#How to Make Money with Creative AI 2.0

[akhi-review]

Creative AI 2.0: Generate & Convert Your Content Into Real Cartoon, Cinematic Videos

Welcome to my Creative AI 2.0 App blog post review. Artificial intelligence is the new global sensation! It has taken the world by storm, forcing every marketer & business owner to bow down to its supreme range. Creative AI 2.0 has a commercial license that lets you start selling unlimited content, website codes, and graphics. Grab this life-changing one-time opportunity and start profiting like never before. With Creative A 2.0 you will get ✅One-time investment gives access to this “Gemini & Palm2 2.0” AI-powered app… ✅Craft Stunning Full Ultra HD Ai Videos In Any Niche… ✅Generate Eye-dropping AI Telling Videos… ✅Create Ultra-HD 3D Animation Videos… ✅Create AI avatar Spokes Videos For Your Marketing Campaigns… ✅Generate Captivating Ai Characters & Cartoon Videos… ✅Craft Viral Celebrity Talking AI Videos With 1-Click… ✅Create Engaging Instagram, YouTube & TikTok Videos… ✅Craft Eye-Catching 3D Video Ads For Your Marketing Campaigns… ✅Generate Unlimited Ai Voice-Overs & Video Songs In Different Languages… ✅Create & Sell Unlimited HD Ai Images, Arts & Graphics In Just 1-Click… ✅Convert Any Normal Image Into Animated Image… ✅Design limitless AI logos, drawings, and art like a PRO With Built-In AI Picasso… ✅Get started now, no prior tech skills are needed… ✅30 days money-back guarantee… ✅89% Early bird discount available…

CREATIVE AI 2.0 REVIEW : OVERVIEW

Vendor: Akshat Gupta Product: CreativeAI 2.0 Launch Date: 2024-Jan-22 Launch Time: 11:00 EST Front-End Price: $17 Refund: Yes, 30 days money back guarantee Support: Effective Response Recommendation: Highly Recommended Skill Level Needed: All Levels Payment system – 1-time payment

WHAT IS CREATIVE AI 2.0 ?

Creative AI 2.0 is the World’s First & Only App, Fully Powered By Google’s Latest Multimodel AI technology “Gemini & Palm 2.0” that Turns Your Alexa-like voice Commands Into Stunning multi-model AI content, Videos, Graphics, Music & More. CreativeAi 2.0 allows you to skip all the nonsense and get straight to the result & all it takes is just a few easy clicks In minutes from now, you can create AI ✅Creative Ultra-Hd Ai Videos, ✅ Animation Videos, ✅Story Telling, Human-Talking , Characters , Cartoon, Celebrities, Instagram & YT Videos, ✅ Instagram & YT Videos, ✅2D & 3D Video Ads, ✅Video Voice Overs, ✅ Video Song Creator, ✅ Image & Art Creator, ✅Image Animator, ✅Multimodel Contents, ✅ Multi-Tasking Bots, And So Much More… Finally, you don’t have to deal with… ❌Expensive third-party AI tools… ❌Expensive video & designers…

ABOUT THE CREATORS

Akshat Gupta is the visionary mind behind the revolutionary Creative 2.0 platform. Some of his inventions are AI GameZone, AI VideoBooks, AI AppMaker, AI VideoSong, AiPuzzles, and many more.

KEY FEATURE

AI Story Telling Videos – Generate Eye-dropping AI Telling Videos In Any Niche Instantly. Say goodbye to the hassle of creating storytelling AI videos from multiple AI platforms.

AI Spokesperson Video – Easily craft mind-boggling realistic AI videos for Prepare to be captivated as your imagination comes to life, pushing the boundaries of what’s possible.

Ai Animation Videos – With the power of CreativeAI 2.0, Prepare to be amazed as you bring your visions to life with breathtaking quality and mind-blowing efficiency.

Ultra HD AI Videos – Effortlessly Craft Stunning Ultra HD AI Videos About Any Topic You Want and Get Paid By selling these captivating AI videos on our Built-in Marketplace.

Ai Cinematic Videos – Create breathtaking visuals, epic storytelling, and unparalleled cinematic artistry.

A.I. Video Presentation & Storyboard – Unlock the secrets of A.I. Video Presentation & Storyboards to ignite your sales and profit potential!

A.I. Character Videos – Unleash the magic of A.I. Character Videos and watch your stories come alive!

AI Cartoon Videos – Watch as your content comes to life in vibrant, animated form, capturing the attention of your audience like never before.

A.I Celebrities Videos – Experience the magic of A.I. Celebrities Videos, brought to life by the remarkable Creative AI 2.0 app!

A.I Instagram & YouTube Videos – It creates A.I. Instagram & YouTube Videos that go viral, racking up views like never before! Not just with Instagram and Youtube you can even create videos for TikTok, Shorts, or any other platform…

AI 3D Video Ads – With CreativeAi 2.0, Watch your conversions soar as captivating video ads grab your audience’s attention like never before.

A.I. Video Voice Overs – Get ready to leave a lasting impression with A.I. Video Voice Overs that make your videos truly unforgettable!

A.I Video Songs – Create unforgettable melodies and captivating visuals for your songs and drive staggering views and traffic.

AI Images, Graphics & Arts – Craft stunning AI images, graphics, and arts for your marketing campaigns.

A.I Image Animation -Turn any normal image into an animated version just with a single. Bring normal images to life with this unique feature.

AI Multimodel Contents – Create multi-model AI content from AI images to videos to graphics to animated videos and so much more…

A.I Multi-Tasking Bots – With Creative AI 2.0 you can generate a list of AI bots working for you non-stop…

Ai Audio-To-Text Transcription – With Creative 2.0 you can convert any audio into the script with just 1-click.

Comes With Commercial License – Sell unlimited ai generated content with no restrictions at all.

Built-in Audience To Sell Your Creations -Now, sell anything you want to our built-in audience…

CREATIVE AI 2.0 – CAN DO FOR YOU

✅Start your very content creation agency & charge anything you like… ✅Design and sell jaw-dropping AI visuals, and art for maximum profit to your clients… ✅Sell anything to anyone from Warriorplus, Jvzoo, or Clickbank with high-converting sales copies… ✅Create & promote your own digital & info products, such as ebooks, essays, info courses, etc. ✅Craft & sell high-converting marketing materials like AI images, AI videos, and so much more… ✅Start your graphic designing agency & charge customers anything you like.

HOW DOES IT WORK

Just type in the description or give voice commands for producing AI videos, graphics, codes, and even software. It works in less than 2 minutes! You’re just 3 steps away.

Frequently Asked Questions

Q. What exactly is CreativeAI 2.0? World’s First & Only App, Fully Powered By Google’s Latest Multimodel AI Technology “Gemini & Palm 2.0” That Turns Alexa-Like Voice Commands Into Multi-Model AI Contents, Videos, Animations, Arts, Logos & So Much More… Q. Do I need some prior skills or experience to get started? Creative AI 2.0 is 100% newbie-friendly with an easy-to-use dashboard… Q. What happens if I don’t see results? We’ve got you covered… If you don’t see your desired results with Creative AI 2.0 just let us know within the next 30 days and we’ll refund you every penny… Q. What if I get confused along the way? Don’t worry we have exclusive detailed video training for you that shows all the required steps. Q. What if I get confused along the way? Don’t worry we have exclusive detailed video training for you that shows all the required steps. Q. Is This Compatible with both PC, Mac, Android, And iOS? It works on any device. Q. How Do I Lock-In My Discount? Click the button below to get the Creative AI 2.0 at the lowest price…

CONCLUSION

Start saving and stop paying for expensive third-party software and services. Get anything you want just with your voice commands. If you leave this app, you’ll lose the biggest opportunity of your life in 2024.

[marketingprofitmedia]

GraphicX Ai Review – Build Your Own Canva Like Graphics

Welcome to my GraphicX Ai Review, This is a genuine user-based GraphicX Ai review, in which I will discuss the features, upgrades, price, demo, and bonuses, how GraphicX Ai can benefit you, and my own personal opinion. You can Builds Your Own Canva Like Graphics Editor With 1 million+ Graphics to Start Your Own Graphic Agency & Sell to Hordes of Hungry Customers in Just 3 Clicks for A Low, One Time Price!

In today’s world, captivating graphics are essential for businesses and individuals alike. However, designing professional visuals often requires specialized skills and time-consuming efforts. GraphicX AI emerges as a game-changer, offering a revolutionary approach to graphic design. This AI-powered platform democratizes the design process, making it accessible to users of all skill levels. By leveraging advanced artificial intelligence, GraphicX Ai simplifies the creation of stunning visuals, from social media posts to marketing materials. With its vast template library, intuitive interface, and intelligent design suggestions, GraphicX Ai empowers users to effortlessly bring their creative visions to life.

What Is GraphicX Ai?

GraphicX Ai is an AI-powered graphic design tool that simplifies the creation of professional-looking visuals. It offers a vast library of pre-designed templates, an intuitive interface, and advanced AI features to help users create stunning graphics without needing extensive design expertise.

Essentially, it democratizes graphic design by making it accessible to everyone, from marketers and business owners to social media enthusiasts. GraphicX AI aims to revolutionize the way we approach visual content by offering a fast, efficient, and cost-effective solution for producing high-quality graphics.

GraphicX Ai Review: Overview

Creator: Ganesh Saha

Product: GraphicX Ai

Date Launch: 2024-Jul-18

Time Of Launch: 11:00 EDT

Front-End Price: $17 (One-time payment)

Official Website: Click Here Product’s Salespage

Niche: Tools And Software

Support: Effective Response

Discount: Get The Best Discount Right Here!

Recommended: Highly Recommended

Bonuses: YES, Huge Bonuses

Skill Level Required: All Levels

Discount Code: “GRAPHICX3” To Get $3 Off!

Refund: YES, 30 Days Money-Back Guarantee

<<>> Click Here & Join GraphicX Ai and Get Instant Access Now <<>>

GraphicX Ai Review: About Authors

Ganesh Saha is the brains behind this invention. With his know-how in technology and starting businesses, Ganesh gathered a team of experts to make GraphicX Ai, the top AI app for making great GraphicX and sketch characters. With Ganesh leading the way, GraphicX Ai lets anyone create their own stuff in no time.

Also, you can see some of his other creations like VisualHub AI, OverLap AI, AI Doodles, AI CartoonBook, CookMate AI, Mailmaxpro, Plexity Ai, WebinarStudio, Ai Force, MailBard Al, Ai Designs, AISites, PrimeAi, VRStudio 2.0, Text Ai, OnyxMail, PrimeBook, PrimeMovie, SiteDetective, and many others.

GraphicX Ai Review: Key Features

Get 100X Conversions Using Artificial Intelligence Powered Images

Loaded With 1 Million+ Pre Built Stunning, Industry Leading Visual Graphics

No Learning Image Creation Basics & Using Them

Have Your Own Canva Like Graphics Editor

Loaded With 1 Million+ Pre Built Stunning, Industry Leading Visual Graphics

Create High Converting Posts For Major Social Media Platforms

Powerful Inbuilt Image Editor Tool Inside

Build High Converting Ads & Marketing Banners For Any Offer In Any Niche

Biggest Library Of Pre-Created Templates and Editing Tools

Never Get Sued For Using Copyrighted Images

Get High Engagement & Conversions

No Need To Hire Expensive Freelancers Or Third Party Platforms

No Steep Learning Curve Needed

No Need To Invest Tons Of Time, Energy & Effort

Limited Time Commercial License Included

And much much more

GraphicX Ai Review: How Does It Work?

Now, Its Your Chance To Get Started Immediately And Bank Big In Just 3 Simple Steps

<<>> Click Here & Join GraphicX Ai and Get Instant Access Now <<>>

GraphicX Ai Review: Can Do For You

World’s First, AI Based Technology To Have Your Own Canva Like Graphics Editor For A Low, One Time Fees

First Of Its Kind Technology Loaded With 1 Million+ Pre Built Stunning, Industry Leading Visual Graphics To Sell To Hordes Of Hungry Audience Globally

Say Goodbye To Expensive Platforms Like Canva, Shutterstock, iStock Once & For All

Create High Converting Posts For Major Social Media Platform Like Facebook, Twitter, Instagram, And Many More

Comes With A Powerful Inbuilt Image Editor Tool To Edit Almost Anything On The Fly

Instantly Build High Converting Ads & Marketing Banners For Any Offer In Any Niche

Access The BIGGEST Library Of Pre-Created Templates And Editing Tools To Fine-Tune Them Like A Pro

Packed With Variety Of Typography Options To Customize Text, Including Font Style, Colour, And Font Size

Kick Out Expensive & Money Sucking Third Party Platforms Forever

Never Get Sued For Using Copyrighted Images In Your Marketing Campaigns

Make Top Dollar By Selling These Red Hot Services On Fiverr, Upwork & Many More Such Platforms

Zero Hidden Expenses Or Additional Charges Ever

100% Newbie Friendly Technology That’s Built For Non-Tech Entrepreneurs And Marketers

No Traffic, Leads Or Profit Sharing With Any Third Party

Easy To Use Software With Step By Step Video Training

Limited Time Commercial License Included To Provide High In Demand Services To Hungry Clients

Launch Special Deal ONLY- Get Fast-action Bonuses Worth $4,585

Iron Clad 30 Days Money Back Guarantee Included

Users Say About GraphicX Ai

GraphicX Ai Review: Who Should Use It?

Website Owners

Affiliate Marketers

Digital Product Sellers

E-com Store Owners

Social Media Marketers

Video Marketers

Bloggers & Vloggers

Small Business Owners

Coaches/ Trainers

GraphicX Ai Review: Why You Buy GraphicX Ai?

You should consider buying GraphicX AI for its ability to streamline the design process with AI-powered assistance, saving time and enhancing creativity. Its extensive template library and advanced editing features make it a cost-effective solution for achieving professional-quality designs quickly and efficiently.

<<>> Click Here & Join GraphicX Ai and Get Instant Access Now <<>>

GraphicX Ai Review: OTO’s And Pricing

Front End Price: GraphicX Ai ($17)

OTO1: GraphicX Ai Pro ($37)

OTO2: GraphicX Ai Unlimited ($67)

OTO3: GraphicX Ai Kit ($37)

OTO4: GraphicX Ai DFY ($67)

OTO5: GraphicX Ai Agency ($97)

OTO6: GraphicX Ai Reseller ($97)

OTO7: GraphicX Ai WhiteLabel ($97)

My Own Customized Incredible Bonus Bundle

***How To Claim These Bonuses***

Step #1:

Complete your purchase of the GraphicX Ai: My Special Unique Bonus Bundle will be visible on your access page as an Affiliate Bonus Button on WarriorPlus immediately after purchase. And before ending my honest GraphicX Ai Review, I told you that I would give you my very own unique PFTSES formula for Free.

Step #2:

Send the proof of purchase to my e-mail “maketingprofitmedia@gmail.com” (Then I’ll manually Deliver it for you in 24 HOURS).

GraphicX Ai Free Bonuses

Bonus #1: AI Suite

Its Time To Make The Best Use Of Artificial Intelligence & Skyrocket Your Business Growth World’s First 80-In One — ChatGPT (OpenAi) Powered App Suite That Does Everything — Real ChatGPT Ai Chatbot, Ai Text to Voice, Ai Content Generator, Ai Text to Image Generator, Ai Keyword to Video Generator Ai Image Variation Generator, Ai Graphic Editor,Ai Product Name Generator, Ai Text to Video Generator In Just 2 Mins… Let Ai Automate Your Daily Tasks Like Smartly Creating Attention-Grabbing Marketing Content, Images,Voices,Videos & Much Much More. Just Sit Back & Watch Your Profits Grow.

Bonus #2: AI Hub

Its Time To Make The Best Use Of Artificial Intelligence & Skyrocket Your Business Growth World’s First 20-In One — ChatGPT (OpenAi) Powered App Suite That Does Everything Real ChatGPT Ai Chatbot, Ai Content Generator, Ai Text to Image Generator, Ai Keyword to Video Generator Ai Image Variation Generator, Ai Graphic Editor,Ai Product Name Generator, Ai Text to Video Generator In Just 2 Mins… Let Ai Automate Your Daily Tasks Like Smartly Creating Attention-Grabbing Marketing Content, Images, Videos & Much Much More. Just Sit Back & Watch Your Profits Grow.

Bonus #3: AiBuddy

Aibuddy is the world’s first ChatGPT-powered “google-killer” app that generates human-like responses, writes codes, creates high-quality content, and designs stunning Ai graphics & art

Bonus #4: SociAi

SociAi Is The World’s First Fully ChatGPT4-driven App That Automates Social Media Accounts By Creating & Posting Trending Viral Content Such as Videos, Images, Reels & Much More… & Drives 10,000s Views & Traffic.

Bonus #5: AI Mailer

Tap Into The Profitable World of Email Marketing Without Spending Every Last Penny On Inefficient Autoresponders? In Just 3 Clicks…Brand New AI App Sends LIMITLESS AI Emails To LIMITLESS Subscriber For LIMITLESS Profits & NO MONTHLY FEE!

Bonus #6: AI Sites

Now 30 seconds is all that you need to create a stunning website! Futuristic a.I. Technology creates automated high-converting websites in just 30 seconds that you can sell for the top dollar in hottest niches. Skip hassles to directly dominate trending niches like fitness, dating, pets, self-improvement, technology, affiliate marketing, finance & countless others instantly.

<<>> Click Here & Join GraphicX Ai and Get Instant Access Now <<>>

GraphicX Ai Review: Money Back Guarantee

Still Unsure If GraphicX AI Will Work For You Or Not? Grab Your Copy Today At With Our 30 Day Money Back Guarantee

Yes, you are correct. We are providing our consumers with a 30-day money-back guarantee, allowing them to experiment with GraphicX AI and return in the next 30 days with a positive attitude. In the event that you are dissatisfied with our product, you can be confident that we will refund every penny without any complications. If we are unable to resolve the issue, please contact our support team, and we will refund your entire payment, even if it is the last second of the 30th day.

GraphicX Ai Review: Pros and Cons

Pros:

User-friendly interface

Extensive template library

AI-powered design suggestions

Cost-effective

Social media integration

Cons:

You need internet for using this product.

No issues reported, it works perfectly!

Frequently Asked Questions (FAQ’s)

Q. Do I need experience or tech/design skills to get started?

GraphicX AI was created keeping newbies in mind. So, it’s 100% newbie-friendly & requires no prior design or tech skills.

Q. Do you provide a money back guarantee?

Absolutely yes. We’ve already mentioned on the page that you’re getting a 30-day no questions money back guarantee. Be rest assured, your investment is in safe hands.

Q. Is step-by-step training included?

YEAH- GraphicX AI comes with step-by-step video training that makes it simple, easy & guide you through the entire process with no turbulence.

Q. How are you different from available tools in the market?

This tool is packed with industry-leading features that have never been offered before. Also, if you’re on this page with us, which simply means you have checked out a majority of the available tools and looking for a complete solution. You’ll not get these features ever at such a low price, so be rest assured with your purchase.

Q. Do you provide any support?

Yes, we’re always on our toes to deliver you an unmatched experience. Drop us an email if you ever have any query, and we’ll be more than happy to help.

GraphicX Ai Review: My Recommendation

GraphicX Ai emerges as a game-changer in the design landscape, offering a user-friendly and efficient platform for creating professional-quality visuals. Its AI-powered features, vast template library, and intuitive interface make it accessible to both design novices and experienced professionals. By streamlining the design process and delivering impressive results, GraphicX Ai has the potential to significantly enhance your marketing efforts and overall visual communication strategy.

<<>> Click Here & Join GraphicX Ai and Get Instant Access Now <<>>

Check Out My Previous Reviews: ProfitWPH Review, DomainLab AI Review, Tube Targeter Review, ChatZone AI Review, SoftSites Review, Super Simple Sales System Review, Voixr Review.

Thank for reading my GraphicX Ai Review till the end. Hope it will help you to make purchase decision perfectly.

Disclaimer: This Traffic Alchemist review is based on publicly available information and may not reflect the latest updates. It’s recommended to visit the official Traffic Alchemist website for the most current information on features and pricing.

Note: Yes, this is a paid software, however the one-time fee is $17 for lifetime

[govindhtech]

MediaTek Pentonic 800 Engines For Powerful Premium 4K TVs

Premium 4KTVs are empowered by the MediaTek Pentonic 800 integrated AI and cutting-edge technology.

The Pentonic 800 is a new, premium 4KTV SoC that adheres to Pentonic’s core principles of powerful TV technologies: AI, audio, broadcasting, connectivity, and display. It is perfect for a wide range of applications, including large HDR-enabled TV-like displays, commercial displays, and smart home TVs that are great for entertainment.

MediaTek Pentonic 800

This all-in-one chip contains a very powerful quad-core CPU, a powerful GPU, and a MediaTek NPU that speeds up artificial intelligence for a variety of in-house MediaTek picture enhancing technologies. In contrast to other smart TV platforms, the MediaTek Pentonic 800 has an integrated 4K MEMC engine, an all-region demod, and TCON to handle media frame-rate conversion and timing management precisely and efficiently. This helps product designers save money on materials and development time.

As one might expect, the chip supports a wide range of state-of-the-art audiovisual standards. It supports global HDR standards, including the most recent versions of Dolby Precision IQ and HDR10+ Adaptive, and it features new Dolby Atoms Flex Connect, which allows for multi-speaker sound setups that are more flexible and can be precisely adjusted for the room in which you find yourself.

Of course, AI is a crucial component. With generational improvements to image upscaling and noise reduction, along with gaming-specific enhancements, MediaTek’s 3rd generation AI-Super Resolution means that you can still enjoy stunning 4K visuals on the Pentonic 800 even if your favorite game doesn’t support various upscaling technologies in-engine. While the latest scene and object identification technologies offer greater control over picture quality parameters to optimize experiences, AI-Contrast 2.0 offers real-time SDR-to-HDR conversion.

A number of technologies are available to enhance the game experience. Superfast VRR 165Hz screens are available for product designers to use, resulting in fluid gaming experiences when combined with compatible PCs or consoles. Naturally, HDR is also required, so the processor supports the new HDR10+ Gaming standard and is compatible with Dolby Vision-enabled content and devices.

One of those crucial technological elements is connectivity. In this case, the MediaTek Filogic Wi-Fi 6/7 choices offer dependable low-latency high-speed wireless connectivity, together with seamless Wi-Fi and Bluetooth hybrid coexistence technology to accommodate wireless gamepads, headphones, earphones, and other peripherals.

It even go beyond the chip with our job. See how MediaTek technology can bring creative visionaries like Tony Hawk and Jimmy Chin to your home by viewing our recent collaborations.

The next-generation 4KTV SoC, the MediaTek Pentonic 800, offers class-leading picture quality, 165Hz displays, and powerful AI.

The Goal of Exceeding to Pentonic 800

The amazing experiences you have are shaped by the potent TV technologies in Display, Audio, AI, Broadcasting, and Connectivity found in MediaTek Pentonic TV platforms. When combined with VRR screens up to 165Hz, the MediaTek Pentonic 800 is a high-end 4KTV SoC with worldwide application that offers gaming experiences beyond compare as well as class-leading audio and video experiences.

It is perfect for a variety of uses, such as embedded big displays, smart monitors, commercial displays, and next-generation smart TVs. It combines MediaTek’s potent AI processing unit with TCON, whole region demod, high resolution audio processing, and MEMC to deliver industry-leading AI-based picture quality technologies.

Faster Processors and a Highly Integrated SoC

MediaTek Pentonic 800 has greater peak clock speeds than Pentonic 700 and incorporates a more potent CPU, AI, GPU, and co-processors within its SoC. These improvements improve performance, making the Pentonic 800 a great option for smart TVs. They also guarantee excellent software compatibility and provide an exceptional user experience.

Clear and Crisp 4K User Interface

MediaTek Pentonic 800 graphics technology optimize power-efficiency while delivering breathtaking 4K visual quality and effective resource utilization.

Strong Artificial Intelligence Engine with Leading Image Enhancement

Synergy between compute elements is ensured by the completely integrated MediaTek AI processing unit, enabling quicker and more power-efficient processing. The Pentonic 800 NPU offers 50% quicker processing performance and 60% less memory bandwidth usage than the previous generation chip.

With its industry-leading super resolution and image quality improvements, MediaTek’s AI-display technology turns any material into a premium viewing experience. Enabling the removal of noise or artefacts from broadcasting or internet streams and the almost flawless restoration of material or features.

3.0 AI-Super Resolution

AI-SR stands for generationally improved upscaling.

AI-SR optimized for gaming

AI-NR (Artificial Noise Reduction) AI-Contrast 2.0

AI-Picture Quality Scene Recognition 2.0+ – SDR-to-HDR

MEMC based on scenes and expanded worldwide PQ restrictions

AI-Object Recognition 2.5+ with High Picture Quality

Using AI-objection detection (depth & face) to enhance PQ overall.

Leading Video Decoding Engine in the Industry

Popular essential codecs like HEVC, AV1, AVS3 High Profile, and VVC (H.266) are supported by the hardware video decoding engine, guaranteeing stable and power-efficient 4K video playback. This feature makes sure that streaming and broadcast content are supported, offering better entertainment value.

Quick & Stable Wi-Fi 6/6E/7 Networking

Intelligent Television OEMs have the option to incorporate MediaTek Filogic Wi-Fi 6, 6E, or 7 wireless connectivity chipsets, which offer blazingly fast internet access fit for smoothly streaming 4K content in addition to the dependable connections and low latency required for cloud gaming.

Coexistence technology in MediaTek Filogic Wi-Fi/Bluetooth combo solutions makes it possible for accessories like wireless headsets and game controllers to function with internet connectivity.

Read more on Govindhtech.com

[education30and40blog]

How I Made A YouTube Channel Using Only AI

See on Scoop.it - Education 2.0 & 3.0

loadYouTubePlayer('yt_video_CjHP1W3nxe8_iwGT6Xj1wjlEqw3G');

📄 Download free AI eBook here: https://hubspot.sjv.io/ai-ebook CONSULTING I offer 1-on-1 consulting calls on business, entrepreneurship, social media, content creation, or life advice for a fee. Book here: https://calendly.com/jensentung/consulting STOCKS AND BANKING 📈 Where I Invest In Stocks and ETFs (US - Get up to 10 free stocks): https://j.moomoo.com/00kadJ 📈 Where I Invest In Stocks and ETFs (Canada - Get 2 free stocks valued up to $6,000): https://my.wealthsimple.com/app/public/trade-referral-signup?code=G8_OEA 💸 How I Send Money (Canada - Get $25): https://my.wealthsimple.com/app/public/cash-referral-signup?handle=$jensentung 💰 Where I Bank (Canada - Get up to $40): https://bit.ly/3hA3kDF CRYPTOCURRENCY 💵 Where I Buy Bitcoin & Crypto (Worldwide - Get $10): https://coinbase.com/join/tung_wa 💵 Where I Buy Bitcoin & Crypto (Canada - Get $10): https://shakepay.me/r/GQM1AKI 💰 How I Store My Bitcoin & Crypto (Worldwide): https://bit.ly/3NWBKfS FILMMAKING 🎥 All My Video Gear + Equipment: https://kit.co/JensenTung 🎵 Where I Get My Music: https://fm.pxf.io/c/2922613/1347628/16252 📝 How I Take Notes & Manage Projects: https://affiliate.notion.so/s7g8vhkbmnjf STARRING Jensen Tung: https://www.instagram.com/jensentung SUBSCRIBE: https://www.youtube.com/subscription_center?add_user=s37tv/ INSTAGRAM: https://www.instagram.com/jensentung TIKTOK: https://www.tiktok.com/@jensentung FACEBOOK: https://www.facebook.com/JensenTungOfficial TWITCH: https://www.twitch.tv/jensentung WEBSITE: https://jensentung.com/ ---- I'm Jensen Tung, a filmmaker and entrepreneur with a love for entrepreneurship, personal finance, and self-improvement. My goal is to help you create a more fulfilling life for yourself. Subscribe to be a part of the journey! ---- In this video, I tried to make a YouTube channel using only AI and ChatGPT. I pursued YouTube automation and replaced every aspect of the creative process with artificial intelligence, from scriptwriting to visuals, to voiceovers and more. The goal was to reach 100,000 views within 30 days and see if AI could truly replace human creativity and effort. The results were surprising! Facts From Frankie: @factsfromfrankie ChatGPT: https://chat.openai.com/ Stable Diffusion (via NightCafe): https://creator.nightcafe.studio/?code=JENSEN Microsoft Edge: https://www.microsoft.com/en-us/edge/download Microsoft Edge Audio Recorder Extension: https://microsoftedge.microsoft.com/addons/detail/audio-recorder/fphacjgehgckigniojfkekliojkdknmj NOTE: To record, make sure you change your microphone on Microsoft Edge to "Stereo Mix." You can do so by clicking on the grey circle with the "i" letter in the Audio Recorder extension. BeamNG.drive video game: https://store.steampowered.com/app/284160/BeamNGdrive/ Strofe: https://www.strofe.com/ Adobe Sensei: Built into Adobe Premiere Pro

[hasufin]

Killing the Grassroots

My spouse and I were talking this morning about, of all things, lesbian and gay bars, and how they’re dying out.

I was reminded of something in the tech sector. There’s a saying: “Embrace. Extend. Extinguish.” It’s a method which big companies use to quash non-corporate innovation. Let me give you an example.

Let’s suppose you’re looking at social media. Y’know, like this. And you notice that all of our creativity is getting channeled into very narrow routes, censored to be palatable to as broad a market as possible, while the entirety of our social interaction is being analyzed for monetization and sold off.

Now suppose some group of hackers said “No, not a fan of this.” And they decide to build a resilient network of independent social media servers with a shared protocol in which there’s no central authority. Cool, right? This actually exists, BTW. It’s called the Fediverse. However, setting up a Fedi server is... not easy. I’m not going to say hard, and I’m sure there are a few people who will howl at the suggestion that it’s not the simplest thing ever, but the reality is, it takes some decent sysadmin chops and resources which many people don’t have and don’t know how to acquire.

Now let’s suppose a big tech company - say, Alphabet nee Google - looks at the Fediverse and says “Hey! That’s money on the table! There’s profit to be made there! How dare that exist without being stripmined for every dollar!” and they decide they’re going to Do Something about it. Okay, what? Well... they decide to offer Fediverse as a service. While you and I can’t just set up a Fedi server, for Google that’s super easy. They start providing a free Fedi instance up to a certain number of users: sign up, select your settings, and go to town. You can have your own fully compliant Fedi instance in less time than it takes to get a quote from Geico. This is the embrace part. And it looks pretty cool. Fedi usage skyrockets. Which is great, because social media lives and breathes the user base - innumerable social media platforms have died of “But nobody uses it, so I don’t use it.”

Then, Alphabet starts “improving” it. Their Fedi instances now have functionality which the base book version doesn’t. Maybe it comes with access to a media server so people can upload images or video. Maybe improved user management tools, or an AI which makes moderation easier. Stuff that a big company like Alphabet can offer trivially but a bunch of hackers doing stuff in their spare time cannot. This is the Extend part. Having these features - including some which don’t entirely break general compatibility but which aren’t possible with non-Alphabet instances - means more and more people, eventually the majority of Fedi users, are on Alphabet-owned Fedi instances.

Then, Alphabet announces that they absolutely must change major underlying aspects of the Fedi protocol to support newer functionality. And they’re very sorry, but it won’t be backwards compatible. But, they’re graciously migrating all the Alphabet instances to the new Fedi 2.0 protocol starting today! At this point, users either accept they are now on Alphabet’s social media platform, or they jump ship only to discover that all the non-Alphabet Fedi instances have withered and died. This is the Extinguish part.

What does this have to do with Gay and Lesbian bars?

Obviously, I think there’s a similar dynamic.

See, “We don’t want those queer bars around here” is kinda a nonstarter.nowadays. That kind of blatant homophobia is not so tolerated anymore. (And, honestly, I don’t think it’s necessarily about homophobia, at least among the people with money and power. It’s more about greed, and I’ll get to that in a bit).

But what does happen, in areas which used to be notable for gay and lesbian and general queer and alternative nightlife is, they get trendy. They become gentrified. More, trendier bars and gastropubs open up. The rents start going up. If a venue wants to stay in business they have to broaden their appeal. They end up dropping the aspects which appealed to alternative communities in order to get more mainstream business. It may not matter, of course: often a venue finds the building sold out from under them, bought by a development firm which intends to turn it into a mixed-use building with a craft burger joint and brewery, a health food store, and three stories of luxury condos above them.

The net result is, you go to Q Street in DC. Are there bars there? Yes. Do people still go to those bars? Yes. Do those bars retain any of the character which put that area on the map? No. Are those bars appealing to the people who made the area notable? Not even a little.

Now, I don’t think big companies are, as a general rule, homophobic or ideologically opposed to alternative subcultures. I think for the most part when they say they want to be inclusive they sincerely mean it. However, they honestly have no idea how to do that. The corporate animal exists in a world where profit is the primary if not sole motivation. Their notion of diversity is to put up a pride flag once a year; their notion of a safe space is post a code of conduct. And they are completely baffled as to why these things don’t work. But, so long as they’re making money, they’re not exactly interested in changing anything, either. Their goal was never to destroy alternative spaces, it was simply to consume them and extract maximum profit.

Remember: corporations are not your friends.

[marketingprofitmedia]

AI AppMaker Review – Create & Sell Unlimited iOS/Android Apps In Just 3 Clicks

Welcome to my AI AppMaker Review, This is a genuine user-based AI AppMaker review where I will discuss the features, upgrades, price, demo, and bonuses how AI AppMaker can benefit you, and my own personal opinion. The World’s First and Most Powerful AI-Driven Drag-N-Drop App Builder That Creates Unlimited iOS & Android Mobile Apps In Less Than 2 Minutes.

Imagine owning a mobile app that is lightning-fast, capable of sending push notifications to all users with a 95% open rate, all without incurring significant costs. It automatically uploads them to 20+ different app stores while banking you $587.42 per day on complete autopilot. No, I’m not referring to the time-consuming process of spending hundreds of dollars and hiring individual app developers for Android and iOS apps, which can take months to develop, wait for App Store approvals, and then wait for traffic. I’m talking about futuristic lightning-fast mobile apps that can be created by simply entering the URL of your website, blog, or even an e-commerce store. The Smart Mobile App Version of the Website, which performs better than traditional mobile apps and offers benefits such as automatic updates, 1-click install links, unlimited notifications, QR codes, and more, is available for just a one-time fee. You could potentially earn thousands by offering this as a mobile app creation service to your clients. So, why are you waiting?

AI AppMaker Review: What Is AI AppMaker?

AI AppMaker is a game-changer for those who dream of creating their own mobile app but lack coding expertise. Imagine a software program that empowers you to build functional and visually-appealing apps for iOS and Android devices — all without writing a single line of code. That’s the magic of AI AppMaker.

This user-friendly platform boasts a drag-and-drop interface, making app development an intuitive process. Whether you’re a budding entrepreneur, a small business owner, or simply someone with a creative app idea, AI AppMaker provides the tools to turn your vision into reality. With a vast library of pre-designed templates and built-in features, AI AppMaker streamlines the development process, allowing you to focus on crafting the perfect app for your target audience.

AI AppMaker Review: Overview

Creator: Akshat Gupta

Product: AI AppMaker

Date Of Launch: 2024-Jul-02

Time Of Launch: 11:00 EDT

Front-End Price: $17 (One-time payment)

Official Website: Click Here To Access

Niche: Tools And Software

Support: Effective Response

Discount: Get The Best Discount Right Here!

Recommended: Highly Recommended

Bonuses: Huge Bonuses

Skill Level Required: All Levels

Discount Code: “AIAPP3” To Get $3 Off Instantly!

Refund: YES, 30 Days Money-Back Guarantee

>>> Click Here to Visit AI AppMaker and Get Access Now >>

AI AppMaker Review: About Authors

At the helm of AI AppMaker is Akshat Gupta, a visionary driving innovation in AI technology throughout 2024. Gupta brings his wealth of expertise to the forefront, dedicating himself to developing pioneering solutions that simplify and streamline website creation for users globally.

Recognized as a prominent leader in the field, Gupta continually inspires and empowers others to leverage the potential of AI in achieving their goals and maximizing their online capabilities.

He has earned his reputation through the creation of numerous products such as Dream AI, AI Employees, KidTales PLR, AI DeepSongs, SiteFlow AI, CreativeAI 2.0, AI GameZone, AI VideoBooks, AI AppMaker, AI VideoSong, VoiceGPT AI, ExplainerVideoz, FlipBooks, MazeMaker, eBookMaker, and many others.

AI AppMaker Review: Key Features

Create Unlimited AI Mobile Apps With Drag-N-Drop World-Class App Builder.

Craft & Sell Limitless AI Mobile Apps To Local Business Owners & Clients For Maximum Profit.

Publish *High-In-Demand” Mobile Apps On 20+ Different App Stores & Make Huge Profit.

Craft Mind-Blowing Apps With Our Done-For-You 1000+ Stunning App Templates.

Create & Launch Your Dream Mobile Apps In 120+ Different Niches Like Gaming, Education, eCom.

Built-In AI Stock Library — Instantly Add AI Content, Images, Videos, Music & More The Apps.

Activate 1-Click Push Notification — Send mass messages/notifications to the app customers.

Send limitless emails & SMS along with videos, audio & file attachments directly into your customer’s inbox.

1-Click Payment Integration, accept payments in your app through PayPal, stripe, or cash in hand.

Get App Insights: Track the number of app installs, views, and ratings for every user.

Say Goodbye to The Hassle of Creating Mobile Apps On Your Own.

Fire expensive app developers, designers & freelancers.

Commercial license included — Create & sell as many mobile apps as you want.

Generate Android & iOS Apps In Any Languages.

Newbie friendly, easy-to-use dashboard.

Lifetime Access With No Recurring Monthly Payments.

Iron-clad 30 day money-back guarantee.

AI AppMaker Review: How Does It Work?

You’re just 3 clicks away from creating your dream mobile apps in 120+ different niches like gaming, education, eCommerce, food delivery, fashion, finance, and so much more in 2 minutes flat. Easily upload these apps to 20+ different app stores and make a huge profit daily, weekly, or monthly.

Step #1: Choose A Template

Choose from our 1000 DFY sizzling hot & fully customizable app templates

Step #2: CUSTOMIZE

Customize the app as per your requirements with the drag-and-drop app builder.

Step #3: Publish & Profit

Start Profiting by selling trending AI Apps on 20+ different app stores while Making Huge Profit on complete autopilot.

And that’s all needed to profit from AI AppMaker Just follow these 3 easy steps and start creating and selling unlimited mobile apps to your clients, local business owners and on different app stores.

>>> Click Here to Visit AI AppMaker and Get Access Now >>

AI AppMaker Review: Can Do For You

One-time investment gives you access to this drag-n-drop ai app builder.

Create, customize & launch your dream apps in real-time by using our interactive Drag-N-Drop App Builder.

Craft mind-blowing mobile apps for Android & iOS using our done-for-you 1000+ stunning AI App Templates.

Create and launch Mobile Apps In 120+ Different Niches Such As… Gaming, Education, e-commerce, food delivery, fashion, finance, sports, health & fitness, real estate and so much more.

Instantly Add Limitless AI Content such as AI Images, Videos, Music, and More to Your Apps With Our Built-In AI Stock Library.

Broadcast mass messages to the app customers with our built-in 1-Click push notification.

1-Click Payment Integration, accept payments in your app through PayPal, stripe, or cash in hand.

Send limitless emails & SMS along with videos, audio & file attachments directly into your customer’s inbox.

Get Total Geographical Insight: Track the number of app installs, views, and ratings for every user, everywhere!

1-Click Social Media Share — Blast Your Apps To over 50 different social media platforms with 1-Click.

Embed Your Affiliate Links To The Apps & Drive FREE Targeted Traffic & Sales On Your Offers & Products.

Grab Your Profit Share From This $208.5 Billion Industry.

Commercial license included — Generate & sell as many assets as you like to clients.

Newbie friendly, easy-to-use dashboard.

World Class Customer Support.

89% Early bird discount available.

AI AppMaker Review: Verify User Feedback

AI AppMaker Review: Who Should Use It?

Affiliate Marketers

Bloggers

Freelancers

Product Creators

Video Marketers

Content Creators

Agency Owners

Podcasters

Vloggers

Coaches

Authors

Any Many Others

AI AppMaker Review: OTO’s And Pricing

Front End Price: AI AppMaker ($17)

OTO 1: Unlimited ($37)

OTO 2: DFY ($197)

OTO 3: Set N Forget ($67)

OTO 4: Automation ($37)

OTO 5: AI Business Suite ($97)

OTO 6: 1000X Templates ($47)

OTO 7: Tap2Profit ($47)

OTO 8: Agency ($37)

OTO 9: Reseller ($97)

OTO 10: Whitelabel ($197)

OTO 11: 160K Live Workshop ($37)

OTO 12: Giant MegaBundle ($197)

OTO 13: Premium ($29)

>>> Click Here to Visit AI AppMaker and Get Access Now >>

AI AppMaker Review: My Special Unique Bonus Bundle

My Special Unique Bonus Bundle will be visible on your access page as an Affiliate Bonus Button on WarriorPlus immediately after purchase.

And before ending my honest AI AppMaker Review, I told you that I would give you my very own unique PFTSES formula for Free.

AI AppMaker Review: Money Back Guarantee

You’re In Safe Hands With Our 100% Risk-FREE, Iron-Clad 30 Days Money Back Guarantee

If you buy AI AppMaker and don’t get what you paid for, we don’t want your money. We’re on a mission to deliver a quality product to zero unhappy customers. And if we fall short in any way, then we don’t deserve your money. Well, if we don’t meet your expectations, then just let us know within 30 days for a full refund. Heck, as a kind gesture, we’ll even send you some extra software to skyrocket your business and sales like never before. So, either way, you only win.

>>> Click Here to Visit AI AppMaker and Get Access Now >>

AI AppMaker Review: Pros and Cons

Pros:

Easy to Use: The drag-and-drop interface makes app creation accessible to beginners with no coding experience.

Cost-Effective: Compared to traditional app development, AI AppMaker provides a more affordable solution.

Wide Range of Templates: The library offers a diverse selection of templates covering various app categories.

Monetization Options: The platform allows integrating functionalities to generate revenue from your app.

Cons:

You need internet for using this product.

I’ve found no further AI AppMaker problems.

Frequently Asked Questions (FAQ’s)

Q. What exactly is AI AppMaker?

The World’s First and most Powerful AI-driven, Drag-N-Drop App Builder That Creates Unlimited iOS & Android Mobile Apps In Less Than 2 Minutes.

Q. Do I need some prior skills or experience to get started?

Ai AppMaker is 100% newbie friendly with easy-to-use dashboard.

Q. What happens if I don’t see results?

We’ve got you covered… If you don’t see your desired results with AI AppMaker just let us know within the next 30 days and we’ll refund you every penny.

Q. What if I get confused along the way?

Don’t worry we have exclusive detailed video training for you that shows all the required steps.

Q. What if I get confused along the way?

Don’t worry we have exclusive detailed video training for you that shows all the required steps.

Q. Is This Compatible On Both PC, Mac, Android And iOS?

It works on any device.

Q. How Do I Lock-In My Discount?

Click the button below to get the AI AppMaker at the lowest price.

AI AppMaker Review: My Recommendation

AI AppMaker offers a compelling solution for those seeking an accessible entry point into the world of app development. Its user-friendly interface and drag-and-drop functionality make it ideal for beginners. However, for complex app ideas or those requiring highly customized designs, AI AppMaker’s limitations might become apparent. Ultimately, the decision hinges on your app’s needs and your technical expertise. AI AppMaker can be a valuable tool, but for some, it might be a stepping stone towards learning to code for a more tailored app creation experience.

>>> Click Here to Visit AI AppMaker and Get Access Now >>

Check Out My Previous Reviews: AI Books Review, Scalar App Review, AI Gigz Hub Review, WP Funnels Review, Gizmo Review, Auto Health Sites Review, Vocal Clone AI Review, TubeBuildr AI Review, & ClickSchedule Ai Review.

Thank for reading my AI AppMaker Review till the end. Hope it will help you to make purchase decision perfectly.

Disclaimer

While this review strives for accuracy and fairness, it’s important to note that pricing, features, and functionalities of AI AppMaker can evolve over time. It’s recommended to visit the AI AppMaker website for the latest information.

Note: This is a paid software, however the one-time fee is $17.

[adalidda]

Illustration Photo: The exhibition "Understanding AI" shows how neural networks are structured and offers visitors the opportunity to train neural networks themselveswith via interactive stations (credits: vog.photo / Ars Electronica / Flickr Creative Commons Attribution-NonCommercial-NoDerivs 2.0 Generic (CC BY-NC-ND 2.0))

European ARTificial Intelligence Lab. SETI x AI for International Artists

The theme of the residency is SETI x AI. SETI Artist-in-Residence (AIR) Artist selection encourages those individuals employing new media and technology and/or those whose work exhibits a direct relationship to the contemporary scientific endeavors of SETI Institute researchers. SETI Institute science is front edge; our artists are similarly minded. Mid-career artists working in the following fields, though not limited to these, will be considered equally: robotics, rocketry, electronic music, theater and dance, bio-arts, digital and data-arts, computational arts, climate-based works, film and photography, philosophy, poetry, kinetic or land-based sculpture, geophysical and geological based works, planetary or astronomical based works, and drawing. The research that takes place at the SETI Institute should be meaningfully reflected in the artworks that result from the residency. Special emphasis will be placed on projects that consider artificial intelligence, ponder the beginnings of life, and critically reflect on our anthropocentric world view.

Residency Structure The residency is divided in two parts – with an initial 4-6 weeks at SETI Institute where the winning artist will have an especially dedicated science mentor to inspire him/her and his/her work. The second part will be 3-6 weeks with the Futurelab team at Ars Electronica with whom the winner will develop and make new work inspired by the residency at SETI Institute.

Benefits: The winning artist will be funded during their residency. An artist fee in the amount of € 3.000,-, a production budget of € 7.000,- as well as accommodation and travel are funded from an Ars Electronica designated limited fund covering all residencies. No prize money is involved. In case the winning party is an artist duo or artist group the artist fee, production costs as well as travel and accommodation costs need to be split between the members.

Submission Details To participate in the European ARTificial Intelligence Lab, you must register online and submit all mandatory information online. The submission has to be made in English. The call is open for international artists (above the age of 18). We welcome innovative concepts and ideas in the fields of AI, Machine Learning and digital approaches that ponder the beginnings of life, explore the possibility of life on other planets, and critically reflect on our anthropocentric world view. Originality: The proposal needs to be for original work that demonstrably breaks new ground. That said, the proposed work can be entirely new, or can be an extension of an ongoing body of work. An entry confirmation will be sent out via e-mail as soon as all required documentation has been received. A submission is complete and formally entered in the competition only if all information has been entered online and the submission has been finalized online. Works submitted without the required accompanying material will not be accepted. Employees of Ars Electronica Linz GmbH & Co KG, SETI Institute, partners, sponsors and patrons of the European ARTificial intelligence Lab, staff members of organizations that have established and endowed an individual category, as well as the competition’s jurors are ineligible to participate. The following documents are required: A personal testimony video which introduces the artist who describes why and how this residency will inspire new work (up to 5 min.) An outline of a possible concept/idea which the artist wishes to pursue at the SETI and Futurelab A brief description of the artist’s understanding of the scientific research that takes place at the SETI Institute A draft production plan with cost estimation for the realization and timeline A selected portfolio of work which showcases work the artist is proud of Entrants are requested not to submit irreplaceable originals since submitted materials cannot be returned

Application deadline: 7 October 2020 (closing deadline 23:59 CEST/GMT+2)

Check more https://adalidda.com/posts/oZDcH2mZ9WoCFhojk/european-artificial-intelligence-lab-seti-x-ai-for

[perfectcomputerclasses4]

Ten Tips For Choosing a Good Digital Marketing Course

Are you looking for a course or master to learn Digital Marketing?

The advantages of doing a Digital Marketing Course and managing the online presence of your business or company yourself are undeniable: doing so yourself saves you from paying another person or agency and also controls the development and, if you do well, the result.

Sometimes, when you hire an expert in Digital Marketing, the process becomes somewhat complex because the professional may not understand your goals and needs and thus does not satisfy your aspirations. The result is frustration at having spent your money and not having achieved the stated goal. And let's not fool ourselves, there are times when you do not have the necessary liquidity but you need to start your business, especially in the beginning of your business or entrepreneurial project.

If you have a business or are a freelance professional and still have no presence on the internet, surely you've already asked: How can I learn Online Marketing? How to Choose a Digital Marketing Course in Chennai?

In this article I will list what I consider indispensable requirements when choosing a good Digital Marketing Course that will help you manage your social networks, create Online Marketing campaigns, Design a website, optimize SEO positioning, get subscribers , Earn followers on Twitter, etc:

1. Experience of teachers

It seems obvious, but it is not always so. When you are going to choose a Digital Marketing Course, find out before who your teachers will be. Are they currently employed? Do you manage the online presence of brands? Do you know the ins and outs of the profession?

An experienced professional will know a lot more than the theory that comes in the books: he will give you all kinds of advice, tricks that do not appear in the manuals, recommendations when drawing up a budget to a client and his own techniques that serve to squeeze to the maximum the tools.

Having a teacher who is both online marketing expert or experienced Community Manager and currently managing professional projects really makes a difference.

2. Cost

That a course is more expensive does not mean that it is better. Not much less. The quality of a course is in the people, in the organization and in the enthusiasm with which they transmit their knowledge. At the time of choosing, forget the titles and certificates, in a changing world and live as is the Digital Marketing only serves to decorate a wall. From experience, when I graduated as a specialist in Digital Marketing I realized that there are schools that put expensive courses because they have to pay for their high investment in advertising.

3. References

We are fully engaged in the 2.0 world. Just like when you buy any product you inform yourself on the internet and look at opinions of other consumers, when you look for a course, find out on the internet what people think about the Training center and the course. Use Google to find opinions, search social networks, ask alumni directly. They will better tell you the real value of the course.

4. Practical approach

Analyze the content of the course carefully. What is more important to learn Digital Marketing Training in Chennai? Do you theoretically tell all that you can find on your own by documenting on the internet or that teach you in a practical way to apply the theory about your own real project? It is about learning how to work as an digital Marketing professional, not about getting an opposition.

A course that is not practical will be a frustrating experience: you will have filled your data head but you will not know how to apply them to do your work with guarantees. See if in the course they propose practical exercises, if they send you homework, if you are going to "tighten" the nuts a little. The work of Community Manager and expert in Digital Marketing is learned with practice, with real projects.

5. Resources

To learn Digital Marketing you will need a good amount of resources: tools, graphic resources, images, video tutorials, etc. Without these resources, no matter how hard you try you will not get a really professional result. So make sure the school has a site where you can download resources that will be served during the course and after the course, when you are managing your clients' accounts and yours.

6. Schedule

Look closely at the course syllabus. Is it adapted to current trends? Does it contain everything you are looking for? A good Digital Marketing Courses in Chennai should prepare you comprehensively so that you are not only able to use Community Manager tools, analytics or advertisements, but also to design and plan real campaigns in social networks and manage all aspects of Online Marketing in a practical way .

If the syllabus is huge in proportion to the number of hours of the course, perhaps that is an indicator that there are parts that cannot be dealt with in depth and therefore you will not learn them with guarantees.

7. Monitoring and flexibility

We are people. Aside from the course, you are sure to have other occupations, and it is very important that the school understands that one day you may be presented with any unforeseen, a personal matter or a job to attend. When this happens and you fail to see a class, it would be frustrating if the institute does not offer you alternatives so that you can get back to class or catch up with the class on another shift or even with personalized teacher support so you do not fall behind other colleagues.

A good training center keeps track of your progress and offers you alternatives to get the most out of the course.

8. Facilities

Look for a Digital Marketing Chennai that has good facilities where you feel at ease, because it will be the place where you will spend a lot of hours when you start the course. It has spacious classrooms, modern equipment, projectors where you can see the teacher's screen, wifi connection if you want to take your laptop, spacious tables and comfortable chairs, have outdoor lighting and some recreation area where you can stretch out a little at the breaks And even do some networking with other students, comment impressions, exchange projects, etc.

Also check where it is and try to make sure that the school you choose is located in a well-connected place so that later you do not feel lazy to go very far.

9. Feeling

A Training institute is also a company where people work. Each company has a peculiarity and a spirit of its own that come out of its philosophy and its circumstances. Look carefully at the atmosphere in the school. Before signing up, get to know the people and teachers working on it and look at the details. If you see a teacher, try to empathize and look if you are stressed or on the other hand you feel happy with what you do. A company where people are comfortable and know their function and goals is a happy company. And happiness is contagious and stimulates creativity.

10. Attention after the course

Nothing worse than an institute that will forget you at the end of the course, Ask ex alumni. Has the institute worried about what they have done after the course and has tried to help them achieve their goals or on the contrary have felt like a client more that at the end of the course happens to become a figure and little else?

A educate is more than a company that sells services and must worry about the future of its students, who finish their projects, find a job, get customers, who feel satisfied. Find out if they offer tutorials or some kind of guarantee that you can return when you want to ask questions. The success of an academic center is measured by the particular success of its students.

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[joshuajmadrid]

Internet Advertising: Learn About All Online Advertising & World bank Website Directory

Internet advertising  may be a  set of tools for delivering promotional messages to people, worldwide, using  the web  as  a worldwide  marketing platform. As web technologies evolved  within the  1990s, internet advertising appeared as a virtual  like traditional marketing methods like TV and radio ads, newspaper advertising, billboards, etc. In 2019 marketers expect that companies will spend  extra money  on digital advertising than on traditional ads. Let’s  determine  why online advertising has become so popular and explore its  most ordinarily  used types —  program  marketing, email marketing, social media advertising, display ads, native advertising and more. Why is Internet advertising important? Easy global coverage. Nowadays, people have a habit of  checking out  information about products and services via search engines like Google, Bing,  et al. . internet advertising  may be a   thanks to  demonstrate your offers  ahead  of over 4.3 billion web users  round the  globe.  you'll  easily target  the whole  world via  the web . Affordable for any budget.  consistent with  Seriously Simple Marketing, the minimum cost  to succeed in  an audience  of two ,000 is  3 times  cheaper than traditional advertising methods, so any company from  alittle   closed corporation  to  an enormous  enterprise can utilize online ads  and obtain   the foremost  out of their financial resources. Drives traffic to  an internet site . The more visitors you get to  the location , the more potential customers  you've got ,  which can   end in  increased sales. Internet advertising aims  to draw in  users’ attention and send them to your website. The offers displayed  within the  digital ads should arouse curiosity  and provides  people  an honest  reason for clicking through your site. Website Directory

Allows targeting. Unlike traditional marketing media that advertises to everyone without filtering, internet advertising tailors the message to a specifically targeted audience —  people that  are  presumably  to convert into customers.  as an example , a travel equipment company may use social media ads for advertising to users who are keen on travel, encouraging likes and shares. Enables retargeting. Internet advertisements are  how   to mention  “hey,  seems like   a few  of days ago you  verified  this toaster. I’ve got  a wonderful one for you here!” If many prospects visit your household appliances online store without buying anything, remind them about your brand with banner ads displayed on websites they browse. It allows you  to make  various touchpoints  together with your  audience. Internet advertising helps you  to seem   within the  right place, at  the proper  time  to speak   together with your  audience. If you own  alittle bakery, use socials like Instagram and Pinterest to demonstrate the products. To share news and build long-lasting relationships  together with your  audience, reinforce them with email marketing. By mixing  differing types  of digital advertising wisely,  you'll  show that your company  is usually  present  and prepared  to be of service. It is measurable. Unlike offline marketing, where  the value  and effectiveness are somewhat approximate,  you'll precisely track the return on your efforts and internet marketing efficiency with web analytics platforms like Google Analytics. No doubt that digital advertising  may be a  fast, flexible, and measurable method for tailoring your marketing messages to people throughout  the planet . It’s the spirit of the times: millennials and younger generations got  wont to  communicate virtually, and your competitors bear this tendency in mind, as well. Types of Internet Advertising The Internet offers vast opportunities  to attach  with potential customers, so let’s review  a number of   the foremost  influential  sorts of  internet advertising on the market. Search Engine Marketing

A search bar  is that the   start line  of the users’ buyer journey. Entering a keyword, people focus mainly on  the primary  page results. Program  marketing is all about getting your webpages to  the highest  of the SERP (search engine results page), whether in an organic or paid way. Google Ads displays the paid results  supported  the ad rank auction. Companies name their price for  a specific  keyword, while Google analyzes  the standard  and relevancy of the content. Here  is that the  formula of the ad rank: Internet Advertising Tips Analyze your ROI.  it's  easy  to form  sure your efforts are worth  a short time  with internet marketing. Check all the possible metrics  counting on   the sort  of digital marketing  you employ . Analyze open rate and CTR in email marketing, use Google Analytics for your social marketing efforts and  program  marketing. Segment your audience. Separate your audience into different groups that have something in common like age, gender, location, and find  the proper  approach for all of them. If you create a display  advertising campaign  for clothing,  confirm  the message you tailor to women differs from the one for men. Choose  the simplest  media for  a selected  business. If  you create  and sell vegan food, use socials for promoting and receiving orders. Appearance  within the  local directories in Google search results  can also  address potential clients to you  once they  google “vegan food near me,”  as an example . Use social media platforms that are popular. If your audience consists mainly of  children  14-30 years old, Instagram  is probably going   the foremost  commonplace  for his or her  communication with  one another . Facebook is preferable for adults,  therefore the  best practice here is  to look at  your audience, their habits, and global tendencies  to form   the proper  choice. Be creative  together with your ads. Internet advertising is all about catching people’s attention, so make your ads expressive and relevant. Bolster your creativity with bright colors  and large  headlines, but avoid using all caps. Use  a transparent  call to action. There's little time to getting your message across to the audience, so make it clear what  you would like . Use  a brief  and unambiguous CTA like “Book now,” “Learn more,” “Grab the promo code,” etc.,  counting on  the business  and therefore the  advertising goal. Make mobile-friendly ads. Preview all the ads you produce on a  mobile   to form  sure they work since 58% of site visits are registered from the smartphones.

References

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[sailorrrvenus]

Accent AI 2.0: What’s new and how it’s different

Since its inception, I’ve long been a fan of the Accent AI filter in Skylum’s Luminar software. It’s helped save me a ton of time by taking tasks that would otherwise be clock intensive and making enhancements with just one simple slider. With the new Accent AI 2.0 in Luminar 3.1.0, Skylum has said that…

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from Photofocus - Feed http://bit.ly/2DL3Gk7

[williamsjoan]

The future of the media industry in the new year

2018 was a year of massive mergers and acquisitions with AT&T/Time Warner, Disney/Fox, and Comcast/Sky. The #MeToo movement made headlines, and the dominant emotion in boardroom discussions around Hollywood and beyond was fear … lots of fear in the ranks of our tech-infused world of media and entertainment (as well as in the world itself).

So what does the crystal ball predict for 2019?

Here are some of the narratives that will shape the world of entertainment next year and set the stage for the roaring 20s of the media industry.

PREDICTION #1 – Blood continues to spill in the relentless battle amongst premium OTT video giants, as Apple and Disney join the subscription video fray and add to the epic collective assault on Netflix.  In the midst of it all, smaller “niche” players either find their singular voices that attract “fandom” and broader monetization, or risk being marginalized and swallowed up by their strategic investors (for a fraction of what they would have commanded a couple years back). 

Originals continue to be the primary weapon used in the premium subscription streaming video battlefront, extending media’s new “Golden Age” for creators and further skyrocketing content-related development and production costs (including the price tags for A-list marquee talent).  Fierce premium OTT video competitors increasingly use content both offensively and defensively, like Disney withholding its crown jewels from Netflix (Star Wars, Pixar, Marvel, Princesses, X-Men, Avatar).  Netflix feels the heat, as will its investors, as the collective crew of “Netflix-Killers” put increasing pressure on its pure-play business model.

Netflix should be afraid of Disney’s OTT play

Meanwhile, the newly expanded list of virtual MVPDs (multi-channel video program distributors) fix their initial flaws, offer consumers real competitive choice, and hasten consumer cord-cutting even further.  Whereas we started 2016 with 2-3 real, viable mainstream choices in the U.S. for live television, as of 2019, consumers now can access nearly 10 (cable, satellite, Hulu Live, YouTube TV, DirecTV Now, Sling TV, PlayStation Vue, fuboTV, etc.).  And, even in these nationalistic times, let’s not forget about massive international players like Tencent, Alibaba or Baidu’s iQIYI, which went public in the U.S. markets this past year.

Amidst this battle of video giants, several smaller so-called “niche” or segment-focused video players either expeditiously find their uniquely compelling voice and build a fandom-fueled multi-pronged monetizing brand around it, or simply get lost in the noise.

FILE – This June 27, 2015, file photo, shows the Hulu logo on a window at the Milk Studios space in New York. Hulu said Monday, Aug. 8, 2016, that the company is dropping the free TV episodes that it was initially known for as it works on launching a skinny bundle of streaming TV. (AP Photo/Dan Goodman, File)

PREDICTION #2 – Media-Tech driven M&A continues to rule the day in all segments.  On the video side, both traditional media companies and undercapitalized and underperforming privately-held new media companies languish in this beyond-crowded OTT video space and become logical M&A targets.

M&A is a hallmark of the overall digital, multi-platform tech-infused transformation of the media and entertainment business.  Just like AT&T closed its acquisition of storied traditional (yet slow-moving) Time Warner ($85 billion), Disney beat back Comcast to acquire Fox’s entertainment assets in 2018 ($71.3 billion), Comcast struck back and acquired Sky ($39 billion), and SiriusXM acquired the remaining 81% of Pandora it didn’t already own ($3.5 billion), expect more massive deals in 2019, together with a number of smaller, yet still significant ones.  Viacom/CBS is one likely candidate.

And don’t just look within U.S. borders.  No virtual wall exists in our borderless new media world, which means that M&A’s pace will accelerate internationally as well.  Remember, the Comcast/Sky deal represents a U.S. behemoth’s ambitions to significantly expand its footprint into multiple European territories.  Lots of mega-companies around the globe desperately hope to expand their footprints to places where, up to now, they have never been.

To be clear, not all M&A will flow from weakness.  Sometimes the numbers offered simply will be too high to reject.  But make no mistake.  Weakness will abound amidst hyper-competition, and winners will swallow up losers in an environment of accelerating M&A.  Many of the so-called niche-focused OTT video services still primarily rely upon ad dollars (especially the younger ones), but remember, Google and Facebook already own about 2/3 of that global digital advertising market.  That means that most pure-play OTT video players simply cannot succeed on ad dollars alone.  And, for most, other means of monetization will be beyond their reach, as they fail to deliver a sufficiently compelling, differentiated and emotionally connected media experience.  So, much like Uproxx did this past year when Warner Music Group acquired it (likely for a song), expect several of the new media players to lose their Indie status.

PREDICTION #3 – The music industry’s streaming-driven turnaround continues and streaming revenues accelerate, but pure-play music services led by Spotify continue to hemorrhage money as losses mount.  Meanwhile, the giant “big box” retailers of the day — Apple, Amazon and YouTube (particularly YouTube) — brazenly march on, indifferent to that suffering with their fundamentally different underlying marketing-driven business models. 

Yes, Spotify boasts massive scale.  Yet, scale alone does not financial success make.  In fact, pure-play growth success leads to higher and higher losses due to sobering industry economics these pure-plays can’t stomach, but the behemoths can due to their multi-pronged business models.  These harsh realities mean that investors of many pure-play streaming music services will take a hard look at themselves in 2019 as they contemplate their next strategic next steps.  Many will realize that they can’t go it alone.  And that leads to more M&A, much like we saw this past year with SiriusXM buying Pandora and LiveXLive buying Slacker.  Spotify is not immune here.  Unless it successfully expands its business model and drives major new revenue streams, it too could be bought. Facebook anyone?

  NEW YORK, NY – APRIL 03: The Spotify banner hangs from the New York Stock Exchange (NYSE) on the morning that the music streaming service begins trading shares at the NYSE on April 3, 2018 in New York City. Trading under the symbol SPOT, the Swedish company’s losses grew to 1.235 billion euros ($1.507 billion) last year, its largest ever. (Photo by Spencer Platt/Getty Images)

PREDICTION #4 – Tech-driven media companies thrive and increasingly dominate the entertainment world by using data to their advantage.  They use AI, voice and machine learning to dominate further and even more broadly infiltrate our lives and impact our media and entertainment experiences.

Netflix, Amazon and Facebook increasingly mine their deep data about all of our hopes and dreams to maximize “hits” and minimize “misses” as compared to traditional media companies.  In many respects, the studios simply can’t compete.  Faced with that reality, the quest for data — and the services that provide, analyze and inform – takes on new urgency.  Further, the Hollywood establishment and creative community still have yet to understand – at least in large numbers — the power of new cost-effective tech-driven ways to test and measure new characters, stories and engagement in order to more smartly and efficiently place their big expensive bets.

Meanwhile, the new tech-driven media giants hope to increase their overall Media 2.0 dominance through the soothing voices of Alexa and Siri (sorry Google, yours is a little less so) and the overall AI/machine learning revolution.  “Virtual assistants,” “smart speakers” (or whatever you want to call them) increasingly dominate our home conversations, improve significantly over time, and serve up our favorite content via “intelligent” recommendations (as well as increasingly targeted and smarter incentives, promotions, ads and goods).  71% of us already use voice assistants at least once per day (most frequently for selecting the music we like to hear), so voice most definitely is here to stay.

More exotically, and perhaps somewhat alarmingly, AI also increasingly drives so-called “intelligent” creation.  AI already develops movie trailers that some believe approach the impact of their human-generated counterparts.  You be the judge — check out the first AI-produced movie trailer, care of IBM’s Watson, for the fittingly AI-themed 2016 motion picture thriller Morgan.  And, just imagine how much AI has advanced in just these past two years since then.  Can AI screenwriters be far behind?  Gong Yu, founder and CEO of China’s leading streaming platform iQIYI certainly doesn’t think so.  In his words, AI “will reshape the entertainment industry over the next 10-15 years, much more so than the Internet did over the past three decades.”  Just chew on that for a bit.

So, AI may become a real threat even to creative pursuits that, up to this point, most in Hollywood believe are untouchable by computers, bots, and robots.  Tesla maven and global futurist Elon Musk is downright dystopian and takes things even further, warning that AI may be an ultimate global threat to us all.  Musk tweeted in 2017 that “competition for AI superiority at national level most likely cause of WW3.”   Those were his precise words, so that was either Musk’s particular form of Twitter-speak, or his mind had become a bit hazy during one of his notorious cannabis-fueled interviews!

Amazon is releasing a software development kit that will let developers integrate Alexa into smart screen devices.

PREDICTION #5 – Behemoths Apple, Google and Facebook, together with other tech-driven media giants and deep-pocketed financiers from around the world, increase their already-massive investments in immersive technologies and accelerate mainstream adoption of AR.

AR’s gold rush means continued growth in the related wearables market and consumer adoption of AR-driven eyewear.  Investors of all stripes also continue to throw boatloads of cash into the overall immersive space to fuel the development of experiences (including real world live entertainment and storytelling, not only games) to feed these new platforms.  Expect significant investment in content.  The immersive market opportunity is still so nascent, yet its ultimate promise is so great, that the money working to capture it in 2019 and beyond will seem endless.  And, when so much money chases a market, that market becomes our consumer reality.

The onset of 5G wireless networks will only hasten the growth of extended reality (XR) in all its forms.  Speaking of 5G …

GUANGZHOU, CHINA – DECEMBER 06: Attendees look at 5G mobile phones at the Qualcomm stand during China Mobile Global Partner Conference 2018 at Poly World Trade Center Exhibition Hall on December 6, 2018 in Guangzhou, Guangdong Province of China. The three-day conference opened on Thursday, with the theme of 5G network. (Photo by VCG/VCG via Getty Images)

PREDICTION #6 – 5G Networks launch, reveal their early media and tech promise and possibilities, and begin to transform our media and entertainment experiences (as well as the overall ecosystem that supports them). 

5G networks are critical for media experiences that require low latency, including AR, VR, and eSports.  For AR, 5G reduces the size of consumer headsets, because processing is now done on the network itself rather than on the device.  That makes wearables increasingly user-friendly and fuels further innovation and adoption.  5G also accelerates more high quality video consumption on our mobile phones, thereby pushing purveyors of premium OTT video like Netflix to increasingly focus on mobile-first content experiences.

Jeffrey Katzenberg’s and Meg Whitman’s new mobile-driven Netflix-like premium video service Quibi (formerly NewTV) certainly saw this train coming, and jumped on first.

Still a year away from launch, Meg Whitman and Jeffrey Katzenberg’s Quibi keeps adding talent

PREDICTION #7 – The oft-overlooked, yet potentially game-changing, live entertainment and event plank increasingly finds itself in multi-platform Media 2.0 strategies, deepening overall brand engagement and monetization possibilities.  Expect more significant “offline”-related experiments, initiatives and M&A by both traditional and new tech-driven media companies.

Call this the “Amazon Effect,” as players across the Media 2.0 ecosystem stop scratching their heads about Amazon’s direct-to-theater film releases, brick and mortar retail expansion, and Whole Foods superstore operations – and, instead, increasingly study, respect and emulate them.  Netflix certainly did in 2018.  After trashing Amazon one year earlier for releasing its features first in theaters, Netflix announced it would begin to do the same.

Amazon understands what most still haven’t even considered – that direct, non-virtual offline consumer engagement may be the most impactful plank of them all, driving online engagement into the real world (and then back again) to create a virtual cycle of daily brand engagement and consumer monetization every step of the way.  Even traditional media company Viacom now shows signs of understanding these online/offline brand synergies.  It bought both youth-focused video industry conference VidCon and music festival SnowGlobe in 2018.

So, while MoviePass may go the way of the Dodo bird in 2019, movie theaters themselves will not die.  They simply will be re-imagined.  We humans, after all, are social creatures.  We like to get out, and we won’t be satisfied binging on Netflix alone.  Movie theater subscription services most definitely are here to stay, and Amazon will offer one soon for Prime members.  After all, in a fun fact that may surprise you, more museums populate the planet – significantly more – than McDonald’s.  See, there is hope!

ANAHEIM, CA – JUNE 23: General view of panelists at the 7th Annual VidCon at Anaheim Convention Center on June 22, 2016 in Anaheim, California. (Photo by Tara Ziemba/WireImage)

PREDICTION #8 – The #MeToo Movement continues to transform the face (and faces) of both old and new media.  And, new faces will invest new industry dollars in new (and frequently very different) content choices, bringing us new (and frequently different) stories and transforming our media and entertainment experiences.

Revelations aren’t over.  Abuse was simply far too pervasive.  Old players are gone.  New, frequently younger, tech-driven media savvy faces get a seat at the decision-making table.  They change the game of “what” and “how” we experience content.

Ultimately, #MeToo both cleanses the overall new media industry, and fills our plates with very different media and entertainment choices.

(Staff photo by Brianna Soukup/Portland Press Herald via Getty Images)

PREDICTION #9 – Fake news, fraud and breaches of privacy continue unabated and accelerate, as does marketing concern for “brand safety.”  These seemingly unstoppable negative forces continue to place downward pressure on ad-dependent open platforms. 

Make no mistake, we are in the midst of hacking wars, the likes of which we’ve never seen.  This “good versus evil” reality is here to stay, and players across the tech-driven media and entertainment ecosystem either significantly increase their investments in counter-measures and related PR, or risk the wrath of consumers and the overall ad market (much like Facebook did this past year).

Twitter cleaned 70 million fake and automated accounts in a two month span last year (and 1 million more daily), Instagram conceded that over 50% of engagements on its posts tagged as #sponsored are fake, Spotify similarly conceded prevalent ad fraud and decreased its total reported content hours streamed by hundreds of millions of hours, and competing music service Tidal faced accusations that it had falsified tens of millions of streams.  Just a few examples of how pervasive fraud and audience manipulation has become in our Media 2.0 world.  These fake accounts create, in the words of Variety, “a shadow army of followers that has comparatively little monetary effect.  But perform the same manipulation with music streams, and it constitutes fraud.”

  Image: Bryce Durbin/TechCrunch

PREDICTION #10 – Blockchain technology and crypto-currency-fueled investment and experimentation, already over-hyped and under-performing, continues apace.  Yet, once again, there will be little to show for it in the world of media and entertainment.  At least for now.

Early blockchain leaders continue to be irrationally overvalued, which is always the case with any nascent market.  But, on a happier note, the voice of blockchain technology – heard thus far mostly in investment circles with promises of “instant millions” (or even billions) – becomes increasingly heard for its more positive potential for the world of media and entertainment.  Blockchain technology conceptually holds revolutionary industry-transforming new offensive and defensive power.  On the offensive front, blockchain enables new ways to monetize content via micropayments and direct creator-to-consumer distribution sans today’s leading middlemen.  These possibilities begin to reveal themselves in 2019.  On the defensive front, blockchain promises to eradicate piracy, but that happens in years, not this coming year.

  THE BOTTOM LINE

2019 certainly will push 2018’s Media 2.0 boundaries noticeably further, driven by these and other industry meta-forces.  But, these changes will be barely noticeable compared to the seismic shifts to follow in the next ten years.

I close with Paramount futurist Ted Schilowitz’s perspective on all of this.  In our conversation, Ted points to two phenomena — the first of which he calls “the known unknown,” and the second he calls “the ten year curve.”  “The known unknown” refers to what he calls the “scary” fact that we all know that massive tech-driven change is coming, but we don’t know the “twists and turns that get us there.”  Meanwhile, “the ten year curve” refers to “big dynamic change waves” that follow ten-year cycles.  In Ted’s view, we just recently finished the YouTube and iPhone 10-year cycles, and now essentially everyone around the globe participates in those dual phenomena.

So, what’s “the next big thing?”  Ted calls it the “the evolution of the screen” – so-called “visual computing” via new forms of eyewear (wearables) that replace our smartphones.  Think Minority Report-like data and content interaction, and you get the general idea.  “Surprisingly little has changed with human/screen interaction in the past 30 years,” Ted points out.  He reminds me that while user interfaces have become more sophisticated, actual screen interaction is not massively different — comparing interaction on Mac screens 30 years ago and on iPhones today.

That is all changing right now — as you sit, read and soak in Ted’s thoughts either in print, or more likely on your own v.2019 screen.  According to Ted, we are only about 3.5 years into this 10-year visual computing cycle.  “In 2013-2014, we saw the first idea of commercializing a track-able screen, a spatial screen.  That is a massive change.  We will fundamentally change how we use our screens.  I see a very distinct future where these things will emerge from their cocoon and replace the iPhone, laptop, etc.  You will notice an evolution of 30 minutes per day, then one hour, then two hours, etc.” 

Think that overstates things a bit?  Well, Ted cautions you this way.  “It’s the exact same paradigm shift we saw with mobile phones decades ago.  Just imagine back then that you would – decades later (i.e., today) — carry a device with you almost every waking moment of your waking life.  Even Bill Gates would have said that is ridiculous.”

Yet, here we are.  Today.  In that “unimaginable” world.  That’s how fast it goes.

Ted is adamant about this inevitable “evolution of the screen” reality, and he is convincing.  “I know the next evolution is coming.  All of these experiments today are on their way to something really, really significant.  2019 will be very subtle in this revolution.  Still for the early adopter, because none of these head mounted immersive devices today will replace our smart phones.  But the constant and continuous evolution of this tech is happening

The future of the media industry in the new year published first on https://timloewe.tumblr.com/

[theinvinciblenoob]

2018 was a year of massive mergers and acquisitions with AT&T/Time Warner, Disney/Fox, and Comcast/Sky. The #MeToo movement made headlines, and the dominant emotion in boardroom discussions around Hollywood and beyond was fear … lots of fear in the ranks of our tech-infused world of media and entertainment (as well as in the world itself).

So what does the crystal ball predict for 2019?

Here are some of the narratives that will shape the world of entertainment next year and set the stage for the roaring 20s of the media industry.

PREDICTION #1 – Blood continues to spill in the relentless battle amongst premium OTT video giants, as Apple and Disney join the subscription video fray and add to the epic collective assault on Netflix.  In the midst of it all, smaller “niche” players either find their singular voices that attract “fandom” and broader monetization, or risk being marginalized and swallowed up by their strategic investors (for a fraction of what they would have commanded a couple years back). 

Originals continue to be the primary weapon used in the premium subscription streaming video battlefront, extending media’s new “Golden Age” for creators and further skyrocketing content-related development and production costs (including the price tags for A-list marquee talent).  Fierce premium OTT video competitors increasingly use content both offensively and defensively, like Disney withholding its crown jewels from Netflix (Star Wars, Pixar, Marvel, Princesses, X-Men, Avatar).  Netflix feels the heat, as will its investors, as the collective crew of “Netflix-Killers” put increasing pressure on its pure-play business model.

Netflix should be afraid of Disney’s OTT play

Meanwhile, the newly expanded list of virtual MVPDs (multi-channel video program distributors) fix their initial flaws, offer consumers real competitive choice, and hasten consumer cord-cutting even further.  Whereas we started 2016 with 2-3 real, viable mainstream choices in the U.S. for live television, as of 2019, consumers now can access nearly 10 (cable, satellite, Hulu Live, YouTube TV, DirecTV Now, Sling TV, PlayStation Vue, fuboTV, etc.).  And, even in these nationalistic times, let’s not forget about massive international players like Tencent, Alibaba or Baidu’s iQIYI, which went public in the U.S. markets this past year.

Amidst this battle of video giants, several smaller so-called “niche” or segment-focused video players either expeditiously find their uniquely compelling voice and build a fandom-fueled multi-pronged monetizing brand around it, or simply get lost in the noise.

FILE – This June 27, 2015, file photo, shows the Hulu logo on a window at the Milk Studios space in New York. Hulu said Monday, Aug. 8, 2016, that the company is dropping the free TV episodes that it was initially known for as it works on launching a skinny bundle of streaming TV. (AP Photo/Dan Goodman, File)

PREDICTION #2 – Media-Tech driven M&A continues to rule the day in all segments.  On the video side, both traditional media companies and undercapitalized and underperforming privately-held new media companies languish in this beyond-crowded OTT video space and become logical M&A targets.

M&A is a hallmark of the overall digital, multi-platform tech-infused transformation of the media and entertainment business.  Just like AT&T closed its acquisition of storied traditional (yet slow-moving) Time Warner ($85 billion), Disney beat back Comcast to acquire Fox’s entertainment assets in 2018 ($71.3 billion), Comcast struck back and acquired Sky ($39 billion), and SiriusXM acquired the remaining 81% of Pandora it didn’t already own ($3.5 billion), expect more massive deals in 2019, together with a number of smaller, yet still significant ones.  Viacom/CBS is one likely candidate.

And don’t just look within U.S. borders.  No virtual wall exists in our borderless new media world, which means that M&A’s pace will accelerate internationally as well.  Remember, the Comcast/Sky deal represents a U.S. behemoth’s ambitions to significantly expand its footprint into multiple European territories.  Lots of mega-companies around the globe desperately hope to expand their footprints to places where, up to now, they have never been.

To be clear, not all M&A will flow from weakness.  Sometimes the numbers offered simply will be too high to reject.  But make no mistake.  Weakness will abound amidst hyper-competition, and winners will swallow up losers in an environment of accelerating M&A.  Many of the so-called niche-focused OTT video services still primarily rely upon ad dollars (especially the younger ones), but remember, Google and Facebook already own about 2/3 of that global digital advertising market.  That means that most pure-play OTT video players simply cannot succeed on ad dollars alone.  And, for most, other means of monetization will be beyond their reach, as they fail to deliver a sufficiently compelling, differentiated and emotionally connected media experience.  So, much like Uproxx did this past year when Warner Music Group acquired it (likely for a song), expect several of the new media players to lose their Indie status.

PREDICTION #3 – The music industry’s streaming-driven turnaround continues and streaming revenues accelerate, but pure-play music services led by Spotify continue to hemorrhage money as losses mount.  Meanwhile, the giant “big box” retailers of the day — Apple, Amazon and YouTube (particularly YouTube) — brazenly march on, indifferent to that suffering with their fundamentally different underlying marketing-driven business models. 

Yes, Spotify boasts massive scale.  Yet, scale alone does not financial success make.  In fact, pure-play growth success leads to higher and higher losses due to sobering industry economics these pure-plays can’t stomach, but the behemoths can due to their multi-pronged business models.  These harsh realities mean that investors of many pure-play streaming music services will take a hard look at themselves in 2019 as they contemplate their next strategic next steps.  Many will realize that they can’t go it alone.  And that leads to more M&A, much like we saw this past year with SiriusXM buying Pandora and LiveXLive buying Slacker.  Spotify is not immune here.  Unless it successfully expands its business model and drives major new revenue streams, it too could be bought. Facebook anyone?

  NEW YORK, NY – APRIL 03: The Spotify banner hangs from the New York Stock Exchange (NYSE) on the morning that the music streaming service begins trading shares at the NYSE on April 3, 2018 in New York City. Trading under the symbol SPOT, the Swedish company’s losses grew to 1.235 billion euros ($1.507 billion) last year, its largest ever. (Photo by Spencer Platt/Getty Images)

PREDICTION #4 – Tech-driven media companies thrive and increasingly dominate the entertainment world by using data to their advantage.  They use AI, voice and machine learning to dominate further and even more broadly infiltrate our lives and impact our media and entertainment experiences.

Netflix, Amazon and Facebook increasingly mine their deep data about all of our hopes and dreams to maximize “hits” and minimize “misses” as compared to traditional media companies.  In many respects, the studios simply can’t compete.  Faced with that reality, the quest for data — and the services that provide, analyze and inform – takes on new urgency.  Further, the Hollywood establishment and creative community still have yet to understand – at least in large numbers — the power of new cost-effective tech-driven ways to test and measure new characters, stories and engagement in order to more smartly and efficiently place their big expensive bets.

Meanwhile, the new tech-driven media giants hope to increase their overall Media 2.0 dominance through the soothing voices of Alexa and Siri (sorry Google, yours is a little less so) and the overall AI/machine learning revolution.  “Virtual assistants,” “smart speakers” (or whatever you want to call them) increasingly dominate our home conversations, improve significantly over time, and serve up our favorite content via “intelligent” recommendations (as well as increasingly targeted and smarter incentives, promotions, ads and goods).  71% of us already use voice assistants at least once per day (most frequently for selecting the music we like to hear), so voice most definitely is here to stay.

More exotically, and perhaps somewhat alarmingly, AI also increasingly drives so-called “intelligent” creation.  AI already develops movie trailers that some believe approach the impact of their human-generated counterparts.  You be the judge — check out the first AI-produced movie trailer, care of IBM’s Watson, for the fittingly AI-themed 2016 motion picture thriller Morgan.  And, just imagine how much AI has advanced in just these past two years since then.  Can AI screenwriters be far behind?  Gong Yu, founder and CEO of China’s leading streaming platform iQIYI certainly doesn’t think so.  In his words, AI “will reshape the entertainment industry over the next 10-15 years, much more so than the Internet did over the past three decades.”  Just chew on that for a bit.

So, AI may become a real threat even to creative pursuits that, up to this point, most in Hollywood believe are untouchable by computers, bots, and robots.  Tesla maven and global futurist Elon Musk is downright dystopian and takes things even further, warning that AI may be an ultimate global threat to us all.  Musk tweeted in 2017 that “competition for AI superiority at national level most likely cause of WW3.”   Those were his precise words, so that was either Musk’s particular form of Twitter-speak, or his mind had become a bit hazy during one of his notorious cannabis-fueled interviews!

Amazon is releasing a software development kit that will let developers integrate Alexa into smart screen devices.

PREDICTION #5 – Behemoths Apple, Google and Facebook, together with other tech-driven media giants and deep-pocketed financiers from around the world, increase their already-massive investments in immersive technologies and accelerate mainstream adoption of AR.

AR’s gold rush means continued growth in the related wearables market and consumer adoption of AR-driven eyewear.  Investors of all stripes also continue to throw boatloads of cash into the overall immersive space to fuel the development of experiences (including real world live entertainment and storytelling, not only games) to feed these new platforms.  Expect significant investment in content.  The immersive market opportunity is still so nascent, yet its ultimate promise is so great, that the money working to capture it in 2019 and beyond will seem endless.  And, when so much money chases a market, that market becomes our consumer reality.

The onset of 5G wireless networks will only hasten the growth of extended reality (XR) in all its forms.  Speaking of 5G …

GUANGZHOU, CHINA – DECEMBER 06: Attendees look at 5G mobile phones at the Qualcomm stand during China Mobile Global Partner Conference 2018 at Poly World Trade Center Exhibition Hall on December 6, 2018 in Guangzhou, Guangdong Province of China. The three-day conference opened on Thursday, with the theme of 5G network. (Photo by VCG/VCG via Getty Images)

PREDICTION #6 – 5G Networks launch, reveal their early media and tech promise and possibilities, and begin to transform our media and entertainment experiences (as well as the overall ecosystem that supports them). 

5G networks are critical for media experiences that require low latency, including AR, VR, and eSports.  For AR, 5G reduces the size of consumer headsets, because processing is now done on the network itself rather than on the device.  That makes wearables increasingly user-friendly and fuels further innovation and adoption.  5G also accelerates more high quality video consumption on our mobile phones, thereby pushing purveyors of premium OTT video like Netflix to increasingly focus on mobile-first content experiences.

Jeffrey Katzenberg’s and Meg Whitman’s new mobile-driven Netflix-like premium video service Quibi (formerly NewTV) certainly saw this train coming, and jumped on first.

Still a year away from launch, Meg Whitman and Jeffrey Katzenberg’s Quibi keeps adding talent

PREDICTION #7 – The oft-overlooked, yet potentially game-changing, live entertainment and event plank increasingly finds itself in multi-platform Media 2.0 strategies, deepening overall brand engagement and monetization possibilities.  Expect more significant “offline”-related experiments, initiatives and M&A by both traditional and new tech-driven media companies.

Call this the “Amazon Effect,” as players across the Media 2.0 ecosystem stop scratching their heads about Amazon’s direct-to-theater film releases, brick and mortar retail expansion, and Whole Foods superstore operations – and, instead, increasingly study, respect and emulate them.  Netflix certainly did in 2018.  After trashing Amazon one year earlier for releasing its features first in theaters, Netflix announced it would begin to do the same.

Amazon understands what most still haven’t even considered – that direct, non-virtual offline consumer engagement may be the most impactful plank of them all, driving online engagement into the real world (and then back again) to create a virtual cycle of daily brand engagement and consumer monetization every step of the way.  Even traditional media company Viacom now shows signs of understanding these online/offline brand synergies.  It bought both youth-focused video industry conference VidCon and music festival SnowGlobe in 2018.

So, while MoviePass may go the way of the Dodo bird in 2019, movie theaters themselves will not die.  They simply will be re-imagined.  We humans, after all, are social creatures.  We like to get out, and we won’t be satisfied binging on Netflix alone.  Movie theater subscription services most definitely are here to stay, and Amazon will offer one soon for Prime members.  After all, in a fun fact that may surprise you, more museums populate the planet – significantly more – than McDonald’s.  See, there is hope!

ANAHEIM, CA – JUNE 23: General view of panelists at the 7th Annual VidCon at Anaheim Convention Center on June 22, 2016 in Anaheim, California. (Photo by Tara Ziemba/WireImage)

PREDICTION #8 – The #MeToo Movement continues to transform the face (and faces) of both old and new media.  And, new faces will invest new industry dollars in new (and frequently very different) content choices, bringing us new (and frequently different) stories and transforming our media and entertainment experiences.

Revelations aren’t over.  Abuse was simply far too pervasive.  Old players are gone.  New, frequently younger, tech-driven media savvy faces get a seat at the decision-making table.  They change the game of “what” and “how” we experience content.

Ultimately, #MeToo both cleanses the overall new media industry, and fills our plates with very different media and entertainment choices.

(Staff photo by Brianna Soukup/Portland Press Herald via Getty Images)

PREDICTION #9 – Fake news, fraud and breaches of privacy continue unabated and accelerate, as does marketing concern for “brand safety.”  These seemingly unstoppable negative forces continue to place downward pressure on ad-dependent open platforms. 

Make no mistake, we are in the midst of hacking wars, the likes of which we’ve never seen.  This “good versus evil” reality is here to stay, and players across the tech-driven media and entertainment ecosystem either significantly increase their investments in counter-measures and related PR, or risk the wrath of consumers and the overall ad market (much like Facebook did this past year).

Twitter cleaned 70 million fake and automated accounts in a two month span last year (and 1 million more daily), Instagram conceded that over 50% of engagements on its posts tagged as #sponsored are fake, Spotify similarly conceded prevalent ad fraud and decreased its total reported content hours streamed by hundreds of millions of hours, and competing music service Tidal faced accusations that it had falsified tens of millions of streams.  Just a few examples of how pervasive fraud and audience manipulation has become in our Media 2.0 world.  These fake accounts create, in the words of Variety, “a shadow army of followers that has comparatively little monetary effect.  But perform the same manipulation with music streams, and it constitutes fraud.”

  Image: Bryce Durbin/TechCrunch

PREDICTION #10 – Blockchain technology and crypto-currency-fueled investment and experimentation, already over-hyped and under-performing, continues apace.  Yet, once again, there will be little to show for it in the world of media and entertainment.  At least for now.

Early blockchain leaders continue to be irrationally overvalued, which is always the case with any nascent market.  But, on a happier note, the voice of blockchain technology – heard thus far mostly in investment circles with promises of “instant millions” (or even billions) – becomes increasingly heard for its more positive potential for the world of media and entertainment.  Blockchain technology conceptually holds revolutionary industry-transforming new offensive and defensive power.  On the offensive front, blockchain enables new ways to monetize content via micropayments and direct creator-to-consumer distribution sans today’s leading middlemen.  These possibilities begin to reveal themselves in 2019.  On the defensive front, blockchain promises to eradicate piracy, but that happens in years, not this coming year.

  THE BOTTOM LINE

2019 certainly will push 2018’s Media 2.0 boundaries noticeably further, driven by these and other industry meta-forces.  But, these changes will be barely noticeable compared to the seismic shifts to follow in the next ten years.

I close with Paramount futurist Ted Schilowitz’s perspective on all of this.  In our conversation, Ted points to two phenomena — the first of which he calls “the known unknown,” and the second he calls “the ten year curve.”  “The known unknown” refers to what he calls the “scary” fact that we all know that massive tech-driven change is coming, but we don’t know the “twists and turns that get us there.”  Meanwhile, “the ten year curve” refers to “big dynamic change waves” that follow ten-year cycles.  In Ted’s view, we just recently finished the YouTube and iPhone 10-year cycles, and now essentially everyone around the globe participates in those dual phenomena.

So, what’s “the next big thing?”  Ted calls it the “the evolution of the screen” – so-called “visual computing” via new forms of eyewear (wearables) that replace our smartphones.  Think Minority Report-like data and content interaction, and you get the general idea.  “Surprisingly little has changed with human/screen interaction in the past 30 years,” Ted points out.  He reminds me that while user interfaces have become more sophisticated, actual screen interaction is not massively different — comparing interaction on Mac screens 30 years ago and on iPhones today.

That is all changing right now — as you sit, read and soak in Ted’s thoughts either in print, or more likely on your own v.2019 screen.  According to Ted, we are only about 3.5 years into this 10-year visual computing cycle.  “In 2013-2014, we saw the first idea of commercializing a track-able screen, a spatial screen.  That is a massive change.  We will fundamentally change how we use our screens.  I see a very distinct future where these things will emerge from their cocoon and replace the iPhone, laptop, etc.  You will notice an evolution of 30 minutes per day, then one hour, then two hours, etc.” 

Think that overstates things a bit?  Well, Ted cautions you this way.  “It’s the exact same paradigm shift we saw with mobile phones decades ago.  Just imagine back then that you would – decades later (i.e., today) — carry a device with you almost every waking moment of your waking life.  Even Bill Gates would have said that is ridiculous.”

Yet, here we are.  Today.  In that “unimaginable” world.  That’s how fast it goes.

Ted is adamant about this inevitable “evolution of the screen” reality, and he is convincing.  “I know the next evolution is coming.  All of these experiments today are on their way to something really, really significant.  2019 will be very subtle in this revolution.  Still for the early adopter, because none of these head mounted immersive devices today will replace our smart phones.  But the constant and continuous evolution of this tech is happening

via TechCrunch

[fmservers]

2018 was a year of massive mergers and acquisitions with AT&T/Time Warner, Disney/Fox, and Comcast/Sky. The #MeToo movement made headlines, and the dominant emotion in boardroom discussions around Hollywood and beyond was fear … lots of fear in the ranks of our tech-infused world of media and entertainment (as well as in the world itself).

So what does the crystal ball predict for 2019?

Here are some of the narratives that will shape the world of entertainment next year and set the stage for the roaring 20s of the media industry.

PREDICTION #1 – Blood continues to spill in the relentless battle amongst premium OTT video giants, as Apple and Disney join the subscription video fray and add to the epic collective assault on Netflix.  In the midst of it all, smaller “niche” players either find their singular voices that attract “fandom” and broader monetization, or risk being marginalized and swallowed up by their strategic investors (for a fraction of what they would have commanded a couple years back). 

Originals continue to be the primary weapon used in the premium subscription streaming video battlefront, extending media’s new “Golden Age” for creators and further skyrocketing content-related development and production costs (including the price tags for A-list marquee talent).  Fierce premium OTT video competitors increasingly use content both offensively and defensively, like Disney withholding its crown jewels from Netflix (Star Wars, Pixar, Marvel, Princesses, X-Men, Avatar).  Netflix feels the heat, as will its investors, as the collective crew of “Netflix-Killers” put increasing pressure on its pure-play business model.

Netflix should be afraid of Disney’s OTT play

Meanwhile, the newly expanded list of virtual MVPDs (multi-channel video program distributors) fix their initial flaws, offer consumers real competitive choice, and hasten consumer cord-cutting even further.  Whereas we started 2016 with 2-3 real, viable mainstream choices in the U.S. for live television, as of 2019, consumers now can access nearly 10 (cable, satellite, Hulu Live, YouTube TV, DirecTV Now, Sling TV, PlayStation Vue, fuboTV, etc.).  And, even in these nationalistic times, let’s not forget about massive international players like Tencent, Alibaba or Baidu’s iQIYI, which went public in the U.S. markets this past year.

Amidst this battle of video giants, several smaller so-called “niche” or segment-focused video players either expeditiously find their uniquely compelling voice and build a fandom-fueled multi-pronged monetizing brand around it, or simply get lost in the noise.

FILE – This June 27, 2015, file photo, shows the Hulu logo on a window at the Milk Studios space in New York. Hulu said Monday, Aug. 8, 2016, that the company is dropping the free TV episodes that it was initially known for as it works on launching a skinny bundle of streaming TV. (AP Photo/Dan Goodman, File)

PREDICTION #2 – Media-Tech driven M&A continues to rule the day in all segments.  On the video side, both traditional media companies and undercapitalized and underperforming privately-held new media companies languish in this beyond-crowded OTT video space and become logical M&A targets.

M&A is a hallmark of the overall digital, multi-platform tech-infused transformation of the media and entertainment business.  Just like AT&T closed its acquisition of storied traditional (yet slow-moving) Time Warner ($85 billion), Disney beat back Comcast to acquire Fox’s entertainment assets in 2018 ($71.3 billion), Comcast struck back and acquired Sky ($39 billion), and SiriusXM acquired the remaining 81% of Pandora it didn’t already own ($3.5 billion), expect more massive deals in 2019, together with a number of smaller, yet still significant ones.  Viacom/CBS is one likely candidate.

And don’t just look within U.S. borders.  No virtual wall exists in our borderless new media world, which means that M&A’s pace will accelerate internationally as well.  Remember, the Comcast/Sky deal represents a U.S. behemoth’s ambitions to significantly expand its footprint into multiple European territories.  Lots of mega-companies around the globe desperately hope to expand their footprints to places where, up to now, they have never been.

To be clear, not all M&A will flow from weakness.  Sometimes the numbers offered simply will be too high to reject.  But make no mistake.  Weakness will abound amidst hyper-competition, and winners will swallow up losers in an environment of accelerating M&A.  Many of the so-called niche-focused OTT video services still primarily rely upon ad dollars (especially the younger ones), but remember, Google and Facebook already own about 2/3 of that global digital advertising market.  That means that most pure-play OTT video players simply cannot succeed on ad dollars alone.  And, for most, other means of monetization will be beyond their reach, as they fail to deliver a sufficiently compelling, differentiated and emotionally connected media experience.  So, much like Uproxx did this past year when Warner Music Group acquired it (likely for a song), expect several of the new media players to lose their Indie status.

PREDICTION #3 – The music industry’s streaming-driven turnaround continues and streaming revenues accelerate, but pure-play music services led by Spotify continue to hemorrhage money as losses mount.  Meanwhile, the giant “big box” retailers of the day — Apple, Amazon and YouTube (particularly YouTube) — brazenly march on, indifferent to that suffering with their fundamentally different underlying marketing-driven business models. 

Yes, Spotify boasts massive scale.  Yet, scale alone does not financial success make.  In fact, pure-play growth success leads to higher and higher losses due to sobering industry economics these pure-plays can’t stomach, but the behemoths can due to their multi-pronged business models.  These harsh realities mean that investors of many pure-play streaming music services will take a hard look at themselves in 2019 as they contemplate their next strategic next steps.  Many will realize that they can’t go it alone.  And that leads to more M&A, much like we saw this past year with SiriusXM buying Pandora and LiveXLive buying Slacker.  Spotify is not immune here.  Unless it successfully expands its business model and drives major new revenue streams, it too could be bought. Facebook anyone?

  NEW YORK, NY – APRIL 03: The Spotify banner hangs from the New York Stock Exchange (NYSE) on the morning that the music streaming service begins trading shares at the NYSE on April 3, 2018 in New York City. Trading under the symbol SPOT, the Swedish company’s losses grew to 1.235 billion euros ($1.507 billion) last year, its largest ever. (Photo by Spencer Platt/Getty Images)

PREDICTION #4 – Tech-driven media companies thrive and increasingly dominate the entertainment world by using data to their advantage.  They use AI, voice and machine learning to dominate further and even more broadly infiltrate our lives and impact our media and entertainment experiences.

Netflix, Amazon and Facebook increasingly mine their deep data about all of our hopes and dreams to maximize “hits” and minimize “misses” as compared to traditional media companies.  In many respects, the studios simply can’t compete.  Faced with that reality, the quest for data — and the services that provide, analyze and inform – takes on new urgency.  Further, the Hollywood establishment and creative community still have yet to understand – at least in large numbers — the power of new cost-effective tech-driven ways to test and measure new characters, stories and engagement in order to more smartly and efficiently place their big expensive bets.

Meanwhile, the new tech-driven media giants hope to increase their overall Media 2.0 dominance through the soothing voices of Alexa and Siri (sorry Google, yours is a little less so) and the overall AI/machine learning revolution.  “Virtual assistants,” “smart speakers” (or whatever you want to call them) increasingly dominate our home conversations, improve significantly over time, and serve up our favorite content via “intelligent” recommendations (as well as increasingly targeted and smarter incentives, promotions, ads and goods).  71% of us already use voice assistants at least once per day (most frequently for selecting the music we like to hear), so voice most definitely is here to stay.

More exotically, and perhaps somewhat alarmingly, AI also increasingly drives so-called “intelligent” creation.  AI already develops movie trailers that some believe approach the impact of their human-generated counterparts.  You be the judge — check out the first AI-produced movie trailer, care of IBM’s Watson, for the fittingly AI-themed 2016 motion picture thriller Morgan.  And, just imagine how much AI has advanced in just these past two years since then.  Can AI screenwriters be far behind?  Gong Yu, founder and CEO of China’s leading streaming platform iQIYI certainly doesn’t think so.  In his words, AI “will reshape the entertainment industry over the next 10-15 years, much more so than the Internet did over the past three decades.”  Just chew on that for a bit.

So, AI may become a real threat even to creative pursuits that, up to this point, most in Hollywood believe are untouchable by computers, bots, and robots.  Tesla maven and global futurist Elon Musk is downright dystopian and takes things even further, warning that AI may be an ultimate global threat to us all.  Musk tweeted in 2017 that “competition for AI superiority at national level most likely cause of WW3.”   Those were his precise words, so that was either Musk’s particular form of Twitter-speak, or his mind had become a bit hazy during one of his notorious cannabis-fueled interviews!

Amazon is releasing a software development kit that will let developers integrate Alexa into smart screen devices.

PREDICTION #5 – Behemoths Apple, Google and Facebook, together with other tech-driven media giants and deep-pocketed financiers from around the world, increase their already-massive investments in immersive technologies and accelerate mainstream adoption of AR.

AR’s gold rush means continued growth in the related wearables market and consumer adoption of AR-driven eyewear.  Investors of all stripes also continue to throw boatloads of cash into the overall immersive space to fuel the development of experiences (including real world live entertainment and storytelling, not only games) to feed these new platforms.  Expect significant investment in content.  The immersive market opportunity is still so nascent, yet its ultimate promise is so great, that the money working to capture it in 2019 and beyond will seem endless.  And, when so much money chases a market, that market becomes our consumer reality.

The onset of 5G wireless networks will only hasten the growth of extended reality (XR) in all its forms.  Speaking of 5G …

GUANGZHOU, CHINA – DECEMBER 06: Attendees look at 5G mobile phones at the Qualcomm stand during China Mobile Global Partner Conference 2018 at Poly World Trade Center Exhibition Hall on December 6, 2018 in Guangzhou, Guangdong Province of China. The three-day conference opened on Thursday, with the theme of 5G network. (Photo by VCG/VCG via Getty Images)

PREDICTION #6 – 5G Networks launch, reveal their early media and tech promise and possibilities, and begin to transform our media and entertainment experiences (as well as the overall ecosystem that supports them). 

5G networks are critical for media experiences that require low latency, including AR, VR, and eSports.  For AR, 5G reduces the size of consumer headsets, because processing is now done on the network itself rather than on the device.  That makes wearables increasingly user-friendly and fuels further innovation and adoption.  5G also accelerates more high quality video consumption on our mobile phones, thereby pushing purveyors of premium OTT video like Netflix to increasingly focus on mobile-first content experiences.

Jeffrey Katzenberg’s and Meg Whitman’s new mobile-driven Netflix-like premium video service Quibi (formerly NewTV) certainly saw this train coming, and jumped on first.

  PREDICTION #7 – The oft-overlooked, yet potentially game-changing, live entertainment and event plank increasingly finds itself in multi-platform Media 2.0 strategies, deepening overall brand engagement and monetization possibilities.  Expect more significant “offline”-related experiments, initiatives and M&A by both traditional and new tech-driven media companies.

Call this the “Amazon Effect,” as players across the Media 2.0 ecosystem stop scratching their heads about Amazon’s direct-to-theater film releases, brick and mortar retail expansion, and Whole Foods superstore operations – and, instead, increasingly study, respect and emulate them.  Netflix certainly did in 2018.  After trashing Amazon one year earlier for releasing its features first in theaters, Netflix announced it would begin to do the same.

Amazon understands what most still haven’t even considered – that direct, non-virtual offline consumer engagement may be the most impactful plank of them all, driving online engagement into the real world (and then back again) to create a virtual cycle of daily brand engagement and consumer monetization every step of the way.  Even traditional media company Viacom now shows signs of understanding these online/offline brand synergies.  It bought both youth-focused video industry conference VidCon and music festival SnowGlobe in 2018.

So, while MoviePass may go the way of the Dodo bird in 2019, movie theaters themselves will not die.  They simply will be re-imagined.  We humans, after all, are social creatures.  We like to get out, and we won’t be satisfied binging on Netflix alone.  Movie theater subscription services most definitely are here to stay, and Amazon will offer one soon for Prime members.  After all, in a fun fact that may surprise you, more museums populate the planet – significantly more – than McDonald’s.  See, there is hope!

  PREDICTION #8 – The #MeToo Movement continues to transform the face (and faces) of both old and new media.  And, new faces will invest new industry dollars in new (and frequently very different) content choices, bringing us new (and frequently different) stories and transforming our media and entertainment experiences.

Revelations aren’t over.  Abuse was simply far too pervasive.  Old players are gone.  New, frequently younger, tech-driven media savvy faces get a seat at the decision-making table.  They change the game of “what” and “how” we experience content.

Ultimately, #MeToo both cleanses the overall new media industry, and fills our plates with very different media and entertainment choices.

  PREDICTION #9 – Fake news, fraud and breaches of privacy continue unabated and accelerate, as does marketing concern for “brand safety.”  These seemingly unstoppable negative forces continue to place downward pressure on ad-dependent open platforms. 

Make no mistake, we are in the midst of hacking wars, the likes of which we’ve never seen.  This “good versus evil” reality is here to stay, and players across the tech-driven media and entertainment ecosystem either significantly increase their investments in counter-measures and related PR, or risk the wrath of consumers and the overall ad market (much like Facebook did this past year).

Twitter housecleaned 70 million fake and automated accounts in a two month span last year (and 1 million more daily), Instagram conceded that over 50% of engagements on its posts tagged as #sponsored are fake, Spotify similarly conceded prevalent ad fraud and decreased its total reported content hours streamed by hundreds of millions of hours, and competing music service Tidal faced accusations that it had falsified tens of millions of streams.  Just a few examples of how pervasive fraud and audience manipulation has become in our Media 2.0 world.  These fake accounts create, in the words of Variety, “a shadow army of followers that has comparatively little monetary effect.  But perform the same manipulation with music streams, and it constitutes fraud.”

  PREDICTION #10 – Blockchain technology and crypto-currency-fueled investment and experimentation, already over-hyped and under-performing, continues apace.  Yet, once again, there will be little to show for it in the world of media and entertainment.  At least for now.

Early blockchain leaders continue to be irrationally overvalued, which is always the case with any nascent market.  But, on a happier note, the voice of blockchain technology – heard thus far mostly in investment circles with promises of “instant millions” (or even billions) – becomes increasingly heard for its more positive potential for the world of media and entertainment.  Blockchain technology conceptually holds revolutionary industry-transforming new offensive and defensive power.  On the offensive front, blockchain enables new ways to monetize content via micropayments and direct creator-to-consumer distribution sans today’s leading middlemen.  These possibilities begin to reveal themselves in 2019.  On the defensive front, blockchain promises to eradicate piracy, but that happens in years, not this coming year.

  THE BOTTOM LINE

2019 certainly will push 2018’s Media 2.0 boundaries noticeably further, driven by these and other industry meta-forces.  But, these changes will be barely noticeable compared to the seismic shifts to follow in the next ten years.

I close with Paramount futurist Ted Schilowitz’s perspective on all of this.  In our conversation, Ted points to two phenomena — the first of which he calls “the known unknown,” and the second he calls “the ten year curve.”  “The known unknown” refers to what he calls the “scary” fact that we all know that massive tech-driven change is coming, but we don’t know the “twists and turns that get us there.”  Meanwhile, “the ten year curve” refers to “big dynamic change waves” that follow ten-year cycles.  In Ted’s view, we just recently finished the YouTube and iPhone 10-year cycles, and now essentially everyone around the globe participates in those dual phenomena.

So, what’s “the next big thing?”  Ted calls it the “the evolution of the screen” – so-called “visual computing” via new forms of eyewear (wearables) that replace our smartphones.  Think Minority Report-like data and content interaction, and you get the general idea.  “Surprisingly little has changed with human/screen interaction in the past 30 years,” Ted points out.  He reminds me that while user interfaces have become more sophisticated, actual screen interaction is not massively different — comparing interaction on Mac screens 30 years ago and on iPhones today.

That is all changing right now — as you sit, read and soak in Ted’s thoughts either in print, or more likely on your own v.2019 screen.  According to Ted, we are only about 3.5 years into this 10-year visual computing cycle.  “In 2013-2014, we saw the first idea of commercializing a track-able screen, a spatial screen.  That is a massive change.  We will fundamentally change how we use our screens.  I see a very distinct future where these things will emerge from their cocoon and replace the iPhone, laptop, etc.  You will notice an evolution of 30 minutes per day, then one hour, then two hours, etc.” 

Think that overstates things a bit?  Well, Ted cautions you this way.  “It’s the exact same paradigm shift we saw with mobile phones decades ago.  Just imagine back then that you would – decades later (i.e., today) — carry a device with you almost every waking moment of your waking life.  Even Bill Gates would have said that is ridiculous.”

Yet, here we are.  Today.  In that “unimaginable” world.  That’s how fast it goes.

Ted is adamant about this inevitable “evolution of the screen” reality, and he is convincing.  “I know the next evolution is coming.  All of these experiments today are on their way to something really, really significant.  2019 will be very subtle in this revolution.  Still for the early adopter, because none of these head mounted immersive devices today will replace our smart phones.  But the constant and continuous evolution of this tech is happening

Via Jonathan Shieber https://techcrunch.com

[click2watch]

Hong Kong Exchange ‘Hesitant’ to Approve Bitmain IPO, Says Source

The Hong Kong Stock Exchange (HKEX) is reluctant to approve the initial public offering (IPO) applications of Chinese bitcoin mining equipment manufacturers, according to a person involved in the talks.

Following the 2017 cryptocurrency market boom, mining giants Canaan Creative, Ebang and Bitmain applied in May, June and September of this year, respectively, to sell shares on the HKEX. Bitmain’s bid, in particular, was seen as a watershed moment, as it marked the first time a major crypto startup sought to go public.

But the 2018 bear market has underscored the sharp ups and downs of the crypto space, making the exchange nervous about listing such companies, the source told CoinDesk. Canaan Creative’s application has already lapsed, and the other two face a high bar in convincing HKEX.

“The exchange is very hesitant to actually approve these bitcoin mining companies because the industry is so volatile. There’s a real risk that they could just not exist anymore in a year or two,” said the person, who requested anonymity because the information is private, adding:

“The HKEX doesn’t want to be the first exchange in the world to approve this and have one die on them.”

An HKEX spokesperson said the exchange does not comment on individual companies or individual listing applications. Bitmain declined to comment, citing its pre-IPO quiet period, while Canaan Creative and Ebang did not respond to CoinDesk’s inquiries by press time.

Stepping back, the IPO process in Hong Kong starts with a company filing a draft prospectus with the HKEX. Then the exchange will begin back-and-forth talks and questions with the applicant.

If the application is approved by both the HKEX and the Securities and Futures Commission (SFC) – Hong Kong’s financial regulator – the case will proceed to a listing hearing, during which the offering size and share price are decided and then made public.

However, if an applicant does not make it to a listing hearing after six months from filing, the application will lapse, meaning the case is no longer active, though the applicant could choose to later reactivate the case if it still wishes to pursue the fundraising.

Canaan’s application lapsed in November after the firm failed to make it to the listing hearing six months from its May filing. Ebang, which submitted on June 24, is only two weeks away from the six-month window ending. Bitmain, the best known of the bunch, is almost halfway through the six-month period.

“Right now, I don’t think that any of them could make it to the listing hearing,” said the source, noting that both HKEX and the SFC must sign off. “If either one doesn’t approve it, you can’t make it to the listing hearing.”

High hurdles

Lawyers familiar with the HKEX’s IPO process called its hesitance to list mining firms understandable.

Apart from basic listing requirements such as financial track records, the HKEX also focuses on “suitability and sustainability of the business and how risky the business is for retail investors,” said Ivy Wong, a partner at the law firm of Baker McKenzie in Hong Kong.

“I have seen cases where the applicants could satisfy the basic listing requirements for the three years’ track record, but did not manage to convince the HKEx that its business is sustainable, and the HKEX was reluctant to grant a listing approval,” she said.

Frank Bi, a partner at international law firm Ashurst in Hong Kong who regularly works with public companies, echoed that point.

“HKEX will be particularly cautious and concerned over the regulatory uncertainty arising from bitcoin mining makers’ IPOs in Hong Kong,” he said. “Coupled with the potential market speculation which has been reflected over the price of bitcoin recently, it is even more difficult to present a sustainable business model of this industry.”

Neither Ebang nor Bitmain has disclosed its financial data for the third quarter of this year when the cryptocurrency market started to take a notable dip.

“If there’s a significant drop of their revenue, profits or loss, they have to disclose that. It’s something that worries the exchange,” the source familiar with the talks said.

The source went on to explain the exchange is actually taking the advantage of the fact the crypto market is down right now because while it doesn’t want to approve the applications, it doesn’t have the grounds to reject them outright.

“What they are doing is they are just dragging the case right now,” the source said, adding:

“If the market continues going up, the exchange may be pressured to approve the cases because how well the entire industry is doing. But because the market is down, these companies really have to justify [how] this industry is sustainable.”

Bi said two common reasons for IPO delays in Hong Kong are a failure on the applicant’s part to provide due diligence and disclosure to HKEX’s satisfaction and market conditions where a realistic valuation is different from what existing investors want for their exit.

“HKEX has always been known to be cautious about scrutinizing applicants’ businesses and their sustainability,” Bi said.

More than mining?

One approach bitcoin miner makers have tried to justify their business models to HKEX is to brand themselves as having diverse lines of business, such as research and development in artificial intelligence, telecommunication and blockchain, according to the draft filings.

For instance, Bitmain claimed to be a “strong contender in the AI chip industry” in its draft prospectus, potentially joining the ranks of technology giants like NVIDIA and Google.

“Riding on our success and expertise in ASIC chip design and powerful research and development capabilities, we have extended our focus to the revolutionary field of AI and have achieved promising results,” the firm stated in the filing.

Bitmain said it launched its pilot AI chip BM1680 in the second quarter of 2017, which “functions as a tensor computing acceleration processor for deep learning, applicable to training and inference on artificial neural networks.”

But such arguments are not going over well at HKEX, according to the source involved in the talks.

“Actually what they are is they are just manufacturers who focus primarily on bitcoin mining machines. If this whole mining thing tanks, these companies will probably tank as well,” the source said.

Bi agreed, telling CoinDesk while these companies have made statements about expanding their business models beyond crypto mining, “it is likely that crypto mining-related activities and crypto holdings still comprise a majority part of their revenue.”

Another factor that can could make hurt these companies chances of approval is their vast holdings of cryptocurrencies whose value has steeply fallen in the past six months.

“Combined with a limited track record of business operations and the substantial recent decline in crypto values, likely means that regulators will be especially closely scrutinizing their businesses,” Bi added.

Bitmain, for example, disclosed that as of June 30 this year, it had US$886.9 million in crypto assets, including bitcoin, bitcoin cash, ether, litecoin and dash, among others.

Although it didn’t disclose a coin-by-coin breakdown, data from CoinDesk’s Crypto-Economics Explorer shows all of the mentioned cryptocurrencies have seen a major decline by at least 50 percent. Among them, bitcoin cash has seen the most significant drop after the recent hard fork war, in which Bitmain has played a vocal part in leading the Bitcoin Cash ABC camp.

“It [the crypto holding] certainly doesn’t help with the case, because you are just adding more risks. Now it’s not just your revenue that’s at risk, but also your balance sheet,” the source said.

Status symbol

To be sure, going public is not necessarily a life-or-death matter for the Chinese mining companies.

“These companies – Ebang, Bitmain and Canaan – want the regulatory approval and status of being a listed company. But as far as the genuine funding needs, they actually have quite a lot of money because they have made a lot in the past year,” said the source familiar with the discussions.

Indeed, the 2017 boom helped the miner makers in China to generate exponential revenue and profit growth.

Bitmain, Cannan and Ebang made $1.2 billion, $56 million, and $60 million, in profits last year, respectively. Further, the significant growth also led to a whopping increase in the firms’ compensation for their key executives.

According to the filings, Bitmain’s founders Ketuan Zhan and Jihan Wu, for instance, received $22.7 million and $20.4 million as discretionary bonuses for 2017, respectively, while their annual salaries were both $27,000.

Wong said companies’ reasons for seeking IPOs may vary – some do it for profile and presence in the market while others do it for fundraising and realizing gains.

“My guess is that their [miner makers’] reasons are likely mixed, coupled with a desire to set market precedent and be the first mover in the market,” she said.

More broadly, Wong said it may be too early to tell the success or failure of any of these crypto companies as the market is still relatively young and we have yet to see how they emerge and develop.

She concluded:

“It is, in any event, an exciting thing to see that it is able to provide investors with more investment options and satisfy the different risk appetites in the market.”

Lion sculpture image via Shutterstock

!function(f,b,e,v,n,t,s){if(f.fbq)return;n=f.fbq=function(){n.callMethod? n.callMethod.apply(n,arguments):n.queue.push(arguments)};if(!f._fbq)f._fbq=n; n.push=n;n.loaded=!0;n.version='2.0';n.queue=[];t=b.createElement(e);t.async=!0; t.src=v;s=b.getElementsByTagName(e)[0];s.parentNode.insertBefore(t,s)}(window, document,'script','//connect.facebook.net/en_US/fbevents.js'); fbq('init', '239547076708948'); fbq('track', "PageView"); This news post is collected from CoinDesk

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[judeblenews-blog]

Google’s smart home sell looks cluttered and incoherent

If any aliens or technology ingenues were trying to understand what on earth a ‘smart home’ is yesterday, via Google’s latest own-brand hardware launch event, they’d have come away with a pretty confused and incoherent picture. The company’s presenters attempted to sketch a vision of gadget-enabled domestic bliss but the effect was rather closer to described clutter-bordering-on-chaos, with existing connected devices being blamed (by Google) for causing homeowners’ device usability and control headaches — which thus necessitated another new type of ‘hub’ device which was now being unveiled, slated and priced to fix problems of the smart home’s own making. Meet the ‘Made by Google’ Home Hub. Buy into the smart home, the smart consumer might think, and you’re going to be stuck shelling out again and again — just to keep on top of managing an ever-expanding gaggle of high maintenance devices. Which does sound quite a lot like throwing good money after bad. Unless you’re a true believer in the concept of gadget-enabled push-button convenience — and the perpetually dangled claim that smart home nirvana really is just around the corner. One additional device at a time. Er, and thanks to AI! Yesterday, at Google’s event, there didn’t seem to be any danger of nirvana though. Not unless paying $150 for a small screen lodged inside a speaker is your idea of heaven. (i.e. after you’ve shelled out for all the other connected devices that will form the spokes chained to this control screen.) A small tablet that, let us be clear, is defined by its limitations: No standard web browser, no camera… No, it’s not supposed to be an entertainment device in its own right. It’s literally just supposed to sit there and be a visual control panel — with the usual also-accessible-on-any-connected-device type of content like traffic, weather and recipes. So $150 for a remote control doesn’t sound quite so cheap now does it? The hub doubling as a digital photo frame when not in active use — which Google made much of — isn’t some kind of ‘magic pixie’ sales dust either. Call it screensaver 2.0. A fridge also does much the same with a few magnets and bits of paper. Just add your own imagination. During the presentation, Google made a point of stressing that the ‘evolving’ smart home it was showing wasn’t just about iterating on the hardware front — claiming its Google’s AI software is hard at work in the background, hand-in-glove with all these devices, to really ‘drive the vision forward’. But if the best example it can find to talk up is AI auto-picking which photos to display on a digital photo frame — at the same time as asking consumers to shell out $150 for a discrete control hub to manually manage all this IoT — that seems, well, underwhelming to say the least. If not downright contradictory. Google also made a point of referencing concerns it said it’s heard from a large majority of users that they’re feeling overwhelmed by too much technology, saying: “We want to make sure you’re in control of your digital well-being.” Yet it said this at an event where it literally unboxed yet another clutch of connected, demanding, function-duplicating devices — that are also still, let’s be clear, just as hungry for your data — including the aforementioned tablet-faced speaker (which Google somehow tried to claim would help people “disconnect” from all their smart home tech — so, basically, ‘buy this device so you can use devices less’… ); a ChromeOS tablet that transforms into a laptop via a snap-on keyboard; and 2x versions of its new high end smartphone, the Pixel 3. There was even a wireless charging Pixel Stand that props the phone up in a hub-style control position. (Oh and Google didn’t even have time to mention it during the cluttered presentation but there’s this Disney co-branded Mickey Mouse-eared speaker for kids, presumably). What’s the average consumer supposed to make of all this incestuously overlapping, wallet-badgering hardware?! Smartphones at least have clarity of purpose — by being efficiently multi-purposed. Increasingly powerful all-in-ones that let you do more with less and don’t even require you to buy a new one every year vs the smart home’s increasingly high maintenance and expensive (in money and attention terms) sprawl, duplication and clutter. And that’s without even considering the security risks and privacy nightmare. The two technology concepts really couldn’t be further apart. If you value both your time and your money the smartphone is the one — the only one — to buy into. Whereas the smart home clearly needs A LOT of finessing — if it’s to ever live up to the hyped claims of ‘seamless convenience’. Or, well, a total rebranding. The ‘creatively chaotic & experimental gadget lovers’ home would be a more honest and realistic sell for now — and the foreseeable future. Instead Google made a pitch for what it dubbed the “thoughtful home”. Even as it pushed a button to pull up a motorised pedestal on which stood clustered another bunch of charge-requiring electronics that no one really needs — in the hopes that consumers will nonetheless spend their time and money assimilating redundant devices into busy domestic routines. Or else find storage space in already overflowing drawers. The various iterations of ‘smart’ in-home devices in the market illustrate exactly how experimental the entire  concept remains. Just this week, Facebook waded in with a swivelling tablet stuck on a smart speaker topped with a camera which, frankly speaking, looks like something you’d find in a prison warden’s office. Google, meanwhile, has housed speakers in all sorts of physical forms, quite a few of which resemble restroom scent dispensers — what could it be trying to distract people from noticing? And Amazon now has so many Echo devices it’s almost impossible to keep up. It’s as if the ecommerce giant is just dropping stones down a well to see if it can make a splash. During the smart home bits of Google’s own-brand hardware pitch, the company’s parade of presenters often sounded like they were going through robotic motions, failing to muster anything more than baseline enthusiasm. And failing to dispel a strengthening sense that the smart home is almost pure marketing, and that sticking update-requiring, wired in and/or wireless devices with variously overlapping purposes all over the domestic place is the very last way to help technology-saturated consumers achieve anything close to ‘disconnected well-being’. Incremental convenience might be possible, perhaps — depending on which and how few smart home devices you buy; for what specific purpose/s; and then likely only sporadically, until the next problematic update topples the careful interplay of kit and utility. But the idea that the smart home equals thoughtful domestic bliss for families seems farcical. All this updatable hardware inevitably injects new responsibilities and complexities into home life, with the conjoined power to shift family dynamics and relationships — based on things like who has access to and control over devices (and any content generated); whose jobs it is to fix things and any problems caused when stuff inevitably goes wrong (e.g. a device breakdown OR an AI-generated snafu like the ‘wrong’ photo being auto-displayed in a communal area); and who will step up to own and resolve any disputes that arise as a result of all the Internet connected bits being increasingly intertwined in people’s lives, willingly or otherwise. Hey Google, is there an AI to manage all that yet?

Via: Techcrunch Read the full article

[marketingprofitmedia]

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Dream AI Review: Who Should Use It?

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Check Out My Previous Reviews: SEOBuddy AI Review, MediaGuardAI Review, AI MarketingHub Review, AITravelSite Review, TubeGorilla Review, AI Pilot Review, & LernX Review.

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