#Hevi Publishing

[margindoodles2407]

You guys were asking for the Fives And Echo Dissertation so here it is. Courtesy of @seeking-elsewhither, who first asked the question, "Do you think Fives or Echo is older?" and then patiently listened as things got out of hand.

(Author's note: this is written in my own sort of weird style, where I have a point to prove but to prove it I use almost a kind of narrative style. A great previous example of this is The Crosshair Dissertation, which I published whilst watching The Bad Batch. I hope this style doesn't throw anyone off. Thank you for your time.)

@whyoneartheven You may be interested in this and @kitty-i-swear-to-gosh I know you asked me where the thesis was so I'm tagging you. I hope you don't mind :)

Tube twins are incredibly rare within the ranks of the GAR. Very few of them survive gestation due to lack of nutrients or other complications, and the few that do are often… taken care of by the Kaminoan scientists. The reason for this is that (based on prior tests and research) tube twins, more than any other clones, have a tendency to become dangerously codependent. They will often prioritize their twin over the rest of their squad, which means missions get failed and battles are lost. And Force forbid a pair of twins get separated, whether it be through simple reassignment or, worse, death- it can cause severe mental depletion to the point of a psychosomatic response, a full-on breakdown, and too many other problems to count.

Neither Fives nor Echo knows the real reason they were allowed to survive. They both doubt it was a show of mercy on the parts of the Kaminoans, and even less likely is the idea that they somehow slipped through the radar unnoticed. They agree, though, that it's better not to pry. For their own sake.

Now, with this knowledge in mind: let's examine the fact that, in my mind, Fives is the elder twin. To make sense of this, you may need to take a brief refresher on my characterization of Fives. He's a silly guy, yes, and we love him for it. He also takes responsibility incredibly seriously, he does NOT tolerate those who abuse their positions of authority, when he sets his mind to something only the Force itself could possibly hope to stop him, and he is willing to literally fight and die for the people he loves.

Now, Fives is not the eldest of his vode. He has Hevy, Cutup and Droidbait ahead of him, and only Echo directly under his care. Echo his twin, Echo his closest brother, his best friend, his confidant, his better half.

And he, Fives, is his older brother.

On Kamino, he keeps his head down, as much as deep in his soul he wants to lash out against the Kaminoans and their standards of genetic purity, because if he were to act out on Kamino he could get himself and his entire squad in trouble. And he has a responsibility not to do that. But he also has a responsibility to protect them- ESPECIALLY ECHO- in other ways.

He… becomes a little bit overprotective of Echo. He has a tendency to constantly pull "older brother status", but he's not doing it out of a sense of inflated ego or superiority, he's doing it out of a genuine sense of duty. He's doing it because he knows the danger tube twins are in, the fact that most of their twin brothers died as tubies or newborns. He's doing it because he knows Kamino is a harsh world, a dangerous world, a world of scientists so pragmatic that they speak of human beings as "units" and discard anyone who doesn't measure up to their standard of genetic perfection. He's doing it because he loves Echo, he loves his brother more than anything in the galaxy and he genuinely wants him to be safe. But Echo, especially as a cadet, doesn't fully understand this. And he does resent Fives, just a little bit (mostly as a cadet), because in his mind Fives is only being needlessly overprotective. He feels that Fives won't let him fight his own battles, he feels that Fives thinks that he's weak and incapable just because he's the youngest and the younger TWIN and the straight-laced rule-follower who would never willingly go seeking out a fight. As cadets, they get into a LOT of arguments about this, and it's not until right before their graduation that they both finally seem to fully understand each other.

Now-- the Kaminoans are absolutely not justified in their termination of tube twins. But they aren't exactly wrong about the dangers of codependency. Especially after the Rishi Moon, Fives and Echo really feel like it's them against the galaxy. That's not that they don't love and care for their other brethren, but they begin to cling to each other in somehow an even more intense way than they did as cadets and as shinies. It's a good thing they both end up going to the 501st, they both end up in Torrent Company, they both enter ARC Training and both graduate ARC Training. It's a good thing they're assigned on the same missions. Rex and Anakin recognize that they do seem to work best as a team, their movements seem to be in tandem and it's almost as if they can communicate between each other without saying anything, which makes them both utterly fascinating to watch and entirely lethal on the battlefield.

So of course it's only natural to assign them both to the Citadel mission.

Such a shame no one knew there was a bomb in that shuttle.

Fives spends the next few weeks after the incident completely out of it. He's a sobbing, hysterical, sleep-deprived mess, and everyone begins to wonder if the stories about separated tube twins having broken minds are true. But Fives is not a fragile man. He's devastated, he's lost the person he loves most in all the world, he's experienced the worst tragedy in his short life… but he also knows that he has a responsibility. To his Captain, to his Company, to his brothers. So he pulls himself together and goes back to war. But there's something markedly different about him after the Citadel. He's still warm and friendly and kind, but he's not as quick to smile. He's slower to laugh. His gaze holds a kind of sadness and emptiness to it that brothers unfamiliar with the story of his life don't fully understand. (Even the ones who are familiar don't fully understand. Only the Captain, and the men who were at the Citadel, really get it, and even then… none of them had a twin.)

When he first meets Tup and Dogma, they kind of remind him of the old days. They aren't twins, but they share such an incredibly close bond that they could be. He sees a lot of himself in Tup. He sees even more of Echo in Dogma, which is why the whole debacle with Krell breaks his heart so much. (People ask him if he hates Dogma, for everything he did. For trying to execute him. Fives always looks them hard in the face and simply responds, in clipped tones, "No, of course not. How could I hate my brother?" The recipients hardly wonder if his words might have a double meaning.)

He ends up taking Tup under his wing, the way Rex took him and Echo under his. (If Dogma had stayed in the 501st, he'd be there too.) And part of the reason they're such close friends is because of the way that Fives sees so much of himself in his younger brother (and so much of Echo in Dogma). It's one of the reasons Fives fights so hard against the chips.

It's the reason that it's not just blasterfire that shatters his heart.

Echo is rescued from stasis a few weeks later. He doesn't ask where Fives is, not at first. There's the whole shock of getting off of Skako Minor, then there's the stress of the Battle of Anaxes, then there's the joining of an entirely new squad.

But he knows there was a reason, and not a good one, that the arms he woke up in were Rex's and not his twin's.

He finally works up the courage to ask the Captain where his brother is.

Rex tells him Fives is gone, and he screams.

He screams, horrible sobbing tears, because the one and only thing that kept him going through those years of horrible torture and pain and absolute agony was the fact that he HAD to stay alive, because he HAD to see Fives again. He HAD to get back to Fives his twin, Fives his closest brother, his best friend, his confidant, his better half.

Was everything he went through for nothing?

Should he have just… let himself die? On Skako Minor, should he have just… given up?

No. No, he tells himself, when he's finally calmed himself down (which is… not after a short period of time). That's not what Fives would want.

And that's why, when he has a chance to go with Rex, when he has a chance to go and finish what Fives started- rescue their vode from the prison in their own minds- he grabs it with hand and scomp and doesn't let go. He loves Clone Force 99, he loves Omega, he loves them all more than he's loved anyone since he was first separated from his brother.

But this… this is why he didn't die. This is why he didn't let himself give up. Rex told him the stories, the stories of Umbara and the tragedy of the Chips. And Echo knows that, if Fives were alive, he'd be right there too, fighting the Empire under its very nose.

How could he possibly do anything else?

(And, years and years and thousands of rescued Clones later, as he lays, an old man, struggling to take his final breaths, surrounded by his former Captain and the squad that took him in and the little girl with star-colored hair who has grown into such an incredible young woman-- out of the corner of his failing eyes he sees a bluish figure with unruly curls and warm, grinning eyes and a supernova smile, eternally twelve-twenty-four and crystal clear against the grey fuzz of everything else. And finally, it's the twin he lived his whole life in memory of who's the first to welcome him into the afterlife.)

[writingmonet]

Domino Survives AU - Sneak Peak

Just a little extract from a yet-to-be-published story where Domino Lives!AU. It's a project I had started a few months ago because the opportunity was so good. It's far less advanced that TNLLFY (who's my main project) but I wanted to show it because everyone loves a good Domino Lives.

The story title will probably be: the mad in us.

“Cutup!” He hears clearly this time, as much as he feels the pillow in the middle of his face, making him rise suddenly.  “...Leave…,” he growls, recognising DB’s face.  Oh, right. I was drunk. His brother gave a second shot, another pillow in the head, which finished to wake Cutup. “Kriff, get out of here!” Cutup command, unamused with an awful headache threatening him.  “I’m serious, Droidbait! Get out! Out, now!” His brother’s mouth subtly grins, before disappearing. “I’m serious as well, Cutup. I was waiting for you. Departure for a new mission, don’t you remember? You have four hours to make yourself presentable, which includes starting to take a shower, eating something and regaining some colours”. Before they realize you drank goes unsaid. The fear of the Captain wakes up Cutup, whose eyes grow wide in fear. “You didn’t tell Rex”, he begs, almost. “Or Cody…” “No. I didn’t tell them about your hangover. I didn’t tell anyone if that can reassure you. Only that you were sick. Coric or Kix may be mad at you though.” Cutup groans a "right" that his brother doesn't seem to hear - or maybe he doesn't care.

Now, if you didn't know I write angst. Most of the time my stories end bitter-sweet (the fanfictions and the originals ones too). Not because I want it (well, yeah maybe a bit) but mostly because that's what a lot of fandoms are, in the end. This story is no exception.

In CW, Domino's death gave development to Fives (and Echo by extension) so this is one of the objectives to keep their complexity/development with their much-lived brothers. This story is no time-rewind, that I can tell :)

It's simply to answer this wonderful question I had in a sketchbook after listening to an Arcane-analysis video:

What do we do with the mad inside of us?

What I can add without saying too much is:

Hevy & DB are in the 212th (they're Cody adopted kids)

They're all ARC-Troopers

And that's all for now :)

[hevi-publishing]

¿Who is Karl and why is Family Trust sounding better than 90% of new music

Unlike many new emcees approaching the big stage, Crazy Karl is already being compared to other veteran artists from the area. A masters degree holder, olympic caliber track star, and savvy businessman turned rapper adds to the mystery. Karl is set to release his debut project; Family Trust, through Hevi Publishing on May 16. 

Pre-Save the Album Here - https://ditto.fm/family-trust

In a recent interview Karl said, “I believe hip-hop has lost its purity.  Family Trust is my contribution for those who unplugged themselves from the matrix.”

Statements like this are why Karl’s cult-like following is growing and why he’s selling out local shows, all before releasing his first album.

Every 60 seconds a new song drops, how can new artists stand a chance? You should begin by asking Virginia native, businessman, and controversial new artist; Crazy Karl. Some might say he’s cracked the code! Using tech, business skills and grassroots marketing Karl was able to build opportunities for himself and other indie artists during the pandemic. Selling out self-promoted local shows, utilizing outdoor venues and partnering with a publisher with massive media resources, Karl was able to impress many industry onlookers. After months recording in the studios across the Greater Richmond Area, Karl was able to turn a life of restricted movement and quarantine into a successful launch for his ¿WhoIsKarl campaign. 

After meeting with reps from Warner Music Group, Def Jam, and many handfuls of other labels, Karl began seeing the value of maintaining creative control. Karl shares stories about distributors filing false copyright claims to prevent his release. Fallouts with friends and the allure of being lost in all the noise. When mix engineers start duplicating master recordings you know it's working. 

You don’t typically hear these types of stories from artists this early in their careers or ever, but Karl isn’t an ordinary rebel. This is clear from the reactions of peers when he enters a room.

Family Trust, gives you moments of J Cole, Three-6 energy, self reflection of Tupac and powerful cadences like Nipsey. If you love the finesse of Kendrick and exploration of places unknown, you’ll enjoy Family Trust.

Since landing a unique deal with boutique Virginia based licensing  company, Hevi Publishing, Crazy Karl is now in position to disrupt the entire indie circuit. Karl said via Twitter, “having a strong behind you is critical to your success as an independent artist.”

Creativity is something deep-rooted for all Virginians. Pharrell said, “there is truly something in the water here.” He is 100% correct! There is pain, blood, moonshine, years of oppression, spirituality and love in the water here. When you listen to Family Trust, on Spotify, Tidal, Apple Music or wherever you stream your music you will find a reason to keep listening.

Words by: Wes Jones #ItsHevi #FamilyTrust

www.karlscrazy.com

[rodpupo4]

Project 4: Sequence

Luiz Gê

Luiz Geraldo Ferrari Martins, known as Luiz Gê, is a Brazilian illustrator, considered one of the greatest exponents of Brazilian comics in the 1980s.

He graduated in architecture at the University of São Paulo in 1977. In 1987 he went to do postgraduate studies at Royal College of Art, in London.

During the 1970s, Luiz Gê consolidated his career as a comic artist, creating the magazine Balão and collaborated with other magazines, Jornal do Brasil and the Pasquim.

The magazine Balão, was seminal for the Brazilian underground comic, a real watershed in which Laerte also participated.

It was in the magazine Balão, created in 1972, that Luiz Gê published an controversial story, but which according to him, records a series of thoughts about the language of the comics. The comic called “Oba Oba”, with only one page, proposed several reading possibilities, it was an open work.

Throughout the 1970s, he developed a series of stories that were popular with the alternative press at the time.

His artist style is loaded with an intense visual culture that makes his work unique.

The angles and perspective that he uses, as well his cinematographic expressionism, like the camera movements of Hitchcock, that he is inspired of, and even the perception and ideas of the Italian filmmaker Fellini.

For most of his life he was inspired by North American and European comics.

Tintin is said to be one of his sources of inspiration for working on the comics. Because of the framing and the feeling of living the adventures together with Tintin.

In addition to Jack Kirby himself, who has co-created several characters alongside Stan Lee. His visual narrative was unique, in addition to being able to create unimaginable characters for the time. Like the X men, and the New Gods of DC comics.

He is the author of the underground comic book; “Avenida Paulista”.

It’s a classic of the Brazilian comics, and over the years, it has become a cult and coveted object among collectors and marked the begging of a long period of departure from the comic books of one of the greatest Brazilian comic book artists.

The comic narrates a hundred years  of transformation that took place at the avenue that symbolizes São Paulo’s accelerated and chaotic development like no other.

Currently, Luiz Gê is a professor of comics in the Industrial Design Course at the College of Architecture and Urbanism at Mackenzie, São Paulo.

Nicole Claveloux

She is a French surrealist illustrator who has worked on several underground comic books. While there have been several surrealist women, throughout the 20th century, few are remembered on the same level as their famous males counterparts such as Salvador Dali for example.

Mixing the figurative with abstract, the everyday with the manifestations of the mind and psychoanalytic issues, she made her name among the greats of the French comic books in the 1970s, using the aesthetic of her biggest influence, the German painter Max Ernst.

In the 60s the comic artist had enormous influence from psychedelic art.

As well by the drawings of Czech German illustrator Heinz Edelmann, art director of the Beatles animation Yellow Submarine. In addition to the collages of former Monty Python member Terry Gilliam.

For few years, Claveloux contributed short comics to the French magazine Metal Hurlant ( an counterpart of the English marine Hevy Metal), which featured women features exclusively.

During this period working in Metal Hurlant, she made comics very focused on her personal interest. Having a very vivid color palette, besides in many of her comics, she doesn't use dialogue, often focusing on the characters' expressions.

And just like in Heavy Metal, many of his works were counter-cultural. Using violence, sex and drugs as the main theme. The experimentation and styling was something very present in the 70s comics as it was a time of change and revolution, trying to remove the censorship of the comics, and explore other themes.

Something that catches my attention in Nicole’s drawings is the exacerbation of eroticism. In her adorable, multicolored drawings, there is an exploration of erotic and fetishistic imagery.  Nicole takes a chance and some times criticized in using a children’s imagination with genitalia, testing our sense of humor.

As the psychedelic movement, had come to an end. New references came to her field. Using the contrast between black and white is highlighted, as well as the presence of hachures and more naturalistic lighting.

Yuichi Yokoyama

Yuichi Yokoyama was born in Miyagi, Japan in 1967.

Always interested in arts, he knew since an early age that he always wanted be a illustrator. He went to the university of fine arts in Nagasaki. But after studying oil painting and other techniques, he thought that drawing manga was the style that suited his form of expression the most.

According to him, he felt “ emptiness in drawing a single picture”. He wanted to draw what would happened after that, instead of just one expression including portraits and sculptures.

He produces works that do not have lines or clear stories, featuring lines and onomatopoeia with a sense of speed, and unique characters using the style called the “Neo Manga”.

It is highly evaluated not only in Japan but also overseas, and the manga is published in Europe and United States. He says he likes to record his conversations with friends and draw while listening to them.

Neo Manga, has been highly acclaimed as a work that redefines the stereotypes of manga, but it is said that if was completely different from the original aim.

He participated in several exhibitions around the world showing his monochromatic works, which showed a different approach to manga. Focusing much more on the movement of characters and their expressions to tell a story, than simply using text, which seems to boring the viewer in his opinion.

Chris Ware

Is a cartoonist and comic book artist, who is acclaimed for presenting narrative illustrations in a form and style very different from traditional comic book.

Franklin Christenson Ware was born in 1967, in Nebraska, USA.

He grows up with the absence of a father figure, his biological father left his family when Chris was one year old and until he had reached adulthood he would not have any contact with him again.

Because his mother worked as a reporter and editor at a newspaper and his grandfather also worked as a sportswriter, Ware was able to get in touch with the world of press. In fact, his grandfather was  one of the pioneers in introducing Peanuts strips in newspaper and because of that, he introduced Chris to the comic strips and started reading as much as he could.

He is mainly recognized for his work Jimmy Corrigan: The Smartest Boy on Earth, with which he won the Guardian First Book Award and was selected as one of the 100 best books of the decade by the Times of London in 2009.

Ware’s unique perspective on the language of his works was seen early in his career. The author’s first independent publications, was during his years in the college of arts at the university of Texas, drew attention of Art Spielgelman, author of the classic Maus.

Chris Ware is undoubtedly a fascinating comic book author. It’s because we find ourselves with one of the few authors who managed to bring together comics, illustration and design within a style and a way of doing things that works for him to create his comics.

The influences of Ware, was Windsor McCay with his comic strip Little Nemo in Slumberland, Richard Outcault with his strip The Yellow Kid, and of course Charles Schulz, author of Peanuts.

It was these authors who left a strong imprint  on Chris Ware and who showed him that on comic page the text and the image merge and that the composition of the vignettes on the page can be manipulated by the author at will. In order to achieve the desired effect.

Also the countercultural movements in the 1960s was also a big influence on him. Hippie movement, Vietnam war, student protests, experimentation with drugs, influence of oriental philosophy and music.

Most of his characters share similar characteristics, such as the lack of a father figure, discouragement, loneliness, lack of communication, insecurity, and lack of affectivity.

Towards the way that Ware works. He limit himself on only using the computer for coloring and discard it when it comes to the use of fonts. Ware prefers to make his own fonts by hand, thus becoming a great lettering artist.

He prefers to start by drawing with the first vignette and see what paths the process has taken him on when he reaches the last one.

The break with the conventions of the comics in that it is hierarchized by the logical sequence of the vignettes. Instead, Ware in many of its pages diversifies the timelines and events that a character and everyone around him can undergo.

Multiple frames of varying sizes and shapes are packed into each page; among the bold black contours are startling shifts in scale and points of view.

Chris Ware is someone who, despite sticking to traditional techniques when dealing with the blank page, dares to experiment with new technologies in order to find new ways of telling a story.

John Romita jr

John Romita jr. is an American comic book artist, known for his extensive career in Marvel Comics and DC Comics since the 70s to the present day. He is the winner of both the Inkpot Prize, like the Eisner award. He worked with many different characters, like; Spider man, Iron man, Daredevil, Batman, Superman, Kick Ass and many more.

Son of John Romita sr., one the most famous Spider-Man artists since the 1960s, John Romita Jr. he started his career early. At the age of 13, he proposed the creation of a character to Stan Lee, who later was introduced as Prowler in The Amazing Spider-Man #78.

He began drawing sketches for reprint covers, until debuting with six page story in the Amazing Spider-Man #11 in 1977.

During his run at Spider-Man, Romita’s art style resembled many other artists of that time, like his father for example, as well Jack Kirby, who inspired a whole generation of comic book artists.

Romita stayed on Amazing Spider-Man until 1987. Then he started working at a Daredevil run, and Romita’s style began to evolve from that more traditional Marvel style to something different. His style got squarish. It was more angular, more stylistic. He mentioned, that he got that style thanks to Frank Miller’s influence.

Romita Jr, brought that style back to Spider-Man in the mid-90s, where he had a run of 140 issues, becoming the artist who worked the most with the character.

John Romita Jr. was one of my biggest inspirations when I was younger. I've always liked Spider-Man a lot, and I've always collected many of his magazines. John Romita's drawing is very different from a traditional style, and I think that was what caught my attention. Because in the world of superhero comics, the artistic style ends up being repeated a lot. Always exaggeratedly strong and beautiful people. Romita's style seems to me to be more cartoony. And I say this in a good way, because I find his characters extremely expressive and unique. His style doesn't belong to a specific period, like many artists from the 90's who were forgotten because they didn't knew how to adapt themselves on the following decades.

He also knows how to build an action scene like no one else. Always investing in close ups, and showing the specific movement that the character is doing in a very natural way. He always knows what fits into the specific scene, making frame transitions very different.

John Romita has been working since the 70s, and he never stopped. He is always been in some different title in both Marvel and DC.

Scott McCloud

Scott McCloud is an American cartoonist and comic theorist. He is best known for his nonfiction comic books: Understanding Comics, Reinventing Comics and Making Comics, all of which also use the comic book medium. And also one of the first artists, to promote Webcomics as different variety of comic, with different possibilities than its the printed.

Born in 1960, in Boston, United States. In 1984 he published his first comic Zot !, And later another comic called Destroy !, a parody of fight scenes from superhero comics; The new adventures of Abraham Lincoln, a comic created with a mixture of digital graphics and traditional drawings; also working at some Superman comics, like: “Superman Adventures” and “Superman Strength”.

But he is best known as a comic theorist after the 1993 publication of his essay Understanding Comics: The Invisible Art.

Originally published in 1993, the theoretical study on the universe of comics in all its context provides a long historical journey (from the foundation that gave rise to comics) to establish and legitimize the means for art production.

McCloud goes back to the dawn of civilization when cavemen first began to develop what he defines as art. Not to mention the full range of what characterizes comic books- from the American ‘comics’ market to the Japanese ‘manga’ passed through the French- Belgian market (like Tintin, Asterix and Lucky Luke). And of course, it goes further, entering in concepts of iconography, structures and forms of visual communication.

I've had this book with me for a while. And he helped me a lot in terms of how to put together a comic.

Last semester I did a very amateur one, which was lacking in a traditional comic book structure.

So I ended up finding this book, and I started to have a theoretical notion, in terms of passing, the use of angles, and trying to make it clearer to the reader what is happening.

The author exposes a multitude of complex arguments with good humor and a fluid structure which is really hard to see as a theoretical book

Asterios Polyp

David Mazzucchelli made his career as an illustrator, as is customary in the industry, for both Marvel and DC, working on Frank Miller’s iconic series Batman: Year 1 and Daredevil: Born Again. Later, he stopped working only in illustration and began to publish anthologies with stories of his own.  However, it was only in 2009 that the comic artist fully demonstrated what he was capable of, when he published the graphic novel Asterios Polyp.

Asterios Polyp is also the name of the protagonist, a misogynist and acid architect. Asterios projects are highly awarded, but none of this projects were actually built. He lives in the universe of abstract ideas, protected from the reality of human experience behind his own arrogance. But after a Lightning causes a fire that devastates his apartment, Asterios finds himself homeless and aimless.

Asterios wanders around at dawn accompanied by the story’s narrator, his stillborn twin brother, Ignazio. Thus begins the journey of the protagonist who is forced to radically change his life.

Mazzucchelli manages to build a complete  character in his aesthetic narrative, which is an interesting thing he did, in that he didn't have to rely entirely on the text.

Unit various types of “styles” of drawing and writing, forms to reveal the universe of the character without losing his style.

One of the biggest influneces for me in terms of style , is a specific moment when Asterios and his girlfriend Hana are having a discussion, and Asterios turns into a blue, perfect geometric character (implying his architectural nature) and Hana turns into a sketchy red character. this sketchy look is very descriptive in that it implies the looseness and passion of Hana's character.

The way it was made, using these hatches  in red and even pinky in some moments of the story, was a style that I really liked when building the bottle. Trying to do a red shaded style just like Mazzucchelli did.

In addition to the drawing style itself, the framings themselves, which are made, often focusing the "camera" on important moments, as if it were really close ups from a movie, in addition to the open plans showing the entire environment, often depicting what is going .

A very personal work by Mazzucchelli, which has been planned for a decade, where each frame, each character with a different style has a specific meaning, is a purely visual work, but by no means is the text weak. It's just not Mazzucchelli's focus

[skyvaikers]

busted [ hevy ]

summary: anakin finds out one of his men is in a relationship.

warnings: just fluff :)

requested by: @sacredmirrxrs

———

relationships were forbidden in the republic. they were seen as distractions, and that statement wasn’t completely wrong. but, obviously, there would be some who didn’t abide by that rule. exhibit A, anakin skywalker and his not-so-secret wife padmé amidala. exhibit B, obi-wan kenobi and his history with senator satine kryze. there were others that were better-kept secret, of course.

the clones, on the other hand, were a different story. every clone has at least had one hookup, the rookies at least 4. the high ranking officers, though, rarely did such a thing. but, there was that one time that commander cody’s flirting went a little too far.

there were some, that were respectful to the women they met at the bar. one of those being hevy, surprisingly. even though he was trigger happy, a little outspoken, when it came to women, he was a different person. drunk? that’s different, we’re talking about sober hevy.

he met a woman at 79s, a woman who looked like she either had been ditched or she had come alone. whatever it was, he walked over and decided to speak with her. after that, they had a couple of dates (which were hard since he was fighting) and she became his girlfriend.

no one knew about y/n, not even his brothers. fives found out, and he was not happy when he did.

“you’ve got a girlfriend?! and here i thought i’d be the first!” he exclaimed rather loudly, making hevy shake his head and his cheeks to heat up. he didn’t care if his brothers knew, the problem would be if general skywalker found out.

hevy continued to try and make time for his girlfriend, who understood the situation he was in.

“you’re a soldier, hevy. i don’t expect you to visit me 24/7.” she had told him. the words comforted him in a way, but that didn’t mean he didn’t want to see her.

it was after one particular mission and they were given some time off (not a lot cause the war is still going). hevy got off of the transport, knowing exactly what he was going to be doing.

“what are you going to do with all this free time, hevy?” fives asked, knowing perfectly well what he was going to do.

“i dunno hit the bar maybe.” he lied. fives raised an eyebrow and shook his head.

“you’re lying, you’re going to see y/n.” fives teased just as anakin stepped off the transport.

“who’s y/n?” he asked, making hevy’s face flush. he turned to glare at fives, who shrugged.

“my uh-”

“his girlfriend.” fives finished for hevy. but, the soldier was definitely not happy with fives. he was going to deal with him later. anakin turned to hevy and laid a hand on his shoulder. hevy was absolutely terrified of what his general would do to him.

“i’m not gonna court marshal you, hevy, get that scared look out of your eyes.” anakin chuckled. “but, if you love her, treasure the moments you have with her. don’t take them for granted.” the words spoken from anakin came as a surprise for hevy. he took a moment to gain his composure.

“of course, sir.” hevy nodded his head, but he still was going to kill fives later.

“now i do want to meet this y/n.” anakin smirked, fives nodded in agreement.

“oh brother,” he rolled his eyes.

———

this lowkey sucked, but i might do a part two idk yet. i’ve got some other drafts to get published to at least to the point i like the plot haha. i hope this is what you wanted! if not, i’m really sorry :/. thanks for the request though; we need more stuff of hevy :(

[lessthanthreepress]

HAVE YOU PREORDERED THE BOOK WOMAN BY LAUREL BECKLEY?

The Book Woman is a fantasy lesbian story by Laurel Beckley. Preorder your copy by March 12, 2019 to save 15% off the cover price and earn reward points toward your next order!

As an assistant editor at the prestigious Hanhat Publishers, Evie Southiel is entrusted with fine-tuning the manuscripts of the company's most important authors. Her skills as a book witch allow her to manipulate the stories she reviews and bring them to life.  Then her girlfriend steals the secret manuscript of Hanhat's best-selling author and leaks it to the press, and Evie is exiled to become a journey carrier with the Pack Horse Librarians in the eastern mountains. Timid city mouse Evie doesn't know the first thing about surviving in the wilderness, riding a horse, or dealing with the rugged mountain folk and coal miners surrounding the town of Hevis. She does know books, though, and she's determined to do the best job she can. But that goal is jeopardized when her horse gets spooked on her first solo run, sending her tumbling out of the saddle and into a mysterious mother's life.

All preorders are available for purchasers to download the night before the release date (at app. 7:00 p.m. the night before) and LT3 sends an email notification when you can download your copy. Reserve your copy today!

[meridiansdominoes]

Don't worry! We know Real-Life interrupts even the best of intentions. BUT schedules are important - however, don't stress yourself trying to write (and publish) faster just because we've been waiting a while. ~ I know; this is neither a question, nor an ask, but I don't have one at the moment ... well, I do, but they delve either into spoiler territory or stuff that will likely be answered in the next story-chapter. I'll take a random fact or head-canon about Domino or Beta Squad.

Ahh, thank you, my friend. I really appreciate it. I do stress about not updating sometimes, but it’s more for me than for the readers since writing acts as my stress relief. 

Random fact about Domino squad! I’ve mentioned something like this before, way at the beginning at creating this page, but I headcanon that Cutup is actually the oldest of the Dominoes! After Cutup comes Echo, Droidbait, and Hevy, with Fives actually coming in as the youngest! Not that it matters too much when you’re literally milliseconds apart, but still. 

[ethniccollectionworld-blog]

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[kristsune]

I am sorry to say, I have to turn off anon. Unfortunately the fuckwit anon who keeps sending hate about Hevy won’t fuck off. I’m sorry to those who use it properly. If you still want to come talk with me I will welcome you, just be sure to leave a pm if you don’t want me to publish it. 

[hevi-publishing]

Meet Karl, aka Crazy Karl... He’s a modern contemporary rap artist providing a unique collection of stories and sounds exploring life in the capital of the confederacy.

His debut release under Hev! Publishing is set to release in the first quarter of this year. Stay tuned for more on Crazy Karl.

#hevi

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[tirupatiwholesale]

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[lessthanthreepress]

DON'T WAIT! PREORDER THE BOOK WOMAN BY LAUREL BECKLEY TODAY

Don't wait until the last minute to preorder your copy of The Book Woman by Laurel Beckley! Save 15% and earn reward points towards future purchases if you preorder through the LT3 Book Market. Preorder is open until 7:00 p.m. Eastern time on March 12, 2019!

As an assistant editor at the prestigious Hanhat Publishers, Evie Southiel is entrusted with fine-tuning the manuscripts of the company's most important authors. Her skills as a book witch allow her to manipulate the stories she reviews and bring them to life.  Then her girlfriend steals the secret manuscript of Hanhat's best-selling author and leaks it to the press, and Evie is exiled to become a journey carrier with the Pack Horse Librarians in the eastern mountains. Timid city mouse Evie doesn't know the first thing about surviving in the wilderness, riding a horse, or dealing with the rugged mountain folk and coal miners surrounding the town of Hevis. She does know books, though, and she's determined to do the best job she can. But that goal is jeopardized when her horse gets spooked on her first solo run, sending her tumbling out of the saddle and into a mysterious mother's life.

Pairings: Fantasy - Lesbian

Word Count: 22,000

Price: $2.99 $2.54

Content: The Book Woman contains no explicit content.

[f3fashionin-blog]

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[ethniccollectionworld-blog]

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