#I Am Once Again elaborating on this post
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untitledgoosegay · 6 months ago
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Yes! Sort of.
Desertification is the process of another habitat (wetland, grassland, forest, etc) turning into desert. I'm gonna come out with a hot take here and say that this isn't inherently bad. All ecosystems are dynamic and transitional; change is inherent and inexorable. There are also processes by which deserts stop being deserts, and turn into another kind of habitat! These things happen.
BUT,
In the present day, desertification is happening at an exaggerated pace, faster than surrounding habitats and communities can adapt and cope with it, largely because of imperialist exploitation & its consequences. Deforestation, which eliminates shade canopies that cool air and retain moisture, and root systems that anchor soils (especially loose, water-absorbing topsoils) and prevent erosion; climate change, which raises temperatures and disrupts weather patterns, further stressing and weakening plant communities and bringing about droughts; and, most importantly, settler-colonial disruption & erasure of traditional land management practices.
This is actually accelerated by attempts to forcibly and artificially "green" deserts. Go figure.
And when this is happening to places where people live and have lived for countless generations; when it's destroying lives and livelihoods; when people are watching their homes dry and harden and wither -- you can't blame them for wanting to prevent it!
Pouring thousands of gallons of water onto imported topsoil soaked in fertilizers and pesticides, all maintained by pumping fossil fuels into transportation and power, because you want a golf course next to the goddamn Pyramids, is a fucking horror. Golf courses delenda est.
On the other hand, for example, by digging earthworks with the stones you have on hand, as Yacouba Sawadogo and Mathieu Ouédraogo did in the Sahel, you can slow and trap water when you do have rain. This means the water can soak in and deposit the silt it carries, rather than racing across and scouring hardened soils. Looser sediments provide a more habitable place for seeds to settle and sprout, which further slow the passage of water, anchor sediment, and -- as their roots grow -- begin to break up that dry, hardened soil underneath. With a little effort, you can be sure the plants that take root are local species adapted to droughts and arid climates. With a little more effort, you can include natural sources of nutrients like manure; this gives even more encouragement to sprouting plants, and provides habitat for termites, who further break up hardened soils with their tunnels.
That's called zaï, and it's a centuries-old farming technology used by farmers in the Sahel. Sawadogo reintroduced & repopularized the practice in the 70s; adding manure was his own innovation, with astonishing success.
And this requires about as much effort as it takes to move the rocks & manure in the first place. Work you could (hypothetically) do by hand -- I've done a little earthworks construction, and it's tricky and labor-intensive, but possible. You're not pumping gallons upon gallons of water away from somewhere else that needs it; you're helping the water that's already there soak into the soil and do the work it needs to. Maintenance and management are an ongoing project, but the work wants to sustain itself. You're working with the land, not constantly fighting it. And you're not burning untold gallons of fossil fuels in the process.
tl;dr There's Nuance, but yeah, desertification is generally bad for people living in desertifying areas, and in the present day it's rapidly accelerating due to climate change & the erasure of indigenous management practices. Those same practices are the key to slowing and reversing desertification, because that's the very purpose they were developed for. And the return of indigenous sovereignty is vital.
It's all about context.
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cashmere-caveman · 3 months ago
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one thing i am really noticing on this rewatch is how long it takes for silver to start looking like silver. seeing him in (especially in the early part of) s1 always feels so jarring to me idk why but with everyone else already having their Look down (character driven style pivots of flint and eleanor nonwithstanding) he still feels very Unformed.
idk if thats just me on my nth rewatch projecting my foregone conclusions and opinions abt him as a character on him but i do think even w the change he undergoes being a very gradual one (unlike the previously mentioned pivot of eleanor from Pirate Boss to Ladywife or flints buzzcut of grief and political radicalisation), there is a definitive period where he is not yet locked in, so to speak.
i think what gets me as 'not silver yet' is him being clean shaven and that he wears light colours but genuinely. thats a chameleon still deciding which colour to turn while it watches the room and once hes decided with whom to side he commits not only to a 'personality' but also to a wardrobe style which in his case is first unassuming dark clothes and growing his hair and beard and then slowly bit by bit hes adding details like necklaces and rings and starts wearing his hair differently etc until he ends in his Coat Era once he starts to assume real power as he begins the transformation from 'john silver' into 'long john silver'
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frankiebirds · 7 months ago
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morgan and elle's friendship is so severely underrated and i wish we'd gotten more of them. they go on vacation together! there are also some lines in the first episode that, at least to me, imply that they knew eachother before. morgan is introduced talking to/quizzing trainees, so that seems like the most likely way, but. i don't know. i love them and i would have been curious to see how it would have been elaborated upon had lola glaudini stayed on.
(side note: i love morgan's pose and face in the second screencap. he's so silly)
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fandumbass · 1 month ago
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coughs this
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wallpaper-inside-my-heart · 11 months ago
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💛Smoshblr December Asks Day 21💙
Top 3 tropes in media/fanfic
So in terms of general concepts/tropes I enjoy in all media, there def any iteration of (Enemies/Rivals to) Friends to Lovers; then Found Family <3 and hurt/comfort -> especially in combo with one of the other two tropes!
When in comes to which types of fanfics I specifically seek out most of the time:
(putting these answers and the fanfic recs under the cut, cause this is once again getting way longer than I intended)
I know this is super unpopular, but I love well done miscommunication in fanfics! Hate it in most movies tho!!
-> also what I think constitutes “good” miscommunication basically boils down to “ is the miscommunication plot or character motivated?” cause in a lot of media the miscommunication feels forced and only meant to prolong or escalate the story
-> but if the miscommunication happens bc the characters are, for example, insecure about sharing certain info/feelings it is way more captivating and relatable (to me)
-> so this is ofc directly related to (Mutual) Pining <3 (plus also connected to another fave of mine: Memory Loss/Amnesia & also secret identity)
2. Forced proximity!!
-> I’m counting both sharing a bed and stuff like fake relationship under this umbrella
-> I just love when characters are forced to interact with each other in a different and typically more intimate way than they usually do! (and what it reveals about themselves and their relationship to eachother!)
3. Fix-it fanfics
-> I actually love original stories that have tragic endings! But there are many ways a story can end in a disappointing way and make me immeditaly turn to what all the wonderful fanfic authors have come up with in order to clean up the mess!
I have way too many favourite fanfics tbh... SO I'm actually gonna do both general and smosh ones I enjoyed a lot recently!
Multifandom (I am a huge podfic girlie, so I'm gonna give them a shoutout here!)
Harry Hart and the Honey Pot: An Indiana Jones Adventure - reena_jenkins, samanthahirr - Kingsman (Movies) [Archive of Our Own] -> I love me a good movie based AU from time to time and the kingsman fandom has so many great writers!
2. [podfic] tomorrow will always and forever now be today (tomorrow is our always and forever) - Matriaya - 9-1-1 (TV) [Archive of Our Own] -> this fic changed me as a person istg; like it is such an incredibly well done take on the timeloop trope, I'm-
3. Be My Savior - Chapter 1 - jessebee - Supernatural [Archive of Our Own] -> this is me coming out as lowkey more of a Sabriel than Destiel fan 🙈 Like ofc Destiel have the better canon story, and I do love them very much; However Sabriel fanfics captured my heart when I was a teenager and are still hanging on by a thread! (also I can still make myself cry instantly via a headcanon I created for them ages ago and that's gotta count for smth 😹)
Smosh Fanfics &lt;3
In general of course any and all fics by Katie @jovenshires 🩷🩵 (love you and your writing to death istg🫶) but having to choose one for this, I'm gonna go with right where you left me - jovenshires (imdeansgirl) - Smosh [Archive of Our Own]
2. doing something like this right on the first try - halfwheeze - Smosh [Archive of Our Own] my most recent bookmark and 100% my fave fic I've read these past few weeks! But Mer 🖤💜@tommybowefuneralattendee has so many banger fanfics, it was super hard to choose! <3 But this fic made me truly ship nintendogs, so it deserves this mention
3. I abstained from choosing any of the amazing spommy fics by the lovely ppl I mentioned above, bc I might have spommy brainworms 24/7, but I cannot lose my multishipper rep! 😹🙈 But here is one of my other fave spommy fics from a different author! maybe my animals live in your zoo - creepysounds - Smosh [Archive of Our Own] edit: by the lovely @tommybones 🫶
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shikai-the-storyteller · 2 years ago
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Making a Bobby & family animatic was a mistake, I just made myself cry twice working on it
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zorollade · 6 months ago
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i need to work on the pmd side of nightshades story more. his ranger adventure is so thoroughly documented in my mind and i havent posted about it at all. his lucario partner doesnt even have a name yet....
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dyed-indigo · 1 year ago
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some fun sketches of my sona
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darkficsyouneveraskedfor · 18 days ago
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Death Wish 8
Warnings: non/dubcon, mentions of crime, violence/abuse and other dark elements. My username actually says you never asked for any of this.
My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.
Character: mob!Bucky Barnes
Part of the mob drabbles au
Summary: you’re desperate for a way out of your life and you ask a powerful man for help (plus!reader)
As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️
Photo Inspo
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Kitty huffs, a rare moment of agitation, and blows it out sharply. She thrusts her hands forward and hurls the string of pearls onto the couch. She curls her fingers in frustration and stares at them, like a puzzle. 
“My goddamn hands won’t stop shaking,” she utters. 
You cross the room to her, wordlessly, and take the necklace. You move behind her to clasp it in place over her collar. She wears a straight cut black dress with no ornament. The pearls are a delicate touch to the otherwise plain outfit. 
“What do you think he wants?” Adrienne finally asks the question none of you dared. 
You look at her helplessly. They can never know you did this. They can’t ever know that the reason they are so scared in that moment is your fault. They might have longed to pull the trigger themselves but actually doing it is different. It’s... irredeemable. 
“He said we’re under his protection,” you say flatly. 
“Oh, come on, you’re the most skeptical of all of us,” Kitty accuses, “you believe that. Daddy was just another soldier.” 
“Maybe but what else are we going to do but obey?” You counter. 
Kitty winces and Adrienne’s eyes bat. Your older sister shakes her head, “you’re not the one to give up.” 
“I am.” You insist. “If it keeps you two safe then I will do whatever needs to be done.” 
They’re silent for a moment as they look from you to each other. They nod. “Us too,” Kitty says. “We have to take care of each other.” 
“Like always,” Adrienne agrees. 
Silence floods the room again. There’s a car waiting outside a few minutes later. You march out in another sombre parade. It’s a different kind of funeral that day. You’re not mourning the past, you’re mourning the future and what could have been and will never be. 
You sit together in the back seat. You hold hands. You never went to many of these ‘business’ gatherings. Outside of a wedding, you weren’t invited. Your father was only invited by the few people who knew him in the outfit. He was only ever the big dog when he barked at his three daughters. 
The car stops, you get out. You squeeze your sisters’ hands before you detach. The man who drove leads you to the immaculate white facade of the grand hall. You’re somewhat confused by the venue but this is not a day for questions. You had your curiosity beat out of you long ago. 
Inside, you’re led to a set of open doors. You enter and another man stands to beckon you further inside. There are bodies all around, all in dark suits, muttering under their breath, coughing, tapping fingers. 
Your eyes skim around cautiously. Barnes sits at the head table. He’s calm and unbothered by the new arrival. He’s indifferent to his men as the one next to him whispers in his ear. Rogers stands behind the boss’ chair as he speaks to him, gripping the elaborate orb that tops the post of the straight-backed seat. 
Barnes’ gaze meets yours only as you and your sisters are put at a table of your own. It feels like some hearing. A court case. Are they hearing the crimes of your father? But he said... 
No questions. There’s nothing the answers can change for you. Adrienne fidgets, wringing her hands restlessly, and Kitty sit so straight it looks like it hurts. None of you look past the table. Your daddy would smack your mouth for your wandering eyes. 
“Alright, now that we’re all here, let’s gut through the bullshit,” Barnes’ voice brings the voice to deathly lull. The men shift their bodies and their focus. The doors close subtly behind the boss’ timbre. “Now, don’t think I brought you here because of a single soldier. You know better. All of you.” 
His voice is stringent but restrained. Still, it’s enough to instill fear. You gulp and dare to look up at him. He stands and puts his hands on the table. 
“First, a crooked accountant. Bald clown messing around. Then I got men going out, coming back short. Then dead.” He snarls. “I don’t care about the small men. With due respect,” he pauses and glances in your direction, “but I know they don’t think for themselves, too. I know it was one of you. This isn’t just chance. 
“One of you popped Warren ‘cause he found you out,” Barnes continues.  
You sense movement like a soft breeze. Rogers edges along the wall, unnoticed. You stare in slow motion as he moves quickly towards another table. 
“And I found you out too,” Barnes hits the table with his fist. “I went through the numbers and I found the fucking thief.” 
You frown. It’s... lies. He told you that day. At the funeral. Your daddy was the thief. Now he’s telling them something different. He used you. It makes a good story. A mysteriously dead soldier, missing money... makes it easy to trim the fat. 
“Milo,” Barnes points and a chair scrapes and teeters.  
Rogers grabs the capo from behind, closing his hands around his neck. He drags him easily, like a rag doll. They aren’t so different in size and yet the blond moves the other easily as he bulls around the table and brings the man to the center of the room. 
“You been pocketing my money.” Barnes stands straight and gestures casually. 
Rogers tosses the other man, Milo, to the floor and kicks him so he sprawls. His assault is methodical. He doesn’t let up. He stomps and batters the man into the polished wood. The noise of cracking bones and breaking cartilage itch in your ears. The accused hacks and chokes on spit and blood. 
Your sisters smother gasps and startled sobs. You’re only mortified by your own indifference. Are you so callous to feel nothing for a man chosen to pay for father’s death? For your actions? You just can’t. You know every man in this room is just like your father was. Cruel. Mean. They deserve it just as much as he did. 
“Enough,” Barnes orders and Rogers steps back, combing his long hair away from his face as he puffs. The man on the floor is a puddle of wheezes. 
“Your houses, your cars, your accounts, all of it, will be turned over to Warren’s daughters. For his good service to me. He died finding you out. He died for the good of the outfit. He smoked out the mole,” Barnes says. “And you orphaned his daughters, just like you meant to do to every man in this room.” 
Silence. Stillness. No one moves. 
“You are all dismissed. On your way out, you make sure to pay your disrespects to that scum,” Barnes growls. “And look at him, hard and long, because the next fucker I catch with his hands in my pockets will be right there with him.” 
There’s a moment before anyone moves. The first man to rise is greying around his temples. He comes out from behind the table and nears the shaking form on the floor. He spits on Milo then sends his pointed leather shoe into the man’s stomach. He marches out without looking back. 
The next man follows suit. Spit, kick, go. One after another the men disburse in the same manner. The noises, ptuah, crack, tap, tap, tap, form a sickly rhythm. You can only sit and watch. 
You reach to your sisters and take their hands again. You glance between them. They look on in horror. They aren’t made for this. Your eyes flit back to the head table and find the king looking over his court. No, he’s looking at you. 
Barnes dips his chin and his eyes gleam. He is the master. No one dares to challenge the narrative he’s written. Whatever he says is all the truth they need to worry about. Same goes for you. 
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sweet-as-an-angel · 2 years ago
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I read your yandere dilf post just before going to sleep and had a very interesting dream as a result: yandere Wild West Outlaw!
He takes you hostage to keep the rangers from going after him after a robbery. You’re tied up in front of him on his horse and after riding away from town for a long time he doesn’t set you down somewhere like you expected but takes you with him into his hideout.
Bonus: he‘s (basically) masked > bandana covering half his face and the rim of his hat casting a shadow over his eyes
Yandere Wild West Outlaw! Headcanons
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Warnings: Implications of Smut, Kidnapping, Non-Consensual Touching, Forced Proximity, Slow Burn, Stockholm Syndrome, Masked Outlaw ;), Petnames, Killing, Mentions of Robbery, Non-Consensual Voyeurism/Surveillance, Description of Injury & Blood, No Pronouns used for Reader except ‘You’, etc.
A/N: Anon, I am in love with this concept !
♡ Yandere Outlaw whose body encompasses yours, his chest to your back and his arms caging you as he grips the horse’s reigns, his breathing steady as if he hadn’t just committed a multitude of crimes. Then again, considering how proficient he was at wiping the inn clean of all its savings and tying you up on his horse before the rangers could even arrive, you suspected this was not the first time he’d done this. Nor would it be the last.
♡ Yandere Outlaw says very little after he abducted you, his last words being sharp commands, laden with a calmness you would never have expected from a man holding an entire building hostage.
♡ And, in your terror, you said nothing to him, your back to his front as he rode to nowhere discernible, the civilised, populated terrain of your home town having melted away hours ago.
♡ No, the Outlaw gave nothing away. Even after days of being forced to travel with him to what you could only pray would be a town – somewhere for him to dispose of you before taking to the canyons again – he said nothing.
♡ He’d offer you food, and, after the first 24 hours of starving yourself out of sheer distrust – or principle, as you wanted to see it – you succumbed to your famine.
♡ Yandere Outlaw would feed it to you before disappearing behind whatever cover lay nearby – oftentimes his horse – and eat.
♡ Whatever lay beneath his bandana was a mystery to you. And it only took you trying to see what he looked like once to see that your endeavour was a hopeless one.
♡ You’d strained and leaned past the point of no return, falling onto your side.
♡ And Outlaw came back into view, adjusting his bandana back over his nose, the shadow cast over his eyes by his hat much like that descending over the valley you now inhabited.
♡ Your heart stammered as he grew closer, the spurs of his boots the land equivalent to the fin of a shark as Outlaw came to a stop before you.
♡ He got to one knee, so quietly that you could see why nobody ever saw him coming, and, brushing a lock of hair from your face with a gloved hand, chuckled.
♡ Low and rumbling, like an earthquake. Or one of God’s many natural disasters. A gruff, brief thing as ephemeral as life itself. 
♡ “Don’t get yourself all scuffed up now, Darlin’,” he says. His hand trails from just behind your ear, tracing your jaw, the tendons in your neck, stopping just short of where your shirt hangs above your collar bones.
♡ You think that you hear him hiss. So sibilant and soft you’re unsure whether you perhaps imagined it and rather heard the conversation of pit vipers laying just below the hard sand beneath your ear.
♡ Outlaw’s head tilts, his face no clearer to you now as it was days ago, especially now with the setting sun casting a misplaced halo about his hat-clad head, his front shadowed. Two sides, one a light facade, the other his true nature.
♡ “You’re no good to me broken.”
♡ Yandere Outlaw whose only elaboration of that cryptic sentiment comes in the form of another day’s travel, during which you remained firmly bound – and gagged at one juncture when you made the mistake of crying for help when you spotted a lone merchant out on the open road.
♡ Yandere Outlaw neutralised that channel of freedom for you very quickly with a crack of a bullet, leaving you glassy-eyed and breathless as he ransacked the merchant’s travel cabin, taking all manner of valuables.
♡ “Why, thank you, Darlin’,” he says, his gloved hand coming to rest on your knee, clapping down on you and making you jump – shriek. And he squeezes with all the familiarity of someone who’s done this before.
♡ “Wouldn’t’a found this here haul if you hadn’t tried to scream your pretty little head off.”
♡ Yandere outlaw knows that’s isn’t quite true; he’s an excellent tracker, and an even better marksman. He’d have found this travelling man on his own eventually; the outcome would have been identical. But you didn’t need to know that.
♡ The gag was practically useless after that, for your desire to keep others from the same fate as the travelling salesman had you quiet as a mouse.
♡ Yandere Outlaw can sense how rigid you are – less so than you were when he’d first taken you, but you still felt…different. You were loose in the way that submission often made people slaves to fatigue, to their fate. And he couldn’t help but wonder if you’d succumbed to yours so soon, especially when, as you finally drifted off to sleep after a day and a half without it, you leaned into his chest, head to his shoulder.
♡ Unwillingly, of course. Your exhaustion weighed you down, lead. You had no control over your unconscious body, regardless of how repulsive you found the pillow you were leaning on.
♡ Yandere Outlaw can’t help but let his gaze drift from the open canyon ahead, gradually giving way to caves and rocky rivers, to your face. You were tranquil in sleep, brew no longer knotted in worry, or fear. Just…sleep.
♡ Yandere Outlaw could feel his hands twitching, the urge to touch you creeping up behind him the longer he stared at your vulnerable form.
♡ Yandere outlaw who, for a second, and a second only, let his hand slip from the reigns and slither, slowly, to your knee, up the expanse of your clothed thigh.
♡ Yandere Outlaw’s heart who, for the first time in a long time, beats at a humming bird’s pace when you shift in your slumber, making him withdraw.
♡ Yandere Outlaw who, watching, waiting for you to settle back into sleep, kept his hands from you the rest of the night. Though temptation beckons him to do otherwise.
♡ Yandere Outlaw shifted behind you, waking you. Only when you were torn from a dream of being anywhere but here did you realise the horse had come to a stop, an unfamiliar breeze settling over you.
♡ Yandere Outlaw who, unsaddling you from the horse, carries you like a bride in his arms, kicking open the door to an abode you didn’t even know was there.
♡ Yandere Outlaw sets you down beside a pole, tying you to it. Tightly.
♡ “Welcome home, Dollface,” he says, hands settling on his belt as he watches your eyes jump from one corner to another, taking in these new surroundings, these new circumstances.
♡ Of course, you don’t accept the conditions Outlaw has roped you into. Not without a fight.
♡ Yandere Outlaw, as a result, had to keep his eye on you when you initially began your residence with him. 
♡ For the first couple of weeks, he’d take you to the waterfall to bathe every other day; would watch you as you did so. At first, bashful and uncomfortable, you’d asked him to turn around as you stood exposed. To which the Outlaw just laughed. “Ain’t much worth lookin’ at,” he’d reassured you.
♡ Yandere outlaw who tells you exactly how the day’s going to go.
♡ “You’re gonna cook whatever I bring back. Y’understand ?”
♡ Yandere Outlaw who initially only lets you chop up vegetables and bread, withholding the excuse to use a sharp knife from you by intentionally not collecting any meat.
♡ Yandere Outlaw who, before taking even a bite of the meal you prepare, makes you taste it first. “I know you little crafty types; poison enough in your veins to kill a horse.”
♡ Translation: “You’re having this first to make sure it’s not going to kill me.”
♡  Yandere Outlaw who, after that initial hurdle, though he won’t admit it, feels his tongue practically bursting with flavour when he tastes your soup for the first time. Though, he keeps it under wraps, his form hidden behind a wall, his bandana pulled down.
♡ Yandere Outlaw who, with little alternative to offer you, makes you sleep in his bed.
♡ “Either that, or you’re sleepin’ outside.”
♡ He still wears the bandana btw, and wears a sleep mask over his eyes.
♡ He doesn’t touch you. Not in intentional ways, it would seem.
♡ Not at first.
♡ A light brush of the hand here and there. 
♡ Sure, the urge to bask in the aura of the most beautiful person he’s ever seen is pretty overwhelming for the Outlaw. Especially since he doesn’t understand why he feels this way, never having felt it for anyone else before.
♡ Sure, he’s taken others, some much more enthusiastic than others (you don’t get to his level of notoriety without attracting a few hundred fans).
♡ So, when you’re asleep, an arm and a leg bound to the bedpost, he watches you.
♡ He tells himself it’s for his own safety, to make sure you’re not going to reach for a weapon and gut him like a pig.
♡ But when he sees your gentle face, he knows you’re incapable of that
♡ He likes to think that you’re incapable of anything without him around. Makes him feel bigger, stronger.
♡ So why exactly was he still looking upon you into the late hours of the night ?
♡ Over time, his resolve begins to crack.
♡ Especially with every aspect of your partnership accounted for.
♡ The baths, the bed sharing, the homemade cooking – it’s just all so…
♡ Domestic.
♡ But, that doesn’t make Outlaw trust you any more than the day he first took you. Not yet, at least.
♡ Despite his confidence in his own ability to keep you here, he knows the indomitable human spirit is strong enough to break through every precaution. And, just in case you do manage to escape, he’s making sure you can’t pick him out of a lineup if you make it to law enforcement – if the vultures don’t pick you off first.
♡ Yandere Outlaw makes you cook every night, under the guise of you “Needin’ your strength to straighten this place out.”
♡ Yandere Outlaw who appoints you as his head housekeeper, making it your sole responsibility to be the “homemaker” of the two of you.
♡ Yandere Outlaw who feels strange when he sees you with one of his shirts tied about your waist – a makeshift apron – who doesn’t even recognise this feeling as domesticity. Warmth. That feeling of security having been deprived of him all his life.
♡ Yandere Outlaw who wonders what you’d look like wearing one of his shirts.
♡ And something in his brain chemistry changes.
♡ Yandere Outlaw who, during your river baths, knocks your clothes into the stream when you’re not looking, offering you his shirt when you’re ready to come out.
♡ “Y’really should be careful,” he tells you, swallowing thickly as the neckline of his shirt dips below your collarbones, drowning you. He looks away, not trusting that the feeling coiling in his lower half won’t spring out at any moment. “Men might take advantage of a pretty lil’ thing like you. Especially when you’re so…” A shiver shoots up his spine. “Vulnerable.”
♡ Your clothes seem to disappear not long after that, leaving you only with whatever consisted of the Outlaw’s wardrobe.
♡ You notice that he seems to disappear at odd hours of the day, leaving you to your chores while he does something.
♡ Little do you know that the something he is doing is a secret he’ll take to his grave.
♡ The sight of you in his shirts, of you in the river, is too much for him.
♡ He takes to hiding out in a densely vegetated patch of land behind the cabin to…relieve himself of his thoughts of you. Thoughts he’s used to sustaining for perhaps a second or two when it came to his prior conquests. Thoughts that, now, a month into your capture, extend long into his nights and speckle his logic when he’s on a mission.
♡ It’s dangerous, he knows; to have his mind elsewhere while he risks his life for the loot he so desires. But he can’t deny that they make him feel human. Normal.
♡ Despite how un-normal this entire situation is.
♡ It takes every ounce of his restraint not to just tie you down and take you while you sleep beside him, make you scream and cry for him as he empties his frustration and, dare he say, lust, into you.
♡ But, he doesn’t want to scare you off.
♡ Doesn’t want to see your eyes light up in fear whenever he enters the room.
♡ He wants something else.
♡ Something that he doesn’t have a word for.
♡ It’s only when he happens across a conversation with you, asking you if you had “A lover boy back home,” that he found the word he was looking for.
♡ You wince at the question, the memory of your life away from this situation salt in an unhealed wound.
♡ “No,” you tell him, your honesty a virtue. “Haven’t been in a relationship yet.”
♡ Relationship.
♡ It felt right to the Outlaw when he heard it; especially coming from you.
♡ It sticks with him the rest of the day, and while you’re cooking dinner, washing the Outlaw’s clothes, dusting the sparse furniture, he’s got one thing on his mind.
♡ How to get you into a relationship with him.
♡ He’s completely unequipped to deal with someone on such an intimate level, so he uses all his knowledge he’s gathered while seducing and bedding others to piece together a game plan.
♡ First, he needs to know what you like. He remembers from that one time a woman hit him with her shoe when he forgot her name ten minutes after meeting her.
♡ So, he starts hanging around you (much) more often, making you sit down and tell him about yourself.
♡ As he makes you spend time in his company, he comes to learn of the fanciful little things you enjoy.
♡ At first, the details are dry and few and far between, with you giving very little about yourself away.
♡ But, as his persistence drags into days, you eventually just start telling him whatever he asks, so long as it’s not too personal.
♡ Or painful.
♡ Whenever the outlaw can see you're starting to become upset, being reminded of your circumstances, he eases up on the personal questions and just asks superficial ones.
♡ “How’re ya feeling today ?” “D’ya eat well this mornin’ ?” “D’ya need me to dust a shelf down or something’ ?”
♡ His miniscule acts of selflessness are extensions of his effort to make you at least not hate him. Though you didn’t know this. His thought process was still an enigma to you.
♡ He also stalks you in his own home.
♡ Listens to you sing while you complete your tasks, your voice the softest thing he’s heard since…well, ever.
♡ Yandere Outlaw who, when he embarks on a hunt, never tells you where or when, and never even the how.
♡ The only clue you’ll ever be given as to his nigh-weekly excursions are trinkets he brings with him. Ones which you thought he’d pawn elsewhere in the county at a later date, or bury in the canyon somewhere.
♡ Until he offers them to you.
♡ At first, you’re not sure what to make of these…gifts ?
The first time he gave you one, he said nothing, only watching you.
♡ You swore you could see his shoulders heaving beneath his jacket, something almost feral in his demeanour. Pressurising.
♡ And, with the possibility of what could happen to you should you decline these acts of…generosity…You just take them, uttering a quiet “Thank you,” before putting them in a kitchen cabinet, unsure of the intent behind them.
♡ The first few times this happened, you were befuddled.
♡ Yet, with how gently the Outlaw placed them in your hands, with how intense his gaze was, even though you couldn’t see it beneath the permanent shadow across his brow, you could feel it.
♡ It was only one evening when the Outlaw returned with yet more loot that the meaning behind the trinkets became apparent.
♡ His hand disappears into the inside pocket of his jacket, and he withdraws a small box; rounded and bejewelled like an idol. He comes to stand before you, and, shoulders pinned abc and rigid, you swallow. Thickly.
♡ He looks down at the box, and,his finger dragging along the edge, slowly, he relinquishes it to you.
♡ And, by pure force of habit, you accept.
♡ You turn the box gingerly between your fingers, the dim candlelight from within the cabin just barely warding off the black of the night, setting the precious stones welded within the metal alight.
♡ “Well,” the Outlaw says, making you jump. You look up at him, eyes wide.
♡ “Open it.”
♡ He says it as if it’s the most obvious thing in the world.
♡ Swallowing again, your gaze skitters back to the box.
♡ And, with bated breath, you lift the lid.
♡ A delicate, silver melody slithers from the portal you’ve opened, a serpentine tune wrapping around your mind, vivid, beloved memories riding on its feathered wings.
♡ Your favourite song.
♡ For a moment, one sweet, fragile moment, you’re not here.
♡ You’re back at home, in a warm bed that is yours and yours alone, surrounded by the people who matter most to you, any celebration mankind can conjure not even a whisper of the joy you feel in this scene.
♡ And then, as the wind blows autumn leaves from the human mind, the memory is gone, taken away by reality realising it has neglected you.
♡ You’re looking into nothing now, the apparition of your past slipping from you, your eyes wavered and muffled with…
♡ Tears.
♡ In your periphery, just outside the realm of reality you’re returning to, the Outlaw’s drilling gaze drops from you to the floor ina  rare show of anticipation. A hand comes to the back of his neck, where he squeezes the skin. A stress ball.
♡ “Do you…” he begins, “Do ya like it ?”
♡ Your stare inches from the void up to the outlaw’s hidden face.
♡ Perhaps if he had a discernible human feature, you could sense anticipation there. But as it stood, this was no man, but a phantom.
♡ One which must have heard and remembered that tune you often sang while completing chores.
♡ You couldn’t take it.
♡ To have him acknowledge the memory – to make it more real – nailed your coffin shut.
♡ And you broke down.
♡ When you crumpled into a pile, the Outlaw took a step back, one hand reaching for his holster; a knee-jerk reaction.
♡ And what little solace he could offer came in a most inconspicuous display.
♡ The Outlaw got to one knee, now at your level.
♡ And, with a careful hand, he placed a gloved finger upon your shoulder. Then another. Then another.
♡ Spidery and unfamiliar, foreign, the Outlaw’s actions were jerky, janky, an unoiled machine. But he was trying.
♡ When his hand lay against the curve of your shoulder, you did not move. Did not shunt him off or scream at him to let go.
♡ You remained where you were, weeping into your shirt apron.
♡ And the Outlaw, with a fiery grip encircling his heart, feeling brewing in his centre, stronger than all those implicatures and desires. This was solid, unlike the quicksand foundations upon which the Outlaw’s every emotion was built upon.
♡ Was this…
♡ Empathy ?
♡ His grip on your shoulder tightened, the revelation swarming through him like locusts.
♡ He swallowed. Tried thinking through the orchestra in his mind.
♡ “S’okay,” he said. To you, and to himself. His fingers moved gently, your skin and muscle warm through the leather of his gloves. “You’re okay.”
♡ Things changed after that.
♡ He no longer forced you to sleep in the same bed as him, instead bringing back with him a fine silk cover from one of his trips, gifting it to you.
♡ Yet, you still chose to sleep in the same bed as him.
♡ “It’ll be getting cold soon,” you said. “WIth winter coming, and all.”
♡ And, while this new feeling, raw and fresh, was…nice compared to the emptiness that often lingered in his chest, the Outlaw couldn’t help but feel weakened by this influx of emotion.
♡ When he tried to have his alone time with his thoughts of you, he felt…wrong.
♡ Ashamed.
♡ You were used to him disappearing for days at a time. Hell, you'd come to expect it at this point in your captivity.
♡ But something about tonight felt...off.
♡ Not that you'd ever admit it, even to yourself, but with the amount of time you'd spent together these last few months, you no longer hated being in his company.
♡ In fact, on the days he would be gone from the early hours of the morn to the late hours of the evening, you could even say you...missed it.
♡ And, unfortunately, despite your every instinct swaying you otherwise, you find that to be the case now.
♡ But, more than that, you're concerned. Something you'd never thought you'd feel for a murderer, a thief. Your kidnapper.
♡ And your pacing, your lip-chewing, your nail-biting are all proven justified when the Outlaw slams against the front door, stumbling through.
♡ At first, you just watch, ready to yell, to ask where he's been the last few days, until you see it.
♡ A bloodied handprint on the door.
♡ He staggers in, swaying on uneven footing, his breathing stifled,as if through a thin straw. He wheezes, collapsing into the doorframe beside him.
♡ And you rush to him. As if he wasn't the one who put you here to begin with. As if whatever's bringing him to his knees now wasn't justified, provoked.
♡ But you don't think of any of that, your mind filled only with the fact that nobody knows you're out here. Without guidance, you'd be dead before you reached the edge of the canyon encompassing your hiding place.
♡ You needed him alive.
♡ After wrestling him onto his bed, almost buckling beneath his weight, you found the source of his downfall.
♡ A wound; bullet-bitten and bleeding, a rouge flower burgeoning with the promise of extinction.
♡ You tried getting him to talk, to tell you what to do. But his voice was barely a whisper, instead using what little seeping strength that remained to point to a cabinet.
♡ Inside, you found what you knew would be needed to heal him. Whether it – you – could save him, though, was another story.
♡ You tried taking his bandana off to see if he was hurt elsewhere, but to no avail. Despite the life draining from his body, he somehow found it in himself to stop you, to place a gloved, trembling hand atop yours, an imploring aura to the gesture.
♡ Don't.
♡ And, for the first time, beneath the dim light of the cabin, you could see something human on him.
♡ It existed only in the form of a shimmer beneath the shadow of his hat, his face still very much obscured, yet the emotions on it were not.
♡ You recognised this emotion, for you'd worn it yourself, both inwardly and out, for the last three months.
♡ Fear.
♡ In its purest and most carnal form.
♡ And a voice, strained with either agony or disuse.
♡ “Help me.”
♡ Throughout the night, you tended to Outlaw's wound. A maw-like, gaping thing it was, spouting blood as one would bucket water out of a sinking boat.
♡ Luckily, you didn't have to worry about shrapnel; the bullet went clean through outlaw's side, leeaving only the aftermath and not the instigator. You managed to stop the bleeding, use the stitching on Outlaw's shirt (which was basically yours now) to sew the wound closed.
♡ For the first time, Outlaw was uncharacteristically human.
♡ Sure, you'd seen the scars on his back when he bathed, the many brushes with death he'd encountered, some advancing into a dance, much like this night's escapade had been.
♡ But you knew, somewhere, somehow, that without another pair of hands here, Outlaw likely wouldn't have pulled through.
♡ Not this time.
♡ And now, here you sat, at Outlaw's beck and call, his bedside your new home.
♡ You watched over him, the cabin silent, the night just as quiet. Even the crickets seemed to chirp quieter, either out of fear or respect for the almost dearly departed.
♡ And, looking up from the massacre on the bed, your gaze swept the room. And you realise something.
♡ The front door, which neither you, nor Outlaw locked, is unguarded.
♡ Yandere outlaw is riddled with sleep, his agony having stripped him of his energy and his strength.
♡ So...why hadn't you tried to escape yet ?
♡ Looking over at Outlaw, sound asleep, you realised just how easy it would be to walk out that door.
♡ Sure, you might get lost. Might die of hypothermia during the freezing hours of a dessert night, but with enough layers, food and water, you saw no reason as to why you couldn't just leave right now.
♡ After all, it wasn't like you'd be killing Outlaw if you left. Sure he might die of infection, or blood loss if his stitches come undone. But you'd at least tried to help him. So your conscience wasn't going to be the issue.
♡ So what was stopping you ?
♡ Looking back at the Outlaw, you felt strange.
♡ The urge to protect him, to care for him, outweighed even your greatest notion of escape, which explained why the thought to do so hadn't hit you until just now.
♡ You bit your lip, looking between Outlaw and the door.
♡ Both options were tantilisingly easy to pursue, and yet only one would be available to you, the other perishing if you ignored it.
♡ Maybe hours passed. Maybe it was mere minutes.
♡ But watching the Outlaw sleep, at his most vulnerable, with his pleading “Help me,” rattling around in your mind, the choice already seemed to be made for you. You just didn't want to tell yourself exactly why. 
♡ So...you stayed.
Reblog for more content like this! It helps creators like myself tremendously and it is greatly appreciated :-)
Masterlist Yandere Masterpost Masterpost
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ma1dita · 1 year ago
Text
it will pass
part two can be found here -> without a doubt
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words: little under 2k
summary: Without a doubt, James Potter loves you. But he’s not in love with you.
warnings: none! fem!reader; i would die for best friend!james, did not demonize lily; angst, unrequited love, lil childhood speech impediment, cheesy nicknames, sharing clothes, will they wont they (they wont im sorry)
a/n: guess who just rewatched fleabag szn 2! i chose pain today sorry— god i missed writing. i am a words of affirmation gorl pls affirm me
(posted 9/8/23)
There isn’t a single doubt that James Potter loves you.
You’ve been attached at the hip since training broomsticks and pinky swears in Godric’s Hollow. You accidentally call a boy ‘Jam’ once because of your childhood speech apraxia, and he swears you’re meant to be his best friend.
“Don’t worry, I can be loud enough for the both of us, peanut!”
Like peanut butter and jelly, you two were a perfect match– and even better partners in crime. When James puts his mind to something, he sees it through. So even if you were honestly unable to string the words together, who were you to say no?
Technically it’s somewhat official too, by whatever imaginary power was bestowed upon the Potter’s house elf for your very elaborate backyard fantasy wedding the two of you had when you were seven. All of your parents were in attendance, along with your cat and you all had blueberry cupcakes after your first and only kiss.
“Miss Mippy pronounces you huzbind and wife!”
Giggles are heard all around as the tiny elf tripped on her way off the stool, knocking both your heads together. James lost a front tooth that day, but he grinned for the pictures your mothers took anyway. Without a doubt, he loves you.
There wasn’t anyone at Hogwarts who would expect one of you to be present without the other following behind. You never had to hold back your smart mouth because James was always willing to finish your fights. The both of you were a package deal, with your number of protectors growing once Remus, Sirius, and Peter came along. It was not a routine you both consciously established, but rather second nature to be in each other’s lives. Like how you always made sure his glasses were clean before quidditch matches and he’d chuck his extra jersey at your face for you to wear.
“Stay warm during the game okay? I’ll see you later, love you!”
He skated around your waist, blowing a raspberry onto your cheek as he grabbed his glasses from your fingers.
“Don’t fall off your broom. Love you too, loser.” You’re already tugging his jersey over your head, inhaling his signature scent of broom polish, cinnamon, and Sleakeasy’s hair potion.
James smiled at you softly, before running to meet up with his team. After Gryffindor won again, he threw you over his shoulder and you laughed and yelled that he smelled like sweat. He always tucked you in his bed after parties, wrapping you in his arms once the lights go out. Without a doubt, he loves you.
Your friendship is stronger than most romantic relationships, and as your teenage years fly by, both of you realize how rare that is. He often took you to the kitchens to eat vanilla sundaes after boys broke your heart (and they got black eyes to match, courtesy of him and the entire Gryffindor Quidditch team) and you would listen to him, building him up and calming him down through years of pining over a certain Lily Evans. You were there for each other through everything, silly crushes, secret trysts, boring detentions, and highly esteemed accolades. If there ever were such a thing as soulmates, you knew it had to be him, even if it was platonic. Just being around someone as vibrant as James made you consider yourself lucky.
You once saw your best friend with his head in his hands on your way to a date—he was moping after a nasty prank on Snape went wrong; it ended in Lily crying and after defending her albeit quite boisterously in true James fashion, he still didn’t get the girl.
He gets up to see you walking down the corridor to meet him halfway, and before you even speak he rubs his eyes, posture shrinking as his towering frame melts into your embrace.
“Don’t know why I thought it’d be different this time,” he mumbles, and you gladly carry the weight of his heart.
“Let’s go swimming in the Black Lake, ” you say suddenly, rubbing his broad back in small circles.
“But peanut, you have a date in an hour! You’re all dolled up and pretty...”
“I’ll have more dates. You need me right now, jelly. I’ve got you.” His nickname makes you blush a little more than you should sometimes, so you only ever pull it out as a trick up your sleeve to make him feel better.
“Love you,” you whisper, brushing through the hair at the nape of his neck.
He breathes easily for the first time in hours, mouth curling up from its frown when he sees you walk straight into the lake water with your nicest clothes on, not even hesitating for a moment. Without a doubt, he loves you.
When James puts his mind to something, he sees it through. So years later, when your best friend asks you if you could go wedding ring shopping with him to propose to the love of his life, who were you to decline? I mean, who else would go with him?
“Come on, (Y/N). I need my best girl with me to make the biggest decision of my life.” he’s practically moaning, the man ever so dramatic as he’s sprawled across your couch.
“And why aren’t you dragging Sirius with you again?”
Your eyebrow is raised as you stand at his feet, lifting his burly legs for you to place yourself under and get comfortable.
“What does Sirius know about women? He’d tell me to get the shiniest one and leave!” James’ yells into your throw pillow, anguished at the thought. You pull it off his face, before he quietly admits, “I just want to get it right.”
“When are we going?” you answer, without missing a beat.
Later that week, the saleslady recommends a wide array of glimmering engagement bands, none of which are for you. But you let yourself fall into the fantasy of the what-ifs, flashing back to your flower crown and candy ring wedding, wondering if it could’ve been you getting proposed to by him in another life.
“Would you like to try a few on?” the saleslady asks, assuming you two are together.
“Show me and my girl your best. No price limit.” he grins.
And how dare she assume that, as he puts his head on your shoulder, whisking you around the store to look at stunning rings, fingers brushing, and the both of you being able to communicate clearly with no words spoken. James plays along with the saleslady, finally choosing a whimsical-looking diamond setting placed upon your left ring finger. You remind yourself it’s not yours. Your heart comes to a screeching halt and you can’t help but feel all of a sudden like he’s being mean.
After all, he’s not yours, not really.
There is a little bit of doubt now and a weird tightness in your chest that makes you think of the possibility that you’re in love with James Potter.
Like a good best friend, you help him plan his proposal. James’ love is loud, pulling all the stops, and preferring the grandest of gestures.
“James, you are not proposing to Lily with a flash mob.”
“But it would be so cool! After all, my heart dances every time I see her face.” he wiggles his eyebrows as he takes a sip of his butterbeer.
“Your heart might, but you, unfortunately, are the worst dancer I’ve ever seen.” You laugh, reaching over to tug the quill out of his hand, crossing it off his list. He pulls you into a headlock, kissing the side of your face teasingly.
“What would I ever do without you, peanut?”
You wipe James’ spit off your cheek, pushing his face away, blushing from his attention.
“Combust, probably.”
Your heart is dancing now too, and you realize that there isn’t a single doubt that you’re in love with your best friend.
You keep yourself busy in the month before his proposal. It hurt learning too many details, such as what flowers he wanted to order to bring out her eyes (pink and yellow tulips), and scouting out the perfect location on the beach he picked (next to the lighthouse you and him visited as kids), even down to how he’d convince Lily to wear white without being suspicious (honestly he just expected you to do him a favor for this one). But after seeing each other almost every day for more than half your life, he knew something was off when you became distant.
James shows up at your apartment, his key in hand, but he decides to knock anyway. The sound of the TV is muffled, lowering in volume until he hears your footsteps pad over to the door and it swings open. You’re in one of his old Quidditch sweaters and fluffy blue socks.
“Hey. Wasn’t expecting you to come by.” You smile timidly, as he leans against the doorframe peering down at you.
“Never used to have to tell you.”
“James...” you stutter, before awkwardly opening the door completely. He shuffles towards the couch, keeping his shoes on as he sits at the end, and there’s a certain tension in the air that frightens you. You’re not sure if you’ll come out of this one unscathed.
“Talk to me (Y/N). What’s been going on with you? You don’t answer my calls, you don’t write back, hell, I haven’t seen you in a month because you started deadbolting your door. Did I do something?”
Yes, James Potter. Ever so blunt and to the point, your favorite person in the world is sitting on your couch uncomfortable with the fact that you’re not comfortable around him anymore.
You fight back against your instincts to tell him what’s wrong, but the three words escape your mouth before you can even take a breath.
“I love you.”
It’s silent. The floor creaks as you shift your weight onto your other leg. You lock eyes with him for the first time that night, and so many things are going through your head that you hope he’s able to pick up on how you’ve been physically aching, carrying the weight of his love for Lily for years.
James looks like he’s about to shake his head, and you beat him to it. You don’t want pity, and he knows that, but he mutters a consolation into the air.
“It’ll pass.”
No, it won’t. Not this.
You think he knows that too. He smiles sadly, watching you turn shrinking into yourself. You never were good at thinking before you spoke. A tear drips down your cheek as you look at your socks again. Your love for him is too big and too loud for your chest cavity to handle. This love feels like dramatic choral music clashing and banging around in your ribs.
“I’m—”
“Don’t apologize. This one’s on me,” you say, stopping him before he finishes speaking.
Without a doubt, James Potter loves you. But he’s not in love with you.
“What I was going to say...is that I’m going to have to ask you not to show up to the engagement party. It’ll be better for the both of us. We can start again from there if you want... Peanut...”
The term of endearment hangs in the air. Your dancing heart was a ticking time bomb after all. The fragments hit your insides, tearing you apart as it combusts, and you realize that nothing will be the same after this.
James stands abruptly, shoving his hands in his pockets. He hesitates before he kisses your temple, and for some reason, this feels like a goodbye. After all, when James sets his mind on something, he sees it through. He’s been set on Lily for years.
You’re his best friend, he swears. And there are no words you can think of to deny that.
The End
“I don’t know what to say,” he said.
“It’s okay,” she replied. “I know what
we are— and I know what we’re not.”
Lang Leav
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bangs-coffee-fandoms-unite · 3 months ago
Text
I am in the middle of rewatching the 2003 version of Teenage Mutant Ninja Turtles during my summer break from college, this time with my father, who had only seen bits and pieces of it when I watched it as a child. We are currently on season four, which fans often refer to as the "post-traumatic stress disorder arc" for Leonardo, as it depicts his mental deterioration and increasing anger, even surpassing that of his notoriously hot-headed brother.
While doing the dishes, I asked my father what he thought of the arc so far. He simply said, "He seems angry." I agreed, replying, "Yeah, he's angry at himself." My father responded, "Yeah, but he's also angry at his brothers." This made me pause. I knew Leonardo had moments where he was upset with his brothers for not training enough or for goofing off, but I had not thought of him as being outright angry with them.
Then my father elaborated, "He's angry because they're not perfect, like he expects himself to be." This was a revelation for me. I had always interpreted this arc as Leonardo being angry at himself for not being good enough, but it makes a lot of sense that if he holds himself to such a high standard, he would hold his brothers to the same—and get frustrated and angry when they inevitably do not meet it.
I think a less explored aspect of this arc is that Leonardo is exhausted from carrying the burden alone and was trying to share it with his brothers. However, they do not carry it the same way he does, which does not make them lesser—it just makes them young and still wanting a life outside of crime fighting. Michelangelo captures this sentiment best in the same season when he says,”I think all of you should just lay off the poor guy. I mean, it can't be fun. Always being the responsible one, and we’re the ones who really benefit. Raph's free not to think cause Leo does all the thinking for him, Don's free to dream, And I'm free to take it easy, all cause Leonardo is busy being responsible enough for all of us.”
Anyway, at the ripe age of twenty-two and in graduate school, I find myself once again feeling melancholic over little green guys.
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envysparkler · 4 months ago
Note
What do you think each of the bats go to "I'm to bored to pay attention to you speak" doodle is?
(for instance I'm a corner squiggle truther)
Brucie: surprisingly good caricatures of annoying board members in said annoying board meetings. Lucius keeps them in a folder.
Batman: surprisingly good caricatures of annoying Justice Leaguers in said annoying Justice League meetings. Clark always steals them after to frame them.
Tim: his doodles inevitably turn into embellished Robin Rs, so he sticks to dismantling pens to avoid the embarrassment. (the doodling started long before he was Robin.)
Dick: doesn't draw. does paper origami. can make impossibly tiny cranes. no loose sheet of paper is safe from him. once did it to a document Bruce was supposed to sign. that board meeting certainly wasn't boring.
Jason: stick figures in a variety of situations. post his return as Hood, most of the situations end with the Joker somehow dying. graphically (pun intended). Harley keeps a collection of them.
Damian: absurdly vivid and detailed pictures of whoever is around him. the others wait with bated breath to find out who he's drawing so they can steal the picture to keep for themselves. Tim did it once and Damian nearly burned down his room to get it back.
Barbara: Fibonacci spirals. freehand. (the GCPD absolutely used to think that Gordon was part of some secret conspiracy because they kept cropping up on his paperwork.)
Steph: fancy Ss in different styles. sometimes colored. occasionally, if she's really bored, they'll involve glitter. when she brings out the hot glue gun, things have reached critical boredom.
Cass: mimics whoever's closest. is absurdly good at it too. and not by looking at what they're doodling but by watching their hands. once managed to copy Damian's drawing perfectly and only then realized he was drawing her. (copying him drawing her copying him drawing her copying him--)
Alfred: "I am not paid to doodle, Master Bruce." (it's elaborate cakes.)
Bonus Villain Edition:-
Selina: cats. always cats. occasionally diamonds. but usually cats.
Talia: flowers. not generic ones either, but fully detailed with shading and everything. Bruce glanced over once (in a boring League class, Ra's kept the resulting caricature) and was unsurprised to find her drawing nightshade.
Deathstroke: the Titans all picked up on Dick's habit of paper origami and Slade refuses to admit he does it too. he destroys all the ones he makes. (there's some safely hidden in a fortified safe house. every now and again, a new tiny crane joins the collection.)
Harley: Rorschach Blots.
Ivy: "waste paper? for doodling??"
Joker: the one and only time some bright Arkham psychiatrist decided to have the Joker try 'art therapy', the psychiatrist ended up being committed themself and the warden ordered all sheets of paper in the vicinity burned.
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vanishingcherry · 2 years ago
Text
GRADUATION + HATE + LOVE
this is a social media au based on an anon request sent to @silverstonesainz, who left it open for someone else to make.
i hope you don't mind that i made it instead anon, enjoy! (sorry the name's kinda stupid my brain isn't working)
masterlist
๑ ⋆˚₊⋆────ʚ˚ɞ────⋆˚₊⋆ ๑
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liked by yourbff, charlesleclerc, lilymhe and 245 others
yourusername lil photodump
view all 47 comments
lilymhe so so pretty
↳ yourusername marry me
↳ alex_albon thats my girlfriend
↳ yourusername not for long
yourfriend love youu
↳ liked by yourusername
charlesleclerc ❤️❤️❤️
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liked by charlesleclerc, carlossainz55, yourfriend and 283 others
yourusername dinner dates by the sea
view all 43 comments
carlossainz55 so thats where charles ran off to after the meetings
↳ yourusername yes and?
yourbff SO CUTE
charlesleclerc pizza
↳ yourusername yummy 🍕
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liked by scuderiaferrari, carlosainz55, yourusername and 1,249,587 others
charlesleclerc congratulations to yn for graduating oxford! so so proud! je t'aime ❤️
view all 12,804 comments
yourusername thank you amore ❤️
↳ charlesleclerc te amo
f1fan YAYY CONGRATULATIONS YN!
charlesfan1 its weird cause hes so publicly supportive of yn but ive never seen yn publicly support charles
↳ f1fan5 i know right? ive never seen her tweet or talk about him in the paddock
charleseclair she studied at OXFORD?!
hamiltonsroscoe OH MY GOD WHY AM I JUST FINDING OUT HE HAS A GIRLFRIEND
yourfriend congratulations!!
↳ liked by yourusername
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liked by scuderiaferrari, yourusername, landonorris and 2,924,857 others
charlesleclerc recently it has come to my notice that some of the fans have been sending hate to yn and making hurtful comments.
yn is one of the most beautiful people in my life, and I am extremely lucky to have her. she deserves the entire world and it hurts not only her, but me too when I see the messages that she has been receiving.
she is absolutely perfect for me and I love her with all my heart. we have mutually chosen to keep our relationship private, and ask that you respect that. if you were one of the people who sent the hate, know that supporting me means supporting the people I love as well.
@.yourusername je t'aime toujours
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You woke up to the constant sound of notifications coming from your phone. Rubbing your bleary eyes, you try and lean back in an attempt to reach the side table, stopped only by the tightening of the arms around your waist.
"Go back to sleep". Charles's voice is muffled, only part of his face visible with the rest smushed against the pillow. "Its too early."
Smiling softly, you lift his arm from your body. He groans, eyes opening to look up at you.
"Theres a lot of notifications amour", you explain. "I need to check what it is."
Rolling his eyes in defeat, he lets go of you, letting you pick up your phone and open twitter to see why so many people were talking about you.
Eyebrows furrowing in confusion, you see many people mentioning a post that Charles had supposedly posted last night. Looking over to him, you ask.
"Did you post something on Instagram yesterday?"
"Huh? Oh yeah." He doesn't bother elaborating, choosing to instead let his head fall back on the pillow, closing his eyes to block out the light.
Chuckling at his reaction, you switch to the Instagram app. Immediately met with 4 different pictures of yourself, you scroll down and read Charles's caption. Sighing when you realise he too had seen the tweets, you put your phone away, lying back down to face him.
"You didn't have to post that amour."
"I wanted to. They were being mean to you." he replies without a second of hesitation. "Je t'aime, d'accord? They have it all wrong, it is me who doesn't deserve you."
Nodding, you reply. "Thank you."
You snuggle closer to him, tucking your head underneath his own. You feel him press a small kiss to your forehead before once again pulling you in, his grip keeping you from moving.
Softly, you whisper. "Je t'aime toujours aussi."
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yourusername mon amour
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sgiandubh · 4 months ago
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News from Birmingham, part 3: verbatim
Verbatim means 'word for word' in Latin and it is often used in French to convey the idea something is being reported exactly as it actually happened.
Absolutely not sorry for the length, nor for the lost night spent on it.
So, here go the juiciest parts using the recording I am (for those joining in later) NOT allowed to post as is. Selection is mine and mine solely - editorial line and all the rest. Once I am done, I shall add my comments. It was hard for the girls to focus on what was being said on stage and write to me in DMs, at the same time. Recording everything was a risk, but also genius. The bits I am going to post are taken exactly as I heard them:
✔️on Blonde Bambino (yes, she elaborated and I had no idea when reporting live by proxy): '(...) and it's just amazing, he's the sweetest, sweetest thing and he looooves music. And, I feel like I succeeded being a mother purely because the other day he asked me if he could invite Kate Bush to his birthday'.
✔️on borrowed things from set: she regrets not having taken some things she liked from previous seasons. 'It's been a long time since I've borrowed anything (...). Terry gave me two nightgowns made in Season 1, she gave me one that was never used. And then she promised me a lot of things (...).' Wanted to 'borrow' something from her own surgery.
✔️on her involvement with the Blankfaces fashion label-cum- homeless charity in GLA: 'oh, that is Gerry who runs that, he is a friend of my husband's and he is just this amazing person who does grassroots organizing, you know, Blankfaces he's been doing for a long time. And I just met Gerry, you know, socially, and then I thought what he was doing was amazing, and I also found the clothes amazing and so I just bought them.' Further explains what Blankfaces does, the shop, the stories, including the food kitchen, but denies a more active involvement with the project/brand. 'I was just the other day at Hozier (...),he is amazing [cooing, booing] and I'm just paraphrasing from Andrew, and Andrew said this amazing thing, which was how we all want to be part of big things, right, you know to be a part of those things that would change the world, and all of that, but it's actually the small little things you do every single day, in your community, that have the biggest impact. (...) But you can buy their stuff online.'
✔️on producing a future movie based on Book Ten: 'I would not be in those competitions with Starz.'
✔️on her resemblance with Claire (oh dear God, not that question again!): 'As a kid, I was definitely not obedient, definitely not quiet and definitely not tidy, but as an adult, I ended up being more organized than I've ever thought I would be in my life (...) shocking (...). The world has changed crazy, (...) I used to talk to people and have opinions on things, but now it feels like a cesspool (...). I miss that space for conversation.'
✔️on 'Erself and the end of Outlander: 'well Diana came to visit, I actually don't know when it was, not that long ago, she came on set, sheeee... ugh, you'd have to forgive me, it was last season, it was so long ago, I can't remember what is what and I have to remember if she wrote something last season (...). Diana, she's created this world (...), she watches everything (...). But she's also allowed us to sort of make her characters our own and she's given us her blessing to do that, which has been amazing. And she still won't tell us the ending. [Voice in public: Sam knows!] Sammy... Sam THINKS he knows.'
✔️on the public impact of OL's Season 1 and sudden fame: 'I got this job so last minute, I was living in the US and I knew it was a US series that we're gonna be filming in the UK. And I read the first book so I was like, OMG sounds like an amazing show to film. But then I went from being cast to being in Scotland in one week. And then you're just like, you're working for 85, 90 hours a week. I didn't know who I was, where I was, what was going on. (...) and we went to Comic Con (...), I mean that whole year was a blur, an amazing blur, but a blur.' Had no expectations about what the show would become, it's now broadcast in 87 countries, 'it's insane, it's amazing'. Being able to be successful after 10 years is 'amazing'.
✔️on what she will miss most about Scotland or is she planning to stay in Scotland after OL is over: 'that's the million dollars question, I don't know. I mean, I think I'll... my husband is Scottish, so I think we'll always have something there, his parents both live there, so you know, we're not never going to be there at some point, but I don't know what is gonna happen after, but I am very, I feel, yeah, I feel like it's gonna be so sad not to... you know for 11 years, no matter like if we're gonna back in the United States or to London for a while we've always known we'd be back to Scotland at some point and be there for 10 or 11 months and so now I don't know, I don't know what the future holds, so....'
✔️on her and Tony sharing the same musical tastes: ' do Sam and I share the same music [Steve immediately BARKS: 'no, Tony, your real husband!'] Tony? Yes. Sam - no.'
✔️Sam's whisky or Graham's bourbon? 'Sam's whisky. I haven't tasted the bourbon, but bourbon is too sweet'.
✔️speaking about Steve - 'he's so mean'. In jest (?).
✔️her favorite part of making her own gin: 'tasting (...), trusting your senses'. The distillery changed, from the first to the second batch - the product's taste changed, a learning curve. They wanted to make sure it's still the same product.
✔️on regretting she did not start acting ten years earlier - mentioned not being ready for the responsibility of shooting 14, 16 hours a day, no sick days, etc: 'it's like a beast'. She felt OL came at the right time, was 'prepared and ready to be there' and eager to be given 'a shot (...): whatever you throw at me, I'll do it'. 'And I think for Sam was the same.'
✔️on memorable OL sets/places: Craigh Na Dun stones. 'The new place where we are, really cool. (....) Amazing stately homes like Hopetoun'. It's 'amazing.'
✔️on another parts in movies - she looks forward for 'good writing' and 'the character to speak' to her, in a new project, the people she will work with... Cliche AF. The Cut and The Amateur roles are 'not huge', the last she clearly said it was a small role, 'it's not my film, it's someone else's film'. She 'did not want to be working all the time, obviously with a small child'. Defined The Cut's plot as 'bizarre', and The Amateur as 'funny'. Loves her job, is happy with it.
✔️last question was asked by a French woman with a very thick accent, about traveling and learning things out of it - C. considers herself very lucky to have been able to travel all around the world as a model. Traveling taught her empathy, how to get over our very Christian centric view of the world. Mentions growing up in 'a very small village in Ireland, that was pretty much, you know, one church, one tiny school and one shop'. Her parents 'instilled a love of reading and learning'. Then she left Ireland to live in France and Japan, and traveled to Nepal. Nepal :'the trip that changed me and changed my life, because I was like seeing a completely different culture that had no correlation to anything that I grew up with, but it was the most beautiful spiritual awakening I guess I've ever had. (...) By traveling and by eating different foods and trying to speak other languages, which I try to do and I apologize to everybody because I try and speak your language, too, because I think (...) it's important to try and connect, because we expect people to come here and do that and it's so rude we don't go and do the same [ applause].' Being able to travel allows us to see how different and how similar we are'.
Ended with a huge thank you to fans, it's been so long that I wasn't attending a convention, 'but it meant the world to me to meet you all again, seen so many familiar faces, it feels so weird to be at the end of this show, because it has meant so much to me (...). Will see you all again soon.'
***
And now, for my comments and findings. Almost point by point:
Kate Bush, LOL (we'll never agree, C and I, on this one; but I can almost imagine Blonde Bambino cooing this - awww):
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So, she basically repeated the same anecdote as last year, during promo. From Sade to Kate Bush, and hey, what about that birthday - 'the other day'? But let's not be nitpicky.
'Gerry' actually is Gerard McKenzie Govan, one of the three Directors and the founder of The Blankfaces CIC, a Community Interest Company (regular company with an increased social responsibility twist and, as such, heavily subsidized by the local authorities, too). More on him, here, for those who really want to know about him: https://www.glasgowwestendtoday.scot/magazine/the-man-behind-the-blankfaces-1391/. But that is not the most juicy part, actually - some blatant inconsistencies are. Like 'Gerry' being a friend of Nameless Husband's, but still she met him socially (huh? I thought he was a friend of Nameless Husband, hence a family acquaintance?). Also, C doesn't know shite about The Blankfaces, but still bravely fills in those blanks, like when she tells us fans Gerry has been doing Blankfaces 'for a long time'. The UK competent public authority, Companies House, says something very different and I can prove that the CIC was registered in 2018. Which is not really a long time at all:
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'March 6, 2018 - Incorporation of a Community Interest Company' - see above. It also doesn't seem to be very well managed, at all:
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Both its yearly accounts and its confirmation statement are long overdue (since 2023, in fact). The CIC is, actually, subject of an 'active proposal to strike off', which means it will be closed/dissolved, and rather sooner than later:
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In their case, I suspect a compulsory strike-off, issued by the Companies House register. Fits with the legal criteria:
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In a nutshell: because The Blankfaces failed to file its annual accounts and confirmation statement AND because it did not answer to the Companies House's two kind reminder letters, it will be forcibly dissolved in less than two months from now and there is NO going back on that decision, according to UK law.
Wouldn't C know about her Nameless Husband's Friend huge problems? I mean, how more tone-deaf and disconnected can you be, promoting a clinically dead business and inviting people to buy their clothes from their online shop?
Unless... Yeah, unless - but oooh, stupid shippers, slap a shipper, etc.
[Source: Moore and Stoke, an insolvency practitioners' firm based in Stoke-on Trent, UK - simply because they had the simplest and most recent legal explanation, see here: https://www.moorestoke.co.uk/active-proposal-to-strike-off/].
Compared to that, the fact that Tracula was nowhere to be seen at the recent Andrew Hozier-Byrne's concert in GLA is really peanuts. This is serious, legal stuff and please don't give me the 'she's an artist, she doesn't know shit about business' lame excuse. She is also a businesswoman, with her own spirits brand and several other companies, at least in the UK, Ireland and the US. Give me a break, #IYKYK.
Can't wait to be done with OL. Even the thought of a future movie based on Book Ten makes her cringe. Felt it in her voice and it was enough.
World feels like a cesspool? Why on Earth? She is a beautiful, successful and accomplished woman, with her own family and free from want. A cesspool is a very strong and strange word, in this apparent context. Unless.. but yeah, stupid shipper, slap a shipper. Missing conversations, expressing her opinion.... Not even LOL. It made me feel sad. Everything that happened to them since 2016 must be such a burden.
Sammy. SAMMY? Whoa, girl! Merci beaucoup, vraiment. Term of endearment, anyone? Compare with the stiff dead 'my husband' - again, the difference between a teddy bear and a guillotine is transparent in her voice. Also, DG - a difficult topic for her. She doesn't like 'Erself much and I think we all know why.
You tell me about 87 countries, Ma'am. I experience it every day, from the sidelines, so I can easily imagine what the impact could be for you. OL, that blessing and that curse. Also, when she is fed up with prodding and unwilling to kiss arses, she'd quip something along the lines of 'amazing' and be done with it.
Bonnie Scotland and the Day After. Another great moment of 'what the hell ever, just say anything'. Also, Caitriona Mary is a terrible, terrible liar - just like Sam Roland, you know. Her answer came out as incoherent and borderline illogical. Look at this: ' I mean, I think I'll… my husband is Scottish' - the 'I'll' part was her spontaneous starting to answer, about herself, but then inhibition kicked in and shit, she remembered she is married and had to somehow insert Tracula and both his parents (alive, just to make sure). Also, excuse me, hellooo: 'I think we'll always have something there'. Sounds like a flat, more like a pied-à-terre, but lo and behold, she suggests life is going to be elsewhere. What about that pharaonic McMansion, we so passionately followed the painstaking refurbishment of, double glazing included and borderline scandalizing the local heritage protection NGOs in the process? That doesn't really sound like 'something there', does it? That Bear Grylls flat looked more like 'something there', so where's the catch-22, here? What if I was right about McMansion being a fixer-upper she never planned to live in (where, oh where does The Happy Couple live? ooooh, ROFLMAO)? What if I was right about some other thoughts I am not ready to discuss yet? Questions, questions. And yes, London. IYKYK and very different from the emotional, savant blur. Also, for a very organized grown-up woman (her own words, see above), not knowing what the future holds... I mean I get it, but how peculiar, isn't it? Drawing a line, that question unsettled her. She was not planning to answer. She ended with a joke on not being able to see 'that yellow thing in the sky for five months in a row'. Get me out of this question and quick.
The music tastes' question was very clearly audible, even from the back of the room and I had zero trouble to distinctly hear it - it was also asked in a posh & polite British accent, so that helped a LOT: ' do you and Tony share the same music tastes?' The Freudian slip is simply inexplicable. Also, she answered Tony, not 'my husband' : Tony+ my husband in the same phrase is something beyond her strength. But why answer about S at all, that was NOT the question? Why? There are limits to dumbfuckery, after all. Also, Steve is such a pain in the arse. Who, in your mind and heart, is the real husband, C?
Whisky vs. Bourbon, she mumbled her answer, very uneasy, had to listen three times to untangle it. The Soup Nazi had to step in and bark the answer, train station megaphone style, for everyone to hear and get the memo. Now I understand why. And you should, too.
'He's so mean'. Definitely not in jest. Steve, that is. Fire that dick. Plus, later on, she quipped to him: 'you have the reputation of being like a strict schoolmaster'. Answer: 'maybe I am'. A cara nem treme, like they say in Brazil.
In that gin question, the Stan dutifully mentioned Tony (arse kissers, ALL OF THEM) - she could have mentioned him openly, she had a boulevard in front of her. But nope, she came back to mainly mentioning her own experience and a very vague 'we'.
'And I think Sam was the same' - conversations were had early on. In Central Park, London. And then things went very fast, as it sometimes happens. Sharing takes things on a very different level. I think this is exactly what happened to them.
Memorable places: they both are very moved by Craigh Na Dun, and it's absolutely normal. And Hopetoun - LOL, hello, of course ('The Door Faces North', pun totally intended).
Next two movies: so long for her Stans' delusions she was given a main role. She wrapped deception with grace and hid behind being a mom. ALL THE ANTI BLOGS WERE EERILY SILENT ABOUT THIS. I wonder why. Actually no, I don't. But sure, shippers twist things, shippers hide things. No shame, those people.
The last question, on travel, was my favorite one. I think it was perhaps the only time she felt able to fully express what she meant and wanted to. Many will jump on that Nepal reference and it is correct, but to me, on a very personal level, it spoke in many, many other ways. This is the C I have managed to embrace, reluctantly at first (I admit) and like a LOT. This is the witty girl I thought I have lost forever in that sea of painful innuendos, stupid Stans ass-kissing and blurring everything in the process, plus a Nazi minder on top. Fire that dick. Seriously. He wanted to end on a 'funny' Kumbaya note - she subtly managed to break free. Thank you, C. Seriously. The wonder you are and completely unaware of it. And the things you can do with words, if only you'd dare play with them some more.
Her tone at the end was emotional. Very. It was the same tone as for that 'partner everyday' gala speech. Oh, the things she wanted to tell all of us. And if we only knew. But hey, she promised we will meet again, soon. Perhaps in Paris? I'll gladly speak to you. In French.
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A HUGE thank you. Both of you. I love you, girls.
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hyperfixiation-station · 9 months ago
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Hi!!
I am totally obsessed with your fics!!! Your writing 🤌💕
I just wanted to request a fic where the reader is new to the task force but she's experienced and tough. Vibez similar to Ghost to elaborate she's more scary than Ghost cuz of her past maybe she was experimented on or trained brutally....
Reader is working hard to prove herself even if everyone knows she's the most lethal person. So one time she gets injured badly while protecting someone from the 141( probably Ghost 👉👈) and she wakes up has an emotional moment Ghost comes know about her Trauma . More like hurt/comfort....
Happy Writing 💝
Guilt-Tripped
CW: Mentions/references of kidnapping, torture, canon typical violenece Part 2, Part 3 Hiii Anon!! First off, thank you! Secondly, I am so, so, so sorry for how long this took😭 I did make this a two parter, the first part is kinda like backstoryish and the second part will be the actual story. I was gonna wait until I finished both to post but you have been waiting for way to long so I'll give you the first part now instead of waiting, again I am so sorry! I hope you like it :)) Summary: F!Reader was a part of a special program(LMK if you can guess what it is) and once she was released she joined the military.
WC: 1467 As always, I didn't proof read so lmk if there are any mistakes :3
Life had not been kind to you. Ripped from your family at a very young age, you had never known the type of love and safety a nurturing home could provide. Instead, you grew up in the confines of a Russian base, with cruel instructors and a dwindling group of girls as your only companions.
From the moment you could walk, you had been told you were a weapon. A lethal force to be honed and trained, nothing more than a tool for others to use to further their games. Brainwashed, tortured, and trained into submission, a perfect puppet. Both your brain and body were sculpted into absolute perfection, a rigorous process most people did not survive. By day, they trained to be a lethal force, an unstoppable, unnoticeable, killing machine. At night, you were handcuffed to your bed, listening to the screams of students who did not make the cut.(to this day you sleep handcuffed)
You watched, at first in horror, then with a sense of detachment, as your friendsrivals bit the dust, unable to keep up with what the program demanded of them. It got better as you got older, less girls died from their tasks. But in some ways it got worse. It was a competition now, a fight to see who would remain victorious, to see who would come out on top. It was not a place for friendship and comradery, and you learned that quickly.
You stopped trying to make friends with the other students when you were forced to shoot your best friend in the head after giving her some of your dinner when she was being punished. You were 8. And you stopped trying to even just be friendly with the other girls at 10 years old, when the instructor broke every bone in your hands after your bunkmate framed you for something you didn't do. To this day your hands are not the same, always hurting and forever scarred.
Your world was kill or be killed, and you'd be dammed if you didn't come out on top.
And come out on top you did. You graduated top of your class, a position you had fought and killed for, won through bloodshed and pain. If you had a conscience, it would have been screaming at you for the things you had done to get to the top(You laid awake every night consumed by guilt and grief)
The program was disbanded(re: destroyed) when you hit 18, just two weeks after your 'graduation'. You were given two options: Join the American military, or face a life sentence in prison. 
You had a lifetime of sins to atone for, and knew there was only one way to even begin to ease your guilt. Two days later your background was sealed up and you were shipped off to boot camp. 
And you excelled. This was nothing to you. What was a six mile run when you used to run until you passed out, then wake up and keep going? What was surviving on four hours of sleep when sleep deprivation had been the norm your whole life? What was any of this compared to what you had been forced to do everyday since you were five? 
You scared your instructors. And the other recruits. And everyone else you came into contact with. And you were fine with that. You didn't like when people got close to you anyhow.
Love got you nowhere in the world. It was a lesson you learned hard and fast. You did not care for others, they did not care for you. And you liked it that way. Until you met the 141.
A woman named General Laswell came to you one day with a job offer. Well, not a job offer exactly, but more of a…transfer of positions. A small, (mostly)four-man team that she oversaw.
You had gotten disciplined for beating the ever-loving shit out of a recruit the week before, and Laswell had watched it all unfold. She went back to her office, read your full file, and decided you would make a good fit for John's team.
You took a look at your bunk, at the trunk that held zero worldly possessions, realized there is nothing for you here, and said yes. 
Price had not wanted a new recruit, and told Laswell as much. She simply said he had a penchant for picking up strays and left your file on his desk. It took him a week to actually get curious enough to read it. A paper copy, the only one in existence that had your full, undisclosed background. He pretended he didn’t see her smug grin when he hit accept on your transfer application. 
You had been trained since youth to fight and to kill, yes, but your true purpose was espionage. You were trained to study those around you, to lie, to mold yourself to the expectations of those around you. You excelled at fitting into your surroundings, at assimilating perfectly with your peers. It was all you were good for, in your opinion. So you asked Laswell for files on your new teammates. And she gave them to you. They were full of gaping holes and redacted information, but there was enough there for you to profile them. 
Soap would be the most receptive to you. He most likely would also be the one to not give up in trying to get you to be open with them. Gaz would be receptive as well, but you know that your sealed background would put him on edge, Ghost, well…Ghost was a lot like you from what you could piece together. Yet another person who learned that the world was cruel and unforgiving, who had learned the lesson that love does nothing but hurt. And because he was like you, you knew he would trust you the least.
You felt a small pang in your chest when looking at this masked photo that you hadn’t felt in years. Not quite sadness, but…pity? No. It was different, it was sympathy. It weirded you out. 
It was hard at first, joining the 141. You had court-mandated therapy you had had to attend, and you had slowly come to realize that some trust was good, necessary even, for life. You knew you wouldn’t be able to open yourself up to them, that you would never be able to feel the sense of brotherhood you had seen amongst other soldiers, but you wanted to try. 
It was harder than you thought it would be. Hard joining men who already had comradery, who had a bond that had been forged with blood, sweat, and tears. men who weren't sure how to fit another person, much less a female, into their group. 
As you suspected, Soap was the most receptive. He was fun, you thought. His Scottish accent and affinity for filling the silence made him a very pleasant conversationalist. You didn’t have to do any of the talking.
Gaz was wary of you, but did a good job of not showing it. As you suspected, he stopped inviting you out after you said ‘no thanks’ for the third time. 
Ghost didn’t like you. You could see it in the slight tensing of his muscles when you walked in the room, the way his eyes pinched when you spoke. 
It was a rough, rocky start, full of distrust and misunderstandings. Everything about you set his senses on high alert. They way you could sneak up on him completely silent, the way you could hold your own when you sparred with him, even the way you moved had his hair standing on end. It wasn’t until a mission that would have ended with Soap's death if you hadn’t risked your life to shove him out of the way that Ghost began to trust you. 
And then he began to notice something else about you. And the more he noticed, the more concerned he grew. He noticed the way you threw yourself into battle, what little regard you held for your own life. He noticed how you never instigated conversation, never gave away the slightest bit of information that could be used against you. Noticed that you always wore gloves. In fact, he's never once seen your hands.
His constant observations of you had an unintended side effect. The longer he watched you, the more he realized you were a lot like him, the more he was drawn to you. And vice-versa. 
You found yourself willfully seeking Ghost out, willingly sharing information with him. Nothing about your past, no, you would never tell anyone the things you had done. But little things, how you liked the food served this week, how your mission went, that your new pants were really itchy. And he told you things too. Told you really bad jokes, told you Soaps stupid Scottish saying of the week. And slowly you branched out, agreeing to go to the bar the next time Soap asked you, telling Gaz that you liked his new sunglasses. 
It was nice, having people who looked at you like you meant something to them. Having people who didn’t know what you’d done, people who didn’t look at you with disgust and distrust. It was nice to have…friends. 
So of course everything had to go downhill from there.
End scene :3 let me know what you think!!6 and be on the look out for pt.2, I hope you're ready for a buttload of angst >:) Also requests are open <3
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