#He's mostly wrong bc he's the antagonist not bc he's created a whole fucked up worldview as a deeply traumatized teen and then
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so kusakabe and higuruma Megumi and fucking MEI MEI can survive but Mechamaru Nanako Mimiko and Mai had 2 die. Alright.
#JJK spoilers#Everytime I'm like ''i don't actually care that much I shouldn't be so negative'' I remember that Gege treats disabled characters like shit#And also fucking fumbled some of the characters with the MOST POTENTIAL (THE FUCKING NANAKO MIMIKO AND MAKI MAI PARALLELS)#Anyway I'm killing us allllllllll ❤️#Also I feel like the idea of ''strength'' is never really actually. Fully criticized like maybe I'll have clearer thoughts later but it's#Very much ''dont look down on the weak bc they might be strong'' instead of ''dont look down on the weak bc. They're human beings.''#And that just annoys me personally. Like Suguru is Wrong but the narrative doesn't actually Prove Him Wrong y'know. In the story#He's mostly wrong bc he's the antagonist not bc he's created a whole fucked up worldview as a deeply traumatized teen and then#Created a structure that was abusive not only to the ppl he didnt value but also the ppl he did and NEITHER GROUP IS GIVEN SUFFICIENT FOCUS#AAAAAAAAAGHHHH. <- guy who's interested in cults and cult abuse and wants to see fiction that actually reflects#How cult survivors are affected by said abuse and also recover. Can you tell I'm not over Nanako and Mimiko's deaths because they were#REALLY FUCKING INTERESTING CHARACTERS. CAN YOU. CAN YOU. CAN Y#Somehow everything I write Abt JJK ends up being about how I wish I could enter the story and crucify Geto. I hate that motherfucker#(he's was my first favorite character in the series and even tho he's been rightfully usurped he's genuine fascinating both in general and#Also specifically bc his character touches on some of my preexisting interests and also I feel like no one else understands him.#And when I say that I mean no one else wants to beat him to death with bricks and rocks and blunt weapons for the right reasons like I do)
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Maybe this is a stupid question, buuuuut:
I just can't imagine a world that Rhaegar comes back from the Trident, wins the war and becomes king. No, I'm not a anti Rhaegar, matter of fact I like him very much, I'm just can imagine how would Lya, little Jon, this whole affair, would settle in the capital. The norm that fics (at least those I read) tend to follow is to make Rhaegar:
1. A douche, paranoid and destiny-obessed king.
2. Completely incompetent, aloof monarch, that deep down has a heart of gold, but can't really be understood.
I mean, isn't he supposed to be a scholar since he was a kid? What's are your thoughts about it?
oh, yeah, i can totally understand this! it's is the whole point in canon actually, "the wrong man came back from the trident". you would expect a hero win against his antagonist and have a happy ending w his lady love but it doesn't happen. instead the subversion happens to them with rhaegar being killed by robert who becomes obviously a shitty king and lyanna dying after him. they were never supposed to have happy ending, they were created as tragic and doomed and dead from the beginning for the whole plot to start, jon to have his parentage mystery and dany to take the passed baton as the last dragon, prophesied savoir and the heir who has to carry entire house on her back now.
as for the realistic rhaegar wins aus that's the difficult question. tbh we just don't know enough abt their situation, plans and wishes. you see, e.g. in agot we can be right in ned's head and see his motivations, what he was thinking abt, what he was planning, what he was hoping to do. but if his story was told the way rhaegar's was i bet he would have his own crowd of haters and ~intellectuals~ jumping out every two seconds w their "hot takes" how actually all hints abt what rlly happened (ned being a good man w his own sense of honour, justice and experiences affecting him and the deal w cersei's children) doesn't matter and he was an ambitious prick, planned to grasp the power by being joffrey's regent and make his daughter sansa queen. (you can actually insert there any bullshit and still don't reach the level of stupidity of such "hot takes" this fandom loves so much lmao). also he would be blamed to the hell and beyond for being too stupid and not foreseeing the future and actions of other ppl bc ofc after everything happened it's so easy to say what was so obvious to notice. also they would say that the deaths of his men and horrible fates of his kids are 100% his fault and even straight up say he killed them lmao. i can rant abt it for hours so yeah. this is a situation w too many unknown variables bc it depends too much on actions of too many characters we don't know enough abt. the only thing it's possible to tell for sure is the fact that there couldn't be any perfect solutions since things got too complicated at this point.
such fics as you've mentioned tho are just a part of this dumb fanon where rhaegar is "too prophecy obsessed"/"incapable of love"/shrodinger's rhaegar both smart and stupid at the same time/whatever/all of this combined lmfao. the man was notably intelligent from the early age as you've absolutely rightly mentioned, his guesses abt himself being tptwp have nothing to do w egocentrism as some parts of the fandom would want us all to believe unless he wouldn't be so reasonable abt it and later on, after so many years, wouldn't have changed his mind and thought his son could be tptwp.
and literally fuck all antis that think you shouldn't consider prophecies that hold real power in this fantasy world lol. you know, aegon the conqueror was said to be motivated (or at least partly) to unify westeros by the prophecy and still got the treatment of perfect/maximum close to perfect figure of a leader everyone should look up to from the narrative and grrm. prophecy obsessed much, huh? i don't even talk abt all these parallels between him and rhaegar grrm put there not for bitches to ignore them completely! and i will never get tired of reminding that dismissing prophecies is UNWISE for targaryens of all people. the house whose story is built on the dream of young daenys and her father aenar that listened to her despite common sense (or what local "anti magic"/"anti prophecies" clowns consider to be common sense). targs would be as dead as the rest of dragonlords if not for daenys the dreamer. who else in the world has as many reasons to take prophecies seriously as them?
yet antis out there act as if rhaegar is one dimensional weirdo whose every character trait is abt mf ~prophecy obsession~. like how can they miss one of the main points so badly?? the game of thrones distracts ppl from the real danger beyond the wall, yk, the one rhaegar was aware of and meant to deal with. there wouldn't be such a problem if he became king and had as many years of head start before ice zombies apocalypse as ignorant bobby b did. rhaegar had to die just for westeros to sink in shit and our main heroes to save everyone to make this story more epic LMAO
so yeah, too many ppl portray rhaegar as this one dimensional robotic creature without any knowledge of what feelings are idk even for what reason. it seems these ppl can't read for real bc rhaegar was not only intelligent af as well as dutiful ("it seems i must be a warrior" but "he loved his harp more than his lance") but also. ugh emotional?? my boy had constant emo sessions w brooding at ruins of summerhall, sleeping out there beneath the stars all alone and writing songs that made all women cry. does it sound as someone who "isn't capable of love" lol? folks act as if he was completely heartless from the day he was born (bc he didnt play w other kids ig??) but in reality their emotional range is less than the one of a spoon in comparison to rhaegar's lol. i'm not even gonna address the horrible attitude of demonizing him for his implied depression, vile clowns never listen to themselves when they talk abt targaryens and their "madness".
tldr; these fics are mostly lame af and suck at characterization if they're making rhaegar like that lol. anyway his character isn't abt being a good or a bad king, it's abt being a would-be-king for characters in books and readers in reality to sigh over his tragic aura and pretty aesthetic abt how it could've been. however, grrm clearly doesn't write rhaegar as evil or incapable as some parts of the fandom would want to try to persuade others. realistically speaking in the scenario where he wins there couldn't be any perfect decisions but it's a territory of speculations on thin air and lit nothing more since canon doesn't provide us with enough information to rlly theorize anything instead of building biased headcanons some ppl call "analysis".
but remember what barristan said about rhaegar while practically watching him all his life, from a literal baby to the man grown:
“I know little of Rhaegar. Only the tales Viserys told, and he was a little boy when our brother died. What was he truly like?”
The old man considered a moment. “Able. That above all. Determined, deliberate, dutiful, single-minded.” (ASOS, Daenerys I)
“Prince Rhaegar’s prowess was unquestioned, but he seldom entered the lists. He never loved the song of swords the way that Robert did, or Jaime Lannister. It was something he had to do, a task the world had set him. He did it well, for he did everything well. That was his nature. But he took no joy in it. Men said that he loved his harp much better than his lance.” (ASOS, Daenerys IV)
#thank you for the ask!!!#hope it didnt get too long and rambly afshsjsjs#once started talking its hard to shut up 😂#and im sorry for any possible mistakes#.txt#rhaegar targaryen#targnation#mypost#fandom wank#anti antis#majorton#*answered#asks
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Whitewashing in AtlaLok: the Western & Christian Influence on s2 of LoK
Ok, so i’m not a big brained expert on all things indigenous or even all things asian but I do think bryke's christian & western worldview seeps so far into season 2 of LoK that i think out of every season it’s by far the most unsalvageable out of everything they’ve ever done in the Atlaverse and is a very insidious kind of whitewashing. I know that sounds hefty but here’s what I mean
For the record, I’m a mixed filipino person & while there is religious diversity among filipinos, more than i think ppl realize or that the catholic majority is willing to let on, when we were colonized a large percent of the population was indeed forced to convert to catholicism so that’s my background, & i don’t know everything about taoism or the what the tai chi symbol represents but the way Bryke westernize the concept of Yin and Yang is honestly… kinda bewildering. They get so many details about yin & yang wrong?? & Yes, it’s possible they could’ve been trying to create their own lore that differentiates itself from the traditional depictions of Yin & Yang, but in the end i think it doesn’t matter b/c the lore they invent is a very obviously western interpretation of the concept of “balance”.
The most important and honestly worst change they make is that concepts of “light” and “dark” are completely oversimplified and flattened to represent basically “good” and “evil” (which, the light and dark side are a bit more complex than representing just “peace/order vs. Chaos” like the show might imply but we don’t even have time for that, but is funny how they get the genders wrong. Like. Traditionally, light is usually coded masculine and dark is usually coded feminine, but never mind that, that’s just a tangent). This really simplifies the nuance of the s2 conflict and makes it a lot less interesting, not to mention just—misrepresents a very real religious philosophy?
And for the record, a piece of media going out of its way to do "the show, don’t tell" thing of stating in the text that “oh, light and dark are not the same thing as good vs. evil” without actually displaying that difference through the writing is just lip service, and its poor writing. A lot of pieces of media do this, but i think s2 of LoK is particularly egregious. The point of this philosophy of balance is that you aren’t supposed to moralize about which side is “good” or “bad”, or even really which one is “better” or “worse”. Even if the show states the concepts are not interchangeable, if the media in question continually frames one side (and almost always its “chaos/darkness”) as the “evil” side, then the supposed distinction between “light vs. dark” and “good vs. evil” is made moot. And besides the occasional offhand remark that implies more nuance without actually delivering, Vaatu is basically stock evil incarnate.
This depiction of conflict as “defeating a singular representation of total evil” isn’t solely christian, but it is definitely present in christian beliefs. And I think those kinds of stories can be done well, but in this case, in a world filled entirely of asian, Pacific Islander & inuit poc, to me it feels like a form of subtle whitewashing? B/c you’re taking characters that probably wouldn’t have christian beliefs, and imposing a christian worldview onto them. Not to mention removes what could have been an interesting conflict of any nuance and intrigue… and honestly, sucks, because I do think s2 has the bones of an interesting idea, mostly b/c there are potential themes that could’ve been explored—I know this b/c they were already explored in a movie that exists, and it’s name is Princess Mononoke! It has a lot of the same elements—tension between spirits and humanity, destruction of nature in the face of rapid industrialization, moral ambiguity where there are no easy or fast answers and both sides have sympathetic and understandable points of view. (Unsurprising b/c Miyazaki is Japanese & Japanese culture has a lot of influence from Buddhism, Taoism, Shintoism, etc)
Bryke’s western & christian worldview also totally seeps into the characterization of Unalaq, the antagonist of the season which is a real problem. I’m in the middle of rewatching s2 right now and what struck me is that….. Unalaq comes across kinda ecofash AND fundamentalist which is 1) seems like an odd combination but maybe it really isn’t? 2) i think is a really tacky choice considering that the water tribes take the majority of its inspiration from inuit and polynesian indigenous cultures.
I honestly forgot abt this but Unalaq gives this whole lame speech abt how the SWT & humans as a whole suck b/c of their lack of spiritual connection & it was really eerie to me b/c "humans are morally bankrupt and they must be wiped out/punished for their destruction of the environment" is total ecofash logic bc it blames all of humanity for damage caused by those in power—be they capitalists or whoever. It’s a worldview that blames the poor and powerless for something they have no say in, and has real eugenics undertones bc with every implication of culling, there has to be someone who appoints themself the job of culling—of who is and isn’t worthy of death.
This belief also struck me as......... kinda christian in it's logic as well which is WEIRD b/c once again........ their cultural inspirations are DEFINITELY not christian...... The whole "man is inherently evil and must spend their whole lifetime repenting/must face punishment for it’s wickedness" thing and the way that christianity treats humanity as born with original sin or inherently corrupt—as well as above or separate from nature are really stronger undertones in Unalaqs worldview....... which isn't really an indigenous way or thinking.
I'm generalizing of course but from what I have seen from the indigenous people who speak on this is that (feel free to point out or correct me if i’m mostly generalizing abt Native Americans and not other indigenous cultures & there are some differences here) is that while native tribes are not monolithic and do vary wildly, there are a lot of common threads and that reverence and respect toward nature and your surroundings is an important tenant of indigenous beliefs. (I specifically remember the hosts on All My Relations saying essentially that we humans are a part of nature, we are not separate from it, and humans are not superior to animals—I’m paraphrasing but that is the gist of it)
So, yeah, I think it’s just really distasteful to write an indigenous character who is characterized in a way that’s way more in line with a christian fundamentalist & wants to bring about a ragnarok style apocalypse end of the world when that isn’t really a tenant of our beliefs? (btw, the way the end of the world is framed is also kinda fucked up? If i were being charitable, I could say that maybe s2’s storyline is a corruption of the hindu depiction of the end of the world, but even that sounds mildly insulting for reasons I won’t get into b/c i am Not The Expert On Hinduism. I will say that once again, the framing of the concept is all wrong, the show views the idea of apocalypse through a very western lense)
To wrap this up, I think the depiction of Unalaq could *maybe* work b/c he is the antagonist, so someone who strays from the NWT cultural tradition in a way that makes his view of morality more black and white wouldn’t be a *horrible* idea for the bad guy of the season. Especially because the introduction of capitalism to the A:TLA universe could probably cause a substantial shifts to… idk, everything i guess, b/c capitalism is so corrosive. Like. Sometimes people are just traitors. I do think it would be interesting to portray the way capitalism manifests in a society without white christians. Like… I do think there are a lot of ways secular christianity and capitalism are interlinked. But Unalaq is not portrayed as an outsider, he’s portrayed as hyper-traditionalist in a way that’s vilified? I guess rightly so, he does suck, but it’s just hard to conceptualize how a person like Unalaq comes to exist in the first place. In the end, I don’t really think it makes sense, in a world without white people, I don’t really know where this introduction of black and white christian morality would even come from in the avatar world?
TL;DR, Bryke applying western christian morality & world views to non-white characters in a world where white people have NEVER existed to affect our beliefs is a subtle form of white-washing. It imposes simplified “good vs. evil” world-views & cultural beliefs onto its characters. Any attempt to represent or even just integrate our actual beliefs into the A:tla lore are twisted and misrepresented is a way that is disrespectful and saps out any nuance or intrigue from the story, and alienates the people its supposed to represent from recognizing themselves within the final product. And Finally, on a more superficial story level, these writing choices clashe with the already existing world of ATLA--and is honestly just poor world-building.
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Ok I just finished book 4 and thus the series as a whole, here are my thoughts:
1) first and foremost: Korrasami. It was beautiful. It was gorgeous. I wept. I’m weeping as I write this. It was really gorgeous. I don’t want to criticize it because I know just how big of a moment that was for gay representation in children’s stuff, that it was the blueprint for a lot of the other LGBTQ+ rep in kids’ animation I’ve watched and loved. That said, I do wish that Asami had gotten more character development prior to Korrasami happening. I really don’t feel like I know much more about Asami now than I did at the beginning of the series. I know a lot of stuff with their relationship had to be censored and like, I get it, it was 2014. But the stuff about Asami’s relationship with her father was really interesting and I would have loved for that to have been explored in more depth, and idk, she just had interesting character traits. She’s an ace at pai sho, she’s a female inventor, she’s the only nonbender on Team Avatar. I would have loved to see more of her friendship with Bolin, or what her relationship with Mako looked like post-book 2, or just anything really. It does bother me that Varrick got a whole character arc and Asami was just kind of...there, the whole time. Idk, I think if both Korra and Asami had more and better development it would have been even more amazing and wonderful than it already was. And that’s the perfect segue into:
2) Korra’s book 4 arc!!!!!! if you missed my 3438098908080 liveblogs about it, I loved Korra from the start, and it was really hard to watch her get beaten down time and again, only for her to say that she *had* to go through all that to be “compassionate” when I knew she was compassionate from the moment I met her. The way she was written throughout the show just reeked of racism and sexism, and I wish the writers had seen this awesome character they created, who was strong and fierce and good and powerful from the very beginning, and, to paraphrase @bluberry-spicehead , let her be. She deserved so much better than what the writers were willing to give her. Maybe when I was younger, the idea of having to go through immense suffering to be good would have been appealing, but having been through a lot in the past year, trauma doesn’t make you a better person. If you become a better person, it is in spite of trauma, not because of it. I really think the way they wrote her sends the wrong message and I wish they had done something else (and there was so much more they could do!!! It really was not necessary for them to make her suffer so much and then try to justify it later!!!)
3) in terms of the series as a whole, I definitely think in terms of purely technical things, book 4 was the best season by far. However, in terms of comedy, book 1 was the best season. Simply nothing will beat the Amon is Tarrlok’s secret brother reveal.
4) I meant to have a prediction of who would get a secret sibling reveal this season (since it happened in the other 3) but nobody got one so I guess all my bases were covered.
5) oh speaking of hcs, I predicted at one point or another that all of the villains were robots, and I FINALLY (sort of) GOT IT RIGHT WITH KUVIRA I FUCKING KNEW IT!!
6) Favorite good line: “Kuvira will rue the day she messed with Meelo!” Favorite bad line: It’s a tough call between “Unalaq hired the barbarians” and “Zhu Li, will you do the thing for the rest of our lives?” so I’m just going to honor them both bc they were both the result of absolutely shit writing.
7) Favorite gaang cameo: It was SLIM PICKINGS but I have to go with Katara because she was mostly unproblematic and somewhat consistently written (would have gone to Sokka but I can’t give the lok writers for having fucking killed him even though he was a true king in that flashback scene) (although tbh if he had lived they would have made him a secret war criminal who was a dick to his kids and had a brother we didn’t know about so maybe we dodged a bullet there)
8) Favorite characters: Korra, Asami, Mako, Bolin, Shiro Shinobi, Opal, Tenzin, Meelo, Pema, Grandma Yin, and of course, Prince Wu. Least favorite characters: fucking Varrick (as well as Unalaq, Zaheer, Kuvira, and Tarrlok, but tbh, mostly Varrick) (also can we talk about how so many of the antagonists were Water Tribe???? what was up with that????)
9) the setting was...weird throughout. I posted a lot about wanting to understand how the fuck the United Republic government worked and I’m going to be perfectly real with you I still don’t know. The over-industrialization, the Westernization, the fact that they could not commit to a governmental system (and I never got to see the constitution!) it was all just deeply deeply wrong. I wish that they’d hired more writers of color, especially writers from the cultures they were trying to represent, because I think there was so, so much potential in the idea of a sequel series to ATLA, and they wasted it.
tl;dr the characters of LoK were great, the writing was not, and bryke owes me and everyone else who watched the show an apology for dropping the ball
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ok idk if this has been done before but hear me out. call me by your name au with elio!laurent and hot older oliver!damen 🤤 (happy ending tho bc i’m not a masochist) all this talk of older damen being hot as all hell got me THINKING
!!!!!!!! idek if this is ask is meant for me but as someone who genuinely loves the movie (not so much the book lol) i can get on board with this!!
also......on a completely different note....i actually have a wip that is heavily inspired by call me by your name. it takes place in summer, features postgrad damen who is helping out professor aleron, and laurent who is very smitten with damen and his muscles. here is a snippet from it (aka the only part that is semi edited):
It isn’t until Rochert tells everyone on the football team that Laurent is a desperate, whorish, cock-hungry slut that Damianos finally begins paying attention to him.
Damianos, or Damen, as he insists on being called, is Papa’s latest research assistant. Every year, Papa promises a sedulous student of his free residence in their guest house for an entire year, while cultivating said student’s brilliance. It’s part of Papa’s grand plan to create as many philosophers in a “philosophically unchallenged era”. Usually, the students have to dedicate a certain number of hours a week to help Papa research new material for his classes, grade papers, and translate niche, long poems no one besides patrons in Introduction to Classics reads. Damen himself is an enigma; he’s at the very least 6’ 5”, quite possibly taller, especially when he wears boots, bronzed, dimpled, and he spends nearly all his free time at the gym, on the field, or in the kitchen with Mama, sampling a bizarre new creation of hers.
He has also been the object of Laurent’s fascination and sexual dreams for the last three months. In fact, upon meeting Damen for the first time, Laurent’s first thought had been, I want him on top of me. Since then, his initial inner monologues haven’t deviated much. The only problem is this: despite Laurent’s continuous efforts to get Damen to grunt more than one syllable in his direction, Damen doesn’t seem to ever notice him. Even when Laurent lingers around the guest house doorway wearing his limited-edition Givenchy jacket and jeans that are a size too small, all Damen ever does is give him a polite, mostly uninterested nod.
At the end of the third month of pining with little reciprocation, Laurent decides that pursuing Damen is an unworthy, impossible task. His mind is mostly made up, until one Tuesday afternoon, as Laurent is leaving for his Philology class, Auguste and Damen come barrelling in through the kitchen doors, instead of through the patio doors.
The patio doors offer a direct path to the guest house; after a particularly vigorous training session, Auguste and Damen directly head through there to get high and drink. Auguste can’t do that anywhere besides the guest house; he had insisted on living on campus, with his other football teammates, even though their house is down the road from university, and at most, a five-minute walk.
Laurent is too distracted by the tightness of Damen’s shirt around his biceps to actually notice Auguste, until his brother pushes him to the side in order to get to the freezer.
“Oh my god!” Laurent gasps. Auguste is bleeding heavily. There’s red smeared all over his nose, dripping into his lips as he tries to stop the flow. Wrapping a paper towel around some ice cubes, Auguste tilts his head down. Damen hovers over him, saying something that is too quiet for Laurent to pick up on.
Laurent breathes in sharply through his nose; the dizziness he feels is sudden. He sits down at the dining table, a hand pressed to his forehead, eyes squeezed shut.
“You alright?” Damen calls out from the other side of the kitchen. He’s handing Auguste more ice. Laurent can’t even celebrate the fact that Damen is addressing him because he thinks he might pass out.
“Mmm hmm,” he says, or at least tries to.
“He’s scared of blood,” Auguste says. His voice is muffled around the paper towel.
A moment later, there’s a glass of water being placed down near his elbow. Laurent looks up at Damen, who isn’t quite smiling. He says, “Drink up. It might make you feel better.”
By the time Laurent has finished drinking his water, with shaking hands and a dry mouth, Auguste seems to be in better shape. There’s no more blood all over his face, just a streak of mud on his temple and sweat in his hairline.
“What happened to you?” Laurent asks. “Thanks,” he adds belatedly to Damen, who only nods, already back to his usual stoicism around Laurent.
He’s surprised by the anger twisted in Auguste’s features; Auguste is rarely antagonistic. “Do you know what that motherfucker Rochert has been saying about you?” Auguste’s voice is a brittle, biting sound.
Laurent almost says who? It takes him more than a few seconds for the name to register in his mind. When it does, he blushes, hard. “Um.”
He has a concrete idea of what Rochert could have said to piss Auguste off to this degree. The changing rooms aren’t soundproof, and yesterday, when Laurent had dropped off some papers to Damen as a favour to his father, he had heard Rochert’s booming voice telling Jord and Orlant that Laurent was a slut, always ready for cock.
Damen had stepped out of the changing rooms the moment Rochert had said, “He’s a straight up whore. Seriously. My cock was on fire and he still wasn’t satiated.”
His voice had carried into the space between them. It was as though Rochert was standing next to them; his voice was clear and unbroken.
Damen’s eyebrows had risen. Laurent, face hot, fumbled with the papers. “Here.” He shoved them into Damen’s hand.
Damen, wearing his letterman jacket and smelling like a generic soap brand, took them. For a moment, it looked as though he was going to say something. Then he smirked, and his eyes travelled over Laurent’s body in a leisurely place. It was the kind of once over someone promising a good fuck would do. Laurent had felt like his whole body was on fire, and not just his face.
Damen said, “Thanks,” smirk still firmly locked in place, before he turned around, heading towards the coffee shop.
On his walk to the other side of campus, Laurent had managed to convince himself that he had just been imagining the look. Damen had been staying with them for three months now, and in that span of time, the only thing he had said to Laurent that was longer than two syllables was, Does your dad stock any Patran dictionaries? It wasn’t conceivable that Damen now would suddenly look at him like he was a five-course meal.
Now, however, Laurent swears Damen is giving him the same kind of look, even if his mouth is set tight.
Still, there are more pressing matters right now. Taking in Auguste’s rumpled jersey and his glittering eyes, Laurent makes his conclusion. “Did you hit him?”
“Did I –” Auguste breaks off with a slow, incredulous shake of his head. “Yeah, I hit him! That little shit was saying the most disgusting things about you.”
Laurent recalls the conversation from yesterday. “I mean, it’s not – he isn’t that bad.”
It’s the wrong thing to say. Auguste is getting more incensed. He’s practically vibrating with anger, hopping from one foot to the other. “Look Laurent,” he begins, and Laurent mentally groans; Auguste has gone into his lecturing mode. “It doesn’t matter who you sleep with or what your tendencies are in the bedroom, you never let someone talk about you like that. Alright? Tell me you understand.”
“I understand,” Laurent says dutifully.
“I can’t believe the nerve of that guy,” Auguste says. “Apparently he’s been spouting this bullshit for a while now; he just waits until I’ve left practice. It’s lucky I forgot my wallet in my locker today.”
Laurent hums. Truthfully, he doesn’t care what Rochert – or the other football guys – say about him. Aside from a comment here or there, they don’t ever talk to him anyway.
Regardless, he’s touched by Auguste’s protectiveness.
“Thanks,” he says. “For protecting my honour and all that.”
Auguste throws him a fond, exasperated look. “Don’t thank me. Just… you know.”
“Yes,” says Laurent.
Damen says, “You going to class?” even though he knows Laurent has classes on Tuesdays and Thursdays.
“Yes,” says Laurent. “Philology.”
“I took that in first year too. If you need any help, let me know.”
“...Thanks,” says Laurent.
#captive prince#my writing#for some reason in this word doc i had linked google results for armie hammers height#so i guess thats something#i also linked an image of tiramisu#like not a recipe#just an image#i have no idea why and honestly i dont want to know why#anyway anon sorry if this wasnt for me and i hijacked it#asks
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tybw arc sucks but imagine if the final arc was a revolution arc against soul society kinda like a civil war about how fucked soul society is. yes that might be me saying that bc i want a revolution in soul society but it would have worked also im talking out of my ass cause my braincells have died with my memory retaining and now im incoherent
tybw tried to also shake it up and make the arc a gray vs gray faction fight but it. Didnt end up being that way. soul society is fucked but compared to the quincies they are the more moral ones which is. alright but there was no extreme moral decisions from soul society we know theyre bad bc yhwach said they were also shunsui decided to unleash aizen but the more Awful decisions come from the end of the manga with the revalations of the zero division and the soul king but you can still argue that soul society is good tm. since we are made to believe that.
but a revolution brings all of soul society’s flaws up because theres a Reason for a revolution. soul society has committed A Lot of crimes from the quincy genocide to tousens backstory, to m*yuri existing, the rukongai, to the sheer power central 46 has over the shinigami. like honestly it would be better if someone who was very much wronged by soul society started it. powermove would have it be jushiro but a lot of characters have reasons to be against soul society. any character from the rukongai, the vizards, karukara gang, urahara and co. you dont even need to create a whole new character you could use a pre existing one who has reasons and just run with it. not only that but it minimizes the issue of having way too many characters by focusing on the ones already available and actually leads to more characterization and growth since we’re not running around trying to develop 26 sternritter and one giant fuckass
The civil war aspect is more for spice cause inner conflict is Great. having characters conflicted on obeying the state vs what is morally correct could make for interesting discussions as well as fights. we could see fights in soul society that we have never seen before. hell we could have a full out jushiro and shunsui vs yamamoto fight. it allows for fun matchups since we are mostly aware of what the shinigami are capable of and we can still have power reveals
you can also add cfyow into the main plot cause cfyow is a soul society centric arc since it involves the noble clans (specifically tokinada) as antagonists. you can flesh out the noble clans because it directly involves them. also it pains me to say it but it could also develop byakuya since he can have his whole first arc conflict but u can crank it up to 11 with him. it could flesh out yoruichi cause shes a noble and really dig into her past. we can also go full into shiba clan stuff and bring kukaku back bc i miss her. soul society politics are fucking wack this is the opportunity for more soul society lore
so in short fuck soul society lives thanks for coming to my ted talk
#bleach#ramble tag#long post#im still incoherent guys#i still have more to say but honestly my brain is fried atm
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TH!FPA_VB – Lord of Lies and Deceiving
Yo, been a while since I posted something on this account, but here we are, back at it again with a casual VB drawing like in good ol’ 2020
…Though, this time things got built on a different road of events as you can see, not to mention this is a spoiler to what’s to come for VB (but tbh I stopped caring at this point so yea)
First and for most however, there are quite a few questions surrounding this fic’s development I have to answer for our sake (mostly mine since I feel like mold spaghetti for not keeping up on things oml-)
Yes, I once said VB was on the way of getting completed and all that, I know
Problem is, the changes I want to do to the ‘lore’ (if you want to call it that way idk) are also retroactive to the events in the present timeline (aka past events that are mentioned but not entirely shown because ugh-), some characters that have some relevancy on the story but only come up at the very end chapters on VB itself, etc. etc. which are things that I personally find bothersome as its writer and the reason why I’d rather not make the ‘sequel-prequel’ of it where things get explained and all that
Instead, I’ll fuse both VB and TAF (the sequel-prequel’s name acronym standing for ‘The ‘ANOMALY’ files’ fyi) so it can focus on one party alone and I don’t waste any more time than what I already have done so (haha funny cuz me late to party amiriteeeimsorry-)
…And about the format for it, I’ve decided I’ll ‘upgrade’ it to a comic instead since y’know, I do art and it’ll also make my writing simpler so yea
Still tho, I’m kinda paranoic on if I should get going with the prologue by the time I finish its script or not since I don’t wanna make the plot a mess or leave things (important* things) unfolded by accident, but we’ll see how it goes (and hopefully I’ll make it out alive-)
Also, keep in mind that by the moment I’m writing this, I’m stuck in the Friday Night Fuc- I mean Funkin’ fandom, and y’all know what happens when the fandom switching happens…
My concept-creation-obssessive-self starts grinding gears like cuckoo -doesn’t mean I’ll abandon everyone else tho, it’s just that my focus splits on multiple parts and all that balloney
So, now that I did my little defense statement up there, let’s get rolling to the mainpoint down here
First, who’s this spider guy?
Well, he’s a ‘side’ antagonist, more specifically the person DPM is after (but doesn’t realize he is until very later)
His name is Q-Ross Sid, a ‘camel spider’ that lives in the Spider Kingdom as the royal executioner and prison head-guard/-caretaker
He’s what I’d consider to be an ‘anomaly’, since he’s a genetic fusion of graphite (20%), chalk (10%) and correcting fluid (70%), with the graphite being his ‘stabilizer’ component (osseous structure and skin/muscular tissue mostly) and the chalk his ‘cooler’ component (mostly on his defense and assimilation mechanism), not to mention he can only consume either correcting fluid matter derivatives…and/or ink matter derivatives, including living beings (mostly as an energy source and which his body somehow can partially convert into graphite)
…And by that fact alone you can tell that yes, he killed Isea -also known as Dizzy/Izzy Pants Girl (YESss I fINALLY GAVE HER A NICK ASDFGH-) in VB mostly due to her ‘special ability’ and stuff- by Queen Aris’ command. And yes, he can shapeshift, which explains why he got DPM to blame FPM for what happened, this that (but I think you might have figure it out already by the drawing alone so yea-)
However, although at first I thought his ability would be limited to mimick FPM’s appearance only, I now decided to amplify it a little, and instead he can shapeshift into any sketch/graphite-alike/related being, with FPM being his ‘link’ to them most of the time (stalkey tatics are not okey dokey my man but you do you I guess)
Though he can only shapeshift into stickfigs since he doesn’t have that much of ‘color filling’ for a human drawing itself (yeah ik they’re humanized in the story but things will make sense sooner or later I promise, for now just bear with me as we go on on this plz), and he cannot shapeshift into ink/liquid-alike/related beings because they’re not compatible and it’ll only lead him to corrupt his physical form –not meaning he can’t recover from it tho
But he can’t replicate them entirely, as his eyes and the ring are the two main red flags to spot him (but with some contact lenses and a little pocket, it can be fixed y’know-)
As for his robotic arm, it was after a fight that I’ll rather not explain due to not being that relevant; and even thought doctors refused to give him a prosthesis at first since he could simply let it rebuild naturally (yes he can regen too, but in a slower phase bc reasons), he got it anyways due to the fact limbs regen take way longer than physic injuries and/or internal damage (some even assumed that they probably wouldn’t actually regen anyway), which can be a bother on his job most of the time…and maybe out of spite too –he wanna look tough, yo-
Fun fact, during the hype I got from making this bad boi, I ended up attaching him to grandson’s song called ‘Blood/Water’ due to the lyrics kinda resembling his defamatory actions towards FPM (and also his wild and sometimes desperate hunger towards ink beings, yikes)
Second, what’s VB’s main plotline now and why did I expand it?
To resume it in the ‘signature phrase’ I made for the new version (which was also inspired on MARETU’s ‘Magical Doctor’ song –mandoilovethisvocaloidsongcomposerasdfgh)
**THIS WASN’T MEANT TO HAPPEN**
Venomous Bittersweet (which I’ll rename in the future due to the fusion with TAF) started off with a simple plot -FPM going on a mission for himself to get cured from a spider bite he got all of a sudden, but failing in the process (bc plot convenience idk) and CPG is the one who goes to his rescue instead while showing off the things she learned from him, this that, wholesome ending blah blah blah- you know the drill if you read it to end.
But by the moment I began making those little ‘inside stories’ –specially DPM’s backstory explaining why he became so reckless and outgoing- I started to extent myself on how things worked on this AU, even how drawings come to life (ik it’s weird but that’s how I though it to be so ff-), and by such I felt the urge to give almost everything a background story, such as Aris’ reason to kidnap and take control over FPM’s body and mind (and maybe his soul too oops-), the Spider Kingdom’s origin and even the portals and ‘reality deterioration’ in SFPA, passing by DPM’s origins and stuff.
And even if I felt like hitting walls and taking things a little too in-depth most times, I think it did bring some good things for the new plotline I’m going for now
So, in the new story, all the weird, whacky (and disturbing) things that happen after SFPA and during OG VB plotline came by what I’d express as some sort of ‘time-space anomaly’ that made everything slightly unstable on the ‘other side’ of the studio (I won’t explain too much my brain is about to boil rn so take that as you will for now tysm), having a passive (but not unnoticeable) effect on the sketchbooks.
I can’t give much context why, how or where did the anomaly came to be exactly (you can make theories if you like, I’d love to read them 4real <3), but it’s main purpose is to take control over all existing worlds just to corrupt them to its will, to the point there is basically nothing left but despair and desolation to which all entities will be forced to endure and all that edgy jazz.
…And by that, the ‘anomaly’ will create incompatible matter amalgams –ink and graphite being the most coming-to-mind example in the story so far- in order to conquer all the sketchbooks, but as a consequence of this ‘anomaly’s’ arise, new worlds came to be fully developed (in other words, they finally exist as a whole), and with that, new ‘heroes’ are brought into the situation, each representing a type of artistic material alone –watercolor, oil paint, etc-, heroes with which FPM will encounter and interact with, as he’ll also help them in how to use their abilities to fight the baddies and stuff.
And because we need conflict to make things interesting, Q-Ross and DPM indirectly (but kinda) ‘team up’ to fabricate fake evidence and such in order to mess with FPM’s reputation towards the heroes by incriminating him and/or even mislead his actions (confusing wrong by right and vice versa, etc.) (because ink man is salty and corrector ass is a dick by nature –ofc), and even ocassionally with Q-Ross starting the job, just to get DPM to finish it; and sometimes they get the aforesaid characters to hold grudges –if it comes to succeed, or instead making them get more on his side by the same feeling of doubt –if they mess up on something, no matter the size.
As about his sickness, well, it also got a little twist.
We know that new worlds and material compositions come with new squiggle types, and even if ‘dust-related’ types don’t affect him for too long –chalk being the closest example I can bring up-, liquid or clayish matters, such as oil and crayon squiggles respectively, are toxic towards him, so in the way the more he interacts with incompatible squiggles, the more harmed his health condition gets, to the point it grips into the weakest part of his body –his core (I’ll later explain this just…let me get this out first plz), which limits him on doing most things he’s used to do normally.
…And well, the spider bite (which is also an abnormal matter amalgam times two, though I’ll keep it secret for now) was the last nail in the coffin on fucking him up entirely to a new level of corruption (damn is that a stretch I’m seeing-)
Long story short, this was also because I wanted ArPM to have a backstory that’s more than just ‘I’m evil nao bc me get poisond and mindcontrold by spoders out of spite hahahaha-’
Third (and lastly), who’s Ahetzo exactly and what’s his main purpose on the story?
This is a short one
In case you didn’t see my tweet on my Twitter account (here a linkie), this is a side character I made that’s supposed to be some kind of ‘spirit’ or something alike who’s the one in charge of the studio while ya dev boi is gone
In other words, he’s basically like Brad’s subconscious self (IK YIKES- YOU CAN HIT ME WITH THE CHAIR NOW I WON’T MIND-)
…and even though he tried to keep the anomaly thing contained as long as he could while figuring out how to disarm it or at least neutralize it (yes it was there way before, like during fpaw3 events or before so because AU logic lol), the more he tried to condense it, the more it multiplied itself until, well, y’know, shit blew up and everything just sdfghjk’d
And yes, he was the one who released the new worlds to keep the crazy stuff at range, this that
Oml my brain-
And before I finish here, I’d like to make a little ‘self-critic’ regarding my artwork here…and I gotta say, I’m really proud of it on most parts
As I began to retake on digital art lately –mostly due to my slight entering onto the FNF/partially NG communities and other things, I’ve been testing out new techniques and stuffs on GIMP 2 with the ‘routes’ tool and all that (that’s also why it looks almost symmetrical, but don’t fool urself it did took its time-), I even corrected some of the lines to make them sharp and fancy (haha funi joek im so quirkee-)
In here, I wanted to try mixing both solid and blurry shadows as well as replicating a ‘crystalish’ effect –as seen on Q-Ross’ eyes- and some line effects with the ink tool such as the liquid dripping out of Q’s mouth (yes that correcting fluid saliva now stfu-) and the graphite/correctfluid webs coming out of his clawtips/fingertips
And though I haven’t made an official palette for him, I think the colors I picked here suit him well enough in my own idea of such
Overall, I had fun making this, and I love how it came out
Still though, any criticism, opinion and commentary is welcome, both about my art piece and my little showcase over here
That’s all I got for now, see you all later on
K bai-
#The Fancy Pants Adventures franchise (C) belongs to Brad Borne (DrNeroCF) on NewGrounds#FPAVB + Q-Ross Sid| Artwork (C) belong to me
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