap?”
Juri shakes his head; no nap today. Instead he points at the kitchen island, where Carol’s left a couple of cookies on a plate. With the big cookie in a firm grip, Juri announces that he wants to have a dance party. He’s high on sugar from the Capri Sun and needs to let off some steam, pronto! Said and done, Mila runs upstairs, again, collects their dear collection of cassette tapes, runs downstairs and puts a cassette in the stereo in the living room. Having small children is a single gym workout; never a quiet moment. Juri wastes no time and starts to jump around to Van Halen’s “Dance the night away” with the cookie in his hand. Her heart overflows with love as Mila, smiling, watches as the little person moves around on the carpet, making his sporadic, spontaneous moves to the music. Sometimes he takes a bite out of the cookie.
Carl and Enid return just in time to see Juri make a pirouette to “Mr. Blue Sky”.
“Hey, great moves, dude!” Carl greets him. 
They sit down on the couch and watch Juri dance, while Mila sorts the crafting supplies; she has a feeling they’re done making bracelets by now. Activities shift quickly when you’re a child and as a mother, Mila is left to clean up. But when “Dance in the dark” comes on she can’t refrain from wanting to dance; yeez Louise, she loves this song. She lets herself be dragged out on the living room carpet by Juri and shakes her head, making her hair dance. 
“Dance with us Carl!” Mila pants mid air. “You too, Enid!”
Slightly frightened by the invitation, Enid shakes her head so the brown hair swings around her face. Carl on the other hand rises from the couch, widely smiling, and starts to dance with them. It’s fun, liberating; just dancing around, jumping, making silly moves, while singing their hearts out. 
“Come on!” Carl grabs Enid by the hands and pulls her up on the floor. “Don’t be such a bummer. Let loose!”
“I-” Enid looks anything but pumped.
“Live a little!” Mila encourages; she herself feels very much alive at least. Her heart is pounding and the pulse is at ‘moderately working’. It’s actually quite exhausting to dance. She’s a little impressed that she used to go to parties and dance almost every weekend back in university - in heels, moreover. She looks down at her socks and Birkenstocks. 
When the song fades out and the intro to KC & The Sunshine Band’s “Give it up” they hear a soft thud from the upper floor; Judith must’ve thrown her plushie on the floor.
“I’ll go get her.” Mila says. She lets Carl and Enid continue to dance with Juri, and runs up and gets the now awake, well rested little girl. With Judith locked on her hip she walks downstairs again. Judith points at Carl and starts to wiggle her arms, spits out the pacifier and starts to babble.
“You wanna dance too?” Mila asks, while bouncing Judith on her hip. “Come on, let’s dance.”
With a squealing Judith in her arms Mila sways to the music, hops around and swings the girl around the air. But Judith doesn’t get Mila’s full attention for long; Juri, unaccustomed to competition, soon wants her attention, he also wants to dance in her arms. With Judith on one arm and Juri on the other she moves over the carpet, while the two toddlers laugh excitedly by her, a grown up, acting incredibly funny.
Carol returns from her walk around the community in the middle of the chorus to [song], when Enid has returned to the couch and Carl makes an impressive attempt at a moonwalk.
“I disappear for a moment and poof; I come back to a disco.” She laughs.
“Gotta raise the roof around here.” Mila pants and twirls around with the two toddlers locked at her hips. “Right, malysh?” She gets support from Juri, who strikes a disco finger for Carol to marvel at. “But I would actually need a break now.”
The break is accompanied by “Twistin’ the night away” and more Capri Sun, taken on the couch. Carl playfully fans Judith with the wide-brimmed hat and Mila twists her hair in a sloppy ponytail and curses her poor cardio; it’s gotten pretty bad all of a sudden. That uncomfortable nausea she’s felt on and off the last week begins to creep in and she trembles at what Juri wants to do next. “Ya izmozhden.” Mila says when Juri tells her, with sugar rushed excitement, that he wants to dance more. “I’m exhausted. Mummy’s old.”
As if Juri was going to buy that excuse. He answers her firmly that she’s not old, but that they can go out and draw with the street crayons instead. Mila throws a glance out the window. It’s sunny, looks warm. “Fine.” She replies. “Let’s go, Picasso.”
While sitting on the hot asphalt, drawing with the chunky, chalky crayons Mila’s struck by a feeling she hasn’t felt in a long time; it all feels almost as before the virus. It’s been a very normal day. Just as when Mila had her day’s off from work. On those day’s Juri didn’t go to daycare; instead they did all sorts of fun stuff. They went to the park and occupied the swing sets until some irritated mother asked Mila if she would mind sharing with the other children. On the days Jim had a day off as well they went to coffee shops, had coffee and juice and tried different pastries and cookies. Other days they stayed at home playing, or Mila invited her friends (none of them had children of their own) over for lunch and to watch a day-movie with her and Juri. 
Soon Mila puts down her pastel blue crayon and lies down on the warm asphalt, while Juri continues with his masterpiece; this time a zoo with green tigers and yellow monkeys.
“Right now, life’s pretty nice, right?” She exhales and closes her eyes. In the distance she heard the light, barely noticeable, breeze sweeping through the nearby trees. A gentle, soothing sound that mixes up with the faint sound from the walkman, lying on the ground next to Juri. “Pretty, damn nice.”
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awed-frog · 8 years ago
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The Memory Remains/Carthago Delenda
On the whole, I think I really liked this episode? It certainly felt very old school, in the best possible sense. There were a couple of moments I was actually worried, and considering that I know perfectly well both Sam and Dean will always be fine, that’s quite something. 
I sort of liked the mythology, and I liked the class thing, and as for Dean hooking up with a waitress - look, first - this is the writer who practically wrote Dean as bi in Beyond the Mat, his only other Supernatural episode. I know they didn’t quite go there, but by paralleling a young Sam jerking off to some picture of Rio (sorry to be coarse, but that’s exactly what it was and it was confirmed both by dialogue and by Sam’s embarrassed stammering) with Dean’s obsession for Gunnar, well, kudos for the effort. And Jensen, of course, went with it, like he always does, and made the whole thing very obvious. So there’s that, and second - this is what Dean does. He’s a kisser and a hugger and all about touching and be touched, and sex with strangers was the only thing that, growing up, gave him that physical intimacy he craved and nobody else was capable to share with him. We know Mary was dead, of course, and John was not the hugging type, and Sam - my headcanon (which I use liberally in my fics, and sue me) is that he was an expansive child and Dean secretly loved it, but at some point John told both of them to just cut it out already, ‘cause you’re too old for this shit now. So that was that, and from then on, touch that actually matters has been in short supply for Dean - and, unlike Sam, whom I read as more reserved, Dean craves to be touched and held. It’s just who he is. So, whatever - he’s worried sick about Cas, and that’s not going anywhere anytime soon, and there’s a million other things going through his head and now that stupid sheriff’s brought half of them up again by talking about a kid who grew up with an abusive father as though that’s nothing and what can you do (I actually went back and looked three times at that scene, at how the sheriff says, “Guess who gets to take care of him?” because something was bugging me and yeah, there it was - Sam visibly makes an effort to react to the conversation because it’s what’s expected from him, but Dean just looks up - up and to the left, that is, which is what happens when you remember past experiences; and I don’t want this person who reads a lot into every detail, but these are basic biology things an actor would do without even realizing, and also it’s beyond canon, by this point, that Dean took care of John more than once, because that’s what happens when you’ve got an alcoholic parent) - and, sorry, here’s the end of the sentence - it looks perfectly reasonable to me that Dean would want some comfort, and I do believe he slept with that woman and that it was great and that it cheered him up a bit in some bittersweet way and what can you do?
Honestly, all that I’m upset about is that the straight stuff is always out in the open and for the queer one you need to stop your video and squint at the scene and the paintings and the colours and yeah, that BS smack on Dean and the waitress could be nothing -
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(Also, that girl is not his type at all. She was just there, and she liked him, and, as he’s told us himself, he likes waitresses because they smell like food and it’s not easy to get them - if that doesn’t sound like comfort and a need for validation to you, I don’t know what does.)
Moving away from Destiel-related content, I really liked how seamlessly the different parts of the episode moved into one another. From that woman reading the text of the Fourth Amendment on the radio at the very beginning (the one which makes it illegal to search a house without a warrant or probable cause, that is), to Ketch and his men walking around in Sam and Dean’s lives as they themselves are in the outside world, living them - that was very well done.
Also well done: the whole social commentary on class and money. 
Industrial benefactors are sometimes seen as a good thing, because they normally provide houses for their workers and schools for their workers’ kids and therefore create and enrich a whole community, but personally I’ve always hated the concept (which is not as outdated as one would expect, and ew) and I was happy to see our writer didn’t give them an inch. Yes, sure, the town did prosper, but that factory was creepy and unpleasant in itself (even if you eat meat, you gotta admit that the meat industry and meat factories are about as bleak and morally ambiguous as you can get) and, more importantly, it was only held together by human sacrifice. The idea that it could, in fact, be considered acceptable to lose a kid every year so that the rest of the village can get by was never even suggested, and thank God. Instead, the whole episode read like some old-fashioned Quaker or Socialist leaflet: money corrupts (look at our first victim, lured to his death by a backpack full of dollar bills), creates division and resentment (the tale of the two brothers may have read like a bad Dynasty episode, but these things happen every day), generally comes from blood (the entire god story and the sacrifices) and it’s always better to be honest and poor than rich and tainted (I really liked the sheriff, poor guy).
As for the lore itself - I’m slightly less happy with it, mostly because I would expect both Sam and Dean to know perfectly well what a satyr is (and no, they don’t eat human flesh - those were the women who danced with Dionysos, totally different stuff) and because Moloch has been maligned plenty enough, but I did appreciate the casual horror of it all - a starved and tortured god locked in your cellar, people dressing as animals to capture an unwilling sacrifice - very gothic and compelling.
Since we’re now talking about pagan stuff, maybe Sam and Dean’s discussion about their legacy and mortality made sense, but it was still hard to watch. What happened to the wary hope of S11? To the idea it’s not too late to find a partner, perhaps even to have kids? With that mournful discussion and by carving their initials in the Bunker’s table, Sam and Dean have somehow closed the circle. Their story, this is what they seem to think, is not going anywhere, is not leaving any memory behind. The thing was so sweet and sad, I’m actually comforted by the fact this is not the last season, because there it was - the perfect foundation to end this story in a burst of flames. The reminder to their childhood, the belated acknowledgement that it wasn’t, in the end, as bad as it could have been (“Next time you hear me say that our family is messed up, remind me that we could be psycho goat people,” Dean says, and man, now I can’t wait for that confrontation with Mary we know is coming), the quiet acceptance about their importance in history (non-existent), in people’s lives (often significant) and in their own consciences (“We left the world better than we found it, you know.”) - the knowledge that one day they’ll both die, and they’ll be forgotten, and someone else will live in the Bunker, fight on - it was heartbreaking, but also - also, after all these years of anger and torment and hurt, it looks like Sam and Dean are very close to being okay with everything - their family, their jobs, their place in the world, and even each other - and that’s -
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- yeah.
We'll eventually fade away, too.
Just in case someone is wondering: Moloch was the god of Carthage, a city which used to be roughly where Tunis is now. At one point, it was Rome’s main rival - mostly because Carthaginians were better educated and smarter and had a longer and richer civilisation behind them - so Rome started a brutal campaign against them which included a few wars and also liberal amounts of bullshit propaganda. What Moloch is generally associated with is child sacrifice, which ties in nicely with our two victims in The Memory Remains, and I’m not saying that never happened at all, but still - it’s very likely it didn’t happen with the alarming frequency described by some of the more vitriolic Roman politicians. Plus, you know - human sacrifice is a thing in every culture, and it makes perfect sense. A human life, and especially a child’s life, is the most precious thing a community has to offer, right up there with other very precious things, like a good stallion or a fertile bull, so when things start to go really bad, you have up up the ante a bit. Gods are not stupid, and no god is going to show up and save your stupid city in exchange for a loaf of bread and two rabbits. That’s just the way it goes, and everyone knows it. Even the Romans used to perform human sacrifices in times of trouble, so they can just shut it (as you can see, since I’m an archaeologist I’m approaching history in a calm, academic fashion, without taking sides, because that would be both unprofessional and pointless).
Oh, and this is a statue of Moloch which was created for some movie and ended up in someone’s garden in New Jersey, because why not.
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Random thoughts: 
I so wish this was on HBO, because Jesus, stoned!Dean must be quite something and that’s clearly something he does, or used to do, a lot and uuugh, where’s my spinoff on those four years he spent without Sam?
Ketch is definitely coded as bisexual - what kind of man notices another man’s hair or clothes? - but at the moment I’m more interested in him stealing Mary’s picture and what he thinks about it.
Which Stark was Sam supposed to be? Who would appeal to him the most? Since Dean was Oberyn, I’m guessing we’re not looking for Tony, but for a random member of the Stark family - Ned, perhaps? Or Bran?
As for Dean picking Oberyn, lol. Bisexual guy who gets into fights to protect his family and is in love with an unpredictable ‘I’m as strong as you and can look after myself, thank you very much’ partner - it’s okay, sweetie, we’ve got you.
If this isn’t going anywhere, Wanek needs to take a chill pill - look at the ships and the puppies and the trench coats and oh my God, that BS sign - what the hell, man?
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