#High tech industry trends

[lancecharleson]

Honest to god fuck Apple, fuck the government officials who created FOSTA/SESTA over 5 years ago, fuck every single person who bought this site off the original creators and proceeded to spend the rest of the previous decade making all the wrong decisions, but more importantly, fuck Matt Mullenweg and Automattic.

Man deadass took a site that was, once upon a time back in the 2010s the best, most welcoming, most educational, social blogging site on the internet, and turned it into a fucking data mine for techbros to plunder, all while driving off queer users and staff.

It is depressing seeing the place I grew up on turn out this way.

As always though if you wanna find me I mostly use Discord, but my new socials are... My Bluesky here:

and my Cohost here:

[maaarine]

Why aren't we talking about the real reason male college enrollment is dropping? (Celeste Davis, Oct 6 2024)

"White flight is a term that describes how white people move out of neighborhoods when more people of color move in.

White flight is especially common when minority populations become the majority. That neighborhood then declines in value.

Male flight describes a similar phenomenon when large numbers of females enter a profession, group, hobby or industry—the men leave. That industry is then devalued.

Take veterinary school for example:

In 1969 almost all veterinary students were male at 89%.

By 1987, male enrollment was equal to female at 50%.

By 2009, male enrollment in veterinary schools had plummeted to 22.4%

A sociologist studying gender in veterinary schools, Dr. Anne Lincoln says that in an attempt to describe this drastic drop in male enrollment, many keep pointing to financial reasons like the debt-to-income ratio or the high cost of schooling.

But Lincoln’s research found that “men and women are equally affected by tuition and salaries.”

Her research shows that the reason fewer men are enrolling in veterinary school boils down to one factor: the number of women in the classroom.

For every 1% increase in the proportion of women in the student body, 1.7 fewer men applied.

One more woman applying was a greater deterrent than $1000 in extra tuition! (…)

Since males had dominated these professions for centuries, you would think they would leave slowly, hesitantly or maybe linger at 40%, 35%, 30%, but that’s not what happens.

Once the tipping point reaches majority female- the men flee. And boy do they flee!

It’s a slippery slope. When the number of women hits 60% the men who are there make a swift exit and other men stop joining.

Morty Schapiro, economist and former president of Northwestern University has noticed this trend when studying college enrollment numbers across universities:

“There’s a cliff you fall off once you become 60/40 female/male. It then becomes exponentially more difficult to recruit men.”

Now we’ve reached that 60% point of no return for colleges.

As we’ve seen with teachers, nurses and interior design, once an institution is majority female, the public perception of its value plummets.

Scanning through Reddit and Quora threads, many men seem to be in agreement - college is stupid and unnecessary.

A waste of time and money. You’re much better off going into the trades, a tech boot camp or becoming an entrepreneur. No need for college. (…)

When mostly men went to college? Prestigious. Aspirational. Important.

Now that mostly women go to college? Unnecessary. De-valued. A bad choice. (…)

School is now feminine. College is feminine. And rule #1 if you want to safely navigate this world as a man? Avoid the feminine.

But we don’t seem to want to talk about that."

[rashid92786]

Honor 24GB रैम के ये दो स्मार्टफोन 2024 में तहलका मचा देंगे!

2024 में Honor के नवीनतम 24GB रैम वाले स्मार्टफोन्स की शक्ति और प्रदर्शन की गहराई से जानकारी। इन उन्नत डिवाइसों की विशेषताएँ, नवीनतम तकनीकी नवाचार, और उपयोगकर्ता अनुभवों का विश्लेषण। जानिए कैसे ये Honor के स्मार्टफोन्स बाजार में नया मानक स्थापित करेंगे और उपभोक्ताओं के लिए एक अद्वितीय मोबाइल अनुभव प्रदान करेंगे। मुख्य बिंदु: ऑनर जल्द ही अपनी GT सीरीज के दो नए स्मार्टफोन्स पेश करने वाला है। X50…

[industrydesignservices]

The world of technology is growing constantly. What was formerly popular and in high demand may need to be quickly updated. This is a fact, especially in the case of big data. Browse @ [https://teksun.com/](https://teksun.com/).

[togglesbloggle]

Why do you think tumblr will die in only a few years?

Answer with jargon: a strong correlation between recent economic shifts and chaotic choices by major tech companies is most easily explained if the 'traditional' social media platforms of 2005-2020 are mostly a zero-interest rate phenomenon.

Longer answer, with less jargon: Even though Musk's takeover is making all the headlines recently, the last year has in fact seen major shakeups at many social media platforms, so Twitter is actually part of a trend. Almost inevitably, these are cases of social media companies trying to find a way to squeeze more money out of their userbase (Reddit), cut costs dramatically (Twitter), or both. This marks a sudden departure from a much more relaxed attitude towards revenue in the Pictures Of Cats industry, where the focus was historically more on expanding the userbase to a global scale and then counting on world domination to sort of <????> and then the company would become profitable eventually.

We joke, correctly, that Tumblr has never been profitable. But the entire structure of ad-supported content curation between human users is deeply suspect as a business model; IIRC Twitter was never profitable either, and Facebook has been juicing its numbers in very shenanigany ways. Discord was actually making money on net last I checked, at least a bit, so they're not all completely in the hole. But even if you take the accounting figures at face value, none of these companies has anything like the amount of money that their cultural prominence would suggest. Instead, they're heavily fueled by investment dollars, money given by super-rich people and institutions in the expectation that fueling the growth of the company now will pay off with interest later.

So what changed?

I'm not an expert here, but I'll do my best to muddle through. The American Federal Reserve has one mandate that dominates all others (sometimes called the 'dual mandate'), and one primary tool that it uses to enforce that mandate. The goal is to maintain low (but nonzero) rates of inflation and unemployment, which in their models are deeply interlinked phenomena. The tool is 'rate hikes', or more specifically, tweaking the mandatory rate of interest that banks charge one another when making loans.

As a particular consequence of this, hiking the rate also means that bonds start paying out much better. When the rate hike goes through, that affects people who let the government borrow their personal cash- that is, people who buy bonds- as well as institutions like banks that lend to one another. A rate hike means that you, personally, can make a little extra money by letting the government borrow it for a while. The federal government of the US is a rock-solid low-risk choice for this kind of moneymaking scheme, so the federal interest rate sort of defines the 'number to beat'; to attract investors, a company has to give those investors money at a better percentage than whatever the feds are offering. Particularly since a company is a lot more likely to go out of business than the state!

To wrap this back around to the Pictures Of Cats industry: the higher the rate hike, the better your company needs to be doing (or the less risky it needs to be as an option) to attract big investment dollars. Very high rates make it very hard to convince people to invest in business activity rather than the government itself, and very low rates put moonshots and big dreams on the table, investment-wise, in a way that wouldn't otherwise be possible. Social media companies were one of these big dreams.

In the great financial crisis of 2008, the Fed took the dramatic step of reducing their rate to zero, trying to juice the economy back to life. And ever since then, they've kept it there. This has produced an unprecedented amount of funding for very crazy stuff; it's part of what has allowed so many weird new tech companies (Uber, streaming services, etc.) to get so much money, so quickly, and use that to grow to massive size without a clear model of how they're ever going to make money. This state of affairs kept going for quite a while, with no clear stopping point; that zero-interest environment has been one of the shadowy forces in the background that shaped fundamental contours and limits in how our Very Online World has grown and developed. Until COVID.

Or rather, the bounce back from COVID: we suddenly saw a massive spike in inflation and an incredibly strong labor market, as employees quit in record numbers, negotiated higher salaries, and found better work, and at the same time supply chain issues and other economy stuff caused prices to climb dramatically. Recall the Fed's 'dual mandate', to control the employment rate and inflation. This was, basically, kicking them right in the jooblies. They responded in kind, finally finally raising their rates for the first time in 15 years. For some of the people reading this, it'll be the first significant shift in their entire adult lives.

The goal, as I understand it, is to fight inflation by reducing the amount of outside investment into private companies, forcing them to hire fewer people and pay smaller salaries, ultimately drawing money out of the working economy and driving prices back down by lowering demand for everything. You get paid less, so you eat out less, and buy at cheaper restaurants when you do, so restaurants have to compete harder by lowering their prices; seems pretty dodgy to me as a theory, but it's the theory. And the first part will almost certainly work- companies are going to see less investment.

For social media companies that are still paying most of their salaries with investor dollars instead of revenues, this is especially catastrophic. Without outside investment, they're just a massive pile of expenses waiting to happen, huge yearly costs in developer salaries and server fees. This is why, all of a sudden, every social media company is suddenly making bonkers decisions. They're noticing that nobody wants to give them any more money! So they're trying to figure out how to live a lot more cheaply, to actually somehow for reals turn their giant userbases in to some kind of actual revenue stream, or both.

Tumblr is kind of the ur-example of this kind of thing, supporting a very large userbase with no coherent plan whatsoever to start paying its staff with our dollars instead of investors' dollars. When interest rates were low and Scrooge McDuck had nowhere else to hide his pile of gold coins, a crazy kid with a dream was the best alternative available to him. But now, unless something changes, he's going to notice he can just buy bonds instead, and that crazy kid can go take a hike.

That's why I think Tumblr is living on borrowed time, though I don't know how much. Like all cartoons, the economy doesn't really fall off a cliff until somebody looks down and notices they've been standing on thin air this whole time. But they always fall eventually; that's the gag.

[meredithgran]

About Newspaper Comics

An ask cross-posted from Cohost, which is not long for this world.

Anonymous User asked: I would like to know your opinions about newspaper comics

This is a very choose your own adventure kind of question. Am I meant to speak about the art or the business of newspaper strips? The current state of newspaper comics or their century-spanning history? Stream of consciousness it is.

Newspaper comics were the original dream for me before all other dreams. I fell in love with Garfield and the story of its success, and wanted to make a syndicated strip at an early age. Later, I fell in love with Calvin and Hobbes - itself a lesson in craft, history and business - and abandoned the syndication dream for “art by any means necessary”, and dove into webcomics. (There were a few more steps along the way, but that’s the basic trajectory and not uncommon for my age.)

In the 80s and 90s when I was dreaming Garfield dreams, syndicated newspaper strips were already dying. They’d been jam packed so tightly into rectangles in the comics section that no room for great cartooning remained. The schedules were brutal, the audience was broad and apt to complain, and the aging comics legends were phoning in or delegating their work, so even the full-page Sunday strips were gridded and lifeless. Even fresh new artists (rare as they were) were hammered creatively into the shape of the paper. The death of most major newspapers from the late 00s onward spelled the end of Garfield Meredith's dream.

The thing is, Garfield Meredith would be very pleased with the present day. Comics are bountiful, they're free to read online, and they're all accessible from a single app. Even better, the creators interact with their audiences day and night. In comics we have safely returned to the late-stage newspaper syndication model, after a brief "art by any means" era, with 24/7 access to the creators as a bonus. It goes without saying that most of the money these comics generate goes to the platform. As more people discover online comics, the memory of any other model has faded. Comics is a pushover industry, easily steamrolled by detached parties with money.

So what do we do? I'm afraid that's not what this post is about. Mom's tired. My heads is not really in the comics game anymore, and big tech & our rotting internet is a problem everywhere. But I think discussions about our history as cartoonists and comics appreciators - and an acknowledgment of what is disappearing - is important. It's no surprise that Bill Watterson's stubborn refusal to license, adapt, or needlessly continue his creation past its prime shocked me and many others onto a different path. I think it is useful to be a high-functioning crank in your own age: to fully accept the now without forgetting past possibilities or drawing a border around the future.

And of course, we mustn't let current trends tame our wild imaginations or our command of the craft. We have been given the tools to create beauty and make sense of life, and these creations - not the platforms that indiscriminately corral them - are worth sharing.

[flagellant]

Re: VIKTOR & ROLF Couture Fall/Winter 2024

I know fashion, especially couture, is meant to be an expressive and exploratory art. I think the exploration of geometry in fashion, silhouettes, and textures here is really neat! But I am unfamiliar with the designer - is there more to those pieces than meets the eye?

Sometimes there is less evident meaning in a collection to those who don't spend a lot of time and study in the industry. Where would you recommend going for more information on current collections?

If you remember these dresses from last year, Viktor & Rolf have been having a very interesting conversation about current fashion trends and the intersection of the cultural zeitgeist. Structuralism is big in fashion right now, arguably the biggest since Antoinette did her shit. A bunch of designers are fucking around with pushing the limits of what is possible to be worn on the body in a very literal sense, treating garments as almost like physics theorems to be solved. Textile sciences, 3d modeling, etc--it's all being used to make dresses that are more fiendishly complex than the last, than arguably we've ever been able to make.

And Viktor & Rolf specifically seem to be having a very purposeful dialogue of the absurdity of it in the face of what beauty standards are "supposed" to be, what high fashion is "supposed" to be. Their works have always relied heavily on pushing those boundaries and the current couture tech boom is just enabling a lot of their weirdness, which is absolutely fantastic to watch.

I would argue that their 2024 FW collection is specifically exploring what it means to be prioritizing those structuralist tendencies over the actual bodies they're being worn on. It's a conversation piece going back to the old hack question: "Who would ever want to wear this?". The harsh geometries make most of the collection entirely infeasible and impractical for actual wear. No celebrity is gonna want to sit at the Met wearing any of these. Their only value is...what, exactly? Where IS the value coming from? Why do we consider Viktor & Rolf as high fashion icons if the dresses they keep making seem to be actively infeasible for even their "intended" purpose as red carpet event shit? What happens to the fashion industry when the ability to make whatever you want no longer requires it to be intended to be worn, to be used a single time in that runway show and then shoved in an archive?

When couture maisons have to pump out hundreds of dresses every two months, when the world is burning down around us, when none of this matters--isn't it refreshing to see some absolutely buckwild shit on a runway? In a world where the spectacle is supposed to distract from the horror, it feels lately like Viktor & Rolf are specifically hamming up the absurdity of it all. They've watched the industry change from when they first started out into becoming something alien and unrecognizable. Fashion design demands Autocad and 3d printing and literally engineering in order to keep ahead of the pack--and in what is supposed to be an industry defined by the inherent humanity needed to design couture, perhaps these strange polygons are a sort of reckoning with that.

[gallifreyinstituteforlearning]

Do gallifreyans have grocery stores?

Do Gallifreyans have grocery stores?

The Gallifreyan relationship with food is a little strange to humans, and although they don't really have grocery stores as humans understand them, they do have their own way of doing things.

🍱 Food Dispenser Machines

Most sustenance on Gallifrey is provided by food dispenser machines. These work by pulling fungi from vats and molecularly rearranging it into any requested food - it's pretty much the same tech as used on a TARDIS. It's for this reason many Gallifreyans have never cooked a meal in their lives. The workplace refractories, like office canteens, are equipped with these food machines, ensuring no one ever goes hungry on the job.

🛒 The Marketplaces of Prydos

However, this doesn't mean there's nowhere on Gallifrey to buy food. The grand city of Prydos, for example, has shops and stalls filled with delicacies from across the universe, including Earth and Venus.

🎈 Special Occasions

For special occasions, Gallifreyans do like a variety of more traditional foods. Dishes such as Karmine pudding, Dactyl Eggs, Magenta Fruit, and even the legendary Flan of Omega are Gallifreyans favourites. And you can't really mention food without talking about the Palace of Arcadia, probably the best restaurant on Gallifrey.

🌾 Traditional Agriculture

There is also a group known as the Outsiders, who have rejected the high-tech ways of mainstream Gallifreyan life in favour of a more rustic existence. These individuals often turn to farming and sell their produce to those in the Capitol. So while the majority of Gallifreyans rely on synthetic food, there are still bits of more traditional agriculture.

🏫 So ...

While Gallifrey might not have grocery stores in the Earthly sense, it has a kind of blended approach between synthetic delicious fungi, and organic foods.

Related:

💬|⏰💄Do Time Lords have a beauty industry?: The fashion trends and general attitudes towards make up and clothes.

💬|⏰📺What’s on Time Lord TV?: Visual entertainment on Gallifrey.

💬|⏰🎶What is Gallifreyan music like?: Musical instruments and genres on Gallifrey.

Hope that helped! 😃

Any purple text is educated guesswork or theoretical. More content ... →📫Got a question? | 📚Complete list of Q+A and factoids →😆Jokes |🩻Biology |🗨️Language |🕰️Throwbacks |🤓Facts →🫀Gallifreyan Anatomy and Physiology Guide (pending) →⚕️Gallifreyan Emergency Medicine Guides →📝Source list (WIP) →📜Masterpost If you're finding your happy place in this part of the internet, feel free to buy a coffee to help keep our exhausted human conscious. She works full-time in medicine and is so very tired😴

[rom-e-o]

I've always wondered how Connie and Scrooge (modern or otherwise) would react to my Percival and Thorne, considering how different they are as characters and the whole 'Marley is NOT dead to begin with and is also Scrooge's husband' thing.

Here's Percival's notes from my Google docs:

Born to Zachariah Winthrop Scrooge and Kathleen Quill Scrooge, conceived in a drunken tryst gone wrong, Ebenezer is the co-CEO of his and Jacob’s multinational, multi-billion pound tech conglomerate, Asplex Industries. Known as the Shark of London in the world of business, Ebenezer is renowned for his cunning and ruthlessness, tied only with his terrifyingly true ability in the art of inventing high-quality technological innovations, closer to the realm of madness.

And here's Thorne's:

Born to Gene Thorne and Lilith Knight under the name Alexander Thorne, and adopted by Abel and Lenore Marley at ten-years-old, Jacob is the co-CEO of his and Ebenezer’s multinational, multi-billion pound tech conglomerate, Asplex Industries. Known as the Snake of London, Jacob is known for his charismatic nature and silver tongue, able to predict market trends with incredible ease and convincing subsidiaries to sign with them by speaking only the truth.

I don't really touch upon it too much on the fic, though I will get back to rewriting it I SWEAR, but Percival ends up getting back on good terms with Belle and her husband Richard (Dick Wilkins) who were childhood friends of both him and Thorne.

And we also know how Percival ALMOST fucked up his relationship with Thorne (*cough* Percival didn't think they were married because it wasn't legal in England before 2015 but Thorne did and Thorne thought Percival didn't love him and that this was all transactional *cough)

They get therapy don't worry

Honestly I feel like Connie and Scrooge would see Percival and Thorne very differently, and Connie herself would feel some level of kinship with Thorne thanks to her experiences with Orin.

But honestly those are just some of my thoughts ngl- ¯\_(ツ)_/¯

Ooooh, this is such a fun question! There would be some interest, for certain.

My Scrooge and Connie’s personalities from their modern to classic renditions don’t vary too much in disposition (aside from their speech patterns, the presence of different amenities, etc.) so I feel both sets would react similarly in both timelines, but differently from each other, haha.

My version of Scrooge tends to lean a bit introverted, is a slight (intense) perfectionist, and can be a little shy and skittish. Some might even call him nervous, but only in his personal life, because romance is so new to him again, and it’s been a long time since he’s wanted anyone in his life. He doesn’t want to mess anything up. Professionally, he’s always charming, well-spoken, and a true gentleman. Handsome, too. An Adonis, which is his nickname, haha.

I think he’d see Percival and Thorne, firstly, with intrigue. His business partner is still alive, and they’re … together? When I started “Begin Again” I decided to make it vague if Scrooge and Marley were business partners or more, and to what degree. Their relationship is left extremely vague. After Isabel, he really had ONLY Marley as companionship. So, a version of him and Marley being a couple is not a concept that completely blindsides him. I hc him and Connie as both bi/pan (especially because Scroogey has so many lovers and OCs that love him across universes - it just feels right.)

I think he’d ask how he was still alive, and if there really was something he could have done to save his partner (in the classic verse or modern verse.)

Finding out about the car accident and aftermath would remind him of his own redemption, and I think he’d find comfort in knowing that he was given a second chance across many timelines. And seeing him reconnect with Belle and Dick, something he has yet to do in the modern verse but has in the classical one (I am in the same boat of needing to get back to writing fics, including this one, so I feel you lmao) would give him reassure.

“I must say, our backgrounds of ruthlessness are…similar. Your resilience is inspiring."

As for Thorne, I think he'd want to learn more about him and kind of compare him to the Marley he knows. How similar are they? He's got the same charisma, that's for certain.

The funny thing? My Scrooge LOVES sparkling water, and Thorne finds it refreshing, as we’ve learned from their dinner date. For some reason, I see him feeling victorious.

A: Haha, finally, someone else who understands that is a perfectly lovely beverage. Please continue to give your husband grief.

C: Darling! You shouldn’t inspire a married couple to fight. Especially you and Marley.

A: Normally, I wouldn’t, but like you said, it’s a version of me from another universe. Fair game, my dear. Trust me, we’ve all earned our fair share of teasing. 😌

Speaking of Connie, she’s never met Marley, but she���s heard stories upon stories. To meet him from another would would be like meeting a celebrity!

I think she would find kinship with Thorne, exactly like you said, because of what she faced with Orin. Also, he provides Percival with love and companionship, and they become a couple and family.

She adores Ebenezer, so to know that he found love in that universe with another, let along one he has such a storied past with, brings her happiness.

"I'm glad he's loved in your universe too." <3

Also, Connie finds out about the boxing, and begs to be taught, haha. She only know pilates, and promises to be a good student. "I have an ex-husband I may need to punch one day. Can you give me some pointers?"

I feel like I just barely scratched the surface, but I think there is a lot of fun stuff these four could get up to, haha.

I totally feel you about fic writing, haha. It's always worth the wait when you publish (the characterization, the banter, the imagery ... top-tier across the board), so please don't worry about taking those beats to make sure you love it! I will be SO READY to keep reading those updates!

[probablyasocialecologist]

The standard legend of India’s Green Revolution centers on two propositions. First, India faced a food crisis, with farms mired in tradition and unable to feed an exploding population; and second, Borlaug’s wheat seeds led to record harvests from 1968 on, replacing import dependence with food self-sufficiency.

Recent research shows that both claims are false.

India was importing wheat in the 1960s because of policy decisions, not overpopulation. After the nation achieved independence in 1947, Prime Minister Jawaharlal Nehru prioritized developing heavy industry. U.S. advisers encouraged this strategy and offered to provide India with surplus grain, which India accepted as cheap food for urban workers.

Meanwhile, the government urged Indian farmers to grow nonfood export crops to earn foreign currency. They switched millions of acres from rice to jute production, and by the mid-1960s India was exporting agricultural products.

Borlaug’s miracle seeds were not inherently more productive than many Indian wheat varieties. Rather, they just responded more effectively to high doses of chemical fertilizer. But while India had abundant manure from its cows, it produced almost no chemical fertilizer. It had to start spending heavily to import and subsidize fertilizer.

India did see a wheat boom after 1967, but there is evidence that this expensive new input-intensive approach was not the main cause. Rather, the Indian government established a new policy of paying higher prices for wheat. Unsurprisingly, Indian farmers planted more wheat and less of other crops.

Once India’s 1965-67 drought ended and the Green Revolution began, wheat production sped up, while production trends in other crops like rice, maize and pulses slowed down. Net food grain production, which was much more crucial than wheat production alone, actually resumed at the same growth rate as before.

But grain production became more erratic, forcing India to resume importing food by the mid-1970s. India also became dramatically more dependent on chemical fertilizer.

According to data from Indian economic and agricultural organizations, on the eve of the Green Revolution in 1965, Indian farmers needed 17 pounds (8 kilograms) of fertilizer to grow an average ton of food. By 1980, it took 96 pounds (44 kilograms). So, India replaced imports of wheat, which were virtually free food aid, with imports of fossil fuel-based fertilizer, paid for with precious international currency.

Today, India remains the world’s second-highest fertilizer importer, spending US$17.3 billion in 2022. Perversely, Green Revolution boosters call this extreme and expensive dependence “self-sufficiency.”

[auideas]

Ermmm sorry if this is weird but do u maybe have any like, ““original”” cyberpunk prompts? I want to write something cyberpunk for an au but I just don’t have any ideas right now no matter how long I brainstorm

Exploring Cyberpunk

Cyberpunk is a very unique genre, which is why so many people are both attracted to it and stumped when attempting to develop plots within an unknown world. Think of Black Mirror created by Charlie Brooker (TV show), Blade Runner written by Philip K. Dick (a movie based on the novel Do Androids Dream of Electric Sheep?, a classic Cyberpunk novel), Altered Carbon by Richard K. Morgan (modern Cyberpunk novel), etc. -- each of these were incredibly influential in their own right, but they all also build their worlds gradually while having a single easy-to-explain concept that can spawn an entire universe. To be more specific, each story establishes an issue created by an advanced society ignorantly abusing technology, then allow their characters to explore that problem and try to find a solution in a manner that isn't explicitly black or white for society as a whole, but every shade of grey.

For Black Mirror, each episode anthologically builds upon a high-tech future within the same universe and explores how its characters interact with problems created by new pieces of said technology, both good and bad.

For Blade Runner, the story establishes that androids seem to be malfunctioning, but the bounty hunter charged with hunting them down discovers that the true issue lies in society's understanding of what it means to be human.

For Altered Carbon, the novel explores the issue derived from the obscene length of time it would take for humans to travel between planets stretched across the universe, then dives into more detail regarding how a solution has been abused.

How to Construct a Cyberpunk Concept

What we'd recommend is to start by asking the right questions and looking in the right places. Black Mirror takes its inspiration from a variety of technology, both new and old; Blade Runner explores the idea of AI and androids during the 80's when robotics was on the forefront of innovation; Altered Carbon took note of our increasing ability to travel in an interstellar fashion, then posed a simple question regarding the limits of humanity (specifically, time).

This may sound strange, but the best thing you can do is seek out trends online and scientific journals about new breakthroughs, then ask questions about what may go wrong. For example, an old post we featured here on AUideas that has since been removed from ~2017 because it's in the process of being developed into a script (sorry guys, our bad!) called Dreamscape Co. uses this exact method. When the prompt was made, Admin M was in the process of reading a scientific journal about how neurologists had been able to project a person's thoughts into an image. Although the technology was rudimentary at the time, Admin M posed the question "if dreams can be viewed, what if dreams can be watched in real time with a high quality image? What if they could be immersive? What would that industry look like? Who would pay how much to see a certain person's dreams?" This spun out into a sweeping cyberpunk mini-series, yet came from a simple news article.

Some Cyberpunk Inspiration

When performing a quick search, some amazing ideas seemed to jump out from technology news headlines these past couple weeks alone:

Ferroelectric Liquid Crystal (FLC) Technology Being Used in 3D Displays

Unlike holograms, this technology uses liquid crystals that exhibit spontaneous polarization, meaning their orientation can be influenced by an electric field. They're high-speed, low-power, and have innumerable applications in the future. So, what could go wrong?

How could this technology impact the medical field? Although this may not be possible, consider what could occur if FLCs were injected into human bodies and influenced by electric fields to perform different tasks and functions, such as replacing an organ, attacking cancer cells, etc. How could such a technology be abused or go wrong? How many could die with a simple pulse, like an EMP?

Real-Life Freeze Ray Technology Created for the US Airforce

This technology hasn't been developed to be used as weaponry, but instead to replace large amounts of coolant that must be used on space and air crafts to prevent the machinery from overheating (coolant is heavy and can reduce efficiency yet is absolutely necessary due to the fact that space is a vacuum and therefore does not cool heat like air would on Earth). This "freeze ray" technology utilizes plasma's strange property that seems to break the second law of thermodynamics: it chills down when touching another object before heating up, which experts have proposed is because it vaporizes the ultra-thin layer of carbon and water on an object upon contact, similar to how water evaporates off your skin when stepping out of a pool. The question must be asked: how could such technology be used for not just utilitarian means, but outside of the Airforce's intentions?

Perhaps the technology could be manipulated and over-chill an aircraft, or otherwise damage internal engineering.

Consider its potential applications here on Earth: what could benefit from being chilled with something light-weight and low-power? How could it be integrated into homes? What could be disastrously destroyed with such technology?

Breakthrough in Enhanced Geothermal Systems Technology May Completely Replace Carbon Energy Sources

Google and Fervo have successfully developed geothermal technology that has increased its efficiency and broke records by changing existing rock formations in the Earth's crust. For a natural geothermal energy system to produce electricity, it has to have the right amount of heat, fluid, and rock permeability -- these Goldilocks conditions can be difficult to find 'in the wild'. However, this new Enhanced Geothermal System (EGS) targets the most-easily found aspect (rocks with high heat) then creates the necessary permeability artificially by drilling to the intended rock formation and injecting fluid to create fractures in the rock, achieving the necessary Goldilocks conditions. Sure, this may be carbon-free energy, but what would happen if this were employed on a mass scale?

When energy is prioritized by a high-tech society over food and water, how could citizens gain access to those resources?

What long-term effects could such a system have on the Earth as a whole? Could the ground become unstable? Maybe earthquakes crumble city after city? Maybe the entire Earth's crust loses its integrity and disintegrates, pulling only a lucky few deep underground and forcing them to survive off the left over fluid injected into the Earth's crust and whatever they can find.

Closing Thoughts

As you can see from above, there's a crazy amount of inspiration that can be drawn from current technology events. What's important to remember is that yes, we've been talking about complicated technology, but only you have to understand how it functions in your universe down to the molecule, not your audience. Deep technology topics can be dry to a certain extent, and over-explaining your world can be damaging to your story. Explanations regarding how technology works in each of the stories we discussed is limited for that same reason (Black Mirror's overarching concepts, specifics about how Blade Runner's Replicant technology are rarely discussed, etc.). Leave some mystery surrounding how your cyberpunk world functions and allow how your characters room to breathe and interact with that world -- it can speak for itself. Your audience may first love the idea behind your story, but what they'll remember and relate to is how your protagonists and antagonists suffer and prevail within your universe.

We hope this answered your question, and feel free to follow up if you'd like some more guidance and advice on how to construct your Cyberpunk story! In addition, feel free to check out our other post which outlines more information on how to build a Cyberpunk world.

Now get to writing, and have an awesome week!

-- Admin M x

[mostlysignssomeportents]

This day in history

#20yrsago Asimov’s magazine on ebooks https://web.archive.org/web/20041010190341/https://www.asimovs.com/_issue_0408/onthenet2.shtml

#20yrsago Can suing customers save the record companies? https://web.archive.org/web/20041012170814/http://www.law.com/jsp/article.jsp?id=1095434496352

#20yrsago ACLU and EFF strike down part of PATRIOT Act https://web.archive.org/web/20040927082258/https://www.eff.org/news/archives/2004_09.php#001945

#20yrsago Industrial nations to WIPO: less IP, more global well-being https://web.archive.org/web/20041011201242/http://lists.essential.org/pipermail/ip-health/2004-September/006974.html

#15yrsago BBC wants to encrypt “free” TV — talking points debunked https://www.theguardian.com/technology/2009/sep/29/bbc-hd-encryption

#15yrsago UK Border Agency’s pseudoscientific “race-detection” DNA/isotope tests has scientific experts “horrified” https://web.archive.org/web/20091004013349/http://blogs.sciencemag.org/scienceinsider/2009/09/nationality-tes-1.html

#15yrsago Zork rock anthem https://web.archive.org/web/20131110083129/http://www.elumir.com/music/Walkthrough.mp3

#15yrsago Apple 1984 ad, updated for 2009 https://www.youtube.com/watch?v=tdVzboF2E2Q

#15yrsago Android developers pledge to make open equivalents to Google’s proprietary apps https://arstechnica.com/information-technology/2009/09/android-community-aims-to-replace-googles-proprietary-bits/

#15yrsago Boneshaker: Cherie Priest’s swashbuckling steampunk Seattle story https://memex.craphound.com/2009/09/29/boneshaker-cherie-priests-swashbuckling-steampunk-seattle-story/

#15yrsago Faced with network surveillance, Hong Kong student demonstrators go P2P https://www.bbc.com/news/blogs-trending-29411159

#10yrsago Eric Holder’s terrible tech-liberties record https://www.newyorker.com/news/daily-comment/holders-disappointing-tech-legacy

#10yrsago Localizing an operating system for a language with no high-tech vocabulary https://web.archive.org/web/20191025222806/https://www.economist.com/international/2014/09/27/cookies-caches-and-cows

#5yrsago Stealing Ur Feelings: interactive documentary on the snakeoil “science” of facial emotion detection https://stealingurfeelin.gs

#5yrsago Jonathan Lethem on Edward Snowden’s “Permanent Record” https://www.nybooks.com/articles/2019/10/24/edward-snowden-labyrinth/

#1yrago The surveillance advertising to financial fraud pipeline https://pluralistic.net/2023/09/29/ban-surveillance-ads/#sucker-funnel

Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.

[scented-sin]

Headcanons for Omega Vox Ω📺⚡️

Art by @lucifer-imaginaryfriend

Personality and General Traits

Charismatic Control Freak: Vox’s omega nature feeds his need for control and perfection, driving his obsession with maintaining his image and the Vees’ collective reputation. He craves attention not just for validation but to assert dominance over his audience.

Tech-Savvy Manipulator: His omega instincts make him a master at staying ahead in technology and trends, leveraging them to manipulate Hell’s denizens. He views his tech empire as an extension of himself, making any slight against it feel personal.

Cunning and Reserved: Unlike his more impulsive fellow Vees, Vox’s omega instincts make him more measured and strategic. He rarely acts without considering the bigger picture, valuing intellect over brute force.

Omegaverse-Specific Traits

Scent and Presence: Vox’s scent is sharp and electrifying, like ozone before a storm, reflecting his technological theme and intense personality. It leaves others feeling both drawn to him and slightly unnerved.

Suppressors and Facade: Vox uses suppressors to ensure his omega status is never a point of weakness, presenting himself as completely in control. He sees any vulnerability as a potential tool for rivals like Alastor to exploit.

Heats and Isolation: Vox hates the loss of control that comes with his heats. During these times, he retreats to a hidden, high-tech safe room, indulging in media and simulations to distract himself.

Relationship Dynamics

With Alphas: Vox publicly views himself as better than regular alphas. After all he is an Overlord and he worked hard to get and maintain that position. In reality he knows that he’s on the tip of a pyramid and he needs to keep his balance to not tip over. Alphas are a threat to his position and so he secretly weary of them.

With Other Omegas: Much like many demons, Vox had disregard other omegas as he doesn’t view them on par with him unless they prove themselves. He sees himself as “better than them.”

Strengths and Weaknesses

Master Strategist: Vox’s omega instincts make him a meticulous planner. He thrives in situations where he can control every variable, using his intellect to outmaneuver opponents.

Image-Obsessed: His obsession with his brand and image can make him overly cautious, hesitating to take risks that could damage his reputation.

Hidden Insecurities: Despite his confident facade, Vox harbors deep insecurities about his omega status, fearing it could undermine his authority if revealed.

Role as an Overlord

Tech Mogul and Innovator: Vox’s omega instincts drive his need to dominate the tech industry in Hell. He sees his innovations as a means of asserting his superiority and ensuring his legacy.

De Facto Leader of the Vees: Vox’s level-headed nature makes him the natural leader of the Vees. He acts as the mediator and strategist, ensuring their collective success while managing their individual quirks.

Manipulator Extraordinaire: Vox’s omega instincts make him a master manipulator, using charm, technology, and psychological tactics to maintain his power and influence.

Interactions with Conflict

Calculated Responses: Vox rarely lets emotions dictate his actions in conflict. Even when provoked, he takes time to consider the most effective response, ensuring his actions align with his long-term goals.

Sadistic Pleasure: His omega instincts don’t prevent him from enjoying the suffering of his enemies, especially Alastor. However, he ensures his sadistic tendencies don’t interfere with his pragmatism.

Pragmatic Rivalry: While he despises Alastor, Vox knows better than to engage in a direct confrontation unless absolutely necessary. He prefers to undermine Alastor through subtle tactics and manipulation.

[darkmaga-returns]

Short of dot-com type of a bust, spending on AI data centers will continue to skyrocket, with attendant energy demand. Utility companies should be in panic mode to increase generating capacity, but they are not. The resulting squeeze will drive consumer prices through the roof and put exorbitant strain on the electric grid. But rest assured that AI companies will suffer no outages. ⁃ TN Editor

The rapid growth of data centers to support AI is significantly increasing global electricity demand.

This surge in demand threatens to outpace the development of renewable energy sources.

International regulations are needed to ensure tech companies use clean energy and minimize their impact on climate goals.

The global electricity demand is expected to grow exponentially in the coming decades, largely due to an increased demand from tech companies for new data centers to support the rollout of high-energy-consuming advanced technologies, such as artificial intelligence (AI). As governments worldwide introduce new climate policies and pump billions into alternative energy sources and clean tech, these efforts may be quashed by the increased electricity demand from data centers unless greater international regulatory action is taken to ensure that tech companies invest in clean energy sources and do not use fossil fuels for power.

The International Energy Agency (IEA) released a report in October entitled “What the data centre and AI boom could mean for the energy sector”. It showed that with investment in new data centers surging over the past two years, particularly in the U.S., the electricity demand is increasing rapidly – a trend that is set to continue.

The report states that in the U.S., annual investment in data center construction has doubled in the past two years alone. China and the European Union are also seeing investment in data centers increase rapidly. In 2023, the overall capital investment by tech leaders Google, Microsoft, and Amazon was greater than that of the U.S. oil and gas industry, at approximately 0.5 percent of the U.S. GDP.

The tech sector expects to deploy AI technologies more widely in the coming decades as the technology is improved and becomes more ingrained in everyday life. This is just one of several advanced technologies expected to contribute to the rise in demand for power worldwide in the coming decades.

Global aggregate electricity demand is set to increase by 6,750 terawatt-hours (TWh) by 2030, per the IEA’s Stated Policies Scenario. This is spurred by several factors including digitalization, economic growth, electric vehicles, air conditioners, and the rising importance of electricity-intensive manufacturing. In large economies such as the U.S., China, and the EU, data centers contribute around 2 to 4 percent of total electricity consumption at present. However, the sector has already surpassed 10 percent of electricity consumption in at least five U.S. states. Meanwhile, in Ireland, it contributes more than 20 percent of all electricity consumption.

[fossil0000]

The following description was written by Sloane Angel Hilton, the creator of the facebook group for this aesthetic: Its rise and fall between the years 1996-2002 - a movement in pop culture that is spawned from the research of The Y2K Aesthetic Institute. A notable shift in the visual mood of pop culture happened during the turn of the millennium, but it wasn’t Y2K Aesthetic. One thing I have found is that it was en vogue to be between 25-35, the prime age of Gen X at this time. I think of the “Music First” era of Vh1 programming. Contrary to contemporaneous Y2K Aesthetic, and also McBling style of the early 2000s, Gen X Y/AC models in editorial fashion or artist marketing were much more "natural". You will see tons of nude lipstick, hair parted down the middle or natural textured hair, natural leathers, knee high boots, duster jackets, natural and muted colors - especially greens, beiges, tans, greys, and black. Design and fashion was moving from 60s revival into early 70s. Retro-futurism was Y2K Aesthetic, but Gen X YAC was more terrestrial. Its futurism was a mix of sterile and organic. McBling was a full blown disco revival, but here, we just see hints of the 70s. Depictions of city life through a colonialist lens. First wave gentrification. Urban life influenced graphic design, such as in the use of Helvetica as inspired by the NYC subway signs. The rise of a minimalist design revival. On the runway, the rise/peak of the modern supermodel - Naomi Campbell, Kate Moss, and Linda Evangelista, who were all peaking at 25. In photography and film, prevalence of bleach bypass, cross processing, “Lomo effect”, and other color grading trends. Hit music in the US was heavily influenced or even imported from the UK and Europe. Notably, we saw a surge in french house/disco, big beat, electronic, trance, uk garage, and “easy listening”/adult contemporary marketed for Generation X. Less Pure Moods and more Cafe Del Mar. Pop artists were reinvented to fit, like Madonna (Ray of Light). "Soft Club" refers to club culture trickling down into mainstream culture. As the style shifts into McBling, club culture becomes so huge that only the rich can enjoy it in Ibiza. R&B + hip hop had a marked shift in production, due to producers like Soulshock and Karlin, Trackmasters, Darkchild/Rodney Jerkins, in addition to many more who formed top of the millennium sounds working with both these genres. Pop music was equally transformed by club music, R&B, and Latin pop. Rock, pop and poetry were put over trip/hip-hop & breakbeats. Songs that may not have been written for the dance floor were produced as club music. See: soft club. Get X young adults were into entrepreneurship, which supposedly fueled the 90s economic recovery, especially via tech industry. This is why they have been considered a generation which "sold out". Discussion is much deserved regarding the nature of media diversity, both genuine (largely POC in leading production roles across mediums) and as a marketing tool, and the start of gentrification as it would come to be known in post-industrial cities.