#Halligan

[pab0007]

the Stiff Halligan. How bad can it be

bottoms up

[detritus-cloaquinus]

almost burnt me fucking lentils because i got distracted with the scotland yard boys

[peppermintschnapps]

Okay hear me out: an AU where when Halligan gets captured at the manor by the Circle, Melanie chooses to go to Scotland Yard to seek help (instead of going after Halligan on her own).

Lowry angrily demands that Melanie take him to Halligan so that he can retrieve his precious stolen scissors - and then they both go on to rescue Halligan at the manor.

Lowry potentially softens a bit at this point, then permanently joins the duo for the rest of the story.

[thedigeridontt]

Detective Halligan is the evil version of Lieutenant Columbo

[mirroredranger]

🐾 + Tell Valerie, I said congrats on winning the costume contest! Speaking of which...what are some of her favorite accessories??

<It was really cool, wasn't it? I'll make sure she knows when I give her kisses!>

<But she really likes her earrings! She has some that look like chimeco. But a lot of pokemon like to pull them. They're cute! Like her!>

[rad-dude-comics]

[bugboybuck]

Halligan tool

uh, does that count as one word prompt? One item prompt?

Evan's about five drinks in, flushed red with his curls all mussed up and a damp spot of spilled beer on his shirt, when he collapses into Tommy's lap at their booth on his way back from the bathroom and announces with no preamble, "Babe, did you know Halligans were invented in - in nine-teen-forty-eight?"

He's so fucking cute. Tommy's not drunk - tries to drink less these days, because hangovers at forty are no joke, and he's long past his clubbing days - but Evan had wanted to go to a gay bar as part of his big queer life experience, so here they are. Evan drunk and flushed and relaxed, Tommy so smitten he thinks he'd follow this man to the grungiest WeHo bars in existence. His legs are gonna go numb if Evan stays in his lap much longer, cus Tommy's man is certainly no twink, but Tommy just wraps his arms around Evan's waist and raises an eyebrow. "Were you on Wikipedia in the bathroom?"

"There was a line," Evan explains. "Two - two guys were fucking in the only stall."

Ah. That explains why he looks a bit pinker than he did when he left. Tommy quests an exploratory hand over the crotch of Evan's jeans, hidden in the low light of their booth at the back of the the bar, and decides he'd definitely enjoyed whatever he'd heard in the bathroom. Tommy is instantly more interested in following up that line of enquiry, but —

"Babe, stop it, I'm trying to tell you something important!" Evan says, shoving Tommy's hand away. Tommy takes it back, holds it up in the air in surrender.

"About Halligan tools?" he checks. It's been a while since Tommy had to carry that classic bit of firefighter gear, but anyone who's ever worked in a firehouse knows them like an extra limb, a family member, something you could find by touch memory alone in the dark. Evan's Wikipedia spirals are cute, but Tommy can't imagine he has a brand new piece of information to tell Tommy about a metal rod nearly one hundred years old.

"Right," Evan agrees. He's sliding off Tommy's lap a bit, holding on with one hand gripping tight at the base of Tommy's neck. "Yeah, I just thought about it. About - okay, like, you know how a Halligan is like, the best thing you could ever have in a crisis? It can do a bunch of shit, like, all the basics, just by itself. It's got the claw, i-its got the blade, it's got the, what'dya call it, the pick. So it's, it's not like it can't do shit on its own, you know. But - but then, right, you combine it with a flathead, and they just fit together so perfectly? Like, they interlock and everything, they're designed for it. And then you've got an axe and a Halligan, so its even better, like, you can do even more shit, but, but, they fit together so well they're actually like, one thing when they're together? So we just call them the irons?"

Tommy looks at Evan from two inches away. They're bordering on five months together and everything still feels new, fresh, insane and invigorating and like no relationship Tommy has ever had before - the sex alone is certainly making him feel ten years younger - but at the same time, it's more settled than anything Tommy's ever had either. It feels like they know each other more than they should at this point; like it's been so easy to understand each other, to creep towards that feeling of deep and terrifying love. Tommy doesn't have a clue why Evan sounds like he's writing love poetry about firefighting equipment right now, of all times, but Tommy would listen to him do it forever.

"That's a nice way of describing it," Tommy says, smiling fondly at Evan. Evan's breath smells like beer and he's uncomfortably heavy and hot in Tommy's lap, but Tommy wouldn't trade an inch of their shared space. He runs his hand through Evan's sweaty curls. "I'd buy you a fancy new Halligan for your birthday if I wasn't a little worried I'd come home to find you in bed with it, based on how romantic you're talking about it. And I feel like that would hurt."

"Tommy," Evan complains, which gets Tommy to laugh, which makes Evan snort with laughter too. One of his broad hands thumps into Tommy's chest like a reprimand, then stays there. "You're not listening!"

"I'm listening, baby, I'm listening," Tommy assures him. He slides one hand back over the seam of Evan's jeans, just enjoying how he's so flushed and broad and squirmy. "What else about Halligan tools?"

"What I'm trying to say—" Evan pauses. Tugs on the back of Tommy's neck and looks right in his eyes, those big round baby blues drilling into Tommy's soul, his pink lips in a pout — "What I'm trying to say, Tommy, is I think I'm a Halligan and you're my flathead axe. I - I want to fit together with you, 'cus we make each other even better. And we're good on our own, but when we're together, I dunno, I just - I feel like we're a whole new thing. Like we need a new name. Like I was designed to fit into you. Do you get it?"

And Tommy —

"I get it," he says. He doesn't mean his voice to come out so cracked, kind of caught in the surprise of Evan, his incredible, ridiculous boyfriend - who doesn't tend to wax romantic but can make a homecooked meal or a thoughtful gesture or an offered errand feel like a declaration of love any time - confessing to him via an analogy about a titanium rod. It is so Evan that it's insane. He makes everything circle around the things he loves — his job, helping people, his family... and, lately, that list maybe includes Tommy. And Tommy has never been top of anybody's list before. He pulls on Evan's curls. "Have I mentioned lately that I fucking love how your brain works?"

Evan leans down and kisses him with a flushed, sloppy mouth.

Tommy kisses him back, and wonders if Evan also remembers that when a Halligan and a flathead axe are interlocked, they're not just called a set of irons. Sometimes, people call them a married set.

But Tommy figures he'll hold off on mentioning that for a few more months. At least until he convinces Evan to move in.

[nanowrimo]

4 Tips for Autistic Writers

Autistic writers can face unique challenges when it comes to writing. NaNo Participant Auden Halligan has tips to handle some of those challenges!

So, you’ve just sat down at your desk, all ready to work on your next chapter, but you just can’t seem to start. Something is itching at your brain, and no matter how hard you think, you can’t figure it out. For autistic writers, that itch might be even harder to get around when compounded with autistic inertia, introspection issues, and sensory processing disorder — even if we were super excited to get started, sometimes the stumbling blocks are enough to keep us from going anywhere at all.

Here are four tips to identify your struggles and work around them rather than against them as an autistic writer!

1. Schedule your writing time appropriately

While keeping a schedule can help you stave off unwanted change in your routine, the need to switch to another task when the clock strikes the hour sometimes feels like a monumental task, one that eventually becomes detrimental to your creative pursuits.

If switching tasks is the biggest hurdle to your writing, setting a designated writing time with no other plans around it could do the trick. Oftentimes, just one hour of time to transition from doing dishes to sitting down at your computer to write is exactly what you need to get past that point and find your writing headspace.

2. Make sure your sensory environment is right

Sometimes getting into that writing headspace is harder than normal, but you can’t put your finger on a reason. Chances are, you’re not quite ready until you have your sensory needs met and you can fully focus on your story.

Personally, I like to be on the couch with my water bottle, a playlist at just the right volume, and a comfortable jacket or hoodie on. For you, the ideal sensory space might involve a desk and a snack, a pet nearby, and a quiet room. For others, it could be outside or even at a library or coffee shop. Autistic people are all different and so are their sensory needs, so this one is super subjective — do what works best for you!

3. Take breaks often

Writing can be exhausting, and if you’re struggling to keep going, you might need to take a pause. If you’re like me and struggle with remembering to hydrate and eat once you’re deep in a task, use your break to get some water and a snack. If you’re having trouble staying focused, get up and move around and stim or go outside to give your brain a reset. If you feel like you’ve gotten some good progress done, however small, reward yourself — do something related to your special interest, dance with a pet, and celebrate your little (or big!) win!

The pomodoro method is a good way to keep yourself from working too long without a break, and if that doesn’t work for you, methods like the Eisenhower method with breaks interspersed and even simply inserting breaks into your scheduled writing time are just as valid.

4. Don’t be afraid to skip around

Another thing that often trips us autistic people up is needing to follow the story down its natural progression, from start to middle all the way to the finish. But inevitably, once we’ve gotten past the initial excitement of having the project started, we hit a stumbling block…and the project gets abandoned. I’ve left behind countless projects because I lost interest after hitting a scene I wasn’t excited for after just a few chapters.

To combat this, try writing out of order! Skip ahead to the scene directly after your stumbling block. You could also skip to the next scene your favorite character is in or even to the climax if it helps you move forward. If you’re having trouble putting your first words down, try writing a random scene in the middle of your story to get into the groove of writing your characters.

Alternately, if you can’t abide by the out of order method and really need to get your characters from Point A to Point B, try putting the scene you’re stuck on in brackets. For example:

[Character 1 and Character 2 fight over the decision to kick Character 3 off the team. 2 leaves in anger.]

It’s simple, efficient, and gets you out of that particular rut so you can keep moving toward that sweet, sweet conversation you’ve wanted to write since Day 1.

Now go forth and write, my friends!

Auden Halligan is a creator through and through. She’s been writing her entire life, but didn’t start participating in NaNoWriMo until 2017–right now she’s working on developing a TV series (or two!) and has several novels and short films in the drafting phase. Auden is currently a college student studying film production and hoping to minor in disability studies. You can find her on her very sparse Twitter at ink.and.spite. Photo by Lisa Fotios from Pexels

If you’re an autistic writer, check out the Pillow Fort in the NaNoWriMo forums! It’s a group for people who are neurodivergent, have disabilities, mental health concerns, or physical challenges that affect their lives.

[420technoblazeit]

does anybody remember that tma episode where this lady just like. couldnt sleep no matter what she did and one day she looked out her window and the fuckign billboard across the street that used to be a coffee ad was mocking her about it. bc that episode was actually kind of horrifying and listening to that lady's statement about how her insomnia was driving her insane and michael was taunting her about it was awful

but also. the mental image of someone absolutely sleep deprived out of their mind looking up and seeing a billboard defying the laws of physics just to make fun of them is kind of hilarious and i think about it every time i have trouble sleeping. im like damn. just like coffee billboard lady

[couldtheycatchkira]

[kinokoshoujoart]

scribbles based on my Another Wonderful Life file where i discovered Rock and Nami showing up together at Vesta’s farmhouse late at night on multiple occasions to cause various types of chaos and disturbance and havoc until Marlin and Vesta’s bedtime (which they both announce in unison to kick everyone out) this included

Rock levitating and attempting to rizz up vesta

Nami making a beeline for Celia’s room where she stands around making very subtle remarks (celia isn’t even in her room)

Marlin Enduring

haunting crime scene photos of the shenanigans:

[jordankennedy]

miscellaneous statement givers from seasons 1 and 2 (aka the BEST seasons)

[lesvegas]

[Benjamin Briggs info if you don't know him] [Brent Halligan info if you don't know him]

[creep-tober]

Creeptober 8 - Sleep No More

2 of Discs - MAG 74: Fatigue

"I don’t know when I last slept. It’s not that I can’t remember, it’s just that I can’t really tell. When I manage to steal an hour or so, if that’s even happened, my dreams seem so vivid and my waking so disjointed, that they blur together. Like all I have are scenes and images, devoid of context, and no true way to tell what is real and what is not."

[leveractionlesbian]

you know how Tumblr adores how pathetic and disgusting Harry Du Bois is. can we have that but for Detective Halligan