#HamLet

[gwydpolls]

Time Travel Question 67: Assorted Performances VI

These Questions are the result of suggestions from the previous iteration.

This category may include suggestions made too late to fall into the correct grouping.

Please add new suggestions below if you have them for future consideration.

[machazer]

Shakespeare said in Hamlet that "the eyes are the window to the soul"

this is how i flirt

[forthegothicheroine]

I don't know if you do requests for the Great Detectives, but I'd love to see how you think the Great Detectives would handle the murder of King Hamlet of Denmark.

This is a GREAT one! The big question is whether they all talk to the ghost of the dead king; I think I'm going to have to take that on a case-by-case basis, with whatever feels right for any specific detective.

So, in a series I do sometimes, how would various great detectives solve the murder of King Hamlet...

Sherlock Holmes: Well, obviously ghosts don't exist, so jot that down. But in Holmes's experience, living humans often pretend to be ghosts (or even make dogs pretend to be ghosts!) so who could this be? The young prince Hamlet, who everybody says has gone mad? Holmes deduces that he isn't mad at all, and is in fact conducting psychological warfare against his hated uncle; while Holmes disapproves, he concludes that the boy is completely right about Claudius due to his knowledge of the play The Murder of Gonzago, as seen when he's upset about changes in a production. The Murder of Gonzago is a play which premiered in a town in Denmark known for its manufacturing of poisons for pest control!

Hercule Poirot: Poirot is quite sad to hear that the monarch who invited him as a celebrity guest has died; why does this always have to happen when he goes on vacation? Polonius spies on the guy to see what he's up to, but Poirot is much better at snooping on people than he is, and nobody can keep anything hidden for very long. He gives a summation where he reveals Claudius killed his brother. Prince Hamlet immediately goes to attack his uncle and they struggle over a sword. King Claudius falls dead and Poirot bows out, because determining whether Hamlet should suffer consequences or just become king is not his department.

Sam and Peter: Hear me out- if we bump Hamlet down from ambiguously college-aged to ambiguously high school aged, we can replace Rosencrantz and Guildenstern. These two nerdy kids are shipped in to cheer their friend (more like acquaintance) Hamlet up, and to his surprise, they respond to his depressing monologues by taking notes and asking for further details on why the world is so corrupt. Hamlet isn't so happy about them doing an investigation into "What is up with Hamlet's super hot mom?" but when they suggest interviewing Claudius to see if he has the face of a liar, he enlists them to help out with putting on The Murder of Gonzago. The rest of the play mostly goes the same, but they find the letter Claudius planted on them and show it to Hamlet. One of the last lines of the play is when Fortinbras is looking at everyone lying dead, but then Osric points out "Sam and Peter are alive!"

Phryne Fisher: Phryne is a dubious (if genteel) woman Laertes has taken up with, whom Polonius is doing everything in his power to drive away. Phryne doesn't care, but it does bring her attention to the fact that the man is apparently constantly spying on everyone in the castle. On whose behalf is he doing this? King Claudius? Is he afraid someone may assassinate him because of his brother's suspicious death? What was the official story about that, anyway? She exchanges sexy insults with Prince Hamlet, refusing to be cowed, and ultimately agrees to play the queen in his production of The Murder of Gonzago (where she gets a little too into the love scene.) When she turns and looks directly in Claudius's eye in the audience during a crucial line, she can see the answer to everything. Claudius tries to convince Laertes to kill her, saying she corrupted Ophelia into being a whore for a mad prince, but Laertes can't go through with it and kills Claudius instead.

Dale Cooper: King Hamlet's ghost tells him who killed him in a dream, but Cooper doesn't remember. He befriends Horatio and tells him that in order to understand the death of the king, it is crucial for them to study an old Icelanic poem about a man who feigns madness, because the answer to the mystery lies somewhere within. Horatio doesn't totally get it, but he figures Cooper must know what he's doing and goes along with it. When everyone is gathered to watch a production of The Murder of Gonzago, Cooper first steps up onto the stage, guided by a spirit in the form of a snake wearing a crown, to announce that King Claudius killed his brother. Prince Hamlet immediately stabs his uncle. Determining whether Hamlet should suffer consequences or just become king is not Cooper's department.

Philip Marlowe: All I know is, most of this mystery involves him getting thrown off the palace grounds repeatedly and being told that a bum like him better keep away from King Claudius if he knows what's good for him. If he ever gets out of Denmark alive, Marlowe thinks to himself, he's never leaving LA during the winter ever again.

Sam Vimes: Vimes can actually interview the ghost, but that doesn't mean the case is closed. He's not worried about the ghost actually being a deceitful fiend, he just thinks there's a possibility he's wrong. After all, if Vimes was poisoned and his ghost found out some creepy relative immediately married his wife and took his job, he would also jump to conclusions! He spends a lot of time yelling at royal people and getting threatened with execution (Vimes doesn't know how his job ended up involving so many clashes with royalty, but so it goes), and is disrespectful of religion enough to spy on Claudius while he's having his remorseful confession. He can't arrest him, but he spreads the word around, and as the royal court dissolves into backstabbing and finger-pointing, Vetinari walks in with a full retinue (and more importantly, a list of all the debts Denmark owes to Ankh-Morpork) to evaluate the situation and congratulate Claudius on his "excellent decision" to abdicate. Claudius later dies of a totally natural snake bite in his ear.

Columbo:

Your Majesty, King Claudius, forgive My clumsy common nature. I am not A noble gentleman, nor do I live With such great honor as yourself- a thought, However, troubles me this night. For how Should some strange serpent come to bite a king? And why within his ear? It puzzles! Now, I beg that I may ask just one more thing…

[metamorphesque]

I'll leave this here and you can guess who the author of this article is

[the-lincyclopedia]

[ID: A screenshot of a Tumblr tag that says, "Rosencrantz and Guildenstern Are Undead" /End ID]

I feel like at some point somebody should do an adaptation of Hamlet involving a zombie outbreak as a major part of the plot, if only because "something is rotten in the state of Denmark" as the tagline is too good an opportunity to pass up.

[ilikethisacompletelynormalamount]

Two mixed media portraits of Andrew from artist Katie on bluesky.

[dykelectric]

it looks like the old link was copyright claimed so here is andrew scott’s 2018 hamlet

[vicshush]

[ID 1: A still from the Critical Role campaign one episode 69, where Percy is resurrected. A closed caption reads "Liam: No Hamlet death for you!"]

I do not particularly have art skills, but I wanted to try to group the characters through this lens.

[ID 2: Art of the four main campaign characters of Taliesin Jaffe, tying them to characters from the play Hamlet. Clockwise from the top: Percy de Rolo (campaign 1 character) grips one of his guns and holds up his plague-doctor-like mask at eye level, in imitation of Hamlet looking at the skull and speaking of Yorick. Caduceus Clay (second campaign 2 character) looks at the viewer with a slight smile while leaning on a large shovel, one leg bent and that foot propped on the flat edge of the shovel blade, in imitation of a pose of actor Charles Rock, who played one of the grave diggers in 1905. In a stream of silver waves meant to represent dunamis, Ashton Greymoore (campaign 3 character) lays on his back, their arms falling from their sides as blood pools from their head, his gaze vacant and his mouth open, in imitation of the pose of Ophelia in the river from the painting by Sir John Everett Millais. Mollymauk Tealeaf (first campaign 2 character) declaims, one hand raised and the other on his chest, smiling, and wearing a large but simple gold crown, posing as the Player King. In the center, between the characters, is a slightly paraphrased quote from Hamlet, "The gods hath given you one face and you make yourself another." /end ID]

i was thinking earlier about Percy de Rolo again and how amazing it is that Taliesen literally created the Byronic anti-hero of a gothic revenge tragedy, and then all his friends went “yeah but what if he got a happy ending through the Power of Love, though.”

and then while I was thinking about that (and also revenge tragedies, in general) I started thinking about Hamlet, as I am wont to do, and how much Percy is Hamlet because he’s so fucking aware of the shape of his own story and the fucking… self-defeating level of narrative savviness it takes to look at your own life from the outside and be like “this is going to end badly” and still do it.

Anyway, the point is I was thinking abt Percy being Hamlet and then I thought about Mollymauk being the Player King and then I realized that Caduceus is the Gravedigger and Taliesen is just slowly going through the entire Dramatis Personae of Hamlet, one-by-one, and I went a little bit feral.

[hamlet-the-dane-official]

my uncle killed my father and married with my mother and now i must *remembers that suicide jokes do nothing for my mental health and wellbeing* put on a play

[monstrousliarstold]

[magic-and-maybess]

pLEASE talk to me about Hamlet (specifically Ophelia) fhebdhebdheb

Fun Date Ideas:

Audition for Hamlet

Impromptu Hamlet performance in the park

Impromptu Hamlet performance at the mall

Impromptu Hamlet performance on the street

Go to see Hamlet together

Meticulously watch every film version of Hamlet and compare

Hamlet Dramatic Reading

Discuss Hamlet

[bloodybellycomb]

One massive, legitimate way to improve as a writer or artist or in any creative endeavor really, is to become absolutely obsessed with something and to allow yourself to be weird about it. Genuinely mean this btw.

[someone-will-remember-us-i-say]

I will be coming back to this concept. We're not done here

[moonlarked]

being a fan of a character is sometimes “look at how complex he is. he’s so intricate and his story is so tragic and he’s so much more complicated than people give him credit for” and sometimes it’s like “haha look at this failure of a person. I wanna throw him off a cliff and see what happens”

[mrs-starkgaryen]

MORE PRECISE POLLS:

Comedies

Tragedies

Histories

Please say why you chose, I'm interested and please share for bigger sample

P.s: I chose to do this poll cuz after r&j, hamlet, macbeth and midsummer's night's dream, I didnt study any of the others.

I was curious to see which one I should read first (as I want to expand my reading and I'm getting shakespeares works for christmas which I wanted after I went to see Tom Holland's r&j which blew me away and made appreciate shakey a lot more)

I'm sorry I failed you 'much ado about nothing' fans 😭

[william-shakespeare-official]

Here's THE masterpost of free and full adaptations, by which I mean that it's a post made by the master.

Anthony and Cleopatra: here's the BBC version, here's a 2017 version.

As you like it: you'll find here an outdoor stage adaptation and here the BBC version. Here's Kenneth Brannagh's 2006 one.

Coriolanus: Here's a college play, here's the 1984 telefilm, here's the 2014 one with tom hiddleston. Here's the Ralph Fiennes 2011 one.

Cymbelline: Here's the 2014 one.

Hamlet: the 1948 Laurence Olivier one is here. The 1964 russian version is here and the 1964 american version is here. The 1964 Broadway production is here, the 1969 Williamson-Parfitt-Hopkins one is there, and the 1980 version is here. Here are part 1 and 2 of the 1990 BBC adaptation, the Kenneth Branagh 1996 Hamlet is here, the 2000 Ethan Hawke one is here. 2009 Tennant's here. And have the 2018 Almeida version here. On a sidenote, here's A Midwinter's Tale, about a man trying to make Hamlet. Andrew Scott's Hamlet is here.

Henry IV: part 1 and part 2 of the BBC 1989 version. And here's part 1 of a corwall school version.

Henry V: Laurence Olivier (who would have guessed) 1944 version. The 1989 Branagh version here. The BBC version is here.

Julius Caesar: here's the 1979 BBC adaptation, here the 1970 John Gielgud one. A theater Live from the late 2010's here.

King Lear: Laurence Olivier once again plays in here. And Gregory Kozintsev, who was I think in charge of the russian hamlet, has a king lear here. The 1975 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here. The 1974 version with James Earl Jones is here. The 1953 Orson Wells one is here.

Macbeth: Here's the 1948 one, there the 1955 Joe McBeth. Here's the 1961 one with Sean Connery, and the 1966 BBC version is here. The 1969 radio one with Ian McKellen and Judi Dench is here, here's the 1971 by Roman Polanski, with spanish subtitles. The 1988 BBC one with portugese subtitles, and here the 2001 one). Here's Scotland, PA, the 2001 modern retelling. Rave Macbeth for anyone interested is here. And 2017 brings you this.

Measure for Measure: BBC version here. Hugo Weaving here.

The Merchant of Venice: here's a stage version, here's the 1980 movie, here the 1973 Lawrence Olivier movie, here's the 2004 movie with Al Pacino. The 2001 movie is here.

The Merry Wives of Windsor: the Royal Shakespeare Compagny gives you this movie.

A Midsummer Night's Dream: have this sponsored by the City of Columbia, and here the BBC version. Have the 1986 Duncan-Jennings version here. 2019 Live Theater version? Have it here!

Much Ado About Nothing: Here is the kenneth branagh version and here the Tennant and Tate 2011 version. Here's the 1984 version.

Othello: A Massachussets Performance here, the 2001 movie her is the Orson Wells movie with portuguese subtitles theree, and a fifteen minutes long lego adaptation here. THen if you want more good ole reliable you've got the BBC version here and there.

Richard II: here is the BBC version. If you want a more meta approach, here's the commentary for the Tennant version. 1997 one here.

Richard III: here's the 1955 one with Laurence Olivier. The 1995 one with Ian McKellen is no longer available at the previous link but I found it HERE.

Romeo and Juliet: here's the 1988 BBC version. Here's a stage production. 1954 brings you this. The french musical with english subtitles is here!

The Taming of the Shrew: the 1980 BBC version here and the 1988 one is here, sorry for the prior confusion. The 1929 version here, some Ontario stuff here, and here is the 1967 one with Richard Burton and Elizabeth Taylor. This one is the Shakespeare Retold modern retelling.

The Tempest: the 1979 one is here, the 2010 is here. Here is the 1988 one. Theater Live did a show of it in the late 2010's too.

Timon of Athens: here is the 1981 movie with Jonathan Pryce,

Troilus and Cressida can be found here

Titus Andronicus: the 1999 movie with Anthony Hopkins here

Twelfth night: here for the BBC, here for the 1970 version with Alec Guinness, Joan Plowright and Ralph Richardson.

Two Gentlemen of Verona: have the 2018 one here. The BBC version is here.

The Winter's Tale: the BBC version is here

Please do contribute if you find more. This is far from exhaustive.

(also look up the original post from time to time for more plays)