#I CLOSED MY GAME

[ink-the-artist]

Video game I saw in a dream. It was in this low poly style like an older video game. You play as this character I think was meant to be a lamb, or maybe a weird mix of a lamb a mouse and a rabbit, (while not really looking like any of those things) and you’re running away from a wolf. Your objective is to last as long as possible before the wolf catches and eats you.

The house you’re running in is endless and bizarrely put together like most building interiors in dreams are (like the infinite toilet dream dimension on Reddit lol) the layout of the house is pretty detailed, you can stop and hide in places like closets or bins while the wolf looks for you, you can go up and down stairs and into rooms etc.

You never actually know where the wolf is or how close it is to you until it appears in your line of sight, it makes no noise and the game gives you no way of knowing where it is, and it’s pretty unpredictable it doesnt move at a consistent pace. When the wolf catches you there’s an animation showing it eating your character

[0xycod0ne]

doodle of john all for the game or whatever his name is

[egophiliac]

tsum events really are just the best, huh

[ionomycin]

archfey warlock

[puppyeared]

thanks @chipper-smol for getting me ISAT i will be so irresponsible with the looping

[verflares]

meteorologists report sky just a little bluer today, and it's because skyloft residents link and zelda are in love :)

also on inprnt :]

[bishicat]

I think he actually really wanted to go :(

[pancakemolybdenum]

worlds smuggest tween owning noobs on wizard101

[an-internet-introvert]

Countdown to October 19th (19/19)

Happy 15 Years of Dan and Phil 🩵🩵🩵

[alabasterpickles]

I’m back with more extremely specific content that I’m extraordinarily late to enjoy!! Anyway — my sister got me into the Arcana last month and I’ve been really enjoying it (never got into it when it was releasing for some reason)

I’m very slow to make art these days and I have some other drawings of my faves in process still, but I figured I’d share some recent sketches with you all for the hell of it (I’m impatient)

[clanborn]

song number 10 :)

I left my soul exposed

To frail hands who hold

My fate up in the air

And through their fingers fall

The meaning of it all

Down to the floor it goes

Is There Anybody Here? - The Dear Hunter

[voltaical-art]

more blackwall 🪓

[eledsart]

the gerudo outfits are always my favorite

[shootingstareon]

banging on the wall of my asylum room can anyone hear me.

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[puppyeared]

act 4 :(

@chipper-smol and i came to a realization