#Heres to hoping it stays that way

[hellsite-hungergames]

So you're obviously not the youngest kid but I feel like you aren't the oldest either so I feel like you're the middle kid but at the same time you give off oldest vibes

Well at least I give off oldest vibes

[jkvjimin]

MIN YOONGI & JUNG HOSEOK ↳ PTD - Seoul | cr. namuspromised

happy birthday, réka! @yooboobies 🧡

[seventh-district]

Making Incorrect H:SR Quotes Until I Run Out of (hopefully) Original Ideas - Pt. 4 - Nuthin' but Boothill Edition

[Pt. 1] [Pt. 2] [Pt. 3] [Pt. 5] [Pt. 6]

[vaguely-concerned]

'my cousin is all stomach and no heart' is such a funny thing for illario to tell rook if he maybe is picking up on a little bit of a Vibe going on there. the 'LMAO. well good luck with that friend. better hotties than you have tried and failed and dashed themselves against the legendarily unamorous cliffs of my cousin's complete obliviousness and lack of interest to no avail. (optional 'may I suggest a more hah-hem *undoes another few buttons on his shirt that thing is open almost to his navel now it's borderline obscene* available dellamorte for your consideration. I mean if you're like in the market for one anyway' devious undertone as you see fit)' energy is off the charts.

(illario is above all a funny petty bitch and that's why I love him so indescribably. no no lucanis is right we need him around to drop shade like this he is in fact also an essential crow. we all contribute in our own ways)

[ch1zzie]

The original in the bottom

Plus the picture I mainly drew but decided to draw the rest for funny

[cringefail-clown]

figuring out their would-be dynamic through silly pesterlogs. dirk would 100% take the piss out of kankri every chance he gets

also, the thrilling conclusion:

[artuurle]

more doodles of this thing that haunts my brain and his boyfriend

More doodles centered around pre-godhood shenanigans under cut to keep post short for the sanity of others lol

tha legally mandated Only 1 bed trope ...

getting the old uniform out!

annnnd the obilgatory sad bonus U u U

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[theusernameiwantisntavailable]

A chibi..... It's been 800 years...

[ervikirvi]

“Now I know what you’re thinking— I don’t want a career in fast food! I want to be a comic artist! And eventually launch my own manga-inspired webcomic! And it’s cool to have dreams, but you also need to remember that they’re completely unrealistic, and YOU need to stop trying.” -Gangle

I don’t think a community has ever related to a character more than this, myself included. I think about this line constantly, and I have seen posts of other TADC fans posting about Gangle and how relatable she is when it comes to her art career. Which made me think about how many of us as a community are struggling as a majority of artists to find a crowd who cares and supports you. But can’t because of an algorithm or not being able to find your crowd or for whatever other reason you may have.

So I want you to put a link to the art you want me to follow and interact with. Heck! It doesn’t have to be your own! You might know somebody and their art that you want to give attention to. It doesn’t even have to be drawings, it can be writings, it can be music, it can be whatever. I may be one person, but I want this community to flourish. It’s funny whenever I accidentally stumble upon the author of a fanfic I read months ago. It’s fun finding the artists to works I saw on Pinterest (who didn’t bother to give credit 😤), or even just knowing who made the art by username just from the art style alone. It’s entertaining just talking to people who are passionate about their theories!

Maybe I am just rambling on for a bit about something you guys are too shy or too caught off-guard to do. But I DO want to get to know you guys! I joined Tumblr because I wanted to see more art between Kinger and Queenie, now I want to stay for the only part of the community that actually feels alive. So I ask you, please, send me a link to your work and I’ll follow you. I want to see more of TADC on my feed than anything else.

Sending Virtual Hugs to all 🫂

(I also encourage you to take a look at everyone who gives their link 👀 Support each other, that’s what will strengthen our community and others)

[quirkycritters]

First week’s worth of Art Fight attacks COMPLETE!! (I do friendly fire and revenge pspspspsps)

In order, these are for @peskypawz, @ssseriema, @secretgaygenttomura, @bunbiiit, puritypaws, @little-angelbun, and @artnerd1123 !

[xinganhao]

is this something i should've included in my 2024 wrapped? probably. but i'm still doing it to close off the year! (´◡`)

incredibly grateful to have gotten so much love in the past three months. i'm not able to respond to everything, but trust that i see every comment— whether in the replies, reblogs, or in my inbox.

if anything, let this be a reminder to support your favorite writers/creators. in an algorithm that thrives on likes, reblogs with comments in the tags/replies/asks make a world of difference. if you liked someone's work, let them know.

here are some of your words that have stuck with me. 🫶

"#i heart tumblr user xinganhao #no one is doing it like them #the amount of depth in their work #THE EFFORT IS ALMOST TANGIBLE #not to participate in idol worship but …. #a role model for the fic writing community #hashtag proud to be born in the same timeline as tumblr user xinganhao" — g4minelvr re: fake dating!seungkwan

"i always look forward to vernon's slides because I CAN HEAR HIM!!!! its wild like all the replies???? his voice is in my head. but i also realized i can imagine/hear hoshi's so easily too!!! and a lot of his are so funny and witty. anyway ive been so entertained the past few days cos of kae's writing" — maplegyu re: svt reacts to 'i used to have a little bit of a crush on you'

"#so cute !! #“to love is to be burdened; but to not think of it that way.” #HELLOOO #thats such a fire line to drop ???? #sigh these alignments are all accurate but i really need hao to take caee of me :((" — planetkiimchi-rbs re: svt reacts to your drunk texts

"I bet your uni entry essay kicked ass. Youre so creative its mind blowing😭" — bambispostsblog re: sociology major!junhui x reader

"#welcome back dramateen😭😭😭" — dcrlingyou re: svt when idol!reader releases a breakup song

"#i think someone's already said this but #the writing under the texts is like a little treat that i somehow always forget about #its so fun #i read the texts and im like “aww thats so cute i love this blog so muchhhh” #and then i scroll #AND THERES MORE #its like the best thing ever" — forever-atiny re: svt reacts to your drunk texts

"This is DEVASTATING 😭😭😭😭😭 your writing is beautiful but DAMN did it rip my heart and throw it into the ocean" — sasalalista re: svt (taylor's version), heartbreak edition

"#okay maybe I'll allow myself to be this delusional only for this smau bc it's adorable 🥹" — stay-in-district9 re: chan x fansite!reader

"#kae did u know i have a whole maladaptive dream world abt this pairing #it’s like u looked directly into my brain #but like it’s just so perfect for wonwoo #and i just love how pathetic u made him" — pochaccoups re: wonwoo x streamer!reader

"#did i ever mention i am literally your biggest fan #ALL your works i am eating them up 🙏 #and this one was just oh my god #the way you narrate is always too good #with your little details abt the screenplay and all #i aspire to write like you- it's like mixed media but in writing #i loved loved loved this exes to lovers suits gyu so muchhhh" — simpxxstan re: film major!mingyu x reader

"#user xinganhao the way you EAT EVERY SINGLE TIME #COOKED WITH GAS AND FIRE AND DEVOURED #permanently sat for ur posts i fear #can’t get up won’t get up" — ahuiahoe re: seungcheol x fanbase!reader

"the fact that you do complete research into each and every one of the topics and write them well is just pure dedication and hats off to you!!" — choco-scoups re: biology major!vernon x reader

"i'm so in love with the way you design your extra content/headcanons under the photos!! the soccer team and notes app got me down bad, but i really adore the text visually fitting the concept in all of your works!! always excited to get a notification from you. thank you for sharing your creativity with the world!!" — purple-eustoma

"I hope you know your works always hit the spot just right. not even kidding I was in class for two hours and then I see this in my notifications the way i INSTANTLY SMILED?! how do you manage to make my day better😔🫶" — cxffecoupx re: operation dispatch (chan x idol!reader)

"Honestly I know most of your svt burner account fics are meant to be open end, and I really love that. It is just that your writing makes me keep wanting to know more of the story, it is soo well written. I want to dive into the world a little more every time🌸" — anon

"#THIS IS SO CREATIVE WTF #the genius interview and the whole song… kae ur BRAINNNNNN #this is so good omfg im rooting for them so hard #living vicariously thru simp cheol tweets pretending i am the fanbase 😔 he wants me guys trust #i love love love all the little bonus stuff you do for these literally most creative and fun smau writer ur changing the game" — junhui-recs re: seungcheol x fanbase!reader

"these keep coming up on my dash and i will never skip an smau made by the greatest smau creator on this silly little tumby app" — hachireads re: dead poets society!hhu x reader

"im so srs rn. pls never stop writing" — wonuloves re: vernon dates rockstar!reader (4)

"woozi loves silently, consistently, and sincerely. these are not the adjectives anyone would typically match with the concept of love. and yet, it fits. i first felt the depth of his love with vocal unit songs. and i never looked back. thank you for writing this. thank you for understanding seventeen so well. you deserve everything good in life." — chugging-antiseptic-dye re: jihoon x poetry account!reader

how lucky am i to get to say that this is a mere fraction of all the kindness i've been afforded. again: i see all the nice words directed my way, and it motivates me to stay on this godforsaken site (lol) for at least one more day. thank you, thank you, thank you.

if i can love well, it's because i've been loved well. please let me repay all your kindness in 2025 and for however much longer that i can (｡•̀ᴗ-)✧ if you got this far: happy new year! i wish you clarity, courage, and compassion at every turn. xo

— kae

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[cent-scratchnsniff]

here together

[twilightprince101]

So! The ost for Indigo Park chapter 1 released on youtube. and they come with official titles for all the songs

Do with this what you will Rambley Fans

[charadreammer]

I needed to draw him in a maid outfit. It's what he would want !!!

This was supposed to be a full body drawing but finishing this was so hard. I seem to have forgotten how to draw T^T

This is how far I got before deciding to scrap the body entirely and I couln't use my paper lineart because he's too bent. I still like it though

The boob window was added just to comfort me XD