#I AM A MESS THESE DAYS I AM SORRY

[stars-etc]

The Wizard, The Witch, and The Wild One

[the-kipsabian]

saw a take so fucking rancid on twitter i almost deleted the entire app from my phone jesus fucking christ

first of all ao3 is an archive site. this is like going to the library and saying "oh i dont like this" on every piece of media you find that you dislike and thinking they should be stamped with some sort of a marker just cause you didnt like it

you can always click back and leave. fic writers owe you nothing to explain themselves and their creations. if they have mistagged or miscategorized fics, then i understand, however there are report tools for that instead of yelling at the artist tbh

im not saying free works arent necessarily above criticism. but this is just. fucking wild. its common courtesy to just enjoy stuff (or fucking leave if you dont, the back button is free) and if the artist specifically asks for critiques, then give one - constructive that is, shitting all over someones work is not proper criticism, mind you

i just find it fucking wild people are treating art and archive sites as social media these days like this and everything needs to be policed and ~catered to the algorithm~ like. no. ao3 doesnt have an algorithm. you should be able to fucking tell what you like and what you dont like and steer away from that kind of content and let people fucking be with their art. they dont owe you anything (except trigger warnings i'd argue, but i know some people disagree with that as well for some reason), and imagine how much more energy you'd have if you only engaged with things you liked and spent time looking at instead of going to places where you dont enjoy yourself. let alone spending time telling other people you dont enjoy what they enjoy. what a fucking life

[poorly-drawn-mdzs]

Assisting Acquaintance Acquired.

[First] Prev <–-> Next

[kikker-oma]

[egophiliac]

We ARE going to bring up Captain Amelia. You have good taste! GOOD TASTE I SAY! *aka I just rewatched Treasure Planet and got hit with, "Oh yeahhhhh... that explains a lot!"*

honestly, the Meg/Jasmine/Amelia trifecta tells you 90% about me as a person. (the rest is covered by Sailor Jupiter and Sailor Uranus and, uhhh, I'll stop baring my soul to the world now)

and speaking of Amelia, this is tangential, but like -- there's one Twst comic I have been kicking at for a while where I needed an RSA sports/flight teacher and, uh, well

someday I will wrangle this stupid comic into coherency and she'll get to make an appearance (in the background of a single panel, half-obscured by a tall hat) (but I will know she's there and that's the important thing)

[jesseepinkman]

would be able to make ones for just like base ttpd and then the anthology sperately?

yep!

ttpd // anthology // ttpd+anthology

[carnivalcarriondiscarded]

i don't know what order to start Dissecting, so i'll just start with:

it's absolutely fascinating how the dynamic Wally & Barnaby had - to my knowledge - before the update, and a dynamic i'd seen speculated elsewhere and generally accepted, has been completed turned on its head

see, given that Wally is the "main character" and Barnaby is classified as "his best friend", i got the feeling that Barnaby kind of... tags along on Wally's 'shenanigans'. that he's the sidekick, the best friend. especially since their dynamic has been previously & briefly described as "Barnaby is very polite to Wally." he's the Companion.

but the audios sorta paint a reverse picture. in the Interview, when Barnaby enters stage right, he completely bowls over Wally's introduction and dominates the interview. when the interviewer asks how the two of them are handling the fame, even outright asking Wally, Barnaby doesn't hesitate to answer the question himself, and only about himself. Wally doesn't get another word in edge-wise until the interviewer explicitly singles Wally out.

(now, an argument could be made that Barnaby knew that Wally was somewhat overwhelmed with all of the questions, and tried to take the reins to give him a reprieve. but, considering that the interview seems to be very early on the possible timeline - like, very soon after Welcome Home debuted - i don't think this is likely. i doubt Barnaby and Wally would've had the time to solidify their dynamic or really get to know each other that well yet)

and Barnaby continues to take point in pretty much all of their other conversations, too. like in the mystery Howdy/Barnaby/Wally audio, their interaction gives off the vibes that Wally is Barnaby's sidekick, his tag-along.

(on a related tangent, it's fascinating how the website described the episodes as "[beginning] with Wally introducing the focus or theme for the day before coming across other characters who would join him on his escapades until the end of the day." but from pretty much everything we've seen so far, it seems like He's the one who's just along for the ride, bouncing from neighbor shenanigan to neighbor shenanigan instead of having his own adventures.

of course, if the 14 audios are present time, which is honestly somewhat likely, this could be because the show isn't running. they aren't doing episodes - they're just existing, doing their things. no need for Wally to take point in any way shape or form. tangent over)

in the 14 audios with Barnaby, he doesn't even acknowledge Wally until the very end - which, of course, could be because that's how the scenes are set up. except that in some of them, the characters do directly acknowledge Wally's presence outside of the endings. Eddie in 5-14, Howdy and Poppy in 1-14, and Frank in 4-14 (technically, since he was infodumping to Wally at the very start before Barnaby interrupted). you'd think that a guy would try to include his best friend a little more!

maybe i'm reading into it too much. & given what we know about Wally as a character, it would make sense for Barnaby to be the go-getter Main Guy of the two. but it really seems like its Barnaby & Wally instead of Wally & Barnaby. he's just kinda... there. going along with whatever Barnaby is up to.

but also, on the other side of things - & it's occurring to me as i type this, it's interesting how in a lot of audios, Barnaby seems to seek Wally out. in "Just So", he shows up to fetch Wally. in 4-14, Barnaby interrupts Frank and Wally's gardening session, almost as if he's stopping by to check on his little buddy. in 7-14, Barnaby calls Julie's house (presumably) searching for Wally, or at least checking in once again. something to consider in all of this!

[stormyoceans]

LINE READING SO DEVASTATING I NEED TO DIE ABOUT IT

[wortverlust]

out of nowhere...but yeah....urgh >_< HI everyone, how have u all been doin'? (:

reference under the cut:

[ramblingoak]

Messy haired Copia is what we all deserve right now.

[kyouka-supremacy]

I fucked up

[murdleandmarot]

@pinkieclown HAPPY (late) BIRTHDAY!!!!!!!!!!!!!

(This is their oc Oopsadaizee!!!)

There’s a right side up version under the cut :)))

[posletsvet]

On the Making of Gojo's Goals: Thoughts and Assumptions

One disclaimer which I feel I need to make before getting into this: This is my reading of the events of the JJK manga, and my reading only, no more and no less. I am not claiming that my opinions are anywhere near being correct or true to the meaning intended by the author, I'm just sharing my take on the story I'm currently deeply passionate about.

And spoiler alert, of course!

Okay, but it is actually so interesting to me to be able to trace the events all the way back to how Gojo's goals and motivations begin to take shape, gradually solidify and get put into motion. So here's how I see it.

It's discussed a lot how Geto's presence in Gojo's life provided the latter with a moral compass and an empathetic outlook on things he lacked himself, giving him a sense of direction and playing a role of somewhat guiding and grounding force for him -- even if he more often than not nonchalantly rebelled against the prospect. He could always rely on Geto's judgement, so it spared him from the bother of thinking about what's righteous and what is not and instead gave him space to enjoy his youth and be careless, relishing this breath of fresh air which his friendship with Geto became. And for quite a while, I imagine, they were both content with how things were. Their warm spring of youth, you know. But when Geto left, he as well took that ideological guidance away from Satoru. From that point on, I believe, is when Gojo really takes to crafting his own ideals.

Unnecessarily lengthy discussion of how, in my view, Gojo's goals came into being below the cut!

1. The loss of the moral compass

When the events of SPVI put uncrossable distance between Satoru and Suguru, not least because of how they chose to cope with their trauma, Gojo got separated not only from his one and only closest friend, but also from somebody who, essentially, told him 'Of course, there needs to be a reason to kill people'. But at that time Gojo was driven by inertial forces, stuck in perfecting his technique and prioritised realising his potential to the fullest, because he blamed his failure on his own shortcomings as a sorcerer, as the strongest. And for the time being getting stronger, really claiming the name of the pinnacle of jujutsu for himself seemed enough. Because being the strongest would solve all the problems. Why wouldn't it? In the end, that's what his society trained him to think, preaching that might is always right. He made growing in power his goal, because he genuinely believed that is what he needed in order to prevent another failure, another Riko from happening. He seemed honestly excited and proud of his hard work while presenting his newly mastered ability to Shoko and Geto.

Look, now he's strong enough.

He's got it all covered.

Something that terrible will not happen again.

He was certain at least in this, so he moved in that direction.

Geto's defection left him without as much. I guess at least some part of why the news came as such a shock to Gojo was because it ripped that certainty away from him, made it painfully obvious that strength alone was not enough. It's cruelly ironic that, more or less by coincidence, this blow lands on him right after his cheerfully boastful announcement of the finally tamed Limitless. Because the thing is, I cannot imagine an outcome where Gojo doesn't blame himself, at least a little, for what happened to Geto. He was the one who got too far ahead, got too strong. He made a point of making himself untouchable, unreachable. (Although, in my eyes, it's not entirely true -- as Gojo was the one who actually tried to reach out to Geto. Even if he failed in this, we do see him try. On Geto's part, there was never such an effort. He didn't reach back, nor did he reach out himself. But it's a topic for a different discussion, I guess.) And, in the end, perhaps he trusted Geto and his ability to stay true to his ideals a bit too much.

2. Being the strongest alone is not an option

After Geto's spiral at least one thing was made clear: everything's that's broken in the system won't be fixed merely through sheer power. Yes, Gojo reached his destination, became the strongest, but him being strong didn't stop Geto from breaking and leaving, did not do anything to help him. If anything, it only made things worse, creating a gap between the two which deepened Geto's self-isolation (and perhaps enabled it in the first place).

When Geto leaves and Gojo's belief that simply being the strongest is going to fix everything falls short, Gojo is forced to reconsider his ideas and figure out a different solution. And that's what he comes up with: if being the strongest alone is not enough, then everyone should be the strongest. His thinking still relies heavily on the concept that power is everything in jujutsu society, but from what happened with Geto (who, in Gojo's eyes, failed to catch up with him in strength and therefore broke under the weight of his responsibilities and went down the wrong path) he derived that, basically, strength comes in numbers. The system isn't going to provide its sorcerers with necessary support, so they themselves should be able to shoulder the load without faltering. Therefore, they need to be strong like him.

And secondly, there's that:

He can only save those who are already prepared to be saved. As I see it, with this phrase Gojo comes to a conclusion that there's only so much he can do. Even if his cursed technique is called the Limitless, he can't do the impossible. He can't be his society's Atlas holding up the weight of the world (though he tries to), can't blame himself for every loss and tragedy, so he's consciously narrowing the list of things he holds himself responsible for. Now, allow me to put a pin in this thought, I will get back to it shortly.

3. No support in the system

The next stepping stone in Gojo's journey to forming his final goals is taking Megumi (and Tsumiki) under his care. It's after this decision of his, I believe, he becomes determined to become a teacher and educate the youth. And it also somewhat ties to the 'saving only those who are prepared to be saved' bit.

For me to elaborate on this, let's take a few steps back. Throughout both seasons, but the second one especially, the story goes to great lengths to show how alone young sorcerers in fact are in their duties. Students are basically left to their own devices from the very moment they enroll into Jujutsu High, and the stakes are as high as they get, with the obligation to carry out missions more often than not putting them into life-and-death situations. And Geto and Gojo being considered the strongest sorcerers of their generation is still no proper excuse for delegating responsibility for the thing that their whole society relies upon to them. They were still literal teenagers who had not even finished their education as sorcerers at that point. They were sixteen and held responsible for somebody's life and well-being, with it constantly being threatened by members of two exceptionally dangerous organisations -- not to mention the whole price-on-Amanai's-head business. And all the while we get no notion of any teacher, any adult in charge and authority over them, bothering to check in on their progress with the mission whatsoever. And what about their emotional state, what about the severely traumatic -- nearly fatal -- experience they both endured? Did anybody make sure they went into, I don't know, therapy, like they should have? Were they provided with at least some extra emotional support from their mentors? I would gamble the chances of this actually happening are little to none. Almost like the system adopts this 'don't care' attitude merely because there is no point in tending to emotional well-being of somebody who they already view as disposable.

That being the case, it comes as no surprise that Geto did not know how to give voice to everything that was troubling him, did not know how to reach out for help when he found himself drowning in doubts. The system does not give the youth any room to develop healthy coping mechanisms, does not provide its sorcerers with any support in case they find themselves struggling mentally. No one is ever there to give Geto and Gojo or Nanami or even Shoko comfort, advice and guidance they all needed. Thus they just don't know how to apply for help -- because they are simply not used to, not taught how to. To circle back to my previous thoughts, the system does not prepare young sorcerers to be saved. The end result is inevitably trying to reach out to somebody struggling without that person ever reaching back or even recognising there is a need for them to do so in order to get help.

Gojo starts to break this pattern by taking in a child with no support system. And while no, I'm not saying Gojo was anywhere near equipped to play the role of that system to Megumi at that time, this decision on his part still counts as a step forward, even if a baby one (no pun intended).

4. Educating the youth

So, after taking it upon himself to help take care of two children, Gojo eventually drives to the conclusion that making sure that the younger generation in jujutsu society gets necessary support is indeed in order.

And I think there's somewhat a relation to be found between the role Gojo plays in Megumi's life and the way he delivers on his responsibilities as a teacher. Although Gojo oversees Megumi and Tsumiki's upbringing, he does so not as a parental figure, but rather as a mentor and a benefactor who ensures their well-being. The same may be applied to how he treats his students. He does not offer them emotional support himself, he isn't even by any measure the one who ties them together as a group, but he does in fact bring them together and does actively try to create the environment where they can bond and become each other's support system. Gojo's flawed personality is something even he himself admits to have, so he isn't necessarily the best man for the job when it comes to handling children's emotions. But he still, for instance, recognises that Yuuji has high emotional needs, so he brings him to Nanami -- an adult who is actually equipped to take care of his mental health. One other example of this is how, when the Goodwill Event fails in its purpose as an 'opportunity for the students to get to know each other in the spirit of competition', Gojo goes out of his way to instead organise a simple baseball game for them to play -- a team sport and an actual, normal as in 'non-lethal' bonding activity for teenagers.

There's an argument that Gojo too, in actuality, is not exactly always there for his students, but it's rather due to Gojo's high demand as a sorcerer than negligence or indifference on his part. In the end, Megumi does make a habit of calling Gojo when something goes downhill on a mission. And I would say it's a significant improvement in comparison with how things were back in Gojo's (and Geto's) day.

Also, that 'being a jujutsu sorcerer is an individual sport' reasoning on Gojo's part during his conversation with Megumi straight after the baseball game kind of speaks against everything I have been talking about for the last couple of paragraphs. Except that, as I personally take it, it's more indicative of the fact that Gojo, due to his inability to go beyond the bounds of power-oriented thinking, still puts too much weight on being strong as a sorcerer. Therefore here the more pressing issue for him was Megumi trudging behind and struggling to catch up with his own potential. That one thing which Geto didn't manage to do: keep up with the strongest. And Gojo does not want another Geto case.

After all, even Geto himself, the one who arguably suffered the most from the lack of concern towards young sorcerers' mental state and their detachment from literally everybody who could and probably should provide emotional support for them, somewhat gives credit to the improvements made since Satoru became a teacher.

(Whether Gojo's secret intention to push Yuuta to unlock his true potential by sending two children into the fight they couldn't win does or does not cross out the fact that he's forcing his students to stand up for each other. *coughs nervously*)

5. Conclusion

Perhaps it's somewhat inappropriate for me to go throwing around assumptions in a concluding part of this post, but I have very little experience with writing analysis and making concrete conclusions, so please bear with me for just a bit longer.

What really succeeded in striking me as odd when going through the story for the first time, is the interpretation which states that what Gojo really seeks to achieve by becoming a teacher is influencing his students and cultivating a particular mindset in them -- the one that would allow him to use them as valuable assets when it comes to overthrowing the current system. But how could that possibly be true if he doesn't even try to discuss politics with any of them, let alone force his own ideals and goals upon them? The only thing which he keeps insisting on in his students' regard and which is linked to his views is that they should be allowed to be kids, to have their youth inviolate.

While there's no doubt that Gojo wants the system to change, my guess is that he also wants to bring about this change through his students, with them truly living out his ideal, not simply parroting it at his prompting. And Gojo actually does want to raise strong and reliable comrades who can think for themselves and recognise the need for the system to change, making them into trustworthy allies -- not only to himself, but to each other, too.

His students really are all his hopes and dreams, huh?

In case everything written above seems to lack logical connections, here's the train of thought which led me through this rambling:

losing moral guidance and falling into power-oriented thinking → recognising that strength is indeed needed, but being strong alone is not enough → coming to take care of two children → decision to become a teacher → fostering the younger generation into strong allies capable of providing help for each other when needed and being each other's support system → how to do that? let kids be kids and forge strong relationships which they can rely upon

Thank you for reading through this mess of my making!! 🧡

[artsy-hobbitses]

X-Men 97’s season finale post-credit scene being the reason I keep yelling LET THE FUCKING STORY PLAY ITSELF OUT AND IT WILL REWARD YOU IN GOOD TIME when it comes to series that have proven they know what the fuck they’re doing and where they’re going, because BingeWatch culture has truly ruined a bunch of people when it comes to appreciating long-term storytelling.

We weren’t given a ‘bad hand’ with Gambit this season—he’s gotten more development than ever outside of the comics for all the FIVE EPISODES he was in and is probably the best he’s EVER been narratively in any X-Men animation medium and my bottom dollar says it’s only going to get better for him with Season 2 which is already in production at this time.

The caveat we were given was “Time Travel can’t save him” and they’re working with that, and I cannot wait to be emotionally obliterated by his and Rogue’s story in Season 2.

[fake-married-my-dead-fiance]

Moon in the Day Text posts, 4/? (Part 1, Part 2, Part 3, Part 5)

[anemic-kazutora]

No one mourns the Wicked

If you like Kisaki, I automatically like you, just so you know.

I wanted to make a point about how, to me, it is obvious that his thinking isn't actually healthy, that there is something we are forced to overlook because of the narrative that makes Kisaki's reasoning about Hina make sense in his own head. By this I mean that there is no way someone as smart as Kisaki would pursue the plan he concocted if not for the need to desperately fight against something, which, I argue, would be loneliness, and the feeling of worthlessness that comes when you realize that your efforts mean nothing if there is nobody to acknowledge them.

Kisaki liked Hina, she was his childhood crush, but also so much more than that, because she was the first kid to ever treat him nicely and not like he was some subhuman weirdo because of his aptitude in school. She was the only one who showed the willingness to accept and welcome an outcast like him, not in spite of his perceived weirdness, but because of it- and this is where I argue that Kisaki is most likely neurodivergent, whether one agrees or not. She's a lovely person, she is everything that is good (I love her very much).

It feels to me like Kisaki is a number of things: - a "gifted child"/"genius", the type that adults love and kids despise, the type that has no friends because of it, the type that decides their own worth based on their successes or failures because their talent is all they are and ever will be to anybody who meets them; - plagued by the need to fit in, be accepted and recognized without actually changing himself in ways that betray his core values/what he thinks makes Kisaki Tetta Kisaki Tetta (which is something that is, I think, shaky and hazy to himself also. He's his brain and his smarts, but what else...?); - convinced that he's inherently unlovable and worthless unless he has tangible proof of his own successes (which is why he confesses to Hina only after realizing his 10 year plan) while also thinking, constantly, somewhere in his brain, that he's above everyone, that he just needs to show them just what he can do, that he's so much more than any normal person could hope to be; - unable to see others' affection as anything but transactional (something he can earn like a medal, something he has to trade for); - unknowingly (to a degree) desperate for genuine human connection (which he finds in Hanma despite not realizing it, because he's 13-14, they are both too young and neither really realizes that death can happen to them, too, and that they probably never could make it clear that they genuinely did care for one another); - deeply lonely and envious of everyone who isn't and is naturally a people magnet (Takemichi, Mikey, for instance).

To me, he was simply a boy who wanted to prove that he could do something great just by himself and on his own terms, that he was enough as a person for others to look up to and acknowledge, that he was worthy of the same love Takemichi could effortlessly get, just by being his naively heroic self. But he got caught up in the idea that Kisaki Tetta was what everyone else told him he was: a weirdo one should stay away from. He made that his strength, he became exactly what they said he was, because his admiration for Takemichi turned sour when it became clear that his charisma meant there would be nothing left for him. He mentions that a gang leader needs to have the looks to be successful in the part. He has resigned himself to the spot of those who lack every quality he values (outside of his own smarts), but he never stopped hoping that he could stand where the others, the "good" ones, like Takemichi himself, stood. He wanted to be like him, and be liked like him. But he couldn't, because he wasn't Hanagaki Takemichi, he was only Kisaki Tetta.

The end of the manga proves that simply having a friend who understood him from the start would have allowed him to become the fulfilled person he was always meant to be, that he was never inherently evil. He was just suffering through what Takemichi describes as the most painful thing. He was alone.

He was alone and he died alone. At 14, on a February night, on the asphalt, alone, under the horrified gaze of someone who had just had the thought that he would have deserved to die, someone whom he looked up to, despite everything, who had just told him that now everyone knew what he was up to and that nobody would ever listen to him again. He died alone and the only friend he had was too far away, and came too late. He died alone and the only one who could truly miss Kisaki Tetta was Hanma himself, while Takemichi belatedly realized that it shouldn't have ended that way and that it still wasn't right, that Kisaki was just like him: weak and only powering through by sheer force of will. He died alone, and he was the only one who died thinking and saying that he didn't want to.

He never got to be graced with forgiveness like Kazutora and Izana. Nobody even tried to understand him, save for Hanma and Takemichi.

No one mourns the Wicked. Yes, goodness knows The Wicked's lives are lonely Goodness knows The Wicked cry alone Nothing grows for the wicked They reap only what they've sown.