#Hubro Music

[burlveneer-music]

Stein Urheim - Speilstillevariasjoner

Guitarist and composer Stein Urheim has been a prominent artist in the HUBRO catalog for more than ten years. In addition to releases under his own name, he has contributed to albums by Erlend Apneseth, Benedicte Maurseth, a duo with Jørgen Træen, and most recently, the critically acclaimed "Barefoot in Bryophyte" with Mari Kvien Brunvoll and Moskus. On January 31st 2025, HUBRO will release "Speilstillevariasjoner". For these recordings, Urheim invited a group of highly distinctive musicians to collaborate, resulting in his most original and uncompromising album to date. The outcome is experienced as both poetic, atmospheric and mind-expanding. The album stands out in Urheim’s catalog, but at the same time, it is a logical progression from the path his discography has been leading toward over time. "What I immediately fell in love with about Urheim’s musical voice when we began our collaboration back in 2012, was its warm clarity, and how it organically blended influences from everything from blues to various types of world music and microtonal exploration," says HUBRO founder Andreas R. Meland."It was clear from day one that Stein is a hungry and open listener who is constantly engaged and seeking new inspiration. It has been a joy to follow his artistry so closely, and he has opened my ears to a lot of new music." "Speilstillevariasjoner" is produced by Stein Urheim and Jørgen Træen.  Ikue Mori: electronics Sam Gendel: saxophone, electronics Hans Kjorstad: violin Siv Øyunn Kjenstad: drums, voice Stein Urheim: acoustic and electric modified guitars, ronroco, tamboura, electronics, field recordings, just intonation sine tone generator, percussion

[musicollage]

Slagr — Linde. 2022 : Hubro.

! listen @ Bandcamp ★ buy me a coffee !

[donospl]

Co w jazzie piszczy [sezon 2 odcinek 33]

premierowa emisja 11 września 2024 – 18:00 Graliśmy: Jan Lundgren & Yamandu Costa “Garoto” z albumu “Inner Spirits”  – ACT Music Daniel Garcia Trio “Tears of Joy” z albumu “Wonderland” – ACT Music Jazzrausch Bigband “Punkt und Linie zur Flaeche” z albumu “Bangers Only!” – ACT Music Wolfgang Haffner  “Silence and Sound” z albumu “Life Rhythm” – ACT Music Art Baden “Silky” z albumu “How Much…

[asso-balise]

Parachute 392 02.10.2024

VA – Project Cucuron mixtape #1 – Noannaos - 2019 t : Ashley – Inhaaaxhale Cloak of kings - Ayont – Riforma - 2023 t : Fiftyleven days Guilia Rae – o – Riforma – 2018 t : Regolo Dori Soride – Non aver paura - Riforma - 2024 t : Non aver paura Somaticae – Blue lagoon - Riforma - 2024 t : Blue lagoon (rework Undae tropic- Moskus – Bareffot in bryophyte – Hubro - 2024 t : Nils Klim Loren Connors – A West Bound Brook / Gone To Turin - Profane Illuminations - 2023 t : A west bound brook VA – FFF our KMSU – Roundbale recordings - 2013 t : Charlatan – Red portage Miss Canine Hoe – Septem peccata mortalia – Adventurous Music – 2024 t : Superbia VA – All semantics (II) – CMNTX records - 2024 t : Alex Ring Gray - 3200 Phaethon The Stance brothers – Duktus – Wejazz records – 2024 t : Sao polo Read the full article

[himeraturku]

Himera esittää: Atte Elias Kantonen, Livia Schweizer, Michael Pisaro-Liu

Lauantai / Saturday 18.5. 19:00 (ovet/doors 18:30)

Tehdasteatterin Jokistudio

Liput 8/5€

Ohjelma / Program:

Atte Elias Kantonen - solo electronics

Livia Schweizer - within (1) for solo flute by Michael Pisaro-Liu

Atte Elias Kantonen

Atte Elias Kantonen (b. 1992) is a Helsinki, Finland -based sound designer, sonic artist and composer working mostly in the fields of experimental music and contemporary performing arts. 

The aim of Kantonen’s sounding discipline is to sculpt sound into delicate forms that are constantly affected by a kind of mutant nature encompassing a variety of tones – ranging from glassy to organismic, earthly to ethereal. Kantonen’s composing process consists of creating sonic events that play with the idea of form, space and time as having incessant elasticity. When it comes to designing sound for a performance, Kantonen incorporates spatial and electro-mechanical layers to his designs, ranging from unconventional speaker arrangements to sounding kinetic sculptures. 

Kantonen has a conceptual side project “ant spa ·)((“, which currently consists of a monthly experimental music radio show on IDA radio and experimental music and sound performance event edition “bugbath”. His work has been supported by Arts Promotion Centre Finland and Music Foundation Finland and for the year 2024 by the Kone foundation.

Livia Schweizer

Livia Schweizer (b.1994) is a flutist, improvisor, educator and artistic researcher based in Helsinki. She is known for her interest in improvisation and non-conventional music notation as a tool of bringing together creative souls from different backgrounds, ages and cultures.

Livia grew up in Tuscany and has lived in Finland since 2014. Since moving to Helsinki Livia has been performing solo and in chamber ensembles for festivals such as the Flow Festival, Helsingin Juhlaviikot, the UNM Festival, Tulkinnanvaraista, Luosto Soi, Uuden Musiikin Lokakuu, Jauna Muzika (Lithuania), SoundScapes (Germany), Hiljaisuus Festival and Musica Nova. Her passion towards contemporary and experimental music brought her to be part in several projects with the NYKY-ensemble, Avanti!, Korvat Auki, the UMUU-ensemble, Eloa ry and Tampering, and in 2021 she became member of the Earth Ears Ensemble, an ensemble focused on contemporary music from lesser heard voices.

Michael Pisaro-Liu

Michael Pisaro-Liu (born, Michael Pisaro, 1961 in Buffalo, New York) is a guitarist and composer and a long-time member of the Wandelweiser collective. While, like other members of Wandelweiser, Pisaro-Liu is known for pieces of long duration with periods of silence, in the past fifteen years his work has branched out in many directions, including work with field recording, electronics, improvisation and ensembles of very different kinds of instrumental constitution.

Pisaro-Liu has a long-standing collaboration with percussionist Greg Stuart, with over thirty collaborations (pieces and recordings) to date, including their 3-disc set, Continuum Unbound from 2014 and Umbra & Penumbra for amplified percussion and orchestra premiered by the La Jolla Symphony in February, 2020. Pisaro-Liu also has recurring (intermittent) duos with Christian Wolff, Keith Rowe, Taku Sugimoto, Antoine Beuger, Graham Lambkin, Toshiya Tsunoda and Reinier van Houdt. There are several recent compositions for orchestras of various kinds and constitutions – including commissioned work for the BBC Scottish Symphony, INSUB MetaOrchestra and the Grand Orchestre de Muzzix. Much of his current work takes the form of mixed-media assemblages, in collaboration with filmmaker/artist/writer Cherlyn Hsing-Hsin Pisaro-Liu.

Recordings of his music have been released by Edition Wandelweiser Records, erstwhile records, New World Records, elsewhere music, Hubro, Potlatch, another timbre, meena/ftarri, Senufo Editions, Intonema, winds measure, HEM Berlin and on Pisaro's own imprint, Gravity Wave. His work is regularly performed throughout the US, Europe, South America and Southeast Asia. 

 Pisaro-Liu is the Director of Composition and Experimental Music the California Institute of the Arts.

within (1)

for solo flute

within is a series of six pieces for solo instrument, that were written for the 3-year project at the Zionskirche in Berlin, organized by Wandelweiser members, Carlo Inderhees and Christoph Nicolaus from 1997 to 1999. (3 Jahre - 156 Musikalische Ereignisse - eine Skulptur). It featured the premiere of a 10 minute piece every Tuesday at 7:30pm in the choir balcony of the church. (There were eventually about 30 composers involved in the project.)  “within (1)” for solo flute, was the first piece performed on the series, in January, 1997. Eventually all six of the 10-minute sections were played the church.

The piece is built upon the individual colors of single flute tones. A tone is played once or repeated a number of times before moving to the next. Because of the sustained impression of the single tone, it functions like a “plateau”, whose level changes when the next note occurs (always following a silence). It is a slow moving, glacial, melodic landscape.

[sonntagsschule]

Huntsville, »Ear/Eye Connector« from the album »For Flowers, Cars And Merry Wars« (2011), at Hubro Music

[listeningmark]

Hilde Marie Holsen - Lazuli

Haunting melancholy slow trumpet lines over an apocalyptic sci-fi collage of other instruments and found sounds / recordings. Beautiful.

Hubro Music

[sother]

(HUBRO)

[alsatonawall]

Navigators, Erik Honoré

[onetwofeb]

(HUBRO)

[iracarterart]

but wait, there’s more

And 2020 wasn't an unmitigated clusterfork. I stopped working in mid-January which opened up a lot of free time for other things without rendering me insolvent. I didn't gain back the weight I had been losing. My art-making life took off in a lot of new directions, led in part by involvement with Kelly Schaub and her Collage-Lab. I made a lot more physical objects, whereas I had been working digitally almost exclusively since 2006. This led me to revamp my art workspace and get all my art toys in one place where I could find them. I read a lot of good books, including the Rivers of London series by Bern Aaronowitch and Oliver Sacks' Oaxaca Journal, which led me to read other books in the National Geographic Directions series, which are recommended. I listened to a lot of cool music, including straight ahead jazz on the Solid Smoke label and Scandanavian sludge on the Norwegian Hubro label, the Danish El Paraiso label, and self-published Øresund Space Collective. I grew an unimaginable amount of tomatoes this summer and enjoyed doing so. We were surrounded by the best pair of neighbors you could ever hope to have. I watched some amazing stuff on the Criterion Channel. Things that occurred in the world filled me with some level of hope. Change is in the air my friends, and I hope to embrace it and become the change the world desperately needs. Love to all.

[burlveneer-music]

Bushman's Revenge: Sly Love With A Midnight Creeper from the album Et hån mot overklassen (HUBRO)

The power of three: twangy blues jam meets soaring gothic soundscape in Bushman’s Revenge's proggy mockery of the upper class

The debut Hubro album by the highly regarded Norwegian power-trio Bushman’s Revenge - cult stars of the Rune Grammofon label for a decade - operates on several levels simultaneously. It can even sound like the work of several different trios. After a hypnotic experimental prelude that creates a sort of audible weather system, with the delicate, bare-wire glissandos of Even Helte Hermansen’s soprano guitar heard against Gard Nilssen’s Pink Floyd-ish beaten drums and the unusually reticent, elegantly dancing measures of Rune Nergaard’s electric bass, ‘Et Hån Mot Overklassen’ (which Google Translate renders as “A Mockery of the Upper Class’) begins to settle into a form of strikingly virtuosic and proggy jazz-rock; the instruments sound pretty much like guitar, bass and drums are meant to do, and the opening numbers follow a recognisable jazz model of theme/improv/theme. Then, as the long, riverine meanders of guitarist Even Helte Hermansen really get into their stride, and the effects-pedal expressionism of his chosen settings and style thicken the timbre into a growling axe-attack, things steadily become chewier and more challenging.

By the time you get deep into the heart of the album, past rumbling audio-sculptures, tamboura drones, found-sound samples, the twangy blues jam and soaring gothic soundscape, it can be hard to be sure where one instrument ends and another begins.

[musicollage]

Jessica Sligter ‎– Fear And The Framing. 2012 : Hubro.

! acquire the album ★ attach a coffee !

[donospl]

Co w jazzie piszczy [sezon 2 odcinek 26]

premierowa emisja 24 lipca 2024 – 18:00 Graliśmy: Brad Mehldau “Nocturne” z albumu  “Apres Faure” – Nonesuch Records  Brad Mehldau “Between Bach” z albumu “After Bach II” – Nonesuch Records  Liva Dumpe “Sonata No 1. in G major”  z albumu “Tālskatis” Sarah Hanahan “Welcome” z albumu “Among Giants” – Blue Engine Records Ivanna Cuesta “Chaos” z albumu „A Letter to the Earth” – Orenda…

[musicforprogramming]

Speil by Lumen Drones  from the album Umbra (2019) on HUBRO/ Grappa Musikkforlag AS.

Follow us on #Spotify: https://bit.ly/music-4-programming

[rizomecorp]

Phonophani - Deep Learning

From New LP ‘Animal Imagination’ out may 12th @ HUBRO