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recentanimenews · 3 years

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BL Mystery TV Anime The Night Beyond the Tricornered Window's New Trailer Previews More Characters

Before we read ahead to October, a brand new trailer for the upcoming TV anime adaptation of Tomoko Yamashita's boys-love supernatural mystery manga series The Night Beyond the Tricornered Window was released today, previewing some of the supporting cast and their voice actors.

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Joining the lead two characters are (from left to right):

Soma Saito (William James Moriarty in Moriarty the Patriot) as Keita Mukae

Chika Anzai (Reina Kosaka in Sound! Euphonium) as Erika Hiura

Satoshi Mikami (Jerome Carlstahl in 86 EIGHTY-SIX) as Hiroki Hanzawa

Junichi Suwabe (Victor Nikiforov in Yuri!!! on ICE) as Kazuomi Sakaki

Yoshitaka Yasuda (My Roommate is a Cat animation director) is be directing The Night Beyond the Tricornered Window and drawing the character designs, with Daiji Iwanaga (My Roommate is a Cat episode director) as the Chief Director, and Ayumi Sekine (IDOLiSH7) provides the scripts. The animation is being produced at Zero-G.

The Night Beyond the Tricornered Window begins in October 2021, with Crunchyroll already announcing that they will be streaming the series as it airs in Japan. Crunchyroll describes the series as such:

Bookstore employee Mikado always had a tendency to see creepy things. He had lived his life pretending he didn't see these things but then he has a fateful encounter with an exorcist named Hiyakawa. Mikado ends up being forced to help out with exorcism duties and has to deal with the embarrassing fact that exorcising these things with Hiyakawa somehow feels really good. While getting dragged into dealing with these cases every day, they run into a cold-blooded murder case. Enjoy a new kind of horror mystery created by total opposites.

Source: Comic Natalie

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Daryl Harding is a Japan Correspondent for Crunchyroll News. He also runs a YouTube channel about Japan stuff called TheDoctorDazza, tweets at @DoctorDazza, and posts photos of his travels on Instagram.

By: Daryl Harding

#Anime #News #Latest in Anime News by Crunchyroll!

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newsintheshell · 3 years

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The Night Beyond the Tricornered Window, online un nuovo trailer dell’anime in arrivo su Crunchyroll

Svelati altri membri del cast della serie animata basata sul manga boys love di Tomoko Yamashita.

Pubblicato un secondo trailer di “Sankaku Mado no Sotogawa wa Yoru” (The Night Beyond the Tricornered Window), la serie animata tratta dall’omonimo il manga boys love di Tomoko Yamashita, che a partire da ottobre andrà in onda sulle tv giapponesi e verrà distribuita in simulcast per l’Italia da Crunchyroll.

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Assieme all video sono stati svelati altri quattro membri del cast:

Keita Mukae: Soma Saito (William James Moriarty in Moriarty the Patriot)

Erika Hiura: Chika Anzai (Reina Kosaka in Sound! Euphonium)

Hiroki Hanzawa: Satoshi Mikami (Jerome Carlstahl in 86 - Eighty Six)

Kazuomi Sakaki: Junichi Suwabe (Archer in Fate/Stay Night)

L’adattamento è in lavorazione presso lo studio ZERO-G (High-Rise Invasion, Tsugumomo) e sta venendo diretto da Yoshitaka Yasuda (direttore d’animazione in My Roommate is a Cat), che altre della regia si sta occupando anche del character design. La sceneggiatura è in mano ad Ayumi Sekine (IDOLiSH7), mentre a supervisionare tutto il progetto c’è Daiji Iwanaga (direttore d’episodio in My Roommate is a Cat)

Il timido commesso di libreria Kosuke Mikado ha la capacità di vedere i fantasmi e gli spiriti, un'abilità che vorrebbe non avere, perché quello che vede di solito lo terrorizza. Rihito Hiyakawa, un esorcista i cui poteri soprannaturali sono tanto forti quanto sono scarse le sue buone maniere, non sembra temere nulla, né mortali né esseri di alcun genere. I due formano una strana coppia e assieme riescono a risolvere i casi più bizzarri.

Il mistery sovrannaturale è stato lanciato sulle pagine della rivista Magazine BExBOY nel marzo del 2013 e si è concluso lo scorso dicembre, venendo raccolto in dieci volumi.

* NON VUOI PERDERTI NEANCHE UN POST? ENTRA NEL CANALE TELEGRAM! *

Autore: SilenziO)))

[FONTE]

#the night beyond the tricornered window #anime #serie tv #sankaku mado no sotogawa wa yoru #sankakumado #manga #newsintheshell #cartoni animati #news in the shell #animazione #giappone #streaming #crunchyroll #simulcast

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luna-rainbow · 5 years

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2020 winter dorama SP

A number of highly anticipated drama specials screened during the lull before the new drama year starts. Hanzawa Naoki 2 Episode 0 I never got into the Hanzawa hype, but it was the highest rated drama of last decade. It's due for a sequel later this year, and has decided to whet everyone's appetite with a short spin-off in episode 0. Commerce, business and economics being my weak point, I had no idea what they were talking about, but the gist of it was that one of the big business (or stocks?) companies was trying to change their online system, and other people are trying to use this opportunity to undermine its digital security. For something that's just over 1 hour long, it managed to fit a surprising amount of character development and sympathy without compromising the pace. Neither Yoshizawa Ryo nor Imada Mio are fantastic actors but they're photogenic enough to make you overlook that. Gibo to musume no Blues (rating: 16.0%) I was really looking forward to this, and so I was quite disappointed by what turned out to be 2 hours of nothing really happening. Of course, it's nice enough to see the characters grace the screen once more with their familiar quirks, but it didn't have the emotional heft the original series managed. It looks like it's trying to set up a second series with Takenouchi Yutaka having another big role, but his reintroduction was soured by the fact that he was teased multiple times throughout the 2 hours but was only properly introduced, quite literally, at the closing minute. As much as I like Satou Takeru, I still think this is one of his more awkward and less likeable roles, and there's very little chemistry between his bumbling character and Ayase Haruka's elite office lady. If there is another season, I hope it's better quality than this Kyoujou (rating: 15.0 + 15.3%) Kimura Takuya is a brand so strong that his name being attached to a drama is assurance enough about its quality. Even then, this 2-part series (coming up to 4 hours total) was a pleasant surprise. Supported by a cast of popular B-grade young actors, including Miura Shohei, Kudou Asuka, Oshima Yuko, Kawaguchi Haruna, Hayashi Kento, Aoi Wakana and Nishihata Daigo, and adapted from Nagaoka Hiroki's award-winning book of the same name, what it doesn't have in the form of explosions and fisticuffs, it makes up for in its gripping characterisations. Set in a police academy, frequently described by characters as "a sift" to rid the police force of poorly qualified people. But where it could have been the survival of the cruellest, the appearance of Kimura's character Kazama Kimichika puts a stop in that. Aloof and apparently emotionless, his lessons teach self-belief, empathy and persistence, while forcing students to confront their reason to be in the police force and work out for themselves whether they're appropriate for the job. In the process, he also weeds out students who are likely to later abuse their authority for personal gain, as they are already doing in the school. The cutting between characters and scenes feels choppy at the start but as you become familiar with the class it makes the interactions more interesting. I would have loved to watch this as a fully fledge 12 part series as its own, and giving each character more time to develop, but at the same I appreciate the tighter pacing. The ending opens the way for sequels, and I'd love to see more.

#jdorama #jdrama #kyoujou #gibomusu #kimura takuya #ayase haruka #yoshizawa ryo #gibo to musume no blues #hanzawa naoki

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notfspurejam · 5 years

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Found my favourite Japanese detective drama “Iryu Sosa” aka “Crime Scene Talks” S4 with ENG subtitle!

http://www2.fastdrama.me/watch-online/iryu-sousa-season-4/episode-1

Satoshi Itomura is an assistant police investigator who belongs to the Metropolitan Police Department’s Scientific Investigation Team. Reenact- ments, fingerprint and voice data collections, profiling... His team collects scientific evidence and pieces together fragments of information to help build evidences. However, Itomura often does not care about the scientific approach and instead pays a great deal of attention to the things that the victims always carried with them or treasured. And he focuses on these things because they usually carry the victim’s dying wishes, understanding that last message not only helps solve the cases but also brings closure to the depressed family of victims.

Also found some J-dramas in which Takaya Kamikawa, who performs as Itomura in “Crime Scene Talks”, appears as major characters. He’s a really reasoned actor. Please try watching them if you’re interested in Japanese (mystery) drama!

“Butler Saionji's Great Reasoning” Season 2

http://www2.fastdrama.me/shitsuji-saionji-no-meisuiri-2

Continuation from season 1. Saionji Hajime serves the wealthy Ijuuin family. He graduated at the top of the London school for butlers. As the perfect butler, housekeeping skills and management of the mansion go without saying. He mastered martial arts and also has knowledge of all sorts of genres including science and history. Saionji has established a firm relationship of trust with Yuriko, the widow of the head of the Ijuuin family. He abides by the wishes of the inquisitive Yuriko and independently investigate difficult case. No matter how capable he is as a butler, he should be an amateur at investigating cases. However, nothing is impossible for Saionji who brilliantly figures out the mystery with his knowledge and skills.

“Mai Hanasaki Speaks Out” Series

http://www2.fastdrama.me/hanasaki-mai-ga-damatte-inai http://www2.fastdrama.me/hanasaki-mai-ga-damattenai-2

Mai Hanasaki (Anne Watanabe) and Ken Soma (Takaya Kamikawa) work for Tokyo Daiichi Bank and their job is to fix problems that arise at various local bank branches. Keisuke Matsuki (Hiroki Narimiya) is an enthusiastic and honest bank teller. While working with Mai Hanasaki, he develops feelings for Mai Hanasaki. Meanwhile, insensitive Mai Hanasaki is oblivious to Keisuke's feelings towards her.Based on the novel from the Hanzawa-series bestsellers writer, Ikeido Jun. Hanasaki Mai is but an ordinary employee of a bank, with zero diplomacy. She doesn't think twice about pointing out her boss' mistakes. Her job is to investigate any wrongdoings in the bank branches. She is the voice of the suppressed staff who are unable to go against their bosses. Her partner is the veteran staff, Soma Ken, whose career with the bank had reached a dead end, no promotions in sight. Together, they resolve all the non-compliance issues at the bank

“MARKS”

http://www2.fastdrama.me/marks-no-yama

20 years ago a half-frozen boy was rescuded in the mountains after his parents apparent sucide. He gets released from a mental institution and his girlfriend notices him talking about a dark mountain shadow. Meanwhile a murder happens in a residential area in Tokyo. Assistant Inspector Goda Yuichiro takes on the investigation. Soon an official of the Ministery of Justice gets murdered in a similar fashion pointing towards a serial killer. Yet, Goda receives a strange order from above: he's not to further investigate in this direction. He senses a huge mystery behind the case and starts chasing after the psychopath killer called Marks. Somehow a journalist's research about a corrupt construction magnate and another unsolved murder that happend in the mountains 13 years ago are also linked to the case.

“BG: Personal Bodyguard”

http://www2.fastdrama.me/bg-personal-bodyguard

Shimazaki Akira lives with his middle school student son. He used to work as a bodyguard, but, due to an incident, he now works as a security guard at a construction site. The private security company where he works establishes a new bodyguard division. Hiding his past as a bodyguard, Akira Shimazaki begins work as a novice bodyguard.

“No Side Manager”

http://www2.fastdrama.me/watch-online/no-side-game/episode-1

Kimijima Hayato works for a big manufacturing company. He wants to be successful at his job and he is mentioned for a promotion, but he opposes the company undertaking a project led by his boss. This leads to Kimijima Hayato being demoted to a chief of general affairs position at a factory in the province. He is also ordered to work as the general manager of the company's rugby team named Astros. The Astros were once a formidable team, but they have been losers in their recent past. Kimijima Hayato hopes to regain his standing at the company by rebuilding the Astros into a powerhouse, but he doesn't have any knowledge about rugby.

“A Corpse Is Buried Under Sakurako's Feet”

http://www2.fastdrama.me/beautiful-bones-sakurakos-investigation

Sakurako Kujō is a genius beauty in her mid-twenties whose life is centered around one thing and one thing only: bones. With little tolerance for others, she would be completely isolated in her study full of skeletons if it weren’t for high school boy Shotaro—her new assistant and constant companion. Why exactly she has taken a shine to him remains a mystery, but one thing is clear: Whenever the two go out together, the chances are high that they will come across a human corpse.

#jdrama #japanese dramas #crime scene talks

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animefagos · 3 years

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Nuevo teaser y cuatro voces más del anime basado en el manga yaoi Sankaku Mado no Sotogawa wa Yoru

Nueva entrada publicada en https://www.animefagos.com/2021/08/05/nuevo-teaser-y-cuatro-voces-mas-del-anime-basado-en-el-manga-yaoi-sankaku-mado-no-sotogawa-wa-yoru/

Nuevo teaser y cuatro voces más del anime basado en el manga yaoi Sankaku Mado no Sotogawa wa Yoru

La página web oficial de la adaptación animada para televisión del manga yaoi Sankaku Mado no Sotogawa wa Yoru, de Tomoko Yamashita, ha publicado un nuevo teaser y ha anunciado cuatro voces más del anime. Soma Saito como Keita Mukae. Chika Anzai como Erika Hiura. Satoshi Mikami como Hiroki Hanzawa. Junichi Suwabe como Kazuomi Sakaki. El anime…

#Sankaku Mado no Sotogawa wa Yoru #Tomoko Yamashita #Zero-G

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rosesweetchild · 3 years

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jUnJoU dIsAsTeR - 7

The penultimate chapter!

The 'this ends here' moment!

The boss battle! (Well as close as I'm getting to one)

The one where Hiroki finally gets to yell and scream because that's his favorite thing to do aside from reading, researching and publishing scholarly articles. Oh and sex and those confusing relationships.

The Owada in Hanzawa Naoki "YOU'RE FINISHED! DEATHS!" reference that nobody will actually get but I'm mentioning anyway on the really off chance that somebody will and which had to be exised non moment!

The one-shot that could (or couldn't) has almost reached it's conclusion!

Hmm. There's got to be more hype I can throw in here, no? No? Nowaki in a coma I know, I know. It's serious. (translation: apologies for the horrible Smiths parody and to Nowaki who deserves more. So much more. Like multiple NowakixRitsu AUs for one)

So without further ado I present to you the seventh chapter of JUNJOU DISASTER

https://archiveofourown.org/works/29814366/chapters/74990352

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doramaticbites · 7 years

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10 Representative Jdramas of the 2010s (so far)

This post is inspired by, or rather, is a reply to this excellent question posted by an anon to @jdramaconfessions. I meant to reblog the post with a reply but then this post got MASSIVE so I decided to just make a new one.

Of course, the best answer to that question of what are the representative dramas of this current decade can only be written in about 2025, when there is enough time to look back and take stock of what dramas actually stood the test of time. As it is, there are still 3.5 years left to the decade – and if 2013 and 2016 was any indication, one fairly good year could give us a couple of hits. That being said, I’m going to try.

I think the best place to start, when trying to curate a list of representative dramas is first to ask – how exactly does one define representative and what are these dramas supposed to be representative of?

The word ‘representative’ is tricky to me because it implies something different than ‘favourite’. When asked for a list of ‘favourite’ dramas, it’s definitely personal, and there’s no need to try to choose something objectively. But the word ‘representative’ implies that there has to be some sense of objectivity to one’s choice, even though I agree with the admin of jdramaconfessions that at the end of the day, personal preference still comes into play.

I define representative in three ways.

Firstly, by memorability. We are still living this decade out, so it’s hard to say which dramas will stand the test of time in the next decade or so. Still, I’m sure that there are a number of dramas from the early 2010s that cling on to our minds and are still referred to often.

Secondly, by popularity. I don’t mean to say that every popular show that has come out in the past decade is automatically memorable or representative drama. In fact, quite the contrary. Every season will inevitably have its own popular drama. But there are a number of dramas that have exploded in popularity and I feel that it is then valid to give them a spot on the list. After all, to an extent, popularity indicates a show’s ability to resonate with a wide audience. I will also try to choose dramas that are popular both domestically and internationally. Making popularity a criteria is also why I sadly exclude excellent dramas like the Oguri-led BORDER and gothic drama Karamazov no Kyodai – both were insanely memorable and unique to me, but perhaps not commercially popular enough to make them ‘representative’.

Thirdly, by innovation. This is also a way to address the question of ‘What exactly are these choices supposed to be representative of’? Jdrama is a big umbrella of many sub-genres. A representative drama of one sub-genre (say romance) may not always be representative of the entire group. Though to be sure, there are times when they overlap. So what I mean by ‘innovation’ is any given drama’s ability to give fresh life to their genres, and bring something new to the table. It’s a drama’s ability to be either be excellent within the constraints of its genre, or conversely, its ability to push the boundaries of the genre.

With that being said, I’ve got chosen a couple of dramas I think fit the bill – In no particular order after the cut!

1) Hanzawa Naoki

I’m putting this one first because @midnightrain910 brought it up. Yes. Personally I didn’t think Hanzawa Naoki was THAT great, but boy was it adored by repressed salarymen all over Japan. I literally had 2 of my (Japanese) managers come up to me to ask me if I’d watched it – on separate occasions! I mean shame on any 2013 Japan enthusiast who didn’t know the “bai-gaeshi” catchphrase. It also cemented Masato Sakai’s reputation as a credible and commercially viable actor.

2) JIN 2

I thought JIN 2 was inferior to the first season, but I included it anyway because I wanted to somehow squeeze JIN into this list. JIN is the historical, time-travel, medical drama OF DREAMS. It was so well-acted and so unexpectedly good. Just last year my Turkish colleague was raving about it to me. In that sense, I think it is an internationally accessible jidaigeki with a lot of heart.

3) Strawberry Night

Ok so, if you were to compare Strawberry Night with the MANY other Japanese crime/detective dramas, you wouldn’t find it definitive or groundbreaking. But still, it was GOOD. Sure I may be biased, but look, it lasted 2 SPs, 1 full season and 1 movie. If that’s not a testament of its popularity I don’t know what is. It managed to weave a bit of romance into it too. Also I think this is the series that threw Nishijima Hidetoshi into the limelight. He’s been around for ages, but I don’t think he had done anything since Asunaro Hakusho that was really popular until Strawberry Night.

4) Juhan Shuttai!

Juhan Shuttai! never set out to be critically acclaimed or sold itself like it was a precious gem filled with top actors. Nah, it set out to be a feel-good show but boy was it that and MORE. It just goes to show that great characterisation and a solid plot will bring a show far. That’s not to say that the actors weren’t good. A few of them were excellent, some of them were serviceable. I just wanted to point out that unlike some shows (cough Triangle, cough Rich Man Poor Woman, cough MOZU), they didn’t overpromise and underdeliver. Also, oftentimes well-written dramas happen to be so serious. I would really love to see more in the vein of Juhan Shuttai! (And Legal High, if I might add).

5) Quartet (2017) - Not to be confused with the other jdrama of the same name

Putting this in despite not having watched it because all the reviewers that I trust to give an honest opinion found that it lived up to its hype. THANK GOOD HEAVENS. After giving the couple of examples above of how a good cast doth not a good drama make, I’m glad that Quartet can now live on as the drama which BROUGHT IT. Also I wasn’t about to make this list without Mitsushima Hikari (If Quartet hadn’t made it I would have put in Woman). She’s one of most excellent actresses to have surfaced this decade. It’s so odd because I remember her from Folder5 days – and who would’ve known she’d be here today.

6) Marks no Yama

To me this must have been the drama that put WOWOW on the map. It was that drama that made everyone sit up and realise that WOWOW wasn’t just a second-rate channel airing foreign shows. It had a good strategy going – a very strong understanding of its niche, and the willingness to ignore popular models and idols and go for gritty, well-written fare instead. Because I’m ultimately quite a frivolous drama fan, I must have to say most of WOWOW posters (and shows) don’t really attract me, but the couple that I have watched have wow-ed me (pardon the pun).

7) Itazura na Kiss ~ Love in Tokyo

Ok it was a toss up between Good Morning Call and this one, neither of which I watched by the way. Well I did attempt one episode of GMC but I just….couldn’t. The truth is, now that I teach Japanese high-schoolers, it’s very hard for me to watch dramas with them in it. Though in a sense I’ve outgrown the genre, it’s more of a ‘this hits too close to home’ thing. That being said, high school dramas are a staple of drama world and it’d be weird not to include at least one. So I just went with which one I heard about the most.

Admittedly, the early to mid 2000s were a heyday for high school dramas to me. I’m hard-pressed to find a Stand Up! or Nobuta wo Produce among the current lot of dramas. They just don’t make them like they did anymore. That’s not to say it has been bad. I thoroughly enjoyed Narimiya Hiroki and Niigaki Risa trying their darndest to act like teens in Yankee Kun to Megane Chan. I was impressed that Piece managed to build itself into a dark mystery cum social commentary despite having pretty weak actors. I heard Sprout was cute. THAT SAID, none of them could be considered representative in my book.

As such, Itazura na Kiss stands out for being one rare remake that actually became as popular as its predecessor – and which was one teen drama to capture the hearts of international tumblrites.

8) Saikou no Rikon

Not only was this the show that introduced me to the genius that is Ono Machiko, it was the drama that turned the romance drama genre on its head. Its dialogue was witty, it was unapologetically real. And I think it made more writers sit up and realise that it’s the 2010s and they should really be challenging romcom stereotypes, not mindlessly rehashing them again and again.

9) We Got Married as a Job

@repinipi brought this up and yes, HOLY SMOKES this was THE romcom of 2016. It took Japan by storm. Till now theme song Koi is still on the top 10 of karaoke charts. My kids went wild when we teachers danced it at grad party. People still talk about the drama and Hoshino Gen is capitalising on it. Solidly written, it managed to be realistic, though the circumstances were obviously way to fictional to happen in real life. In 2020, I think this drama will still be looked upon fondly.

10) HiGH & LOW

I thought about this. I thought about this long and hard because, should H&L even be considered on the same plane as other dramas? At its core, it’s more of a promotional vehicle. But it just threw the delinquent/gang genre and shook it up into it’s own visually brilliant spectacle. It will probably never find its place among mainstream audiences in Japan. But it has grown its own dedicated fan base. If anything I’d compare it to Tokusatsu and Takarazuka fandoms. They are niche, but there are there, they are proud, and they are ready to throw some bills. LDH took J&A’s ambition and promotional ideas, then stepped it up a couple of notches. If anything, the business savvy of this company puts the entire series on this list.

Final Thoughts

I am just one person who simply hasn’t had much time to watch as much jdrama as I’d like. So its inevitable that I would have missed some out. Also, to make the arbitrary number of 10, I was unable to put some other picks on (trust me I would put either SPEC, Yae no Sakura, or Sanada Maru in in a heartbeat). Well, it wouldn’t be representative if too many made the list eh? Lastly, please remember, objective as I try to be, feel free to agree or disagree. Let me know your picks! :)

#jdrama #jdramas #hanzawa naoki #saikou no rikon #juhan shuttai #quartet #we got married as a job #Nigeru wa Haji da ga Yaku ni Tatsu #high&low #jin #marks no yama #strawberry night #itazura na kiss love in tokyo

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lilium-dragomir · 6 months

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#Manga #Shounen ai #Tomoko Yamashita #Sankaku Mado no Sotogawa wa Yoru #The Night Beyond the Tricornered Window #Kousuke Mikado #Hiroki Hanzawa

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ezralva · 3 years

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All forms of hand-holding in Sankaku Mado, each holds different meaning and power.

#no I'm not trying to be sentimental #the fact at the last pict they were both crying 😢#hanzawa hiroki #hiyakawa rihito #mikado kousuke #hiura erika #mukae keita #hiyakawa x mikado #anime #manga #symbolic #sankaku mado no sotogawa wa yoru #the night beyond the tricornered window #さんかく窓の外側は夜

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jpf-sydney · 5 years

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ICT Nihongo kyōiku

New item:

Shelf: 810.72 ICT ICT Nihongo kyōiku : jōhō tsūshin gijutsu o riyōshita Nihongo kyōiku no riron to jissen = ICT x Japanese language education : theory and practice. supervised by Tohsaku, Yasu-Hiko ; edited by Lee, Jae-ho. Tōkyō : Hitsuji Shobō, 2019. ix, 289 pagers : illustrations ; 21 cm. (Includes bibliographical references and index). Text in Japanese. ISBN: 978-4-89476-944-1

Table of contents:

Nettowāku jidai no gengo kyōiku gengo gakushū / Tōsaku Yasuhiko.

Nihongo bunpō ninchi shindan web tesuto / Shimada Megumi, Son En, Yabe Hiroko, Toyota Tetsuya.

Gakushūsha sakubun no shūjukudo ni kansuru jidō hantei to web shisutemu no kaihatsu ni tuite / Ri Jeho, Hasebe Yōichirō, Murata Yumiko.

CEFR dokkai shihyō ni motozuku Nihongo reibun bunrui shuhō / Miyazaki Yoshinori, Hirakawa Ryōta, Takada Hiroki, Tani Seiji.

Skype ni yoru enkaku sesshon o toriireta jissen : deep active learning no shiten kara / Mōri Takami.

AI chūta no jitsugen ni mukete : goyōrei kōpasu dēta no kōchiku to goyōbun shūsei chishiki no shūtoku / Aikawa Takako, Takahashi Tetsurō.

Hanten jugyō o ishikishita kyōzai kaihatsu no tame no jissen jugyō / Ishizaki Toshiko.

Intānetto o katsuyōshita ibunkakan komyunikēshon nōryoku ikusei o mezashita Nihongo gakushū katsudō / Shō Deguchi Kaori.

Dejitaru sutōrīteringu (DST) o mochiita katsudō no kanōsei : tayō na Nihongo kyōiku no genba kara / Hanzawa Chiemi, Yame Mayumi, Higuchi Makiko, Katō Mahoko, Ikeda Keiko, Suma Shūichi.

To combine knowledge and the real world : kakuchō genjitsu o riyō shita Nihongo gakushū no kokoromi / Yonemoto Kazuhiro.

Kōdō chūshin apurōchi ni motozuita Yōroppa ni okeru Nihongo onrain tesuto no kaihatsu / Higashi Tomoko, Shirota Chieko.

Kanjiryoku shindan tesuto ni yoru Nihongoryoku no hyōka / Kanō Chieko, Gina.

Mēru sakusei tasuku o mochiita sakubun shien shisutemu / Kneniwa Kumiko, Kawamura Yoshiko, Hashimoto Naoyuki, Kobayashi Hidekazu.

Keizokuteki ōraru asesumento no kaihatsu : "hanaseru" o jikkansuru hyōkahō o mezashite / Miyamoto Mayū, Fukada Atsushi.

Kan-Etsugo dētabēsu o katsuyōshita onsei ninshiki ni yoru kango gakushū apuri no kaihatsu / Kurosu Naomi, Yamasaki Megumi.

Keizokuteki na gakushū ni tsunageru Nihongo gakushū saito : "Hirogaru motto ironna Nihon to Nihongo" / Itō Hideaki, Ishii Yōko, Maeda Sumiko.

Marugoto Nihongo onrain kōsu no kaihatsu to un'yō : jigaku jishū o keizokusaseru tame no kufū to wa / Takeda Motoko, Kumano Nanae, Chiba Tomomi, Hiyama Haruki.

Kimochi o tsutaeru onsei no web kyōzai "Tsutaeru hatsuon" / Kinoshita Naoko, Nakagawa Chieko.

Fluency calculator ni yoru kōtō ryūchōsei kyakushi shihyō no sanshutsu to sore o mochiita ryūchōsei no jūdanteki kenkyū / Matsumoto Kazumi, Hirotani Maki, Fukada Atsushi.

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